The Acton Photograph Archive
Call Number
Dates
Creator
Extent
Language of Materials
Abstract
The visual material in this Archive relates to the lives of the Acton family: Arthur Acton (1873-1953), his wife Hortense Mitchell (1871-1962), and their two sons Harold (1904-1994) and William (1906-1945). These loose photographs, photograph albums, negatives, scrapbooks, postcards, as well as images on glass, had been stored by the family at random in boxes, files, drawers, cupboards, desks, hat boxes, etc. in various rooms of their residence Villa La Pietra, Florence (much of it mixed with correspondence and other papers) from around 1903 up until Harold Acton's death in 1994. The Archive includes remarkably fine early studio portraits, many cabinet card photos bearing an albumen or gelatin silver print taken at the end of the 19th century for the Mitchell family and their circle in Chicago, and some cartes-de-visite photos dating from circa 1870 of Arthur Acton's ancestors. There is a very full documentation of the Acton family's life at Villa La Pietra, including visitors to the villa, from the first years of the 20th century up to Harold's death. This is of particular interest as a documentation of the Anglo-American resident community in Florence. Travels taken in Europe and America during this time by members of the family are also well illustrated. There are numerous photographs of Harold Acton's famous circle of friends at Oxford in the 1920s. A valuable series of photographs of China and actors from the Peking Opera survive from the 1930s when Harold lived and taught in Beijing. There is also a complete documentation of the various phases of the Actons' construction of the garden of Villa La Pietra and their work on it from the very first years. Another series of photos show how the interior of Villa La Pietra has appeared over the decades, and document the various works of art which decorate the rooms or have done so in the past. Other photographs of works of art document private collections in the early 20th century, many of which have since been broken up. There are numerous photographs of works of art, purchased by the Actons for study purposes. Other photographs are of places (all over the world), and there is a particularly rich collection of images of Italian villas and gardens in Florence and Tuscany. The collection of postcards (excepting those with correspondence which have been extracted for the paper archives) is very extensive and includes many annotated on the verso documenting travels by Hortense or Harold in the first decades of the 20th century. The valuable collection of glass stereographs and autochromes includes numerous images of the family at Villa La Pietra and its garden. Professional photographs of the family in Florence include works by Nunes Vais and Cecil Beaton. There is a series of photographs of Villa Passerini in Florence, owned by Hortense Mitchell's brother Guy, dating from the first decades of the 20th century by Giuseppe and Vittorio Jacquier. There are also photographs of places in Italy by Carlo Naya (died 1882) and Giorgio Sommer (died 1914). The number of items in the Acton Photograph Archive, including positives and negatives and images on glass (but excluding postcards) is circa 16,700. Restrictions Apply. Please see the Administrative Information section for more details.
Arrangement
As far as possible photos have generally been arranged chronologically within each subseries (or alphabetically by name).
The standard size prints have been housed in ring-binder albums or boxes (of two different sizes), and the oversize prints in oversize boxes. During processing the oversize prints have been integrated with the standard size ones (not as a separate series): in other words they have been considered as if standard size, but just shelved elsewhere. Ring-binder albums have been used for the most important photos (for ease of consultation) and the ones most likely to be used (Series I.A., I.B., and I.C. Series II.A., II.B., II.C., and II.D., and Series VII). Large (white) boxes have been used for the less important photos (Series I.E., III.A.B. and C.), and for Series V.and VI. Small (grey) boxes (lighter to handle) have been used for Series IV. The images on glass have been processed separately in Series VIII, IX, and X, and housed in smaller boxes of four different sizes. Within each of the first seven Series the numbering of the ring-binder albums and/or boxes for the standard size prints is consecutive, regardless of the type of container, and the numerical sequence always begins again at number 1 for the first container at the start of each of the ten Series. The oversize prints are arranged in various sizes of flat (grey) boxes following the numerical order of the Series (and the numbers of the standard size) but each folder is also given a consecutive oversize number from 1.-367. The oversize boxes are not numbered but the numbers of the folders within them is indicated on the outside label.
The images on glass have been protected by grey cardboard dividers and each group separated by numbered yellow cardboard dividers which, for the sake of consistency, have been called 'folders' (this is also the case for the glass negatives housed in envelopes).
The photos in boxes are labelled as follows: Series no.; Subseries no.; Box no; Folder no; Photo no. within folder. The photos in albums are labelled as follows: Series no.; Subseries no.; album no.; photo no.
The photos in oversize carry an extra number to those in albums as they also have their oversize folder number.
In each album photos are numbered consecutively to the end of that album, whereas in the boxes the folders are numbered consecutively, and the photos are then numbered consecutively only within each folder.
Since the oversize prints have been considered as if standard size, they are numbered consecutively, so there are gaps in the numbering in the ring-binder albums which indicate that these are oversize, shelved elsewhere. But this is not the case in the standard size boxes, where the folders are numbered consecutively and there are no gaps in the numbering for oversize images (so that in the Finding Aid there are items which only carry an Oversize archival number and not a box and folder number).
Positives have been numbered only on their mylar sleeves, not on the photographs themselves.
Where the number of a photograph is followed by a letter of the alphabet this usually has no special significance: it merely indicates that that print was found late, or moved from another Series during processing.
Duplicates: one copy or significant copies of prints have been organized in the albums: duplicate copies have been placed in boxes in the same sequence shelved at the end of the albums. Duplicates have not been extracted from the Series housed in boxes.
Explanatory notes on the Finding Aid
The four members of the Acton family are referred to throughout as AA (Arthur Acton), HMA (Hortense Acton née Mitchell), HA (Harold Acton), and WA (William Acton).
All prints are black and white unless otherwise indicated.
Places mentioned without specifying the country are in Italy.
The name of the photographer has been noted where known.
When a photograph bears a date this has been recorded, but in many cases the processor has estimated dates based on knowledge of the collection and of the Acton family. These dates are subject to revision as additional research is carried out on the Archive.
Annotations on the verso have usually been transcribed when legible.
Generally speaking, greater detail has been given in the description of photographs housed in the (modern) ring-binder albums, as they are usually the most important part of the collection. The historic albums, often with photographs pasted onto the page, have been given a compressed description in the Finding Aid (but a more detailed description has been kept with each album).
The photographs in boxes are normally described only down to folder level (and it has not usually been specified how many photos each folder contains).
In every series when a print has been taken in the gardens of Villa La Pietra or in the interior of Villa La Pietra this has also been indicated.
If a print is oversize this has always been indicated at the end of its description.
Negatives (Neg., Negs): where possible these have been processed together with their print (if found), and the negative usually precedes the print.
Square brackets have been used by the processor to indicate uncertain information.
The Conti inventory in Italian, drawn up in December 1995 by Giovanni Conti, has been used in the numbering and names of the rooms in the interior of Villa La Pietra. This inventory has also been used in the numbering and description of the works of art in the interior of Villa La Pietra, without taking into account that since 1995 it has frequently been subject to revision as regards dates and attributions. The information from the Conti inventory appears in italics in the Finding Aid wherever possible.
The sub-sections of the gardens of Villa La Pietra established by New York University prior to their restoration have been followed in the arrangement of the photographs. The statues in the gardens of Villa La Pietra have been identified only by their inventory number supplied by New York University.
Scope and Contents
Note: for the arrangement in albums or boxes, see below in 'Arrangement'. The four members of the Acton family are abbreviated as follows: AA (Arthur Acton), HMA (Hortense Mitchell Acton), HA (Harold Acton) and WA (William Acton).
The collection is arranged into 10 series (and numerous subseries):
Series I: The Actons
Series II: Villa La Pietra
Series III: Family Albums and Scrapbooks
Series IV: Works of Art
Series V: Places
Series VI: Postcards
Series VII: Harold Acton in China and the Far East
Series VIII: Images on glass
Series IX: Glass negatives (10 x 15 cm and over)
Series X: Reali glass negatives
Series I: THE ACTONS
A. Acton, Arthur (I.A.1.-I.A.6.)
(Album 1-3)
Includes prints dating from the early 1900s, some of them cabinet card photographs and studio portraits, also of AA in his apartment and studios in New York and Firenze. There are very early prints of AA in the grounds of Villa La Pietra before the gardens were laid out, and others taken over the years of him alone or with friends in the gardens (and a few of him in the interior of Villa La Pietra). The series showing him with others or of his friends include some taken at Florentine villas, and there are others of vintage cars.
1. alone: Includes prints with WA. There are also a few prints without AA of the interiors of his apartments in Firenze, kept here so as not to separate them from the prints taken at the same time showing him in the same place. Also here are a few prints of AA painting, kept here for the same reason (rather than filed in I.A.6.).
2. with Hortense Acton, née Mitchell: For other photographs of AA with the family, see under Harold Acton (I.C.1.-I.C.5).
3. with others: Includes a few prints of AA with WA. There are a few prints here which may not include AA himself, and there may be some small overlap with I.A.4.
4. friends of Arthur and Hortense Acton: Some of the friends here were also painted by AA so may also appear in I.A.6.
5. his relations: Prints of his father Roger Acton in Cairo include some views of Cairo without him, kept here as obviously taken at the same time. For the album of AA's ancestors, see III. A.10.
6. his painting activity: Includes interiors of his studios in New York at the end of the 19th century, and Firenze (early 20th century) as well as portraits of sitters and models posing.
B. Acton, Hortense née Mitchell (I.B.1.-I.B.4.)
(Album 3-5)
Many early cabinet card photos (mostly by Steffens of Chicago) show HMA as a young girl (the earliest one of her alone is securely dated 1891).There are many prints of HMA's early life in the US on family outings and trips with friends, and her Chicago girlhood friends are recorded in numerous fine cabinet card photos. There are a great many oversize prints in this series. There are early prints of HMA in the grounds and gardens of Villa La Pietra.
1. alone: Includes some early (late 19th century) prints of uncertain identification (perhaps sisters or friends of HMA rather than HMA herself).
2. with others: For HMA with AA, see I.A.2., and for HMA with HA (and the family) see I.C.1.-.7. The prints of a trip to the Missions in SW America ca. 1890s includes many prints of buildings and landscapes with no people, kept here since they are part of the same series taken at the same time.
3. her Chicago girlhood friends: Mostly identified as taken by photographers at the end of the 19th century.
4. her relations (the Mitchell family): For her cousin Louise Gaylord's wedding to Walter Dillingham at Villa La Pietra, with HA and WA as pages, see I.C.1. For her brother Guy Mitchell's Villa Passerini, Firenze, see V.A.1., and for the Dillingham's Villa La Pietra in Honolulu, see V.B.4.
C. Acton, Harold (I.C.1.-I.C.16)
(Album 6-12)
Prints of HA arranged by decade include those with his family. Lots of these were taken in the gardens or the interior of Villa La Pietra, but also in the US and elsewhere in the world, including China in the 1930s. Those with guests at Villa La Pietra include numerous Color prints of the 1970s and 1980s of unidentified visitors. Those showing HA at formal ceremonies are nearly all in Italy.
1. 1900s (alone or with one or more members of his family - AA, HMA, and WA)
2. 1910s (alone or with one or more members of his family - AA, HMA, and WA)
Includes prints of HA in the Dillingham wedding at Villa La Pietra (but see also I.C.13.)
3. 1920s (alone or with one or more members of his family - AA, HMA, and WA)
4. 1930s (alone or with one or more members of his family - AA, HMA, and WA)
See also series VII.
5. 1940s (alone or with one or more members of his family - AA, HMA)
6. 1950s (alone or with HMA)
7. 1960s (alone or with HMA)
8. 1970s (alone)
9. 1980s (alone)
10. 1990s (alone)
11. portraits of
12. with others (not at Villa La Pietra)
13. with guests (at Villa La Pietra)
14. at formal ceremonies
15. friends of: Arranged alphabetically rather than chronologically as in the other subseries (unidentified friends are in Series I.E., including Eton or university friends in I.E.9.). In a few instances there may be some overlap here with I.A.4. (such as Cora Antinori). For HA's friends in China see VII.B.1. and VII.B.2.
16. his funeral
D. Acton, William (I.D.1.-I.D.3.)
(Box 13)
Prints of William alone, and with others, some at parties: but those with HA or his parents are filed under the other member of the family.
1. alone (and portraits of): For WA with AA, HMA, and/or HA, see I.A.1., I.B.1., and 1.C.1.-I.C.4.
2. with others
3. his painting activity: Includes an album scrapbook of an exhibition in London. Portraits of identified sitters have been filed alphabetically. For some painted panels by William Acton, see also IV.A.2.
E. Unidentified (I.E.1.-I.E.13.)
(Box 14-15)
These are prints mostly of unidentified Acton family friends or relations, ordered as far as possible by date within the sub-series. The dogs include the Acton family pet dogs often photographed in the gardens of Villa La Pietra. The last two sub-series have been added here as they fit even less well elsewhere in the collection.
1. men
2. women:
Includes women with babies and children.
3. men and women
4. children
5. babies
6. groups:
Includes groups at Villa La Pietra, but without a member of the Acton family.
7. soldiers: For other prints of soldiers see I.E.8.
8. officers in Italy in the First World War at Villa La Pietra and elsewhere in Tuscany
9. Eton or university friends of HA
10. supposed Acton relations
11. supposed Mitchell relations and Chicago girlhood friends of HA
12. dogs
13. photographers' portfolios
Series II: VILLA LA PIETRA
A. The Gardens (II.A.1.-II.A.10.)
(Album 1-10 and Box 11)
The prints of the gardens have been filed by area (always indicated by where the photographer was standing), following the sub-sections of the gardens established by New York University prior to their restoration. The prints have been arranged as far as possible chronologically (although there are many instances in which the date is uncertain). This rule has in a few instances been over-ridden (for example in the Teatrino and Boschetto, Vista dell'Arco) where similar views of areas of the gardens (i.e. 'looking south' or 'looking north') have been filed together. Prints of the statuary have been filed together at the end of each sub-section, and numbered according to the inventory established by New York University prior to restoration on the gardens. Series II.A.10.ii. is a ring-binder with photos of statues in the gardens taken by Anna Marx (1986), duplicates of prints filed in II.A.1-II.A.7. but here given a different inventory number since they are filed separately. For other early prints of the gardens (including some prints of the gardens under construction in the first years of the 20th century), see also I.A.1., I.A.3., I.A.4., III.A.1., III.A.2., III.A.6., and III.B.1. There are numerous Brogi prints commissioned by the Actons in 1927, and others dating from the 1930s.
1. Viale
2. Piazzale: i Corte, ii Parcheggio
3. Vasche: i Terrazza, ii Prima Vasca, iii Scalone, iv Seconda Vasca, v Peristilio della glicine
4. Tempietto and Teatrino: i Tempietto, ii Teatrino
5. Boschetto: i Vista dell'Arco, ii Vista del Duomo, iii Prato ovale, iv Vista del Colosso, v Vialone, vi Pergola delle Rose
6. Giardino Topiario: i Giardino Segreto, ii Vasca di Diana, iii Prato del Cedro
7. Pomario
8. the park before the construction of the gardens
9. the garden statuary, vases, and masques, before their present installation in the gardens
10. Albums of Garden Photos: i. Album 1930s, ii. Garden statues taken by Anna Marx in 1986, iii. Album of photos by Frederic Faust 1930s, iv. Album given to Harold Acton, July 1974, v. Album of Garden photos (gift of Alexander Zielcke)
B. The Interior and The Collection (II.B.1.-II.E.)
(Album 12-33)
1. the rooms with their contents
General views of each room, followed by prints of the contents, object by object. The rooms are numbered and named, following the Conti inventory in Italian, drawn up in December 1995 by Giovanni Conti. This inventory has also been used in the numbering and description of the works of art in each room, without taking into account that since 1995 the inventory has frequently been subject to revision as regards dates and attributions. The information from the Conti inventory appears where possible in italics in the Finding Aid.
2. works of art from the Collection in previous displays
See also II.D. There may be some small overlap with II.B.1.
3. works which were formerly part of the Collection, but whereabouts at present unknown
Arranged by paintings, sculptures, and decorative arts. Includes stolen works, and may include works formerly in villas on the estate (but see also II.C).
4. collection related works of art
These are works of art very similar to those in the Villa La Pietra Collection (and they have been cross-referenced by the processor to the relevant object in II.B.1.). Arranged by interiors, paintings, and sculpture. For some other objects which may be related to works in the Collection, see IV.A.
5. Historic Albums mostly of the interior and works of art at present in the Collection or probably formerly once belonging to it
These consist of: 12 brown canvas-bound albums, mostly with the photographs pasted on to the page, and bearing their original numbers 1-3 and I-IX on the spine; 2 oversize green canvas albums un-numbered on the spine, containing photos numbered with Reali negative numbers 1-98 and 99-200; 1 oversize album, containing Color prints of the interior of Villa La Pietra in carbochrome, 1973.
The 12 brown canvas-bound albums contain prints mostly of the interior of Villa La Pietra and works of art at present in the Collection or probably formerly once belonging to it, but also contain photographs of works of art no longer in the collection, works of art now in Villas on the estate, a few of the Villa La Pietra gardens and statues, and others of works of art illustrating the Actons' activity as collectors.
The two oversize green canvas albums contain photos taken by Reali probably between 1958 and 1964 (and their numbers correspond to the glass negatives of these prints also preserved in Series X).
The pages of the albums have been numbered in pencil by the processor in square brackets to correspond with the detailed description of each album provided on a print-out kept together with the album (and included in the Finding Aid).
The original numbering of the pages and/or photographs in the albums is usually not consecutive but has always also been recorded, and some of these appear to refer to similar numbers on Brogi photographs. Some pages are blank and some photographs are missing.
Many of the photographs were found to be duplicates of those already in the Archive, and so this was noted in the album description, giving the archive number of the duplicate print. 'Duplicates' have been differentiated from 'Near duplicates' - the difference being that a 'near duplicate' is a print from the same negative but cropped slightly differently or printed with a different exposure.
In the albums where the photographs were not pasted on to the page, a few of these were removed and replaced at an unknown time by photocopies, but the great majority of these were removed to the Archive in 2004 (noting on the original the provenance and Historic Album number) and replaced here with Color photocopies of the recto and verso.
The two oversize green canvas albums have photos by Reali not pasted on to the page but the originals have been left here. They are annotated by HA and numbered by him. Again the duplicates and near duplicates have been noted.
6. Interiors taken by Anna Marx, 1986
These are mostly general views of rooms of Villa La Pietra, rather than individual works of art: however when an art object can be seen clearly it has been given its Conti inventory number, which is part of the title proper in Italian (in this case not in italics). Anna Marx photographed most rooms in the Villa except for III, V, VIII, XXVII, XLIV, XLVI, and L. Instead she photographed XXVI (Bagno), and XLIV (Ufficio, called by her the "Stanza della Signora Malesci"), not documented photographically elsewhere in the Archive as well as the Corridoio (XLII) in greater detail than elsewhere in the Archive.
C. The Estate (II.C.1.-II.C.8.)
(Album 34-35, Box 36)
Here are views of the land (the podere) surrounding Villa La Pietra as well as views from and of Villa La Pietra. The images of the exterior and interior of the five villas on the property (Villa Emilia, Villa Natalia, Villa Colletta, Villa Sassetti, and Villa Ulivi) include works of art and historic albums of the villas.
1. The Podere
2. Villa Emilia
3. Villa Natalia
4. Villa Colletta
5. Villa Sassetti
6. Villa Ulivi
7. unidentified
8. Albums of the villas
D. Other Acton properties (II.D.1.-II.D.3.)
(Album 37)
Many of the art objects photographed in these properties were subsequently part of the Collection of Villa La Pietra. Palazzo Guadagni, Firenze has been included here, but only in order to cross-reference it to the photographs of Arthur Acton in his studio in Series I.A.6. Lungarno Guicciardini, Firenze: two of these three photos are identified on the verso as 'Lungarno Guicciardini', and so were processed here, but they appear, instead, to be interiors of Villa Sassetti. Lancaster Gate was a property owned by the Actons in 1928-32. Many of the photographs are annotated by Guy Mitchell, brother of HMA, who was frequently in London between 1928-32 and WA and HA were also presumably there during that period. In these photographs there is a small overlap with II.B.1.
1. Palazzo Guadagni, Firenze see I.A.6.
2. Lungarno Guicciardini, Firenze
3. Lancaster Gate, London
E. Black-and-white negatives (in sheets and rolls), with their prints made in 2005 (II.E.1.-II.E.4)
(Box 38)
These have been kept together since the negatives are on sheets or rolls, which only became legible when a selection of them (eliminating duplicates and the negatives of very poor quality) were printed in 2005. The prints have been processed in the same order as the above subseries in Series II (and so not necessarily in the same order as the negative sheets). Some of these are of special interest as they are not included elsewhere in the Acton Photograph Archive.
1. 175 negatives
2. Villa La Pietra: the gardens
3. Villa La Pietra: the interior and the Collection
4. Villa La Pietra: the Estate
Series III: Family Albums and Scrapbooks
A. Family Albums (III.A.1.-III.A.10.)
(Box 1 and Album 2)
These are historic albums with photographs usually pasted onto the page. The pages of the albums have been numbered in pencil in square brackets by the processor to correspond with the detailed description of each album provided on a print-out kept together with the album (but not included in full in the Finding Aid).
1. 1903-1905
1a. [1905-1910]
2. 1910-1916
3. 1915-1918
4. 1915-1918: officers at La Pietra
5. 1919
6. 1920-1922
7. 1927: Theatricals in the gardens of Villa La Pietra in June
8. 1965: Villa La Pietra estate, Honolulu
9. 1965
10. Arthur Acton's family ancestors
B. Baby Books (III.B.1.-III.B.2.)
(Box 3)
These were compiled by HMA for HA and WA and are scrapbooks with annotations by HMA which also contain photographs. The pages of the albums have been numbered in pencil in square brackets by the processor to correspond with the detailed description of each album provided on a print-out kept together with the album (but not included in full in the Finding Aid).
1. Harold Acton
2. William Acton
C. Albums of Art works and places (III.C.1.-III.C.13.)
(Box 3-6)
These historic albums with photographs pasted on to the pages consist of commercially produced prints of places and art works in Italy and the rest of Europe (some by famous photographers such as Carlo Naya of Venezia and Giorgio Sommer of Napoli and Alinari of Firenze). The prints of places include some of towns and monuments in Germany and France later destroyed in the War. The albums have only been described summarily since they are almost certainly not unique.
1. Veronese frescoes at Villa Maser, taken by C. Naya, 1873
2. 'Italia' circa 1870s
3. Album belonging to Hortense Mitchell, September 1888
4. Album belonging to Hortense Mitchell, September 1890
5. Album belonging to Marguerite Mitchell, 1891
6. Album belonging to Marguerite Mitchell, 1891
7. Album made in Chicago, 1892
8. Album made in Chicago ca. 1892
9. Album made in Chicago ca. 1892
10. Album belonging to Harold Acton, 1911
11. Album belonging to William Acton, 1912
12. Album (empty) of Guy Mitchell's Villa Passerini
13. Album (empty) of Villa La Pietra Gardens, around 1930
The following albums have been excluded from Series III and filed elsewhere: WA's exhibition in London in 1937 (in I.D.3.); Four albums with prints of the gardens of Villa La Pietra (in II.A.10); Guy Mitchell's Villa Passerini, Firenze (in V.A.1.); Albums of villas on Villa La Pietra estate (in II.C.); Albums of postcards (in VI.E.); Peking Opera, China (in VII.F.)
Series IV: Works of Art
A. This series is currently being processed and is unavailable for consultation.
B. Art objects (with locations) (IV.B.1.-IV.B.11.)
(Box 14-24)
This series includes all works of art where the location is identified. They are filed by medium (in the same order as IV.A. above) and within that sub-series, topographically. These were presumably collected by the Actons for study purposes, and include many Alinari and Brogi prints. See also Series VI.B.
1. Paintings and drawings and prints
i. Italy
ii. Europe
iii. USA and Canada
2. Painted decoration
3. Frescoes
4. Sculpture
i. Italy
ii. Europe
iii. USA and Canada
5. Decorative sculpture and carving (mostly in interiors)
i. Italy
ii. Europe
iii. USA and Canada
6. Garden statues
7. Garden or exterior decorative sculpture
8. Decorative arts
9. Textiles
10. Furniture
11. Works of art used as illustrations in HA's published works
C. Interiors (IV.C.1.-IV.C.4.)
(Box 25)
Filed topographically.
1. Italy
2. Europe
3. USA
4. unidentified
D. Private Collections (IV.D.)
(Box 26-27)
Filed alphabetically by owner. Includes both identified and unidentified art works. These include only those prints with annotations which identify them as works in private collections at the time of the Actons (although there must be numerous other art objects in IV.A.-IV.C. which have at one time or another been in private hands). In some cases the processor has noted the present location when known.
Series V: Places
A. Italian Villas and Gardens (V.A.1.-V.A.3.)
(Box 1-2)
The prints are exteriors filed topographically, within each subseries, and alphabetically by province, then by place, then by villa. Places have been itemized mostly only down to folder level. In a few instances interiors are included here, when these are part of a particular series, see, for instance: Villa La Capponcina (Settignano), Villa Passerini (Firenze), Villa Narcissus (Capri) and Villa Maser (Treviso). For all other interiors, see IV.C.
Postcards have, as an exception, been included in V.A.1.- V.A.3. For other postcards of places, including Italian villas visited by HMA in 1908 etc., see series VI.A. and VI.D.1. For other prints of villas, see also I.A. and I.B. and E.8; and for garden statuary, see also IV.B.6. and IV.B.7.
1. Firenze and Toscana
2. Italy
3. unidentified
B. Exteriors (V.B.1.-V.B.6.)
(Box 3)
The exteriors in V.B.1 and V.B.2. obviously exclude villas and gardens (filed in V.A.1.-V.A.3). There is some small overlap between V.B.2. and V.A.2. For interiors, see IV.C. In V.B.6. there are several groups of interesting War photographs.
1. Firenze
2. Italy
3. Europe
4. USA
5. rest of the world
6. unidentified
Series VI: Postcards and Postcard Albums
The postcards in the Archive are those without correspondence on the verso, but include some, in series VI.D. with annotations on the verso recording dates (and sometimes descriptions) of places visited. The postcards, filed topographically, are kept in folders and numbered only down to folder level. It was decided to dismantle postcard albums (where the postcards were not pasted to the page) when these included postcards with correspondence so that these could be transferred to the paper archives. The postcards without correspondence were then kept together in a folder as they had been in the album.
The postcards annotated by HA on the verso of places in the Far East have been kept in Series VII. It was decided to keep postcards of works of art and places separately and not file them in series IV and Series V, except in the case of Italian villas and gardens which have been filed in V.A.1. and V.A.2. Otherwise it was felt that it would be interesting to keep the postcards separate in this subseries as the possession of a postcard normally indicates that that place or work of art was visited or seen by a member of the Acton family. Therefore when looking for a picture of a place or work of art it may be useful to look at the postcard series also.
The albums in series VI.E. usually contain only postcards, although a few of these could be termed scrapbooks as they include other material. Some of these were partly dismantled since if they had correspondence on the verso it was decided to remove them to the paper archives. The albums have been given a compressed description in the Finding Aid (but a more detailed description has been kept with each postcard album).
A. Places (exteriors) (VI.A.1.-VI.A.5.)
(Box 1)
1. Florence
2. Italy
3. Europe
4. USA
5. rest of the world
B. Works of art (and interiors) (VI.B.1.-VI.B.5.)
(Box 1-2)
1. Florence
2. Italy
3. Europe
4. USA
5. rest of the world
C. Picture postcards (VI.C.)
(Box 2)
Includes many War propaganda postcards.
D. Postcards documenting travels (VI.D.1.-VI.D.3.)
(Box 3)
These are annotated on the verso with dates or descriptions by HMA and HA. Although many of those in VI.D.3. do not have annotations they appear to have been collected by Guy Mitchell during his travels in the Far East in the 1920s (although it is possible some of these were collected by HA in the 1930s).
1. Hortense Mitchell's travels
2. Harold Acton's travels
3. Guy Mitchell's travels in the Far East
E. Albums (VI.E.1.-VI.E.16.)
(Box 4)
1. William Acton's Book of Travels, 1906-1918
2. Harold Acton's Book of Travels, 1906-1918
3. Art postcards (mostly France) which presumably belonged to Hortense Mitchell
4. Art postcards, almost all printed by Photo-Procede E. Druet, which presumably belonged to Hortense Mitchell [1911-1913]
5. Postcards of America which presumably belonged to Hortense Mitchell, 1911-1919
6. Art postcards (female portraits) which belonged to Harold Acton. 1911-1922
7. Art postcards from an album entitled 'Harold Acton Artistic Album' [1911-1913]
8. Art postcards (mostly Sienese and Florentine schools) which belonged to Harold Acton [1912-1913]
9. Album of postcards of Italy and art postcards which belonged to Harold Acton, [1912-1918]
10. Postcards of America which belonged to Harold Acton, begun 1914
11. Art postcards (male portraits including many self-portraits) which belonged to Harold Acton, 1914
12. Art postcards (Europe and America) which belonged to Harold Acton, ca. 1912-1914
13. Art postcards (mostly nudes) which belonged to Harold Acton, c 1913
14. Art postcards (Europe) which belonged to Harold Acton, after 1912
15. Art postcards (mostly Sienese school), which belonged to Harold Acton, ca. 1913-1925
16. Picture postcards, which belonged to Harold Acton [1910]-1913
Series VII: Harold Acton in China and the Far East (and the Peking Opera)
These are prints relative to HA's residence in China from 1932 to 1939. There is a notable section (VII.E.) with photos (and their negatives) of actors from the Peking Opera, by Ann Watkins of New York and Serge Vargassoff of Beijing most of them annotated by HA and some in Chinese. Many of these were taken in the porch of HA's residence in Beijing (2 Kung Hsien Hutung) between 1936 and 1939. Famous actors include Mei Lanfang (1894-1961).
For prints of HA in China alone or with others, see I.C.4. and I.C.12, and for portraits of HA in China or by Chinese artists, see I.C.11. There are some postcards in this series.
A. Harold Acton's residence in Beijing (VII.A.)
(Album 1)
B. People (VII.B.1.-VII.B.2.)
(Album 1)
1. identified
2. unidentified
C. Places (VII.C.1.-VII.C.2.)
(Album 1-2)
1. Beijing and environs
2. China (excluding Beijing) and the Far East
D. Artwork (VII.D.)
(Album 2)
E. The Peking Opera (VII.E.)
(Album 3-5)
F. Album of photos of the Peking Opera (VII.F.)
(Box 6)
Series VIII: Images on glass
The images on glass are always positives unless indicated as negatives. They are mostly 13 x 6 cm or 10.5 x 4.5 cm. (for larger glass negatives, see Series IX. and Series X.). Most of them are stereographs (which include positives and negatives, sometimes of the same image). These are often black-and-white and sometimes sepia toned. Those in Color are autochrome lumière positives.
Where they exist, negatives and positives have been filed together. The sub-series follow those in the collection not on glass.
Some of the stereographs are inserted into metal supports for use with the stereoscopes which are still preserved in working order as part of the Collection in Villa La Pietra.
Most of the stereographs and autochromes date from the first two decades of the 20th century, and many are of members of the Acton family (and their friends) at Villa La Pietra (usually taken in the gardens but also a few inside the villa), and also of the gardens of Villa La Pietra and other Italian villas and gardens (notably Villa Gamberaia, Settignano, and Villa Sciarra in Rome).
There are three daguerreotypes.
A. The Actons (VIII.A.1-VIII.A.5.)
(Box 1-5)
1. Arthur Acton
i. alone
ii. with others
iii. his relations
iv. his painting activity
2. Hortense Acton née Mitchell
i. alone (or with WA)
ii. with others
3. Harold Acton
Alone or with AA, HMA and/or WA
4. William Acton
Alone
5. Friends of the Actons (mostly unidentified)
i. men
ii. women
iii. groups
iv. officers at Villa La Pietra (1916/17)
B. Villa La Pietra (VIII.B.1-VIII.B.3.)
(Box 6-8)
1. The Gardens
i. Viale
ii. Piazzale
iii. Vasche
iv. Tempietto and Teatrino
v. Boschetto
vi. Giardino Topiario
vii. Pomario
2. The interior and the Collection
See also Series IX and X
i. Rooms with their contents
ii. Unidentified (probably once part of the Collection, and whereabouts at present unknown)
3. The Estate (the Podere and other villas)
C. Works of Art (VIII.C.1-VIII.C.2.)
(Box 9)
2. Interiors (and private collections)
D. Places (VIII.D.1-VIII.D.3.)
(Box 10-12)
1. Italian villas and gardens (exteriors)
i. Firenze
ii. Italy
iii. unidentified
2. Exteriors
3. War photographs
E. Unidentified
Series IX: Glass negatives (10 x 15 cm and over)
This small series includes all the black-and-white negatives of various sizes (but all of them over 10 x 15 cm.) which are not in Series VIII or in Series X. The sub-series follow those in the collection not on glass. They include portraits of (Eugene Arthur) Roger Acton, father of Arthur Acton, and works of art in the Collection at Villa La Pietra, or probably once part of it. Prints of most of these exist in the Archive.
A. The Actons (IX.A.1.-IX.A-3.)
(Box 1)
1. Acton, Eugene Arthur Roger (father of AA)
2. Portraits by William Acton
3. Unidentified friends of the Actons
B. Villa La Pietra (IX.B.1.-IX.B.3.)
(Box 2-3)
1. The Gardens
i. Garden vases before their present installation in the gardens
2. Interior and the Collection
i. Rooms with their contents
ii. Unidentified (probably once part of the Collection, and whereabouts at present unknown)
3. the Estate
Series X: Reali Glass Negatives
This series contains a set of black-and-white glass negatives, 27 x 21 cm. of works of art in the Collection in Villa La Pietra (or formerly part of it), and a few interior views of rooms in the Villa. They were found in boxes accurately marked with their Reali negative numbers (sometimes also indicated on the glass plates themselves) – the first instance in the Archive where the material was pre-numbered. These numbers have therefore been included in the photograph number, preceding the Conti inventory number which indicates which work of art is represented in the Villa La Pietra Collection (i.e. Series X., Reali negative number 1., Conti inventory number XX. B.16., Box 1., folder 1., photo 1.). Prints of almost all of the negatives exist in Series II.B.1. or II.B.5 (and cross references to these have been provided by the processor). They were probably all taken at the same time between 1958 and 1964. They are in excellent condition, and many of them were touched up with pink (probably China) using a brush to make the contrast sharper.
Reali negative number 1.-10. (Box 1)
Reali negative number 11.-20. (Box 2)
Reali negative number 21.-30. (Box 3)
Reali negative number 31.-40. (Box 4)
Reali negative number 41.-50. (Box 5)
Reali negative number 51.-60. (Box 6)
Reali negative number 61.-70. (Box 7)
Reali negative number 71.-80. (Box 8)
Reali negative number 81.-90. (Box 9)
Reali negative number 91.-100. (Box 10)
Reali negative number 101.-110. (Box 11)
Reali negative number 111.-120. (Box 12)
Reali negative number 121.-130. (Box 13)
Reali negative number 131.-140. (Box 14)
Reali negative number 141.-150. (Box 15)
Reali negative number 151.-160. (Box 16)
Reali negative number 161.-170. (Box 17)
Reali negative number 171.-180. (Box 18)
Reali negative number 181.-190. (Box 19)
Reali negative number 191.-200. (Box 20)
Reali negative number 201.-210. (Box 21)
Reali negative number 211.-222. (Box 22)
Subjects
Organizations
Families
Genres
People
Topics
Places
Conditions Governing Access
Open for research without restrictions. Please note that some items may not be available for consultation at the discretion of NYU for conservation reasons.
Conditions Governing Use
Permission to publish materials must be obtained in writing from:
Villa La Pietra
Via Bolognese, 120
50139 Firenze, Italia
Tel. +39 055 5007 225 email: florence.collection@nyu.edu
Location of Materials
Provenance
The visual material in this collection had been stored by the Acton family at random in various rooms of their residence, Villa la Pietra, Florence from around 1903 to the death of the last member of the family, Harold, in 1994. Some of it was mixed up with correspondence and other papers. Much of it lacked dating and identification. It was processed and given a Finding Aid in 2002-2005 by NYU with the help of a grant from the Gladys Krieble Delmas Foundation of New York.
About this Guide
Repository
Series I: The Actons
Subseries A: Acton, Arthur (AA)
1 AA alone
AA in his studio in Via della Robbia, Firenze, 1900, inclusive
General note
Oversize, I.A.1.1. folder 1.
AA in his studio in Via della Robbia, Firenze, 1900, inclusive
General note
See image 1-5 above.
AA in his studio in Via della Robbia, Firenze, 1900, inclusive
General note
One annotated on the verso "AA about 1900 in studio V. dei Robbia". See also I.A.6.2.-176.
AA's apartment in Palazzo Guadagni, Porta al Prato, Firenze, ca.1902, inclusive
General note
Annotated by AA on the verso. Palazzo Guadagni formerly Palazzo Poniatowsky. See also oversize.
AA, ca.1902, inclusive
AA in his studio, ca.1902, inclusive
General note
Neg.
AA in his studio, ca.1902, inclusive
AA in his studio, ca.1902, inclusive
AA's apartment in Palazzo Guadagni, Porta al Prato, Firenze, ca.1902, inclusive
General note
Oversize, I.A.1.1. folder 2.
AA in his apartment in Palazzo Guadagni, Porta al Prato, Firenze, ca.1900, inclusive
General note
Oversize, I.A.1.1. folder 3.
AA in his apartment in Palazzo Guadagni, Porta al Prato, Firenze, ca.1900, inclusive
General note
Oversize, I.A.1.1. folder 4.
AA, 1898-1903, inclusive
General note
Dated 1898 and 1903. See also framed photograph from the Camera dei Genitori, boxed separately.
Oversize, I.A.1.1. folder 5.
AA, ca.1903, inclusive
AA, ca.1895-1903, inclusive
General note
One annotated on the verso by AA "In the Cascine about 1895".
AA, 1903, inclusive
General note
Neg. for print, see III.A.1.
AA in a motor-car, ca. 1900, inclusive
General note
Double neg.
AA in a motor-car, ca. 1900, inclusive
AA in a garden, ca. 1900, inclusive
AA by a stream, ca. 1900, inclusive
AA outside Villa La Pietra, 1904, inclusive
General note
Negs.
AA in the park outside Villa La Pietra with his dog Caesar, 1905, inclusive
General note
Dated on the verso.
AA [at the Cascine in Firenze, on the banks of the Arno], ca. 1895, inclusive
General note
Annotated on the verso "self - AA".
AA beneath a pergola, ca. 1905, inclusive
AA at Villa La Pietra before the garden was laid out (on the site of the Vasche), ca.1907, inclusive
[AA or Guy Mitchell] with WA, ca. 1910, inclusive
General note
Negs.
AA, ca. 1910, inclusive
General note
Studio portraits signed by Langfier of London and Glasgow.
Oversize, I.A.1.1. folder 6.
AA, ca. 1910, inclusive
General note
Studio portraits by Langfier of London and Glasgow. See also framed photograph from the Camera dei Genitori, boxed separately.
AA seated in a mounted photograph signed by Nunes Vais dressed up in a Persian costume designed by Paul Poiret of Paris for a fancy-dress ball given by [the US Ambassador or Consul] Lewis Einstein at Villa Schifanoia, Firenze, 1914, inclusive
General note
Oversize, I.A.1.1. folder 7.
AA seated and dressed up in a Persian costume designed by Paul Poiret of Paris for a fancy-dress ball given by [the US Ambassador or Consul] Lewis Einstein at Villa Schifanoia, Firenze, 1914, inclusive
General note
Mounted photographs signed by Nunes Vais.
Oversize, I.A.1.1. folder 7.
AA seated and dressed up in a Persian costume designed by Paul Poiret of Paris for a fancy-dress ball given by [the US Ambassador or Consul] Lewis Einstein at Villa Schifanoia, Firenze, 1914, inclusive
General note
Mounted photographs signed by Nunes Vais.
Oversize, I.A.1.1. folder 7.
AA seated and dressed up in a Persian costume designed by Paul Poiret of Paris for a fancy-dress ball given by [the US Ambassador or Consul] Lewis Einstein at Villa Schifanoia, Firenze, 1914, inclusive
General note
Mounted photographs signed by Nunes Vais.
Oversize, I.A.1.1. folder 7.
AA with WA, ca. 1915, inclusive
General note
Neg. and print.
AA with WA, ca. 1915, inclusive
General note
Neg.
AA in the gardens of Villa La Pietra, February, 1916, inclusive
General note
Neg. and 2 prints.
AA in the gardens of Villa La Pietra, ca. 1916, inclusive
General note
Neg.
AA in a photograph used on a document issued by the British Mission of Allied Propaganda, March, 1918, inclusive
General note
See also oversize.
AA in a photograph used on a document issued by the British Mission of Allied Propaganda, March, 1918, inclusive
General note
Oversize, I.A.1.1. folder 8.
AA, ca.1918, inclusive
AA, ca.1920, inclusive
AA, ca. 1920, inclusive
General note
Oversize, I.A.1.1. folder 8a.
AA, ca. 1920, inclusive
AA, ca. 1920s, inclusive
AA, ca. 1930s, inclusive
AA in fencing outfit outside Villa La Pietra, ca. 1940s, inclusive
AA, ca. 1940s, inclusive
AA in the interior of Villa La Pietra, ca. 1940s, inclusive
AA in the gardens of Villa La Pietra, ca. 1940s, inclusive
AA, ca. 1940s, inclusive
General note
Negs. and prints.
AA, ca. 1940s, inclusive
AA [in a nursing home] with his paintings on the walls, 1950s, inclusive
General note
114. annotated on the verso.
2 AA with Hortense Acton, née Mitchell (HMA)
AA and HMA in a garden [Villa Stibbert, Firenze], ca. 1910, inclusive
AA and HMA in the gardens of Villa La Pietra, ca. 1915, inclusive
General note
Neg.
AA and HMA at Villa Passerini (now Villa il Giullarino), 1908, inclusive
General note
8 Via Pian dei Giullari, Firenze, owned by Guy Mitchell, 1908-1929.
AA and HMA dressed up in Persian costumes designed by Paul Poiret of Paris for a fancy-dress party given by [the US ambassador/consul] Lewis Einstein at Villa Schifanoia, Firenze, 1914, inclusive
General note
Photographs by Nunes Vais.
Oversize, I.A.2.1. folder 9.
AA and HMA dressed up in Persian costumes designed by Paul Poiret of Paris for a fancy-dress party given by [the US ambassador/consul] Lewis Einstein at Villa Schifanoia, Firenze, 1914, inclusive
General note
Signed photograph by Nunes Vais.
Oversize, I.A.2.1. folder 9.
AA and HMA dressed up in Persian costumes designed by Paul Poiret of Paris for a fancy-dress party given by [the US ambassador/consul] Lewis Einstein at Villa Schifanoia, Firenze, 1914, inclusive
General note
Photograph by Nunes Vais.
Oversize, I.A.2.1. folder 9.
AA and HMA dressed up in Persian costumes designed by Paul Poiret of Paris for a fancy-dress party given by [the US ambassador/consul] Lewis Einstein at Villa Schifanoia, Firenze, 1914, inclusive
General note
Signed photograph by Nunes Vais.
Oversize, I.A.2.1. folder 9.
AA and HMA in the gardens of Villa La Pietra (on the Terrazza above the Vasche), ca. 1915, inclusive
AA and HMA with an officer in the gardens of Villa La Pietra, 1915, inclusive
General note
Dated on the verso.
AA and HMA with WA, an officer and others in the gardens of Villa La Pietra, 1916, inclusive
AA and HMA at the entrance of Villa La Pietra (with domestic staff), ca. 1920, inclusive
AA and HMA in the gardens of Villa La Pietra, 1924, inclusive
AA and HMA with a lady friend at Ripafratta (province of Pisa), 1927, inclusive
General note
Annotated on the verso.
AA and HMA with a lady friend at Ripafratta (province of Pisa), 1927, inclusive
General note
Annotated on the verso "At M[..lson] Smith's - Ripafratta near Pisa - his niece with us".
AA and [HMA], ca. 1930s, inclusive
AA and HMA [at Baldpate Inn, Magnolia, Massachusetts, US], 1921, inclusive
3 AA with others
AA in the Art class at the Art Students League, New York, 1897, inclusive
General note
Annotated with the names of other students including James Montgomery Flagg. This is the original (unframed) which was removed from the Biblioteca in Villa La Pietra in June 2004 and replaced with a digital print.
AA in a motor-car with Elsie de Wolfe, ca. 1899, inclusive
General note
Annotated by AA on the verso. For Elsie de Wolfe (ca. 1859-1950), later Lady Mendl, see I.A.4.2.-117.
AA with Conte Max Michiel, ca. 1900s, inclusive
AA with Conte Max Michiel, ca. 1900s, inclusive
General note
Oversize, I.A.3.1. folder 10.
AA with Conte Max Michiel, ca. 1900s, inclusive
AA and others in motor-cars at a 'gymkhana' in the park of the Cascine (Firenze), 1901, inclusive
General note
Some annotated on the verso by AA and others.
AA [with HMA] in a motor-car and others, outside Villa Corsini, Castello, Firenze, ca. 1900s, inclusive
General note
Annotated on the verso.
AA [with Mario Pansa and a lady], ca. 1910, inclusive
[AA] and others with a motor-car outside the Albergo di Camaldoli, at the Monastery of Camaldoli (province of Arezzo), ca. 1910, inclusive
AA with Miss J. O'Conner, Mrs Boyle and WA, ca. 1910, inclusive
General note
Annotated on the recto by HA.
AA and others at a picnic at Villa Fabbricotti (Firenze) March 16, 1914, inclusive
General note
Negs. for prints see III.A.2.
[AA] and Mario Bourbon del Monte, Rosa Scalea, Cora Antinori, David Costantini, Mario Pansa, March 5, 1914, inclusive
General note
Neg., for print, see III.A.2.
Cora Antinori and Donna Rosa Scalea, March 5, 1914, inclusive
General note
Neg., for print, see III.A.2.
Donna Rosa Scalea, March 5, 1914, inclusive
General note
Neg., for print, see III.A.2.
AA with others [at a villa near Lucca], ca. 1915, inclusive
General note
Neg.
AA with others including Cantagalli, Francesca d'Orsay, and Cora Antinori in the Pomario at Villa La Pietra, ca. 1915, inclusive
General note
Neg., for some of the prints see III.A.2.
AA with others, ca. 1915, inclusive
General note
Neg.
AA and HMA and Major Russel outside Villa La Pietra, ca. 1915, inclusive
General note
176. annotated on the verso. See also I.A.2.1.-126.
AA in a group photograph with Mr. [Dumont], [Dr] Dillon, Prince Kara-Georgevitch, HMA, Mrs Dillon, Princess Kara-Georgevitch, and Mrs [Dumont] October 14, 1916, inclusive
General note
Negs., for prints see I.A.3.1 - 190 and 192.
[AA] with HMA and others in the gardens of Villa La Pietra (the Tempietto), ca. 1916, inclusive
General note
Neg.
misfiled Garvin Thomas in the gardens of Villa La Pietra, undated, inclusive
General note
Neg.: for print, see I.A.4.2.-110.
[AA] with a boy, ca. 1915, inclusive
General note
Neg.
AA with another man, ca. 1915, inclusive
[AA] with HMA and another man in the gardens of a villa, undated, inclusive
General note
Neg. and print.
AA with HMA, HA, WA, Guy Mitchell, an officer and others, October 11, 1915, inclusive
General note
Neg.
AA with HMA, Nardo Mercati, and Daria [Kara-Georgevitch] (carrying golf clubs), September, 1916, inclusive
General note
Annotated by HMA on the verso.
AA with a man in the gardens of Villa La Pietra, ca. 1915, inclusive
AA with a solider, ca. 1916, inclusive
AA in a group photograph with Mr. [Dumont], [Dr] Dillon, Prince Kara-Georgevitch, HMA, Mrs Dillon, Princess Kara-Georgevitch, and Mrs [Dumont] October 14, 1916, inclusive
General note
Annotated on the verso by HMA. For negs. see I.A.3.1.-178-179.
AA with a lady at Villa Gamberaia, Settignano (Firenze), ca. 1920, inclusive
AA with a man in the gardens of Villa La Pietra, April 26, 1926, inclusive
General note
Annotated on the verso.
AA with Contessa Caroline Rasponi née Montague, and Conte Giulio Guicciardini Corsi Salviati at his villa in Sesto Fiorentino (Firenze), undated, inclusive
General note
Print and neg.
AA with HMA and others in the gardens of Villa La Pietra, 1930s, inclusive
General note
Colored prints.
AA with Winston Churchill, ca. 1930s, inclusive
General note
2 prints and a neg.
[AA] with others in the gardens of Villa La Pietra, ca. 1930s, inclusive
AA in a group photograph in the gardens of Villa La Pietra, ca. 1930s, inclusive
General note
Annotated on the verso by HMA "Placci [Carlo], Turner, Frieda [Costantini], [Marchesa] Mercati, Mercati, ?, Costantini, Arthur".
AA at Monica's [?] wedding in Nyon, with Baron or Count d'Orville (with a white beard), June 7, 1941, inclusive
General note
Dated on the verso.
AA with others in the gardens of Villa La Pietra, ca. 1940s, inclusive
General note
Prints and negs.
AA with HMA and others, ca. 1940s, inclusive
AA with a lady, 1940s, inclusive
General note
Color print.
4 friends of AA and HMA
Adams, William P., 1916, inclusive
General note
Dedication on the verso "to Mr and Mrs A. Acton, William P. Adams, 6th Batt. A.S.7., March 1916".
Amy, Maud, 1900, inclusive
General note
Cabinet card photo by Reutlinger, Paris
Antinori, Cora as 'La Moda' in 'Un po' di colore' performed at the Pergola Theatre, Firenze, 1915, inclusive
Antinori, Cora as 'La Moda' in 'Un po' di colore' performed at the Pergola Theatre, Firenze, 1915, inclusive
General note
Photographed outside.
Antinori, Cora as 'La Moda' in 'Un po' di colore' performed at the Pergola Theatre, Firenze, 1915, inclusive
General note
Photographed in a studio, with paintings.
Antinori, Cora as 'La Moda' in 'Un po' di colore' performed at the Pergola Theatre, Firenze, 1915, inclusive
General note
Neg.
Antinori, Cora in the gardens of Villa La Pietra, 1916, inclusive
Antinori, Cora in the gardens of Villa La Pietra with Gentile del Drago [and Bourbon del Monte], ca. 1916, inclusive
Antinori, Cora in the gardens of Villa La Pietra, ca. 1916, inclusive
General note
Negs. and prints.
Antinori, Cora in the gardens of Villa La Pietra (Tempietto), ca. 1915, inclusive
Antinori, Cora outside Villa La Pietra in a group (3rd from the right) including officers, ca. 1915, inclusive
General note
Neg. and print.
Antinori, Cora outside Villa La Pietra in a group (2nd from the right) including officers, ca. 1915, inclusive
General note
Neg. and print.
Antinori, Cora, undated, inclusive
General note
Studio portrait by M. Caetani and with a dedication on the recto.
Oversize, I.A.4.2. folder 11.
Antinori, Cora, undated, inclusive
General note
Photograph found with an undated letter to HA addressed from Palazzo Antinori from her brother.
Bartolini-Salimbeni, Onofrio, 1930, inclusive
General note
Signed and dated on the recto 1930 and 1932 (one of them incorrect), in the cloister of Santa Maria Novella, Firenze, dressed for the tournament procession which precedes 'Calcio in Costume' held annually on St John's Day (24 June photos by Ferdinando Barsotti, Via della Scala, Firenze.
Oversize, I.A.4.2. folder 12.
Battersea, Lady Constance, undated, inclusive
General note
Signed on the recto. Lady Constance Battersea (née Rothschild, 1895-1962).
Boldini and the Duchessa Massari in Piazza San Marco, Venezia, undated, inclusive
General note
Annotated on the verso.
Bourbon del Monte [Vittorio] in the gardens of Villa La Pietra with Mario Pansa and Cora Antinori, 1916, inclusive
General note
Dated on the verso.
Bourbon del Monte, undated, inclusive
General note
Annotated on the verso.
Cappelli, Marchesa, ca. 1915, inclusive
General note
Negs.
Cappelli, Marchesa, ca. 1915, inclusive
Cappelli, Marchesa, ca. 1915, inclusive
General note
Oversize, I.A.4.2. folder 13.
Cappelli, Marchesa, undated, inclusive
General note
Neg.
Cecherini, Generale, 16 April, 1925, inclusive
General note
Annotated on the verso.
Coleman, Charles at his villa Narcissus, Capri, ca. 1890s, inclusive
General note
Captioned on the recto, and annotated on "Charles Caryl Coleman (1840-1928)" the verso.
Coleman, Charles, ca. 1890s, inclusive
General note
Annotated on the recto.
Coleman, Charles at Villa Sassetti on the estate of Villa La Pietra, ca. 1920s, inclusive
General note
Annotated on the verso.
Clifford Knight (an officer), 1916, inclusive
Costantini, Ida, 1907, inclusive
General note
Date with dedication to Mrs Acton on the recto. Photo by Giacomo Brogi, Lungarno delle Grazie, Firenze.
[Costantini, David], 1903, inclusive
General note
Dated on the recto. Photo by L. Brillet-Buyet, Firenze.
Oversize, I.A.4.2. folder 14.
[Costantini, David], undated, inclusive
General note
With a dedication on the recto "To dear Hortense and Arthur - old and devoted friends of my dear husband with my love Freida".
Oversize, I.A.4.2.,folder I4.
Costantini, Count David with a lady, 1900, inclusive
General note
Annotated on the verso by AA.
Costantini, Prof., undated, inclusive
General note
Annotated on the verso by AA. In an interior with his collection of works of art.
Dilton, Captain, ca. 1915, inclusive
General note
Signed on the recto.
Dilton, Captain, ca. 1915, inclusive
General note
Signed on the recto.
Oversize, I.A.4.2. folder 15.
Del Drago, Gentile, 1917, inclusive
General note
Annotated on the verso.
Del Drago, Gentile, July, 1916, inclusive
General note
Annotated on the verso.
Del Drago, Princess, undated, inclusive
General note
Annotated on the verso by AA, see also I.A.6.
Enniskillen, Lady, undated, inclusive
General note
Annotated on the verso. [Charlotte Marion Baird, 1869-1937, daughter of Charlotte Acton].
Gherardesca, Count Gherardo with his family at their villa in the Mugello, 1914, inclusive
General note
Negs. for print see III.A.2.
[Guicciardini] a lady in Venetian fancy dress [designed by Paul Poiret of Paris] for the fancy-dress ball in Persian and Venetian costumes given by Lewis Einstein at Villa Schifanoia, Firenze., 1914, inclusive
General note
With an illegible dedication on the recto dated 1914. Photo by P. Salvini, Firenze.
Oversize, I.A.4.2. folder 16.
[Guicciardini] a lady, undated, inclusive
General note
With an illegible dedication on the recto, Casa Malenchini. Photo by Renato Salvini, Lungarno Guicciardini, Firenze.
Guisan, General Henri, undated, inclusive
General note
See also I.A.6.
Hohenlohe, Princess Stefanie née Richter, undated, inclusive
General note
Annotated on the verso. Born 1891 in Hungary, she was suspected of being an international spy for the Germans in the Second World War.
Hopwood, Miss, undated, inclusive
General note
Annotated on the verso. Photo by Paul Grosclaude, Firenze.
Hugo, Madame Dora Georges Victor Hugo, undated, inclusive
General note
Taken in an interior with interesting works of art: copies of Botticelli's 'Portrait of a lady' and Verrocchio's bronze David. Annotated on the verso by AA: "Mme. Georges Victor Hugo, at Villa Frassineto Rovezzano".
Hugo, Madame Dora Georges Victor Hugo, 1903, inclusive
General note
Annotated by AA on the verso. Photo taken in Paris.
Incontri, Marchese Maria, undated, inclusive
General note
Cabinet card photograph by Alvino, Via Nazionale, Firenze. Annotated on the verso "previous owner of La Pietra".
Kara-Georgevitch, Princess Daria of Serbia with officers at Villa La Pietra, October 11, 1915, inclusive
General note
Negs. and prints.
Landegou, Mme. M., undated, inclusive
General note
With a dedication on the verso. Photo by Riceand Perkins, Honolulu.
Oversize, I.A.4.2. folder 17.
Lanevaro, J.L. in Persian fancy dress [designed by Paul Poiret of Paris] for the fancy-dress ball in Persian and Venetian costumes given by Lewis Einstein at Villa Schifanoia, Firenze, 1914, inclusive
General note
Photo signed and dated March 1914 on the recto. Photo by P. Salvini, Firenze.
Oversize, I.A.4.2. folder 18.
Loeser, Charles, with others, undated, inclusive
General note
Annotated on the verso "at the Rome hunt".
McCann, Francis, undated, inclusive
McCann, Francis, 1946, inclusive
General note
Dedication on the recto dated 1946.
McCann, Francis, in an interior, undated, inclusive
McCann, Francis, in an interior, undated, inclusive
McCann, Francis, in an interior, undated, inclusive
McCarity, Lillah, 1917, inclusive
General note
Signed and dated 1917 on the recto. Photo by the Daily Mirror.
Oversize, I.A.4.2. folder 19.
Meyer, Agnes, undated, inclusive
General note
Annotated by AA on the recto. Photo by Main, Lenox Ave, New York.
Montgomery, Field Marshall Bernard, undated, inclusive
General note
See also I.A.6.
[Moore, Goa], undated, inclusive
General note
Signed on the recto.
Origo, Clemente dressed as Doge [designed by Paul Poiret of Paris] for a fancy-dress ball in Persian and Venetian costumes given by [the US ambassador/consul] Lewis Einstein at Villa Schifanoia, Firenze, 1914, inclusive
General note
With dedication on the recto "Mrs. H. Acton il [..devotissimo] suo [Clem] Origo. Mounted photo signed by Nunes Vais.
Oversize, I.A.4.2. folder 19a.
D'Orsay, Contessa Francesca dressed up in Persian costume [designed by Paul Poiret of Paris] for a fancy-dress ball in Persian and Venetian costumes given by [the US ambassador/consul] Lewis Einstein at Villa Schifanoia, Firenze, 1914, inclusive
General note
Signed on the recto: "Francesca P[…] 1914. Mounted photo by Nunes Vais.
Oversize, I.A.4.2. folder 19b.
D'Orsay, Contessa Francesca dressed up in Persian costume [designed by Paul Poiret of Paris] for a fancy-dress ball in Persian and Venetian costumes given by [the US ambassador/consul] Lewis Einstein at Villa Schifanoia, Firenze, 1914, inclusive
General note
Signed on the recto: "Francesca d'Orsay 1914". Mounted photo signed by Nunes Vais.
Oversize, I.A.4.2. folder 19b.
D'Orsay, Contessa Francesca, undated, inclusive
General note
Negs. and prints, some annotated on the verso.
D'Orsay, Contessa Francesca, 1915, inclusive
General note
This is the original which was removed from its frame in the Collections Office in Villa La Pietra in June 2004 and replaced with a digital print.
Natalia, Queen, 1899, inclusive
General note
Photo by Brogi. Signed "Natalie 1899". Removed from the entrance hall of Villa Natalia. Mounted on oval card and board. Stored on the lowest shelf of the first Oversize cupboard.
Oversize I.A.4.2.73c folder 19c.
Pansa, Mario in the gardens of Villa La Pietra with Cora Antinori, 1916, inclusive
General note
One annotated on the verso.
Pansa, Mario, 1919, inclusive
General note
Studio portrait signed and dated December 1919 on the recto.
[Pansa, Mario], 1915, inclusive
General note
Signed "Panzino" and dated March 1915 on the recto.
Oversize, I.A.4.2. folder 20.
Price, Olive May (of Settignano, Firenze), 1900, inclusive
General note
With dedication "to my dear godfather" on the recto and dated October 7, 1900. Photo by Cav. A. Cattani, Via Martelli, Firenze.
Oversize, I.A.4.2. folder 21.
Roberts, Lieut. Arthur W., ca. 1916, inclusive
General note
Signed on the recto, and with a clipping pasted on the verso describing his award of the Military Cross.
Roberts, Lieut. Arthur W., ca. 1916, inclusive
General note
Signed on the recto.
Oversize, I.A.4.2. folder 22.
Roberts, Lieut. Arthur W., undated, inclusive
General note
Signed on the recto.
Robilant, Valentine de, with Marchese Clemente Origo as dogeressa and doge at a fancy-dress ball in Persian and Venetian costumes [designed by Paul Poiret of Paris] given by [the US Ambassador/consul] Lewis Einstein at Villa Schifanoia, 1914, inclusive
General note
Signed and dated on the recto. Photo by Nunes Vais.
Oversize, I.A.4.2. folder 23.
Robilant, Valentine de, with Marchese Clemente Origo as dogeressa and doge at a fancy-dress ball in Persian and Venetian costumes [designed by Paul Poiret of Paris] given by [the US Ambassador/consul] Lewis Einstein at Villa Schifanoia, 1914, inclusive
General note
Photo by Nunes Vais.
Oversize, I.A.4.2. folder 23.
Robilant, Contessa de, ca. 1920, inclusive
General note
Neg.
Rucellai, Contessa Lizine, with Valfredo Gherardesca and his mother, undated, inclusive
General note
Negs.: for print see III.A.2.
Rucellai, Bernardo and Cristina at their wedding on 26 November in the Cappella Niccolini, Santa Croce, Firenze, 1932, inclusive
General note
Annotated on the verso.
Sartori, Emilia, 1938, inclusive
General note
Studio portrait, see also I.A.6.
Scalea, Rosa [Lanza] dressed in Persian costume for the fancy-dress ball in Persian and Venetian costumes [designed by Paul Poiret of Paris] given by [the US Ambassador/consul] Lewis Einstein at Villa Schifanoia, 1914, inclusive
General note
Signed and dated on the recto. Photo by Nunes Vais.
Oversize, I.A.4.2. folder 23a.
Scalea, Rosa [Lanza] dressed in Persian costume for the fancy-dress ball in Persian and Venetian costumes [designed by Paul Poiret of Paris] given by [the US Ambassador/consul] Lewis Einstein at Villa Schifanoia, 1914, inclusive
General note
Signed and dated on the recto. Photo by Nunes Vais.
Oversize I.A.4.2. folder 23a.
Scalea, Rosa [Lanza] dressed in Persian costume for the fancy-dress ball in Persian and Venetian costumes [designed by Paul Poiret of Paris] given by [the US Ambassador/consul] Lewis Einstein at Villa Schifanoia, 1914, inclusive
General note
Signed and dated on the recto. Photo by Nunes Vais.
Oversize I.A.4.2. folder 23a.
Scott-Barber, 'Little Daisy', undated, inclusive
General note
Annotated on the verso. Wife of the painter.
Spinola, 1923, inclusive
General note
Annotated on the recto. The child of Helen Spinola née Bull born in 1885, and of Edoardo Lys.
Thomas, Garvin, 1916, inclusive
General note
Negs. and prints, see also I.A.3.1.-181. From Paris.
Vendome, Duc e duchesse de, undated, inclusive
General note
Four annotated on the verso.
Walton, Miss (later Mrs Norman), undated, inclusive
General note
Cabinet card photo by Schemboche, Borgo Ognissanti, Firenze. Annotated on the verso by AA.
Wielopolski, Count and Countess, with Mrs Dick, 1934, inclusive
General note
Annotated by HMA on the verso.
Williams, Marie-Louise, 1934, inclusive
General note
Wife of Peter (Rhidian) Williams. Annotated on the verso "In those years of lonelyness (sic)...taken in Munich, Bavaria".
Wolfe, Elsie de, 1902, inclusive
General note
Photograph taken by Rockwood, New York. Annotated on the verso by AA. Dedication on the recto. Elsie de Wolfe (ca. 1859-1950) interior designer, friend of Stanford White and author of "The House in Good Taste", 1913. In 1926, she married Sir Charles Mendl. She lived and died at Villa Trianon, Versailles.
Wurts, George W. [at his Villa Sciarra in Roma], ca. 1920s, inclusive
General note
Annotated on the verso.
Wurts, George W. and his wife Henrietta Tower with their motor-car and chauffeur at their Villa in Roma, ca. 1926, inclusive
General note
Annotated on the recto "Villa Wurts, Già Sciarra" with a letter on the verso addressed to Mrs Acton.
Wurts, George W. and his wife Henrietta with their motor-car and chauffer at their Villa in Roma, undated, inclusive
General note
Annotated on the recto "Villa Wurts, Già Sciarra" with a letter on the verso addressed to AA about an invitation to Thanksgiving dinner
Group of seven people whose names are Annotated on the verso "Mrs Gordon, Sir Norman Cator, Mrs Wraite, Prince Mohamed Alli (once Regent), Sir Weldon Dalrymple, Lederback, Margery Stoddard", undated, inclusive
Friends in a group photograph in Venetian fancy-dress for the ball in Persian and Venetian costumes [designed by Paul Poiret of Paris] given by [the US ambassador/consul] Lewis Einstein at Villa Schifanoia, 1914, inclusive
General note
Identified by annotations (not always legible) on the verso, including Marchese Carlo Torrigiani, Marchese Salimbene, Miss Dubs, Mr Spender, Pacini, Diego Suarez, Miss Tyler, Lanari, Miss Stevens, Duchessa Massari, Contessa Pallavicini, and Mrs Leishman.
Friends in a group photograph in Venetian fancy-dress for the ball in Persian and Venetian costumes [designed by Paul Poiret of Paris] given by [the US ambassador/consul] Lewis Einstein at Villa Schifanoia, 1914, inclusive
General note
Identical to print no.120. but mounted and without annotations on the verso.
Oversize, I.A.4.2. folder 24.
Friends in a group photograph in Persian fancy-dress for the ball in Persian and Venetian costumes [designed by Paul Poiret of Paris] given by [the US ambassador/consul] Lewis Einstein at Villa Schifanoia, 1914, inclusive
General note
Although extremely out-of-focus AA and HMA can also be identified.
Friends in a group photograph in Persian fancy-dress for the ball in Persian and Venetian costumes [designed by Paul Poiret of Paris] given by [the US ambassador/consul] Lewis Einstein at Villa Schifanoia, 1914, inclusive
General note
Although extremely out-of-focus AA and HMA can also be identified.
Oversize, I.A.4.2. folder 24a.
5 relations of AA
General note
For album of Acton family ancestors, see III.A.10.
(Eugene Arthur) Roger Acton (father of AA, 1836-1895), 1875, inclusive
General note
Identified on the verso.
(Eugene Arthur) Roger Acton, undated, inclusive
General note
Identified on the verso.
(Eugene Arthur) Roger Acton, undated, inclusive
General note
Identified on the verso.
(Eugene Arthur) Roger Acton, undated, inclusive
General note
Taken in Venezia by Fratelli Vianelli. This is the original which was removed from its frame in the Studio Biblioteca in Villa La Pietra in June 2004 and replaced with a digital print. See also framed photograph from the Camera dei Genitori, boxed separately.
(Eugene Arthur) Roger Acton, undated, inclusive
(Eugene Arthur) Roger Acton, undated, inclusive
General note
Annotated on the verso "Al mio caro cugino, perchè per la memoria di suo Padre non dimentichi sua cugina Maria, Napoli 7 ottobre 1908". Enclosed in a letter from his cousin Maria Fasciglione.
(Eugene Arthur) Roger Acton, undated, inclusive
General note
Identified on the verso.
(Eugene Arthur) Roger Acton, undated, inclusive
General note
Identified on the verso as "Baron Roger Acton", Photo by Grillet, Napoli.
(Eugene Arthur) Roger Acton, with a dog, undated, inclusive
General note
Identified on the verso.
(Eugene Arthur) Roger Acton, with a dog, undated, inclusive
General note
See also framed photograph from the Camera dei Genitori, boxed separately.
[(Eugene Arthur) Roger Acton], undated, inclusive
General note
Annotated on the recto "Acton Esq.", photo by Thomas R. Williams, Regent Street, London.
Oversize, I.A.5.2. folder 25.
(Eugene Arthur) Roger Acton, undated, inclusive
(Eugene Arthur) Roger Acton, with an Egyptian in Cairo, ca. 1870s, inclusive
General note
Annotated on the verso (by AA) "Baron Eugene Arthur Roger Acton".
(Eugene Arthur) Roger Acton, with an Egyptian in Cairo, ca. 1870s, inclusive
(Eugene Arthur) Roger Acton, ca. 1870s, inclusive
General note
Detail of 130a.above. Identified on the verso.
(Eugene Arthur) Roger Acton on horseback in Cairo, ca. 1870s, inclusive
(Eugene Arthur) Roger Acton, in a fez, ca. 1870s, inclusive
General note
Annotated on the recto by HA "My grandfather".
(Eugene Arthur) Roger Acton, in a fez, ca. 1870s, inclusive
Egyptian 'tent', ca. 1870s, inclusive
General note
Annotated on the verso "Roger Acton, Cairo".
(Eugene Arthur) Roger Acton, in Cairo, ca. 1870s, inclusive
(Eugene Arthur) Roger Acton, in Cairo, ca. 1870s, inclusive
(Eugene Arthur) Roger Acton, in Cairo, ca. 1870s, inclusive
General note
Identified on the verso.
(Eugene Arthur) Roger Acton, in Cairo, ca. 1870s, inclusive
General note
Annotated on the verso by AA "Baron R.A. Acton".
(Eugene Arthur) Roger Acton, in Cairo, ca. 1870s, inclusive
General note
An enlargement of 133b. above.
(Eugene Arthur) Roger Acton, in Cairo, ca. 1870s, inclusive
General note
An enlargement of 133c. above.
(Eugene Arthur) Roger Acton, at the window of a building in Cairo, 1874, inclusive
General note
Annotated on the verso "Eugene Arthur Roger Acton: Cairo 15th May 1874".
(Eugene Arthur) Roger Acton, at the window of a building in Cairo, ca. 1870s, inclusive
General note
Identified on the verso.
(Eugene Arthur) Roger Acton, at the window of a building in Cairo, 1874, inclusive
General note
Enlargements of 134a. above.
(Eugene Arthur) Roger Acton, in Cairo, undated, inclusive
General note
Double print: duplicates of 133c. above and 134. above. Annotated on the verso "Roger Acton, Cairo", and (by HA) "father's father".
Roger Acton in a street in Cairo, undated, inclusive
General note
Annotated on the recto "Roger Acton. Bey.,Cairo in Egypt" and "his dogcart" Oversize, I.A.5.2. folder 26.
[(Eugene Arthur) Roger Acton] and another outside an Egyptian temple, undated, inclusive
General note
Oversize, I.A.5.2. folder 26.
Interior, ca. 1880s, inclusive
General note
Annotated on the verso "Room of apartment of Eugene Arthur Roger Acton Bey, 104 Margellina, Naples furnished with objects from Cairo where he was advisor to Ishmael".
Oversize, I.A.5.2. folder 26.
Guglielmo Acton, undated, inclusive
General note
Annotated on the verso.
Ferdinando Acton, undated, inclusive
General note
Annotated on the verso.
[an Acton], undated, inclusive
General note
Annotated on the verso.
[an Acton], undated, inclusive
General note
Annotated on the verso.
Sir John F. Acton, Bart., undated, inclusive
General note
Portrait by Strohling. Copyright photograph of the National Portrait Gallery in London.
John Acton, 1st Baron, undated, inclusive
General note
Portrait by F.S. von Lenbach, copyright photograph of the National Portrait Gallery in London.
Laura Minghetti, née Acton (aunt of AA), undated, inclusive
General note
Carte de visite, annotated on the verso "Donna Laura Minghetti nato Acton".
Memorial stele with a bust of Eduardo Acton "Gli Amici a Eduardo Acton", 1978, inclusive
General note
Color photograph.
Memorial stele with a bust of Eduardo Acton "Gli Amici a Eduardo Acton", 1978, inclusive
General note
Color transparency.
Johnny Acton as a boy, 1973, inclusive
General note
Color photo. Annotated on the verso.
6 AA's painting activity (and his studios)
Interior of AA's studio at Lowerre, New York with James Montgomery Flagg, ca. 1890s, inclusive
General note
Annotated by AA on the verso. This was apparently in H.O. Watson's Villa Favorita, Vancortlandt Park Avenue, Lowerre (also given as 71 Lese Avenue, New York, and as 'beyond 155 St New York'). H.O. Watson appears on the garden plaque at Villa La Pietra. Flagg and AA attended the same class at the Art Students League in New York in 1897, see I.A.3.1.-134a.
Interior, ca. 1890s, inclusive
General note
Annotated by AA on the verso "part of our front parlor at 71 Lese Ave, N.Y.".
Interior, ca. 1890s, inclusive
General note
Annotated by AA on the verso "H.O. Watson, Salon, N.Y.".
Interiors, ca. 1890s, inclusive
General note
Annotated by AA on the verso "H.O. Watson".
Interiors [of AA's studio at Lowerre, New York], ca. 1890s, inclusive
Interior, ca. 1890s, inclusive
General note
Annotated by AA on the verso "H.O. Watson's home at Lowerre, beyond 155 St New York City".
Interior, ca. 1890s, inclusive
General note
Annotated by AA on the verso "H.O. Watson's apartment N.Y. Villa at Lowerre".
Interior [with AA at work], ca. 1890s, inclusive
General note
Annotated by AA on the verso "my studio, Lowerre N.Y.".
Interiors [of AA's studio at Lowerre, New York], ca. 1890s, inclusive
General note
Anotated on the verso "Writing Room".
Interiors [of AA's studio at Lowerre, New York], ca. 1890s, inclusive
General note
Annotated on the verso "Drawing Room".
Interior [of AA's studio at Lowerre, New York], ca. 1890s, inclusive
General note
Annotated on the verso "Billiard Room".
Interior [of AA's studio at Lowerre, New York], ca. 1890s, inclusive
Interiors [of AA's studio at Lowerre, New York], ca. 1890s, inclusive
Interior [of AA's studio at Lowerre, New York], ca. 1890s, inclusive
General note
Annotated on the verso "Smoking den with the famous M[…..]".
Interiors [of AA's studio at Lowerre, New York], ca. 1890s, inclusive
Interior, ca. 1890s, inclusive
General note
Annotated on the verso "My studio, N.Y.".
Interiors [of AA's studio at Lowerre, New York], ca. 1890s, inclusive
Interiors [of AA's studio at Lowerre, New York], ca. 1890s, inclusive
General note
Mounted duplicates of the above.
Oversize I.A.6.2.,folder 27.
AA's studio in Via della Robbia, Firenze, 1900, inclusive
Interior of AA's studio in Via della Robbia, Firenze, 1900, inclusive
General note
Annotated on the verso "My studio in Via Robbia, 1900".
Oversize I.A.6.3.,folder 28.
Nude female model in a studio, undated, inclusive
General note
Neg.
Nude female model [reflected in a mirror], with a wooden statue of the Madonna and Child in the background, undated, inclusive
Nude female model in a studio, undated, inclusive
General note
Neg.
Lady posing in fancy-dress, undated, inclusive
General note
Negs. and prints.
Painting of the Duchesse de Vendome, undated, inclusive
General note
Annotated on the recto by AA.
Painting of the Duc de Vendome, undated, inclusive
General note
Annotated on the verso "Son of Duchesse de Vendome painted by AA".
Painting of Sir Winston Churchill, undated, inclusive
Painting of H.M George VI, undated, inclusive
Interior with paintings by AA on the walls and a painting of Princess del Drago on an easel, undated, inclusive
Painting of General Henri Guisan, undated, inclusive
Painting of Mrs FitzGeorge, undated, inclusive
General note
Annotated on the verso.
Interior with a couple at a party seated between a portrait by AA of Field Marshall Bernard Montgomery, undated, inclusive
Painting of Field Marshall Bernard Montgomery, undated, inclusive
Painting of Titina Sartori, 1938, inclusive
General note
Annotated on the verso "1938, ritratto eseguito da Acton".
Elderly lady posing for a portrait, undated, inclusive
Interior with an elderly lady, surrounded by portraits by AA, undated, inclusive
Paintings [of the elderly lady shown above in 33.], undated, inclusive
Paintings and a photograph of a pilot, undated, inclusive
Paintings of ladies, undated, inclusive
Paintings of a man, undated, inclusive
Painting of a man in uniform, undated, inclusive
Subseries B: Acton, Hortense née Mitchell (HMA)
1 HMA alone
[HMA with her mother], ca. 1872, inclusive
General note
Carte de visite, by H. Rocher, Chicago.
[HMA as a child], undated, inclusive
General note
Cabinet card photo by Brands Studios, Chicago
[HMA as a child], ca. 1870s, inclusive
General note
Cabinet card photo by Gehrig, Chicago.
[HMA, or a sister], ca. 1880s, inclusive
General note
Cabinet card photo by Brands Studios, Chicago.
[HMA], ca. 1880s, inclusive
General note
Cabinet card photos by Steffens, Chicago.
HMA, 1880s, inclusive
General note
Cabinet card photo by Scott, Chicago. Annotated on the verso "Hortense Mitchell. P. Pope".
[HMA], 1880s, inclusive
General note
Cabinet card Photo by Steffens, Chicago..
HMA in, 1891, inclusive
General note
Cabinet card Photo by Steffens, Chicago., annotated on the verso "with love, Hortense Mitchell, March 1891".
HMA, 1891, inclusive
General note
Cabinet card Photo by Steffens, Chicago..
HMA in riding habit, 1891, inclusive
General note
Carte de visite by Steffens, Chicago. One dated on the verso.
HMA in Spring, 1892, inclusive
General note
'Miniature photo' by F.J. Walsh, Trenton, N.J.
HMA, 1892, inclusive
General note
Cabinet card photos by Steffens, Chicago, two of them dated on the verso.
HMA, 1892, inclusive
General note
Photos by by Steffens, Chicago. Annotated on the verso "Hortense Lanore Mitchell, April 1892". Undated copy of #83 in the Chicago History Museum.
HMA, 1893, inclusive
General note
Cabinet card photo by G.D. Morse, Chicago, one of them dated on the verso. When HMA was bridesmaid to Frances Wells Shaw.
HMA, ca. 1893, inclusive
General note
Cabinet card Photo by Steffens, Chicago..
HMA, 1894, inclusive
General note
Photo by Steffens, Chicago., with a dedication to her sister Marguerite 1894 on the verso.
HMA, ca. 1894, inclusive
General note
Photo by Steffens, Chicago..
HMA, 1896, inclusive
General note
Photos by Steffens, Chicago, one signed and dated on the verso.
[HMA] sitting on the steps of a house [in the US], ca. 1890s, inclusive
HMA, ca. 1890s, inclusive
General note
Photo by Steffens, Chicago.
HMA, ca. 1890s, inclusive
General note
Photos by Steffens, Chicago.
Oversize, I.B.1.3. folder 29.
HMA on July 4, 1902, inclusive
General note
Photo by Steffens, Chicago.
Oversize, I.B.1.3. folder 30.
HMA on July 4, 1902, inclusive
General note
Photo by Steffens, Chicago.
Misfiled: A Chicago girlhood friend of HMA in her wedding dress, undated, inclusive
General note
Photo by Reick Studios [US], annotated on the verso in an unknown hand " Mrs Arthur M. Acton, La Pietra, Florence, Italy".
Oversize, I.B.1.3. folder 31.
HMA outside Villa La Pietra, ca. 1903, inclusive
HMA outside Villa La Pietra with the dog Caesar, 1903, inclusive
HMA in the gardens of Villa La Pietra with the dog Caesar, ca. 1903, inclusive
General note
Neg., for prints, see III.A.1.
HMA in the gardens of Villa La Pietra (the Pomario), with the dog Caesar and puppies, ca. 1903, inclusive
General note
Neg.
HMA [in a foreign country] in miniature photos, ca. 1900s, inclusive
HMA in (convertible) motor-car, 1903-1904, inclusive
General note
Negs.and prints. Some prints in III.A.1. One annotated on the verso "Grimaldi driving our Fiat, 1904".
HMA in an interior [Villa La Pietra] May, 1907, inclusive
General note
Negs. and prints.
HMA in January, 1909, inclusive
General note
Dated on verso.
HMA in January, 1909, inclusive
General note
Oversize, I.B.1.4. folder 32.
HMA, ca. 1907-1910, inclusive
General note
Photo by H.A.V. Coles, Paris.
HMA, ca. 1907-1910, inclusive
General note
Photo by H.A.V. Coles, Paris.
Oversize, I.B.1.4. folder 33.
HMA, 1909, inclusive
General note
One annotated on the verso "Paris 1909, Spring".
HMA, undated, inclusive
General note
Photos by 'Photographie Paris', 3 Place de la Madeleine, Paris.
Oversize, I.B.1.4. folder 34.
HMA [or a sister], undated, inclusive
General note
The original which was removed from its frame in the Camera dei Genitori in Villa La Pietra in June 2004 and replaced with a digital print.
Oversize, I.B.1.4. folder 34a.
HMA in the garden of Guy Mitchell's Villa Passerini, Via Pian de' Giullari, Firenze, ca. 1910, inclusive
HMA in the garden of Guy Mitchell's Villa Passerini, Via Pian de' Giullari, Firenze, ca. 1910, inclusive
General note
Annotated on the verso by Guy Mitchell "The upper terrace - it gives you no idea however of the views in all directions".
HMA in the gardens of Villa La Pietra, 1914, inclusive
General note
Negs. for print, see III.A.2.
HMA, undated, inclusive
General note
Dress is preserved in Villa La Pietra
HMA dressed up in a costume for her part in a play performed at the Pergola Theatre in Firenze in 1915 entitled "Un po' di Colore", 1915, inclusive
HMA, ca. 1915, inclusive
General note
Photographs signed by Nunes Vais.
Oversize, I.B.1.4. folder 35.
HMA dressed up in Persian costume for the fancy-dress ball in Persian and Venetian costumes [designed by Paul Poiret of Paris] given by [the US ambassador/consul] Lewis Einstein at Villa Schifanoia, 1914, inclusive
General note
Photograph signed by Nunes Vais.
Oversize, I.B.1.4. folder 36.
HMA dressed up in Persian costume for the fancy-dress ball in Persian and Venetian costumes [designed by Paul Poiret of Paris] given by [the US ambassador/consul] Lewis Einstein at Villa Schifanoia, 1914, inclusive
General note
Photograph signed by Nunes Vais.
Oversize, I.B.1.4. folder 36.
HMA dressed up in Persian costume for the fancy-dress ball in Persian and Venetian costumes [designed by Paul Poiret of Paris] given by [the US ambassador/consul] Lewis Einstein at Villa Schifanoia, 1914, inclusive
General note
Photograph signed by Nunes Vais.
Oversize, I.B.1.4. folder 36.
HMA dressed up in Persian costume for the fancy-dress ball in Persian and Venetian costumes [designed by Paul Poiret of Paris] given by [the US ambassador/consul] Lewis Einstein at Villa Schifanoia, 1914, inclusive
General note
Photograph signed by Nunes Vais.
Oversize, I.B.1.4. folder 36.
HMA dressed up in a costume designed by Umberto Brunelleschi for her part in a play performed at the Pergola Theatre in Firenze entitled "Un po' di Colore", 1915, inclusive
General note
Photographs signed by Nunes Vais. 19a. is the original which was removed from its frame in the Biblioteca in Villa La Pietra in June 2004 and replaced with a digital print.
Oversize, I.B.1.4. folder 37.
HMA dressed up in a costume designed by Umberto Brunelleschi for her part in a play performed at the Pergola Theatre in Firenze entitled "Un po' di Colore", 1915, inclusive
General note
Photographs signed by Nunes Vais.
Oversize, I.B.1.4. folder 37.
HMA dressed up in a costume designed by Umberto Brunelleschi for her part in a play performed at the Pergola Theatre in Firenze entitled "Un po' di Colore", 1915, inclusive
General note
Photographs signed by Nunes Vais.
Oversize, I.B.1.4. folder 37.
HMA dressed up in a costume designed by Umberto Brunelleschi for her part in a play performed at the Pergola Theatre in Firenze entitled "Un po' di Colore", 1915, inclusive
General note
Photographs signed by Nunes Vais.
Oversize, I.B.1.4. folder 37.
HMA dressed up in a costume designed by Umberto Brunelleschi for her part in a play performed at the Pergola Theatre in Firenze entitled "Un po' di Colore", 1915, inclusive
General note
Photographs signed by Nunes Vais.
Oversize, I.B.1.4. folder 37.
HMA in November, 1915, inclusive
General note
Dated on the verso.
HMA in Red Cross uniform with WA in the gardens of Villa La Pietra, ca. 1915, inclusive
HMA in the gardens of Villa La Pietra, ca. 1915, inclusive
HMA in the gardens of Villa La Pietra with dogs and puppies, ca. 1915, inclusive
General note
Negs. and prints.
[HMA at Villa La Pietra], 1915, inclusive
General note
Neg. and print.
HMA with Ajax the dog outside Villa La Pietra, 1915, inclusive
General note
Neg.and print, for print see also III.A.2.
HMA in an interior, undated, inclusive
General note
The dress is preserved in Villa La Pietra. Neg.
HMA with Ajax the dog outside Villa La Pietra, 1916, inclusive
HMA in Red Cross Uniform, 1915, inclusive
General note
Neg. and print.
HMA in Red Cross Uniform, 1915, inclusive
General note
Negs., for print see III.A.2.
HMA with WA and dogs in the gardens of Villa La Pietra, ca. 1915, inclusive
General note
Neg. and print.
HMA with WA and a man in the gardens of Villa La Pietra, ca. 1915, inclusive
General note
Neg.
HMA, ca. 1915, inclusive
[HMA], ca. 1915, inclusive
General note
Neg.
HMA on a family trip to Roma (in the Roman Forum), 1916, inclusive
General note
Annotated on the verso.
HMA on a family trip to Pompeii, 1916, inclusive
General note
Annotated on the verso.
HMA in Napoli, 1916, inclusive
General note
Annotated on the verso.
HMA in the gardens of Villa La Pietra, March, 1918, inclusive
General note
Dated on the verso.
HMA in the gardens of Villa La Pietra, 1918, inclusive
General note
Neg. and print.
HMA in a horse carriage in the gardens of Villa La Pietra, 1918, inclusive
General note
Negs. and prints.
HMA in a horse carriage at the entrance to Villa La Pietra, ca. 1918, inclusive
General note
Neg.
HMA in a horse carriage, ca. 1918, inclusive
General note
double exposed neg.
Horse carriage in the gardens of Villa La Pietra, ca. 1918, inclusive
General note
Neg.
[HMA] in the gardens of Villa La Pietra, ca. 1918, inclusive
General note
Neg.
HMA outside Villa La Pietra, ca. 1918, inclusive
General note
Neg.
[HMA], ca. 1920s, inclusive
General note
Signed studio portraits.
Oversize, I.B.1.4. folder 38.
HMA outside Villa La Pietra, ca. 1920s, inclusive
General note
Neg.
HMA with a dog, ca. 1920s, inclusive
HMA with a puppy, ca. 1920s, inclusive
General note
Neg. and print.
[HMA] in the gardens of Villa La Pietra, ca. 1920s, inclusive
HMA, ca. 1920s, inclusive
General note
Photo by Lewis Smith, Chicago.
Oversize, I.B.1.4. folder 39.
[HMA], ca. 1920s, inclusive
General note
Studio portrait.
Oversize, I.B.1.4. folder 40.
HMA [in the gardens of Villa La Pietra], 1920s, inclusive
General note
Oversize, I.B.1.4. folder 41.
HMA, ca. 1920s, inclusive
General note
Signed studio portraits by De Mayer. One of these the original which was removed from its frame in the Biblioteca in Villa La Pietra in June 2004 and replaced with a digital print.
Oversize, I.B.1.4. folder 42.
HMA in Magnolia, Massachusetts, US, 1921, inclusive
General note
Annotated on the verso.
HMA, 1923, inclusive
General note
Dated on the verso.
HMA playing golf, alone and with others, 1924, inclusive
General note
Annotated on the verso by HMA "Self, Count Lutg[ow], May 1924"
HMA, 1925, inclusive
General note
Dated on the verso.
HMA at Ripafratta (province of Pisa), 1927, inclusive
General note
Annotated on the verso.
HMA, ca. 1920s, inclusive
General note
Almost totally faded print. The original which was removed from its frame in the Camera di Sir Harold in Villa La Pietra in June 2004 and replaced with a digital print.
[HMA], 1927, inclusive
General note
Photo by Brogi. Annotated on the verso "Feb 1927 op. Malenotti, Commissione Acton 2493".
[HMA], 1927, inclusive
General note
Photo by Brogi. See #98.
Oversize, I.B.1.4. folder 43.
HMA, ca. 1930s, inclusive
General note
Studio portrait.
Oversize, I.B.1.4. folder 44.
HMA, ca. 1940s, inclusive
General note
Hand-Colored studio portraits, signed Pessera, Paris. 103 is the original which was removed from its frame in the Collections office in Villa La Pietra in June 2004 and replaced with a digital print.
Oversize, I.B.1.4. folder 45.
HMA, ca. 1940s, inclusive
General note
Hand-Colored studio portrait, signed [Pessera], Paris. The original which was removed from its frame in the Camera di Sir Harold in Villa La Pietra in June 2004 and replaced with a digital print.
HMA, ca. 1940s, inclusive
General note
Photos Animées, Paris.
HMA, ca. 1940s, inclusive
HMA, 1950s, inclusive
HMA, 1950s, inclusive
General note
Color print. The original which was removed from its frame in the Camera di Sir Harold in Villa La Pietra in June 2004 and replaced with a digital print. The Chinese robe is preserved at Villa La Pietra.
HMA, 1958, inclusive
General note
Photo (no. 4485) by Locchi, Firenze. Used on her US passport issued in 1959.
HMA, ca. 1960, inclusive
General note
Color print.
2 HMA with others
[HMA with school friends], ca. 1880s, inclusive
General note
Cabinet card photo.
[HMA seated front, with her family including her father (right) and her mother (centre)], 1893, inclusive
General note
Annotated on the verso "Elmwood, Menlo Park, California, Compliments H.M. Holbrook, July 29 '93".
HMA on an outing with friends in mule carts (far left [with her brother Guy Mitchell]), ca. 1890s, inclusive
HMA (second from the right) with Lucy Kant, Margaret [Mauker], Grace Otis, Bass Small, April 20,, 1893, inclusive
General note
Annotated on the verso.
Oversize, I.B.2.4. folder 46.
HMA with friends on a trip to the Missions in the south-west of the US (including Taos, New Mexico), ca. 1890s, inclusive
General note
Including many prints of buildings and landscapes without people.
HMA with friends at Asheville, North Carolina, ca. 1897, inclusive
General note
Photo by her friend Harlow Higinbotham.
HMA with friends (seated second from the left), and her father (behind her) and mother (third from the right) at Asheville, North Carolina, ca. 1897, inclusive
General note
Photo by her friend Harlow Higinbotham.
HMA with friends, undated, inclusive
General note
See 142 above. Photo signed by H. Higinbotham.
Oversize, I.B.2.4. folder 47.
HMA with friends (seated third from the left), ca. 1897, inclusive
General note
Photo signed by H. Higinbotham, annotated on the verso by HMA "Asheville, N. Carolina: Alice Higinbotham, Louise Crawford, Mr [Hardlow], Richard Haughton, M[ ] Closky, Thos. Hig, ?, Mr Hig".
Oversize, I.B.2.4. folder 47.
Scenes at Asheville, North Carolina, ca. 1897, inclusive
HMA with two girls [sisters or friends], ca. 1897, inclusive
General note
Cabinet card photos by Shartle, Asheville, N.C., annotated on the verso "Asheville, April '97".
HMA (seated centre) in the Crawford Bates wedding, ca. 1890s, inclusive
General note
Photo by Alfred Cox, Chicago, annotated on the verso by HMA "February 17th Crawford-Bates wedding party: Jim Hyworth, Miss [ ] Barry, Mr Hardin, Mr [Wheeler], M[r] Higinbotham, Elizabeth Crawford, Harry Higinbotham, Bab, Miss Wardner, Mr Drake, Mr [Frennan], Catherine Chandler".
Oversize, I.B.2.4. folder 48.
HMA (seated, left) with four girls [sisters or friends], ca. 1890s, inclusive
General note
Photo by Steffens, Chicago.
Oversize, I.B.2.4. folder 49.
[HMA] on a mule, with others [in Egypt], ca. 1890s, inclusive
HMA with Louise Gaylord, ca. 1890s, inclusive
General note
Annotated on the verso.
[HMA] with two women [one of them her mother], ca. 1890s, inclusive
[HMA] with a rifle, ca. 1900, inclusive
[HMA with another woman and AA], undated, inclusive
HMA with Louise Gaylord and a man in the gardens of Villa La Pietra, 1908, inclusive
General note
Annotated on the verso "Louise Gaylord, myself, 1908?" Neg.and print.
HMA with Louise Gaylord and a man in the gardens of Villa La Pietra, 1907, inclusive
General note
Neg.
HMA in an interior [with her mother], undated, inclusive
[HMA] with a baby at Villa La Pietra, ca. 1900s, inclusive
General note
Neg.
[HMA] with others [at Villa Sassetti], ca. 1900s, inclusive
General note
Neg.
HMA with other ladies and the dog Caesar outside Villa La Pietra, ca. 1904, inclusive
General note
Negs. and prints.
HMA with Ellen O'Connor on a zeppelin, 1912, inclusive
General note
They flew on it from Frankfurt over Mannheim and Homburg, in July 24 1912 (annotated on the verso by HMA).
HMA with others in the gardens of Villa La Pietra (Pomario), ca. 1900s, inclusive
HMA with officers in the gardens of Villa La Pietra, March, 1916, inclusive
General note
Neg. and print.
HMA with officers, and the Princess Daria Kara Georgevitch of Serbia, October 11, 1915, inclusive
General note
Neg.
HMA alone and with a friend, ca. 1915, inclusive
General note
Negs. and prints.
HMA with Cora Antinori in the gardens of Villa La Pietra, ca. 1915, inclusive
General note
Neg.and 2 prints
HMA with Mario Pansa and Cora Antinori, 1916, inclusive
General note
Annotated on the verso.
[HMA] in Kyoto, Japan, undated, inclusive
General note
Annotated on the verso. See also V.B.5.3.78a.-1.
[HMA] with three others, ca. 1916, inclusive
General note
Neg.
HMA with Princess Daria Kara-Georgevitch, Mrs Dumont, and Contessa Francesca d'Orsay, 1916, inclusive
General note
Annotated on the verso.
HMA with others including Contessa Francesca d'Orsay and Mrs Dumont, ca. 1916, inclusive
HMA with others including an officer and WA in the gardens of Villa La Pietra, 1916, inclusive
HMA with an officer in the gardens of Villa La Pietra, ca. 1916, inclusive
HMA with WA, 1916, inclusive
General note
Neg.
HMA with others including officers and Cora Antinori in an interior, Jan 22, 1916, inclusive
General note
Dated, erroneously, on the verso.
[HMA] with others in a motor-car, ca. 1916, inclusive
General note
Neg.
HMA with others including Cora Antinori in the gardens of Villa La Pietra (il Tempietto), 1917, inclusive
General note
Negs. and prints.
HMA with Cora Antinori in the gardens of Villa La Pietra, ca. 1917, inclusive
HMA with Governor Myron Harrick, The Crags, Passadena, US, March 4, 1919, inclusive
General note
Annotated by HMA on the verso.
HMA with her mother and relations (and AA) at Baldpate Inn, Magnolia, Massachusetts, US, 1921, inclusive
General note
See also III.A.6.
HMA with others including Guy Mitchell, on the back of a train in the US, 1921, inclusive
General note
One annotated on the verso.
HMA (centre) with others at the Certosa di Pontignano (province of Siena), 21 May, 1924, inclusive
General note
Annotated on the verso "Salimbene, self, Contessa Sergardi, Frassineto - behind - Mrs Matsen, ?, Mrs Maclean".
HMA with WA [and Guy Mitchell] in the gardens of Villa La Pietra, ca. 1930s, inclusive
HMA (second from the right) with WA and others, ca. 1920s, inclusive
HMA (fifth from the left) in an audience watching Theatricals in the gardens of Villa La Pietra (with Queen Sophie sixth from the left) June, 1927, inclusive
General note
See also III.A.7. Annotated on the verso by HMA for HA "Do you recognize me at Queen Sophie's right? Her youngest daughter at her left then her governess who met you at Eton with Lady Kathleen Villiers".
HMA with Guy Mitchell, ca. 1938, inclusive
General note
Annotated on the verso.
HMA at Monica [….]'s wedding, Nyon, France, with others including Count (or Baron) d'Orville and Baron van der Hoop, June 7, 1941, inclusive
General note
Photos by J. Luscher, Nyon. Some annotated and dated on the verso.
HMA (centre) at Villa Schifanoia, Firenze, 1949, inclusive
General note
Annotated by HMA on the verso "Front row in light gown, Duchessa d'Aosta (Princess Irene of Greece), next her ex Queen of Roumenia (Princess Elena of Greece), Miss Wall[er] by wall, her brother US consul then myself, A[rthur Acton] behind consul, Mayor of Florence and wife on right (front), Villa Schifanoia, June 1949".
3 Chicago childhood friends of HMA
Maud Buckingham, 1884, inclusive
General note
Cabinet card photo by Max Platz, Chicago, annotated on the recto "Here dwells Benedick, the married man" and identified and dated on the verso.
Louise Crawford, 1891, inclusive
General note
Cabinet card Photo by Steffens, Chicago. Annotated on the verso "Yours while Louise Crawford, July 2nd '91".
Louise Crawford, ca. 1890s, inclusive
General note
Photo by Steffens, Chicago.
Louise Bates, née Crawford, undated, inclusive
General note
Annotated on the verso.
Oversize, I.B.3.5. folder 50.
Louise Bates, née Crawford, in her wedding dress, ca. 1890s, inclusive
General note
Oversize, I.B.3.5. folder 51.
Girl [Louise Crawford], undated, inclusive
General note
Cabinet card photos by Brand Studios, Chicago.
Fanny Shaw, undated, inclusive
General note
Photo by Steffens, Chicago. Annotated on the verso. Frances Wells Shaw.
Shaw (a man), undated, inclusive
General note
Photo by Steffens, Chicago. Annotated on the verso.
Florence and Alice Higinbotham, undated, inclusive
General note
Annotated on the verso.
Florence and Alice Higinbotham, undated, inclusive
General note
Photo by G. Lekegian, Cairo.
Florence Crane née Higinbotham with her baby Cornelius, 1906, inclusive
General note
Photo by Steffens. Annotated on the verso.
[Richard Crane] at Castle Hill, Ipswich, Mass. US, 1947, inclusive
[Richard Crane] at Castle Hill, Ipswich, Mass. US, 1947, inclusive
'Little' Florence Crane (daughter of Florence Crane née Higinbotham), on her (first) marriage to William Albert Robinson in Chicago, undated, inclusive
General note
Oversize, I.B.3.5. folder 52.
Little' Florence Crane, Princess Belosselsky, with her [second] husband Prince Serge Belosselsky [and her mother Florence Crane], undated, inclusive
General note
Annotated on the verso "Prince and Princess Belosselsky".
[Marina] Belosselsky, daughter of 'Little' Florence Belosselsky née Crane of Castle Hill, near Ipswich, Mass. US, undated, inclusive
General note
Annotated on the verso. Grand-daughter of Florence Higinbotham.
Harlow Higinbotham, 1895, inclusive
General note
Annotated on the verso.
Harlow Higinbotham, undated, inclusive
General note
Annotated on the recto.
Young soldier, 1890, inclusive
General note
Annotated on the verso. Photo by Erich Sellin, Berlin.
Young solider, undated, inclusive
General note
Photos by J.C. Schaarwachter, Berlin. See 19 above.
[Arnold Scott] in his Harvard graduation robes, undated, inclusive
General note
Photo by Pach Bros, Cambridge, Mass. Annotated on the verso "[Arnold Scott] at the age of 22, while graduating from Harvard University in the class of '97. For the only girl he ever loved Hortense".
Harry Stuart on horseback, undated, inclusive
General note
Annotated on the verso "Harry Stuart, author".
Oversize I.B.3.5. folder 53.
4 Relations of HMA
HMA's father William H. Mitchell (1817-1910), ca. 1890s, inclusive
General note
Photo by Steffens, Chicago. The original once framed in the Camera dei Genitori in Villa La Pietra, replaced with a digital print in June 2004.
Oversize, I.B.4.5. folder 54.
HMA's father William H. Mitchell, ca. 1890s, inclusive
General note
Photo by Steffens, Chicago. Near duplicate of Oversize I.B.4.5.54.-24.
Oversize, I.B.4.5. folder 54.
HMA's father William H. Mitchell, ca. 1890s, inclusive
General note
Cabinet card Photo by Steffens, Chicago.
HMA's father William H. Mitchell, ca. 1890s, inclusive
General note
Cabinet card photo by Morse, Chicago
[HMA's father William H. Mitchell] with Lady Maude Whyte and family at Estes Park, Colorado, 1891, inclusive
General note
Annotated on the verso.
[HMA's mother 'Jennie' (Sarah) Mitchell née Jewett], ca. 1890s, inclusive
General note
Photo by A. Hesler, Chicago.
HMA's mother 'Jennie' (Sarah) Mitchell née Jewett, ca. 1890s, inclusive
HMA's mother 'Jennie' (Sarah) Mitchell née Jewett., ca. 1890s, inclusive
General note
The original once framed in the Camera dei Genitori in Villa La Pietra, replaced with a digital print in June 2004.
HMA's mother 'Jennie' (Sarah) Mitchell née Jewett, ca. 1890s, inclusive
General note
Photo by Langfier, London.
HMA's mother 'Jennie' (Sarah) Mitchell née Jewett, ca. 1890s, inclusive
General note
Photos by Steffens, Chicago.
HMA's mother 'Jennie' (Sarah) Mitchell née Jewett, undated, inclusive
General note
Photo signed by Koehne.
Oversize, I.B.4.5. folder 55.
HMA's mother 'Jennie' (Sarah) Mitchell née Jewett, ca. 1890s, inclusive
General note
Photo signed by Koehne. The original which was removed from its frame in the Camera di Sir Harold in Villa La Pietra in June 2004 and replaced with a digital print.
[HMA's mother 'Jennie' (Sarah) Mitchell née Jewett or HMA's maternal aunt, Mrs Louise Stevens], ca. 1890s, inclusive
General note
Photo by Steffens, Chicago.
HMA's mother 'Jennie' (Sarah) Mitchell née Jewett, taken beside a photo of her husband William H. Mitchell, ca. 1890s, inclusive
General note
See #24 Oversize, I.B.4.5. folder 56.
HMA's mother 'Jennie' (Sarah) Mitchell née Jewett, ca. 1900, inclusive
General note
Photos by B. Frank Puffer, New York.
Oversize, I.B.4.5. folder 57.
HMA's mother 'Jennie' (Sarah) Mitchell née Jewett, ca. 1900, inclusive
General note
Neg.
HMA's mother 'Jennie' (Sarah) Mitchell née Jewett, ca. 1900, inclusive
General note
Five small prints.
[HMA's mother 'Jennie' (Sarah) Mitchell née Jewett and father William H. Mitchell in an interior], ca. 1900, inclusive
[HMA's mother 'Jennie' (Sarah) Mitchell née Jewett and father William H. Mitchell] with another lady in a garden, ca. 1900, inclusive
General note
Annotated on the verso "Do you know these people?".
[HMA's maternal aunt, Mrs. Louise Stevens], ca. 1890s, inclusive
General note
Cabinet card Photo by Steffens, Chicago.
[HMA's maternal aunt], ca. 1890s, inclusive
General note
Cabinet card Photo by Steffens, Chicago.
HMA's maternal aunt, Mrs. Louise Stevens, undated, inclusive
General note
Photos by Moffett.
Oversize, I.B.4.5. folder 58.
HMA's sister Marguerite Sheriff née Mitchell, with her daughter Kathleen, ca. 1909, inclusive
HMA's niece Kathleen Sheriff, daughter of Marguerite Sheriff née Mitchell, ca. 1910, inclusive
General note
Photo by Steffens, Chicago.
Oversize, I.B.4.5. folder 59.
HMA's niece Kathleen Sheriff, daughter of Marguerite Sheriff née Mitchell, ca. 1910, inclusive
General note
Photo by Steffens, Chicago.
Oversize, I.B.4.5. folder 59.
HMA's niece Kathleen Sheriff, daughter of Marguerite Sheriff née Mitchell, 1911, inclusive
General note
Photo by Steffens, annotated on the verso "With love to Harold and William from Kathleen"
Oversize, I.B.4.5. folder 60.
HMA's niece Kathleen Sheriff, daughter of Marguerite Sheriff née Mitchell, 1911, inclusive
General note
Photo by Steffens, detail of 46. above, annotated on the verso "Kathleen Sheriff - 5 years old - Jan 1911".
HMA's nephew Rothwell Sheriff, son of Marguerite Sheriff née Mitchell, 1903, inclusive
General note
Annotated on the verso "Rothwell Mitchell Sheriff, 18 months, 1903".
[HMA's nephew Rothwell Sheriff] as a child, ca. 1904, inclusive
[HMA's nephew Rothwell Sheriff] as a child, ca. 1904, inclusive
HMA's nephew Rothwell Sheriff as a child, ca. 1904, inclusive
General note
Annotated on the verso.
HMA's nephew Rothwell Sheriff as a child, ca. 1904, inclusive
General note
Photo by Hutchinson.
HMA's nephew Rothwell Sheriff as a child June, 1904, inclusive
General note
Photo by Steffens, annotated and dated on the verso.
Oversize, I.B.4.5. folder 61.
HMA's nephew Rothwell Sheriff as a boy, ca. 1910, inclusive
General note
Photo by Moffett, Chicago, annotated on the verso.
Oversize, I.B.4.5. folder 62.
HMA's nephew Rothwell Sheriff, ca. 1910, inclusive
General note
Photos by Lewis Smith, Chicago.
Oversize, I.B.4.5. folder 63.
HMA's nephew Rothwell Sheriff, ca. 1910, inclusive
General note
Photo by [Ivan Grifon].
Oversize, I.B.4.5. folder 64.
HMA's nephew Rothwell Sheriff, ca. 1910, inclusive
General note
Annotated on the verso "Rothwell in his school uniform they [have] military drill - he loves it".
[HMA's brother-in-law Andrew Sheriff's family] two men on horseback on a ranch, undated, inclusive
General note
Annotated on the verso "..just found this snap of P[…] out in his […] tree plantation - There will be a crop this year. I thought you would be interested in a picture of the change from Wall Street. We expect Louise Dillingham to-morrow. Regards from Mary Sheriff".
HMA's half sister Elizabeth (Bess) Adams née Mitchell, undated, inclusive
General note
Cabinet card photo by W.A. Nye, Chicago, annotated on the verso.
HMA's half sister Bess Adams, 1930, inclusive
General note
Photo by Post, Honolulu, May 1930.
Oversize, I.B.4.5. folder 65.
HMA's half sister Mary (Mollie) Blair née Mitchell, undated, inclusive
HMA's half sister Mary (Mollie) Blair née Mitchell, undated, inclusive
General note
Photo by Steffens, annotated on the verso "Mrs Chauncy Blair".
HMA's half sister Mary (Mollie) Blair née Mitchell, with her children William and Italia, undated, inclusive
General note
Annotated on the verso.
[Italia, William and Chauncy Blair as children], ca. 1880s, inclusive
General note
Photo by Brand, Chicago.
HMA's nephew William Blair, son of Mary (Mollie) and Chauncy Blair, undated, inclusive
General note
Photo by Steckel, Los Angeles, annotated on the verso.
HMA's nephew William [or Chauncy] Blair, son of Mary (Mollie) and Chauncy Blair as a soldier, 1917, inclusive
General note
Photo by Lewis Smith, Chicago, annotated on the verso ""Ensign Blair, August 1917, Great Lakes [Can….] Corps".
Oversize, I.B.4.5. folder 66.
HMA's half sister Mollie with her husband Chauncy Blair and their daughter Italia in the gardens of Villa di Castello, Firenze, May, 1904, inclusive
General note
Annotated on the verso.
HMA's brother Guy Mitchell, ca. 1920s, inclusive
General note
Photo by Nunes Vais, Firenze.
HMA's brother Guy Mitchell, ca. 1920s, inclusive
General note
Photos by Nunes Vais, Firenze.
Oversize, I.B.4.5. folder 67.
HMA's half brother John J. Mitchell, 1927, inclusive
General note
Photo by Blank and Stoller, New York. Annotated on the recto "From your brother with much love, July 18 1927, John J. Mitchell".
Oversize, I.B.4.5. folder 68.
[HMA's brother Guy Mitchell] as a child, undated, inclusive
General note
Carte de visite by H. Rocher, Chicago.
[HMA's brother Guy Mitchell] as an officer, undated, inclusive
General note
Photo by Bernard La Marche, Chicago.
[HMA's brother Guy Mitchell in Italy], undated, inclusive
[HMA's brother Guy Mitchell in an interior], undated, inclusive
HMA's brother Guy Mitchell, 1908, inclusive
General note
Annotated on the recto "Interlaken, July 13th 1908".
[HMA's brother Guy Mitchell], undated, inclusive
General note
Annotated on the verso "Guy".
HMA's brother Guy Mitchell at the Edward-Dean Museum of Decorative Arts, Beaumont, California, where he lived with Edward Eberle, 1958, inclusive
General note
Color prints.
[HMA's brother Guy Mitchell], 1932, inclusive
General note
Annotated on the verso "1932 Summer in California".
[HMA's brother Guy Mitchell] in the Far East with another man, undated, inclusive
[HMA's brother Guy Mitchell], undated, inclusive
General note
Photographies animées, Paris.
[HMA's brother Guy Mitchell], undated, inclusive
[HMA's brother Guy Mitchell or her half-brother John J. Mitchell], undated, inclusive
General note
The original which was removed from its frame in the Camera dei Genitori in Villa La Pietra in June 2004 and replaced with a digital print.
HMA's cousin Louise Dillingham née Gaylord, undated, inclusive
General note
Daughter of her half sister Bess Adams née Mitchell, annotated on the verso.
HMA's cousin Louise Dillingham née Gaylord, 1907, inclusive
General note
Photo by Steffens 1907, annotated on the verso.
Oversize, I.B.4.5. folder 69.
HMA's cousin Louise Dillingham née Gaylord with Walter Dillingham on their wedding trip (with another couple) at Guy Mitchell's Villa Passerini, Firenze, 1910, inclusive
HMA's cousin Louise Dillingham née Gaylord with Walter Dillingham on their wedding trip at Guy Mitchell's Villa Passerini, Firenze, 1910, inclusive
HMA's cousin Louise Dillingham née Gaylord with Walter Dillingham at their wedding, in the gardens of Villa La Pietra, 1910, inclusive
General note
For prints of their wedding with HA and WA as pages, see I.C.1.
HMA's cousin by marriage, Walter Dillingham, undated, inclusive
Louise and Walter Dillingham with their baby, undated, inclusive
HMA's cousin by marriage, Walter Dillingham with his four children, 1925, inclusive
General note
Photo by Post Honolulu.
Oversize I.B.4.5. folder 70.
HMA's cousin by marriage, Walter Dillingham with his four children, undated, inclusive
General note
Annotated on the verso.
HMA's cousin Louise Dillingham dressed for tennis at Villa La Pietra Honolulu, undated, inclusive
General note
Signed "Louise" on the recto, and annotated on the verso "taken the day of my return by the newspaper".
HMA's cousins Louise and Walter Dillingham, 1935, inclusive
General note
Signed on the recto "Walter Louise 1910-1935 Passport pictures [Alosa]!".
HMA's half sister Bess Adams holding Gail Dillingham (daughter of Lowell Dillingham) with Louise Dillingham on the left and other members of the family, 1937, inclusive
General note
Dated on the verso.
HMA's cousins the Dillinghams, 1948, inclusive
General note
Annotated on the recto from the Dillinghams 'La Pietra', Honolulu 1948.
HMA's cousins the Dillinghams, 1957, inclusive
General note
Annotated on the recto at a christening at 'La Pietra' Honolulu, 1957.
HMA's cousins the Dillinghams at 'La Pietra' Honolulu gathered to celebrate Walter Dillingham's 80th birthday, 1955, inclusive
HMA's cousin Lowell, son of Louise and Walter Dillingham, as a child, undated, inclusive
General note
Annotated on the verso by HMA "Lowell Dillingham, your second cousin".
HMA's cousin Lowell, son of Louise and Walter Dillingham, as a child, undated, inclusive
HMA's cousin Lowell as a child with a friend, undated, inclusive
General note
Annotated on the verso by Louise Dillingham "This is not the baby sister expected September 27th but Mildred [Kimball's] little girl. She was Countess [Pasolino Pasolini] now married to a Lieut. in our army. Her sister is the Countess [Rasponi or Rusponi]. She is lovely, very intelligent and a great friend of mine. Do write me some day. I long for news. Love to you all - We are staying with Mother at the Japanese garden. I am large and uncomfortable, my only […] via the sea. Devotedly Louise".
HMA's cousins Lowell and Benjamin, sons of Walter and Louise Dillingham, undated, inclusive
General note
Annotated on the verso [by Bess Adams for HA or WA] "Lowell and Benjamin Dillingham. Ben is 2 years, Lowell 7 years. Their first snow and sledging. They live in Honolulu. Your cousin Louise's boys. My grandsons.".
HMA's cousin Lowell Dillingham cousin, 1924, inclusive
HMA's cousin Lowell Dillingham, undated, inclusive
General note
Photo by Post Honolulu.
Oversize, I.B.4.5. folder 71.
John and Susie Mitchell with their baby Ayres d'Este Mitchell born on 11 November, 1986, inclusive
General note
Color photo annotated on the verso, taken 21 April 1987.
Subseries C: Acton, Harold (HA)
1 HA in the 1900s
HA with his mother, HMA, (when four months old) outside Villa La Pietra, 5 November, 1904, inclusive
HA with his mother, HMA, ca. 1904, inclusive
HA with his mother, HMA, ca. 1904, inclusive
General note
Negs. and prints.
HA with his nurse, ca. 1904, inclusive
HA with his nurse and in a 'baby walker' with Ajax the dog, ca. 1904, inclusive
General note
Two prints pasted onto a loose page, annotated on the recto by HA.
HA with his nurse, ca. 1904, inclusive
HA, ca. 1904, inclusive
General note
Neg.
HA with his nurse, ca. 1904, inclusive
General note
Neg.
HA with his mother, HMA, ca. 1904, inclusive
General note
Neg.
HA with his nurse beside his perambulator, ca. 1904, inclusive
General note
Neg. and print.
HA on his nurse's lap, 16 November, 1904, inclusive
General note
Neg.
HA with his mother, HMA, and nurse in the gardens of Villa La Pietra, 15 March, 1905, inclusive
General note
One annotated and dated on the verso.
HA with [his father AA, or his uncle Guy Mitchell], ca. 1905, inclusive
General note
Neg.
HA [with his mother, HMA], ca. 1905, inclusive
General note
Neg.
HA seated on the lawn in front of Villa La Pietra, ca. 1905, inclusive
General note
Neg.
HA with his mother, HMA, ca. 1905, inclusive
General note
Neg.
[HA] with his nurse and mother, ca. 1905, inclusive
HA with his mother, HMA, in the US, July (HMA expecting WA), 1906, inclusive
HA in the US [on the steps of his grandfather's house], 1906, inclusive
HA in the US [with his grandfather, William Mitchell], 1906, inclusive
HA in the US, August, 1906, inclusive
General note
Photo by Steffens, Chicago.
HA in the US, August, 1906, inclusive
General note
Photo by Steffens, Chicago. See #44.
Oversize, I.C.1.6. folder 72.
HA in the US, August, 1906, inclusive
General note
Photo by Steffens, Chicago.. This is the original which was removed from its frame in the Biblioteca in Villa La Pietra in June 2004 and replaced with a digital print.
HA in a motor-car outside Villa La Pietra, ca. 1907, inclusive
General note
Neg. and print.
HA in a motor-car outside Villa La Pietra, ca. 1907, inclusive
General note
Neg.
HA with his mother, HMA, the dog Caesar, and a nurse and WA in a pram, ca. 1907, inclusive
General note
Neg.
HA with his mother, HMA, and a nurse with WA, and a motor-car outside Villa La Pietra, ca. 1907, inclusive
General note
Neg. and print.
HA with WA in his pram, 1907, inclusive
General note
Neg. and print.
HA with WA in his pram, 1907, inclusive
General note
Neg.
HA with WA, December, 1908, inclusive
General note
Neg.
HA with WA and alone (and his mother, HMA), ca. 1908, inclusive
General note
Neg.
HA with WA, ca. 1908, inclusive
HA with WA, ca. 1908, inclusive
General note
Neg.
HA with WA [and his mother, HMA], ca. 1908, inclusive
General note
Neg.
HA with his mother, HMA, and WA, ca. 1908, inclusive
HA in the gardens of Villa La Pietra, ca. 1908, inclusive
General note
Negs. and prints.
HA and WA, ca. 1908, inclusive
General note
Neg.
HA at Geneva Lake, Wisconsin, US (dressed up in his cousin Kathleen Sheriff's clothes), August, 1909, inclusive
General note
Annotated on the verso.
HA in the gardens of Villa La Pietra, ca. 1909, inclusive
General note
Neg. and print.
HA with his brother WA [and his mother, HMA], ca. 1909, inclusive
General note
Neg.
HA, 1909, inclusive
General note
Photo by Mishkin Studio, New York, 1909.
Oversize, I.C.1.6. folder 73.
HA with his brother WA, 1909, inclusive
General note
Photo by Mishkin Studio, New York, 1909.
HA, 1909, inclusive
General note
Photo by Mishkin Studio, New York, 1909.
HA with his brother WA, in fancy-dress (HA as a toreador and his brother WA as pierrot) for a Carnival ball given by Mrs Henry Labouchere at Villa Cristina, Firenze, 1909, inclusive
General note
Neg.
HA with his mother, HMA, and his brother WA at Geneva Lake, Wisconsin, US, August, 1909, inclusive
General note
Annotated on the recto and verso by HMA.
2 HA in the 1910s
HA in the gardens of Villa La Pietra as a page (with his brother WA) in a wedding photograph at the marriage of Louise Gaylord with Walter Dillingham. Others include Louise's cousin and maid of honour, Italia Blair de Soriano, the best man John Miller, the bridesmaid Margaret Hamill, Louise's mother Bess Adams, [and Guy Mitchell] May, 1910, inclusive
General note
See also oversize, I.C.13.9. folder 101.
HA with his mother, HMA, and his brother WA in the gardens of Villa La Pietra, 1910, inclusive
General note
Neg.
HA with his brother WA, Miss Isabella O'Connor [and his mother HMA, and Mrs Boyle], ca. 1911, inclusive
General note
Neg.
HA with his brother WA [and their father AA or their uncle Guy Mitchell and Mrs Boyle], ca. 1911, inclusive
General note
Neg.
HA with his brother WA in the gardens of Villa La Pietra, ca. 1911, inclusive
General note
Neg.
HA with his mother HMA, his brother WA, and nurse at Bad Homburg, 1912, inclusive
General note
Annotated and dated on the verso.
HA with his brother WA on donkeys in Bad Homburg, 1912, inclusive
HA with his brother WA in the gardens of Villa La Pietra, ca. 1911, inclusive
General note
Neg.
HA with his brother WA in fancy-dress for a ball given by the Braggiotti family, their neighbours in Montughi, Firenze, on 18 February, 1912, inclusive
General note
Neg. and print.
HA with his brother WA and their father AA in the gardens of Villa La Pietra, ca. 1912, inclusive
General note
Neg.
HA [or his brother WA] with a puppy in the gardens of Villa La Pietra, ca. 1912, inclusive
General note
Neg.
HA with his brother WA and their mother HMA in the gardens of Villa La Pietra, ca. 1912, inclusive
General note
Neg.
HA in the gardens of Villa La Pietra, December, 1913, inclusive
General note
Neg.
HA with his brother WA in the gardens of Villa La Pietra, ca. 1913, inclusive
General note
Neg.
HA with his brother WA in the gardens of Villa La Pietra, ca. 1913, inclusive
General note
Neg. and print.
HA in the gardens of Villa La Pietra, ca. 1913, inclusive
General note
Neg. and print.
HA, with his brother WA in the gardens of Villa La Pietra, ca. 1913, inclusive
General note
Neg.
HA, with his brother WA in the gardens of Villa La Pietra, undated, inclusive
General note
Negs. and prints.
HA, with his brother WA in the gardens of Villa La Pietra, ca. 1913, inclusive
General note
Neg.
HA, ca. 1913, inclusive
General note
Oversize, I. C.2.6. folder 74.
HA with his brother WA, ca. 1913, inclusive
General note
Oversize, I.C.2.6. folder 74.
HA with his brother WA, dressed for tennis, 1914, inclusive
General note
Dated on the recto September 1914.
HA in a group photograph with his brother WA, their mother HMA, their uncle Guy Mitchell (first on the left), and others, September, 1915, inclusive
General note
See annotated print in III.A.2.
[HA] with officers in the gardens of Villa La Pietra, ca. 1915, inclusive
General note
Neg.
HA in the gardens of Villa La Pietra, ca. 1915, inclusive
General note
Neg. and print.
HA in the gardens of Villa La Pietra, ca. 1915, inclusive
General note
Neg.
HA with his mother HMA at the entrance to Villa La Pietra, 1915, inclusive
General note
Neg.and print. Dated on the verso.
HA [with his father AA] in the gardens of Villa La Pietra, ca. 1915, inclusive
General note
Neg.
HA [with his mother HMA] in the gardens of Villa La Pietra, ca. 1915, inclusive
General note
Neg.
HA with his father AA and mother HMA in the gardens of Villa La Pietra (il Tempietto), ca. 1915, inclusive
General note
Neg. and print.
HA with his mother HMA in the gardens of Villa La Pietra, ca. 1915, inclusive
General note
Neg. and print.
[HA], ca. 1915, inclusive
General note
Neg.
HA with his mother HMA and father AA and his brother WA, 1915, inclusive
HA, 1915, inclusive
General note
See 199.
Oversize, I.C.2.6. folder 75.
HA, with his mother HMA, 1915, inclusive
HA with his mother HMA and father AA on a family trip to Roma (in the Roman Forum), 1916, inclusive
[HA with his father AA], ca. 1916, inclusive
General note
Neg.
[HA], ca. 1916, inclusive
General note
Neg.
HA, ca. 1916, inclusive
General note
Neg.
HA with others [including his mother HMA], ca. 1916, inclusive
HA with his mother HMA, ca. 1916, inclusive
General note
Neg. and print.
HA, ca. 1916, inclusive
General note
Neg. and print.
HA, ca. 1916, inclusive
General note
Neg.
HA with his mother HMA, his father AA, and his brother WA, ca. 1916, inclusive
General note
Neg.and print. Hand-Colored print.
HA, ca. 1916, inclusive
General note
Photo by Harrods, London [1916]
HA, undated, inclusive
General note
Photos by Harrods, London.
Oversize, I.C.2.7. folder 76
HA in Capri with his mother HMA, his father AA, his brother WA, and another lady, 1916, inclusive
General note
Neg.and two prints.
HA in Capri with his mother HMA, his father AA, his brother WA and another lady, 1916, inclusive
General note
Negs. and prints.
HA with his mother HMA, and his brother WA on a family trip to Pompeii, 1916, inclusive
HA in Napoli, 1916, inclusive
HA, 1917, inclusive
General note
This photo is reproduced in "Memoirs of an Aesthete" by HA, but wrongly captioned 'aged 9' (HA is, in fact, 13 years old in 1917. Some annotated on the verso.
HA with his mother HMA, ca. 1917, inclusive
General note
Neg. and print.
HA, 1918, inclusive
General note
Photo by Alfred [Whissack], Eton, Windsor.
[HA in a school play], ca. 1918, inclusive
3 HA in the 1920s
HA, ca. 1920, inclusive
HA at his desk, ca. 1920, inclusive
HA at his desk, ca. 1920, inclusive
General note
Photo by Instead, Bond Street, London. See 47. Signed on the recto.
Oversize, I.C.3.7. folder 77.
HA, ca. 1920, inclusive
General note
Photo by Instead, Bond Street, London.
Oversize, I.C.3.7. folder 77.
HA with his brother WA, taken at Magnolia, Mass., US, 1921, inclusive
HA, ca. 1921, inclusive
HA, ca. 1921, inclusive
HA when at Eton early, 1922, inclusive
General note
Photo by Claude Harris, London and Windsor. See also framed photograph from the Camera dei Genitori, boxed separately.
HA as a toreador (trick photo), 1924, inclusive
General note
Annotated and dated on the verso by HMA.
HA in the gardens of Villa La Pietra, ca. 1924, inclusive
General note
Neg. and print.
HA in the gardens of Villa La Pietra, ca. 1925, inclusive
HA in the gardens of Villa La Pietra, ca. 1925, inclusive
General note
Neg.
HA, ca. 1925, inclusive
General note
Photo signed by Bertram [Park].
HA, ca. 1925, inclusive
General note
Photo signed by [Ivan…] Macgregor, and autographed by HA.
Oversize, I.C.3.7. folder 78.
HA with his mother HMA [and his uncle Guy Mitchell] in the gardens of Villa La Pietra (Giardino Segreto), ca. 1926, inclusive
HA [at Brighton, GB], ca. 1926, inclusive
HA, ca. 1926, inclusive
General note
Photo by Lenare, George Street, London.
HA, ca. 1928, inclusive
General note
Photo by Lenare, George Street, London. Annotated on the verso by HA "1928?".
HA, ca. 1928, inclusive
General note
Photo by Lenare, George Street, London. See 69.
Oversize, I.C.3.7. folder 79.
HA, ca. 1928, inclusive
General note
Photo by Swaine, New Bond Street, London and Southsea.
Oversize, I.C.3.7. folder 80.
4 HA in the 1930s
HA, ca. 1930, inclusive
HA in Marrakech, ca. 1930, inclusive
General note
Annotated on the verso.
HA in China (Beijing), 1933, inclusive
General note
Annotated "in the courtyard of 14 Kan Yu Hutung, March '33".
HA in China (Beijing), 14 Kan Yu Hutung, in Chinese dress, 1933, inclusive
HA in China (Beijing), 1933, inclusive
General note
Annotated on the verso.
HA, 1935, inclusive
General note
Photo by Malcolm McDonald, 1935 (published in "Memoirs of an Aesthete"). Negs.and prints.
HA, 1935, inclusive
General note
Photo by Malcolm McDonald, 1935.
Oversize, I.C.4.7. folder 81.
HA in China (Beijing) in the interior of his home at 2 Kung Hsien Hutung (or Gong Xian Hutong), with an 18th century Chinese scroll in the background, ca. 1936, inclusive
General note
One annotated on the verso.
HA in China (Beijing), ca. 1936, inclusive
HA in China (Beijing) in the courtyard of his home at 2 Kung Hsien Hutung, 1936, inclusive
HA in China (Beijing) in the courtyard of his home at 2 Kung Hsien Hutung, in Chinese dress, ca. 1936, inclusive
General note
Negs. and prints.
HA in China (Beijing) in the courtyard of his home at 2 Kung Hsien Hutung, in Chinese dress, ca. 1937, inclusive
HA in China (Beijing), July, 1938, inclusive
HA in China (Beijing), in the 'carved moon gate' in his drawing room at 2 Kung Hsien Hutung, in Chinese dress, ca. 1936, inclusive
5 HA in the 1940s
HA, ca. 1941, inclusive
HA in Royal air force uniform, 1941, inclusive
General note
Annotated on the verso.
HA in Royal air force uniform, taken in Cairo, Egypt, 1942, inclusive
General note
Photo by Venus Photo Studio.
HA in Royal air force uniform, ca. 1941, inclusive
General note
Photos by Wallace Heaton, London.
HA in Royal air force uniform, ca. 1941, inclusive
General note
Photo by Wallace Heaton, London. This is the original which was removed from its double frame in the Biblioteca in Villa La Pietra in June 2004 and replaced with a digital print.
HA in Royal air force uniform, ca. 1941, inclusive
General note
Photo by Wallace Heaton, London. See 104. With a dedication on the recto "To dearest Louis[a] with love from Harold".
HA in Royal air force uniform, ca. 1941, inclusive
General note
Photo by Wallace Heaton, London.
HA in Royal air force uniform, ca. 1941, inclusive
General note
Photo by Wallace Heaton, London. This is the original which was removed from its double frame in the Biblioteca in Villa La Pietra in June 2004 and replaced with a digital print.
HA (prior to a surgical operation), 1943, inclusive
HA, ca. 1940s, inclusive
General note
Photo by Moffett Studio.
HA in the gardens of Castle Hill, Ipswich, Massachusetts, US (the home of Florence Crane, a childhood friend of his mother, HMA), August, 1947, inclusive
General note
Annotated on the verso.
HA in the gardens of Castle Hill, Ipswich, Massachusetts, US (the home of Florence Crane, a childhood friend of his mother, HMA), August, 1947, inclusive
HA outside Castle Hill, Ipswich, Massachusetts, US (the home of Florence Crane, a childhood friend of his mother, HMA), beside a car, August, 1947, inclusive
HA on board ship, 1949, inclusive
General note
Annotated on the verso "Saturnia, December 1949".
6 HA in the 1950s
HA, ca. 1950s, inclusive
General note
Photos by Cecil Beaton, stamped on the verso "Cecil Beaton Photograph" and each with a series number.
HA with his mother, HMA and father, AA and a couple, 1951, inclusive
General note
Color print.
HA in the gardens of Villa La Pietra (the Pomario), ca. 1950s, inclusive
General note
Photo by Levi, Firenze.
HA, 1957, inclusive
General note
Color print.
HA with his mother HMA [and Shih-Hsiang Chen] in the gardens of Villa La Pietra and in the interior of Villa La Pietra (the Salone), ca. 1950s, inclusive
HA in the interior of Villa La Pietra (the Studio Biblioteca), ca. 1950s, inclusive
HA, ca. 1950s, inclusive
General note
Photos for documents.
HA in the gardens of Villa La Pietra, ca. 1950s, inclusive
General note
Color prints.
HA [in the gardens of Villa La Pietra], ca. 1950s, inclusive
HA in the gardens of Villa La Pietra (Vista del Colosso), ca. 1950s, inclusive
HA in the gardens of Villa La Pietra, with his mother, HMA and a male guest, ca. 1950s, inclusive
General note
Color prints.
7 HA in the 1960s
HA in the gardens of Villa La Pietra (the Viale), ca. 1960s, inclusive
General note
Photos signed on the recto by Cecil Beaton.
HA in the gardens of Villa La Pietra (the Scalone of the Vasche), ca. 1960s, inclusive
General note
Photo by Cecil Beaton, with the stamp 'Cecil Beaton Photograph' on the verso.
HA in the gardens of Villa La Pietra (Giardino Topiario), 1960, inclusive
General note
Color print. Annotated on the verso.
HA in the gardens of Villa La Pietra (with a dog), ca. 1960s, inclusive
HA [in the US], a Christmas card from Donald and Mary Hyde, 1963, inclusive
General note
Color print.
HA, 1964, inclusive
General note
Color print.
HA in the gardens of Villa La Pietra (Teatrino), ca. 1960s, inclusive
General note
Neg.
HA in the gardens of Villa La Pietra (Prima Vasca), ca. 1960s, inclusive
General note
Neg.
HA in the gardens of Villa La Pietra (scalone), ca. 1960s, inclusive
General note
Neg.
HA in the gardens of Villa La Pietra, ca. 1960s, inclusive
General note
Neg.
HA in the interior of Villa La Pietra, ca. 1960s, inclusive
General note
Neg.
HA in the gardens of Villa La Pietra (the Vialone in the Boschetto), ca. 1960s, inclusive
HA in the gardens of Villa La Pietra (Seconda Vasca), 1965, inclusive
General note
Color print.
HA in the gardens of Villa La Pietra with a puppy (Prima Vasca), 1966, inclusive
General note
Color print.
HA in the gardens of Villa La Pietra (Giardino Segreto), 1967, inclusive
General note
Color print.
HA in the gardens of Villa La Pietra (with a dog), 1967, inclusive
General note
Color prints.
HA in the gardens of Villa La Pietra (Giardino Segreto), ca. 1960s, inclusive
General note
Color print.
HA in the gardens of Villa La Pietra, ca. 1960s, inclusive
General note
Color print.
HA in the gardens of Villa La Pietra, 1965, inclusive
General note
Photo by Reginald Colby, August 1965. Annotated on the verso.
HA in the gardens of Villa La Pietra (the Terrazza), ca. 1960s, inclusive
General note
Color slide.
HA in the interior of Villa La Pietra, ca. 1960s, inclusive
General note
Color slides.
HA in the interior of Villa La Pietra (the Salone), ca. 1960s, inclusive
General note
Oversize, I.C.7.7. folder 82.
HA at Chateau La Rochepot, 1965, inclusive
General note
Contact sheet of five prints.
HA at Chateau La Rochepot, 1965, inclusive
General note
3 (attached) Color negs.
HA in the gardens of Villa La Pietra (the Terrazza), with a dog, ca. 1960s, inclusive
General note
Color print.
HA in the gardens of Villa La Pietra, ca. 1960s, inclusive
General note
4 (attached) Color negs.
HA in the gardens of Villa La Pietra (with dogs), ca. 1960s, inclusive
General note
4 (attached) negs.
HA in the gardens of Villa La Pietra (with dogs), ca. 1960s, inclusive
General note
4 (attached) Color negs.
HA in the gardens of Villa La Pietra (with dogs), ca. 1960s, inclusive
General note
4 (attached) negs.
8 HA in the 1970s
HA in the gardens of Villa La Pietra (the Terrazza of the Vasche), 1972, inclusive
General note
Color print.
HA in the gardens of Villa La Pietra (Seconda Vasca), 1972, inclusive
General note
Color print.
HA in the gardens of Villa La Pietra (Teatrino), 1972, inclusive
General note
Color print.
HA in the gardens of Villa La Pietra (the Terrazza of the Vesche), with a dog, ca. 1970s, inclusive
General note
Color print.
HA in the gardens of Villa La Pietra (the Vialone in the Boschetto), 1972, inclusive
General note
Color print.
HA in the gardens of Villa La Pietra (Prima Vasca), 1972, inclusive
General note
Color print.
HA in the gardens of Villa La Pietra (Peristilio della glicine), ca. 1970s, inclusive
HA in the gardens of Villa La Pietra, 1974, inclusive
General note
Color print. Annotated on the verso.
HA [in the interior of Villa La Pietra], 1971, inclusive
General note
Color prints.
HA in the gardens of Villa La Pietra (the Terrazza of the Vasche), in his robes which he wore on the occasion of his honorary D. Litt. from NYU, 1973, inclusive
General note
Color prints.
HA in the gardens of Villa La Pietra (the Terrazza of the Vasche), in his robes which he wore on the occasion of his honorary D. Litt. from NYU, 1973, inclusive
General note
Negs. of 5.-8. above.
HA, 1973, inclusive
General note
Color print.
HA in the interior of Villa La Pietra (the Biblioteca), ca. 1970s, inclusive
General note
Color print.
HA in the gardens of Villa La Pietra (the Terrazza of the Vasche), ca. 1970s, inclusive
General note
Color print.
HA in the gardens of Villa La Pietra and in the interior of Villa La Pietra, ca. 1970s, inclusive
General note
Photos by Jerry Bauer, Paris (one sheet of 37 proofs), annotated on the verso.
Oversize, I.C.8.8. folder 83.
HA in the interior of Villa La Pietra, ca. 1970s, inclusive
General note
Photo by Massimo Listri.
Oversize, I.C.8.8. folder 84.
HA in the gardens of Villa La Pietra (the Viale), 1976, inclusive
General note
Photo by London Weekend Television, Aquarius "Sir Harold Acton in Italy", 1976
HA at the entrance to Villa La Pietra, 1976, inclusive
General note
Photo by London Weekend Television, Aquarius "Sir Harold Acton in Italy".
HA in the interior of Villa La Pietra, 1976, inclusive
General note
Photo by London Weekend Television, Aquarius "Sir Harold Acton in Italy".
HA, 1976, inclusive
General note
Photo by London Weekend Television, Aquarius "Sir Harold Acton in Italy".
HA at a window of Villa La Pietra overlooking the Vasche, 1976, inclusive
General note
Photo by London Weekend Television, Aquarius "Sir Harold Acton in Italy".
HA in the gardens of Villa La Pietra (the Prima Vasca), 1976, inclusive
General note
Photo by London Weekend Television, Aquarius "Sir Harold Acton in Italy".
HA in the gardens of Villa La Pietra (Giardino Topiario), 1976, inclusive
General note
Photo by London Weekend Television, Aquarius "Sir Harold Acton in Italy".
HA in the gardens of Villa La Pietra (the Pomario), 1976, inclusive
General note
Photo by London Weekend Television, Aquarius "Sir Harold Acton in Italy".
HA, ca. 1970s, inclusive
General note
Photo by Alexander Zielcke. Neg.
HA in Villa La Pietra (the Salone), 1979, inclusive
General note
Color print.
HA in a garden, ca. 1970s, inclusive
General note
Photos by Alexander Zielcke. See 38.
Oversize, I.C.8.8. folder 85.
9 HA in the 1980s
HA at Positano (Salerno), 1981, inclusive
General note
Color photo by Carlo Knight, published in black and white in "Greene on Capri", by Shirley Hazzard (2000). See also I.C.12.
HA at Positano (Salerno), 1981, inclusive
General note
Color prints by Carlo Knight.
HA in the gardens of Villa La Pietra (Prima Vasca), ca. 1980s, inclusive
General note
Photo by Antonio Sferlazzo, Firenze.
HA in the interior of Villa La Pietra, ca. 1980s, inclusive
General note
Photos by Antonio Sferlazzo, Firenze.
HA at Villa La Pietra, ca. 1980s, inclusive
General note
Photos by Antonio Sferlazzo, Firenze.
HA in GB, ca. 1980s, inclusive
General note
Color slides by Tim Graham.
HA in the interior of Villa La Pietra, ca. 1980s, inclusive
General note
Photos by Maurizio Berlincioni, Firenze.
HA in the interior of Villa La Pietra (Salone), ca. 1980s, inclusive
General note
Photos by Maurizio Berlincioni, Firenze See 58.
Oversize, I.C.9.8. folder 86.
HA, ca. 1980s, inclusive
General note
Photo by Maurizio Berlincioni, Firenze.
HA, ca. 1980s, inclusive
General note
Color prints.
HA, ca. 1980s, inclusive
General note
Color print.
HA in the gardens of Villa La Pietra (Seconda Vasca), ca. 1980s, inclusive
General note
Photo by George Daniell.
HA in the gardens of Villa La Pietra (Peristilio della glicine), ca. 1980s, inclusive
General note
Photo by George Daniell.
HA in the interior of Villa La Pietra, ca. 1980s, inclusive
General note
Photo by George Daniell.
HA at Villa La Pietra (with two employees), ca. 1980s, inclusive
General note
Photo by George Daniell.
HA in the gardens of Villa La Pietra, ca. 1980s, inclusive
General note
Color print.
HA in the interior of Villa La Pietra (Salone), with his pug dog, ca. 1980s, inclusive
General note
Color prints.
HA in the interior of Villa La Pietra (Salone), with his pug dog, ca. 1980s, inclusive
General note
Color prints.
HA in the interior of Villa La Pietra (at his desk), ca. 1980s, inclusive
General note
Color print.
Oversize, I.C.9.8. folder 87.
HA, ca. 1980s, inclusive
General note
Color print (annotated on the verso). Fragment of a letter.
HA, with a lady, ca. 1980s, inclusive
General note
Color print, annotated on the verso. Fragment of a letter following on to 74.
HA in the gardens of Villa La Pietra (Prima Vasca), ca. 1980s, inclusive
General note
Color print.
HA, ca. 1980s, inclusive
HA in the gardens of Villa La Pietra, ca. 1980s, inclusive
General note
Color print.
HA with a dog, ca. 1980s, inclusive
General note
Color print.
HA in the gardens of Villa La Pietra (Vista del Colosso), ca. 1980s, inclusive
General note
Color print.
HA in the gardens of Villa La Pietra (Giardino Segreto) at a party to mark the 65th anniversary of the opening of the British Institute, Firenze, 1983, inclusive
General note
Color print. See also I.C.13.10. 40-52.
HA in the interior of Villa La Pietra during a visit to La Pietra by HRH Princess Margaret, 1983, inclusive
General note
See also I.C.13.10.-89-91.
HA in the gardens of Villa La Pietra (Pomario), with a gardener, 1983, inclusive
General note
Color print.
HA in the interior of Villa La Pietra, October, 1984, inclusive
General note
Annotated on the verso by Michael Crawcour, Color print.
HA in a hat in the interior of Villa La Pietra, October, 1984, inclusive
General note
Annotated on the verso by Michael Crawcour, Color print.
HA in the gardens of Villa La Pietra (the Terrazza), ca. 1980s, inclusive
General note
Color print.
HA in the gardens of Villa La Pietra (Prima Vasca), 1984, inclusive
General note
Color print.
HA in the interior of Villa La Pietra, 1984, inclusive
General note
One signed on the verso by Patrick Faigenbaum and dated 1984, and the other signed on the recto by Patrick Faigenbaum and dated.
Oversize, I.C.9.8. folder 88.
HA, ca. 1980s, inclusive
General note
Oversize, I.C.9.8. folder 89.
HA in the gardens of Villa La Pietra, ca. 1980s, inclusive
HA in the gardens of Villa La Pietra (Prima Vasca), ca. 1980s, inclusive
HA in the gardens of Villa La Pietra (Terrazza), ca. 1980s, inclusive
General note
Color print.
HA in the gardens of Villa La Pietra (Terrazza), ca. 1980s, inclusive
General note
Color print.
HA in the gardens of Villa La Pietra (Terrazza), 1987, inclusive
General note
Dated 17 June 1987 on the verso and annotated from "Gianfranco P[…]. Color print.
HA in the gardens of Villa La Pietra (Terrazza), 1987, inclusive
General note
Dated September 6 1987 on the verso. Color print.
HA, 1988, inclusive
General note
Photo by Matthew R. Lewis (Fothergill).
HA, 1988, inclusive
General note
Photo by Matthew R. Lewis (Fothergill). Annotated with a dedication on the verso, 1989.
Oversize, I.C.9.8. folder 89a.
10 HA in the 1990s
HA in the gardens of Villa La Pietra (Teatrino), with a dog, 1992, inclusive
General note
Dated on the verso, June 1992. Color print.
HA seated reading in the gardens of Villa La Pietra (Giardino Segreto), before 1994, inclusive
General note
Color print.
HA in the interior of Villa La Pietra and in the gardens of Villa La Pietra, before 1994, inclusive
HA in the garden of Villa Colletta on the estate of Villa La Pietra, ca. 1990s, inclusive
General note
This is the original which was removed from its frame in the Biblioteca in Villa La Pietra in June 2004 and replaced with a digital print.
11 Portraits of HA
HA by Marion Stoll, an embroidery, 1923, inclusive
General note
Annotated on the verso. Photo by E.J. Mason, London.
HA by Pedro Pruna, Paris, 1925, inclusive
General note
Signed and dated on the recto. Photo by Brogi. Annotated on the verso "Commissione Acton 24473". A copy once in Historic Album 1, no. 288, now replaced with a photocopy.
HA in a painting, undated, inclusive
HA by Thomas Handforth, 1933, inclusive
General note
Signed on the recto, and annotated on the verso "Peiping, 1933".
HA in a Chinese painting by Chen Shixiang, undated, inclusive
HA in a Chinese painting, undated, inclusive
General note
See 97.
Oversize, I.C.11.8. folder 90.
HA in a portrait by a Chinese artist, undated, inclusive
HA by Mme Lo Ch'ang (K'ang T'ung-Pi, now known as Kang Tongbi), undated, inclusive
General note
Neg.,see 101
HA by Mme Lo Ch'ang (K'ang T'ung-Pi now known as Kang Tongbi), undated, inclusive
General note
Photo by Ann Watkins, Inc. One annotated on the verso.
HA painted in the gardens of Villa La Pietra (Teatrino), 1940, inclusive
General note
Signed on the recto "Gregorio […] 1940". Photo by A.C. Cooperand Sons Ltd.,London.
HA in sketches by Feliks Topolski, 1949, inclusive
General note
Signed and dated on the recto, photos by Wallace Heaton.
HA by Luciano Guarnieri, 1973, inclusive
General note
Signed and dated on the recto.
HA in a drawing, undated, inclusive
HA in a portrait head in clay, 1973, inclusive
General note
Annotated on the verso with the artist's name (illegible) and dated 1973, Color print.
12 HA with others (not at Villa La Pietra)
HA in a school group photograph at his preparatory school at Wixenford, Berks (GB), 1912, inclusive
General note
Identified as no. 24 on the recto by HA, with some signatures including that of HA on the verso.
Oversize, I.C.12.8. folder 91.
HA in a school group photograph on a school outing from his preparatory school at Wixenford, Berks (GB), 1912, inclusive
General note
3rd row, 8th from the left.
Oversize, I.C.12.8. folder 92.
HA in a group photograph at de Havilland House Eton College, 1918, inclusive
General note
All the boys identified on the recto.
Oversize, I.C.12.8. folder 93.
HA with Miss Rammage and Princess Daria Kara-Georgevitch at Rosatch, St Moritz, August, 1920, inclusive
General note
Neg.: for the print see III.A.6.
HA with WA and friends at a party, New Year's Eve, 1925, inclusive
General note
Annotated on the verso.
HA with the Oxford University Railway Club: Back row: (left to right) Henry Yorke, Roy Harrod, Henry Weymouth, David Plunket-Greene, Harry Stavordale, Brian Howard. Middle row: Michael Rosse, John Sutro, Hugh Lygon, HA, Bryan Guiness, Patrick Balfour, Mark Ogilvie-Grant, Johnnie Drury-Lowe, and porters, 1925, inclusive
General note
Published in "Brian Howard, Portrait of a failure", by M.J. Lancaster.
HA with the Oxford University Railway Club, 1925, inclusive
General note
See # 118, but with Hugh Lygon and HA having exchanged places in the middle row
HA with the Oxford University Railway Club, 1925, inclusive
General note
See 118. for identifications: HA on the extreme left, front row. Annotated by HA on the recto, photo by Lafayette, London.
Oversize, I.C.12.8. folder 94.
HA and Robert Byron at Oxford, undated, inclusive
HA in a group photograph at a party at Oxford, front row second from the right, 1926, inclusive
General note
Annotated on the recto by HA.
Oversize, I.C.12.8. folder 95.
HA in a group photograph at a party at Oxford, ca. 1926, inclusive
General note
2nd row, 2nd from the right (WA seated back row, garlanded). Photo by Gillman, Oxford.
Oversize, I.C.12.8. folder 96.
HA with a friend, undated, inclusive
HA in Beijing (China) [with a university student], August, 1933, inclusive
General note
Annotated on the verso by HMA.
HA in Beijing (China), with university students, ca. 1934, inclusive
HA in Beijing (China), the courtyard of his house, with a (Western) lady, ca. 1934, inclusive
HA in Beijing (China) with Lady Bateman, November, 1934, inclusive
General note
Annotated on the verso.
HA in Beijing (China) with two ladies [Lady Bateman and her companion Miss Louise Vallet] in the courtyard of his house, ca. 1934, inclusive
HA in Beijing (China) in a group photograph (back row) with Chinese and Western friends, ca. 1930s, inclusive
HA in Beijing (China) with a Chinese child, ca. 1930s, inclusive
HA on a donkey (back view) [on a trip in China], ca. 1930s, inclusive
HA in Beijing (China) with a Chinese man in the courtyard of his house, 1935, inclusive
General note
Dated on the verso October 1935. Negs. and prints.
HA in Beijing (China) with Mrs Sickman in a Tsinoufu restaurant, January, 1935, inclusive
General note
Annotated on the verso.
HA in Beijing (China) with a Chinese lady, ca. 1930s, inclusive
HA in Beijing (China) with a Chinese man in the courtyard of his house, ca. 1930s, inclusive
General note
See also VII.B.2.1.-77, 78, 79, and 80.
HA in Beijing (China) with Anna May Wong, ca. 1930s, inclusive
General note
Oversize, I.C.12.8. folder 97.
HA in Beijing (China) with Anna May Wong and Lo Wen-pak, ca. 1930s, inclusive
General note
Annotated on the verso by HA,
HA in Beijing (China) with Anna May Wong at the [Temple of Confucius], Hall of Classics, July, 1936, inclusive
General note
Annotated on the verso by HA.
HA in Beijing (China) with Anna May Wong at the Temple of Confucius, July, 1936, inclusive
HA in Beijing (China) with Anna May Wong in the carved moon-gate of the drawing room of his residence at 2 Kung Hsien Hutung, ca. 1930s, inclusive
HA in Beijing (China) in a group of Chinese and European poets in his house at Pei Ho Yen, ca. 1933, inclusive
General note
One annotated on the verso by HA: "Birthday group at Pei Ho Yen. Desmond Parsons left, Laurence Sickman right. In the foreground Lee Yi-hsieh, Ch'en Shih-hsiang, Pien Chih-Lin, Alan Priest, Lin King, Li Kuang-t'ien and other Pei Ta (or Bei Da) students". The students names can also be spelt: Li Yixian, Chen Shixiang, Pian Zhilin, Lin Geng and Li Guangtian.
HA in Beijing (China) with two Chinese men, taken in the drawing room of 2 Kung Hsien Hutung, ca. 1936, inclusive
HA in Beijing (China) with a (Western) man, July, 1938, inclusive
General note
Dated on the verso.
HA in Beijing (China) with a Chinese man, June, 1936, inclusive
General note
Dated on the verso.
HA in Beijing (China) with a (Western) lady, July, 1938, inclusive
General note
Dated on the verso.
HA in Beijing (China) with two (Western) men and a lady, ca. 1936, inclusive
General note
With a letter dated 1976 on the verso from New York, recalling China 40 years previously, signed [Aline] MacM[ahn] Stein, [widow of Clarence].
HA on a trip to Miao Feng Shan with Desmond Parsons, ca. 1930s, inclusive
General note
Annotated on the verso by HA.
HA in the Royal Air Force in the Second World War, with other soldiers and civilians (HA on the left), ca. 1942, inclusive
General note
Stamped on the verso "passed for publication, press censor, Colombo"[now Sri Lanka].
HA in a group photo of soldiers in the Royal Air Force (HA on the extreme right fourth row from the front), ca. 1942, inclusive
HA at a swimming pool with a group of boys [in Mexico], 1947, inclusive
HA with two ladies [at Castle Hill, Ipswich, Mass.], 1947, inclusive
HA with a lady in Italy, undated, inclusive
HA with a man at a restaurant, undated, inclusive
HA with a lady, undated, inclusive
HA with a lady [Anne Rosse], undated, inclusive
HA [with Michael and Anne Rosse], undated, inclusive
HA [with Michael and Anne Rosse and their sons], undated, inclusive
HA with others, 1952, inclusive
General note
Annotated on the verso "Mont Blanc" and dated 1952.
HA with Bernard Berenson at Villa I Tatti, ca. 1950s, inclusive
HA with Bernard Berenson and Nicky Mariano (left) in the harbour of Procida (Napoli) on board the ferry to Ischia, June, 1952, inclusive
HA with Nicky Mariano in Ischia, 1952, inclusive
HA with a boy, 1957, inclusive
HA with a young man, ca. 1957, inclusive
General note
On the recto of a postcard addressed on the verso to "Baron Harold Acton" dated 31.12.57 with one signature illegible and the other "affettuosi saluti, Francesco".
HA with a couple at a restaurant, undated, inclusive
HA with a couple at Pisa, by the Leaning Tower, undated, inclusive
HA with others outside St Clothilde [Paris], France, 1952, inclusive
General note
Annotated on the verso, Color prints, 1952.
HA with a man in a garden, undated, inclusive
HA at a party [in Milano], undated, inclusive
General note
Photos by Fotoverri, Milano.
HA with others at a party, 1954, inclusive
HA with others, including his mother HMA, undated, inclusive
HA in Tripoli, visiting Anna Maria Cicogna and Marina Luling, daughters of Count Volpi, former Governor of Tripoli who lived there at the Villa Volpi, Sciara sidi i Khalifa, 1957, inclusive
HA with a lady at a restaurant in a port (or on board ship), undated, inclusive
HA with two men at a restaurant, undated, inclusive
HA with a lady, undated, inclusive
General note
Photo by Publifoto, Torino.
HA with Alexander Zielcke, undated, inclusive
HA with Jean Cootes, the wife of the US Consul in Firenze, Merritt Cootes, at a party, undated, inclusive
General note
Photo by Fotoreporter Pollazzi, Firenze.
HA with Andreola Corsini at a party, undated, inclusive
General note
Photo by Fotoreporter Pollazzi, Firenze.
HA at a dinner party at the Villa Maser, near Treviso on 19 February, undated, inclusive
General note
Annotated on the recto. Photos by Comaron, Onigo (Treviso).
HA with HRH Princess Margaret and Lord Snowdon and others, ca. 1965-1968, inclusive
General note
In the gardens by the swimming pool of Villa Capponi, Florence.
HA with Lord Snowdon, Piazzale Michelangelo, Firenze, 1968, inclusive
HA with HRH Princess Margaret, at a cafè on the motorway (on their way to Marlia), August, 1974, inclusive
General note
Annotated on the verso.
HA with HRH Princess Margaret, and a man in a garden, undated, inclusive
HA with HRH Princess Margaret, undated, inclusive
HA with HRH Princess Margaret, Alessandra Pandolfini and Ferruccio Marchi at the publishers Centro Di, Firenze, undated, inclusive
HA with HRH Princess Margaret at the Museo Bardini, Firenze, undated, inclusive
HA with a man outside the Baptistery of Parma, undated, inclusive
General note
Color print.
HA with a couple at a restaurant [Anne and Michael Rosse], undated, inclusive
HA at a dinner party, undated, inclusive
General note
Color print.
HA at a party, with two ladies (Titina Sartori on the left), undated, inclusive
HA with Alexander Zielcke and Merritt Cootes and others, 1967, inclusive
General note
Annotated on the verso by Merritt Cootes. Color print.
HA with a lady at a party, undated, inclusive
HA with a man, undated, inclusive
General note
Annotated on the verso.
HA at a dinner party (Joan Haslip second on the right), undated, inclusive
General note
Color print.
HA with others including Mary Koch and Boris Baronovic at Spoleto, July 2, 1973, inclusive
General note
Color prints, annotated on the verso.
HA with others including Carel Johnson, a governor of the British Institute at Villa Capponi, Arcetri, Firenze, undated, inclusive
General note
Color prints.
HA with a lady, 1975, inclusive
General note
Color print.
HA with a lady and man, undated, inclusive
General note
Color print.
HA with a couple in a restaurant, undated, inclusive
General note
Color prints.
HA at a dinner party (including Merritt Cootes), undated, inclusive
General note
Color prints.
HA with two ladies, 1985, inclusive
General note
Annotated on the verso "Casa Finaly, 1985", Color print.
HA with Michael Crawcour at San Miniato al Monte, Firenze, 1983, inclusive
General note
Annotated on the verso by Crawcour. Color prints.
HA with a lady, undated, inclusive
General note
Photo by Desmond O'Neill, Oxshott, Surrey, GB
HA [with Joan Haslip], undated, inclusive
General note
Oversize, I.C.12.9. folder 98.
HA with two ladies, undated, inclusive
General note
Color prints.
HA with a lady at the wedding of Angelica Frescobaldi, Villa I Collazzi, Firenze, 13 July, 1985, inclusive
General note
Name annotated on the verso but illegible. Color print.
HA with a lady, undated, inclusive
General note
Color prints. At Villa I Collazzi, Firenze.
HA at a party [Palazzo Corsini, Firenze ], with puppies. Those present include: Fiamma Ferragamo, Nanni Guisu, Mina Gregori, Giorgiana Corsini, Lottie Antinori, Lalli Marchi, Filippo Corsini, John Bradamas, Annalu Samminiatelli (née Corsini), Titina Sartori, Maria Antinori, Nannina Fossi, and 'Cika' Marzotto, undated, inclusive
HA with a lady, undated, inclusive
HA with a group of Chinese friends and others in a Chinese restaurant, undated, inclusive
General note
Color print.
HA with friends, undated, inclusive
General note
Color print.
HA with a man [at Positano (Salerno) or with Francis Steegmuller on Capri], 1981, inclusive
General note
Color prints.
HA with HRH the Prince of Wales and Lady Diana and Maria Fossi Todorow at the Galleria degli Uffizi, Firenze, 1985, inclusive
HA with a man beside a swimming pool, undated, inclusive
General note
Color print.
Oversize, I.C.12.9. folder 99.
HA with a lady at Marlia (Lucca), 15 September, 1985, inclusive
General note
Annotated on the verso.
HA with two men, undated, inclusive
HA with David Rundle and Giulia Fermi and others at a party at the British Institute of Florence held on the occasion of her retirement, [15 May], 1985, inclusive
HA with Giulia Fermi at a party at the British Institute of Florence held on the occasion of her retirement, [15 May], 1985, inclusive
HA with HRH the Queen Mother at Marlia (Lucca) and others, 1986, inclusive
General note
Color prints, June 24 1986. Annotated on the verso.
HA with others at parties, undated, inclusive
General note
Color prints.
HA at a dinner party, 1988, inclusive
General note
Color prints.
HA with Mary Ellen Bradamas at a restaurant, ca. 1991, inclusive
General note
Color print.
Oversize, I.C.12.9. folder 100.
13 HA with guests at Villa La Pietra
HA in the gardens of Villa La Pietra as a page (with his brother WA) in a wedding photograph at the marriage of Louise Gaylord with Walter Dillingham. Wedding guests included Mrs Gerritt Wilder, Gov. and Mrs George Carter, Mr and Mrs. Von Holt,(under obelisk) John Miller, best man, next to Italia Blair de Soriano, Louise's cousin and matron of honour, AA and HMA(next to Italia), Margaret Hamill, bridesmaid(next to HMA), Monsieur and Madame Max Henraux, Polly and Harry MacFarlane, Olive Olga Ogelsby, Louise's godmother, Mrs Albert Spalding, mother of the famous violinist, Dr Charles Adams, Louise's step-father, and her mother Bess Adams(fourth from the right), and Mr and Mrs Potter Palmer, the famous art collectors of Chicago May, 1910, inclusive
General note
See also I.C.2.6.,122-123.
Oversize, I.C.13.9. folder 101.
[HA as a boy] with friends outside Villa La Pietra, ca. 1915, inclusive
General note
Negs.and print.
HA with a friend in the gardens of Villa La Pietra, ca. 1920, inclusive
HA with a couple in the gardens of Villa La Pietra, undated, inclusive
HA with a lady in the gardens of Villa La Pietra, undated, inclusive
HA with a couple and AA in the gardens of Villa La Pietra (Giardino Topiario), undated, inclusive
HA and HMA in the interior of Villa La Pietra, [with Chien], ca. 1950, inclusive
HA with friends in the gardens of Villa La Pietra (Peristilio della glicine), undated, inclusive
General note
One annotated on the verso.
HA with a lady in the gardens of Villa La Pietra (Scalone of the Vasche), undated, inclusive
HA with a man and two ladies in the gardens of Villa La Pietra, undated, inclusive
HA with a couple in the gardens of Villa La Pietra, undated, inclusive
HA with guests in the gardens of Villa La Pietra, 1954, inclusive
General note
Color print.
Ha with a girl in the gardens of Villa La Pietra (Teatrino), 1958, inclusive
General note
Color print.
HA with guests in the gardens of Villa La Pietra, undated, inclusive
HA with a lady in the gardens of Villa La Pietra (Prima Vasca), 1964, inclusive
General note
Annotated on the verso.
HA with a man in the gardens of Villa La Pietra (Terrazza, Vista del Colosso, and Teatrino), undated, inclusive
General note
Negs.
HA with guests, and Alexander Zielcke, in the gardens of Villa La Pietra (Teatrino, Boschetto - Vista dell'Arco), undated, inclusive
HA with guests [including Jean and Merritt Cootes] in the gardens of Villa La Pietra (the Terrazza), undated, inclusive
HA dancing [with Margot Fonteyn] in the gardens of Villa La Pietra (Teatrino), ca.1960, inclusive
General note
Photo by Cecil Beaton signed on the recto.
HA with HRH Princess Margaret and Lord Snowdon in the interior of Villa La Pietra, ca. 1965, inclusive
HA with HRH Princess Margaret and Lord Snowdon and others [Princess Irene of Greece and Queen Frederica of Denmark] in the gardens of Villa La Pietra (Terrazza), ca. 1965, inclusive
HA at a Christmas party with others including Alexander Zielcke [in Villa La Pietra], undated, inclusive
General note
Color prints.
HA and Alexander Zielcke in the gardens of Villa La Pietra, ca. 1965, inclusive
General note
4 (attached) Color negs.
HA at the entrance to Villa La Pietra with a couple [Mr and Mrs Fosburgh], 1965, inclusive
General note
Annotated on the verso "photographed by Reginald Colby, August 1965".
HA with a man, 1965, inclusive
General note
Annotated on the verso "Aout 1965".
HA and Alexander Zielcke, undated, inclusive
General note
Two attached photos.
HA with Alexander Zielcke, undated, inclusive
General note
Three attached photos.
HA, undated, inclusive
HA at the entrance to Villa La Pietra with two ladies, undated, inclusive
General note
Color prints.
HA with two ladies in the gardens of Villa La Pietra, October, 1969, inclusive
General note
Color print.
HA with guests in the gardens of Villa La Pietra (Terrazza), including Elena Marchi née Bartolomei, 1967, inclusive
General note
Dated on the verso. Color print.
HA with guests [including Mary Koch] in the gardens of Villa La Pietra (Tempietto), ca. 1976, inclusive
General note
Color prints.
HA with guests in the gardens of Villa La Pietra, undated, inclusive
General note
Color print.
HA with guests in the gardens of Villa La Pietra (the Tempietto), undated, inclusive
General note
Color prints.
HA with a Chinese friend inside Villa La Pietra (the Biblioteca), undated, inclusive
General note
Color print.
HA with a lady guest in the gardens of Villa La Pietra (on the Scalone with the Seconda Vasca, and on the Terrazza), undated, inclusive
HA with Michael and Anne Rosse in the gardens of Villa La Pietra (Terrazza), undated, inclusive
General note
Color prints.
HA with guests in the gardens of Villa La Pietra, July, 1971, inclusive
General note
Dated on the verso. Color prints.
Ha with guests in the interior of Villa La Pietra (Salone), undated, inclusive
General note
Color print.
HA with friends from China in the gardens of Villa La Pietra (Teatrino, Pomario), June, 1972, inclusive
General note
Color prints.
HA with a friend from China in the gardens of Villa La Pietra (Giardino Segreto, Prima Vasca, Terrazza), February, 1972, inclusive
General note
Color prints.
HA with guests in the gardens of Villa La Pietra (Giardino Segreto), Amis du Louvre, October, 1973, inclusive
General note
Color print.
HA with guests in the gardens of Villa La Pietra (Prato del Cedro), undated, inclusive
General note
Color print.
HA with Masaaki Kara[shima] and Frederick Koch in the gardens of Villa La Pietra (Prato ovale, Terrazza), July 9, 1974, inclusive
General note
Annotated on the verso. Color prints.
HA with guests in the gardens of Villa La Pietra (Teatrino, Pomario - interior of the Limonaia), April, 1973, inclusive
General note
Color prints.
HA with a guest in the interior of Villa La Pietra (Dining Room), 1974, inclusive
General note
Color print.
HA with HRH Princess Margaret in the interior of Villa La Pietra (Sala da Pranzo), 1974, inclusive
HA with HRH Princess Margaret in the interior of Villa La Pietra (Salone), 1974, inclusive
HA with HRH Princess Margaret in the interior of Villa La Pietra, 1974, inclusive
HA with HRH Princess Margaret, with the Queen of Rumania, in the interior of Villa La Pietra, undated, inclusive
HA with Mimì Nolan and two girls, Tina and Jenny in the gardens of Villa La Pietra (Giardino Segreto), [22 November], 1974, inclusive
General note
Annotated on the verso, Color print.
Mimì Nolan with Dino and the staff of Villa La Pietra (at the front entrance), with two girls, Tina and Jennifer, [22 November], 1974, inclusive
General note
Annotated on the verso, Color print.
HA with Mimì and Jim Nolan, with Tina [in the gardens of Villa La Pietra], [22 November], 1974, inclusive
General note
Annotated on the verso, Color print.
HA with Jim Nolan and Kathy O'Leary and others in the gardens of Villa La Pietra (the Scalone), [22 November], 1974, inclusive
General note
Annotated on the verso, Color print.
Mimì Nolan inside Villa La Pietra on the Scalone, [22 November], 1974, inclusive
General note
Annotated on the verso, Color print.
HA with two girls, in the gardens of Villa La Pietra (the Terrazza), [22 November], 1974, inclusive
General note
Annotated on the verso by the Nolans, Color print.
HA with Mimì Nolan and a girl, in the gardens of Villa La Pietra (the Terrazza), [22 November], 1974, inclusive
General note
Annotated on the verso, Color print.
HA with three girls in the gardens of Villa La Pietra (the Scalone), [22 November], 1974, inclusive
General note
Annotated on the verso, Color print.
HA with Mimì Nolan and Marietta [in the gardens of Villa La Pietra], [22 November], 1974, inclusive
General note
Annotated on the verso, Color print.
HA with a lady visitor in the gardens of Villa La Pietra (Scalone, Terrazza, Prima Vasca, Teatrino), July, 1976, inclusive
General note
Color prints.
Ha with a couple in the gardens of Villa La Pietra, undated, inclusive
General note
Color print.
HA with two men guests in the interior of Villa La Pietra (Salone), undated, inclusive
General note
Color prints.
HA with two men guests in the gardens of Villa La Pietra (Teatrino), undated, inclusive
General note
Color print. See 215-216.
HA with a couple in the gardens of Villa La Pietra, undated, inclusive
General note
Color print.
Ha with a man in the gardens of Villa La Pietra (Prima Vasca), undated, inclusive
General note
Color print.
HA at the entrance to Villa La Pietra, with a man guest and Alexander Zielcke, undated, inclusive
General note
Color print.
HA with a member of the film crew of London Weekend Television, and the butler Dino at the entrance to Villa La Pietra, 1976, inclusive
HA with Russell Harty, London Weekend Television, in the gardens of Villa La Pietra (Teatrino), 1976, inclusive
HA with a member of the film crew of London Weekend Television in the interior of Villa La Pietra (Sala da Pranzo), 1976, inclusive
HA with Russell Harty, and a member of the film crew of London Weekend Television, in the gardens of Villa La Pietra (Terrazza), 1976, inclusive
HA at the entrance to Villa La Pietra with members of the film crew of London Weekend Television, 1976, inclusive
HA being filmed by London Weekend Television in the gardens of Villa La Pietra, 1976, inclusive
HA with a man and girl in the gardens of Villa La Pietra (Scalone), 1977, inclusive
General note
Color print, September 1977
HA with guests in the gardens of Villa La Pietra (Pergola delle Rose, Prima Vasca), April, 1977, inclusive
General note
Color print.
HA with a couple, ca. 1978, inclusive
General note
Color print.
HA with Emma Bowden, Stefano Romei, Kate Bowden, Rebecca Hill, [Gerald] Bowden, in the gardens of Villa La Pietra (Teatrino), undated, inclusive
General note
Color print, annotated on the verso.
HA with a girl in the gardens of Villa La Pietra (Peristilio della Glicine), undated, inclusive
HA with a group of guests in the gardens of Villa La Pietra (Terrazza), undated, inclusive
General note
Color print.
HA with participants of the Congresso Amici dei Musei in the gardens of Villa La Pietra (Terrazza), 1978, inclusive
General note
Color print.
HA with two men, January, 1978, inclusive
General note
Color prints.
HA with a lady in the gardens of Villa La Pietra (Vialone), 1979, inclusive
General note
Color print.
HA with a man in the gardens of Villa La Pietra, 1979, inclusive
General note
Color print.
HA with a couple in the gardens of Villa La Pietra (Scalone), undated, inclusive
General note
Color print.
HA with Gordon Barrass [and his first wife] in the gardens of Villa La Pietra (Teatrino), undated, inclusive
General note
Color print.
HA with Gordon Barrass and another man in the gardens of Villa La Pietra [Vista del Duomo], undated, inclusive
General note
Color print.
HA with Gordon Barrass in the gardens of Villa La Pietra (Teatrino), undated, inclusive
General note
Color print.
HA with a boy in the gardens of Villa La Pietra (Prima Vasca and Pomario), ca. 1970s, inclusive
HA with a boy and another man in the gardens of Villa La Pietra, undated, inclusive
HA with Alexander Zielcke and another man in the gardens of Villa La Pietra, undated, inclusive
HA with a boy in the gardens of Villa La Pietra (Pomario), undated, inclusive
General note
See #1-5.
Oversize, I.C.13.10. folder 102.
HA with John Bradamas, President of NYU in the gardens of Villa La Pietra (the Terrazza), April, 1983, inclusive
HA with John Bradamas, President of NYU in the gardens of Villa La Pietra (the Teatrino), April, 1983, inclusive
HA with a man in the gardens of Villa La Pietra (Giardino Segreto), ca. 1982, inclusive
General note
Color prints, ca. 1982
HA with John Bradamas, President of NYU in the gardens of Villa La Pietra (Giardino Segreto, Pomario, Teatrino, Prima Vasca), April, 1983, inclusive
General note
Color prints.
HA with John Bradamas in the interior of Villa La Pietra, 1983, inclusive
General note
Color print.
HA with Mary Ellen, wife of John Bradamas in the gardens of Villa La Pietra (Prima Vasca, Pomario, Vista dell'Arco, Teatrino), 1983, inclusive
General note
Color prints.
HA with Mary Ellen, wife of John Bradamas in the interior of Villa La Pietra, 1983, inclusive
General note
Color print.
HA with a couple in the gardens of Villa La Pietra (Teatrino), undated, inclusive
General note
Color print.
HA with Alexander Zielcke in the interior of Villa La Pietra, undated, inclusive
General note
Color print.
Oversize, I.C.13.10. folder 103.
HA with a lady in the gardens of Villa La Pietra (Vista del Colosso, Terrazza), undated, inclusive
General note
Color print.
HA with a lady in the gardens of Villa La Pietra, undated, inclusive
General note
Color print.
HA with a group of French visitors in the gardens of Villa La Pietra (Scalone), 7 June, 1983, inclusive
General note
All identified on the verso. Color print.
HA with a group of French visitors in the gardens of Villa La Pietra (Teatrino), 7 June, 1983, inclusive
General note
All identified on the verso. Color print.
HA with a group of French visitors in the gardens of Villa La Pietra (Scalone), 7 June 1983 (Princesse Farman Farmaian, Madame Amic, Madame Hachette, and Madame de Guerre), 1983, inclusive
General note
All identified on the verso, Color print.
HA with Princess Mestchersky and a group of French visitors in the gardens of Villa La Pietra [Giardino Segreto], 7 June 1983, 1983, inclusive
General note
Color print.
HA with Princess Farman Farmaian in the gardens of Villa La Pietra (the grotto in the Giardino Segreto), 7 June 1983, 1983, inclusive
General note
Color print.
[HA] with a guest in the gardens of Villa La Pietra (Teatrino), undated, inclusive
General note
Color print.
HA with guests including Jean Cootes in the gardens of Villa La Pietra (Teatrino), undated, inclusive
HA with guests including David Rundle, Susanna Johnston, Giulietta Fermi, Sandy Steade, Lord (Tony) Lambton, Rupert Hodson, Jack Walters at a party to mark the 65th anniversary of the opening of the British Institute in Firenze in 1983 in the gardens of Villa La Pietra, 1983, inclusive
General note
Color prints.
HA with a lady in the gardens of Villa La Pietra (Terrazza), undated, inclusive
HA with a man in the gardens of Villa La Pietra (Scalone), undated, inclusive
HA at the entrance to Villa La Pietra in a group photograph, including John Pope Hennessy, Alexander Zielcke and Giuseppe Chigiotti, undated, inclusive
HA with a man in the interior of Villa La Pietra (Salone), undated, inclusive
General note
Photo by George Daniell
HA with a man in the interior of Villa La Pietra, undated, inclusive
General note
Photos by Maurizio Berlincioni, Firenze.
HA with an elderly lady and members of the staff at the entrance to Villa La Pietra, undated, inclusive
General note
Color prints.
HA with a man in the gardens of Villa La Pietra, undated, inclusive
General note
Color prints.
HA with guests in the gardens of Villa La Pietra [Prato ovale], undated, inclusive
General note
Color print.
HA with guests in the gardens of Villa La Pietra (Vialone), undated, inclusive
General note
Color print.
HA with a man in the gardens of Villa La Pietra (Teatrino), undated, inclusive
General note
Color print.
HA with guests in the gardens of Villa La Pietra (Terrazza), undated, inclusive
General note
Color print.
HA with a boy in the gardens of Villa La Pietra (Terrazza), undated, inclusive
General note
Color print.
[HA] with guests at Villa La Pietra (Viale), 1982, inclusive
General note
Color print.
HA with a group of guests in the gardens of Villa La Pietra (Pomario), undated, inclusive
General note
Color print.
HA with a couple in the gardens of Villa La Pietra (Teatrino), undated, inclusive
General note
Color print.
HA with a man in the gardens of Villa La Pietra (Prima Vasca, Scalone, Vista del Colosso), undated, inclusive
General note
Color prints.
HA with friends at Christmas beside the piano in the interior of Villa La Pietra, undated, inclusive
General note
Color prints.
HA with a man in the gardens of Villa La Pietra (Terrazza), 1981, inclusive
General note
Color print.
HA with a girl in the interior of Villa La Pietra (Salone), 1982, inclusive
General note
Color print.
HA with a girl in the gardens of Villa La Pietra (Terrazza, Peristilio della glicine, Vista del Duomo, Pomario), 1982, inclusive
General note
Color prints. See 80-81.
HA with a lady and a man in the interior of Villa La Pietra (Salone), undated, inclusive
General note
Color prints.
HA with HRH Princess Margaret and a lady guest at dinner in the interior of Villa La Pietra (Sala da Pranzo), ca. 1983, inclusive
General note
Color print.
HA with HRH Princess Margaret in the interior of Villa La Pietra (playing with the 'masks'), 1983, inclusive
General note
See also I.C.9.8.,81.
HA with a lady and a boy in the gardens of Villa La Pietra (Prato del Cedro), undated, inclusive
General note
Color print.
HA with a lady in the gardens of Villa La Pietra (Prima Vasca), undated, inclusive
General note
Color print.
HA with a boy in the gardens of Villa La Pietra, undated, inclusive
General note
Color print.
HA with a lady and dog in the gardens of Villa La Pietra (Teatrino), undated, inclusive
General note
Color print.
HA with guests in the gardens of Villa La Pietra (Pomario), undated, inclusive
General note
Color print.
[HA with] guests in the gardens of Villa La Pietra (Pomario), undated, inclusive
General note
Color print.
HA with Alexander Zielcke, Jeffrey Smart, Duncan Fallowell, and Hermes […], with Dino the butler in the background, in the gardens of Villa La Pietra (Terrazza), 21 January, 1983, inclusive
General note
Color print, dated on the verso.
HA with Hermes [..], Jeffrey Smart, Duncan Fallowell, and Radek Sikorski in the gardens of Villa La Pietra, 21 January, 1983, inclusive
General note
Dated on the verso, Color print.
HA with Radek Sikorski in the gardens of [Villa La Pietra], 21 January, 1983, inclusive
General note
Dated on the verso, Color print.
HA at a dinner party in the interior of Villa La Pietra (Sala da Pranzo), undated, inclusive
General note
Color print.
HA with a girl in the gardens of Villa La Pietra, undated, inclusive
General note
Color print.
HA with a man in the gardens of Villa La Pietra (Peristilio della glicine), undated, inclusive
General note
Color print.
HA with guests in the gardens of Villa La Pietra (Seconda Vasca), undated, inclusive
General note
Color print.
HA with guests in the gardens of Villa La Pietra (Scalone), undated, inclusive
General note
Color print.
HA with guests in the gardens of Villa La Pietra (Seconda Vasca), undated, inclusive
General note
Color print.
Guest in the gardens of Villa La Pietra (Vista del Colosso), undated, inclusive
HA with guests in the gardens of Villa La Pietra (Vialone), undated, inclusive
Guest in the gardens of Villa La Pietra (Teatrino), undated, inclusive
HA with a guest in the gardens of Villa La Pietra (Teatrino), undated, inclusive
HA with a man [John Mortimer] in the gardens of Villa La Pietra (Terrazza), undated, inclusive
HA with Muriel Spark and Penelope Jardine and others, March 1984, in the gardens of Villa La Pietra (Prima Vasca), 1984, inclusive
General note
Color prints.
HA with guests in the gardens of Villa La Pietra (Scalone), 1984, inclusive
General note
Color print.
HA with Derek Hill in the gardens of Villa La Pietra (Terrazza), 1984, inclusive
General note
Color print.
Derek Hill with a lady in the gardens of Villa La Pietra (Terrazza), 1984, inclusive
General note
Color print.
HA with a lady in the gardens of Villa La Pietra (Terrazza), 1984, inclusive
General note
Color print.
HA with actors in the gardens of Villa La Pietra, June, 1984, inclusive
General note
Color print, dated on the verso.
HA with actors in the gardens of Villa La Pietra (Vista del Duomo), June, 1984, inclusive
General note
Color print, dated on the verso.
Group photo of the actors in the gardens of Villa La Pietra (Teatrino), June, 1984, inclusive
General note
Color print, dated on the verso.
HA with Virginia Powell and her children Virginia and Archie in the gardens of Villa La Pietra (Pomario), 26 July, 1984, inclusive
General note
Annotated on the verso.
HA with Philadelphia Orchestra Friends in the gardens of Villa La Pietra (Vialone), May, 1983, inclusive
General note
Annotated on the verso, Color print.
Guests in the interior of Villa La Pietra (Salone) including Miklos Boscovits, undated, inclusive
General note
Color print.
HA with Giuseppe Chigiotti, Alexander Zielcke and Edward Chaney at his 80th birthday party, 5 July, 1984, inclusive
General note
Color print.
Party at Villa La Pietra to celebrate HA's 80th birthday and the publication of his festschrift, 5 July, including the interior of Villa La Pietra(Sala da Pranzo, Salone. Those present were: Lord (Tom) and Lady (Rachel) Bridges (GB ambassador), John Pope Hennessy, Edward and Lisa Chaney, Alexander Zielcke, Joan Haslip, David Rundle, Lord Hastings, Huge Honour, John Fleming, Merritt and Jean Cootes, Lord (Tony) Lambton, Giuseppe Chigiotti, Maura and Lucien Teissier, Eva Newath (Thames and Hudson, publishers of the festschrift), and Titina Sartori, 1984, inclusive
General note
Color prints.
HA with Michael Crawcour in the interior of Villa La Pietra (Salone), October, 1984, inclusive
General note
Annotated and dated on the verso, Color print.
HA with Michael Crawcour in the interior of Villa la Pietra (Salone), October, 1984, inclusive
General note
Annotated and dated on the verso, Color print.
HA with Herbert and Gabrielle Reem Kaydon in the gardens of Villa La Pietra, 1985, inclusive
General note
Annotated on the verso, Color prints.
HA with guests in the gardens of Villa La Pietra (Pomario - the Limonaia), undated, inclusive
General note
Color print.
HA with actors from the Lycèe du Montgeron, France in the gardens of Villa La Pietra, 1985, inclusive
General note
Annotated on the verso, Color prints.
HA with actors from the Lycèe du Montgeron, France in the gardens of Villa La Pietra, ca. 1986, inclusive
General note
Annotated on the verso, Color prints.
HA with a lady [from the Lycèe du Montgeron, France] in the interior of Villa La Pietra, undated, inclusive
General note
Color print.
HA with guests in the gardens of Villa La Pietra (Prima Vasca), 1985, inclusive
General note
Color print.
HA with friends, including John Bradamas, and Alexander Zielcke, 1987, inclusive
General note
'Collage' of Color prints "Happy Birthday Sir Harold! From all of us 1987".
Oversize, I.C.13.10. folder 104.
HA with the Abbot of San Miniato al Monte, Firenze and another man, in the gardens of Villa La Pietra (Scalone, Giardino Segreto), 1986, inclusive
General note
Color prints.
HA with the Abbot of San Miniato al Monte, Firenze and another man in the interior of Villa La Pietra (Sala da Pranzo and Salone), 1986, inclusive
General note
Color prints.
HA with a lady in the interior of Villa La Pietra (Salone), undated, inclusive
General note
Dated on the verso: 9.6. Color print.
HA with a lady guest in the gardens of Villa La Pietra (Prima Vasca), undated, inclusive
General note
Annotated on the verso in French (signature illegible).
HA with Muriel Spark in the gardens of Villa La Pietra (Terrazza), 1988, inclusive
General note
Color print.
HA with a lady at the entrance to Villa La Pietra, 1987, inclusive
General note
Dated on the verso March 16. Color print.
HA with Mary Machado in the gardens of Villa La Pietra (Pergola delle Rose, Vista del Duomo), 1988, inclusive
General note
Annotated on the verso, Color prints.
HA with two ladies in the gardens of Villa La Pietra (Vista del Duomo, Terrazza), 1988, inclusive
General note
Color prints.
HA with a man in the gardens of Villa La Pietra (Prima Vasca), undated, inclusive
General note
Color print.
HA with a lady in the gardens of Villa La Pietra (Vialone), undated, inclusive
General note
Color print.
HA with guests in the gardens of Villa La Pietra (Terrazza), undated, inclusive
General note
Color prints.
HA with Maxwell (Mike) K. Hearn, 1991, inclusive
General note
Annotated on the verso and dated July '91. Color print.
HA with Vera Michaels Hearn, 1991, inclusive
General note
Annotated on the verso and dated July '91. Color print.
HA with John and Mary Ellen Bradamas in the gardens of Villa La Pietra, 1991, inclusive
General note
Color print.
Oversize, I.C.13.10. folder 105.
HA with Mary Ellen Bradamas at the entrance to Villa La Pietra, 1991, inclusive
General note
Color print.
Oversize, I..C.13.10. folder 105.
HA with John Bradamas in the interior of Villa La Pietra, ca. 1991, inclusive
General note
Color print.
HA with Mary Ellen Bradamas in the interior of Villa La Pietra, ca. 1991, inclusive
General note
Color print.
HA with Alexander Zielcke and a lady in the interior of Villa La Pietra, 14 October, 1992, inclusive
General note
Color print.
HA with a man and dog in the gardens of Villa La Pietra (Teatrino), 1992, inclusive
General note
Color prints, June 1992, dated on the verso.
HA with a man inside Villa La Pietra, undated, inclusive
General note
Color prints.
14 HA at formal ceremonies
HA at a Hamish Hamilton Book Presentation at the British Institute, Palazzo Antinori, Firenze, 9 November 1961: Prof. Sergio Baldi (1st left), HA (centre), Prof. Giuliano Pellegrini (1st right), 1961, inclusive
General note
Photo by Arno, Firenze.
HA at a Hamish Hamilton Book Presentation at the British Institute, Palazzo Antinori, Firenze, 9 November: Hamish Hamilton(far left), HA(2nd left), Ian Greenlees(3rd from the left), and [Caterina Ganucci Cancellieri, 4th from the left], 1961, inclusive
General note
Photo by Arno, Firenze.
HA at a Hamish Hamilton Book Presentation at the British Institute, Palazzo Antinori, Firenze, 9 November: Ian Greenlees (far left), Hamish Hamilton (centre), HA (right), 1961, inclusive
General note
Photo by Arno, Firenze.
HA at a Hamish Hamilton Book Presentation at the British Institute, Palazzo Antinori, Firenze, 9 November: Hamish Hamilton (in profile) next to[his wife Yvonne née Pallavicini, formerly Franchetti], 1961, inclusive
General note
Photo by Arno, Firenze.
HA in a photo by Cecil Beaton displayed in 1963 at the exhibition of Methuen books held at the British Institute (Palazzo Antinori), which included works by HA., 1963, inclusive
General note
The photo still hangs at the British Institute.
HA [in Paris with Eugene Garin], undated, inclusive
HA giving a speech, undated, inclusive
General note
Photo by Levi, Firenze.
HA at the British Institute, Palazzo Antinori, Firenze (Ian Greenlees on the right), undated, inclusive
General note
Photo by Levi, Firenze.
HA at the British Institute, Firenze (Ian Greenlees on the left), undated, inclusive
General note
Photo by Levi, Firenze.
HA receiving the CBE from the British Ambassador Sir John Ward at the British Institute in Palazzo Feroni, those present include: Christopher Perry-Gordon (GB Consul-General), Camilla Roatta, [and Aminatore Fanfani], 11 December, 1965, inclusive
General note
photos by Levi, Firenze.
HA at the presentation of his book "Ville Toscane" at Palazzo dei Congressi, December, 1973, inclusive
General note
Photo by Torrini, Firenze. Annotated on the verso.
HA at the presentation of his book "Ville Toscane" at Palazzo dei Congressi, December: HA and Mina Gregori, 1973, inclusive
General note
Photo by Torrini, Firenze. Annotated on the verso.
HA at a ceremony in Palazzo Vecchio, those present include Ian Greenlees, ca. 1970s, inclusive
HA at a ceremony in Palazzo Vecchio, undated, inclusive
General note
Color prints.
HA in a group photograph in the library of the British Institute: those present include Nicolai Rubinstein, undated, inclusive
General note
Color print.
HA with HRH Princess Margaret, ca. 1974, inclusive
General note
Photo by Fotocronache di Fulvio Frighi, 'La Nazione'.
HA with HRH Princess Margaret, ca. 1974, inclusive
General note
Photo by Levi, Firenze.
HA with HRH Princess Margaret and others including Lord Snowdon, ca. 1974, inclusive
General note
Photo by Levi, Firenze.
HA speaking at the Congresso Internazionale 'I viaggiatori Francesi e Inglesi in Toscana ed Emilia Romagna nell'ottocento e novecento', Casinò Municipale, Bagni di Lucca, 24-26 September, 1976, inclusive
General note
Photo by Allegri, Bagni di Lucca.
Congresso Internazionale 'I viaggiatori Francesi e Inglesi in Toscana ed Emilia Romagna nell'ottocento e novecento', Casinò Municipale, Bagni di Lucca, 24-26 September, 1976, inclusive
General note
Photo by Allegri, Bagni di Lucca
Congresso Internazionale 'I viaggiatori Francesi e Inglesi in Toscana ed Emilia Romagna nell'ottocento e novecento', Casinò Municipale, Bagni di Lucca, 24-26 September: Ian Greenlees, Giuliano Pellegrini and two other participants, 1976, inclusive
General note
Photo by Allegri, Bagni di Lucca.
Congresso Internazionale 'I viaggiatori Francesi e Inglesi in Toscana ed Emilia Romagna nell'ottocento e novecento', Casinò Municipale, Bagni di Lucca, 24-26 September: [Freya Stark], Ian Greenlees, Jelka Resetar, Mario Capizzani, and others, 1976, inclusive
General note
Photo by Allegri, Bagni di Lucca.
Congresso Internazionale 'I viaggiatori Francesi e Inglesi in Toscana ed Emilia Romagna nell'ottocento e novecento', Casinò Municipale, Bagni di Lucca, 24-26 September: [Freya Stark] and Jelka Resetar, 1976, inclusive
General note
Photo by Allegri, Bagni di Lucca.
Congresso Internazionale 'I viaggiatori Francesi e Inglesi in Toscana ed Emilia Romagna nell'ottocento e novecento', Casinò Municipale, Bagni di Lucca, 24-26 September: [Freya Stark], 1976, inclusive
General note
Photo by Allegri, Bagni di Lucca.
Congresso Internazionale 'I viaggiatori Francesi e Inglesi in Toscana ed Emilia Romagna nell'ottocento e novecento', Casinò Municipale, Bagni di Lucca, 24-26 September: Rolando Anzilotti, Ian Greenlees, and others, 1976, inclusive
General note
Photo by Allegri, Bagni di Lucca
Congresso Internazionale 'I viaggiatori Francesi e Inglesi in Toscana ed Emilia Romagna nell'ottocento e novecento', Casinò Municipale, Bagni di Lucca, 24-26 September: the participants in the road outside the Casinò, 1976, inclusive
General note
Photo by Allegri, Bagni di Lucca.
HA at an exhibition at the Fortezza da Basso, Firenze, which included a waterColor by HMH Charles, Prince of Wales, (and HA's "Il Botticelli fantasma") those present include: Giuliana Artom Treves,[Francesca Antinori],[Sibilla Gherardesca], David Rundle, and Kirsten Piacenti, ca. 1980s, inclusive
HA at a ceremony in GB, undated, inclusive
General note
Color print.
HA at a reception at the British Institute to mark the publication of "The Soul's Gymnasium", 18 March, presented by Giuliano Pellegrini. Those present include: David Rundle, Kirsten Piacenti, Emanuela (Issi) Ricasoli (Lovatelli), Merritt Cootes, Titina Sartori, Mark Roberts, Jelka Resetar, Margaret Lowe, Judith Goldblatt, Magdalen Nabb,[Gianni Conti], Signora Traballesi, George d'Almeida, Mario Nepi, Gian Carlo Lazzeri, Giuliana Artom Treves, and Drusilla Gucci., 1982, inclusive
General note
Photos by Levi, Firenze.
HA receiving the Premio Columbus, together with Rita Levi Montalcini and Ing. Arnaldo Maria Angelini, in Palazzo Vecchio, Firenze, 1985, inclusive
General note
Color prints, photo by Torrini, Firenze.
HA receiving his Honorary Citizenship of Florence in Palazzo Vecchio, Firenze from the Mayor, Massimo Bogiankino, 1986, inclusive
General note
Photos by Studio Associato Press Photo, Firenze.
HA at a ceremony in Palazzo Vecchio, Firenze, ca. 1984-1990, inclusive
General note
Color prints.
HA at a ceremony in Palazzo Vecchio, Firenze, ca. 1984-1990, inclusive
General note
See 6-9, photos by Studio Associato Press Photo, Firenze.
HA at a ceremony in Palazzo Vecchio, Firenze, with HRH Charles, Prince of Wales and Princess Diana, 1985, inclusive
HA with Luciano Berti and Princess Diana, undated, inclusive
General note
Color print.
HA at a dinner given by the Lions Club International (Firenze, Pitti), undated, inclusive
General note
Color prints.
HA at the Premio Tommaso Leonetti (at the 'Unione' in Napoli), 30 June, 1986, inclusive
General note
Color prints.
HA at the Premio Tommaso Leonetti (at the 'Unione' in Napoli), 30 June, 1986, inclusive
General note
Oversize, I.C.14.12. folder 106.
HA at the British Institute (Consultation Room), Palazzo Lanfredini, Firenze [and the Board of Governors, 1975] with Freya Starke, Lord Forte, Jack Walters, Ian Greenlees (Director), Lord (Oliver) Poole,[..],[..], Carel Johnson, Rolando Anzilotti,[..], Giuliano Pellegrini, Lord (Edward) Hastings,[..], Sidney Hepplethwaite (GB Consul),[..], Sergio Baldi, Denis Walters, MP, 1975, inclusive
General note
Oversize, I.C.14.12. folder 105a.
HA at a ceremony in which he became a 'Membro Ordinario' of the Associazione Costantini, 25 October, with Don T. Fragassi de Roseto, 1986, inclusive
HA at a ceremony in which he became a 'Membro Ordinario' of the Associazione Costantini, 25 October, with S. Ten. Riccardo Fragassi de Roseto and Barone Tommaso Fragassi de Roseto, 1986, inclusive
HA at a ceremony in which he became a 'Membro Ordinario' of the Associazione Costantini, 25 October, with T. Fragassi, M.G. Bennati, Prof. A. Oxilia, Conte M. Folletti, and Prof. M. Dulcedo, 1986, inclusive
HA at the Festa Bizantina of the Associazione Costantiniana, Pomeriggio Letterario at San Miniato al Monte, Firenze, undated, inclusive
General note
Color print, annotated on the verso "Al Membro Onorario della nostra Associazione Costantiniana Lord Acton Barone Harold, con la speranza di averlo sempre fra di noi, Marcello di Villafalletto, il Presidente".
HA at the presentation of "Florence, a Travellers' Companion" at the British Institute, Firenze, 12 November. Those present include: David Rundle and the co-author Edward Chaney, 1986, inclusive
General note
Color prints.
HA receiving the 21st Premio San Giuseppe Piero Bargellini at Villa La Loggia, Firenze, 21 April, 1987, inclusive
General note
Photo by Torrini, Firenze
15 friends of HA
Acton, John Charles Ferdinand Harold, as a baby, undated, inclusive
General note
Oversize, I.C.15.12. folder 107.
Acton, Johnny, son of the present 4th Baron (Richard) Acton, at Marcham Priory, Abingdon, Oxford, August 1, 1985, inclusive
General note
Color print, annotated on the verso.
Casati, Marchesa in a painting by Federico Beltràn Massés, undated, inclusive
General note
Annotated on the recto "da marquise Casati par F. Beltran pour Harold Acton", addressed on the verso to HA at the Palace Hotel St Moritz from Francesca d'Orsay. Also annotated on the verso. There is a postcard of this painting exhibited at the XII° Biennale in Venezia, in the paper archives. Luisa Amman (1881-1957) marries Camillo Cascati Stampa in 1900.
Berenson, Bernard at the Galleria Borghese, Roma (beside Canova's Pauline Borghese), 1955, inclusive
General note
Postcard by David Seymour "Chim", printed annotations on the verso.
Berenson, Bernard, 1954, inclusive
Berenson, Bernard, ca. 1950s, inclusive
Bourbon, Charles de, the unveiling of a plaque in Gaeta June, 1972, inclusive
General note
Color print, annotated on the recto.
Boubon, Charles de (Duca di Noto) with [Ranieri] di Bourbon, Duca di Castro, 1972, inclusive
General note
Color print, signed and dated 1972 on the recto.
Bradamas, John, President of NYU outside Villa La Pietra, ca. 1991, inclusive
General note
Color print.
Oversize, I.C.15.12. folder 108.
Braggiotti family (the seven children), 1911, inclusive
General note
Annotated on the verso. See "Memoirs of an Aesthete".
Braggiotti family (the eight children), ca. 1913, inclusive
General note
Photo by A. Cattani, Firenze.
Braggiotti, Francesca (Mrs Lodge), Westport, US, 1949, inclusive
General note
Christmas card annotated on the recto addressed to Mr and Mrs Arthur Acton.
Brunelleschi, Umberto, undated, inclusive
General note
Sepia print with a dedication on the recto "A mon petit ami Harold, U. Brunelleschi". Umberto Brunelleschi (1879-1949).
Caroline of Monaco, Princess, with her two children, 1986, inclusive
General note
Christmas card
Caroline of Monaco, Princess, with her three children, 1987, inclusive
General note
Christmas card
Caroline of Monaco, Princess, with her four children, 1988, inclusive
General note
Christmas card.
Caroline of Monaco, Princess (signed), undated, inclusive
General note
This is the original Color print which was removed from its frame in the Biblioteca in Villa La Pietra in June 2004 and replaced with a digital print. Casati, see 29. above.
Caroline of Monaco, Princess (signed), undated, inclusive
General note
Oversize, I.C.15.12. folder 108a.
Charles, HRH Prince, and Lady Diana, 1985, inclusive
General note
Color print. This is the original which was removed from its frame in the Biblioteca in Villa La Pietra in June 2004 and replaced with a digital print. Oversize, I.C.15.12. folder 108b.
Chen, Anthony S.H., 1941, inclusive
General note
Annotated on the verso.
Chen [Anthony] Shih-Hsiang and his wife Grace at a Chinese restaurant, ca. 1971, inclusive
General note
Annotated on the verso and on the recto, Color print.
Chien, 1942, inclusive
General note
With a dedication to HA on the recto.
Ch'ien, Hsaio (Xiao Qian) in Beijing, 1985, inclusive
Condamine, Robert [or Robin] de la (whose stage name was Robert Farquharson), 1929, inclusive
General note
With a dedication to HA on the recto, photo by Claude Harris, see "More Memoirs of an Aesthete".
Cootes, Jean and Merritt (in a portrait in their villa in Firenze), undated, inclusive
General note
With a note on the verso to HA from Merritt, Color print.
Crawcour, Michael, ca. 1980s, inclusive
General note
Color print.
Crawcour, Michael, ca. 1980s, inclusive
General note
With a dedication to HA on the verso.
[Crawcour, Michael], 1987, inclusive
General note
Color print.
Cunard, Nancy, 1963, inclusive
General note
Annotated on the verso, Color print.
Ferguson, Jimmie, 1930, inclusive
General note
Signed on the recto.
Harmsworth, Desmond (1903-1990), ca. 1920, inclusive
General note
Dedication to HA on the recto. Photo by Dorothy Wilding, London.
Oversize, I.C.15.12. folder 109.
Howard, Brian (1905-1958), at Eton, 1922, inclusive
General note
Dedications on the recto to HA and to WA
Howard, Brian (1905-1958), February, 1928, inclusive
General note
Dedication to HA on the recto.
Oversize, I.C.15.12. folder 110.
Haslip, Joan, undated, inclusive
General note
Annotated on the verso, photo by Giovanni Giovannetti, Pavia
[Kara-Georgevitch], Princess Daria, at Rosatch, St Moritz, August, 1920, inclusive
General note
Neg.: for print see III.A.6.
Jones, Christopher, 1987, inclusive
General note
Annotated on the recto and verso. Photo by Matthew R. Lewis.
[Koch, Mary R.], at the launching of the SS Mary R. Koch, Monrovia, Pula, Yugoslavia 15 March, 1975, inclusive
General note
Color prints some annotated on the verso (including prints of the ship).
Kyriazis, Basil (in uniform) in Samos, Greece, undated, inclusive
General note
Annotated on the verso "To Mr Acton for a noble and patient teacher".
Lacloche, François (Lieutenant), undated, inclusive
General note
With a dedication to HA on the verso.
Lacloche, François (Lieutenant), ca. 1944, inclusive
General note
Signed on the recto.
Oversize, I.C.15.12 folder 111.
Lanning-Roper, [Hugh], undated, inclusive
General note
Photo by Lord Snowdon.
[Levaray], Federica and Lili, in the gardens of Villa La Pietra (Terrazza), 1973, inclusive
General note
Color prints, August 1973. Annotated on the verso.
Maclean, Helen (mother of Fitzroy Maclean), at Otford, Kent, GB, undated, inclusive
General note
Annotated on the verso.
Margaret, HRH Princess opening the Henry Moore exhibition at Forte di Belvedere, Firenze,1972. Those present include Lord Snowdon and Henry Moore, 1972, inclusive
General note
Photos by Torrini, Firenze.
Margaret, HRH Princess, photographed by Lord Snowdon (signed), 1968, inclusive
General note
This is the original which was removed from its frame in the Biblioteca in Villa La Pietra in June 2004 and replaced with a digital print.
Oversize, I.C.15.12. folder 111a.
Margaret, HRH Princess at her desk in the interior of Villa La Pietra [Camera Blu], ca. 1983, inclusive
General note
Color print.
Margaret, HRH Princess at her desk in the interior of Villa La Pietra [Camera Blu], ca. 1983, inclusive
Margaret, HRH Princess in the gardens of Villa La Pietra (Terrazza), ca. 1983, inclusive
General note
Color print.
Margaret, HRH Princess in the interior of Villa La Pietra [trying on HMA's Chinese robes], ca. 1983, inclusive
Mariano, Nicky (on the left) and members of the Musèe du Louvre at Maser to celebrate the birthday of Marina Luling, 1968, inclusive
General note
Color print, annotated on the verso.
[Mariano, Nicky, Ischia], 1952, inclusive
Mariano, Nicky, undated, inclusive
Mostyn-Owen, Gaia (née Servadio, wife of William), undated, inclusive
General note
Color print sent as a postcard to HA.
[Mostyn-Owen, Allegra and Owen, children of Gaia], undated, inclusive
General note
Color print sent as a postcard to HA.
[Natalie], Queen of Serbia, with her dog, 1981, inclusive
General note
Signed and dated 1981. This is the original which was removed from its frame in the Biblioteca in Villa La Pietra in June 2004 and replaced with a digital print.
Oversize, I.C.15.12. folder 111b.
[Origo, Iris née Cutting] taken in France, 1916, inclusive
General note
Signed 'Iris' on the recto.
[Parsons, Desmond], in India with Jamini Roy, undated, inclusive
General note
Annotated on the verso.
[Parsons, Desmond], undated, inclusive
Pladner, Emile (Spider), 1930, inclusive
General note
Photo by Jeff Dickson, London, annotated on the recto and verso.
Puccini, Giacomo, Viareggio, 1917, inclusive
General note
With a dedication to HA on the recto. Photo by G.Magrini, Viareggio.
Roberts, William, taken in France, undated, inclusive
General note
Annotated on the verso.
Sitwell, Lady Ida, with a man, undated, inclusive
General note
Annotated on the verso, photo by Victor Hey, Scarbrough, GB.
Sitwell, Lady Ida [with her daughter-in-law Georgia, wife of Sir Sacheverell, and their son], undated, inclusive
Vilmorin, Louise de (1902-1969) in Paris, 1936, inclusive
General note
Annotated on the verso.
Waugh, Evelyn, with a dedication to HA, December, 1924, inclusive
General note
This is the original (unframed) which was removed from the Biblioteca in Villa La Pietra in June 2004 and replaced with a digital print.
Oversize, I.C.15.12. folder 111c.
Waugh, Evelyn with Evelyn Gardner at their wedding (when HA acted as best man), 1928, inclusive
General note
The original which was removed from its frame in the Camera di Sir Harold in Villa La Pietra in June 2004 and replaced with a digital print.
Oversize, I.C.15.12. folder 111d.).
Zielcke, Alexander, undated, inclusive
Zielcke, Alexander, 1965, inclusive
General note
Color prints.
Zielcke, Alexander in the gardens of Villa La Pietra (Pergola delle Rose), 1966, inclusive
General note
Color print.
Zielcke, Alexander in the gardens of Villa La Pietra (Giardino Segreto), undated, inclusive
General note
Color print.
Zielcke, Alexander in the gardens of Villa La Pietra (some with his car), undated, inclusive
General note
3 (attached) Color negs.
Zielcke, Alexander: a portrait sketch by Oliver Messel, brother of Anne Rosse, 1971, inclusive
Party held in the gardens of Villa La Pietra (Giardino Segreto) to mark the 65th anniversary of the opening of the British Institute in Firenze, 1983, inclusive
General note
Color prints. Those present include: Maria Fossi Todorow, Nicolai Rubinstein, Jack Walters, Giulietta Fermi, Edward Byrne, Anne Sophie and Michael Grant, Alvise de Robilant, Father Nolan, Margaret Lowe, Carel Johnson, Giuliano Pellegrini, [Charles Wilson], Dino (the butler), Gioetta Caradosso, Mark Roberts, Rupert Hodson, Jasper Guiness, Lord Bridges, Edward(Lord) Hastings, Jack Walters, Sen. Vedovato, Tony Buckby, David Rundle, and Enzo Masi.
16 HA's funeral, 3 March 1994
Villa La Pietra, exterior, 1994, inclusive
General note
Color slide by Massimo Sestini, Firenze.
Villa La Pietra, interior (Atrio), 1994, inclusive
General note
Color slide by Massimo Sestini, Firenze.
Villa La Pietra, interior (Rotonda), 1994, inclusive
General note
Color slide by Massimo Sestini, Firenze.
The arrival of the coffin at the church of San Marco, 1994, inclusive
General note
Color slide by Massimo Sestini, Firenze.
The funeral service inside the church of San Marco, Firenze, 1994, inclusive
General note
Color slide by Massimo Sestini, Firenze.
Fr. Nolan and Timothy Verdon officiating at the coffin, 1994, inclusive
General note
Color slide by Massimo Sestini, Firenze.
The coffin, 1994, inclusive
General note
Color slide by Massimo Sestini, Firenze.
Joan Haslip, Sir John Pope-Hennessy, and Michael Mallon at the funeral, 1994, inclusive
General note
Color slide by Massimo Sestini, Firenze.
the Sindaco (Mayor) of Firenze, 1994, inclusive
General note
With representatives of the Comune and Carabinieri. Color slide by Massimo Sestini, Firenze.
Visitors to the 'Camera ardente' at Villa La Pietra on 1 or 2 March, 1994, inclusive
General note
Including Fr. Nolan, Avv. Andrea Scavetta, Michael Holmes (HBM Consul), Giorgio Morales (Sindaco di Firenze), Alexander Zielcke, and views of the exterior and gardens of Villa La Pietra. Contact sheet of 33 prints.
Exteriors and interiors of Villa La Pietra, and the gardens of Villa La Pietra, 1994, inclusive
General note
Contact sheet of 33 prints.
Visitors to the 'Camera ardente' at Villa La Pietra on 1 or 2 March, 1994, inclusive
General note
Including Senator Giovanni Spadolini, and interiors of Villa La Pietra. Contact sheet of 34 prints.
The funeral service at the church of San Marco, Firenze, 1994, inclusive
General note
Contact sheet of 24 prints.
The funeral service at the church of San Marco, Firenze, 1994, inclusive
General note
Including Frank Woodhouse (Director, British Institute), Mark Roberts (Librarian, British Institute), Joan Haslip, Sir John Pope-Hennessy, Michael Mallon (HA's literary executor), Giorgio Morales (Sindaco di Firenze), Michael Holmes (HBM Consul), and Avv. Andrea Scavetta. Contact sheet of 22 prints.
The funeral service at the church of San Marco, Firenze, 1994, inclusive
General note
Contact sheet of 30 prints.
The funeral service at the church of San Marco, Firenze, and the coffin leaving the church, 1994, inclusive
General note
Contact sheet of 19 prints.
The coffin leaving the church of San Marco, Firenze, and the burial at the Allori Cemetery, Firenze, 1994, inclusive
General note
Contact sheet of 24 prints.
Subseries D: Acton, William (WA)
1 WA alone
WA as a baby with his nurse and HMA, 1907, inclusive
General note
Negs. and prints.
WA as a baby, 1908, inclusive
General note
Negs. and prints.
WA as a child, ca. 1909, inclusive
General note
Photo taken in New York.
See also oversize I.D.I.13. folder 112.
WA as a child, ca. 1911, inclusive
WA as a boy, ca. 1912, inclusive
General note
See also oversize, I.D.1.13. folder 113. ,prints #1-5.
WA as a boy, some taken at Cromer, GB, 1912, inclusive
WA as a boy, 1913, inclusive
WA dressed up in a costume designed by Umberto Brunelleschi for his part in a play performed at the Pergola Theatre in Firenze entitled "Un po' di Colore", 1915, inclusive
General note
Photograph signed by Nunes Vais. The costume was possibly also worn in 1914 at the fancy-dress ball given by Lewis Einstein at the Villa Schifanoia.
See also oversize, I.D.1.13. folder 114., prints #1-8.
WA as a boy, 1915, inclusive
General note
Prints and negs.
WA as a boy, ca. 1916, inclusive
General note
Photos taken in London. See also oversize, I.D.1.13. folder 115., prints #1.-5.
WA, 1921, inclusive
WA, 1924, inclusive
General note
Prints and negs.
WA in a portrait by Foujita, Paris, 1925, inclusive
WA, ca. 1920s, inclusive
WA as a young man, ca. 1920-1930, inclusive
General note
See also oversize, I.D.1.13. folder 116., prints #1.,1a. and 1b. One of the originals which was removed from its frame in the Camera di Sir Harold in Villa La Pietra in June 2004 and replaced with a digital print.
WA as a young man at Henley, GB, ca. 1920s, inclusive
General note
Neg.
WA, ca. 1930s, inclusive
WA in his uniform as a private in the Pioneer Corp (probably shortly after he was called up in February), 1941, inclusive
General note
Photo by Wallace Heaton, London.
2 WA with others
WA with an officer and others, 1916, inclusive
WA with Lt. Davis from New Zealand, August 9, 1916, inclusive
General note
Neg. and print.
[WA and/or HA] in a large group of boys at Eton College, beagling, ca. 1920s, inclusive
[WA and/or HA] in a group photo of the Eton College 'Corps', the OTC or Officer Training Corps. HA was at the OTC camp at Mytchett near Aldershott for a week in July, 1920, inclusive
General note
See also oversize, I.D.2.13. folder 117.
WA with others as a young man, ca. 1920s, inclusive
WA at a New Year's Eve party, 1925, inclusive
WA as a Roman soldier at a party in Firenze, also in a 'tableau vivant', 1931, inclusive
General note
Photos by Locchi, Firenze.
WA at a party at Villa Emilia (on the estate of Villa La Pietra), ca. 1931, inclusive
General note
Photos by Locchi, Firenze.
WA in fancy-dress, ca. 1930, inclusive
[WA] in a group of soldiers, 1940s, inclusive
General note
October 1944-June 1945.
3 WA's painting activity
Album/scrapbook dedicated to WA's exhibition at the Gallery of the Royal Society of Painters in Water-Color, Pall Mall East, London, 1937, inclusive
General note
This includes an invitation to the Private View, cuttings from London newspapers and magazines, and photographs of the works on exhibition taken by A.C. Cooper and Sons, London, some of them identified on the verso by WA.
WA in an interior [his studio in London, Lancaster Gate] with some of his portraits, ca. 1930s, inclusive
WA's portrait of Bailey, Mr Bill, ca. 1930s, inclusive
WA's portrait of Costantini, Frieda, 1935, inclusive
WA's portrait of Currier, Mrs Francis, ca. 1930s, inclusive
WA's portrait of Dufferin and Ava, Maureen, Marchioness of, ca. 1930s, inclusive
WA's portrait of d'Erlanger, Mrs Leo, ca. 1930s, inclusive
WA's portrait of Etling, Gloria, ca. 1930s, inclusive
WA's portrait of Haslip, Joan, ca. 1930s, inclusive
WA's portrait of Hogg, Lady Lindsay, ca. 1930s, inclusive
WA's portrait of Janzé, Madame Phyllis de, née Boyd, ca. 1930s, inclusive
WA's portrait of the Duchess of Kent, ca. 1930s, inclusive
WA's portrait of Lodge, Mrs John (née Braggiotti), ca. 1930s, inclusive
WA's portrait of Losch, Tilly, ca. 1930s, inclusive
WA's portrait of Lygon, Lady Mary, ca. 1930s, inclusive
WA's portrait of Paget, Lady Elizabeth, ca. 1930s, inclusive
WA's portrait of Panaieff, Michael, ca. 1930s, inclusive
WA's portrait of Parsons, Lady Bridget, ca. 1930s, inclusive
WA's portrait of Parsons, Desmond, ca. 1930s, inclusive
WA's portrait of Pourtales, Countess James de, ca. 1930s, inclusive
WA's portrait of Rosse, Anne, the Countess of, ca. 1930s, inclusive
WA's portrait of Sitwell, Francis (as a child), ca. 1930s, inclusive
WA's portrait of Sitwell, Mrs Sacheverell (Georgia), ca. 1930s, inclusive
WA's portrait of Smith, Lady Eleanor, ca. 1930s, inclusive
WA's portrait of Vilmorin, Madame Louise de (now Contessa Palfi), ca. 1930s, inclusive
WA's portrait of Westminster, Loelia, the duchess of, ca. 1930s, inclusive
Portraits by WA of unidentified sitters, ca. 1930s, inclusive
Lady sitting for a portrait [by WA], ca. 1930s, inclusive
Photographs of ladies [to be used for portraits by WA], ca. 1930s, inclusive
Negatives of ladies [to be used for portraits by WA], ca. 1930s, inclusive
Lady with a guitar [to be used for a portrait by WA], ca. 1930s, inclusive
Studies of hands [to be used for portraits by WA], ca. 1930s, inclusive
Subseries E: unidentified
1 Men
Unidentified men (some friends of HA), undated, inclusive
General note
Oversize, I.E.1.14. folder 118.
2 Women
Unidentified women (some in the gardens of Villa La Pietra), undated, inclusive
General note
Some Photo Locchi, Firenze.
Misfiled: Hortense Serristori née de la Gandara with her daughter Sofia; Benedetta her daughter; and Sibilla, her daughter, 1947, inclusive
Lady in a wedding dress and hat [Cora Antinori], ca. 1920s, inclusive
General note
Photograph by Cecil Beaton. This is the original which was removed from its frame in the Biblioteca in Villa La Pietra in June 2004 and replaced with a digital print.
Oversize, I.E.2.14.folder 119.
3 Men and women (and family groups)
Unidentified men and women (and family groups), some in the gardens of Villa La Pietra, undated, inclusive
4 Children
Unidentified children, undated, inclusive
General note
Oversize, I.E.2.14. folder 120.
5 Babies
Unidentified babies, undated, inclusive
6 Groups
Unidentified groups, undated, inclusive
7 Soldiers (except those in I.E.8.)
Unidentified soldiers, undated, inclusive
8 Officers in Italy in the First World War at Villa La Pietra and elsewhere in Tuscany
Officers in Italy in the First World War at Villa La Pietra and elsewhere in Tuscany, soldier [with dedication from Captain Dalton], 1919, inclusive
General note
oversize I.E.8.15. folder 121.
9 HA's Eton or university friends
HA's Eton or university friends, 1926, inclusive
General note
One with a dedication from "Tony, 1926".
Oversize, I.E.9.15. folder 122.
10 Supposed Acton relations
Unidentified Acton relations, undated, inclusive
11 Supposed Mitchell relations and Chicago girlhood friends of HMA
Supposed Mitchell relations and Chicago girlhood friends of HMA, undated, inclusive
General note
Oversize, I.E.11.15. folder 123.
12 Dogs
Dogs, undated, inclusive
13 A photographer's portfolio
Photographer's portfolio, undated, inclusive
Photographic study of a lady, undated, inclusive
Series II: Villa La Pietra
Subseries A: The Gardens
1 Viale
Viale, 1904, inclusive
Viale, 1904, inclusive
General note
Oversize, II.A.1.1. folder 124.
Viale, ca. 1915, inclusive
Viale, undated, inclusive
General note
Neg.
Viale, ca. 1920, inclusive
Viale, ca. 1930s, inclusive
General note
Photos by Ermanno Biagini, Firenze.
Viale, 1939, inclusive
General note
Photo by Brogi, Firenze (no. 26256), captioned on the recto.
Viale, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Viale, ca. 1950s, inclusive
General note
Photos by Ferrania, one with an ink drawing of a garden vase on the verso.
Viale, undated, inclusive
General note
Photo by Bruno Novarese, Firenze.
Viale, ca. 1960s, inclusive
General note
Color print.
Viale, undated, inclusive
General note
Color print.
Viale, August, 1965, inclusive
General note
Photo by Reginald Colby. Annotated on the verso.
Viale, undated, inclusive
General note
Color print.
Viale, 1965, inclusive
General note
Color print. Annotated and dated 1965 on the verso.
Viale, March-April, 1973, inclusive
General note
Color prints.
Viale, undated, inclusive
General note
Color neg.
Viale, August, 1974, inclusive
General note
Annotated on the verso.
Viale, undated, inclusive
General note
Color print.
2 Piazzale, i. Corte
Piazzale, i. Corte, 1903, inclusive
General note
Neg.: for print, see III.A.1.
Piazzale, i. Corte, 1904, inclusive
Piazzale, i. Corte, 1904, inclusive
General note
With HA in his pram, and a nurse.
Piazzale, i. Corte, ca. 1904, inclusive
General note
Oversize, II.A.2i.1. folder 125.
Piazzale, i. Corte, undated, inclusive
Piazzale, i. Corte in the snow, ca. 1910, inclusive
General note
Neg. and print.
Piazzale, i. Corte, ca. 1920s, inclusive
1924, undated, inclusive
Piazzale, i. Corte, ca. 1930s, inclusive
General note
Photos by Ermanno Biagini, Firenze.
Piazzale, i. Corte, ca. 1950s, inclusive
General note
Photo by Ferrania.
Piazzale, i. Corte, early 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Piazzale, i. Corte, early 1930s, inclusive
General note
Photo by Brogi, Firenze with circular ink stamp on the verso.
Piazzale, i. Corte, early 1930s, inclusive
General note
Photo by Brogi, Firenze, captioned on the recto.
Piazzale, i. Corte, early 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Piazzale, i. Corte, early 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp on the verso, and annotated on the verso.
Piazzale, i. Corte, early 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Piazzale, i. Corte, ca. 1930s, inclusive
Piazzale, i. Corte, ca. 1930s, inclusive
Piazzale, i. Corte, ca. 1930s, inclusive
General note
Sepia prints.
Piazzale, i. Corte, ca. 1940s, inclusive
Piazzale, i. Corte, ca. 1950s, inclusive
Piazzale, i. Corte, ca. 1950s, inclusive
General note
Color prints.
Piazzale, i. Corte, undated, inclusive
General note
Neg.
Piazzale, i. Corte, ca. 1960s, inclusive
Piazzale, i. Corte, undated, inclusive
General note
Photo by Antonio Sferlazzo, Firenze.
Piazzale, i. Corte, ca. 1960s, inclusive
General note
Photos by Cocchi.
Piazzale, i. Corte, 1970, inclusive
General note
Color prints.
Piazzale, i. Corte, undated, inclusive
General note
Color print.
Piazzale, i. Corte April, 1991, inclusive
General note
Color slide.
Piazzale, i. Corte April, 1991, inclusive
General note
Color slide.
Piazzale, i. Corte statue 1.1., 1986, inclusive
General note
Photo by Anna Marx.
Piazzale, i. Corte statue 1.2., 1986, inclusive
General note
Photo by Anna Marx.
Piazzale, i. Corte statue 1.3., 1986, inclusive
General note
Photo by Anna Marx.
Piazzale, i. Corte statue 1.4., 1986, inclusive
General note
Photo by Anna Marx.
Piazzale, i. Corte statue 1.4., 1986, inclusive
General note
Photo by Anna Marx.
Piazzale, i. Corte statue 1.1 before being erected on the gate post of the Viale, undated, inclusive
General note
Now replaced by statue 1.3.
Piazzale, i. Corte statue 1.3., 1986, inclusive
General note
Photo by Anna Marx.
2 Piazzale, ii. Parcheggio
Piazzale, ii. Parcheggio, ca. 1930s, inclusive
General note
Oversize, II.A.2ii.1. folder 126.
3 Vasche, i. Terrazza
Vasche, i. Terrazza, 1900s, inclusive
Vasche, i. Terrazza, ca. 1920s, inclusive
General note
Sepia print.
Vasche, i. Terrazza, ca. 1920s, inclusive
Vasche, i. Terrazza, undated, inclusive
General note
Neg.
Vasche, i. Terrazza, 1920s, inclusive
Vasche, i. Terrazza, ca. 1920s, inclusive
Vasche, i. Terrazza, ca. 1930s, inclusive
Vasche, i. Terrazza, early 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, i. Terrazza, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp on the verso, and annotated on the verso.
Vasche, i. Terrazza, 1939, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Vasche, i. Terrazza, early 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
early 1930s, undated, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp on the verso, and annotated on the verso.
Vasche, i. Terrazza, undated, inclusive
General note
Photo by Brogi, Firenze. Captioned on the recto.
Vasche, i. Terrazza, ca. 1930s, inclusive
General note
Neg.
Vasche, i. Terrazza, undated, inclusive
General note
Neg.
Vasche, i. Terrazza, ca. 1930s, inclusive
Vasche, i. Terrazza, ca. 1940s, inclusive
Vasche, i. Terrazza, ca. 1960s, inclusive
General note
Color print.
Vasche, i. Terrazza, 1960s, inclusive
General note
Color prints.
Vasche, i. Terrazza, undated, inclusive
General note
Color print.
Vasche, i. Terrazza, undated, inclusive
General note
Oversize, II.A.3i.1. folder 127.
Vasche, i. Terrazza, 1973, inclusive
General note
Color print.
Vasche, i. Terrazza, 1980, inclusive
General note
Color prints.
Vasche, i. Terrazza, ca. 1980s, inclusive
General note
Color prints.
Vasche, i. Terrazza, statue 15.14, 1986, inclusive
General note
Photo by Anna Marx.
Vasche, i. Terrazza, statue 15.15, 1986, inclusive
General note
Photo by Anna Marx.
Vasche, i. Terrazza, statue 15.16, 1986, inclusive
General note
Photo by Anna Marx.
Vasche, i. Terrazza, statue 15.17, 1986, inclusive
General note
Photo by Anna Marx.
Vasche, i. Terrazza, statue 15.18, 1986, inclusive
General note
Photo by Anna Marx.
Vasche, i. Terrazza, statue 15.4, 1986, inclusive
General note
Photo by Anna Marx.
3 Vasche, ii. Prima Vasca
Vasche, ii. Prima Vasca, ca. 1910, inclusive
Vasche, ii. Prima Vasca, ca. 1910, inclusive
General note
Oversize, II.A.3ii.2. folder 128.
Vasche, ii. Prima Vasca, ca. 1920, inclusive
General note
Oversize, II.A.3ii.2. folder 129.
Vasche, ii. Prima Vasca in the snow, ca. 1910, inclusive
General note
Negs.and prints.
Vasche, ii. Prima Vasca, undated, inclusive
General note
Neg., double exposure.
Vasche, ii. Prima Vasca, ca. 1920, inclusive
General note
Oversize, II.A.3ii.2. folder 130.
Vasche, ii. Prima Vasca, ca. 1920, inclusive
Vasche, ii. Prima Vasca, undated, inclusive
General note
Neg.
Vasche, ii. Prima Vasca, ca. 1920, inclusive
Vasche, ii. Prima Vasca, ca. 1920, inclusive
General note
Sepia print.
Vasche, ii. Prima Vasca, 1924, inclusive
Vasche, ii. Prima Vasca, undated, inclusive
General note
Neg.
Vasche, ii. Prima Vasca, ca. 1930s, inclusive
Vasche, ii. Prima Vasca, 1939, inclusive
General note
Photos by Brogi, Firenze, one with circular ink stamp on the verso.
Oversize, II.A.3ii.2.folder 131.
Vasche, ii. Prima Vasca, ca. 1930s, inclusive
Vasche, ii. Prima Vasca, ca. 1930s, inclusive
Vasche, ii. Prima Vasca, ca. 1930s, inclusive
General note
Oversize, II.A.3ii.2. folder 132.
Vasche, ii. Prima Vasca, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, ii. Prima Vasca, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp on the verso, and annotated on the verso.
Vasche, ii. Prima Vasca, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze. Captioned on the recto.
Vasche, ii. Prima Vasca, early 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".), and with rectangular ink stamp, and annotated on the verso.
Vasche, ii. Prima Vasca, ca. 1930s, inclusive
Vasche, ii. Prima Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25818, annotated on the verso "In Florence and Tuscany May/June 1951, p. 16". With a negative taken by Donato Pneider, Settignano, October 2002 for a presentation copy for HRH Prince of Wales on his visit to Villa La Pietra
Vasche, ii. Prima Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25818 (captioned on the recto
Vasche, ii. Prima Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25822, (annotated on the verso "From set of "Florence and Tuscany"May/June 1951")
Vasche, ii. Prima Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25822, captioned on the recto.
Vasche, ii. Prima Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25823, (annotated on the verso "From set of "Florence and Tuscany"May/June 1951".
Vasche, ii. Prima Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25823, captioned on the recto.
Vasche, ii. Prima Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25814, (annotated on the verso "From set of "Florence and Tuscany"May/June 1951"
Vasche, ii. Prima Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, stamped on the verso.
Vasche, ii. Prima Vasca, 1930s, inclusive
Vasche, ii. Prima Vasca, ca. 1940s, inclusive
Vasche, ii. Prima Vasca, undated, inclusive
General note
Neg.
Vasche, ii. Prima Vasca, undated, inclusive
General note
Neg. and print.
Vasche, ii. Prima Vasca, ca. 1940s, inclusive
General note
Photo by Alinari, stamped on the verso.
Vasche, ii. Prima Vasca, ca. 1950s, inclusive
Vasche, ii. Prima Vasca, undated, inclusive
General note
Color prints.
Vasche, ii. Prima Vasca, undated, inclusive
General note
Neg.
Vasche, ii. Prima Vasca, ca. 1960s, inclusive
Vasche, ii. Prima Vasca, ca. 1960s, inclusive
General note
Photos by Cocchi.
Vasche, ii. Prima Vasca, undated, inclusive
General note
Color print.
Vasche, ii. Prima Vasca, 1966, inclusive
General note
Color print, dated on the recto.
Vasche, ii. Prima Vasca, undated, inclusive
General note
Color prints.
Vasche, ii. Prima Vasca, 1970, inclusive
General note
Color print.
Vasche, ii. Prima Vasca, 1973, inclusive
General note
Color print.
Vasche, ii. Prima Vasca, ca. 1970s, inclusive
Vasche, ii. Prima Vasca, undated, inclusive
General note
Color prints.
Vasche, ii. Prima Vasca, 1980, inclusive
General note
Color print.
Vasche, ii. Prima Vasca, undated, inclusive
General note
Two Color negs.
Vasche, ii. Prima Vasca, April, 1991, inclusive
General note
Color slide.
Vasche, ii. Prima Vasca, April, 1991, inclusive
General note
Color slide.
Vasche, ii. Prima Vasca, 1993, inclusive
General note
Color slide.
Vasche, ii. Prima Vasca, statue 15.1., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, ii. Prima Vasca, statue 15.2., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, ii. Prima Vasca, statue 15.4., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, ii. Prima Vasca, statue 15.7., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, ii. Prima Vasca, statue 15.8., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, ii. Prima Vasca, statue 15.9., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, ii. Prima Vasca, statue 15.10., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, ii. Prima Vasca, statue 15.11., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, ii. Prima Vasca, statue 15.12., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, ii. Prima Vasca, statue 15.13., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, ii. Prima Vasca, statue 15.10., undated, inclusive
Vasche, ii. Prima Vasca, statue 15.12, undated, inclusive
General note
Color print.
Oversize, II.A.3ii.2. folder 133.
Vasche, ii. Prima Vasca, statue 15.11, undated, inclusive
General note
Color print
Oversize, II.A.3ii.2. folder 134.
3 Vasche, iii. Scalone
Vasche, iii. Scalone, ca. 1915, inclusive
General note
Neg.
Vasche, iii. Scalone in the snow, ca. 1920s, inclusive
Vasche, iii. Scalone, ca. 1920s, inclusive
Vasche, iii. Scalone, ca. 1937, inclusive
Vasche, iii. Scalone, ca. 1930s, inclusive
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, iii. Scalone, the stone vase at the bottom of the steps, 1933, inclusive
General note
Removed to the cross vista on the Vista dell'Arco in 1933. Print and neg.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Oversize, II.A.3iii.3. folder 135.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, captioned on the recto.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, numbered 325bis on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp, and numbered 326bis on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photos by Brogi, Firenze, with circular ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photos by Brogi, Firenze, with circular ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photos by Brogi, Firenze, with circular ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp, and numbered 328 on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, captioned on the recto.
Vasche, iii. Scalone, ca. 1930s, inclusive
Vasche, iii. Scalone, ca. 1940s, inclusive
Vasche, iii. Scalone, undated, inclusive
General note
Neg.
Vasche, iii. Scalone, ca. 1940s, inclusive
Vasche, iii. Scalone, ca. 1940s, inclusive
General note
Photo by Alinari, stamped on verso.
Vasche, iii. Scalone, ca. 1940s, inclusive
Vasche, iii. Scalone, 1960s, inclusive
Vasche, iii. Scalone, ca. 1960s, inclusive
General note
Photos by Cocchi.
Vasche, iii. Scalone, undated, inclusive
General note
Color print.
Vasche, iii. Scalone, 1967, inclusive
General note
Color prints.
Vasche, iii. Scalone, undated, inclusive
General note
Color neg.
Vasche, iii. Scalone, 1973, inclusive
General note
Color print.
Vasche, iii. Scalone, ca. 1970s, inclusive
General note
Color print.
Vasche, iii. Scalone, 1973, inclusive
General note
Color print. With dedication on the verso, dated 1973
Oversize, II.A.3iii.3. folder 136.
Vasche, iii. Scalone, ca. 1970-1989, inclusive
General note
Color prints.
Vasche, iii. Scalone, undated, inclusive
General note
Color print.
Oversize, II.A.3iii.3. folder 137.
Vasche, iii. Scalone, ca. 1970-1989, inclusive
General note
Color prints.
Vasche, iii. Scalone, undated, inclusive
General note
Two Color negs.
Vasche, iii. Scalone, statue 12.6., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, iii. Scalone, statue 12.7., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, iii. Scalone, statue 12.8., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, iii. Scalone, statue 12.9., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, iii. Scalone, statue 12.10., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, iii. Scalone, statue 12.11., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, iii. Scalone, statue 12.12., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, iii. Scalone, statue 12.13., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, iii. Scalone, statue 12.9., 1973, inclusive
General note
Color print.
Vasche, iii. Scalone, statue 12.10., undated, inclusive
General note
Color print.
Vasche, iii. Scalone, statue 12.11., undated, inclusive
General note
Color print.
Vasche, iii. Scalone, statue 12.10., 1973, inclusive
General note
Color print.
Oversize, II.A.3iii.3. folder 138.
3 Vasche, iv. Seconda Vasca
Vasche, iv. Seconda Vasca under construction, ca. 1910, inclusive
General note
Negs. and prints.
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Neg.
Vasche, iv. Seconda Vasca, ca. 1910s, inclusive
Vasche, iv. Seconda Vasca with gardeners, ca. 1910s, inclusive
Vasche, iv. Seconda Vasca in the snow, ca. 1910s, inclusive
Vasche, iv. Seconda Vasca, ca. 1920s, inclusive
General note
Oversize, II.A.4iv.3. folder 139.
Vasche, iv. Seconda Vasca, ca. 1920s, inclusive
Vasche, iv. Seconda Vasca, ca. 1915, inclusive
General note
The statue was removed to the Pomario in 1915. Annotations and a sketch by AA on the verso about the fountain: "Light stone cupid, 17th cent. Genuine; grey stone fountain reproduction of 16th century one" and price.
Vasche, iv. Seconda Vasca, ca. 1915, inclusive
General note
With a sketch on the verso and the price.
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Sepia print.
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Neg.
Vasche, iv. Seconda Vasca, 1924, inclusive
Vasche, iv. Seconda Vasca, ca. 1920s, inclusive
Vasche, iv. Seconda Vasca, ca. 1930s, inclusive
Vasche, iv. Seconda Vasca, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Vasche, iv. Seconda Vasca, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with annotations on the verso.
Vasche, iv. Seconda Vasca, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp on the verso.
Vasche, iv. Seconda Vasca, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with ink stamp on the verso.
Vasche, iv. Seconda Vasca, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Vasche, iv. Seconda Vasca, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso. With a negative taken by Donato Pneider, Settignano, October 2002 for a presentation copy for HRH Prince of Wales on his visit to Villa La Pietra
Vasche, iv. Seconda Vasca, ca. 1930, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, iv. Seconda Vasca, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Vasche, iv. Seconda Vasca, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, captioned on the recto.
Vasche, iv. Seconda Vasca, ca. 1930s, inclusive
Vasche, iv. Seconda Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25824 (captioned on the recto).
Vasche, iv. Seconda Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso with the no. 25824.
Vasche, iv. Seconda Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25819 (captioned on the recto).
Vasche, iv. Seconda Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso with the no. 25819.
Vasche, iv. Seconda Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25825 (annotated on the verso "From set of "Florence and Tuscany May/June 1951". With a negative taken by Donato Pneider, Settignano, October 2002 for a presentation copy for HRH Prince of Wales on his visit to Villa La Pietra.
Vasche, iv. Seconda Vasca, 1939, inclusive
General note
Captioned on the recto, and the date stamped on the verso with a fragment of a note to Mrs Putnam from AA on the verso.
Vasche, iv. Seconda Vasca, ca. 1940s, inclusive
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Neg. and print.
Vasche, iv. Seconda Vasca, ca. 1940s, inclusive
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Double print, one with a statue in the Teatrino.
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Neg.
Vasche, iv. Seconda Vasca, ca. 1940s, inclusive
Vasche, iv. Seconda Vasca, ca. 1940s, inclusive
Vasche, iv. Seconda Vasca, 1949, inclusive
General note
Dated 1949 on the verso.
Vasche, iv. Seconda Vasca, 1940s, inclusive
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Annotated on the verso by AA "Al principe e principessa Leporano Acton".
Vasche, iv. Seconda Vasca (with an Alsatian puppy), undated, inclusive
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Neg.
Vasche, iv. Seconda Vasca, 1940s, inclusive
Vasche, iv. Seconda Vasca, ca. 1950s, inclusive
General note
Color slide.
Vasche, iv. Seconda Vasca, 1951, inclusive
General note
Color print.
Vasche, iv. Seconda Vasca, 1950, inclusive
General note
Color slide by Kirker.
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Color print.
Vasche, iv. Seconda Vasca, ca. 1960s, inclusive
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Color print.
Vasche, iv. Seconda Vasca, ca. 1960s, inclusive
Vasche, iv. Seconda Vasca, ca. 1960s, inclusive
General note
Photo by Cocchi.
Vasche, iv. Seconda Vasca, ca. 1970s, inclusive
General note
Color print.
Vasche, iv. Seconda Vasca, 1970, inclusive
General note
Color print.
Vasche, iv. Seconda Vasca, ca. 1970s, inclusive
General note
Photo by Garuti for the Comitato Visita Giardini Ville Fiorentine .
Vasche, iv. Seconda Vasca, ca. 1980, inclusive
General note
Color print.
Vasche, iv. Seconda Vasca, 1983, inclusive
General note
Color print.
Vasche, iv. Seconda Vasca, 1985, inclusive
General note
Color print. Dated on the verso.
Vasche, iv. Seconda Vasca, ca. 1980s, inclusive
General note
Color prints.
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Color print.
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Two Color negs.
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Two Color negs.
Vasche, iv. Seconda Vasca, April, 1991, inclusive
General note
Color slide.
Vasche, iv. Seconda Vasca, April, 1991, inclusive
General note
Color slide.
Vasche, iv. Seconda Vasca, 1993, inclusive
General note
Color slide.
3 Vasche, v. Peristilio della glicine
Vasche, v. Peristilio della glicine, ca. 1920s, inclusive
Vasche, v. Peristilio della glicine, undated, inclusive
General note
Neg.
Vasche, v. Peristilio della glicine, ca. 1920s, inclusive
Vasche, v. Peristilio della glicine, undated, inclusive
General note
Neg.
Vasche, v. Peristilio della glicine, ca. 1920s, inclusive
Vasche, v. Peristilio della glicine in the snow, undated, inclusive
General note
Neg. and print.
Vasche, v. Peristilio della glicine, early 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, v. Peristilio della glicine, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, ink stamp on the verso.
Vasche, v. Peristilio della glicine, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, annotated and with rectangular ink stamp on the verso.
Vasche, v. Peristilio della glicine, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp on the verso.
Vasche, v. Peristilio della glicine, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, v. Peristilio della glicine, ca. 1940s, inclusive
Vasche, v. Peristilio della glicine, undated, inclusive
General note
Neg.
Vasche, v. Peristilio della glicine, undated, inclusive
General note
Color print.
Vasche, v. Peristilio della glicine, ca. 1960s, inclusive
Vasche, v. Peristilio della glicine, undated, inclusive
General note
Color Negs.
Vasche, v. Peristilio della glicine showing damage and repair to the colonnade, undated, inclusive
General note
Color prints.
Vasche, v. Peristilio della glicine, 1973, inclusive
General note
Color print.
Vasche, v. Peristilio della glicine, undated, inclusive
General note
Color prints.
Vasche, v. Peristilio della glicine, undated, inclusive
General note
Two Color negs.
Vasche, v. Peristilio della glicine statue 12.1. when it was on the cross-vista of the Prima Vasca, undated, inclusive
Vasche, v. Peristilio della glicine statue 12.1 (before its installation in the Peristilio della glicine), undated, inclusive
Vasche, v. Peristilio della glicine statue 12.1., ca. 1950s, inclusive
Vasche, v. Peristilio della glicine statue 12.1., undated, inclusive
General note
Color print.
Vasche, v. Peristilio della glicine statue 12.1., undated, inclusive
Vasche, v. Peristilio della glicine statue 12.1., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, v. Peristilio della glicine statue 12.2., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, v. Peristilio della glicine statue 12.3., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, v. Peristilio della glicine statue 12.4., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, v. Peristilio della glicine statue 12.5., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, v. Peristilio della glicine statue 12.1., undated, inclusive
General note
Oversize, II.A.3v.4. folder 140.
4 Tempietto e Teatrino, i. Tempietto
Tempietto, ca. 1920s, inclusive
Tempietto, undated, inclusive
General note
Neg.
Tempietto, ca. 1960s, inclusive
Tempietto, ca. 1960s, inclusive
General note
Photo by Cocchi.
Tempietto, 1970s, inclusive
General note
Color print.
Tempietto, April, 1993, inclusive
General note
Color slide.
Tempietto, May, 1993, inclusive
General note
Color slide.
Tempietto, statue 14.1., 1986, inclusive
General note
Photo by Anna Marx.
Tempietto, statue 14.2., 1986, inclusive
General note
Photo by Anna Marx.
4 Tempietto e Teatrino, ii. Teatrino
Teatrino, ca. 1920s, inclusive
Teatrino, ca. 1920s, inclusive
Teatrino, ca. 1920s, inclusive
Teatrino, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Teatrino, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, captioned on the recto.
Teatrino, ca. 1930s, inclusive
General note
Photo by Goodwin.
Oversize, II.A.4ii.4. folder 141.
Teatrino, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp on the verso.
Teatrino, ca. 1939, inclusive
General note
Photo by Brogi, Firenze.
Teatrino, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Teatrino, ca. 1939, inclusive
General note
Photo by Brogi, Firenze.
Teatrino, 1930s, inclusive
Teatrino, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25820, captioned on the recto.
Teatrino, 1937, inclusive
General note
Photo by Brogi, Firenze, annotated with the no. 25820 on the verso.
Teatrino, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25815 (annotated on the verso "From set of "Florence and Tuscany May/June 1951"With a negative taken by Donato Pneider, Settignano, October 2002 for a presentation copy for HRH Prince of Wales on his visit to Villa La Pietra.
Teatrino, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25815, captioned on the recto.
Teatrino, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25821, captioned on the recto.
Teatrino, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25821, annotated on the verso "From set of "Florence and Tuscany May/June 1951".
Teatrino, ca. 1930s, inclusive
Teatrino, ca. 1940s, inclusive
Teatrino, 1940s, inclusive
Teatrino, undated, inclusive
General note
Negs.and double negs.
Teatrino, undated, inclusive
General note
Photo by Alinari, stamped on verso.
Teatrino, ca. 1940s, inclusive
Teatrino, lower terrace, undated, inclusive
General note
With vases 13.10 and 13.11.
Teatrino, lower terrace, undated, inclusive
General note
With annotations on the recto by AA.
Teatrino, 1930s, inclusive
Teatrino with a gardener trimming the hedges, undated, inclusive
Teatrino, ca. 1950s, inclusive
Teatrino, undated, inclusive
General note
Neg.and print.
Teatrino, ca. 1950s, inclusive
Teatrino, September, 1950, inclusive
General note
Color slide by Kirker.
Teatrino, ca. 1950s, inclusive
Teatrino, undated, inclusive
General note
Color prints.
Teatrino, undated, inclusive
General note
Double negs.
Teatrino, ca. 1960s, inclusive
Teatrino, undated, inclusive
General note
Color prints.
Teatrino, ca. 1960s, inclusive
General note
Photos by Cocchi.
Teatrino, 1962, inclusive
General note
Color print.
Teatrino, ca. 1960s, inclusive
Teatrino, 1969, inclusive
General note
Color print.
Teatrino, 1970, inclusive
General note
Color print.
Teatrino, ca. 1970s, inclusive
General note
Color print. Photo by Garuti for the Comitato Visita Giardini Ville Fiorentine .
Teatrino, 1973, inclusive
General note
Color print.
Teatrino, undated, inclusive
General note
Color print.
Teatrino, 1980, inclusive
General note
Color print.
Teatrino, 1988, inclusive
General note
Color print dated on the verso.
Teatrino, undated, inclusive
General note
Color prints.
Teatrino, undated, inclusive
General note
Color print.
Teatrino (one of the Seconda Vasca), undated, inclusive
General note
Two Color negs.
Teatrino, April, 1993, inclusive
General note
Color slide.
Teatrino, F7 portale (with statue 6.1. which is now in the Boschetto (v. Vialone), under F2 portale), undated, inclusive
General note
Neg.
Teatrino, F7 portale with statue 15.4. (now on the Terrazza), ca. 1920s, inclusive
Teatrino, F7 portale, ca. 1920s, inclusive
General note
Neg.
Teatrino, F7 portale, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Teatrino, F7 portale, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Teatrino, F7 portale, ca. 1930, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Teatrino, F7 portale, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with a sketch [by AA] on the verso of the portale with measurements.
Teatrino, F7 portale, ca. 1930s, inclusive
Teatrino, F7 portale, ca. 1940s, inclusive
Teatrino, F7 portale, ca. 1960s, inclusive
Teatrino, F7 portale, undated, inclusive
General note
Color print.
Teatrino, F2 portale with statue 13.8., ca. 1970s, inclusive
General note
Oversize, II.A.4ii.5. folder 142.
Teatrino, lower terrace with arcone F5 and F6, undated, inclusive
Teatrino, lower terrace with arcone F5 and F6, undated, inclusive
General note
Neg.
Teatrino, lower terrace with arcone F5 and F6, undated, inclusive
Teatrino, statue 13.1., 1986, inclusive
General note
Photo by Anna Marx.
Teatrino, statue 13.2., 1986, inclusive
General note
Photo by Anna Marx.
Teatrino, statue 13.3., 1986, inclusive
General note
Photo by Anna Marx.
Teatrino, statue 13.4., 1986, inclusive
General note
Photo by Anna Marx.
Teatrino, statue 13.5., 1986, inclusive
General note
Photo by Anna Marx.
Teatrino, statue 13.6., 1986, inclusive
General note
Photo by Anna Marx.
Teatrino, statue 13.7., 1986, inclusive
General note
Photo by Anna Marx.
Teatrino, statue 13.8., 1986, inclusive
General note
Photo by Anna Marx.
Teatrino, statue 13.9., 1986, inclusive
General note
Photo by Anna Marx.
Teatrino, statue 13.10., 1986, inclusive
General note
Photo by Anna Marx.
Teatrino, statue 13.2., undated, inclusive
General note
Color print.
Teatrino, statue 13.2., undated, inclusive
General note
Color print, reversed.
Teatrino, statue 13.2., undated, inclusive
General note
Neg.
Teatrino, statue 13.3., undated, inclusive
Teatrino, statue 13.3., undated, inclusive
General note
Neg.
Teatrino, statue 13.4, undated, inclusive
Teatrino, statue 13.4., undated, inclusive
Teatrino, statue 13.4., undated, inclusive
General note
Color print.
Teatrino, statue 13.5., undated, inclusive
Teatrino, statue 13.5., undated, inclusive
General note
Neg.
Teatrino, statue 13.5., undated, inclusive
Teatrino, statue 13.5., 1965, inclusive
General note
Annotated on the verso,photo by Reginald Colby, 1965.
Teatrino, statue 13.5., 1973, inclusive
General note
Color print.
Teatrino, statue 13.5., undated, inclusive
General note
Color print.
Teatrino, statue 13.5., ca. 1980s, inclusive
General note
Color print.
Teatrino, statue 13.6., undated, inclusive
General note
Neg.
Teatrino, statue 13.7., undated, inclusive
General note
Color print.
Teatrino, statue 13.9., 1973, inclusive
General note
Color print.
Teatrino, statue 13.9, undated, inclusive
General note
Color print.
5 Boschetto, i. Vista dell'Arco
Boschetto, i. Vista dell'Arco, before F11 portale erected, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp on the verso.
Boschetto, i. Vista dell'Arco, 1951, inclusive
General note
Photo by Brogi, Firenze, no. 25817 (annotated on the verso "From set of "Florence and Tuscany"May/June 1951"
Boschetto, i. Vista dell'Arco, undated, inclusive
General note
Photo by Brogi, Firenze, no. 25817 (captioned on the recto).
Boschetto, i. Vista dell'Arco, ca. 1930s, inclusive
Boschetto, i. Vista dell'Arco, undated, inclusive
General note
Neg.
Boschetto, i. Vista dell'Arco, 1930s, inclusive
Boschetto, i. Vista dell'Arco, undated, inclusive
General note
Double neg.
Boschetto, i. Vista dell'Arco, 1930s, inclusive
Boschetto, i. Vista dell'Arco, ca. 1940s, inclusive
Boschetto, i. Vista dell'Arco, ca. 1950s, inclusive
Boschetto, i. Vista dell'Arco, ca. 1960s, inclusive
General note
Photo by Cocchi.
Boschetto, i. Vista dell'Arco, ca. 1960s, inclusive
Boschetto, i. Vista dell'Arco, April, 1993, inclusive
General note
Color slide.
Boschetto, i. Vista dell'Arco, second vista, looking down, ca. 1939, inclusive
General note
Photo by Brogi, Firenze.
Boschetto, i. Vista dell'Arco, second vista, looking down, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp on the verso.
Boschetto, i. Vista dell'Arco, second vista, looking down, undated, inclusive
Boschetto, i. Vista dell'Arco, second vista, looking down, 1930s, inclusive
Boschetto, i. Vista dell'Arco, second vista, looking down, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25816 (captioned on the recto).
Boschetto, i. Vista dell'Arco, second vista, looking down, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25816 (annotated on the verso "From set of "Florence and Tuscany"May/June 1951"
Boschetto, i. Vista dell'Arco, second vista, looking down, undated, inclusive
Boschetto, i. Vista dell'Arco, statue 8.1., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, i. Vista dell'Arco, statue 8.2., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, i. Vista dell'Arco, statue 9.1., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, i. Vista dell'Arco, statue 9.2., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, i. Vista dell'Arco, statue 9.3., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, i. Vista dell'Arco, statue 9.4., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, i. Vista dell'Arco, statue 9.7., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, i. Vista dell'Arco, statue 9.8., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, i. Vista dell'Arco, statue 9.8A., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, i. Vista dell'Arco, statue 4.1., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, i. Vista dell'Arco, statue 4.2., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, i. Vista dell'Arco, statue 9.2., undated, inclusive
Boschetto, i. Vista dell'Arco, statue 9.2., ca. 1970, inclusive
General note
Color print.
Boschetto, i. Vista dell'Arco, statue 9.8., undated, inclusive
Boschetto, i. Vista dell'Arco, [vase 4.2A.], undated, inclusive
5 Boschetto, ii. Vista del Duomo
Boschetto, ii. Vista del Duomo, Philadelphus walk, ca. 1930s, inclusive
Boschetto, ii. Vista del Duomo, F3 portale, ca. 1930s, inclusive
Boschetto, ii. Vista del Duomo, F3 portale, ca. 1940s, inclusive
Boschetto, ii. Vista del Duomo, undated, inclusive
General note
Double neg.
Boschetto, ii. Vista del Duomo, ca. 1940s, inclusive
Boschetto, ii. Vista del Duomo , F3 portale, ca. 1960s, inclusive
General note
Photo by Cocchi.
Boschetto, ii. Vista del Duomo, F3 portale, ca. 1970s, inclusive
General note
Oversize, II.A. 5ii.6. folder 143.
Boschetto, ii. Vista del Duomo, undated, inclusive
General note
Color prints.
Boschetto, ii. Vista del Duomo, statue 10.2., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, ii. Vista del Duomo, statue 10.3., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, ii. Vista del Duomo, [statue 10.4.], 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, ii. Vista del Duomo, statue 10.5., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, ii. Vista del Duomo, statue 10.6., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, ii. Vista del Duomo, statue 10.7., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, ii. Vista del Duomo, statue 10.8. (under F3 portale), 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, ii. Vista del Duomo, statue 10.8. (under F3 portale), undated, inclusive
Boschetto, ii. Vista del Duomo, statue 10.7., undated, inclusive
5 Boschetto, iii. Prato Ovale
Boschetto, iii. Prato Ovale, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso (laid out as a tennis court).
Boschetto, iii. Prato Ovale, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with ink stamp on the verso (laid out as a tennis court).
Boschetto, iii. Prato Ovale, with F4 portale, 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp on the verso (laid out as a tennis court).
Boschetto, iii. Prato Ovale, with F4 portale, 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso (laid out as a tennis court).
Boschetto, iii. Prato Ovale, undated, inclusive
General note
Color print.
Boschetto, iii. Prato Ovale, ca. 1960s, inclusive
General note
Photos by Cocchi.
Boschetto, iii. Prato Ovale, December, 1993, inclusive
General note
Color slide.
Boschetto, iii. Prato Ovale, December, 1993, inclusive
General note
Color slide.
Boschetto, iii. Prato Ovale, statue 11.1., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, iii. Prato Ovale, statue 11.2., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, iii. Prato Ovale, statue 11.3. (beneath portale F4), 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, iii. Prato Ovale, statue 11.4., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, iii. Prato Ovale, statue 11.5., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, iii. Prato Ovale, statue 11.5., 1993, inclusive
General note
Color slide.
5 Boschetto, iv. Vista del Colosso
Boschetto, iv. Vista del Colosso, ca. 1920, inclusive
Boschetto, iv. Vista del Colosso, ca. 1920, inclusive
General note
Neg. of 69.
Boschetto, iv. Vista del Colosso, 1937, inclusive
Boschetto, iv. Vista del Colosso, 1937, inclusive
Boschetto, iv. Vista del Colosso, ca. 1930s, inclusive
Boschetto, iv. Vista del Colosso, ca. 1940s, inclusive
Boschetto, iv. Vista del Colosso, ca. 1950s, inclusive
Boschetto, iv. Vista del Colosso, undated, inclusive
General note
Photo by Del Rocca, Firenze.
Boschetto, iv. Vista del Colosso, ca. 1960s, inclusive
General note
Neg.
Boschetto, iv. Vista del Colosso, ca. 1960, inclusive
General note
Photo by Cocchi.
Boschetto, iv. Vista del Colosso, 1973, inclusive
General note
Color print.
Boschetto, iv. Vista del Colosso, 1980s, inclusive
General note
Color print.
Boschetto, iv. Vista del Colosso, undated, inclusive
General note
Two Color negs.
Boschetto, iv. Vista del Colosso, January, 1993, inclusive
General note
Color slide.
Boschetto, iv. Vista del Colosso, statue 5.1., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, iv. Vista del Colosso, statue 5.2., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, iv. Vista del Colosso, statue 5.3., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, iv. Vista del Colosso, statue 5.4., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, iv. Vista del Colosso, statue 5.2, ca. 1970s, inclusive
General note
Oversize, II.A.5iv.6. folder 144.
Boschetto, iv. Vista del Colosso, statue 5.2., undated, inclusive
Boschetto, iv. Vista del Colosso, statue 5.2., ca. 1980s, inclusive
General note
Color print.
Boschetto, iv. Vista del Colosso, statue 5.2., 1983, inclusive
General note
Color print.
Boschetto, iv. Vista del Colosso, statues 5.3. and 5.4., undated, inclusive
General note
Color print.
5 Boschetto, v. Vialone
Boschetto, v. Vialone, looking southwest, before the vialone was laid out, ca. 1910, inclusive
Boschetto, v. Vialone, looking southwest, in the snow, 1915, inclusive
General note
Neg. and print.
Boschetto, v. Vialone, looking southwest (with F2 portale), undated, inclusive
Boschetto, v. Vialone, looking southwest (with F2 portale), undated, inclusive
Boschetto, v. Vialone, looking southwest, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Boschetto, v. Vialone, looking southwest, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with ink stamp on the verso.
Boschetto, v. Vialone, looking southwest, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Boschetto, v. Vialone, looking southwest, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Boschetto, v. Vialone, looking southwest, with F2 portale, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Boschetto, v. Vialone, looking southwest, with F2 portale, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Boschetto, v. Vialone, looking southwest, with F2 portale, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Boschetto, v. Vialone, looking southwest, with F2 portale, ca. 1939, inclusive
General note
Photo by Brogi, Firenze.
Boschetto, v. Vialone, looking southwest, with F2 portale, undated, inclusive
General note
Photos by Brogi (stamped on verso).
Boschetto, v. Vialone, looking southwest, ca. 1930s, inclusive
Boschetto, v. Vialone, looking southwest, ca. 1940s, inclusive
Boschetto, v. Vialone, looking southwest, ca. 1950s, inclusive
Boschetto, v. Vialone, looking southwest, ca. 1960s, inclusive
General note
Photo by Cocchi.
Boschetto, v. Vialone, looking southwest, ca. 1960s, inclusive
Boschetto, v. Vialone, looking southwest, undated, inclusive
General note
Color neg.
Boschetto, v. Vialone, looking southwest, undated, inclusive
General note
Color print.
Boschetto, v. Vialone, F2 portale, 1973, inclusive
General note
Color print.
Boschetto, v. Vialone, looking southwest, undated, inclusive
General note
Color print.
Boschetto, v. Vialone, April, 1993, inclusive
General note
Color slide.
Boschetto, v. Vialone, looking northeast with F7 portale, 1900s, inclusive
General note
Before the statues were installed.
Boschetto, v. Vialone, looking northeast, undated, inclusive
General note
Neg.
Boschetto, v. Vialone, looking northeast, 1930s, inclusive
Boschetto, v. Vialone, looking northeast, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Boschetto, v. Vialone, looking northeast, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Boschetto, v. Vialone, looking northeast, ca. 1939, inclusive
General note
Photo by Brogi, Firenze (captioned on the recto).
Boschetto, v. Vialone, looking northeast, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso, with the number 26266.
Boschetto, v. Vialone, looking northeast, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Boschetto, v. Vialone, looking northeast, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp on the verso.
Boschetto, v. Vialone, looking northeast, ca. 1930s, inclusive
General note
Oversize, II.A.5v.6. folder 145.
Boschetto, v. Vialone, looking northeast, ca. 1960s, inclusive
Boschetto, v. Vialone, statue 7.4., ca. 1970s, inclusive
General note
Oversize, II.A.5v.6. folder 146.
Boschetto, v. Vialone, statue 6.1., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, v. Vialone, statue 6.2., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, v. Vialone, statue 6.3., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, v. Vialone, statue 6.4., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, v. Vialone, statue 6.5., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, v. Vialone, statue 7.1., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, v. Vialone, statue 7.2., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, v. Vialone, statue 7.3., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, v. Vialone, statue 7.4., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, v. Vialone, statue 7.5., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, v. Vialone, statue 7.6., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, v. Vialone, statue 6.1. (beneath F2 portale), undated, inclusive
Boschetto, v. Vialone, statue 6.1., undated, inclusive
Boschetto, v. Vialone, statue 6.3., undated, inclusive
Boschetto, v. Vialone, statue 6.4., undated, inclusive
Boschetto, v. Vialone, statue 6.5., 1980s, inclusive
General note
Color print.
Boschetto, v. Vialone, statue 6.5., 1980s, inclusive
Boschetto, v. Vialone, statue 7.3., undated, inclusive
General note
Photo by Del Rocco, Firenze.
Boschetto, v. Vialone, statue 7.3., 1973, inclusive
General note
Color print.
Boschetto, v. Vialone, statue 7.5., undated, inclusive
5 Boschetto, vi. Pergola delle rose
Boschetto, vi. Pergola delle rose, ca. 1960, inclusive
Boschetto, vi. Pergola delle rose, undated, inclusive
General note
Color print.
Boschetto, vi. Pergola delle rose, April, 1991, inclusive
General note
Color slide.
Boschetto, vi. Pergola delle rose, April, 1991, inclusive
General note
Color slide.
Boschetto, vi. Pergola delle rose, statue 4.3., 1986, inclusive
General note
Photo by Anna Marx.
6 Giardino Topiario, i. Giardino Segreto
Giardino Topiario, i. Giardino Segreto, ca. 1904, inclusive
Giardino Topiario, i. Giardino Segreto, ca. 1904, inclusive
General note
One photo by Reali, Firenze.
Oversize, II.A.6i.7. folder 147.
Giardino Topiario, i. Giardino Segreto, ca. 1904, inclusive
Giardino Topiario, i. Giardino Segreto, ca. 1908, inclusive
General note
Neg.
Giardino Topiario, i. Giardino Segreto, with F10, ca. 1910, inclusive
Giardino Topiario, i. Giardino Segreto, ca. 1910, inclusive
Giardino Topiario, i. Giardino Segreto, ca. 1910, inclusive
Giardino Topiario, i. Giardino Segreto in the snow, ca. 1910, inclusive
General note
Neg. and print.
Giardino Topiario, i. Giardino Segreto, ca. 1910, inclusive
Giardino Topiario, i. Giardino Segreto, undated, inclusive
General note
Neg.
Giardino Topiario, i. Giardino Segreto, ca. 1920s, inclusive
Giardino Topiario, i. Giardino Segreto, undated, inclusive
General note
Neg. and print.
Giardino Topiario, i. Giardino Segreto, undated, inclusive
General note
Neg.
Giardino Topiario, i. Giardino Segreto before the installation of F1 portale, 1920s, inclusive
Giardino Topiario, i. Giardino Segreto, ca. 1920s, inclusive
Giardino Topiario, i. Giardino Segreto in the snow, ca. 1920s, inclusive
Giardino Topiario, i. Giardino Segreto, ca. 1920, inclusive
Giardino Topiario, i. Giardino Segreto, undated, inclusive
General note
Print reversed.
Giardino Topiario, i. Giardino Segreto, ca. 1930s, inclusive
Giardino Topiario, i. Giardino Segreto, ca. 1940s, inclusive
Giardino Topiario, i. Giardino Segreto, 1940s, inclusive
Giardino Topiario, i. Giardino Segreto, undated, inclusive
General note
Neg.
Giardino Topiario, i. Giardino Segreto, undated, inclusive
General note
Neg. and print.
Giardino Topiario, i. Giardino Segreto, undated, inclusive
General note
Photo by Gorsen.
Giardino Topiario, i. Giardino Segreto, ca. 1940, inclusive
Giardino Topiario, i. Giardino Segreto, undated, inclusive
General note
Photo by Bruno Novarese, Firenze.
Giardino Topiario, i. Giardino Segreto, 1950, inclusive
General note
Color slide.
Giardino Topiario, i. Giardino Segreto, undated, inclusive
General note
Color print.
Giardino Topiario, i. Giardino Segreto, ca. 1960s, inclusive
General note
Photos by Cocchi.
Giardino Topiario, i. Giardino Segreto, ca. 1960s, inclusive
Giardino Topiario, i. Giardino Segreto, undated, inclusive
General note
Color prints.
Giardino Topiario, i. Giardino Segreto, 1976, inclusive
General note
Color prints.
Giardino Topiario, i. Giardino Segreto, ca. 1970s, inclusive
General note
Color prints. Photo by Novarese for the Comitato Visita Giardini Ville Fiorentine [1970s]
Giardino Topiario, i. Giardino Segreto, ca. 1980s, inclusive
General note
Color prints.
Giardino Topiario, i. Giardino Segreto, with statue 2.22., April, 1991, inclusive
General note
Color slide.
Giardino Topiario, i. Giardino Segreto, undated, inclusive
General note
Color prints.
Giardino Topiario, i. Giardino Segreto, statue 2.1., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.2., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.3., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.4., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.5., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.6. (beneath FI portale), 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.7., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.8., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.9., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.10., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.11., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.12., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.13., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.14., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.15., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, [statue 2.17B.], 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.21., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.22., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.1., undated, inclusive
Giardino Topiario, i. Giardino Segreto, statue 2.2., ca. 1940s, inclusive
Giardino Topiario, i. Giardino Segreto, statue 2.2., 1960, inclusive
General note
Color print.
Giardino Topiario, i. Giardino Segreto, statue 2.2., 1963, inclusive
General note
Color print.
Giardino Topiario, i. Giardino Segreto, statue 2.9., ca. 1970s, inclusive
General note
Oversize, II.A.6i.7. folder 148.
Giardino Topiario, i. Giardino Segreto, statue 2.11., undated, inclusive
Giardino Topiario, i. Giardino Segreto, statue 2.11., 1965, inclusive
General note
Photo by Reginald Colby.
Giardino Topiario, i. Giardino Segreto, statue 2.13., 1965, inclusive
General note
Photo by Reginald Colby.
Giardino Topiario, i. Giardino Segreto, statue 2.21., undated, inclusive
Giardino Topiario, i. Giardino Segreto, statue 2.21., 1973, inclusive
General note
Color print.
Giardino Topiario, i. Giardino Segreto, statue 2.22., undated, inclusive
General note
Color prints.
Giardino Topiario, i. Giardino Segreto, the grotto, ca. 1920s, inclusive
Giardino Topiario, i. Giardino Segreto, the grotto with three garden jars, undated, inclusive
General note
Numbered on the recto.
Giardino Topiario, i. Giardino Segreto, statue on the right in the grotto, 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue on the left in the grotto, 1986, inclusive
General note
Photo by Anna Marx.
6 Giardino Topiario, ii. Vasca di Diana
Giardino Topiario, ii. Vasca di Diana, statue of Diana [statue 26.A.], 1986, inclusive
General note
Photo by Anna Marx.
6 Giardino Topiario, iii. Prato di Cedro
Giardino Topiario, iii. Prato di Cedro, with statue 3.3., ca. 1910, inclusive
Giardino Topiario, iii. Prato di Cedro in the snow, ca. 1915, inclusive
Giardino Topiario, iii. Prato di Cedro in the snow, undated, inclusive
Giardino Topiario, iii. Prato di Cedro, undated, inclusive
General note
Neg.
Giardino Topiario, iii. Prato di Cedro, ca. 1920s, inclusive
Giardino Topiario, iii. Prato di Cedro, 1924, inclusive
Giardino Topiario, iii. Prato di Cedro, ca. 1920, inclusive
Giardino Topiario, iii. Prato di Cedro, ca. 1920s, inclusive
Giardino Topiario, iii. Prato di Cedro, 1930s, inclusive
Giardino Topiario, iii. Prato di Cedro, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199". and the number 26263.
Giardino Topiario, iii. Prato di Cedro, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Giardino Topiario, iii. Prato di Cedro, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with ink stamp and annotated on the verso.
Giardino Topiario, iii. Prato di Cedro, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, captioned on the recto.
Giardino Topiario, iii. Prato di Cedro, ca. 1940s, inclusive
Giardino Topiario, iii. Prato di Cedro, 1950s, inclusive
General note
Color print.
Giardino Topiario, iii. Prato di Cedro, ca. 1950, inclusive
General note
Color print.
Giardino Topiario, iii. Prato di Cedro, ca. 1960, inclusive
General note
Photo by Cocchi.
Giardino Topiario, iii. Prato di Cedro, undated, inclusive
General note
Color prints.
Giardino Topiario, iii. Prato di Cedro, 1976, inclusive
General note
Color print.
Giardino Topiario, iii. Prato di Cedro, 1977, inclusive
Giardino Topiario, iii. Prato di Cedro, 1983, inclusive
General note
Color print.
Giardino Topiario, iii. Prato di Cedro, April, 1991, inclusive
Giardino Topiario, iii. Prato di Cedro, statue 3.1., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, iii. Prato di Cedro, statue 3.2., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, iii. Prato di Cedro, statue 3.3., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, iii. Prato di Cedro, statue 3.4., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, iii. Prato di Cedro, statue 3.5., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, iii. Prato di Cedro, statue 3.6., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, iii. Prato di Cedro, statue 2.1., undated, inclusive
Giardino Topiario, iii. Prato di Cedro, statue 3.2., undated, inclusive
Giardino Topiario, iii. Prato di Cedro, statue 3.3., undated, inclusive
Giardino Topiario, iii. Prato di Cedro, statue 3.3., undated, inclusive
General note
Color print.
Giardino Topiario, iii. Prato di Cedro, statue 3.3., undated, inclusive
General note
Color prints.
Giardino Topiario, iii. Prato di Cedro, statue 3.3, undated, inclusive
Giardino Topiario, iii. Prato di Cedro, statue 3.3, 1980s, inclusive
Giardino Topiario, iii. Prato di Cedro, statue 3.6., undated, inclusive
General note
Oversize, II.A.6iii.8. folder 149.
7 Pomario
Pomario, ca. 1903, inclusive
Pomario, ca. 1903, inclusive
Pomario, ca. 1912, inclusive
General note
Neg.
Pomario, ca. 1916, inclusive
Pomario, ca. 1916, inclusive
General note
Oversize, II.A.7.8. folder 150.
Pomario, ca. 1916, inclusive
General note
Oversize, II.A.7.8. folder 151.
Pomario, undated, inclusive
General note
Neg.
Pomario, huge vase (empty) outside the Limonaia, undated, inclusive
Pomario, undated, inclusive
General note
Neg.
Pomario, dog kennels, ca. 1915, inclusive
General note
Neg.
Pomario, ca. 1920s, inclusive
Pomario, ca. 1920, inclusive
Pomario with a statue of Venus on the fountain, undated, inclusive
General note
Annotated with a sketch and measurements on the verso.
Pomario, ca. 1920s, inclusive
General note
Oversize, II.A.7.8. folder 152.
Pomario with a statue of Venus on the fountain, undated, inclusive
General note
Oversize, II.A.7.8. folder 153.
Pomario, ca. 1920, inclusive
Pomario, undated, inclusive
General note
Neg.
Pomario, 1930s, inclusive
Pomario with a gardener, undated, inclusive
Pomario, ca. 1940s, inclusive
Pomario, ca. 1950s, inclusive
Pomario, 1951, inclusive
General note
Color print.
Pomario, undated, inclusive
General note
Color prints.
Pomario, ca. 1960, inclusive
General note
Photo by Cocchi.
Pomario, ca. 1962, inclusive
Pomario, undated, inclusive
General note
Color prints.
Pomario, 1965, inclusive
General note
Color print.
Pomario, undated, inclusive
General note
Neg.
Pomario, 1970, inclusive
General note
Color prints.
Pomario, 1978, inclusive
General note
Color print.
Pomario, ca. 1980s, inclusive
General note
Color print.
Pomario, July, 1993, inclusive
General note
Taken from a window of Villa La Pietra.
Pomario, undated, inclusive
General note
Color print.
Pomario, undated, inclusive
General note
Color print.
Oversize, II.A.7.8. folder 154.
8 The park before the construction of the gardens
The park before the construction of the gardens, ca. 1904, inclusive
The park before the construction of the gardens, ca. 1903, inclusive
General note
Neg. For print see III.A.1.
The park before the construction of the gardens, 1908, inclusive
General note
Neg.
The park before the construction of the gardens in the snow, undated, inclusive
The park before the construction of the gardens in the snow, 1908, inclusive
General note
Neg.
The park before the construction of the gardens in the snow, 1904, inclusive
9 The garden statuary, vases, and masques, before their present installation in the gardens
Statue 13.1. (now in the Teatrino), undated, inclusive
Statue 13.2. (now in the Teatrino), undated, inclusive
Statue 13.3.(now in the Teatrino), undated, inclusive
Statue 13.4. (now in the Teatrino), undated, inclusive
Statue 13.5. (now in the Teatrino), undated, inclusive
Statue 13.6. (now in the Teatrino), undated, inclusive
Statue 13.7. (now in the Teatrino), undated, inclusive
Statue 13.9. (now in the Teatrino), undated, inclusive
Statues in the same location as #1-8 above, undated, inclusive
Statue 2.6. (now beneath FI in the Giardino Segreto) and Statue 11.1.(now in the Prato Ovale), in the same location as #1-12. above, undated, inclusive
Statue 15.4. (now in the Prima Vasca), undated, inclusive
Statue 15.7. (now in the Prima Vasca), undated, inclusive
Statue 15.8. (now in the Prima Vasca), undated, inclusive
Statue 15.9. (now in the Prima Vasca), undated, inclusive
Statue 15.10 (now in the Prima Vasca), undated, inclusive
Statue 15.11. (now in the Prima Vasca), undated, inclusive
Statue 15.12., undated, inclusive
General note
Now in the Prima Vasca.
Statue 15.13. (now in the Prima Vasca), undated, inclusive
Statue 12.6. (now on the Scalone), undated, inclusive
Statue 9.1. (now in the Vista dell'Arco), undated, inclusive
Statue 9.2. (now in the Vista dell'Arco), undated, inclusive
Statue 9.3. (now in the Vista dell'Arco), undated, inclusive
Statue 9.4. (now in the Vista dell'Arco), undated, inclusive
Statue 10.7. (now in the Vista del Duomo), undated, inclusive
Statue 6.5.(now on the Vialone), undated, inclusive
Statue 3.2. (now on the Prato del Cedro), undated, inclusive
Statue 3.4. (now on the Prato del Cedro), undated, inclusive
Statue 3.5. (now on the Prato del Cedro), undated, inclusive
Statues and garden views with topiary in the same location as #14-31. above, undated, inclusive
garden Statue on a rooftop, undated, inclusive
General note
With price and annotations on the verso.
Statue 1.1. (now in the Piazzale), undated, inclusive
Statue 1.2. (now in the Piazzale), undated, inclusive
Statue 4.3. (now near the Pergola delle Rose), undated, inclusive
General note
Annotated on the verso "grandezza al vero, pietra di Vicenza, antiche del 1600".
Statue 10.8., before its integration (now in the Vista del Duomo), undated, inclusive
General note
With a sketch of a fountain basin on the verso.
Garden Statue in the same location as #51-52 above, undated, inclusive
Statue 2.4. (now in the Vasca di Diana), undated, inclusive
Statue 15.13. (now in the Prima Vasca), undated, inclusive
garden Statue in the same location as #54-55 above, and #57-58. below, undated, inclusive
Statue 3.3. (now in the Prato del Cedro) [in the background Statue 11.1. now in the Prato Ovale], undated, inclusive
Statue 2.8 (now in the Giardino Topiario), undated, inclusive
Statue 2.7. (now in the Giardino Segreto), undated, inclusive
Garden Statue, undated, inclusive
Statue 9.8A. (now on the Vista dell'Arco), undated, inclusive
Statue 12.12. (now on the Scalone), undated, inclusive
Statue 12.11. (now on the Scalone), undated, inclusive
Statue 12.8 (now on the Scalone, and holding a trident), undated, inclusive
Statue 12.7. (now on the Scalone), undated, inclusive
Statue 12.5. before its restoration (now beneath the Peristilio della glicine), undated, inclusive
General note
Oversize, II.A.9.9. folder 155.
Statue 11.2. (now in the Prato Ovale), undated, inclusive
Statue 6.1. (now beneath portale F2 in the Vialone), showing how the left arm should be restored, undated, inclusive
General note
Oversize, II.A.9.9. folder 156.
Statue 2.14. (now in the Giardino Segreto), undated, inclusive
Statue 2.15. (now in the Giardino Segreto), undated, inclusive
Statue 2.21. (now in the Giardino Segreto), undated, inclusive
Statue 10.2. (now in the Vista del Duomo), undated, inclusive
Statue 10.3. (now in the Vista del Duomo), undated, inclusive
Statue 2.17B. (now in the Giardino Segreto), undated, inclusive
General note
Annotated on the verso "Giardino Natalia".
Statue 2.17B. (now in the Giardino Segreto), undated, inclusive
Statue. 2.17B. in an interior (now in the Giardino Segreto), undated, inclusive
Statue 2.2. (now in the Giardino Segreto), undated, inclusive
Garden vase, undated, inclusive
Garden vase with a lady sitting in it, undated, inclusive
Garden vases, undated, inclusive
Garden vase [14.3A. or 14.3B.,now in the Teatrino], undated, inclusive
General note
With measurements annotated on the verso.
Garden vases and detail of the balustrade of garden steps, undated, inclusive
Pair of vases, undated, inclusive
General note
With a sketch and measurements on the verso.
Garden vases, undated, inclusive
General note
Some with measurements on the verso.
Garden vase, undated, inclusive
General note
Color print.
Masques (now on the Scalone), undated, inclusive
Garden jars nos. 24 and 26 now in the Limonaia, and no. 27 now in the Ingresso of Villa La Pietra, undated, inclusive
General note
Numbered on the recto.
Garden statuary, vases, and masques, before their present installation in the gardens, undated, inclusive
General note
Neg. garden vases.
10 Albums of Garden Photos
Album entitled 'Giardino La Pietra' in HMA's hand, ca. 1930, inclusive
General note
Prints extracted (since they were loose mounted with corner stickers) from the acid pages of an album, and kept in the (rather haphazard) order in which they were inserted. All in the same format, they provide a fairly complete documentation of all areas of the garden ca. 1930. 15 prints were missing from the album. A few have the stamp on the verso of Gebruder [Gebrucher] Mertens, Zurich.
Album of the garden statues, taken by Anna Marx, 1986, inclusive
General note
Identified with their numbers, according to the Nizzi Griffi inventory. Since there were two complete sets of these photographs it was decided to integrate one set into the albums of garden photos arranged according to each area of the gardens, and keep the other set here, providing a fairly complete documentation of the statues. However, it should be noted that the archive number of the two prints of each statue will be different, according to whether it is filed here or in Series II.A.1 to Series II.A.8 of garden photos.
Album of photographs taken by Frederick Faust, 1930s, inclusive
General note
Album inscribed on the title page: "In Memoriam. Frederick Faust took these photos when he occupied Villa Ulivi. He died on active service."Most of the 29 photographs taken in the 1930s by Frederick Faust.('Max Brand') are loose (with corner stickers) but some of them are pasted on to the page. They are mostly of Villa La Pietra gardens, but there is also a print of Villa Sassetti, and two of AA in fencing outfit, and one of a 'masque' in an interior.
Album of photographs taken by James Hester, President of NYU, July, 1974, inclusive
General note
On the title page is a letter from New York University. Office of the President: "Dear Harold, My work in your garden paid some dividends, which I hope you will enjoy. Let my enthusiasm compensate for their defects. Sincerely, Jim" This was James M. Hester, President of NYU. There are 11 Color prints, pasted on to the page.
Album of photographs which belonged to Alexander Zielcke, undated, inclusive
General note
Album with 35 photographs, mostly Brogi duplicates, pasted on to the page except for 2 loose photographs. Gift to Villa La Pietra from Zielcke in 2010.
Subseries B: The Interior and the Collection
1 The Rooms with their contents
I. Antingresso
I. A.2., undated, inclusive
General note
PANNELLO in mosaico di marmo a tessere policrome. Parte di pavimento con figura allegorica femminile. h.136 l. 97. Artista romano del IV secolo d.C.
I. C.2., undated, inclusive
General note
PANNELLO in mosaico di marmo a tessere policrome. Parte di pavimento con allegoria del mese "Setembris". h.175 l. 120 Artista romano del IV secolo d. C.
I bis. Ingresso
General view, undated, inclusive
General view looking into the Rotonda, undated, inclusive
General view, ca. 1960s, inclusive
General note
Neg.
I bis. A.3., undated, inclusive
General note
DIPINTO olio su tela, cornice intagliata e dorata: Ritratto di dama con bambino.
h.108,5 l. 94
Pittore fiorentino del primo '600.
I bis. A.5, undated, inclusive
General note
PANNELLO in mosaico di marmo a tessere policrome. Parte di pavimento con allegoria del mese "Iunius".
h. 133 l. 108
Artista romano del IV secolo d.C.
I bis. C.8.-1., undated, inclusive
General note
DIPINTO olio su tela con cornice lignea intagliata e dorata: Ritratto del Cardinale Gian Carlo de' Medici.
h.98 l. 83
Maniera fiorentina (da G.Sustermans) del XVII secolo
Ibis. C.8.-2., undated, inclusive
General note
DIPINTO olio su tela con cornice lignea intagliata e dorata: Ritratto del Cardinale Gian Carlo de' Medici.
h. 98 l. 83
Maniera fiorentina (da G. Sustermans, now Suttermans) del XVII secolo
Ibis. C.8.-3., undated, inclusive
General note
DIPINTO olio su tela con cornice lignea intagliata e dorata: Ritratto del Cardinale Gian Carlo de' Medici.
h. 98 l. 83
Maniera fiorentina (da G. Sustermans) del XVII secolo
Photo by Brogi.
Oversize, II.B.1.1 bis.C.8.-3. folder 156a.
III. Scale
III. A.8.-1., undated, inclusive
General note
DIPINTO olio su tela in cornice lignea intagliata e dorata: "Naiadi". Firmato a destra: Aman Jean.
h. 125,5 l. 156,5
Aman Jean, inizio del XX secolo. Annotated on the verso "danneggiato Lungarno. Ritirato e in Cappella alla Pietra".
III. A.8.-2., undated, inclusive
General note
DIPINTO olio su tela in cornice lignea intagliata e dorata: "Naiadi". Firmato a destra: Aman Jean.
h. 125,5 l. 156,5
Aman Jean, inizio del XX secolo.
III. A.8.-3., undated, inclusive
General note
DIPINTO olio su tela in cornice lignea intagliata e dorata: "Naiadi". Firmato a destra: Aman Jean. h. 125,5 l. 156,5 Aman Jean, inizio del XX secolo. With frame.
III. A.8.-4., undated, inclusive
General note
DIPINTO olio su tela in cornice lignea intagliata e dorata: "Naiadi". Firmato a destra: Aman Jean. h. 125,5 l. 156,5 Aman Jean, inizio del XX secolo. Annotated on the verso: French Aman Jean Signed Damaged bombardmente Bridge già Lungarno. Oversize, II.B.1.III.A.8.-4. folder 157.
IV. Portineria
IV. C.2., undated, inclusive
General note
DIPINTO olio su tela con cornice a pastiglia dorata: Ritratto di Hortense Mitchell Acton.
h. 110 l. 90,5
Inizio del XX secolo. By Julius Rolshoven (1858-1930)
V. Cappella
V. B.4., undated, inclusive
General note
RILIEVO in stucco policromo: Madonna col Bambino e Benedicenti, con cornice a tabernacolo in legno dipinto. h. 100 ca. l. 64 ca. Bottega toscana del XVI secolo. Photo Reali, Firenze (numbered 80 on the verso).
VIII. Office
VIII.B.1.-1., undated, inclusive
General note
AFFRESCO [Villa La Pietra]
Annotated on the verso by HA: "Villa La Pietra (then Capponi) in the early 18th century - from a fresco in the pantry".
Photo by H. Burton Florence.
Oversize, II.B.1.VIII.B.1. folder 158.
VIII.B.1.-2., undated, inclusive
General note
AFFRESCO [Villa La Pietra]
Color transparency.
IX. Corridoio N.E.
IX.-1. general view, undated, inclusive
IX.-2. general view, undated, inclusive
IX.-2a. general view, undated, inclusive
IX.-3. general view, undated, inclusive
IX.-4. general view, undated, inclusive
IX. A.8., undated, inclusive
General note
DIPINTO olio su tela con cornice lignea intagliata e dorata a mecca: Dama con cagnolino. h. 158 l. 127 Paris Bordone (?), metà del XVI secolo. Photo Reali, Firenze.
IX. A.9.-1., undated, inclusive
General note
RILIEVO in terracotta policroma entro cornice centinata a tabernacolo: Madonna col Bambino.
h. 83 l. 67
Bottega di Donatello, XV secolo.
IX. A.9.-2., undated, inclusive
General note
RILIEVO in terracotta policroma entro cornice centinata a tabernacolo: Madonna col Bambino. h. 83 l. 67 Bottega di Donatello, XV secolo. Oversize, II.B.1.IX.A.9.-2. folder 159. Photo Reali, Firenze (numbered 83 on the verso).
IX. A.12., undated, inclusive
General note
SCULTURA in marmo bianco scolpito, con tracce di policromia: Angelo porta stemma. h. 77 Artista toscano attivo a Napoli intorno alla metà del XIV secolo. Photo Reali, Firenze (numbered 113 on the verso).
IX. A.18., undated, inclusive
General note
SCULTURA in legno dipinto e dorato: Angelo inginocchiato.
h. 19
Scultore veneto della metà del XV secolo.
Photo Reali, Firenze (numbered 93 on the verso).
IX. A.19.-1., undated, inclusive
General note
RILIEVO in stucco e gesso con tracce di doratura: Madonna col Bambino e due candelabra.
h. 86,5 l. 61
Ambito di Desiderio da Settignano, XV secolo.
Annotated on the verso by HA: "Acton Collection, Antonio Rossellino". [Used for publication in 'Apollo' magazine].
Photo Reali, Firenze (numbered 85 on the verso).
IX. A.19.-2., undated, inclusive
General note
RILIEVO in stucco e gesso con tracce di doratura: Madonna col Bambino e due candelabra.
h. 86,5 l. 61
Ambito di Desiderio da Settignano, XV secolo.
IX. A.21.-1., undated, inclusive
General note
TESTA muliebre in marmo bianco scolpito, su base moderna in marmo nero.
h. 40
Artista romano di epoca classica ?
IX. A.21.-2., undated, inclusive
General note
TESTA muliebre in marmo bianco scolpito, su base moderna in marmo nero.
h. 40
Artista romano di epoca classica ?
IX. A.21.-3., undated, inclusive
General note
TESTA muliebre in marmo bianco scolpito, su base moderna in marmo nero.
h. 40
Artista romano di epoca classica?
IX. A.21.-4., undated, inclusive
General note
TESTA muliebre in marmo bianco scolpito, su base moderna in marmo nero.
h. 40
Artista romano di epoca classica ?
A printed photograph with the detail of a fireplace on the same page from an auction catalogue: annotated on the verso with a series of numbers corresponding to works of art and the days of the week noted and marked off.
IX. A.21.-5., undated, inclusive
General note
TESTA muliebre in marmo bianco scolpito, su base moderna in marmo nero.
h. 40
Artista romano di epoca classica ?
IX. A.21.-6., undated, inclusive
General note
TESTA muliebre in marmo bianco scolpito, su base moderna in marmo nero.
h. 40
Artista romano di epoca classica ?
IX. A.21.-7., undated, inclusive
General note
TESTA muliebre in marmo bianco scolpito, su base moderna in marmo nero.
h. 40
Artista romano di epoca classica ?
IX. A.21.-8., undated, inclusive
General note
TESTA muliebre in marmo bianco scolpito, su base moderna in marmo nero.
h. 40
Artista romano di epoca classica ?
IX. A.21.-9., undated, inclusive
General note
TESTA muliebre in marmo bianco scolpito, su base moderna in marmo nero.
h. 40
Artista romano di epoca classica ?
IX. B.1.-1., undated, inclusive
General note
ALTORILIEVO: Madonna col Bambino e teste di angioli in terracotta policroma tabernacolo di legno intagliato, dipinto e dorato.
h. 210 l. 93
Dello Delli o Maestro di Santa Maria Nuova, prima metà del XV secolo
IX. B.1.-2., undated, inclusive
General note
ALTORILIEVO: Madonna col Bambino e teste di angioli in terracotta policroma tabernacolo di legno intagliato, dipinto e dorato.
h. 210 l. 93
Dello Delli o Maestro di Santa Maria Nuova, prima metà del XV secolo
Oversize, II.B.1.IX.B.1.-2. folder 160.
IX. C.1., undated, inclusive
General note
TESTA (muliebre?) scolpita in marmo bianco su base tornita (moderna) di marmo bianco.
h. 50
Artista di epoca classica.
Photo Brogi.
IX. C.4.-1., undated, inclusive
General note
PANNELLO (paliotto) in marmo bianco scolpito a bassorilievo per papa Sisto IV (Francesco della Rovere), con angioli reggistemma, nastri, panoplie, scudi, trofei e iscrizione "Sub umbra tua".
h. 80 l. 223
Scultore ligure della seconda metà del XV secolo.
IX. C.4.-2., undated, inclusive
General note
PANNELLO (paliotto) in marmo bianco scolpito a bassorilievo per papa Sisto IV (Francesco della Rovere), con angioli reggistemma, nastri, panoplie, scudi, trofei e iscrizione "Sub umbra tua".
h. 80 l. 223
Scultore ligure della seconda metà del XV secolo.
Photo Brogi.
IX. C.4.-3., undated, inclusive
General note
PANNELLO (paliotto) in marmo bianco scolpito a bassorilievo per papa Sisto IV (Francesco della Rovere), con angioli reggistemma, nastri, panoplie, scudi, trofei e iscrizione "Sub umbra tua".
h. 80 l. 223
Scultore ligure della seconda metà del XV secolo.
Annotated on the verso "Roman, Mino da Ria[ma] Della Rovere pope".
IX. C.5., undated, inclusive
General note
RILIEVO in stucco policromo: Madonna col Bambino in cornice lignea dipinta. Alla base due angioli reggistemma.
h. 81 l.53,5
Bottega fiorentina (da Donatello) del secondo quarto del XV secolo.
IX. C.10., undated, inclusive
General note
RILIEVO in terracotta policroma: Madonna col Bambino in tabernacolo di legno scolpito e dipinto. Iscrizione: "Ave Maria Gratia..." parzialmente leggibile.
h. 94,5 l. 56 ca.
Scultore fiorentino (Buggiano?) del secondo quarto del XV secolo.
Photo Reali, Firenze.
IX. C.15., undated, inclusive
General note
TESTA (di Bacco?) scolpita in marmo bianco su base tornita moderna.
h. 46,5
Scultore di epoca classica.
Photo Brogi.
IX. D.2., undated, inclusive
General note
DIPINTO olio su tela: San Girolamo con il sasso della penitenza e il libro delle Scritture. Cornice lignea intagliata e dorata.
h. 101 l. 82,5
Attribuito a Giuseppe Antonio Petrini.
Oversize, II.B.1.IX.D.2. folder 161.
IX. D.3.-1., undated, inclusive
General note
RILIEVO in terracotta policroma: Madonna col Bambino.
Iscrizione: "Ave Maria Gracia Plena D. Teco".
h. 63,5 l. 48,5
Bottega fiorentina del XV secolo (cerchia di Desiderio da Settignano.
Annotated on the verso "Rossellino, Corridoio nord - terreno".
IX. D.3.-2., undated, inclusive
General note
RILIEVO in terracotta policroma: Madonna col Bambino.
Iscrizione: "Ave Maria Gracia Plena D. Teco".
h. 63,5 l. 48,5
Bottega fiorentina del XV secolo (cerchia di Desiderio da Settignano.
X. Atrio
X.-1. general view, undated, inclusive
X.-2. general view, undated, inclusive
X.-3. general view, undated, inclusive
X.-4. general view, undated, inclusive
General note
Color print.
X. B.2., undated, inclusive
General note
SCULTURE (coppia) di Mori portacandeliere in legno, dipinto e dorato (cfr. la coppia X. D.2.).
h. 122 l. 37 p. 37
Bottega veneta del XVIII secolo.
Photo Reali, Firenze (numbered 109. on the verso).
X. C.4., undated, inclusive
General note
VASI (coppia) a potiche, in porcellana decorata a rilievi e dipinta su fondo azzurro.
h. 95,5 d. 25,5 ca.
Manifattura cinese del XVIII (?) secolo.
X. C.7.-1., undated, inclusive
General note
STATUA in marmo bianco (su base in pietra come C.8.): figura allegorica (La Temperanza?) su cumulio di nubi (Apoteosi di una santa?
h. 185
Scultore italiano (Genova?) della prima metà XVIII secolo.
X. C.7.-2., undated, inclusive
General note
STATUA in marmo bianco (su base in pietra come C.8.): figura allegorica (La Temperanza?) su cumulio di nubi (Apoteosi di una santa?)
h. 185
Scultore italiano (Genova?) della prima metà XVIII secolo.
Photo Brogi.
X. C.20., undated, inclusive
General note
POLTRONA Luigi XIV (spostata in pp. LXI-Salone).
X. C.20., undated, inclusive
General note
POLTRONA Luigi XIV (spostata in pp. LXI-Salone).
Numbered 52. on the recto.
X. C.7.-3., undated, inclusive
General note
STATUA in marmo bianco (su base in pietra come C.8.): figura allegorica (La Temperanza?) su cumulio di nubi (Apoteosi di una santa?)
h. 185
Scultore italiano (Genova?) della prima metà XVIII secolo.
Oversize, II.B.1.X.C.7.-3. folder 162.
XII. Scalone, rotonda
XII.-1. general view, ca. 1903, inclusive
XII.-1a. general view, 1903, inclusive
General note
Neg.
XII.-2. general view, ca. 1903, inclusive
XII.-2a. general view, 1903, inclusive
General note
Neg.
XII.-3. general view, undated, inclusive
XII.-4. general view, undated, inclusive
XII.-5. general view, undated, inclusive
XII.-6. general view, undated, inclusive
XII.-7. general view, undated, inclusive
XII.-8. general view, undated, inclusive
XII.-9. general view, undated, inclusive
XII.-10. general view, undated, inclusive
XII.-11. general view, undated, inclusive
XII.-12. general view, undated, inclusive
XII.-13. general view, undated, inclusive
XII.-14. general view, undated, inclusive
XII.-15. general view, undated, inclusive
XII.-16. general view, undated, inclusive
XII.-17. general view, undated, inclusive
XII.-17a. general view, undated, inclusive
XII.-18. general view, undated, inclusive
XII.-19. general view, undated, inclusive
XII.-20. general view (the painted decoration on the upper walls), undated, inclusive
General note
Annotated on the verso "affreschi fine settecento del Morleiter".
XII.-21. general view (the painted decoration on the upper walls), undated, inclusive
General note
Photo by Brogi di Laurati.
XII.-22. general view, undated, inclusive
General note
Color print.
XII.-23. one of the detached frescoes before restoration and installation, undated, inclusive
General note
With measurements annotated on the verso.
XII.-24. one of the detached frescoes before restoration and installation, undated, inclusive
General note
With measurements annotated on the verso.
XII.-25. one of the detached frescoes before restoration and installation, undated, inclusive
General note
With measurements annotated on the verso.
XII.-26. one of the detached frescoes before restoration and installation, undated, inclusive
General note
With measurements annotated on the verso.
XII.-27. general view, undated, inclusive
General note
Color print.
No image available for inspection, undated, inclusive
XII. A.3.-2., undated, inclusive
General note
TESTA di Apollo (?) su capitello composito rovesciato, in marmo bianco scolpito.
h. 61
Scultore romano di epoca classica.
Photo Reali, Firenze (numbered 121 on the verso).
XII. A.4.-1., undated, inclusive
General note
Capitello composito in marmo bianco scolpito.
h. 61
Scultore romano di epoca classica (?).
XII. A.4.-2., undated, inclusive
General note
Capitello composito in marmo bianco scolpito.
h. 61
Scultore romano di epoca classica (?).
XII. A.7., undated, inclusive
General note
ORCI biansati (quattro) in terracotta invetriata con macchiature marmorizzanti in giallo e arancio, con stemma mediceo a rilievo firmati "Lorenzo Montauti" e datati 1725.
h. 85 ca. d. 60 ca.
XII. A.10.-1., undated, inclusive
General note
STATUA in marmo bianco: Allegoria della Prudenza su base di pietra (XII. A.11.).
h. 182
Scultore romano o fiorentino del XVII secolo.
XII. A.10.-2., undated, inclusive
General note
STATUA in marmo bianco: Allegoria della Prudenza su base di pietra (XII. A.11.).
h. 182
Scultore romano o fiorentino del XVII secolo.
Photo Reali, Firenze (numbered 117 on the verso).
XII. A.13.-1., undated, inclusive
General note
TESTA femminile su capitello composito rovesciato, in marmo bianco scolpito.
h. 64
Scultore romano di epoca classica (?).
Photo Brogi.
No image available for inspection, undated, inclusive
XII. A.13.-3., undated, inclusive
General note
TESTA femminile su capitello composito rovesciato, in marmo bianco scolpito.
h. 64
Scultore romano di epoca classica (?).
Photo Brogi.
No image available for inspection, undated, inclusive
XII. A.13.-5., undated, inclusive
General note
TESTA femminile su capitello composito rovesciato, in marmo bianco scolpito.
h. 64
Scultore romano di epoca classica (?).
Photo Reali, Firenze (numbered 120 on the verso).
XII. A.16.-1., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna col Bambino.
h. 154
Scultore umbro del XIII secolo.
XII. A.16.-2., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna col Bambino.
h. 154
Scultore umbro del XIII secolo.
Oversize, II.B.1.XII.A.16.-2. folder 163.
XII. A.23., undated, inclusive
General note
FONTANA in marmo scolpito con stemma Panciatichi alla base e vasca baccellata figura di satiro (v. XII. A.42) come getto.
h. 248 d. 154
Bottega fiorentina del XV secolo.
Annotated on the verso "Acton Collection, central hall of Villa La Pietra. Fountain attributed to Benedetto da Maiano". With "Apollo" magazine label.
Photo Reali, Firenze (numbered 119 on the verso).
XII. A.25.-1., undated, inclusive
General note
PIEDISTALLO in marmo bianco scolpito con colonna centrale scanalata e sostegni a foggia di figure mostrose alate con zampe leonine.
h. 112 d. 76,5
Bottega romana (?) del XIX secolo.
Cabinet card photo by Luigi Cattani, Firenze.
XII. A.25.-2., undated, inclusive
General note
PIEDISTALLO in marmo bianco scolpito con colonna centrale scanalata e sostegni a foggia di figure mostrose alate con zampe leonine.
h. 112 d. 76,5
Bottega romana (?) del XIX secolo.
Cabinet card photo by Luigi Cattani, Firenze.
No image available for inspection, undated, inclusive
XII. A.30., undated, inclusive
General note
STATUA in marmo bianco scolpito: Venere che brucia le frecce d'Amore.
Firmata e datata sulla base: "Io. Fr. Susini. Flor. Fa. MDCXXXVII".
h. 160 l. 42 p. 31
Gian Francesco Susini, 1637.
Photo Reali, Firenze.
XII. A.35.-1., undated, inclusive
General note
ARAZZO in lana e seta: Donna con canestro di frutta e tavolo con cacciagione. Alla base motivi vegetali. Sul bordo inferiore la marca: scudo fiancheggiato da due B sul bordo destro il monogramma TBVGR.
h. 400 l. 315
Manifattura di Bruxelles (?) del XVII secolo (?).
Oversize, II.B.1.XII.A.35.-1. folder 164.
XII. A.35.-2., undated, inclusive
General note
ARAZZO in lana e seta: Donna con canestro di frutta e tavolo con cacciagione. Alla base motivi vegetali. Sul bordo inferiore la marca: scudo fiancheggiato da due B sul bordo destro il monogramma TBVGR.
h. 400 l. 315
Manifattura di Bruxelles (?) del XVII secolo (?).
Neg.
XII. A.35.-3., undated, inclusive
General note
ARAZZO in lana e seta: Donna con canestro di frutta e tavolo con cacciagione. Alla base motivi vegetali. Sul bordo inferiore la marca: scudo fiancheggiato da due B sul bordo destro il monogramma TBVGR.
h. 400 l. 315
Manifattura di Bruxelles (?) del XVII secolo (?).
Neg.
XII. A.42.-1., undated, inclusive
General note
SCULTURA in marmo bianco: Satiro con otre usata come getto di fontana (in XII. A.23.).
h. 95
Bottega toscana del XVII secolo.
Photo Brogi.
XII. A.42.-2., undated, inclusive
General note
SCULTURA in marmo bianco: Satiro con otre usata come getto di fontana (in XII. A.23.).
h. 95
Bottega toscana del XVII secolo.
Photo Brogi.
XII. A.42.-2°., undated, inclusive
General note
SCULTURA in marmo bianco: Satiro con otre usata come getto di fontana (in XII. A.23.).
h. 95
Bottega toscana del XVII secolo.
XV. Salottino, Saletta con Grottesche (or Saletta delle Grottesche)
XV.-1. general view, undated, inclusive
XV.-2. general view, undated, inclusive
XV.-3. general view, undated, inclusive
XV.-4. general view, undated, inclusive
XV.-5. general view, undated, inclusive
XV.-6. general view, undated, inclusive
XV.-7. general view, undated, inclusive
XV. A.1.-1., undated, inclusive
General note
STATUETTA in terracotta dipinta di bruno su base lignea: Giovane con cestino di frutta.
h. 46
Manifattura napoletana (?) del XVIII secolo.
XV. A.1.-1., undated, inclusive
General note
STATUETTA in terracotta dipinta di bruno su base lignea: Giovane con cestino di frutta.
h. 46
Manifattura napoletana (?) del XVIII secolo.
XV. B.9., undated, inclusive
General note
CONSOLLE in legno scolpito con montanti a foggia di sirene alate e piano in marmo rosa.
h. 90 l. 124 p. 67
Artista genovese (?) allievo di Filippo Parodi (?) primo quarto del XVIII secolo (?).
No image available for inspection, undated, inclusive
XVI. Studio Biblioteca
XVI.-1. general view, undated, inclusive
XVI.-2. general view, undated, inclusive
General note
Reversed.
XVI. B.3.-1., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto: Madonna col Bambino.
h. 65
Bottega del Nord Italia (?) del XV secolo.
XVI. B.3.-2., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto: Madonna col Bambino.
h. 65
Bottega del Nord Italia (?) del XV secolo.
Photo Reali, Firenze (numbered 90 on the verso).
XVI. D.2.-1., undated, inclusive
General note
SCULTURA in legno scolpito dipinto e dorato: Madonna in trono col Bambino.
h. 86
Artista umbro (?) del XIV secolo.
XVI. D.2.-2., undated, inclusive
General note
SCULTURA in legno scolpito dipinto e dorato: Madonna in trono col Bambino.
h. 86
Artista umbro (?) del XIV secolo.
Photo Reali, Firenze (numbered 91 on the verso).
XIX. Biblioteca
XIX.-1. general view, undated, inclusive
XIX.-2. general view, undated, inclusive
XIX.-3. general view, undated, inclusive
XIX.-4. general view, undated, inclusive
XIX.-5. general view, undated, inclusive
XIX.-6. general view, undated, inclusive
XIX.-7. general view, undated, inclusive
XIX.-8. general view, undated, inclusive
XIX.-9. general view, undated, inclusive
XIX.-9a. general view, undated, inclusive
General note
Neg.
XIX.-10. general view (bookcases), ca. 1960, inclusive
General note
Photo by Barsotti.
XIX.-10a. general view (bookcases), ca. 1960, inclusive
General note
Neg. by Barsotti.
XIX.-11. general view (bookcases), ca. 1960, inclusive
General note
Photo by Barsotti.
XIX.-11a. general view (bookcases), ca. 1960, inclusive
General note
Neg. by Barsotti.
XIX.-12. general view, ca. 1960, inclusive
General note
Photo by Barsotti.
XIX.-12a. general view, ca. 1960, inclusive
General note
Neg. by Barsotti.
XIX.-13. general view, ca. 1960, inclusive
General note
Photo by Barsotti.
XIX.-13a. general view, ca. 1960, inclusive
General note
Neg. by Barsotti.
XIX. B.1., undated, inclusive
General note
BUSTO femminile in terracotta policromata.
h. 37 ca.
Bottega bolognese del XVIII-XIX secolo.
Photo Reali, Firenze (numbered 88 on the verso).
XIX. B.2., undated, inclusive
General note
BUSTO in terracotta con tracce di policromia: la Maddalena su base esagonale di legno intagliato a motivi vegetali.
h.36
Bottega toscana del XV (?) XIX (?) secolo.
XIX. B.6., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto: Santo anacoreta (S. Onofrio ?
h. 73
Scultore fiorentino del XVI secolo Tribolo (?).
Photo by Giacomo Brogi di Laurati, Firenze.
XIX. D.3., 1970, inclusive
General note
STATUETTA in stucco dipinto: Gesù Bambino benedicente (esemplare analogo nella vendita del 10-12 ottobre 1970)
h. 58
Firenze, bottega di Desiderio da Settignano.
Photo Reali, Firenze (numbered 89 on the verso).
XIX. D.9., undated, inclusive
General note
LEGGIO in legno scolpito e dorato, con cuoio.
h. 151
Bottega fiorentina del XVI secolo.
Print includes a chair.
XIX. E.8.-1., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto in policromia: Buddha seduto.
h. 84
Cina, Dinastia Sung (?).
Annotated on the verso "altezza, cm 87, base larghezza cm 56".
XIX. E.8.-2., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto in policromia: Buddha seduto.
h. 84
Cina, Dinastia Sung (?).
Photo Reali, Firenze (numbered 189 on the verso).
XIX. E.8.-3., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto in policromia: Buddha seduto.
h. 84
Cina, Dinastia Sung (?).
Photo by Brogi.
XIX. E.8.-4., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto in policromia: Buddha seduto.
h. 84
Cina, Dinastia Sung (?).
XIX. E.8.-5., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto in policromia: Buddha seduto.
h. 84
Cina, Dinastia Sung (?).
Neg.
XX. Salone
XX.-1. general view, undated, inclusive
General note
Oversize, II.B.1.XX.-1. folder 165.
XX.-2. general view, ca. 1905, inclusive
XX.-3. general view, ca. 1905, inclusive
XX.-4. general view, ca. 1905, inclusive
XX.-4a. general view, ca. 1903, inclusive
General note
Neg.
XX-4b. general view, undated, inclusive
XX.-5. general view, undated, inclusive
General note
Oversize, II.B.1.XX.-5. folder 166.
XX.-6. general view, undated, inclusive
General note
Oversize, II.B.1.XX.-6. folder 167.
XX.-7. general view, undated, inclusive
General note
Oversize, II.B.1.XX.-7. folder 168.
XX.-8. general view with AA and a lady, undated, inclusive
XX.-8a. general view with AA and a lady, undated, inclusive
General note
Neg.
XX.-9. general view, undated, inclusive
XX.-9a. general view, undated, inclusive
General note
Neg.
XX.-10. general view, undated, inclusive
XX.-10a. general view, undated, inclusive
General note
Neg.
XX.-10b. General view, undated, inclusive
General note
With AA (back view) with the daughter of McCann.
XX.-11. general view, undated, inclusive
General note
With AA (back view) with the daughter of McCann, annotated on the verso "McCann's daughter taken by McCann".
XX.-11a. general view, undated, inclusive
General note
Neg.
XX.-12. general view, ca. 1935, inclusive
XX.-13. general view, undated, inclusive
XX.-14. general view, undated, inclusive
XX.-15. general view, undated, inclusive
XX.-16. general view, undated, inclusive
XX.-17. general view, undated, inclusive
XX.-18. general view, undated, inclusive
XX.-19. general view, undated, inclusive
XX.-20. general view, undated, inclusive
General note
Reversed print.
XX.-21. general view, undated, inclusive
XX.-21a. general view, undated, inclusive
General note
Reversed print.
XX.-22. general view, undated, inclusive
XX.-23. general view, undated, inclusive
XX.-23a. and 23b. general view, 1916, inclusive
General note
Neg. and print.
Dated on the verso.
XX.-23c. and 23d. general view, 1916, inclusive
General note
Neg. and print.
Dated on the verso.
XX.-23e. general view, undated, inclusive
XX.-23f. general view, ca. 1915, inclusive
General note
Neg.
XX.-23g. general view, undated, inclusive
General note
Neg.
XX.-23h. general view, undated, inclusive
General note
Neg.
XX.-23i. general view, undated, inclusive
General note
Neg.
XX.-24. general view, undated, inclusive
XX.-25. general view, undated, inclusive
XX.-26. general view with portrait of Maria Teresa d'Austria, two moors, clock and two statuettes of winged putti, undated, inclusive
General note
Photo Reali, Firenze (numbered 58 on the verso).
XX. A.1., undated, inclusive
General note
STATUA in marmo bianco: Figura femminile drappeggiata in mantello (coppia con A.25)
h. 106
Scultore lombardo (?) del XVI secolo (?).
Photo Reali, Firenze (numbered 115 on the verso).
XX. A.9., undated, inclusive
General note
SCULTURE (coppia) di moretti reggicuscino in legno scolpito, dipinto e dorato.
h. 127
Bottega veneziana del primo quarto del XVIII secolo.
Annotated on the verso "Altezza m1.25, base 35".
XX. A.10.-1., undated, inclusive
General note
DIPINTO a olio su tela: Ritratto di Maria Teresa d'Austria con cornice ovale di legno intagliato e dorato.
h. 120
Martin van Meytens il Giovane (?) XVIII secolo.
Annotated on the verso "Acton Collection, Florence. Maria Theresia of Austro-Hungary by Mytens?".
XX. A.10.-2., undated, inclusive
General note
DIPINTO a olio su tela: Ritratto di Maria Teresa d'Austria con cornice ovale di legno intagliato e dorato.
h. 120
Martin van Meytens il Giovane (?) XVIII secolo.
XX. A.11., undated, inclusive
General note
STATUETTE (coppia) di puttini alati reggicornucopia in terracotta modellata a tutto tondo.
h. 70
Bottega toscana del XVII-XVIII secolo.
Photo by Brogi.
XX. A.16., undated, inclusive
General note
SERVITO DA CAFFE' con vassoio, caffettiera, zuccheriera e lattiera (quattro pezzi) in argento cesellato e iscrizione incisa: "Jennie M. Mitchell, Chicago 1897". Punzone: leone passante, ancora e lettera scritta: Sterling. Marcato Spaulding and Co., Chicago con tridente.
l. 35 l. 29,5 (vassoio) h. 30 (caffettiera) h. 8 (zuccheriera) h. 13 (lattiera
Argentiere Spaulding and Co. Chicago fine del XIX secolo (datato 1897).
Color transparency by Barsotti, Firenze.
XX. A.16., undated, inclusive
General note
SERVITO DA CAFFE' con vassoio, caffettiera, zuccheriera e lattiera (quattro pezzi) in argento cesellato e iscrizione incisa: "Jennie M. Mitchell, Chicago 1897". Punzone: leone passante, ancora e lettera scritta: Sterling. Marcato Spaulding and Co., Chicago con tridente.
l. 35 l. 29,5 (vassoio) h. 30 (caffettiera) h. 8 (zuccheriera) h. 13 (lattiera
Argentiere Spauldingand Co. Chicago fine del XIX secolo (datato 1897
Detail of the coffee pot.
Color transparency by Barsotti, Firenze.
XX. A.20., undated, inclusive
General note
DIPINTO (scomparto di predella) a tempera su tavola con cornice lignea modanata dipinta e dorata: Morte di S. Rocco.
h. 30 l. 50
Bartolomeo della Gatta (?) seconda metà del XV secolo.
Photo by Brogi.
XX. A.22., undated, inclusive
General note
SCULTURA: leone in legno scolpito con tracce di doratura su base di legno dipinto.
h. 70 l. 98,5 l. 46,5
Bottega veneta del XVI secolo.
XX. A.25., undated, inclusive
General note
STATUA in marmo bianco: Allegoria della Prudenza (coppia con A.1.).
h. 105
Scultore lombardo del XV secolo.
Photo Reali, Firenze (numbered 114. on the verso).
XX. A.26., undated, inclusive
General note
TAVOLINO in legno intagliato, dipinto e dorato a pastiglia, su stelo a tre piedi.
h. 91,5 d. 38
Lievi scrostature.
Inv. ott. '84, p. 29 n. 7
Color transparency by Barsotti, Firenze (photographed in the Saletta delle Vedute (Room XXVII).
XX. A.27./ A.33.-1., undated, inclusive
General note
DIPINTI (due pannelli) con (quattro) Sante martiri, cornice lignea modanata e dorata.
h. 128 l. 57,5
Scuola veronese del sec. XV.
Photo Reali, Firenze
Oversize, II.B.1.XX.A.27/33.-1. folder 169.
XX.A.27./A.33.-2., undated, inclusive
General note
DIPINTI (due pannelli) con (quattro) Sante martiri, cornice lignea modanata e dorata.
h. 128 l. 57,5
Scuola veronese del sec. XV.
Photo Reali, Firenze
Oversize, II.B.1.XX.A.27/33.-2. folder 169.
XX. A.31.-1., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e i santi Girolamo, Bernardino, Ansano e Santa Dorotea (?).
h. 69,5 l. 52,5
Siena, Sano di Pietro.
XX. A.31.-2., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e i santi Girolamo, Bernardino, Ansano e Santa Dorotea (?).
h. 69,5 l. 52,5
Siena, Sano di Pietro.
XX. A.31.-3., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e i santi Girolamo, Bernardino, Ansano e Santa Dorotea (?).
h. 69,5 l. 52,5
Siena, Sano di Pietro.
XX. A.31.-4., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e i santi Girolamo, Bernardino, Ansano e Santa Dorotea (?).
h. 69,5 l. 52,5
Siena, Sano di Pietro.
XX. A.31.-5., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e i santi Girolamo, Bernardino, Ansano e Santa Dorotea (?).
h. 69,5 l. 52,5
Siena, Sano di Pietro.
XX. A.31.-6., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e i santi Girolamo, Bernardino, Ansano e Santa Dorotea (?).
h. 69,5 l. 52,5
Siena, Sano di Pietro.
Photo Reali, Firenze (numbered 19 on the verso).
XX. A.31.-7., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e i santi Girolamo, Bernardino, Ansano e Santa Dorotea (?).
h. 69,5 l. 52,5
Siena, Sano di Pietro.
XX. A.31.-8., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e i santi Girolamo, Bernardino, Ansano e Santa Dorotea (?).
h. 69,5 l. 52,5
Siena, Sano di Pietro.
Oversize, II.B.1.XX.A.31.-8. folder 170.
XX. A.31.-9., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e i santi Girolamo, Bernardino, Ansano e Santa Dorotea (?).
h. 69,5 l. 52,5
Siena, Sano di Pietro.
Oversize, II.B.1.XX.A.31-9. folder 171.
XX. B.1., undated, inclusive
General note
STATUA in marmo bianco di giovane in costume della commedia dell'arte (Arlecchino?
h. 122
Cerchia di Antonio Bonazza, secolo XVIII.
Photo Reali, Firenze (numbered 116. on the verso).
XX. B.2.-1., undated, inclusive
General note
SPECCHIERA in legno scolpito, fregi dorati e dipinti, vetri a mercurio (cfr. pp. LVII-Salottino, B.3.).
h. 256 l. 146
Manifattura napoletana del XVIII secolo.
Photo by Brogi.
XX. B.2.-2, undated, inclusive
General note
SPECCHIERA in legno scolpito, fregi dorati e dipinti, vetri a mercurio (cfr. pp. LVII-Salottino, B.3.).
h. 256 l. 146
Manifattura napoletana del XVIII secolo
XX. B.7., undated, inclusive
General note
CONSOLLE (coppia con pt. X-Atrio C.6.) in legno scolpito e dorato con puttini, sirene e monstra. Piano di legno (moderno) macchiato.
h. 99 l. 169
Bottega romana del primo quarto del XVIII secolo.
XX. B.8., undated, inclusive
General note
GONDOLA in legno intagliato e dorato, e velluto rosso.
h. 26 l. 170
Bottega veneziana del XVIII secolo.
Photographed in XXVII. Saletta con vedute.
Color transparency.
XX. B.9., undated, inclusive
General note
XX. B.9.
PENDOLA in marmi diversi e bronzo parzialmente dorato nel quadrante iscrizione: "Muratelli Paine /a Genes".
h. 88 l. 47 p. 20
Genova, Muratelli Paine, XVIII secolo.
XX. C.9., undated, inclusive
General note
STATUETTE (coppia) di Europa e Africa in terracotta dipinta e policromata. Europa: corno dell'abbondanza, cavallo, tiara e simboli del potere temporale Africa: copricapo con elefante, serpenti, e fascio di spighe.
h. 52
Mozzi, XVIII secolo. (detail of Africa).
XX. C.12.-1., undated, inclusive
General note
POTICHE (coppia) in porcellana dipinta in policromia (Famiglia verde). Uno dei due ha base lignea dipinta di rosso e dorata.
h. 61
Manifattura cinese del XVIII secolo.
XX. C.12.-2., undated, inclusive
General note
POTICHE (coppia) in porcellana dipinta in policromia (Famiglia verde). Uno dei due ha base lignea dipinta di rosso e dorata.
h. 61
Manifattura cinese del XVIII secolo.
Annotated on the verso "Height of vases with covers 24ins width 15 ins.".
XX. C.12.-3., undated, inclusive
General note
POTICHE (coppia) in porcellana dipinta in policromia (Famiglia verdeUno dei due ha base lignea dipinta di rosso e dorata.
h. 61
Manifattura cinese del XVIII secolo.
XX. C.14., undated, inclusive
General note
SCULTURE: angeli (coppia) portacero in legno scolpito a tutto tondo e dorato.
h. 64,5
Bottega toscana della seconda metà del XVI secolo.
Photo Reali, Firenze (numbered 99 on the verso).
XX. E.11., undated, inclusive
General note
DIVANO in legno tornito e tappezzeria Gobelin a motivi di rose.
h. 105 l. 160 p. 69
Manifattura lombarda del XVII secolo.
XXI. Sala del Caminetto
XXI.-001. general view, 1930s, inclusive
XXI.-01. general view, 1930s, inclusive
XXI.-1. general view, undated, inclusive
XXI.-2. general view, undated, inclusive
XXI.-3. general view, undated, inclusive
XXI.-4. general view, undated, inclusive
XXI.-5. general view, undated, inclusive
XXI.-6. general view, undated, inclusive
XXI.-6a. general view, ca. 1960s, inclusive
General note
Neg.
XXI.-6b. general view, ca. 1960s, inclusive
General note
Neg.
XXI.-7. general view, 1951, inclusive
General note
Color print.
XXI.-8. general view, 1973, inclusive
General note
Color print.
XXI.-9. general view, undated, inclusive
General note
Color print, with dedication to HA on the verso.
XXI. A.4.-1., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono col Bambino e due angeli.
h. 112,5 l. 68
Artista fiorentino della fine XIII secolo.
Photo Reali, Firenze (numbered 10 on the verso).
XXI. A.4.-2., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono col Bambino e due angeli.
h. 112,5 l. 68
Artista fiorentino della fine XIII secolo.
XXI. A.4.-3., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono col Bambino e due angeli.
h. 112,5 l. 68
Artista fiorentino della fine XIII secolo.
XXI. A.4.-4., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono col Bambino e due angeli.
h. 112,5 l. 68
Artista fiorentino della fine XIII secolo.
XXI. A.4.-5., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono col Bambino e due angeli.
h. 112,5 l. 68
Artista fiorentino della fine XIII secolo.
Detail
Oversize, II.B.1.XXI.A.4.-5. folder 172.
XXI. A.4.-6., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono col Bambino e due angeli.
h. 112,5 l. 68
Artista fiorentino della fine XIII secolo.
Detail.
XXI. A.4.-7, undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono col Bambino e due angeli.
h. 112,5 l. 68
Artista fiorentino della fine XIII secolo.
Sepia print.
XXI. A.4.-8, undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono col Bambino e due angeli.
h. 112,5 l. 68
Artista fiorentino della fine XIII secolo.
Oversize, II.B.1.XXI.A.4.-8. folder 172a.
XXI. B.1.-1., undated, inclusive
General note
DIPINTO a tempera su tavola con l'Incoronazione della Vergine, lo Spirito Santo e Angeli adoranti nella cuspide (parte di un polittico?Alla base : "An. Domini MCCCCXXXI A Di XXV di Lulgio Regina Angelorum Ora Pronobis".
h. 137 l. 82
Scuola fiorentina (Mariotto di Nardo) del XV secolo (datato 1431).
XXI. B.1.-2., undated, inclusive
General note
DIPINTO a tempera su tavola con l'Incoronazione della Vergine, lo Spirito Santo e Angeli adoranti nella cuspide (parte di un polittico?Alla base : "An. Domini MCCCCXXXI A Di XXV di Lulgio Regina Angelorum Ora Pronobis".
h. 137 l. 82
Scuola fiorentina (Mariotto di Nardo) del XV secolo (datato 1431).
XXI. B.1.-3., undated, inclusive
General note
DIPINTO a tempera su tavola con l'Incoronazione della Vergine, lo Spirito Santo e Angeli adoranti nella cuspide (parte di un polittico?Alla base : "An. Domini MCCCCXXXI A Di XXV di Lulgio Regina Angelorum Ora Pronobis".
h. 137 l. 82
Scuola fiorentina (Mariotto di Nardo) del XV secolo (datato 1431).
XXI. B.1.-4., undated, inclusive
General note
DIPINTO a tempera su tavola con l'Incoronazione della Vergine, lo Spirito Santo e Angeli adoranti nella cuspide (parte di un polittico?Alla base : "An. Domini MCCCCXXXI A Di XXV di Lulgio Regina Angelorum Ora Pronobis".
h. 137 l. 82
Scuola fiorentina (Mariotto di Nardo) del XV secolo (datato 1431).
Oversize, II.B.1.XXI.B.1.-4. folder 173.
XXI. B.1.-5., undated, inclusive
General note
DIPINTO a tempera su tavola con l'Incoronazione della Vergine, lo Spirito Santo e Angeli adoranti nella cuspide (parte di un polittico?Alla base : "An. Domini MCCCCXXXI A Di XXV di Lulgio Regina Angelorum Ora Pronobis".
h. 137 l. 82
Scuola fiorentina (Mariotto di Nardo) del XV secolo (datato 1431).
XXI. B.1.-6., undated, inclusive
General note
DIPINTO a tempera su tavola con l'Incoronazione della Vergine, lo Spirito Santo e Angeli adoranti nella cuspide (parte di un polittico?Alla base : "An. Domini MCCCCXXXI A Di XXV di Lulgio Regina Angelorum Ora Pronobis".
h. 137 l. 82
Scuola fiorentina (Mariotto di Nardo) del XV secolo (datato 1431).
Photo Reali, Firenze (numbered 213. on the verso).
XXI. B.2., undated, inclusive
General note
DIPINTO a olio su tavola in cornice lignea dorata: S. Andrea.
h. 52,5 l. 43
Artista senese (?) del XVI secolo.
Photo Reali, Firenze.
XXI. B.5., undated, inclusive
General note
RILIEVO in terracotta modellata con Scena di battaglia.
h. 40,5 l. 59,5 p. 8,5
Scultore lombardo del XVI secolo da (?) artista classico.
Photo Reali, Firenze (numbered 106. on the verso).
XXI. B.6.-1., undated, inclusive
General note
BOZZETTO di Torso virile in terracotta modellata su base di marmo intarsiato.
h. 33 base: h. 17
Artista italiano del XVI secolo.
XXI. B.6.-2, undated, inclusive
General note
BOZZETTO di Torso virile in terracotta modellata su base di marmo intarsiato.
h. 33 base: h. 17
Artista italiano del XVI secolo.
Photo Reali, Firenze (numbered 107. on the verso).
XXI. B.6.-3, undated, inclusive
General note
BOZZETTO di Torso virile in terracotta modellata su base di marmo intarsiato.
h. 33 base: h. 17
Artista italiano del XVI secolo.
XXI. B.6.-4., undated, inclusive
General note
BOZZETTO di Torso virile in terracotta modellata su base di marmo intarsiato.
h. 33 base: h. 17
Artista italiano del XVI secolo.
XXI. B.6.-5., undated, inclusive
General note
BOZZETTO di Torso virile in terracotta modellata su base di marmo intarsiato.
h. 33 base: h. 17
Artista italiano del XVI secolo.
Annotated on the recto: "terracotta, altezza m. 0.35".
Mounted on card.
Oversize, II.B.1.XXI.B.6.-5. folder 174.
XXI. B.6.-6., undated, inclusive
General note
BOZZETTO di Torso virile in terracotta modellata su base di marmo intarsiato.
h. 33 base: h. 17
Artista italiano del XVI secolo.
Mounted on card.
Oversize, II.B.1.XXI.B.6.-6. folder 174.
XXI. B.6.-7., undated, inclusive
General note
BOZZETTO di Torso virile in terracotta modellata su base di marmo intarsiato.
h. 33 base: h. 17
Artista italiano del XVI secolo.
Mounted on card.
Oversize, II.B.1.XXI.B.6.-7. folder 174.
XXI. B.6.-8., undated, inclusive
General note
BOZZETTO di Torso virile in terracotta modellata su base di marmo intarsiato.
h. 33 base: h. 17
Artista italiano del XVI secolo.
Mounted on card.
Oversize, II.B.1.XXI.B.6.-8. folder 174.
XXI. B.6.-9., undated, inclusive
General note
BOZZETTO di Torso virile in terracotta modellata su base di marmo intarsiato.
h. 33 base: h. 17
Artista italiano del XVI secolo.
Mounted on card.
Oversize, II.B.1.XXI.B.6.-9. folder 174.
XXI. B.6.-10., undated, inclusive
General note
BOZZETTO di Torso virile in terracotta modellata su base di marmo intarsiato.
h. 33 base: h. 17
Artista italiano del XVI secolo.
Mounted on card.
Oversize, II.B.1.XXI.B.6.-10. folder 174.
XXI. B.9., undated, inclusive
General note
STATUETTE (due) in legno scolpito, dipinto e dorato: S. Barbara e S. Margherita (indicate in epigrafe)
h. 75
Artista lombardo o spagnolo (Vossilla) della prima metà XVI secolo.
Photo Reali, Firenze.
XXI. B.10., undated, inclusive
General note
SCULTURA in terracotta modellata a tutto tondo: Ritratto di gentiluomo con guanti.
h. 66
Bottega emiliana (cerchia di Alfonso Lombardi) del XVI secolo.
Photo Reali, Firenze (numbered 95 on the verso).
XXI. B.11.-1., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e Cristo Benedicente con libro (Santo?) nella cuspide.
h. 146 l. 70
Pietro di Giovanni Ambrosi, XV secolo.
Photo Reali, Firenze.
XXI. B.11.-2., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e Cristo Benedicente con libro (Santo?) nella cuspide.
h. 146 l. 70
Pietro di Giovanni Ambrosi, XV secolo.
Annotated on the verso "Sienese, Sassetta group. Giovanni di Ambrogio".
XXI. B.11.-3., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e Cristo Benedicente con libro (Santo?) nella cuspide.
h. 146 l. 70
Pietro di Giovanni Ambrosi, XV secolo.
Oversize, II.B.1.XXI.B.11.-3. folder 175.
XXI. B.13.-1., undated, inclusive
General note
SCULTURA in legno dipinto in policromia: Madonna col Bambino.
h. 42,5
Scultore veneto della seconda metà del XIV secolo.
Photo Reali, Firenze (numbered 92 on the verso).
XXI. B.13.-2., undated, inclusive
General note
SCULTURA in legno dipinto in policromia: Madonna col Bambino.
h. 42,5
Scultore veneto della seconda metà del XIV secolo.
XXI. B.15.-1., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: Madonna col Bambino.
h. 69 l. 48,5
Pittore fiorentino della fine del XIII secolo.
Photo Reali, Firenze.
XXI. B.15.-2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: Madonna col Bambino.
h. 69 l. 48,5
Pittore fiorentino della fine del XIII secolo.
XXI. C.1., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna col Bambino, Angeli e Dio Padre.
h. 115,5 l. 74
Pseudo Pier Francesco Fiorentino.
Annotated on the verso "Pier Francesco Fiorentino. Madonna and Child. Panel. Size, 46 x 28 inches".
Oversize, II.B.1.XXI.C.1. folder 176.
XXI. C.2.-1., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: Annunciazione.
h. 102 l. 73
Cenni di Francesco, XV secolo.
Annotated on the verso "Following Taddeo Gaddi".
XXI. C.2.-2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: Annunciazione.
h. 102 l. 73
Cenni di Francesco, XV secolo.
Label on the verso of "Apollo" Magazine
Photo Reali, Firenze.
XXI. C.2.-3., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: Annunciazione.
h. 102 l. 73
Cenni di Francesco, XV secolo.
Oversize, II.B.1.XXI.C.2.-3. folder 177.
Annotated on the verso "Following of Taddeo Gaddi".
XXI. C.8., undated, inclusive
General note
SCULTURA in terracotta modellata a tutto tondo: S. Girolamo penitente.
h. 33
Bottega toscana del XVI secolo.
XXI. C.10.-1., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: S. Michele e S. Pietro nella cuspide.
h. 126 l. 63
Luca di Tommè, XIV secolo.
XXI. C.10.-2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: S. Michele e S. Pietro nella cuspide.
h. 126 l. 63
Luca di Tommè, XIV secolo.
XXI. C.13.-1., undated, inclusive
General note
DIPINTO tempera su tavola (entro teca moderna): Crocefissione.
h. 88 (108,5) l. 70 (94
Scuola bolognese, Dalmasio, XIV secolo.
Photo Reali, Firenze.
XXI. C.13.-2., undated, inclusive
General note
DIPINTO tempera su tavola (entro teca moderna): Crocefissione.
h. 88 (108,5) l. 70 (94
Scuola bolognese, Dalmasio, XIV secolo.
XXI. E.5.-1., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna col Bambino.
h. 90 l. 31
Scultore abruzzese (?) del XIII (?) secolo.
Oversize, II.B.1.XXI.E.5.-1. folder 178.
XXI. E.5.-2., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna col Bambino.
h. 90 l. 31
Scultore abruzzese (?) del XIII (?) secolo.
Oversize, II.B.1.XXI.E.5.-2. folder 178.
XXI. E.5.-3., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna col Bambino.
h. 90 l. 31
Scultore abruzzese (?) del XIII (?) secolo.
XXI. E.5.-4., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna col Bambino.
h. 90 l. 31
Scultore abruzzese (?) del XIII (?) secolo.
Photo Reali, Firenze.
XXI. E.7.-1., undated, inclusive
General note
STATUETTA in terracotta dipinta: Madonna Adorante.
h. 39,5
Scultore toscano dell'ultimo quarto del XV secolo.
XXI. E.7.-2., undated, inclusive
General note
STATUETTA in terracotta dipinta: Madonna Adorante.
h. 39,5
Scultore toscano dell'ultimo quarto del XV secolo.
Photo Reali, Firenze (numbered 96 on the verso).
XXI. E.12.-1., undated, inclusive
General note
SCULTURA in legno dipinto con lumeggiature d'oro: S. Giorgio (o S. Michele senza ali)
h. 147,5
Domenico di Niccolò dei Cori, primo quarto del XV secolo.
Photo Reali, Firenze (numbered 71. on the verso).
XXI. E.12.-2., undated, inclusive
General note
SCULTURA in legno dipinto con lumeggiature d'oro: S. Giorgio (o S. Michele senza ali)
h. 147,5
Domenico di Niccolò dei Cori, primo quarto del XV secolo.
Oversize, II.B.1.XXI.E.12.-2. folder 179.
XXI. E.12.-3., undated, inclusive
General note
SCULTURA in legno dipinto con lumeggiature d'oro: S. Giorgio (o S. Michele senza ali)
h. 147,5
Domenico di Niccolò dei Cori, primo quarto del XV secolo.
XXVII. Saletta con vedute (Saletta delle vedute)
XXVII.-1. general view, undated, inclusive
XXVII.-2. general view, undated, inclusive
General note
Photo Reali, Firenze (numbered 8. on the verso).
XXVII.-3. general view, undated, inclusive
XXVII.-4. general view, undated, inclusive
XXVII.-5. general view, undated, inclusive
XXVII.-6. general view, undated, inclusive
XXVII.-6a. general view, ca. 1960s, inclusive
General note
Neg.
XXVII.-7. general view, undated, inclusive
General note
Color print.
XXVII.-8. general view, undated, inclusive
General note
Color print.
XXVII. A.1.-1., undated, inclusive
General note
STATUETTE di presepe (quattro; cinque con B.7.) in legno scolpito e dipinto in policromia.
h. 30
Manifattura ligure (?) del XVIII-XIX secolo.
XXVII. A.1.-2., undated, inclusive
General note
STATUETTE di presepe (quattro; cinque con B.7.) in legno scolpito e dipinto in policromia.
h. 30
Manifattura ligure (?) del XVIII-XIX secolo.
XXVII. A.1.-3., undated, inclusive
General note
STATUETTE di presepe (quattro; cinque con B.7.) in legno scolpito e dipinto in policromia.
h. 30
Manifattura ligure (?) del XVIII-XIX secolo.
XXVII. A.5., undated, inclusive
General note
TAVOLINO da appoggio in legno scolpito e dorato con marmorizzazioni di azzurro, piano in marmo di onice listrato con losanga centrale.
h. 93 l. 96,5 p. 55
Manifattura romana dell'ultimo quarto del XVIII secolo.
Color transparency.
XXVII. B.6., undated, inclusive
General note
TAVOLO (coppia di mezze tavole) in legno intagliato, dipinto e dorato. Il piano ha marmorizzazioni di verde.
h. 85 l. 106 p. 47,5
Manifattura toscana della fine del XVIII secolo.
Color transparency.
XXVII. E.4., undated, inclusive
General note
TAVOLINO in legno scolpito dipinto e lumeggiato d'oro. Ha piano ottagonale a vassoio con bordo in metallo e intarsi di marmo policromo a losanghe sorretto da quattro sfingi alate.
h. 73,5 l. 47
Bottega napoletana dell'ultimo quarto del XVIII secolo.
Color transparency.
XXVIII. Corridoio sud-ovest (del Bagno)
XXVIII. general view, undated, inclusive
XXVIII. general view, undated, inclusive
General note
Neg.
XXVIII. general view, undated, inclusive
General note
Neg.
XXVIII. A.3.-1., undated, inclusive
General note
DIPINTO a olio su tela con cornice intagliata e dorata: Natura morta.
h. 90 l. 60
Carlo Magini, XVIII secolo.
XXVIII. A.3.-2., undated, inclusive
General note
DIPINTO a olio su tela con cornice intagliata e dorata: Natura morta.
h. 90 l. 60
Carlo Magini, XVIII secolo.
Oversize, II.B.1.XXVIII.A.3.-2. folder 180.
XXVIII. A.3.-3., undated, inclusive
General note
DIPINTO a olio su tela con cornice intagliata e dorata: Natura morta.
h. 90 l. 60
Carlo Magini, XVIII secolo.
Photo Reali, Firenze.
XXVIII. A.3.-4., undated, inclusive
General note
DIPINTO a olio su tela con cornice intagliata e dorata: Natura morta.
h. 90 l. 60
Carlo Magini, XVIII secolo.
Annotated on the verso "Bolognese" "studio p.p."
Oversize, II.B.1.XXVIII.A.3.-4. folder 180a.
XXVIII. A.3.-5., undated, inclusive
General note
DIPINTO a olio su tela con cornice intagliata e dorata: Natura morta.
h. 90 l. 60
Carlo Magini, XVIII secolo.
XXVIII. A.6., undated, inclusive
General note
DIPINTO a olio su tela con cornice lignea intagliata e dorata: Flora con putto.
h. 138 l. 112,5
Pittore fiammingo del XVII secolo.
XXVIII. A.8., undated, inclusive
General note
DIPINTO a olio su tela con cornice di legno intagliato e dorato: Ritratto di dama con ventaglio.
h. 121 l. 97
Artista italiano degli inizi del XVIII secolo.
Photo Reali, Firenze (numbered 53 on the verso).
XXVIII. A.14.-1., undated, inclusive
General note
SCULTURA in terracotta formata a tutto tondo: La Virtù che vince il Vizio o Firenze che vince Pisa.
h. 50,5
Artista toscano del XVIII secolo (da Giambologna
Photo Reali, Firenze (numbered 104. on the verso).
XXVIII. A.14.-2., undated, inclusive
General note
SCULTURA in terracotta formata a tutto tondo: La Virtù che vince il Vizio o Firenze che vince Pisa.
h. 50,5
Artista toscano del XVIII secolo (da Giambologna).
Photo by Brogi.
XXVIII. A.14.-3., undated, inclusive
General note
SCULTURA in terracotta formata a tutto tondo: La Virt che vince il Vizio o Firenze che vince Pisa.
h. 50,5
Artista toscano del XVIII secolo (da Giambologna).
XXVIII. A.36.-1., undated, inclusive
General note
SCULTURA (cfr. A.42) in terracotta modellata a tutto tondo: Diana con Endimione.
h. 36
Modellatore del XVIII secolo.
Photographed inside a case.
XXVIII. A.36.-2., undated, inclusive
General note
SCULTURA (cfr. A.42) in terracotta modellata a tutto tondo: Diana con Endimione.
h. 36
Modellatore del XVIII secolo.
Photographed inside a case.
XXVIII. A.36.-3., undated, inclusive
General note
SCULTURA (cfr. A.42) in terracotta modellata a tutto tondo: Diana con Endimione.
h. 36
Modellatore del XVIII secolo.
Photographed inside a case.
XXVIII. A.36.-4., undated, inclusive
General note
SCULTURA (cfr. A.42) in terracotta modellata a tutto tondo: Diana con Endimione.
h. 36
Modellatore del XVIII secolo.
Photographed inside a case.
XXVIII. C.3.-1., undated, inclusive
General note
DIPINTI (due) a olio su tela in cornice decorata e dorata: Presentazione e Visitazione.
h. 36 l. 54,5
Pittore senese o fiorentino del XVI secolo.
Detail of Presentazione.
Photo Reali, Firenze (numbered 47. on the verso)
XXVIII. C.3.-2., undated, inclusive
General note
DIPINTI (due) a olio su tela in cornice decorata e dorata: Presentazione e Visitazione.
h. 36 l. 54,5
Pittore senese o fiorentino del XVI secolo.
detail of Visitazione
Photo Reali, Firenze (numbered 46. on the verso).
XXVIII. C.3.-3., undated, inclusive
General note
DIPINTI (due) a olio su tela in cornice decorata e dorata: Presentazione e Visitazione.
h. 36 l. 54,5
Pittore senese o fiorentino del XVI secolo.
XXVIII. C.5., undated, inclusive
General note
DIPINTO a olio su tela con cornice intagliata a rosette e dorata: Figura di magistrato.
h. 109 l. 94
Fra' Galgario, XVII-XVIII secolo.
XXVIII. C.6.-1., undated, inclusive
General note
DIPINTO a olio su tela in listello ligneo intagliato e dorato: Scena agreste.
h. 160 l. 104,5
Giuseppe Zais (firmato).
XXVIII. C.6.-2., undated, inclusive
General note
DIPINTO a olio su tela in listello ligneo intagliato e dorato: Scena agreste.
h. 160 l. 104,5
Giuseppe Zais (firmato).
Detail, Photo by Brogi.
Oversize, II.B.1.XXVIII.C.6.-2. folder 181.
XXVIII. C.6.-3., undated, inclusive
General note
DIPINTO a olio su tela in listello ligneo intagliato e dorato: Scena agreste.
h. 160 l. 104,5
Giuseppe Zais (firmato).
Photo Reali, Firenze (numbered 55 on the verso).
XXVIII. C.6.-4., undated, inclusive
General note
DIPINTO a olio su tela in listello ligneo intagliato e dorato: Scena agreste.
h. 160 l. 104,5
Giuseppe Zais (firmato).
Photo by Brogi.
Oversize, II.B.1.XXVIII.C.6.-4. folder 181a.
XXVIII. C.7., undated, inclusive
General note
DIPINTO a olio su tela in cornice intagliata e dorata: Donna con maschera.
h. 118 l. 92
Pittore veneto del XVIII secolo.
Photo Reali, Firenze (numbered 54 on the verso).
XXVIII. C.11., undated, inclusive
General note
ORCIO biansato con coperchio in terracotta parzialmente a rilievo invetriato a macchiature di giallo, verde e bruno stemma medici coronato e mascherone nel verso. Foglie a rilievo sul coperchio e fascia incisa sotto le anse. Iscrizione: "Fece Lorenzo Montauti 1725".
h. 103 d. 66
Fornace imprunetana di Lorenzo Montauti, XVIII secolo (datato 1725).
XXVIII. C.13., undated, inclusive
General note
PANCA in legno di noce scolpito, modanato e tornito ha schienale a balaustro, braccioli a voluta, scanalatura centrale e gambe sagomate come i braccioli e terminanti a zampa di leone.
h. 122 l. 281,5 p. 43,5
Bottega toscana della prima metà del XVII secolo.
XXVIII. D.2.-1., undated, inclusive
General note
DIPINTO a tempera su tavola a fondo oro: S. Chiara con S. Bartolomeo (nella cuspide)
h. 116 l. 40
Francesco Fiorentino.
XXVIII. D.2.-2., 1960s, inclusive
General note
DIPINTO a tempera su tavola a fondo oro: S. Chiara con S. Bartolomeo (nella cuspide)
h. 116 l. 40
Neg. by Barsotti.
XXVIII. D.4., undated, inclusive
General note
RILIEVO in stucco policromo: "Madonna col Bambino". Alla base iscrizione tra due stemmi di tre spade in campo rosso: "Ave Maria Gra...". Base di legno decorata a pastiglia (come altri esemplari delle stanze pt. IX-Corridoio N.E. A.13.; XV-Salottino D.3. XXX-Sala Rossa A.14.; XXXI-Sala del Crocifisso C.16.
h. 54 l. 38
Bottega fiorentina del Ghiberti del primo quarto XV secolo.
Photo Reali, Firenze (numbered 87 on the verso).
XXVIII. F.1.-1., undated, inclusive
General note
LANTERNA in legno scolpito e dorato, a pianta triangolare con vetri poligonali, motivi vegetali sugli spigoli terminanti con testine di angeli cherubini alla base che termina con baccellature.
h. 85 ca.
Manifattura toscana del XVII-XVIII secolo.
XXVIII. F.1.-2., undated, inclusive
General note
LANTERNA in legno scolpito e dorato, a pianta triangolare con vetri poligonali, motivi vegetali sugli spigoli terminanti con testine di angeli cherubini alla base che termina con baccellature.
h. 85 ca.
Manifattura toscana del XVII-XVIII secolo.
XXIX. Saletta con rovine (or Saletta delle rovine)
XXIX.-1. general view, undated, inclusive
XXIX.-2. general view, undated, inclusive
XXIX. A.1.-1., undated, inclusive
General note
SCULTURE (due) in legno scolpito, dipinto e dorato: statue di Moretti.
h. 171
Bottega veneziana dell'inizio del XVIII secolo.
Cadute di colore, fessurazioni e scheggiature.
XXIX. A.1.-2., undated, inclusive
XXX. Sala Rossa
XXX.-1. general view, undated, inclusive
General note
Photo by Brogi.
XXX.-2. general view, undated, inclusive
XXX.-3. general view, undated, inclusive
XXX.-4. general view, undated, inclusive
XXX.-5. general view, undated, inclusive
XXX.-6. general view, undated, inclusive
XXX.-7. general view, undated, inclusive
XXX. A.1., undated, inclusive
General note
RILIEVO in stucco policromo: Madonna col Bambino.
h. 60 ca.
Bottega del Ghiberti, XV secolo.
Photo Reali, Firenze (numbered 86 on the verso).
XXX. A.4.-1., undated, inclusive
General note
DIPINTO a tempera su tavola (lunetta): Madonna col Bambino.
h. 63 l. 88
Mariotto di Nardo.
Photo Reali, Firenze.
XXX. A.4.-2., undated, inclusive
General note
DIPINTO a tempera su tavola (lunetta): Madonna col Bambino.
h. 63 l. 88
Mariotto di Nardo.
XXX. A.4.-3., undated, inclusive
General note
DIPINTO a tempera su tavola (lunetta): Madonna col Bambino.
h. 63 l. 88
Mariotto di Nardo.
XXX. A.5., undated, inclusive
General note
DIPINTO a tempera su tavola: Il Beato Davino d'Armenia. Iscrizione: "Hic Iacet Corpus Sancti Davini De Arminea". Cornice sagomata e dorata.
h. 73 l. 204
Maestro lucchese (?) del XV secolo.
Oversize, II.B.1.XXX.A.5. folder 182.
Photo by Brogi.
XXX. A.9., undated, inclusive
General note
DIPINTO a olio (?) su tavola: Madonna che adora il Bambino e un angelo. Nella cornice iscrizione: "Ave Maria Gratia Plena Dominus teco" e due stemmi: a tre gigli e rastrello nella parte superiore, sotto vaio rosso in campo blu tripartito con scacchiera, tre cerchi d'oro in campo rosso e fasce verticali blu e oro.
h. 74 l. 63,5
Iacopo del Sellaio, seconda metà del XV secolo
Photo Reali, Firenze .
Label on verso of "Apollo" magazine.
XXX. A.10.-1., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono e angeli.
h. 120 l. 59
Maestro del Bigallo (?), metà del XIII secolo.
XXX. A.10.-2., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono e angeli.
h. 120 l. 59
Maestro del Bigallo (?), metà del XIII secolo.
XXX. A.10.-3., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono e angeli.
h. 120 l. 59
Maestro del Bigallo (?), metà del XIII secolo.
Detail.
XXX. A.10.-4., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono e angeli.
h. 120 l. 59
Maestro del Bigallo (?), metà del XIII secolo.
Oversize, II.B.1.XXX.A.10.-4. folder 183.
XXX. A.10.-5., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono e angeli.
h. 120 l. 59
Maestro del Bigallo (?), metà del XIII secolo.
Oversize, II.B.1.XXX.A.10.-5. folder 183.
Detail.
XXX. A.10.-6., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono e angeli.
h. 120 l. 59
Maestro del Bigallo (?), metà del XIII secolo.
Oversize, II.B.1.XXX.A.10.-6. folder 183.
XXX. A.10.-7., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono e angeli.
h. 120 l. 59
Maestro del Bigallo (?), metà del XIII secolo.
XXX. A.10.-8., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono e angeli.
h. 120 l. 59
Maestro del Bigallo (?), metà del XIII secolo.
Photo Reali, Firenze.
XXX. A.11.-1., undated, inclusive
General note
DIPINTO a tempera su tavola (tagliata) con cornice lignea modanata e dorata: Madonna col Bambino.
h. 65,5 l. 55,5
Pittore fiorentino del XIV secolo.
Oversize, II.B.1.XXX.A.11.-1. folder 184.
XXX. A.11.-2., undated, inclusive
General note
DIPINTO a tempera su tavola (tagliata) con cornice lignea modanata e dorata: Madonna col Bambino.
h. 65,5 l. 55,5
Pittore fiorentino del XIV secolo.
Photo Reali, Firenze (numbered 28 on the verso).
XXX. A.13., undated, inclusive
General note
SCULTURE (coppia) in legno dipinto e dorato: Angeli portacero.
h. 57
Manifattura tedesca (?) del XVII secolo.
Photo Reali, Firenze (numbered 101 on the verso).
XXX. A.16., undated, inclusive
General note
SCULTURA in marmo bianco scolpito: Eros.
h. 73,5
Artista romano del II-III secolo d. C.
Photo Reali, Firenze (numbered 112. on the verso).
XXX. B.3., undated, inclusive
General note
PORTALE in legno intagliato e ammannito: motivi decorativi a girali, clipeo con testa di fanciullo, negli stipiti motivi vegetali, trofei e protomi angeliche con mantovana in tessuto di arazzo e tenda di seta.
h. 327 l. 300
Bottega toscana o lombarda del XVI secolo.
XXX. B.4.-1., undated, inclusive
General note
DIPINTO (entro teca) a tempera su tavola: Madonna col Bambino e santi.
h. 70 l. 58
Arte dalmata (?) del XIII (?) secolo.
Annotated on the verso "Pisan follower Margheritone".
XXX. B.4.-2., undated, inclusive
General note
DIPINTO (entro teca) a tempera su tavola: Madonna col Bambino e santi.
h. 70 l. 58
Arte dalmata (?) del XIII (?) secolo.
Photo by Brogi.
XXX. B.4.-3., undated, inclusive
General note
DIPINTO (entro teca) a tempera su tavola: Madonna col Bambino e santi.
h. 70 l. 58
Arte dalmata (?) del XIII (?) secolo.
Photo Reali, Firenze (numbered 34 on the verso).
XXX. B.4.-4., undated, inclusive
General note
DIPINTO (entro teca) a tempera su tavola: Madonna col Bambino e santi.
h. 70 l. 58
Arte dalmata (?) del XIII (?) secolo.
Oversize, II.B.1.XXX. B.4.-4. folder 184a.
XXX. B.5.-1., undated, inclusive
General note
DIPINTO a tempera su tavola con cornice lignea dorata e dipinta: Madonna col Bambino, i santi Pietro e Paolo e angeli. Nell'aureola della Madonna : "Ave Gratia Plena..." e nell'aureola del Bambino: "Ego Sum...".
h. 125 l. 90
Siena, Sano di Pietro.
XXX. B.5.-2., undated, inclusive
General note
DIPINTO a tempera su tavola con cornice lignea dorata e dipinta: Madonna col Bambino, i santi Pietro e Paolo e angeli. Nell'aureola della Madonna : "Ave Gratia Plena..." e nell'aureola del Bambino: "Ego Sum...".
h. 125 l. 90
Siena, Sano di Pietro.
Photo by Brogi.
Oversize, II.B.1.XXX. B.5.-2. folder 185.
XXX. B.5.-3., undated, inclusive
General note
DIPINTO a tempera su tavola con cornice lignea dorata e dipinta: Madonna col Bambino, i santi Pietro e Paolo e angeli. Nell'aureola della Madonna : "Ave Gratia Plena..." e nell'aureola del Bambino: "Ego Sum...".
h. 125 l. 90
Siena, Sano di Pietro.
XXX. B.5.-4., undated, inclusive
General note
DIPINTO a tempera su tavola con cornice lignea dorata e dipinta: Madonna col Bambino, i santi Pietro e Paolo e angeli. Nell'aureola della Madonna : "Ave Gratia Plena..." e nell'aureola del Bambino: "Ego Sum...".
h. 125 l. 90
Siena, Sano di Pietro.
Photo Reali, Firenze.
XXX. B.12., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea dorata e dipinta: Madonna col Bambino.
h. 68 l. 57
Scuola umbro-marchigiana, XV secolo.
Photo Reali, Firenze.
XXX. B.16.-1., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino.
h. 61,5 l. 39
Bernardo Daddi metà del XIV secolo.
XXX. B.16.-2., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino.
h. 61,5 l. 39
Bernardo Daddi metà del XIV secolo.
Photo by Brogi.
XXX. B.16.-3., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino.
h. 61,5 l. 39
Bernardo Daddi metà del XIV secolo.
Photo Reali, Firenze
Label of "Apollo" magazine on the verso.
XXX. B.16.-4., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino.
h. 61,5 l. 39
Bernardo Daddi metà del XIV secolo.
Annotated on the verso "Bernardo Daddi, 0.37 x 0.76".
XXX. B.16.-5., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino.
h. 61,5 l. 39
Bernardo Daddi metà del XIV secolo.
XXX. B.16.-6., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino.
h. 61,5 l. 39
Bernardo Daddi metà del XIV secolo.
Neg.
XXX. C.1.-1., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea cuspidata, intagliata, decorata a pastiglia e dorata: Madonna col Bambino lattante. Sul basamento due stemmi: giglio blu e fasce alternate in blu/oro.
h. 115,5 l. 62,5
Pittore toscano della fine del XIV secolo.
Oversize, II.B.1.XXX.C.1.-1. folder 186.
XXX. C.1.-2., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea cuspidata, intagliata, decorata a pastiglia e dorata: Madonna col Bambino lattante. Sul basamento due stemmi: giglio blu e fasce alternate in blu/oro.
h. 115,5 l. 62,5
Pittore toscano della fine del XIV secolo.
Annotated on the verso "Nicolò di Piero Gerini (Perkins)".
XXX. C.1.-3., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea cuspidata, intagliata, decorata a pastiglia e dorata: Madonna col Bambino lattante. Sul basamento due stemmi: giglio blu e fasce alternate in blu/oro.
h. 115,5 l. 62,5
Pittore toscano della fine del XIV secolo.
Oversize, II.B.1.XXX.C.1.-3. folder 187.
XXX. C.1.-4., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea cuspidata, intagliata, decorata a pastiglia e dorata: Madonna col Bambino lattante. Sul basamento due stemmi: giglio blu e fasce alternate in blu/oro.
h. 115,5 l. 62,5
Pittore toscano della fine del XIV secolo.
Annotated on the verso "Near Orcagna. Offner and Perkins - Niccolò di Piero Gerini - Florentine".
XXX. C.9.-1., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: S. Lucia tra Santo Martire e Antonio Abate.
h. 135,5 l. 95,5
Bicci di Lorenzo, fine del XIV secolo.
XXX. C.9.-2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: S. Lucia tra Santo Martire e Antonio Abate.
h. 135,5 l. 95,5
Bicci di Lorenzo, fine del XIV secolo.
Neg.
XXX. C.11., undated, inclusive
General note
ALTORILIEVO in terracotta dipinta e dorata: Madonna col Bambino.
h. 92,5 l. 35,5
Michele da Firenze del XV secolo.
Photo Reali, Firenze.
XXX. C.12., undated, inclusive
General note
RILIEVO in marmo bianco scolpito (su marmo nero del fondo): Busto di Vespasiano. Iscrizione: "Dius Vespasianus".
h. 77 l. 45,5
Attribuito a Desiderio da Settignano.
Photo Reali, Firenze (numbered 111. on the verso).
XXX. C.18., undated, inclusive
General note
DIPINTO a olio (?) su tavola: Madonna col Bambino e S. Giovannino.
h. 36 l. 57,5
Maestro dell'Epifania di Fiesole.
Rientrato nel Luglio del 1995 dal furto del febbraio 1978.
XXX. D.1.-1., undated, inclusive
General note
DIPINTO a tempera su tavola con cornice lignea dorata: S. Cristoforo.
h. 191 l. 85
Bicci di Lorenzo, fine XIV-inizio del XV secolo.
XXX. D.1.-2., undated, inclusive
General note
DIPINTO a tempera su tavola con cornice lignea dorata: S. Cristoforo.
h. 191 l. 85
Bicci di Lorenzo, fine XIV-inizio del XV secolo.
XXX. D.1.-3., undated, inclusive
General note
DIPINTO a tempera su tavola con cornice lignea dorata: S. Cristoforo.
h. 191 l. 85
Bicci di Lorenzo, fine XIV-inizio del XV secolo.
Photo Reali, Firenze.
XXX. D.1.-4., undated, inclusive
General note
DIPINTO a tempera su tavola con cornice lignea dorata: S. Cristoforo.
h. 191 l. 85
Bicci di Lorenzo, fine XIV-inizio del XV secolo.
Detail
XXX. D.2., undated, inclusive
General note
DIPINTO a tempera su tavola con cornice lignea intagliata dorata: Madonna col Bambino nell'aureola della Madonna : "Ora. Pro. Nobis. Sant.".
h. 82 l. 55
Pittore senese del XIV secolo (?).
Photo Reali, Firenze (numbered 42 on the verso).
XXX. D.3.-1., undated, inclusive
General note
STATUETTE (coppia) in marmo bianco scolpito su base di legno intagliato: Puttini con coppa, una delle quali presenta tracce di doratura.
h. 57
Scultore romano del XVI secolo.
XXX. D.3.-2., undated, inclusive
General note
STATUETTE (coppia) in marmo bianco scolpito su base di legno intagliato: Puttini con coppa, una delle quali presenta tracce di doratura.
h. 57
Scultore romano del XVI secolo.
XXX. D.7.-1., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata, cornice lignea intagliata, dipinta e dorata: Madonna col Bambino. Alla base iscrizione: "Ave Maria Gratia Plena Dom."
h. 103,5 l. 68,5
Pittore fiorentino dell'inizio del XV secolo.
Annotated on the verso "Lorenzo di Niccolò - son of Niccolo di Pietro Gerini. Also att. Nardi di Cione".
No image available for inspection, undated, inclusive
XXX. D.7.-3., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata, cornice lignea intagliata, dipinta e dorata: Madonna col Bambino. Alla base iscrizione: "Ave Maria Gratia Plena Dom."
h. 103,5 l. 68,5
Pittore fiorentino dell'inizio del XV secolo.
XXX. D.11., undated, inclusive
General note
DIPINTO a olio su tavola in cornice lignea modanata a colmo e dorata: Madonna in trono col Bambino e i santi Giovanni Evangelista e Davide.
h. 113,5 l. 85
Pittore umbro (?) dell'inizio del XVI secolo.
Photo Reali, Firenze.
XXX. E.17., undated, inclusive
General note
TAPPETO Kilim in lana tessuta e annodata, a minuti motivi decorativi vegetali.
Manifattura del Kurdistan.
Usura della superficie.
Annotated with measurements on the recto.
Photo by Foto-Labor, Roma.
XXXI. Sala del Crocifisso
XXXI.-1. general view, undated, inclusive
General note
Photo Reali, Firenze.
XXXI.-2. general view, undated, inclusive
XXXI.-3. general view, undated, inclusive
XXXI.-4. general view, undated, inclusive
XXXI.-5. general view, undated, inclusive
XXXI.-6. general view, undated, inclusive
General note
Annotated on the verso "Acton Collection. Crucifix by Maestro di S. Francesco. Stucco over maiolica cabinet by Urbano da Cortona. Fondi Oro left to right: Mariotto di Nardo, Starnina, and 'Strauss Master'".
Photo Reali, Firenze.
XXXI.-7. general view, 1951, inclusive
General note
Color print, 1951
XXXI.-8. general view, undated, inclusive
General note
With Crucifix
Color print.
XXXI. A.1., undated, inclusive
General note
RILIEVO a colmo in stucco dipinto con cornice lignea: Natività.
h. 84,5 l. 83
Bottega di Donatello della metà del XV secolo.
Photo Reali, Firenze (numbered 78 on the verso).
XXXI. A.37.-1., undated, inclusive
General note
SCULTURA in legno dipinto e dorato: Madonna col Bambino.
h. 142
Scultore umbro-laziale del XIV secolo.
Photo Reali, Firenze.
XXXI. A.37.-2., undated, inclusive
General note
SCULTURA in legno dipinto e dorato: Madonna col Bambino.
h. 142
Scultore umbro-laziale del XIV secolo.
Photographed in the Camera Blu. See also II.B.1.LXV.-4.21.-11.
XXXI. A.37.-3., undated, inclusive
General note
SCULTURA in legno dipinto e dorato: Madonna col Bambino.
h. 142
Scultore umbro-laziale del XIV secolo.
Photographed in the Camera Blu. See also II.B.1.LXV.-4.21.-11.
XXXI. A.37.-4., undated, inclusive
General note
SCULTURA in legno dipinto e dorato: Madonna col Bambino.
h. 142
Scultore umbro-laziale del XIV secolo.
Photographed in the Camera Blu (reversed print). See also II.B.1.LXV.-4a.21.-11a.
XXXI. A.39., undated, inclusive
General note
DIPINTO a olio su tavola: Sacra Famiglia. Cornice in legno modanata, intagliata, dipinta e dorata.
h. 108 l. 88
Artista fiammingo della fine del XVI secolo (Pietro Candido?).
XXXI. A.46.-1., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: Madonna in trono col Bambino e due angeli Il Redentore Benedicente nella cuspide. Alla base iscrizione: "ANO DNI MCCCCXXII" "Ave Maria Gratia Plena Dominus Teco B.Tus".
h. 198 l. 86
Attribuito a Mariotto di Nardo, 1422 (datato).
Oversize, II.B.1.XXXI.A.46.-1. folder 188.
XXXI. A.46.-2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: Madonna in trono col Bambino e due angeli Il Redentore Benedicente nella cuspide. Alla base iscrizione: "ANO DNI MCCCCXXII" "Ave Maria Gratia Plena Dominus Teco B.Tus".
h. 198 l. 86
Attribuito a Mariotto di Nardo, 1422 (datato).
Photo Reali, Firenze (numbered 214 on the verso).
XXXI. A.46.-3., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: Madonna in trono col Bambino e due angeli Il Redentore Benedicente nella cuspide. Alla base iscrizione: "ANO DNI MCCCCXXII" "Ave Maria Gratia Plena Dominus Teco B.Tus".
h. 198 l. 86
Attribuito a Mariotto di Nardo, 1422 (datato).
Photo Reali, Firenze (numbered 214bis on the verso).
Detail.
XXXI. B.1.-1., undated, inclusive
General note
DIPINTO a olio su tavola in cornice lignea intagliata e dorata: La Fortuna.
h. 82 l. 74,5
Il Poppi (?), XVI secolo.
XXXI. B.1.-2., undated, inclusive
General note
DIPINTO a olio su tavola in cornice lignea intagliata e dorata: La Fortuna.
h. 82 l. 74,5
Il Poppi (?), XVI secolo.
Photo Reali, Firenze (numbered 212 on the verso).
XXXI. B.1.-3., undated, inclusive
General note
DIPINTO a olio su tavola in cornice lignea intagliata e dorata: La Fortuna.
h. 82 l. 74,5
Il Poppi (?), XVI secolo.
Oversize, II.B.1.XXXI.B.1.-3. folder 189.
XXXI. B.1.-4., undated, inclusive
General note
DIPINTO a olio su tavola in cornice lignea intagliata e dorata: La Fortuna.
h. 82 l. 74,5
Il Poppi (?), XVI secolo.
Neg.
XXXI. B.7.-1., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto: Santo vescovo benedicente.
h. 173,5
Scultore italiano del XIII secolo.
XXXI. B.7.-2., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto: Santo vescovo benedicente.
h. 173,5
Scultore italiano del XIII secolo.
Photo Reali, Firenze (numbered 70 on the verso).
Label on the verso of "Apollo" magazine.
XXXI. C.1.-1., undated, inclusive
General note
DIPINTO a olio su tavola in cornice modanata e dorata: Madonna della Misericordia.
h. 133 l. 85,5
Jacopo di Montagnana, XV secolo.
XXXI. C.1.-2., undated, inclusive
General note
DIPINTO a olio su tavola in cornice modanata e dorata: Madonna della Misericordia.
h. 133 l. 85,5
Jacopo di Montagnana, XV secolo.
Photo Reali, Firenze (numbered 215 on the verso).
XXXI. C.1.-3., undated, inclusive
General note
DIPINTO a olio su tavola in cornice modanata e dorata: Madonna della Misericordia.
h. 133 l. 85,5
Jacopo di Montagnana, XV secolo.
Oversize, II.B.1.XXXI.C.1.-3. folder 189a.
XXXI. C.4., undated, inclusive
General note
PORTACERI (coppia) in legno di noce scolpito: chiavi in decusse e tiara, stemma non leggibile, sirene, protomi angeliche e festoni dipinto e lumeggiato d'oro.
h. 191,5
Bottega romana del XVII secolo.
XXXI. C.5., undated, inclusive
General note
DIPINTO a olio su tavola: Madonna in adorazione del Bambino con S. Giovannino, in cornice lignea intagliata e lumeggiata d'oro a motivi geometrici.
h. 85 l. 71,5
Giovan Battista Utili.
Photo Reali, Firenze (numbered 21 on the verso).
XXXI. C.7.-1., undated, inclusive
General note
DIPINTO su tavola cuspidata a tempera e pastiglia: Madonna col Bambino e i santi Nicola, Giovanni, Michele e Dionigi: stemmi a pastiglia nella cornice.
h. 95 l. 210,5
Maestro di San Remigio, seconda metà del XIII secolo.
XXXI. C.7.-2., undated, inclusive
General note
DIPINTO su tavola cuspidata a tempera e pastiglia: Madonna col Bambino e i santi Nicola, Giovanni, Michele e Dionigi: stemmi a pastiglia nella cornice.
h. 95 l. 210,5
Maestro di San Remigio, seconda metà del XIII secolo.
XXXI. C.7.-3., undated, inclusive
General note
DIPINTO su tavola cuspidata a tempera e pastiglia: Madonna col Bambino e i santi Nicola, Giovanni, Michele e Dionigi: stemmi a pastiglia nella cornice.
h. 95 l. 210,5
Maestro di San Remigio, seconda metà del XIII secolo.
Oversize, II.B.1.XXXI.C.7.-3. folder 190.
XXXI. C.7.-4., undated, inclusive
General note
DIPINTO su tavola cuspidata a tempera e pastiglia: Madonna col Bambino e i santi Nicola, Giovanni, Michele e Dionigi: stemmi a pastiglia nella cornice.
h. 95 l. 210,5
Maestro di San Remigio, seconda metà del XIII secolo
Annotated on the verso "School of Cimabue. Billiard Room".
XXXI. C.7.-5., undated, inclusive
General note
DIPINTO su tavola cuspidata a tempera e pastiglia: Madonna col Bambino e i santi Nicola, Giovanni, Michele e Dionigi: stemmi a pastiglia nella cornice.
h. 95 l. 210,5
Maestro di San Remigio, seconda metà del XIII secolo.
XXXI. C.7.-6., undated, inclusive
General note
DIPINTO su tavola cuspidata a tempera e pastiglia: Madonna col Bambino e i santi Nicola, Giovanni, Michele e Dionigi: stemmi a pastiglia nella cornice.
h. 95 l. 210,5
Maestro di San Remigio, seconda metà del XIII secolo.
Detail of the Madonna and Child.
XXXI. C.7.-7., undated, inclusive
General note
DIPINTO su tavola cuspidata a tempera e pastiglia: Madonna col Bambino e i santi Nicola, Giovanni, Michele e Dionigi: stemmi a pastiglia nella cornice.
h. 95 l. 210,5
Maestro di San Remigio, seconda metà del XIII secolo
Detail of the Madonna and Child.
Oversize, II.B.1.XXXI.C.7.-7. folder 191.
XXXI. C.7.-8., undated, inclusive
General note
DIPINTO su tavola cuspidata a tempera e pastiglia: Madonna col Bambino e i santi Nicola, Giovanni, Michele e Dionigi: stemmi a pastiglia nella cornice.
h. 95 l. 210,5
Maestro di San Remigio, seconda metà del XIII secolo.
Detail of the Madonna and Child.
XXXI. C.7.-9., undated, inclusive
General note
DIPINTO su tavola cuspidata a tempera e pastiglia: Madonna col Bambino e i santi Nicola, Giovanni, Michele e Dionigi: stemmi a pastiglia nella cornice.
h. 95 l. 210,5
Maestro di San Remigio, seconda metà del XIII secolo.
Detail of the Madonna and Child.
XXXI. C.7.-10., undated, inclusive
General note
DIPINTO su tavola cuspidata a tempera e pastiglia: Madonna col Bambino e i santi Nicola, Giovanni, Michele e Dionigi: stemmi a pastiglia nella cornice.
h. 95 l. 210,5
Maestro di San Remigio, seconda metà del XIII secolo.
Detail of the Madonna and Child.
XXXI. C.7.-11., undated, inclusive
General note
DIPINTO su tavola cuspidata a tempera e pastiglia: Madonna col Bambino e i santi Nicola, Giovanni, Michele e Dionigi: stemmi a pastiglia nella cornice.
h. 95 l. 210,5
Maestro di San Remigio, seconda metà del XIII secolo
Detail of the Madonna and Child.
Photo Reali, Firenze (numbered 210. on the verso).
XXXI. C.7.-12., undated, inclusive
General note
DIPINTO su tavola cuspidata a tempera e pastiglia: Madonna col Bambino e i santi Nicola, Giovanni, Michele e Dionigi: stemmi a pastiglia nella cornice.
h. 95 l. 210,5
Maestro di San Remigio, seconda metà del XIII secolo.
Oversize, II.B.1.XXXI.C.7.-12. folder 191a.
XXXI. C.8.-1., undated, inclusive
General note
RILIEVO a tondo in stucco dipinto: Madonna col Bambino.
d. 88,5 ca.
Da Francesco di Simone Ferrucci (copia dell'esemplare marmoreo nel monumento Tartagni in S. Domenico di Bologna) ultimo quarto del XV secolo.
XXXI. C.8.-2., undated, inclusive
General note
RILIEVO a tondo in stucco dipinto: Madonna col Bambino.
d. 88,5 ca.
Da Francesco di Simone Ferrucci (copia dell'esemplare marmoreo nel monumento Tartagni in S. Domenico di Bologna) ultimo quarto del XV secolo.
Photo Reali, Firenze (numbered 79 on the verso).
On the verso the label of "Apollo" magazine.
XXXI. C.9.-1., undated, inclusive
General note
MENSOLE (coppia) in legno scolpito, dipinto e dorato con putti reggistemma.
h. 09:55.2
Bottega lombarda del XVI secolo.
XXXI. C.9.-1a., undated, inclusive
General note
MENSOLE (coppia) in legno scolpito, dipinto e dorato con putti reggistemma.
h. 09:55.2
Bottega lombarda del XVI secolo.
Neg.
XXXI. C.9.-2., undated, inclusive
General note
MENSOLE (coppia) in legno scolpito, dipinto e dorato con putti reggistemma.
h. 09:55.2
Bottega lombarda del XVI secolo.
XXXI. C.9.-2a., undated, inclusive
General note
MENSOLE (coppia) in legno scolpito, dipinto e dorato con putti reggistemma.
h. 09:55.2
Bottega lombarda del XVI secolo.
Neg.
No image available for inspection, undated, inclusive
XXXI. C.10.-2., undated, inclusive
General note
DIPINTO a olio su tavola in cornice lignea intagliata, dipinta e dorata: Madonna col Bambino iscrizione: "Ave Maria Gratia Plena D. T.".
Pittore fiorentino del XV secolo.
Photo Reali, Firenze.
XXXI. D.1.-1., undated, inclusive
General note
DIPINTO a tempera su tavola sagomata e parzialmente dorata: Crocifissione con S. Francesco ai piedi della croce e iscrizione in alto: "IHS Nazarenus Rex Iudeorum" e in basso: "S. Franciscus "(si tratta, della croce dipinta, proveniente da Londra, ricordata in un "Inventory" del maggio 1931, p. 10, ritrovato nella credenza della Camera Blu-LXV).
h. 234 l. 161,5
Maestro di San Francesco, fine del XIII secolo.
Annotated on the recto and verso, indicating the separate fields to be photographed.
XXXI. D.1.-2., undated, inclusive
General note
DIPINTO a tempera su tavola sagomata e parzialmente dorata: Crocifissione con S. Francesco ai piedi della croce e iscrizione in alto: "IHS Nazarenus Rex Iudeorum" e in basso: "S. Franciscus" (si tratta, della croce dipinta, proveniente da Londra, ricordata in un "Inventory" del maggio 1931, p. 10, ritrovato nella credenza della Camera Blu-LXV).
h. 234 l. 161,5
Maestro di San Francesco, fine del XIII secolo.
Detail of the head of Christ.
XXXI. D.1.-3., undated, inclusive
General note
DIPINTO a tempera su tavola sagomata e parzialmente dorata: Crocifissione con S. Francesco ai piedi della croce e iscrizione in alto: "IHS Nazarenus Rex Iudeorum" e in basso: "S. Franciscus" (si tratta, della croce dipinta, proveniente da Londra, ricordata in un "Inventory" del maggio 1931, p. 10, ritrovato nella credenza della Camera Blu-LXV).
h. 234 l. 161,5
Maestro di San Francesco, fine del XIII secolo.
Detail of San Francesco at the foot of the Cross.
XXXI. D.1.-4., undated, inclusive
General note
DIPINTO a tempera su tavola sagomata e parzialmente dorata: Crocifissione con S. Francesco ai piedi della croce e iscrizione in alto: "IHS Nazarenus Rex Iudeorum" e in basso: "S. Franciscus" (si tratta, della croce dipinta, proveniente da Londra, ricordata in un "Inventory" del maggio 1931, p. 10, ritrovato nella credenza della Camera Blu-LXV).
h. 234 l. 161,5
Maestro di San Francesco, fine del XIII secolo.
Oversize, II.B.1.XXXI. D.1.-4. folder 192.
XXXI. D.1.-5., undated, inclusive
General note
DIPINTO a tempera su tavola sagomata e parzialmente dorata: Crocifissione con S. Francesco ai piedi della croce e iscrizione in alto: "IHS Nazarenus Rex Iudeorum" e in basso: "S. Franciscus" (si tratta, della croce dipinta, proveniente da Londra, ricordata in un "Inventory" del maggio 1931, p. 10, ritrovato nella credenza della Camera Blu-LXV).
h. 234 l. 161,5
Maestro di San Francesco, fine del XIII secolo.
Detail of the head of Christ.
Oversize, II.B.1.XXXI. D.1.-5. folder 192.
XXXI. D.1.-6., undated, inclusive
General note
DIPINTO a tempera su tavola sagomata e parzialmente dorata: Crocifissione con S. Francesco ai piedi della croce e iscrizione in alto: "IHS Nazarenus Rex Iudeorum" e in basso: "S. Franciscus" (si tratta, della croce dipinta, proveniente da Londra, ricordata in un "Inventory" del maggio 1931, p. 10, ritrovato nella credenza della Camera Blu-LXV).
h. 234 l. 161,5
Maestro di San Francesco, fine del XIII secolo.
Detail of San Francesco at the foot of the Cross.
Oversize, II.B.1.XXXI. D.1.-6. folder 192.
XXXI. D.2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata e cornice intagliata, dipinta e dorata con decorazioni a pastiglia: Madonna col Bambino in piedi.
h. 110,5 l. 62,3
Mariotto di Nardo, inizi del XV secolo.
Photo Reali, Firenze (numbered 218. on the verso).
XXXI. D.3.-1., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata e cornice intagliata, dipinta e dorata: Madonna col Bambino e iscrizione: "Ave Maria Gratia Plena (...)".
h. 110,5 l. 63,5
Pittore fiorentino del XV secolo.
Oversize, II.B.1.XXXI.D.3.-1. folder 193.
XXXI. D.3.-2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata e cornice intagliata, dipinta e dorata: Madonna col Bambino e iscrizione: "Ave Maria Gratia Plena (...)".
h. 110,5 l. 63,5
Pittore fiorentino del XV secolo.
Photo Reali, Firenze (numbered 219. on the verso).
XXXI. D.9.-1., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata e cornice modanata, dipinta e dorata: S. Onofrio e donatore. Nella Base iscrizione: "Questa: Tavola: Afata: Fare: Nicholo Di/ Pici: Perimedio: delanima: Sua: Anni: MCCC:LXXX".
Scuola dell'Orcagna (Giovanni del Biondo?), XIV secolo (datato 1380).
XXXI. D.9.-2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata e cornice modanata, dipinta e dorata: S. Onofrio e donatore. Nella Base iscrizione: "Questa: Tavola: Afata: Fare: Nicholo Di/ Pici: Perimedio: delanima: Sua: Anni: MCCC:LXXX".
Scuola dell'Orcagna (Giovanni del Biondo?), XIV secolo (datato 1380).
Photo Reali, Firenze (numbered 216. on the verso).
XXXI. D.11., undated, inclusive
General note
STATUETTA in alabastro scolpito: Angelo portacero base squadrata.
h. 48,5 base: h. 13,5
Scultore siciliano del XVI secolo.
Photo Reali, Firenze (numbered 103. on the verso).
XXXII. Sala da Pranzo
XXXII.-1. general view, undated, inclusive
XXXII.-2. general view, undated, inclusive
XXXII.-3. general view, undated, inclusive
General note
Annotated on the verso "Sala Pranzo molti anni fa".
XXXII.-4. general view, undated, inclusive
XXXII.-5. general view, undated, inclusive
XXXII.-6. general view, undated, inclusive
General note
Oversize, II.B.1. XXXII.-6. folder 194.
XXXII.-7. general view, undated, inclusive
General note
Oversize, II.B.1. XXXII.-7. folder 194.
XXXII.-8. general view, undated, inclusive
XXXII.-9. general view, undated, inclusive
General note
Photo by Brogi.
XXXII.-10. general view, undated, inclusive
General note
Photo by Brogi.
XXXII.-11. general view, undated, inclusive
XXXII.-12. general view, undated, inclusive
XXXII.-13. general view, undated, inclusive
XXXII.-14. general view, undated, inclusive
XXXII.-15. general view, undated, inclusive
XXXII.-16. general view, undated, inclusive
XXXII.-17. general view, undated, inclusive
XXXII.-18. general view, undated, inclusive
XXXII.-19. general view, ca. 1960s, inclusive
General note
Neg. by Barsotti.
XXXII.-20. general view, ca. 1960s, inclusive
General note
Neg. by Barsotti.
XXXII.-21. general view, ca. 1960s, inclusive
General note
Neg. by Barsotti.
XXXII.-22. general view, ca. 1960s, inclusive
General note
Neg. by Barsotti.
XXXII.-23. the dining table laid for dinner, ca. 1960s, inclusive
General note
Neg. by Barsotti.
XXXII. A.1., undated, inclusive
General note
RILIEVO in stucco dipinto entro tabernacolo ligneo intagliato e dipinto: Madonna col Bambino in alto iscrizione: "Ave regina celorum" in basso: "Ave Domina Angelorum".
h. 129,5 l. 74
Bottega di Desiderio da Settignano, XV secolo.
Photo Reali, Firenze (numbered 82. on the verso).
XXXII. A.9., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna (è stata spostata dalla Sala del Caminetto-XXI, C.4.).
h. 120
Artista umbro del XV secolo.
Photo Reali, Firenze (numbered 72. on the verso).
See also II.B.2.
XXXII. A.10., undated, inclusive
General note
RILIEVO in marmo scolpito: bocca di fonte con Putti alati su sfondo architettonico.
h. 58,5 l. 54,5
Bottega lombarda (?) del XV XVI secolo.
Photo Reali, Firenze (numbered 122. on the verso).
XXXII. A.11.-1., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata con decorazioni a pastiglia: Incoronazione della Vergine.
h. 147 l. 71
Mariotto di Nardo (?), fine del XIV secolo.
Oversize, II.B.1.XXXII.A.11.-1. folder 195.
XXXII. A.11.-2., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata con decorazioni a pastiglia: Incoronazione della Vergine.
h. 147 l. 71
Mariotto di Nardo (?), fine del XIV secolo.
Photo Reali, Firenze.
On the verso the label of "Apollo" magazine.
XXXII. A.13.-1., undated, inclusive
General note
RILIEVO in stucco con tracce di policromia: Madonna che adora il Bambino, in tabernacolo ligneo intagliato, dipinto e dorato.
h. 130 l. 121,5
Bottega di Donatello della metà del XV secolo.
XXXII. A.13.-2., undated, inclusive
General note
RILIEVO in stucco con tracce di policromia: Madonna che adora il Bambino, in tabernacolo ligneo intagliato, dipinto e dorato.
h. 130 l. 121,5
Bottega di Donatello della metà del XV secolo.
Photo Reali, Firenze.
XXXII. A.13.-3., undated, inclusive
General note
RILIEVO in stucco con tracce di policromia: Madonna che adora il Bambino, in tabernacolo ligneo intagliato, dipinto e dorato.
h. 130 l. 121,5
Bottega di Donatello della metà del XV secolo.
Photo Reali, Firenze.
XXXII. A.16.-1., undated, inclusive
General note
BUSTO in terracotta modellata a tutto tondo e patinata con interventi di colore su base lignea dipinta.
h. 36,5 base: h. 9 l. 44,5
Modellatore del XV (?), XIX secolo.
Photo Reali, Firenze.
XXXII. A.16.-2., undated, inclusive
General note
BUSTO in terracotta modellata a tutto tondo e patinata con interventi di colore su base lignea dipinta.
h. 36,5 base: h. 9 l. 44,5
Modellatore del XV (?), XIX secolo.
Detail of the head
XXXII. A.16.-3., undated, inclusive
General note
BUSTO in terracotta modellata a tutto tondo e patinata con interventi di colore su base lignea dipinta.
h. 36,5 base: h. 9 l. 44,5
Modellatore del XV (?), XIX secolo.
XXXII. A.18.-1., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Crocifissione con le Marie e S. Giovanni Evangelista. Iscrizione in basso: "Factus Obediensusque ad Mortem: Mortem A. Crucis".
h. 129,5 l. 71,5
Maestro di San Lucchese, fine del XIV secolo.
XXXII. A.18.-2., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Crocifissione con le Marie e S. Giovanni Evangelista. Iscrizione in basso: "Factus Obediensusque ad Mortem: Mortem A. Crucis".
h. 129,5 l. 71,5
Maestro di San Lucchese, fine del XIV secolo.
Photo Reali, Firenze.
XXXII. A.19.-1., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Madonna in trono col Bambino e angeli Il Redentore nella cuspide. In basso iscrizione: "(Anno) Domini MCCCLXXXV di XX (...) d'Agosto Que[sta] (Tavola) [Fec]e Andrea Nesi Far[e]".
h. 169 l. 90
Maestro di S. Martino a Mensola, ultimo quarto del XIV secolo (1385 datato).
Annotated on the verso "Mariotto di Nardo". Photo by Brogi.
XXXII. A.19.-2., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Madonna in trono col Bambino e angeli Il Redentore nella cuspide. In basso iscrizione: "(Anno) Domini MCCCLXXXV di XX (...) d'Agosto Que[sta] (Tavola) [Fec]e Andrea Nesi Far[e]".
h. 169 l. 90
Maestro di S. Martino a Mensola, ultimo quarto del XIV secolo (1385 datato).
Photo by Brogi.
XXXII. A.19.-3., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Madonna in trono col Bambino e angeli Il Redentore nella cuspide. In basso iscrizione: "(Anno) Domini MCCCLXXXV di XX (...) d'Agosto Que[sta] (Tavola) [Fec]e Andrea Nesi Far[e]".
h. 169 l. 90
Maestro di S. Martino a Mensola, ultimo quarto del XIV secolo (1385 datato).
XXXII. A.19.-4., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Madonna in trono col Bambino e angeli Il Redentore nella cuspide. In basso iscrizione: "(Anno) Domini MCCCLXXXV di XX (...) d'Agosto Que[sta] (Tavola) [Fec]e Andrea Nesi Far[e]".
h. 169 l. 90
Maestro di S. Martino a Mensola, ultimo quarto del XIV secolo (1385 datato).
XXXII. A.19.-5., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Madonna in trono col Bambino e angeli Il Redentore nella cuspide. In basso iscrizione: "(Anno) Domini MCCCLXXXV di XX (...) d'Agosto Que[sta] (Tavola) [Fec]e Andrea Nesi Far[e]".
h. 169 l. 90
Maestro di S. Martino a Mensola, ultimo quarto del XIV secolo (1385 datato).
Photo Reali, Firenze.
XXXII. A.25., undated, inclusive
General note
RILIEVI (due pannelli) in terracotta dipinta con tracce di doratura in cornice lignea intagliata e dorata: S. Giovanni Battista e S. Francesco.
h. 143 l. 77,5
Scultore padovano della metà XVI secolo.
Photo Reali, Firenze (numbered 77. on the verso).
XXXII. B.1., undated, inclusive
General note
DIPINTO a olio su tela in cornice lignea dipinta e dorata: Ultima Cena.
h. 137 l. 306
Scuola umbra degli inizi del XVI secolo.
Annotated on the verso "Last Supper height 3ft 6.5 inches, length 9 feet, on canvas".
XXXII. C.1.-1., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna Dolente ai piedi di una Crocifissione (con C.18.).
h. 172
Scultore laziale del XIII secolo.
Oversize, II.B.1.XXXII.C.1.-1. folder 196.
XXXII. C.1.-2., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna Dolente ai piedi di una Crocifissione (con C.18.).
h. 172
Scultore laziale del XIII secolo.
Oversize, II.B.1.XXXII.C.1.-2. folder 196.
XXXII. C.1.-3., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna Dolente ai piedi di una Crocifissione (con C.18.).
h. 172
Scultore laziale del XIII secolo.
Oversize, II.B.1.XXXII.C.1.-3.,folder 196.
XXXII. C.1.-4., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna Dolente ai piedi di una Crocifissione (con C.18.).
h. 172
Scultore laziale del XIII secolo.
XXXII. C.1.-5., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna Dolente ai piedi di una Crocifissione (con C.18.).
h. 172
Scultore laziale del XIII secolo.
Detail, photo by Brogi.
XXXII. C.1.-6., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna Dolente ai piedi di una Crocifissione (con C.18.).
h. 172
Scultore laziale del XIII secolo.
Photo Reali, Firenze.
XXXII. C.1.-7., 1973, inclusive
General note
SCULTURA in legno dipinto: Madonna Dolente ai piedi di una Crocifissione (con C.18.).
h. 172
Scultore laziale del XIII secolo.
Color print, 1973
XXXII. C.2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata in cornice lignea dipinta: San Michele Arcangelo e il drago.
h. 131
Jacopo del Casentino, XIV secolo.
Photo Reali, Firenze (numbered 15. on the verso).
XXXII. C.5., undated, inclusive
General note
STATUETTE (coppia) di Angeli suonatori d'arpa in legno scolpito, dipinto e dorato. iscrizione sull'orlo dell'abito: "Sor Virginia Sabbati" e "(...)Ra Vincentia Paulini".
h. 68,5
Bottega toscna dell'inizio del XVII secolo.
Photo Reali, Firenze (numbered 98. on the verso).
XXXII. C.9., undated, inclusive
General note
STATUETTE (coppia) di Angeli portacero, genuflessi, in legno scolpito e dipinto, su base lignea dorata (come gli esemplari di terracotta invetriata di Luca della Robbia, per l'altare del Sacramento nel Duomo di Firenze
h. 76,5
Bottega fiorentina, della metà del XV secolo.
Photo Reali, Firenze (numbered 97. on the verso).
XXXII. C.11.-1., undated, inclusive
General note
RILIEVO in terracotta (?) modellata e dipinta su base di legno dipinto e dorato: Madonna col Bambino.
h. 88 base: h. 16 l. 73
Scultore toscano del primo quarto del quattrocento (Jacopo della Quercia- Ghiberti
XXXII. C.11.-2., undated, inclusive
General note
RILIEVO in terracotta (?) modellata e dipinta su base di legno dipinto e dorato: Madonna col Bambino.
h. 88 base: h. 16 l. 73
Scultore toscano del primo quarto del quattrocento (Jacopo della Quercia- Ghiberti
Photo Reali, Firenze (numbered 73. on the verso).
Annotated on the verso "Acton Collection. Lorenzo Ghiberti. Madonna in terracotta". With the "Apollo" magazine label.
XXXII. C.11.-3., undated, inclusive
General note
RILIEVO in terracotta (?) modellata e dipinta su base di legno dipinto e dorato: Madonna col Bambino.
h. 88 base: h. 16 l. 73
Scultore toscano del primo quarto del quattrocento (Jacopo della Quercia- Ghiberti).
XXXII. C.11.-4., undated, inclusive
General note
RILIEVO in terracotta (?) modellata e dipinta su base di legno dipinto e dorato: Madonna col Bambino.
h. 88 base: h. 16 l. 73
Scultore toscano del primo quarto del quattrocento (Jacopo della Quercia- Ghiberti).
Photo by Brogi.
XXXII. C.11.-5., undated, inclusive
General note
RILIEVO in terracotta (?) modellata e dipinta su base di legno dipinto e dorato: Madonna col Bambino.
h. 88 base: h. 16 l. 73
Scultore toscano del primo quarto del quattrocento (Jacopo della Quercia- Ghiberti).
In a tabernacle, photo by Brogi.
XXXII. C.17., undated, inclusive
General note
STATUETTE (coppia) in legno scolpito, dipinto e dorato: Angeli con cornucopia reggicandelabro.
h. 65
Bottega senese del XV secolo.
Photo Reali, Firenze (numbered 100. on the verso).
XXXII. C.18.-1., undated, inclusive
General note
SCULTURA in legno dipinto: San Giovanni Evangelista ai piedi di una Crocifissione (con C.1.).
h. 170
Scultore laziale del XIII secolo.
Oversize, II.B.1.XXXII.C.18.-1. folder 197.
XXXII. C.18.-2., undated, inclusive
General note
SCULTURA in legno dipinto: San Giovanni Evangelista ai piedi di una Crocifissione (con C.1.).
h. 170
Scultore laziale del XIII secolo.
Oversize, II.B.1.XXXII.C.18.-2. folder 197.
XXXII. C.18.-3., undated, inclusive
General note
SCULTURA in legno dipinto: San Giovanni Evangelista ai piedi di una Crocifissione (con C.1.).
h. 170
Scultore laziale del XIII secolo.
Oversize, II.B.1.XXXII.C.18.-3. folder 197.
XXXII. C.18.-4., undated, inclusive
General note
SCULTURA in legno dipinto: San Giovanni Evangelista ai piedi di una Crocifissione (con C.1.).
h. 170
Scultore laziale del XIII secolo.
Photo by Brogi.
XXXII. C.18.-5., undated, inclusive
General note
SCULTURA in legno dipinto: San Giovanni Evangelista ai piedi di una Crocifissione (con C.1.
h. 170
Scultore laziale del XIII secolo.
Photo by Brogi.
XXXII. C.18.-6., undated, inclusive
General note
SCULTURA in legno dipinto: San Giovanni Evangelista ai piedi di una Crocifissione (con C.1.).
h. 170
Scultore laziale del XIII secolo.
Detail, photo by Brogi.
XXXII. C.18.-7., undated, inclusive
General note
SCULTURA in legno dipinto: San Giovanni Evangelista ai piedi di una Crocifissione (con C.1.).
h. 170
Scultore laziale del XIII secolo
Photo Reali, Firenze.
XXXII. C.20., undated, inclusive
General note
RILIEVO in stucco policromo e dorato con cornice lignea dipinta e dorata: Madonna col Bambino. Iscrizione: "Ave Maria Gratia Plena".
h. 105 l. 88,5
Bottega di Antonio Rossellino della seconda metà del XV secolo.
Photo Reali, Firenze (numbered 81. on the verso).
XXXII. D.1.-1., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna in trono col Bambino.
h. 114
Scultore italiano del XIII secolo.
Photo by Brogi.
XXXII. D.1.-2., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna in trono col Bambino.
h. 114
Scultore italiano del XIII secolo.
Photo Reali, Firenze (numbered 76. on the verso).
XXXII. D.2.-1., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna in trono col Bambino giglioforo e due angeli.
h. 132,5 l. 77,5
Pittore fiorentino della seconda metà del XIII secolo.
XXXII. D.2.-2., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna in trono col Bambino giglioforo e due angeli.
h. 132,5 l. 77,5
Pittore fiorentino della seconda metà del XIII secolo.
Oversize, II.B.1.XXXII.D.2.-2. folder 198.
XXXII. D.2.-3., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna in trono col Bambino giglioforo e due angeli.
h. 132,5 l. 77,5
Pittore fiorentino della seconda metà del XIII secolo.
Oversize, II.B.1.XXXII.D.2.-3. folder 198.
XXXII. D.2.-4., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna in trono col Bambino giglioforo e due angeli.
h. 132,5 l. 77,5
Pittore fiorentino della seconda metà del XIII secolo.
XXXII. D.2.-5., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna in trono col Bambino giglioforo e due angeli.
h. 132,5 l. 77,5
Pittore fiorentino della seconda metà del XIII secolo.
XXXII. D.2.-6., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna in trono col Bambino giglioforo e due angeli.
h. 132,5 l. 77,5
Pittore fiorentino della seconda metà del XIII secolo.
Photo Reali, Firenze.
XXXII. D.2.-7., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna in trono col Bambino giglioforo e due angeli.
h. 132,5 l. 77,5
Pittore fiorentino della seconda metà del XIII secolo.
Oversize, II.B.1.XXXII.D.2.-7. folder 198.
XXXII. D.5.-1., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna in trono col Bambino (e uccellino).
h. 123
Scultore fiorentino (?) del XIII secolo.
XXXII. D.5.-2., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna in trono col Bambino (e uccellino).
h. 123
Scultore fiorentino (?) del XIII secolo.
Photo by Brogi.
XXXII. D.5.-3., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna in trono col Bambino (e uccellino).
h. 123
Scultore fiorentino (?) del XIII secolo.
XXXII. D.5.-4., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna in trono col Bambino (e uccellino).
h. 123
Scultore fiorentino (?) del XIII secolo.
Photo Reali, Firenze (numbered 66. on the verso).
XXXII. D.5.-5., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna in trono col Bambino (e uccellino).
h. 123
Scultore fiorentino (?) del XIII secolo.
Oversize, II.B.1.XXXII.D.5.-5. folder 198a.
XXXII. D.5.-6., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna in trono col Bambino (e uccellino)
h. 123
Scultore fiorentino (?) del XIII secolo.
Oversize, II.B.1.XXXII.D.5.-6. folder 198b.
XXXII. D.7.-1., undated, inclusive
General note
DIPINTO (polittico d'altare) a tempera su tavola, con cornice lignea scolpita e dorata: Madonna in trono col Bambino e i santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate nelle cuspidi: Madonna della Misericordia, l'Annunciazione e santa Margherita.
h. 171
Pittore fiorentino della fine del XIV secolo.
Oversize, II.B.1.XXXII.D.7.-1. folder 199.
XXXII. D.7.-2., undated, inclusive
General note
DIPINTO (polittico d'altare) a tempera su tavola, con cornice lignea scolpita e dorata: Madonna in trono col Bambino e i santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate nelle cuspidi: Madonna della Misericordia, l'Annunciazione e santa Margherita.
h. 171
Pittore fiorentino della fine del XIV secolo.
Detail of the Madonna della Misericordia.
XXXII. D.7.-3., undated, inclusive
General note
DIPINTO (polittico d'altare) a tempera su tavola, con cornice lignea scolpita e dorata: Madonna in trono col Bambino e i santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate nelle cuspidi: Madonna della Misericordia, l'Annunciazione e santa Margherita.
h. 171
Pittore fiorentino della fine del XIV secolo.
Detail of the Madonna della Misericordia.
Oversize, II.B.1.XXXII.D.7.-3. folder 200.
XXXII. D.7.-4., undated, inclusive
General note
DIPINTO (polittico d'altare) a tempera su tavola, con cornice lignea scolpita e dorata: Madonna in trono col Bambino e i santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate nelle cuspidi: Madonna della Misericordia, l'Annunciazione e santa Margherita.
h. 171
Pittore fiorentino della fine del XIV secolo.
Detail of the angel on the right playing a musical instrument.
XXXII. D.7.-5., undated, inclusive
General note
DIPINTO (polittico d'altare) a tempera su tavola, con cornice lignea scolpita e dorata: Madonna in trono col Bambino e i santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate nelle cuspidi: Madonna della Misericordia, l'Annunciazione e santa Margherita.
h. 171
Pittore fiorentino della fine del XIV secolo.
Detail of the angel on the left playing a musical instrument.
XXXII. D.7.-6., undated, inclusive
General note
DIPINTO (polittico d'altare) a tempera su tavola, con cornice lignea scolpita e dorata: Madonna in trono col Bambino e i santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate nelle cuspidi: Madonna della Misericordia, l'Annunciazione e santa Margherita.
h. 171
Pittore fiorentino della fine del XIV secolo.
XXXII. D.7.-7., undated, inclusive
General note
DIPINTO (polittico d'altare) a tempera su tavola, con cornice lignea scolpita e dorata: Madonna in trono col Bambino e i santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate nelle cuspidi: Madonna della Misericordia, l'Annunciazione e santa Margherita.
h. 171
Pittore fiorentino della fine del XIV secolo.
Photo Reali, Firenze.
XXXII. D.10., undated, inclusive
General note
STATUETTA in terracotta modellata a tutto tondo e dipinta: San Sebastiano.
h. 66,5
Artista fiorentino della prima metà del XVI secolo.
XXXII. D.13., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata e dorata: Sant'Ansano con iscrizione: "S.C.S. Sanus Martir".
h. 131 l. 63
Artista senese inizi del XV secolo.
Photo Reali, Firenze.
XXXII. E.4., undated, inclusive
General note
TAVOLO (PIEDISTALLO) in marmo scolpito con colonna tortile al centro e tre paraste con zampe leonine, motivi decorativi vegetali, mascheroni.
h. 109,5 d. 77
Bottega romana del XIX secolo.
Cabinet card photo by Luigi Cattani Firenze, annotated on the verso "1.10 x 0.75 [diametre]".
XXXII. E.8., undated, inclusive
General note
TAVOLO da centro in legno di noce scolpito, zampe leonine con protomi di ariete sotto il piano fregio con delfini ed elementi vegetali.
h. 83 d. 119
Bottega veneta (?) del XVII-XVIII secolo.
XLII. Corridoio
XLII. D.1., undated, inclusive
General note
DIPINTO a olio su tela in cornice lignea intagliata e dorata: Ritratto virile.
h. 90 l. 74,5
Pittore bolognese o cerchia di Andrea Sacchi (Vossilla) del XVII secolo.
Photo Reali, Firenze (numbered 217. on the verso).
XLII. D.4.-1., undated, inclusive
General note
DIPINTO a olio su tela in cornice lignea intagliata a motivi di ovoli ed elementi vegetali, e dorata: San Giovanni Battista.
h. 78 l. 68,5
Pittore napoletano del XVII secolo.
Annotated on the verso "about life size - Guido Reni".
XLII. D.4.-2., undated, inclusive
General note
DIPINTO a olio su tela in cornice lignea intagliata a motivi di ovoli ed elementi vegetali, e dorata: San Giovanni Battista.
h. 78 l. 68,5
Pittore napoletano del XVII secolo.
XLII. D.12., undated, inclusive
General note
AFFRESCO trasportato su tela: La Carità in Gloria cartiglio con scritta "Giovanni" vicino ad un putto (da villa Colletta).
h. 317 l. 131
Pittore toscano, XVII secolo (Giovanni da San Giovanni.
XLIV. Ufficio
XLIV. B.3., undated, inclusive
General note
INCISIONE in cornice di legno modanato: Figure intorno ad una sfera armillare? In basso: I Boydell. Exc.t. A sinistra: Jos.h Wright pinxit a destra: W.m. Pether fecit 1768. Stemma in basso sorretto da un cervo e da un cane.
h. 56 l. 67
J. Wright (pittore) W. Pether (incisore), XVIII secolo (datata 1768).
The subject is "A philosopher lecturing on the Orrery" (a planatery device). The original painting (exhibited in 1766) by Wright of Derby for this print is in the Derby Museum and Art Gallery, GB.
Photo by Reali. Annotated on the verso: cm. 63 x 52, and numbered 211.
Oversize, II.B.1.XLIV. B.3. folder 200a.
XLIV. B.9., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno modanato e dorato: Ritratto di Arthur Acton.
h. 74 l. 60
William Merritt Chase (inizio del XX secolo
Con iscrizione: "To my friend Acton, Wm. M. Chase"
Photo by Reali.
XLIV. D.7., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Adorazione dei Magi.
h. 49 l. 218,5
Pittore lombardo del XVIII secolo.
Photo Reali, Firenze.
Oversize, II.B.1.XLIV. D.7. folder 201.
XLVI. Bagno Camera Giallo
XLVI. B.1., undated, inclusive
General note
PANNELLI decorativi (quattro) con incisioni acquarellate montate su tela e listello di legno: Cineserie con scene familiari o scene di genere e scritta "A' Paris ches Daumont" (cfr. pp. LXII. B.3.).
h. 152 l. 58
Incisore francese del XVIII secolo.
XLVII. Camera Giallo
XLVII. C.1.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Fuga da Sodoma: Lot e le figlie.
h. 164 l. 168,5
Paolo De Matteis.
Oversize, II.B.1.XLVII.C.1.-1. folder 202.
XLVII. A.3., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata e dorata: Scena in un giardino: Cineseria.
h. 79 l. 64
Pittore veneto del XVIII secolo.
XLVII. C.1.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Fuga da Sodoma: Lot e le figlie.
h. 164 l. 168,5
Paolo De Matteis
Photo Reali, Firenze (numbered 165. on the verso).
XLVII. D.1.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Festa in maschera a Venezia (Il Ridotto.
h. 111 l. 140,5
Scuola veneziana del XVIII secolo.
Oversize, II.B.1.XLVII.D.1.-1. folder 203.
XLVII. D.1.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Festa in maschera a Venezia (Il Ridotto.
h. 111 l. 140,5
Scuola veneziana del XVIII secolo.
XLVII. D.1.-3., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Festa in maschera a Venezia (Il Ridotto.
h. 111 l. 140,5
Scuola veneziana del XVIII secolo.
XLVIII. Camera dei Genitori
XLVIII.-1. general view, ca. 1903, inclusive
General note
Annotated on the verso by HMA "Our bedroom".
XLVIII.-1a. general view, ca. 1903, inclusive
General note
Neg.
XLVIII.-2. general view, ca. 1903, inclusive
XLVIII.-2a. general view, ca. 1903, inclusive
General note
Neg.
XLVIII.-3. general view, undated, inclusive
XLVIII.-4. general view, undated, inclusive
XLVIII.-5. general view, undated, inclusive
XLVIII.-5a. and 5b. general view, 1916, inclusive
General note
Neg and print.
XLVIII.-6. general view, undated, inclusive
XLVIII.-7. general view, undated, inclusive
XLVIII.-8. general view, undated, inclusive
XLVIII.-9. general view, undated, inclusive
XLVIII.-10. general view, undated, inclusive
XLVIII.-11. general view, undated, inclusive
XLVIII.-12. general view, undated, inclusive
XLVIII.-13. general view, undated, inclusive
XLVIII.-14. general view, undated, inclusive
XLVIII.-15. general view (with A.17.,A.18.,and A.19.), undated, inclusive
General note
Photo Reali, Firenze (numbered 199. on the verso).
XLVIII.-16. general view (with D.20 and D.23), undated, inclusive
General note
Photo Reali, Firenze (numbered 200. on the verso).
XLVIII. A.2.-1., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea intagliata, dipinta e dorata: Madonna che adora il Bambino con melagrana e arancia. Stemmi nella parte inferiore della cornice e scritta: "Ave Maria Gratia plena Dominus T."
h. 123 l. 92,5
Francesco Pesellino.
Annotated on the verso "Fra Diamante?, contemporary Filippo Lippi".
XLVIII. A.2.-2., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea intagliata, dipinta e dorata: Madonna che adora il Bambino con melagrana e arancia. Stemmi nella parte inferiore della cornice e scritta: "Ave Maria Gratia plena Dominus T."
h. 123 l. 92,5
Francesco Pesellino.
XLVIII. A.2.-3., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea intagliata, dipinta e dorata: Madonna che adora il Bambino con melagrana e arancia. Stemmi nella parte inferiore della cornice e scritta: "Ave Maria Gratia plena Dominus T."
h. 123 l. 92,5
Francesco Pesellino.
XLVIII. A.2.-4., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea intagliata, dipinta e dorata: Madonna che adora il Bambino con melagrana e arancia. Stemmi nella parte inferiore della cornice e scritta: "Ave Maria Gratia plena Dominus T."
h. 123 l. 92,5
Francesco Pesellino.
Photo Reali, Firenze
Annotated on the verso "Acton Collection: Madonna by the 'Master of the Castello Nativity'", with the "Apollo" magazine label.
XLVIII. A.2.-5., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea intagliata, dipinta e dorata: Madonna che adora il Bambino con melagrana e arancia. Stemmi nella parte inferiore della cornice e scritta: "Ave Maria Gratia plena Dominus T."
h. 123 l. 92,5
Francesco Pesellino.
Oversize, II.B.1.XLVIII.A.2.-5. folder 204.
XLVIII. A.2.-6., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea intagliata, dipinta e dorata: Madonna che adora il Bambino con melagrana e arancia. Stemmi nella parte inferiore della cornice e scritta: "Ave Maria Gratia plena Dominus T."
h. 123 l. 92,5
Francesco Pesellino.
Oversize, II.B.1.XLVIII.A.2.-6. folder 204.
XLVIII. A.5.a and A.5.b., undated, inclusive
General note
DIPINTI (due) a tempera su tavola in cornice a tabernacolo modanata e dorata: Profeti.
h. 35 l. 26
Andrea di Bartolo (?).
Photo Reali, Firenze (numbered 133. on the verso).
XLVIII. A.10., undated, inclusive
General note
STATUETTA in cartapesta e legno dipinti in policromia, entro teca di vetro: San Michele.
h. 46 l. 25,5 p. 18
Bottega napoletana del XVII secolo.
Photo Reali, Firenze (numbered 194. on the verso).
XLVIII. A.11.-1., undated, inclusive
General note
DIPINTO a tempera su tavola: trittico con la Crocifissione e due santi, Annunciazione nelle cuspidi.
h. 44,5 l. 43,5
Pittore senese del XV secolo.
XLVIII. A.11.-2., undated, inclusive
General note
DIPINTO a tempera su tavola: trittico con la Crocifissione e due santi, Annunciazione nelle cuspidi.
h. 44,5 l. 43,5
Pittore senese del XV secolo.
Annotated on the verso "Acton Collection: Bonifacio Bembo (Longhi attribution)".
Oversize, II.B.1.XLVIII.A.11.-2. folder 205.
XLVIII. A.11.-3., undated, inclusive
General note
DIPINTO a tempera su tavola: trittico con la Crocifissione e due santi, Annunciazione nelle cuspidi.
h. 44,5 l. 43,5
Pittore senese del XV secolo.
Neg. by Barsotti., Firenze.
XLVIII. A.17., undated, inclusive
General note
STATUETTA in terracotta modellata a tuttotondo: San Giovanni Battista.
h. 34
Bottega fiorentina del XV (?) secolo.
Photo Reali, Firenze (numbered 191. on the verso).
XLVIII. A.18.-1., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea centinata con stemma alla base, dipinta e dorata: Madonna col Bambino. Iscrizione sull'aureola della Madonna: "Ave Maria Gratia Plen." su quella del Bambino: "Jesus Lux" e alla base: "In sole posuit tabernaculum. Suum".
h. 76 l. 48,5
Pittore senese del XIV secolo.
Annotated on the verso "Sano di Pietro. Bedroom - 12.5 x 17.5 inches".
XLVIII. A.18.-2., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea centinata con stemma alla base, dipinta e dorata: Madonna col Bambino. Iscrizione sull'aureola della Madonna: "Ave Maria Gratia Plen." su quella del Bambino: "Jesus Lux" e alla base: "In sole posuit tabernaculum. Suum".
h. 76 l. 48,5
Pittore senese del XIV secolo.
Photo Reali, Firenze (numbered 129. on the verso).
XLVIII. A.19., undated, inclusive
General note
RILIEVO in stucco policromo entro cornice lignea intagliata, dipinta e dorata: Madonna col Bambino (cfr. pt. XXI. A.1.
h. 158 l. 136,5
Bottega veneziana del XV secolo (Jacopo Sansovino).
Photo by Brogi.
XLVIII. A.19.-2., undated, inclusive
General note
RILIEVO in stucco policromo entro cornice lignea intagliata, dipinta e dorata: Madonna col Bambino (cfr. pt. XXI. A.1.
h. 158 l. 136,5
Bottega veneziana del XV secolo (Jacopo Sansovino).
Photo by Brogi.
Oversize, II.B.1.XLVIII.A.19.-2. folder 205a.
XLVIII. B.1.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata, dipinta e dorata con protomi umane e girali fioriti che si dipartono da un vaso: Scena mitologica: L'Età dell'Oro.
h. 222,5 l. 322
Pittore veneto dell'ultimo quarto del XVI secolo.
Oversize, II.B.1.XLVIII.B.1.-1. folder 206.
Photo by Brogi.
XLVIII. B.1.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata, dipinta e dorata con protomi umane e girali fioriti che si dipartono da un vaso: Scena mitologica: L'Età dell'Oro.
h. 222,5 l. 322
Pittore veneto dell'ultimo quarto del XVI secolo.
Photo Reali, Firenze (numbered 198. on the verso).
XLVIII. B.7., undated, inclusive
General note
STATUETTE in fusione di bronzo e dorate: Santa Martire (?) e Madonna Dolente (?).
h. 23,5
Scultore italiano del XVIII secolo.
XLVIII. B.8., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea modanata, dorata e dipinta: Madonna in trono col Bambino, S. Antonio Abate, S. Caterina d'Alessandria e due angeli reggicortina.
h. 34,5 l 26,5
Allegretto Nuzzi (?) XIV secolo.
Photo Reali, Firenze (numbered 131. on the verso).
XLVIII. B.10., undated, inclusive
General note
DIPINTO a tempera su tavola entro teca: Madonna col Bambino (esposto a Firenze alla mostra giottesca del 1937 col n. 211
h. 62,5 l. 53
Maestro toscano della metà del XIII secolo.
Photo Reali, Firenze (numbered 127. on the verso).
Annotated on the verso "Acton Collection: Pisan or Florentine 1265-1275", with the "Apollo" magazine label.
XLVIII. B.11.-1., undated, inclusive
General note
DIPINTO a tempera su tavola entro teca: Crocifissione con la Madonna e San Giovanni Evangelista.
h. 29 h. 23,5 teca: h. 34 l. 28
Pittore pisano del XIII secolo.
XLVIII. B.11.-2., undated, inclusive
General note
DIPINTO a tempera su tavola entro teca: Crocifissione con la Madonna e San Giovanni Evangelista.
h. 29 h. 23,5 teca: h. 34 l. 28
Pittore pisano del XIII secolo.
XLVIII. B.11.-3., undated, inclusive
General note
DIPINTO a tempera su tavola entro teca: Crocifissione con la Madonna e San Giovanni Evangelista.
h. 29 h. 23,5 teca: h. 34 l. 28
Pittore pisano del XIII secolo.
XLVIII. B.11.-4., undated, inclusive
General note
DIPINTO a tempera su tavola entro teca: Crocifissione con la Madonna e San Giovanni Evangelista.
h. 29 h. 23,5 teca: h. 34 l. 28
Pittore pisano del XIII secolo.
Photo Reali, Firenze (numbered 134. on the verso).
XLVIII. B.12.-1., undated, inclusive
General note
POLTRONA da parata in legno di noce scolpito con finali a stemmi anepigrafi dorati, sostegni dei braccioli e gambe anteriori a foglie di acanto dorate e piedi a zampe leonine. Tappezzeria di velluto rosso con applicazioni nello schienale di passamaneria con stemma.
h. 161 l. 75
Bottega fiorentina del XVII secolo.
XLVIII. B.12.-2., undated, inclusive
General note
POLTRONA da parata in legno di noce scolpito con finali a stemmi anepigrafi dorati, sostegni dei braccioli e gambe anteriori a foglie di acanto dorate e piedi a zampe leonine. Tappezzeria di velluto rosso con applicazioni nello schienale di passamaneria con stemma.
h. 161 l. 75
Bottega fiorentina del XVII secolo.
No image available for inspection, undated, inclusive
XLVIII. B.13.-2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata con iscrizione alla base: "Ave Maria Gratia Plena": Madonna col Bambino e committente Cherubino nella cuspide.
h. 131 l. 52
Niccolò di Tommaso.
Photo by Brogi.
Oversize, II.B.1.XLVIII.B.13.-2. folder 207.
XLVIII. B.13.-3., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata con iscrizione alla base: "Ave Maria Gratia Plena": Madonna col Bambino e committente Cherubino nella cuspide.
h. 131 l. 52
Niccolò di Tommaso.
Photo by Brogi.
XLVIII. B.13.-4., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata con iscrizione alla base: "Ave Maria Gratia Plena": Madonna col Bambino e committente Cherubino nella cuspide.
h. 131 l. 52
Niccolò di Tommaso.
Photo Reali, Firenze (numbered 136. on the verso).
XLVIII. B.19.-1., undated, inclusive
General note
DIPINTO ad olio su tela: La sacra famiglia in cornice lignea scolpita e dorata, con motivi di tipo classico, mascheroni e specchi dipinti a monocromo con le Virtù e figure allegoriche.
h. 192 l. 170 ca.
Giorgio Vasari, seconda metà del XVI secolo.
The painting is now in the Sala da Pranzo (XXXII).
XLVIII. B.19.-2., undated, inclusive
General note
DIPINTO ad olio su tela: La sacra famiglia in cornice lignea scolpita e dorata, con motivi di tipo classico, mascheroni e specchi dipinti a monocromo con le Virtù e figure allegoriche.
h. 192 l. 170 ca.
Giorgio Vasari, seconda metà del XVI secolo.
Photo Reali, Firenze (numbered 151. on the verso).
The painting is now in the Sala da Pranzo (XXXII).
XLVIII. B.20.-1., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: San Nicola di Bari.
h. 96 l. 51,5
Pittore senese del XIV-XV secolo.
Photo by Brogi, Annotated on the verso "Senese - Taddeo di Bartolo".
Oversize, II.B.1.XLVIII.B.20.-1. folder 208.
XLVIII. B.20.-2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: San Nicola di Bari.
h. 96 l. 51,5
Pittore senese del XIV-XV secolo.
Photo Reali, Firenze (numbered 123. on the verso).
XLVIII. B.21., undated, inclusive
General note
STATUETTA di legno scolpito con tracce di pittura e doratura: Cavallo alato (Pegaso) con base di legno dipinta di nero.
h. 39
Bottega toscana del XVI secolo (?).
Photo Reali, Firenze (numbered 190. on the verso).
XLVIII. B.22.-1., undated, inclusive
General note
DIPINTI (tre) a tempera su tavola entro tabernacolo ligneo cuspidato intagliato e dorato con figure di Apostoli e iscrizione alla base: S. Johannes. Ev:, Scs. Thomas, Scs. Jacobus.
h. 49 l. 18,5
Pittore senese del XV secolo (Bruno Santi: Taddeo di Bartolo).
XLVIII. B.22.-2., undated, inclusive
General note
DIPINTI (tre) a tempera su tavola entro tabernacolo ligneo cuspidato intagliato e dorato con figure di Apostoli e iscrizione alla base: S. Johannes. Ev:, Scs. Thomas, Scs. Jacobus.
h. 49 l. 18,5
Pittore senese del XV secolo (Bruno Santi: Taddeo di Bartolo
Photo Reali, Firenze (numbered 144. on the verso).
XLVIII. B.22.-3., undated, inclusive
General note
DIPINTI (tre) a tempera su tavola entro tabernacolo ligneo cuspidato intagliato e dorato con figure di Apostoli e iscrizione alla base: S. Johannes. Ev:, Scs. Thomas, Scs. Jacobus.
h. 49 l. 18,5
Pittore senese del XV secolo (Bruno Santi: Taddeo di Bartolo).
Oversize, II.B.1.XLVIII.B.22.-3. folder 209.
XLVIII. B.22.-4., ca. 1960s, inclusive
General note
DIPINTI (tre) a tempera su tavola entro tabernacolo ligneo cuspidato intagliato e dorato con figure di Apostoli e iscrizione alla base: S. Johannes. Ev:, Scs. Thomas, Scs. Jacobus.
h. 49 l. 18,5
Pittore senese del XV secolo (Bruno Santi: Taddeo di Bartolo).
Neg. by Barsotti.
XLVIII. B.23.-1., undated, inclusive
General note
TONDO ad olio su tela in cornice lignea modanata e dorata: Scena di banchetto.
d. 143 ca.
Pittore veneto della seconda metà XVI secolo (Vossilla: Domenico Tintoretto).
XLVIII. B.23.-2., undated, inclusive
General note
TONDO ad olio su tela in cornice lignea modanata e dorata: Scena di banchetto.
d. 143 ca.
Pittore veneto della seconda metà XVI secolo (Vossilla: Domenico Tintoretto).
Photo Reali, Firenze (numbered 154. on the verso).
XLVIII. B.23.-3., undated, inclusive
General note
TONDO ad olio su tela in cornice lignea modanata e dorata: Scena di banchetto.
d. 143 ca.
Pittore veneto della seconda metà XVI secolo (Vossilla: Domenico Tintoretto).
Oversize, II.B.1.XLVIII.B.23.-3. folder 209a.
XLVIII. B.27.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato a motivi vegetali e dorato: Ritratto di gentiluomo in abito rosso.
h. 163,5 l. 130
Pittore veneto del XVI secolo.
XLVIII. B.27.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato a motivi vegetali e dorato: Ritratto di gentiluomo in abito rosso.
h. 163,5 l. 130
Pittore veneto del XVI secolo.
Photo Reali, Firenze (numbered 159. on the verso).
XLVIII. B.27.-3., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato a motivi vegetali e dorato: Ritratto di gentiluomo in abito rosso.
h. 163,5 l. 130
Pittore veneto del XVI secolo.
Oversize, II.B.1.XLVIII.B.27.-3. folder 210.
XLVIII. B.28., undated, inclusive
General note
STATUETTA in legno scolpito e dorato: Aquila.
h. 40
Photo Reali, Firenze (numbered 192. on the verso).
XLVIII. C.1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato a motivi vegetali e dorato: Ritratto del Granduca Cosimo II e sua moglie Maria Maddalena d'Austria.
h. 175 l. 145 ca.
Scuola del Sustermans (Suttermans) (?) XVII secolo.
Photo Reali, Firenze (numbered 164. on the verso).
XLVIII. C.4., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice di legno intagliato, dipinto e dorato: Annunciazione. L'angelo pronuncia: "Ave Maria Gratia Plena Ben. Tui Muliers.". Iscrizione sulla base della cornice: "Ecce Ancilla Domini Fiat Mihi Secundum Verbum Tuum".
h. 47 l. 52,5
Marco Zoppo (?), XV secolo.
Photo Reali, Firenze (numbered 145. on the verso).
XLVIII. C.10.-1., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Madonna col Bambino. Iscrizione alla base della cornice: "Ave Maris Stella Dei Mat. Alma".
h. 73 l. 55,5
Sano di Pietro.
XLVIII. C.10.-2., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Madonna col Bambino. Iscrizione alla base della cornice: "Ave Maris Stella Dei Mat. Alma".
h. 73 l. 55,5
Sano di Pietro.
XLVIII. C.10.-3., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Madonna col Bambino. Iscrizione alla base della cornice: "Ave Maris Stella Dei Mat. Alma".
h. 73 l. 55,5
Sano di Pietro.
XLVIII. C.10.-4., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Madonna col Bambino. Iscrizione alla base della cornice: "Ave Maris Stella Dei Mat. Alma".
h. 73 l. 55,5
Sano di Pietro.
XLVIII. C.10.-5., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Madonna col Bambino. Iscrizione alla base della cornice: "Ave Maris Stella Dei Mat. Alma".
h. 73 l. 55,5
Sano di Pietro.
Photo Reali, Firenze (numbered 130. on the verso).
XLVIII. C.10.-6., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Madonna col Bambino. Iscrizione alla base della cornice: "Ave Maris Stella Dei Mat. Alma".
h. 73 l. 55,5
Sano di Pietro.
Oversize, II.B.1.XLVIII.C.10.-6. folder 210a.
XLVIII. C.12.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Ritratto di filosofo con libri. Segnato e datato: Bartolus Baldus 1630.
h. 136 l. 110
Pittore fiorentino del XVII secolo.
XLVIII. C.12.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Ritratto di filosofo con libri. Segnato e datato: Bartolus Baldus 1630.
h. 136 l. 110
Pittore fiorentino del XVII secolo.
Photo Reali, Firenze (numbered 158. on the verso).
XLVIII. D.10.-1., undated, inclusive
General note
DIPINTO a tempera su tavola entro teca: Madonna in trono col Bambino tra due santi e due angeli (dietro la teca cartellino: Mostra Giottesca 1937 n. 213
h. 43 l. 37,5
Maestro della Maddalena (attribuita dall'Offner) ultimo quarto del XIII secolo (1275 ca. ). Photo by Brogi.
Oversize, II.B.1.XLVIII. D.10.-1. folder 211.)
XLVIII. D.10.-2., undated, inclusive
General note
DIPINTO a tempera su tavola entro teca: Madonna in trono col Bambino tra due santi e due angeli (dietro la teca cartellino: Mostra Giottesca 1937 n. 213).
h. 43 l. 37,5
Maestro della Maddalena (attribuita dall'Offner) ultimo quarto del XIII secolo (1275 ca.).
Photo Reali, Firenze (numbered 139. on the verso).
XLVIII. D.14.-1., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice di legno modanato e dorato con punzonature: Adorazione dei pastori. Sul retro tondi punzonati.
h. 34,5 l. 30,5
Scuola fiorentina del XIV secolo.
XLVIII. D.14.-2., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice di legno modanato e dorato con punzonature: Adorazione dei pastori. Sul retro tondi punzonati.
h. 34,5 l. 30,5
Scuola fiorentina del XIV secolo.
Photo Reali, Firenze (numbered 138. on the verso).
XLVIII. D.15., undated, inclusive
General note
DIPINTO a olio su tavola in cornice lignea modanata, intagliata, dipinta e dorata: Santa Scolastica e committente.
h. 44 l. 28
Scuola senese del XV secolo (Vossilla: vicino a Bernardino Fungai
Photo Reali, Firenze (numbered 148. on the verso).
XLVIII. D.20.-1., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea modanata, dipinta e dorata: Madonna col Bambino.
h. 78 l. 68,5
Maestro senese (Segni di Bonaventura ?), XIII secolo
Photo by Brogi.
XLVIII. D.20.-2., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea modanata, dipinta e dorata: Madonna col Bambino.
h. 78 l. 68,5
Maestro senese (Segni di Bonaventura ?), XIII secolo.
XLVIII. D.20.-3., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea modanata, dipinta e dorata: Madonna col Bambino.
h. 78 l. 68,5
Maestro senese (Segni di Bonaventura ?), XIII secolo
Photo Reali, Firenze (numbered 124. on the verso).
XLVIII. D.23., undated, inclusive
General note
DIPINTI a tempera (due) su tavola in cornice lignea intagliata, dipinta e dorata: Storie di S. Benedetto: Fuga di S. Benedetto, S. Benedetto in preghiera.
h. 40 43,5 l. 44,5 48,5
Giovanni del Biondo, XV secolo. (San Benedetto in preghiera).
Photo Reali, Firenze (numbered 140. on the verso).
XLVIII. D.39., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea modanata: San Giuliano trasporta sul fiume un pellegrino.
h. 33 l. 53
Ambrogio di Baldese.
Photo Reali, Firenze (numbered 137. on the verso).
XLVIII. E.28., undated, inclusive
General note
TAVOLINO esagonale in legno di noce con cassetto e tre piedi a zampa di capra (?).
h. 78 l. 92 p. 80,5
Bottega fiorentina del XVI secolo.
XLVIII. E.29., undated, inclusive
General note
SCULTURA, rilievo in marmo bianco scolpito con Cavalli e cavalieri firmato con il monogramma L.K.
h. 26 l. 32,5
Ludwig Krug.
Photo Reali, Firenze.
L. Bagno Camera dei Genitori
L. A.8.-1., undated, inclusive
General note
PANNELLI decorativi (sei) con incisioni acquarellate montate su tela in cornice di legno dorato: Cineserie con scene familiari o scene di genere (cfr. Saletta, antecamera Sala da Ballo-LXII B.3.).
h. 156,5 l. 62
Incisore francese (?) del XVIII secolo.
L. A.8.-2., undated, inclusive
General note
PANNELLI decorativi (sei) con incisioni acquarellate montate su tela in cornice di legno dorato: Cineserie con scene familiari o scene di genere (cfr. Saletta, antecamera Sala da Ballo-LXII B.3.).
h. 156,5 l. 62
Incisore francese (?) del XVIII secolo.
L. A.8.-3., undated, inclusive
General note
PANNELLI decorativi (sei) con incisioni acquarellate montate su tela in cornice di legno dorato: Cineserie con scene familiari o scene di genere (cfr. Saletta, antecamera Sala da Ballo-LXII B.3.).
h. 156,5 l. 62
Incisore francese (?) del XVIII secolo.
L. A.8.-4., undated, inclusive
General note
PANNELLI decorativi (sei) con incisioni acquarellate montate su tela in cornice di legno dorato: Cineserie con scene familiari o scene di genere (cfr. Saletta, antecamera Sala da Ballo-LXII B.3.).
h. 156,5 l. 62
Incisore francese (?) del XVIII secolo.
L. B.2., undated, inclusive
General note
VASI (coppia) di forma cilindrica, con bocca svasata, in porcellana dipinta in policromia con Scene di caccia (pendant di B.3.).
h. 56,5
Manifattura cinese del XVIII secolo.
L. B.3./B.4., undated, inclusive
General note
POTICHES (tre) in porcellana dipinta in policromia con Scene di caccia (pendant di B.2.).
h. 62
Manifattura cinese del XVIII secolo.
L. E.4.-1., undated, inclusive
General note
PARAVENTO a quattro ante in tela dipinta a tempera, con Volatili, farfalle, e cagnolino. Telaio in legno dipinto (cfr. A.10).
h. 165 l. 200
Manifattura del XIX-XX secolo
Photo by Brogi.
L. E.4.-2., undated, inclusive
General note
PARAVENTO a quattro ante in tela dipinta a tempera, con Volatili, farfalle, e cagnolino. Telaio in legno dipinto (cfr. A.10).
h. 165 l. 200
Manifattura del XIX-XX secolo
Photo by Brogi.
LIII. Camera di Sir Harold (Camera del Barone)
LIII.-1. general view, undated, inclusive
General note
Photo by Brogi.
LIII. -2 general view, undated, inclusive
General note
Photo Reali, Firenze (numbered 205. on the verso).
LIII.-3. general view, undated, inclusive
General note
Photo Reali, Firenze (numbered 203. on the verso).
LIII.-4. general view, undated, inclusive
General note
Photo Reali, Firenze (numbered 204. on the verso).
LIII.-5. general view, undated, inclusive
LIII.-6. general view, undated, inclusive
LIII.-7. general view, undated, inclusive
LIII.-8. general view, 1951, inclusive
General note
Color print.
LIII. A.2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliata e dorata: Ritratto di quattro fanciulli.
h. 70 l. 80
Pittore dell'Europa settentrionale del XVIII secolo.
Photo Reali, Firenze (numbered 171. on the verso).
LIII. A.3.-1., undated, inclusive
General note
DIPINTO ad olio su tela ovale in cornice di legno modanata, intagliata e dorata: Riposo durante la fuga in Egitto.
h. 118 l. 138
Pittore napoletano del XVIII secolo.
LIII. A.3.-2., undated, inclusive
General note
DIPINTO ad olio su tela ovale in cornice di legno modanata, intagliata e dorata: Riposo durante la fuga in Egitto.
h. 118 l. 138
Pittore napoletano del XVIII secolo.
Photo Reali, Firenze (numbered 220. on the verso).
LIII. A.5., undated, inclusive
General note
DIPINTO (tondo) ad olio su tavola con cornice lignea modanata e dorata: Venere e Amore. Sul verso scritta: "Pittore Bernardino Galliari 1707-1794"(spostato dalla Camera blu-LXV
d. 37
Photo Reali, Firenze (numbered 153. on the verso).
LIII. A.27., undated, inclusive
General note
STATUETTA in legno scolpito e dipinto in policromia: Accattone.
h. 50
Intagliatore francese del XVIII secolo.
LIII. A.30., undated, inclusive
General note
PANNELLI (coppia) ad olio su tela dipinti in policromia a "trompe l'oeil" in cornice lignea modanata e dorata: Palchetti con vasellame.
h. 192 l. 85,5
Pittore italiano del XVIII (?) secolo.
Photo by Brogi.
LIII. A.57., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata e dorata: Scena agreste sulle rive di un fiume (pendant di A.62.).
h. 102,5 l. 72
Pittore italiano del XVIII secolo.
LIII. A.62., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata e dorata: Mendicanti in un bosco (pendant di A.57.).
h. 102,5 l. 71
Pittore italiano del XVIII secolo.
No image available for inspection, undated, inclusive
LIII. B.24., undated, inclusive
General note
DIPINTO ad olio su tela ovale in cornice rettangolare di legno intagliato a motivi vegetali a traforo e dorato, con specchi: Ritratto di fanciulla con fiori. In alto sulla cornice: A M intrecciata sotto corona ducale e lettere tra due serti: "E D L O S A F L I// G I D O S"
h. 129,5 l. 108,5
Photo Reali, Firenze (numbered 187. on the verso).
LIII. B.27c.-1., undated, inclusive
General note
MEDAGLIA in bronzo con ritratto di Carlo III di Borbone nel recto e iscrizione: "Carolus III Borbonius Rex Catholicus". Firmata Prieto E. Nel verso gruppo di persone su uno spalto con una bandiea e la scritta: "Acclamatio Augusta// Matriti III Idus Septembreis MDCCLVIIII".
d. mm. 55
LIII. B.27c.-2., undated, inclusive
General note
MEDAGLIA in bronzo con ritratto di Carlo III di Borbone nel recto e iscrizione: "Carolus III Borbonius Rex Catholicus". Firmata Prieto E. Nel verso gruppo di persone su uno spalto con una bandiea e la scritta: "Acclamatio Augusta// Matriti III Idus Septembreis MDCCLVIIII".
d. mm. 55
LIII. B.27d., undated, inclusive
General note
MEDAGLIA in bronzo con ritratto di Gian Gastone de' Medici, nel recto, e la scritta: "Io. Gasto. Ab. Aetruria. Princeps. Aet. Suae. A. XIV". Firmata M. Sold. B.
d. mm. 93
Massimiliano Soldani Benzi: ultimo quarto del XVII secolo.
LIII. B.27g.-1., undated, inclusive
General note
MEDAGLIA in bronzo con ritratto di Gian Gastone de' Medici, nel recto, e iscrizione: "Ioa. Gasto. Ma. D. Etr. VII" e data 1724. Nel verso Figura Femminile con una palma e la scritta: "Securitas Publica".
d. mm. 70
Scultore del XVIII (datato 1724).
LIII. B.27g.-2., undated, inclusive
General note
MEDAGLIA in bronzo con ritratto di Gian Gastone de' Medici, nel recto, e iscrizione: "Ioa. Gasto. Ma. D. Etr. VII" e data 1724. Nel verso Figura Femminile con una palma e la scritta: "Securitas Publica".
d. mm. 70
Scultore del XVIII (datato 1724).
LIII. A.59.-1., undated, inclusive
General note
BUREAU CABINET a due ante superiori e cinque cassetti, in legno laccato di nero, dipinto con cineserie e lumeggiato d'oro.
h. 224 l. 101 p. 60
Bottega romana (?) inglese (?) della prima metà XVIII secolo.
Photographed in Lancaster Gate, London.
LIII. A.59.-2., undated, inclusive
General note
BUREAU CABINET a due ante superiori e cinque cassetti, in legno laccato di nero, dipinto con cineserie e lumeggiato d'oro.
h. 224 l. 101 p. 60
Bottega romana (?) inglese (?) della prima metà XVIII secolo.
Photographed in Lancaster Gate, London.
LIII. A.59.-3., undated, inclusive
General note
BUREAU CABINET a due ante superiori e cinque cassetti, in legno laccato di nero, dipinto con cineserie e lumeggiato d'oro.
h. 224 l. 101 p. 60
Bottega romana (?) inglese (?) della prima metà XVIII secolo.
Photographed in Lancaster Gate, London.
LIII. A. 59.-4., undated, inclusive
General note
BUREAU CABINET a due ante superiori e cinque cassetti, in legno laccato di nero, dipinto con cineserie e lumeggiato d'oro.
h. 224 l. 101 p. 60
Bottega romana (?) inglese (?) della prima metà XVIII secolo.
Photographed in Lancaster Gate, London.
LIII. A.59.-5., undated, inclusive
General note
BUREAU CABINET a due ante superiori e cinque cassetti, in legno laccato di nero, dipinto con cineserie e lumeggiato d'oro.
h. 224 l. 101 p. 60
Bottega romana (?) inglese (?) della prima metà XVIII secolo.
Photographed in Lancaster Gate, London.
LIII. A.59.-6., undated, inclusive
General note
BUREAU CABINET a due ante superiori e cinque cassetti, in legno laccato di nero, dipinto con cineserie e lumeggiato d'oro.
h. 224 l. 101 p. 60
Bottega romana (?) inglese (?) della prima metà XVIII secolo.
Photographed in Lancaster Gate, London.
Annotated on the verso "have sent this desk and the two small pieces beside it".
LIII. C.31., undated, inclusive
General note
CASSETTONE a tre cassetti in legno sagomato intagliato, dipinto in policromia con motivi floreali e zoomorfi e dorato. Maniglie in bronzo.
h. 89 l. 131 p. 55
Bottega ligure della metà del XVIII secolo.
Photo by Brogi.
LIII. D.3.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata e dorata: Veduta del Palazzo Ducale a Venezia.
h. 86,5 l. 108
Zuccarelli (?) XVIII secolo.
Photo Reali, Firenze (numbered 222. on the verso).
LIII. D.3.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata e dorata: Veduta del Palazzo Ducale a Venezia.
h. 86,5 l. 108
Zuccarelli (?) XVIII secolo.
Photographed with D.15.
LIII. D.4., undated, inclusive
General note
COMO' a due cassetti in legno sagomato e dipinto di beige con decorazioni vegetali ad intaglio, e dorate maniglie in bronzo lavorato. Piano a finto marmo.
h. 86,5 l. 105 p.54,5
Bottega veneziana dell'ultimo quarto del XVIII secolo.
Photo by Brogi.
LIII. D.11.-1., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea dorata: Madonna col Bambino.
h. 23,5 l. 18,5
Pittore senese del XIV secolo
Oversize, II.B.1.LIII.D.11.-1. folder 212.
LIII. D.11.-2., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea dorata: Madonna col Bambino.
h. 23,5 l. 18,5
Pittore senese del XIV secolo
Photo Reali, Firenze (numbered 135. on the verso).
LIII. D.15., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata e dorata: Veduta di Piazza S. Marco a Venezia con la basilica di San Marco.
h. 89 l. 110,5.
Zuccarelli (?) XVIII secolo.
Photo Reali, Firenze (numbered 221. on the verso).
LVI. Sala da Studio (Antecamera del Barone)
LVI.-1. general view, undated, inclusive
LVI.-2. general view, undated, inclusive
LVI.-3. general view, undated, inclusive
LVI.-4. general view, undated, inclusive
LVI.-5. general view, undated, inclusive
LVI.-6. general view, undated, inclusive
LVI.-7. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-8. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-9. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-10. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-11. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-12. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-13. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-14. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-15. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-16. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-17. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-18. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-19. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-20. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-21. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-22. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-23. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI. A.1., undated, inclusive
General note
SCULTURA - pannello decorativo in legno intagliato e dipinto a motivi di volute e grottesche.
h. 128 l. 100,5
Manifattura inglese (?) del XVIII (?) secolo.
LVI. A.3a.-1., undated, inclusive
General note
DIPINTI (due) a tempera grassa su tela in cornice sagomata, modanata e dorata: Paesaggio con scene mitologiche: Enea e Acate; Enea e Venere.
h. 205 l. 177 ca.
Scuola bolognese della metà XVIII secolo.
LVI. A.3a.-2., undated, inclusive
General note
DIPINTI (due) a tempera grassa su tela in cornice sagomata, modanata e dorata: Paesaggio con scene mitologiche: Enea e Acate; Enea e Venere.
h. 205 l. 177 ca.
Scuola bolognese della metà XVIII secolo.
Photo Reali, Firenze (numbered 178. on the verso).
LVI. A.3b.-1., undated, inclusive
General note
DIPINTI (due) a tempera grassa su tela in cornice sagomata, modanata e dorata: Paesaggio con scene mitologiche: Enea e Acate; Enea e Venere.
h. 205 l. 177 ca.
Scuola bolognese della metà XVIII secolo.
LVI. A.3b.-2., undated, inclusive
General note
DIPINTI (due) a tempera grassa su tela in cornice sagomata, modanata e dorata: Paesaggio con scene mitologiche: Enea e Acate; Enea e Venere.
h. 205 l. 177 ca.
Scuola bolognese della metà XVIII secolo.
Photo Reali, Firenze (numbered 179. on the verso).
LVI. B.1., undated, inclusive
General note
ARAZZO tessuto in lana e seta a "feuilles des choux" con balconata, uccelli esotici, frutta e fiori.
h. 270 l. 393
Manifattura fiamminga del XVI secolo.
Photo by Brogi.
No image available for inspection, undated, inclusive
No image available for inspection, undated, inclusive
LVI. C.1.-1., undated, inclusive
General note
DIPINTO a tempera grassa su tela in cornice di legno intagliato e dorato: Scena in un giardino con dame e cavalieri firmato sulla sinistra Vincenzo Martini (cfr. XLIV-Studio, B.1.).
h. 236 l. 186
Vincenzo Martini (Scuola piemontese), XVIII secolo.
Photo by Brogi.
LVI. C.1.-2., undated, inclusive
General note
DIPINTO a tempera grassa su tela in cornice di legno intagliato e dorato: Scena in un giardino con dame e cavalieri firmato sulla sinistra Vincenzo Martini (cfr. XLIV-Studio, B.1.).
h. 236 l. 186
Vincenzo Martini (Scuola piemontese), XVIII secolo.
Photo Reali, Firenze (numbered 177. on the verso).
LVI. C.8., undated, inclusive
General note
POLTRONE (coppia) in legno di noce intagliato con tappezzeria di seta gialla.
h. 88,5 l. 63 p. 51
Manifattura veneta del XVIII secolo.
Photo by Brogi.
LVI. D.2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata e dorata: Fanciulla con fiori e cagnolino.
h. 158,5 l. 122
Pittore piemontese del XVIII secolo.
Photo Reali, Firenze (numbered 186. on the verso).
LVII. Saletta (Antecamera Sala da Studio)
LVII. A.2., undated, inclusive
General note
PANNELLI (sei) decorativi ad olio su tela entro cornice di legno sagomato e dipinto: Scene di genere.
h. 178,5 l. 65
Pittore francese del XVIII secolo.
Photo by Brogi.
LVII. A.2., undated, inclusive
General note
PANNELLI (sei) decorativi ad olio su tela entro cornice di legno sagomato e dipinto: Scene di genere.
h. 178,5 l. 65
Pittore francese del XVIII secolo.
Photo by Brogi.
LVII. A.2., undated, inclusive
General note
PANNELLI (sei) decorativi ad olio su tela entro cornice di legno sagomato e dipinto: Scene di genere.
h. 178,5 l. 65
Pittore francese del XVIII secolo.
Photo by Brogi.
LX. Camera Verde
LX.-1. general view, undated, inclusive
LX.-2. general view, undated, inclusive
LX.-3. general view, undated, inclusive
LX.-4. general view, undated, inclusive
LX. A.4.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Scena di taverna.
h. 52 l. 43
Pittore romano bambocciante (?).
Annotated on the verso "Magnasco"
Photo by Brogi.
LX. A.4.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Scena di taverna.
h. 52 l. 43
Pittore romano bambocciante (?).
Photo Reali, Firenze (numbered 174. on the verso).
LX. A.10.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Tentazioni di S. Antonio Abate.
h. 203 l. 152
Alessandro Magnasco.
Photo by Brogi.
LX. A.10.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Tentazioni di S. Antonio Abate.
h. 203 l. 152
Alessandro Magnasco.
Detail.
Photo by Brogi.
LX. A.11.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Sogno di Giuseppe.
h. 69 l. 93,5
Pittore veneto del XVI secolo.
Annotated on the recto "durante la pulitura".
LX. A.11.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Sogno di Giuseppe.
h. 69 l. 93,5
Pittore veneto del XVI secolo.
Annotated on the recto "dopo il Restauro".
LX. A.12.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Rovine classiche con personaggi.
h. 86 l. 109
Alessandro Magnasco.
Photo by Brogi.
LX. A.12.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Rovine classiche con personaggi.
h. 86 l. 109
Alessandro Magnasco.
Photo Reali, Firenze (numbered 173. on the verso).
LX. A.13., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Satiro.
h. 54 l. 44
Pittore del XVII secolo.
No image available for inspection, undated, inclusive
LX. B.13.-2., undated, inclusive
General note
RILIEVO in legno intagliato e dipinto: Santa Maria Maddalena iscrizione entro un cartiglio: "VIVIT IN ME XP· Gal C. R.".
h. 89 l. 152,5
Scultore spagnolo della prima metà del XVI secolo.
Photo Reali, Firenze (numbered 195. on the verso).
LX. C.1a., undated, inclusive
General note
DIPINTI (due) ad olio su tavola in cornice lignea modanata, dipinta e dorata: Putti nella fontana di Amore.
h. 110 l. 71,5.
Pittore (senese ? Bartolomeo Neroni detto il Riccio) del XVI secolo.
Photo Reali, Firenze (numbered 150. on the verso).
LX. C.1b., undated, inclusive
General note
DIPINTI (due) ad olio su tavola in cornice lignea modanata, dipinta e dorata: Putti nella fontana di Amore.
h. 110 l. 71,5.
Pittore (senese ? Bartolomeo Neroni detto il Riccio) del XVI secolo.
Photo Reali, Firenze (numbered 149. on the verso).
LX. C.6., undated, inclusive
General note
STATUETTE (coppia) in terracotta dipinta in policromia: Guerrieri.
h. 47
Modellatore del XVI (?) (XIX ?) secolo.
LX. C.11., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato con motivi vegetali e due puttini, dipinto e dorato: Betsabea al bagno.
h. 96 l. 166
Pittore del XVIII secolo.
Photo Reali, Firenze (numbered 180. on the verso).
LX. D.1.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Venere e Marte.
h. 87 l. 69
Pittore del XIX secolo.
Photo by Brogi.
LX. D.1.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Venere e Marte.
h. 87 l. 69
Pittore del XIX secolo.
Photo Reali, Firenze (numbered 209. on the verso).
LX. D.3., undated, inclusive
General note
OROLOGIO a forma di cetra in bronzo dorato con base a parallelepipedo decorata con motivi vegetali e due corone di alloro con strumento musicale.
h. 50
Bottega francese del XIX secolo.
LXI. Sala da Ballo
LXI-1. general view, undated, inclusive
General note
Decorated with an altar and garlands and flowers [possibly for the Dillingham wedding in 1910]
LXI.-2. general view with a display of Madonna reliefs and other objects from the collection, undated, inclusive
LXI.-2a. general view with a display of Madonna reliefs and other objects from the collection, undated, inclusive
LXI.-3. general view with a gramaphone and a bench, undated, inclusive
LXI.-4. general view with a gramaphone and a bench, undated, inclusive
General note
See n. 26 above
LXI.-5. general view with a bench, undated, inclusive
LXI.-6. general view with a table, undated, inclusive
LXI.-7. general view with a table, undated, inclusive
General note
See n. 29 above
LXI.-8. general view, ca. 1935, inclusive
LXI.-8a. general view, ca. 1935, inclusive
LXI.-9. general view, ca. 1935, inclusive
LXI.-10. general view, ca. 1935, inclusive
LXI.-11. general view, ca. 1935, inclusive
LXI.-12. general view, ca. 1935, inclusive
LXI.-13. general view, ca. 1935, inclusive
LXI.-14. general view, ca. 1935, inclusive
LXI. A.3., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Ritratto di Vittorio Amedeo II di Savoia re di Sardegna (o Carlo Emanuele III?).
h. 231 l. 133
Maria Clementi (?) metà del XVIII secolo.
Photo Reali, Firenze (numbered 160. on the verso).
LXI. A.12.-1., undated, inclusive
General note
BUSTO in marmo bianco scolpito: Figura muliebre a seno scoperto (Virtù?) su base di legno modanato e dorato.
h. 95 ca
Scultore lombardo (o francese ?) del XVII secolo.
LXI. A.12.-2., undated, inclusive
General note
BUSTO in marmo bianco scolpito: Figura muliebre a seno scoperto (Virtù?) su base di legno modanato e dorato.
h. 95 ca
Scultore lombardo (o francese ?) del XVII secolo.
Photo by Brogi.
LXI. A.12.-3., undated, inclusive
General note
BUSTO in marmo bianco scolpito: Figura muliebre a seno scoperto (Virtù?) su base di legno modanato e dorato.
h. 95 ca
Scultore lombardo (o francese ?) del XVII secolo.
Oversize, II.B.1. LXI. A.12.-3. folder 212a.
LXI. A.12.-4., undated, inclusive
General note
BUSTO in marmo bianco scolpito: Figura muliebre a seno scoperto (Virtù?) su base di legno modanato e dorato.
h. 95 ca
Scultore lombardo (o francese ?) del XVII secolo.
LXI. A.15., ca., inclusive
General note
DIPINTO ad olio su tela in cornice di legno sagomata, intagliata e dorata: Ritratto di cacciatore.
h. 200 ca. l. 165 ca.
Giacomo Ceruti prima metà del XVIII secolo.
Photo Reali, Firenze (numbered 168. on the verso).
LXI. B.1., undated, inclusive
General note
STATUA in cartapesta e legno policroma: Nudo di donna su base di legno dipinto.
h. 184
Scultore toscano (Siena?) del XVI secolo.
Photographed inside a shell in a cupboard.
LXI. B.2.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato dipinto e dorato: Ritratto di gentiluomo a caccia.
h. 340 ca l. 253
Giacomo Ceruti metà del XVIII secolo (M. Gregori: intorno al 1743
Photo Reali, Firenze (numbered 161. on the verso).
LXI. B.2.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato dipinto e dorato: Ritratto di gentiluomo a caccia.
h. 340 ca l. 253
Giacomo Ceruti metà del XVIII secolo (M. Gregori: intorno al 1743).
LXI. B.2.-3., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato dipinto e dorato: Ritratto di gentiluomo a caccia.
h. 340 ca l. 253
Giacomo Ceruti metà del XVIII secolo (M. Gregori: intorno al 1743).
Oversize, II.B.1.LXI.B.2.-3. folder 213.
LXI. B.8.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato con protomi angeliche agli angoli: Ritratto di fanciullo con giocattolo.
h. 160 ca l. 136
Pittore spagnolo del XVII secolo.
LXI. B.8.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato con protomi angeliche agli angoli: Ritratto di fanciullo con giocattolo.
h. 160 ca l. 136
Pittore spagnolo del XVII secolo.
Photo Reali, Firenze (numbered 169. on the verso).
LXI. C.1., undated, inclusive
General note
SCULTURE statue (coppia) di legno scolpito, dipinto in policromia e dorato: Fanciulle more con grande cesto di frutta sul capo su base a forma di stemma.
h. 233
Manifattura italiana XVIII-XIX secolo.
One of the pair, Annotated on the verso "m.240".
LXI. C.3.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato dipinto e dorato con motivi di rocailles: Gentiluomo a cavallo (Ritratto di un Savoia
h. 340 ca l. 254,5
Giacomo Ceruti, metà del XVIII secolo (M. Gregori: intorno al 1743).
Photo Reali, Firenze (numbered 162. on the verso).
LXI. C.3.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato dipinto e dorato con motivi di rocailles: Gentiluomo a cavallo (Ritratto di un Savoia
h. 340 ca l. 254,5
Giacomo Ceruti, metà del XVIII secolo (M. Gregori: intorno al 1743).
LXI. C.3.-3., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato dipinto e dorato con motivi di rocailles: Gentiluomo a cavallo (Ritratto di un Savoia
h. 340 ca l. 254,5
Giacomo Ceruti, metà del XVIII secolo (M. Gregori: intorno al 1743).
Oversize, II.B.1.LXI.C.3.-3. folder 214.
LXI. D.2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Ritratto di gentiluomo.
h. 150 l. 132
Pittore del XVIII secolo.
Photo Reali, Firenze (numbered 167. on the verso).
LXI. E.3., undated, inclusive
General note
POLTRONE (quattordici) in legno intagliato, dipinto e lumeggiato d'oro con un medaglione
sullo schienale a imitazione delle placchette Wedgwood.
h. 106 l. 62 p. 47,5
Bottega del Nord Italia della fine del XVIII secolo.
Photographed in XXVII. Saletta con vedute.
Color transparency.
LXI. E.6., undated, inclusive
General note
SGABELLO in legno intagliato e dorato con traverse a voluta, incrociate e riunite da finale a bocciuolo di forma conica. Tappezzeria Gobelin con motivi floreali.
h. 52 l. 56 p. 47
Manifattura dell'Italia del Nord del primo quarto del XVIII secolo.
LXI. E.8., undated, inclusive
General note
SGABELLO in legno intagliato e dorato con traverse a voluta incrociate. Tappezzeria di seta avorio con motivi floreali.
h. 50 l. 80 p. 59,5
Manifattura inglese del primo quarto del XVIII secolo.
LXII. Saletta (Antecamera Sala da Ballo)
No image available for inspection, undated, inclusive
LXIV. Corridoio (Atrio di sopra)
LXIV.-1. general view, undated, inclusive
LXIV.-2. general view, undated, inclusive
LXIV. B.12a.-1., undated, inclusive
General note
CAPPELLI (tre) in nastro di raso intrecciato, fiori di perline e pietre dure applicati su manichini di cartapesta dipinta.
Manifattura europea, primo quarto del XX secolo.
LXIV. B.12a.-2., undated, inclusive
General note
CAPPELLI (tre) in nastro di raso intrecciato, fiori di perline e pietre dure applicati su manichini di cartapesta dipinta.
Manifattura europea, primo quarto del XX secolo.
LXIV. B.12a.-3., undated, inclusive
General note
CAPPELLI (tre) in nastro di raso intrecciato, fiori di perline e pietre dure applicati su manichini di cartapesta dipinta.
Manifattura europea, primo quarto del XX secolo.
LXIV. B.12a.-4., undated, inclusive
General note
CAPPELLI (tre) in nastro di raso intrecciato, fiori di perline e pietre dure applicati su manichini di cartapesta dipinta.
Manifattura europea, primo quarto del XX secolo.
LXIV. C.2., undated, inclusive
General note
SPECCHIERE (coppia) in legno intagliato e dorato vetro argentato a mercurio e appliques alla base in lamiera ritagliata e battuta.
h. 92 l. 55
Manifattura italiana del XVIII secolo.
Photo by Brogi.
LXV. Camera Blu
LXV.-1. general view, undated, inclusive
General note
with LXV. A.11.
Photo Reali, Firenze (numbered 206. on the verso).
LXV.- 2. general view, undated, inclusive
General note
with LXV. B.6.
Photo Reali, Firenze (numbered 202. on the verso).
LXV.-3. general view, undated, inclusive
LXV.-4. general view, undated, inclusive
General note
See also II.B.1.XXXI. A.37.-4.16.-13.
LXV.-4a. general view, undated, inclusive
General note
See also II.B.1.XXXI. A.37.-4.16.-13.
LXV.-5. general view, undated, inclusive
LXV.-6. general view, undated, inclusive
LXV.-7. general view, undated, inclusive
LXV.-8. general view, undated, inclusive
LXV.-9. general view, undated, inclusive
LXV.-10. general view, undated, inclusive
LXV.-11. general view, undated, inclusive
LXV. A.1.-1., undated, inclusive
General note
DIPINTI (coppia) ad olio su tela in cornice di legno intagliato e dorato: Veduta di villa con giardino e Veduta di villa con chiesa e giardini (Villa d'Este a Tivoli e Villa Mattei
h. 117 l. 207
Pittore romano della fine del XVII secolo.
Villa Mattei
Annotated on the verso "sec. XVII. .Scuola Romana o fiamminga, Villa Celimontana".
LXV. A.1.-2., undated, inclusive
General note
DIPINTI (coppia) ad olio su tela in cornice di legno intagliato e dorato: Veduta di villa con giardino e Veduta di villa con chiesa e giardini (Villa d'Este a Tivoli e Villa Mattei).
h. 117 l. 207
Pittore romano della fine del XVII secolo.
Villa d'Este.
Annotated on the verso "sec. XVII. Scuola Romana o fiamminga - Villa d'Este".
LXV. A.1.-3., undated, inclusive
General note
DIPINTI (coppia) ad olio su tela in cornice di legno intagliato e dorato: Veduta di villa con giardino e Veduta di villa con chiesa e giardini (Villa d'Este a Tivoli e Villa Mattei).
h. 117 l. 207
Pittore romano della fine del XVII secolo.
Photo by Anna Marx, Scandicci, Firenze
Villa d'Este.
LXV. A.1.-4., undated, inclusive
General note
DIPINTI (coppia) ad olio su tela in cornice di legno intagliato e dorato: Veduta di villa con giardino e Veduta di villa con chiesa e giardini (Villa d'Este a Tivoli e Villa Mattei).
h. 117 l. 207
Pittore romano della fine del XVII secolo.
Photo Reali, Firenze (numbered 181. on the verso.
Annotated on the verso "Acton Collection, Florence. Villa d'Este, Tivoli. 17th century Roman painter".
LXV. A.1.-5., undated, inclusive
General note
DIPINTI (coppia) ad olio su tela in cornice di legno intagliato e dorato: Veduta di villa con giardino e Veduta di villa con chiesa e giardini (Villa d'Este a Tivoli e Villa Mattei).
h. 117 l. 207
Pittore romano della fine del XVII secolo.
Villa Mattei.
Photo by Brogi.
Oversize, II.B.1.LXV.A.1.-5. folder 214a.
No image available for inspection, undated, inclusive
LXV. A.4., undated, inclusive
General note
DIPINTO ad olio su tavola in cornice di legno modanata, dipinta e dorata con stemma: Madonna col Bambino in piedi, San Giovannino e San Francesco.
h. 90 l. 60
Pierfrancesco Fiorentino.
Photo Reali, Firenze (numbered 146. on the verso).
LXV. A.11.-1., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo.
h. 102 l. 129
Lippo di Benivieni XIV secolo.
Oversize, II.B.1.LXV.A.11.-1. folder 215.
LXV. A.11.-2., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo.
h. 102 l. 129
Lippo di Benivieni XIV secolo.
LXV. A.11.-3., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo.
h. 102 l. 129
Lippo di Benivieni XIV secolo.
Photo Reali, Firenze (numbered 125. on the verso).
On the verso the "Apollo" magazine label.
LXV. A.11.-4., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo.
h. 102 l. 129
Lippo di Benivieni XIV secolo.
Detail of the Madonna and Child.
LXV. A.11.-5., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo.
h. 102 l. 129
Lippo di Benivieni XIV secolo.
Detail of the Madonna and Child.
Oversize, II.B.1.LXV.A.11.-5. folder 215a.
LXV. A.20., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice di legno modanata dipinta e dorata: S. Girolamo penitente.
h. 46 l. 34,5
Pittore fiorentino del XV secolo.
Photo Reali, Firenze (numbered 147. on the verso).
LXV. A.21., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliata e dorata: Festino tra le rovine.
h. 108,5 l. 145
Viviano Codazzi e Pierre Mignard.
Photo Reali, Firenze (numbered 172. on the verso).
LXV. B.6., undated, inclusive
General note
RILIEVO in stucco policromo: Madonna col Bambino.
h. 81
Bottega ghibertiana del primo quarto del XV secolo.
Photo by Brogi.
LXV. B.11., undated, inclusive
General note
DIPINTO ad olio su tavola in cornice di legno modanato, dipinto e lumeggiato d'oro: La Fede (?).
h. 56,5 l. 36
Pittore tedesco (?) del XVI secolo.
Photo Reali, Firenze (numbered 152. on the verso).
LXV. B.12.-1., undated, inclusive
General note
SCULTURA in alabastro: Madonna seduta col Bambino.
h. 38
Scultore siciliano del XVI secolo.
Photo Reali, Firenze (numbered 193. on the verso).
LXV. B.12.-2., undated, inclusive
General note
SCULTURA in alabastro: Madonna seduta col Bambino.
h. 38
Scultore siciliano del XVI secolo.
LXV. D.2., undated, inclusive
General note
RILIEVO in stucco policromo: Madonna col Bambino entro tabernacolo centinato in legno intagliato, dipinto tracce di doratura.
h. 75 l. 50
Bottega fiorentina del primo quarto del XV secolo (Nanni di Bartolo?).
Photo Reali, Firenze (numbered 197. on the verso).
LXV. D.12.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliata e dorata: Cleopatra.
h. 112 l. 98,5
Orazio Fidani
Photo by Brogi.
LXV. D.12.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliata e dorata: Cleopatra.
h. 112 l. 98,5
Orazio Fidani
Photo Reali, Firenze (numbered 155. on the verso).
LXV. E.5., undated, inclusive
General note
TAVOLO in legno di noce intagliato, con due cassetti ed un tiretto goggiolatoio a dentelli gambe e traverse lisce.
h. 88,5 l. 172,5 p. 80
Bottega toscana del XVII secolo.
LXVI. Scalone
LXVI.-1. general view, undated, inclusive
LXVI.-2. general view, undated, inclusive
LXVI.-3. general view, undated, inclusive
LXVI.-4. general view, undated, inclusive
LXVI.-5. general view, undated, inclusive
LXVI.-6. general view, undated, inclusive
LXVI.-7. general view, undated, inclusive
LXVI.-8. general view, undated, inclusive
LXVI.-9. general view, undated, inclusive
LXVI.-9a. general view, undated, inclusive
LXVI.-10. general view, undated, inclusive
LXXVI.-LXXVII. Biblioteca
LXXVI-LXXVII. A.10., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato, dipinto e lumeggiato d'oro: La Cena in Emmaus (pendant di D.3.).
h. 113 l. 142
Pittore veneto del XVI secolo.
Photo Reali, Firenze (numbered 156. on the verso).
LXXVI-LXXVII. B.2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice sagomata, centinata, modanata e dorata: Natura morta con fiori.
h. 146 l. 111
Pittore italiano del XVIII secolo.
LXXVI-LXXVII. C.2.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Venere e Marte.
h. 152,5 l. 215 ca.
Pittore el XVII secolo.
Photo by Brogi.
LXXVI-LXXVII. C.2.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Venere e Marte.
h. 152,5 l. 215 ca.
Pittore del XVII secolo.
Photo by Brogi.
LXXVI-LXXVII. C.5., undated, inclusive
General note
PANNELLO ad olio su tela con motivi di grottesche.
h. 244,5 l. 104,5
Bottega del XVI secolo.
Photo by Brogi.
LXXVI-LXXVII. D.3.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato, dipinto e lumeggiato d'oro: La Cena in Emmaus (pendant di A.10).
h. 136,5 l. 173,5
Pittore veneto del XVI secolo.
Photo by Brogi.
LXXVI-LXXVII. D.3.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato, dipinto e lumeggiato d'oro: La Cena in Emmaus (pendant di A.10).
h. 136,5 l. 173,5
Pittore veneto del XVI secolo.
Photo Reali, Firenze.
Oversize, II.B.1.LXXVI-LXXVII.D.3.-2. folder 216.
1a. works without Conti inventory numbers
No image available for inspection, undated, inclusive
Painted panels in Chinese style, undated, inclusive
General note
Some at present displayed in the attic of Villa La Pietra. Photos by Brogi.
Busts of the Four Seasons, undated, inclusive
General note
Stone copies are now on the exterior of the Limonaia in the Pomario in the gardens of Villa La Pietra, and casts are housed inside Villa La Pietra.
No image available for inspection, undated, inclusive
Painting of a landscape with a river scene and a villa, undated, inclusive
General note
At present displayed in Villa La Pietra, Room XXXIX. Photo by Brogi.
Painted panel in grisaille with an allegorical female figure., undated, inclusive
General note
One of a series of seven: see XXXIX. A.6. and XCII. C.3. Formerly in Villa Natalia. Then in LXXIV, this panel is now stored in LXXVI. numbered 408.
2 Works of art from the collection in previous displays
Sculpture in painted wood of the Madonna and a pair of angels holding candlesticks (statuettes in wood) with a wall hanging behind, undated, inclusive
General note
The Madonna (A.9.) now in Room XXXII, the angels (C.17.) now in Room XXXII. Annotated on the verso "Sala Pranzo".
Sculpture in painted wood of the Madonna and a pair of angels holding candlesticks (statuettes in wood) with a wall hanging behind, undated, inclusive
General note
The Madonna (A.9.) now in Room XXXII, the angels (C.17.) now in Room XXXII.
Oversize, II.B.2. folder 216a.
Sculpture in painted wood of the Madonna between a pair of kneeling angels (statuettes in wood), undated, inclusive
General note
The angels (C.9.) are in Room XXXII.
Oversize, II.B.2. folder 216b.
Pair of white marble putti displayed on a sarcophagus resting on a table, undated, inclusive
General note
The two putti (C.3.) now in Room X.
Three large candlesticks, undated, inclusive
General note
The candlestick on the right (A.4.) now in Room IX.
Three large candlesticks, undated, inclusive
General note
The candlestick in the centre (C.4.) now in Room XXXI.
Display case of majolica with a cupboard below, undated, inclusive
General note
The jug in the centre (A.28.) now in Room XXXI.
Majolica jug between two majolica vases, undated, inclusive
General note
The jug (A.28.) is now in Room XXXI.
Three majolica jugs, undated, inclusive
General note
The one on the left (A.14.) is now in Room XXXI.
Four large majolica oil jars photographed on the steps of the main entrance of Villa La Pietra, undated, inclusive
General note
The one on the right (A.10.) is now in Room XXI.
Three large Impruneta oil jars photographed on the steps of the main entrance of Villa La Pietra, undated, inclusive
General note
The one on the right (C.11.) is now in Room XXVIII.
Seven oil jars photographed outside with fragments of fabrics as a backcloth, undated, inclusive
General note
The one in the centre (A.7.) is now in Room XII.
Four wrought iron andirons and stands for fireplaces, undated, inclusive
General note
The andirons in the centre (C.13.) are now in Room XXXII. Annotated with measurements on the recto.
Group of objects including a lamp, candle, fan, Chinese robe, vases, and small sculptures, undated, inclusive
General note
The alabaster bowl with glass fruits (C.22.) is now in Room IX.
Interior with a chest, two chairs, a cushion, a sculpture of the Madonna and Child, and candlesticks, undated, inclusive
General note
The chest (B.8.) is now in Room XXI.
Table with two chairs, two statuettes, a ewer and [Chinese] vessels, undated, inclusive
General note
The table (E.6.) is now in Room LXI.
3 Works of art formerly part of the collection but whereabouts at present unknown
Painting of the Madonna and Child, undated, inclusive
General note
Attributed to Domenico di Michelino. Annotated with measurements on the verso.
Painting of the Madonna enthroned with Saints, undated, inclusive
General note
Attributed to Cola di Petrucciola, formerly in Room XXX. Annotated on the verso with measurements
Painting of the Coronation of the Virgin, undated, inclusive
General note
Including two details of the head of Christ. One annotated on the verso "Florentine follower of Agnolo Gaddi". Attributed by Miklos Boscovits ( "Pittura Fiorentina alla vigilia del Rinascimento", 1975) to Antonio Veneziano, with provenance as 'formerly New York, Collezione Hurd'.
Painting of the Coronation of the Virgin with Saints and angels, undated, inclusive
General note
Attributed to the Maestro di Calenzano. Annotated on the verso. Stolen in February 1978 (information from Historic Album 1, number 213. attributed by Miklos Boscovits). "Pittura Fiorentina alla vigilia del Rinascimento", 1975) to the 'Maestro dell'Incoronazione di Christ Church', with provenance as 'formerly in a private collection in Florence'.
Painting of the Coronation of the Virgin with Saints and angels, undated, inclusive
General note
Attributed to the Maestro di Calenzano. Stolen in February 1978 (information from Historic Album 1, number 213).
Oversize, II.B.3. folder 216c.
Painting of the Nativity, undated, inclusive
Painting of two harlequins, undated, inclusive
Portrait of HMA in the gardens of Villa La Pietra, undated, inclusive
General note
Signed by James Montgomery Flagg. See I.A.6.2.-148.
Statuette of a river god, undated, inclusive
Painting of [Venus], undated, inclusive
General note
attributed to Paolo Veronese, annotated on the verso with measurements. Stolen 28/29 September 1983.
Photo Reali, Firenze (numbered 163. on the verso).
Painting of a child with a crown, undated, inclusive
General note
Annotated on the verso "Principe polacco" with measurements. Stolen 28/29 September 1983.
Photo Reali, Firenze (numbered 166. on the verso).
Painting of a landscape with a river, cascades, Roman ruins and pastoral scenes., undated, inclusive
General note
Annotated on the verso "Orazio Vernet" with measurements. Stolen 28/29 September 1983.
Photo Reali, Firenze (numbered 176. on the verso).
Painting of a landscape with pastoral scene., undated, inclusive
General note
Annotated on the verso "paesaggio francese. Zuccarelli". Stolen 28/29 September 1983.
Portrait of King Ferdinand I and IV of the Two Sicilies in an oval frame, undated, inclusive
General note
Annotated on the verso. Stolen 28/29 September 1983.
Photo Reali, Firenze (numbered 170. on the verso).
Tempera panel, undated, inclusive
General note
Color transparency by Barsotti, Firenze.
Tempera panel, undated, inclusive
General note
Color transparency by Barsotti, Firenze.
No image available for inspection, undated, inclusive
Statue of Diana and the stag, undated, inclusive
General note
Formerly in Room XII. See II.B.1.XII.-2., photographed on a pedestal in Room XII.
Statue of Diana and the stag, undated, inclusive
General note
Formerly in Room XII. See II.B.1.XII.-2.
Pedestal of the Statue of Diana and the stag, undated, inclusive
General note
Formerly in Room XII. See II.B.1.XII.-2.
Sculpture: bust of the Redeemer, undated, inclusive
General note
See II.B.1.LXI.-2.
Statuette of a winged figure, undated, inclusive
General note
Annotated on the verso "La Pietra Cucina".
Statuette of a pair of putti sirens, undated, inclusive
General note
See II.B.1.XII.-1.12.-57.
Table, undated, inclusive
Cupboard with open shelves, undated, inclusive
Detail of the signature of a painter with the date 1734., undated, inclusive
Four jars photographed on the steps of the entrance to Villa La Pietra (Antingresso), undated, inclusive
General note
Numbered 1.-4. on the recto.
Three jars photographed on the steps of the entrance to Villa La Pietra (Antingresso), undated, inclusive
General note
Numbered 11. and 12. on the recto.
4 Collection related interiors (furniture), paintings and sculpture
Interiors, featuring tables, some annotated on the verso with measurements, undated, inclusive
Interior, featuring a table, undated, inclusive
General note
Annotated on the verso: "Libreria dorata già Natalia".
Interiors, featuring tables, some annotated on the verso with measurements, undated, inclusive
Interiors, featuring cupboards, undated, inclusive
Interior, featuring a chair, undated, inclusive
Interiors, featuring beds, undated, inclusive
Interior, featuring a sculpture of a cupid, undated, inclusive
Interior, with a female statue, a chair, and a tabernacle with a relief of the Madonna and Child, undated, inclusive
Interior with a table and chairs, undated, inclusive
Interior featuring a table, undated, inclusive
Interior with a painted chest of drawers and oriental style vases, undated, inclusive
General note
Found in an envelope labelled "Villa Monte Gufoni". Villa Montegufoni was owned by the Sitwells.
Interior with painted panels, undated, inclusive
Interior, with vases, candlesticks and a large tray, undated, inclusive
Interior, with a fireplace, undated, inclusive
Interior with a carved doorway and three plates in the background, undated, inclusive
General note
Now D.1. in Room XXI.
Interior with a Gobelin tapestry, undated, inclusive
General note
Annotated on the verso with measurements and a detailed description of the subject matter
Interiors with tables, chairs, and objets d'art, undated, inclusive
No image available for inspection, undated, inclusive
No image available for inspection, undated, inclusive
Interior with numerous paintings and works of art, undated, inclusive
Interior with a carved doorway, a staircase, and elaborate vases on pedestals, undated, inclusive
Interior, ca. 1900, inclusive
General note
Annotated on the verso by AA: "Palazzo Canigiani - Mrs. Helen Maclean's apartment in Palazzo Canigiani, Via dei Bardi, 1900-1903". Mounted on board and labelled "Giacomo Brogi - Firenze" on the recto.
Oversize, II.B.4. folder 217.
Interior with an elaborately carved fireplace, undated, inclusive
General note
Damaged print.
Oversize, II.B.4. folder 218.
Interior with chandeliers and wall paintings, undated, inclusive
General note
On the verso the rubber stamp of: "Galerie E. Imbert, 38 Rue Monte Napoleone, Milano".
Oversize, II.B.4. folder 219.
No image available for inspection, undated, inclusive
Painting: Madonna and Child with two Saints and angels [Sano di Pietro], undated, inclusive
General note
See XX.A.31.
Painting: Madonna of the Misericordia, undated, inclusive
General note
See XXXI. C.1.
Oversize, II.B.4. folder 220.
Painting: St Jerome, undated, inclusive
General note
See LX. A.3. Photo by Alinari with the caption on the recto: n. 27420. Roma, Galleria Nazionale - già Corsini. San Girolamo. Marco Palmezzano.
Painting: St John the Evangelist by Lippo di Benivieni, undated, inclusive
General note
See LXV. A.11. Photo from the National Gallery of Canada, Ottawa, with details on the verso (sent to HA with a letter dated 22 October 1968.
Painting: Moses providing water in the desert by Leandro Bassano, undated, inclusive
General note
See LXXVI-LXXVII. A.10 and D.3. Photo by Alinari with the caption on the recto: n. 38868. Venezia Raccolta Privata Mosè fa scaturire le acque (Leandro Bassano).
Painting: Moses providing water in the desert by Leandro Bassano, undated, inclusive
General note
See LXXVI-LXXVII. A.10 and D.3. Annotated on the verso with measurements and price.
Painting: Return of the Prodigal Son [school of Bassano], undated, inclusive
General note
See LXXVI-LXXVII. A.10 and D.3.
Painting: Return of the Prodigal Son [school of Bassano], undated, inclusive
General note
See LXXVI-LXXVII. A.10 and D.3.
Painting: Return of the Prodigal Son [school of Bassano], undated, inclusive
General note
See LXXVI-LXXVII. A.10 and D.3.
Oversize, II.B.4. folder 220a.
No image available for inspection, undated, inclusive
Painting: Venus and Cupid [by Giorgio Vasari], undated, inclusive
General note
See XLVIII. B.19.
Painting: Venus and Cupid by Giorgio Vasari, undated, inclusive
General note
See XLVIII. B.19.
Painting: a Venetian interior, undated, inclusive
General note
See XLVII. D.1. Printed on the verso: Venezia, Ca' Rezzonico: Maniera del Longhi - Al Ridotto. Photo by Fiorentini, Venezia.
No image available for inspection, undated, inclusive
No image available for inspection, undated, inclusive
No image available for inspection, undated, inclusive
Paintings: Two landscapes with genre scenes, undated, inclusive
Painting: Landscape with three figures in an elaborate frame, undated, inclusive
General note
Photo by Brogi.
No image available for inspection, undated, inclusive
Fresco of Orpheus and Euydice by Giovanni da San Giovanni, undated, inclusive
General note
See XLII. D.12. Photo by the Fogg Museum of Art, Cambridge, Massachusetts (who acquired the fresco in 1937), sent with a letter to AA in 1940.
Fresco, undated, inclusive
General note
See II.B.4.25.-27. above, see XLII. D.12. Annotated on the verso "by Giovanni Francesco Barbiere (Il Guercino), Diana with Apollo", also with measurements
Oversize, II.B.4. folder 221.
Sculpture: Relief of the Madonna and Child, undated, inclusive
General note
See XXX. A.1.
Sculpture: Relief of the Madonna and Child, undated, inclusive
General note
See XXVIII. D.4.
No image available for inspection, undated, inclusive
Sculpture: Relief of the Madonna and Child [by Donatello], undated, inclusive
General note
Loosely connected to XXXII. A.13.-2.
Sculpture: Relief of the Madonna and Child [by Donatello], undated, inclusive
General note
See II.B.4.25.32.-35.,above. Loosely connected to XXXII. A.13.-2.
Oversize, II.B.4. folder 222.
Sculpture: Relief [fragment] of the Madonna in Adoration with St Joseph, undated, inclusive
General note
See XXXI. A.1.
No image available for inspection, undated, inclusive
No image available for inspection, undated, inclusive
Sculpture: Relief of the Madonna and Child, with candelabra, undated, inclusive
General note
See IX.A.19 and XXXII.C.20.
Sculpture: Relief of the Madonna and Child, with candelabra, undated, inclusive
General note
See IX.A.19 and XXXII.C.20.
Sculpture: Relief of the Madonna and Child, undated, inclusive
General note
See XLVIII. A.19. Photo by Alinari captioned on the recto: "n. 38921
Venezia, Museo Correr, Vergine col figlio. Stucco policromo (Jacopo Sansovino)".
Sculpture: Relief in papier machè and stucco of the Madonna and Child by Jacopo Sansovino, undated, inclusive
General note
See XLVIII. A.19. Photo owned by the National Gallery of Art (labelled on the verso with details.
Sculpture: statues in wood: the Madonna and St John the Evangelist in mourning at the foot of the Cross, undated, inclusive
General note
See XXXII. C.1. and C. 18.
Oversize, II.B.4. folder 223.
Sculpture: [terracotta] statuette of Mary Magdalene, undated, inclusive
General note
See XIX. B.2.
Sculpture: relief of St Jerome in the desert, undated, inclusive
General note
See XLVIII.A.17.
Sculpture: relief of St Jerome, undated, inclusive
General note
See XLVIII.A.17.
Sculpture: classical female head, undated, inclusive
General note
See IX. A.21. One annotated on the verso "Corridoio".
Sculpture: classical torso, undated, inclusive
General note
See IV. A.4. Photo by Brogi.
Sculpture: bronze statuette of Hercules and the bull, undated, inclusive
General note
See XLII. D.14. Annotated on the verso "Hercules fighting the Cretan bull".
Sculpture: statuette of a nude youth, undated, inclusive
General note
See XXXII. D.10.
Sculpture: wooden high relief of the Madonna and Child, undated, inclusive
General note
See XXXII. D.1. Annotated on the verso with the height.
Sculpture: wooden high relief of the Madonna and Child, undated, inclusive
General note
See XXXII. D.1. Annotated on the verso with the height.
Sculpture: wooden statue of the Madonna and Child enthroned, undated, inclusive
General note
See XXXI. A.37.
Sculpture: [plaster casts] of putti, undated, inclusive
General note
See XX. A.11.
Sculpture: putti representing the Four Seasons, undated, inclusive
General note
See XII.A.12.
Sculpture: mannequins, undated, inclusive
General note
See LXI. B.1.
Oversize, II.B.4. folder 224.
Decorative sculpture: a relief, undated, inclusive
General note
See XXXII. A.10.
Decorative sculpture: a marble vase, undated, inclusive
General note
See the vase in IX. on A.26.
Decorative sculpture: displays of miscellaneous pieces, undated, inclusive
General note
Numbered by hand on the recto, including reliefs, architectural fragments, candelabra, statuettes, busts, statues, columns, vases, coats of arms, brackets, plaques, masques, etc. Some of the prints include pieces from the collection, or formerly in it, or related to it.
Decorative sculpture: statuettes of a mermaid and a merman, undated, inclusive
General note
These also appear in II.B.4.25.-71. One annotated on the verso with measurements.
Decorative sculpture: a lantern, undated, inclusive
General note
See XXVIII. F.1.
Furniture: a cupboard, undated, inclusive
General note
See XXI. B.8. Photo by Alinari, captioned on the recto: "n.. 20343
Fiesole, chiesa di S. Maria Primerana. Sagrestia. Armadio scolpito e intarsiato (XV secolo).".
5 Historic Albums mostly of the interior and works of art at present in the Collection or probably formerly once belonging to it.
Scope and Contents note
This is one of a series of canvas-bound albums with photographs pasted on to the pages and numbered as follows:
Folder 1. Album labelled "1. Collezione Acton"
Duplicate of II.B.1.XXX. A.10.-3.15.-16., undated, inclusive
General note
Also in Historic Album II.
Near duplicate of II.B.1.XXX. B.4.-1.15.-27., undated, inclusive
Duplicate of II.B.1. XXX. A.10.-2.15.-15., undated, inclusive
General note
Also in Historic Album II.
Duplicate of a seated wooden statue of the Madonna and Child in IV.A.4.8.20.-1.-4., undated, inclusive
General note
Also in Historic Album I. The label with the number 203. is countersigned 'no'.
Duplicate of II.B.1.IX. C.4.-2.12.-40., undated, inclusive
General note
Also in Historic Album I. Photo by Brogi.
Duplicate of II.B.4.25.-49., undated, inclusive
General note
Also in Historic Album I. The label with the number 205. is not countersigned with a 'tick'.
Duplicate of II.B.1.XXXII. D.5.-2.17.-77., undated, inclusive
General note
Photo by Brogi.
Near duplicate of II.B.3.23.-2., undated, inclusive
Duplicate of II.B.1.XLVIII. B.11.-3.18.-53., undated, inclusive
General note
Also in Historic Album II.
Near duplicate of II.B.1. XLVIII. B.23.-1.18.-70., undated, inclusive
General note
Also in Historic Album VII.
Near duplicate of II.B.1. XLVIII. A.11.-1.18.-40., undated, inclusive
General note
Also in Historic Album II.
Near duplicate of II.B.1. XLVIII. B.22.-1.18.-66., undated, inclusive
General note
Also in Historic Album II.
Duplicate of painted Crucifix in IV.A.1.2.15.-1.-3., undated, inclusive
General note
The numbered label is not countersigned with a 'tick'.
Photo missing, undated, inclusive
General note
Page annotated: "Maestro di Calenzano, Incoronazione, rubato febbraio '78", and the numbered label countersigned with 'no'. See II.B.3.23.-10.
Duplicate of II.B.1. XXXII. D.5.-3.17.-78, undated, inclusive
General note
Also in Historic Album I.
Near duplicate of II.B.1. XLVIII. D.14.-1.18.-87, undated, inclusive
General note
Also in Historic Album II.
Duplicate of a painting of the Madonna 'del latte' in IV.A.1.1.29.-1.-2., undated, inclusive
General note
Also in Historic Album II. Photo by Brogi. The numbered label is not countersigned with a 'tick'.
Near duplicate of II.B.1. XXXI. D.9.-1.16.-56., undated, inclusive
General note
Also in Historic Album II.
Duplicate of II.B.1. LXV. A.1.-1.21.-15., undated, inclusive
General note
Also in Historic Album II.
Duplicate of II.B.1.LXV. A.1.-2.21.-16., undated, inclusive
General note
Also in Historic Album II.
IX. D.2., undated, inclusive
General note
DIPINTO olio su tela: San Girolamo con il sasso della penitenza e il libro delle Scritture. Cornice lignea intagliata e dorata. h. 101 l. 82,5 Attribuito a Giuseppe Antonio Petrini. Photo by Brogi. See also oversize, II.B.1.IX.D.2. folder 161.
Duplicate of a detail of a frescoed female head in oversize IV.A.3.7. folder 271.-5., undated, inclusive
General note
The label with the number 221. is countersigned 'no'.
Duplicate of II.B.3.23.-8., undated, inclusive
General note
The label with the number 222. is countersigned 'no'.
Near duplicate of II.B.1.LII. A.62.19.-24., undated, inclusive
Duplicate of II.B.1.XXX. D.1.-4.15.-53., undated, inclusive
General note
Also in Historic Album II.
Near duplicate of II.B.3.23.-14., undated, inclusive
General note
The label with the number 225. is not countersigned with a 'tick'.
Duplicate of II.B.1.XXX. C.1.-4.15.-44., undated, inclusive
LIII. D.11.-2., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea dorata: Madonna col Bambino. h. 23,5 l. 18,5 Pittore senese del XIV secolo See also II.B.1.LIII. D.11.-2.19.-43.
Duplicate of II.B.1.XXVIII. A.3.-3.14.-76., undated, inclusive
General note
With the number 228. on the recto.
Duplicate of II.B.1.XXVIII. C.6.-1.14.-92., undated, inclusive
General note
With the number 229. on the recto.
Duplicate of II.B.1.XXXI. D.1.-3.16.-49., undated, inclusive
General note
With the number 230. on the recto, also in Historic Album II.
Near duplicate of II.B.1.LIII. A.57.19.-23., undated, inclusive
Duplicate of II.B.1.XXXII. D.7.-2.17.-81., undated, inclusive
Duplicate of a detail of a frescoed female head in oversize IV.A.3.7. folder 271.-7., undated, inclusive
General note
The label with the number 233. is countersigned 'no'.
Duplicate of a detail of a frescoed female head in oversize IV.A.3.7. folder 271.-16., undated, inclusive
General note
The label with the number 234. is countersigned 'no'.
Near duplicate of II.B.1.XXXI. C.7.-1.16.-28., undated, inclusive
General note
But including a chest in the foreground and a wall hanging in the background, also in Historic Album II.
Near duplicate of II.B.1.XX. A.20.13.-77., undated, inclusive
General note
Photo by Brogi, also in Historic Album I.
Crucifix, undated, inclusive
General note
The label with the number 237. is not countersigned with a 'tick'.
XLVIII. D.39., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea modanata: San Giuliano trasporta sul fiume un pellegrino.
h. 33 l. 53
Ambrogio di Baldese.
See also II.B.1.XLVIII. D.39.18.-94.
Duplicate of II.B.1.XXI. A.4.-4.14.-15., undated, inclusive
Duplicate of II.B.1.XXI. A.4.-6.14.-17., undated, inclusive
LXV. A.11.-3., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo.
h. 102 l. 129
Lippo di Benivieni XIV secolo.
See also II.B.1.LXV. A.11.-3.21.-23.
Duplicate of II.B.1.XLVIII. B.19.-1.18.-61., undated, inclusive
General note
Also in Historic Album II.
Duplicate of II.B.1.LXI. A.12.-7.20.-39., undated, inclusive
Duplicate of II.B.1.XXVIII. A.14.-2.14.-82., undated, inclusive
General note
With the number 244. on the recto. Photo by Brogi.
Duplicate of a majolica vase with the Medici heraldic device in IV.A.8.12.8.-1.-4., undated, inclusive
General note
The label with the number 245. is not countersigned with a 'tick'.
Duplicate of II.B.1.XXXI. C.7.-8.16.-35., undated, inclusive
Near duplicate of II.B.1.XXXII. D.2.-4.17.-73., undated, inclusive
General note
With the number 247. on the recto. Also in Historic Album II and III.
Near duplicate of II.B.1.XXVIII. C.5.14.-91., undated, inclusive
General note
Photo by Brogi.
Near duplicate of II.B.1.LXV. A.11.-4.21.-24., undated, inclusive
General note
With the number 249. on the recto. also in Historic Album II.
Duplicate of Crucifix in IV.A.1.2.29.-1., undated, inclusive
General note
The label with the number 250. is not countersigned with a 'tick'.
Duplicate of II.B.1.XXI. E.5.-3.14.-57., undated, inclusive
General note
Photo by Brogi.
Duplicate of II.B.1.IX. B.1.-1.12.-36., undated, inclusive
General note
Also in Historic Album I.
Duplicate of II.B.1.XII. A.10.-1.12.-91., undated, inclusive
General note
Also in Historic Album I.
Duplicate of II.B.4.25.-47., undated, inclusive
General note
With the number 254. on the recto. Photo by Brogi. The label with the number 254 is not countersigned with a 'tick'.
Near duplicate of II.B.1.XXX. B.4.-2.15.-28., undated, inclusive
General note
With the number 255. on the recto, but on the verso 'Brogi 201'.
XXVIII. A.6., undated, inclusive
General note
DIPINTO a olio su tela con cornice lignea intagliata e dorata: Flora con putto. h. 138 l. 112,5 Pittore fiammingo del XVII secolo See also II.B.1.XXVIII. A.6.14.-79.
XLVIII. B.1.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata, dipinta e dorata con protomi umane e girali fioriti che si dipartono da un vaso: Scena mitologica: L'Età dell'Oro. h. 222,5 l. 322 Pittore veneto dell'ultimo quarto del XVI secolo. See also II.B.1.XLVIII. B.1.-2.18.-47.
Duplicate of II.B.1.XII. A.3.-1.12.-86., undated, inclusive
Duplicate of II.B.1.XII. A.13.-1.12.-93., undated, inclusive
General note
With the number 259. on the recto. Photo by Brogi. Also in Historic Album I.
Duplicate of II.B.1.XII. A.13.-3.12.-95., undated, inclusive
General note
Photo by Brogi. Also in Historic Album I.
Duplicate of II.B.1.X. C.7.-2.12.-55., undated, inclusive
General note
With the number 261. on the recto. Photo by Brogi. Also in Historic Album I.
Near duplicate of II.B.1.LXI. B.8.-1.20.-46., undated, inclusive
General note
With the (erroneous) number 280. Also in Historic Album I.
Duplicate of II.B.1.Ibis. C.8.-2.12,-8., undated, inclusive
General note
With the number 263. on the recto, also in Album II but numbered 203.
XXX. B.5.-2., undated, inclusive
General note
DIPINTO a tempera su tavola con cornice lignea dorata e dipinta: Madonna col Bambino, i santi Pietro e Paolo e angeli. Nell'aureola della Madonna : "Ave Gratia Plena..." e nell'aureola del Bambino: "Ego Sum...".
h. 125 l. 90
Siena, Sano di Pietro.
See also oversize, II.B.1.XXX. B.5.-2. folder 185.
Photo by Brogi.
Duplicate of II.B.1.XXXII. D.7.-4.17.-83., undated, inclusive
General note
With the number 265. on the recto. Also in Historic Album II.
Duplicate of II.B.1.XXXII. D.7.-5.17.-84., undated, inclusive
General note
With the number 266. on the recto. Also in Historic Album II.
Duplicate of a detail of a painted Crucifix in IV.A.1.2.17.-1., undated, inclusive
General note
The label numbered 267. is not countersigned with a 'tick'.
Photo missing., undated, inclusive
General note
The label numbered 268. is not countersigned with a 'tick'.
Duplicate of II.B.1.XLVIII. C.10.-3.18.-80., undated, inclusive
XLVIII. A.2.-1., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea intagliata, dipinta e dorata: Madonna che adora il Bambino con melagrana e arancia. Stemmi nella parte inferiore della cornice e scritta: "Ave Maria Gratia plena Dominus T." h. 123 l. 92,5 Francesco Pesellino. See also II.B.1.XLVIII. A.2.-1.18.-32.
Duplicate of II.B.1.XX. A.31.-5.13.-86., undated, inclusive
XXX. A.5., undated, inclusive
General note
DIPINTO a tempera su tavola: Il Beato Davino d'Armenia. Iscrizione: "Hic Iacet Corpus Sancti Davini De Arminea". Cornice sagomata e dorata. h. 73 l. 204 Maestro lucchese (?) del XV secolo. See also oversize, II.B.1.XXX. A.5. folder 182. Photo by Brogi.
Near duplicate of II.B.1.Ibis. A.3.12.-5., undated, inclusive
XXXII. D.7., undated, inclusive
General note
DIPINTO (polittico d'altare) a tempera su tavola, con cornice lignea scolpita e dorata: Madonna in trono col Bambino e i santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate nelle cuspidi: Madonna della Misericordia, l'Annunciazione e santa Margherita. h. 171 Pittore fiorentino della fine del XIV secolo. Detail of the Madonna in trono col Bambino See also II.B.1.XXXII. D.7.-7.17.-86.
Duplicate of II.B.1.XX. A.10.-1.13.-74., undated, inclusive
Duplicate of a battle scene in IV.A.1.3.22.-1., undated, inclusive
General note
Photo by Brogi. The label with the number 276. is not countersigned with a 'tick'.
Duplicate of II.B.1.XLVII. D.1.-3.18.-12., undated, inclusive
General note
Also in Historic Album IV.
Duplicate of II.B.1.X. C.4.12.-53., undated, inclusive
General note
Numbered 278. on the recto. Also in Historic Album IX. The label with the number 278. is not countersigned with a 'tick'.
Duplicate of II.B.1.XX. A.11.13.-76., undated, inclusive
General note
Photo by Brogi.
XX. D.1., undated, inclusive
General note
TONDO a bassorilievo in terracotta parzialmente invetriata con putto su delfino entro ghirlanda di frutti e foglie. d. 85 ca. Bottega robbiana (?) del XVI secolo (?).
XXXII. A.13., undated, inclusive
General note
RILIEVO in stucco con tracce di policromia: Madonna che adora il Bambino, in tabernacolo ligneo intagliato, dipinto e dorato. h. 130 l. 121,5 Bottega di Donatello della metà del XV secolo. See also II.B.1.XXXII. A.13.17.-29.
Duplicate of II.B.1.XXI. B.6.-3.14.-29., undated, inclusive
General note
Also in Historic Album I.
Duplicate of II.B.1.XXI. B.6.-1.14.-27., undated, inclusive
General note
Also in Historic Album I.
Duplicate of II.B.1.XXI. B.6.-4.14.-30., undated, inclusive
General note
Also in Historic Album I.
IX. A.8., undated, inclusive
General note
DIPINTO olio su tela con cornice lignea intagliata e dorata a mecca: Dama con cagnolino. h. 158 l. 127 Paris Bordone (?), metà del XVI secolo. See also II.B.1.IX. A.8.12.-20.
XLVIII. D.10.-2., undated, inclusive
General note
DIPINTO a tempera su tavola entro teca: Madonna in trono col Bambino tra due santi e due angeli (dietro la teca cartellino: Mostra Giottesca 1937 n. 213 h. 43 l. 37,5 Maestro della Maddalena (attribuita dall'Offner) ultimo quarto del XIII secolo (1275 ca.). See also II.B.1.XLVIII. D.10.-2.18.-86.
Duplicate of II.B.1.XIX. B.6.13.-27., undated, inclusive
General note
Photo by Brogi. Also in Historic Album I.
Photo missing, 1925, inclusive
General note
Replaced by a photocopy of a drawing of HA signed by Pruna and dated 1925, Paris. See I.C.11.8.-92. The label with the number 288. is not countersigned with a 'tick'.
XXXII. D.2.-5., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna in trono col Bambino giglioforo e due angeli. h. 132,5 l. 77,5 Pittore fiorentino della seconda metà del XIII secolo. See also II.B.1.XXXII. D.2.-5.17.-74. Photographed on an easel with a relief of the Madonna and Child and a bust of the Redeemer in the background.
XXX. A.10.-1., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono e angeli. h. 120 l. 59 Maestro del Bigallo (?), metà del XIII secolo. See also II.B.1.XXX. A.10.-1.15.-14. Photographed on an easel with a relief of the Madonna and Child and a bust of the Redeemer in the background.
Near duplicate of II.B.1.LXV. D.12.-1.21.-31., undated, inclusive
Duplicate of II.B.1.LX. D.1.-1.20.-20., undated, inclusive
General note
Photo by Brogi.
Duplicate of II.B.1.XLVIII. A.19.18.-45., undated, inclusive
Duplicate of II.B.1.XXI. C.10.-2.14.-52., undated, inclusive
General note
Also in Historic Album II.
Near duplicate of II.B.1.LVI. B.1.19.-73., undated, inclusive
General note
Photo by Brogi. Also in Historic Album II.
Duplicate of II.B.1.XXX.-1.15.-1., undated, inclusive
General note
Photo by Brogi.
Duplicate of II.B.1.XXXII.-9.17.-9., undated, inclusive
General note
Photo by Brogi. Also in Historic Album I.
Duplicate of II.B.1.XXXII.-10.17.-10., undated, inclusive
General note
Photo by Brogi. Also in Historic Album I.
Duplicate of II.B.1.XII.-21.12.-79., undated, inclusive
General note
Photo by Brogi.
Folder 2. Album labelled "2. Collezione Acton"
Scope and Contents note
This is one of a series of canvas-bound albums with photographs pasted on to the pages and numbered as follows:
Near duplicate of II.B.1.LXV. B.6.21.-26., undated, inclusive
Near duplicate of II.B.1.XXXII. C.11.-4.17.-57. (but with a capital in the background), undated, inclusive
Duplicate of II.B.1.XII. A.42.-1.12.-108., undated, inclusive
Duplicate of II.B.1.IX. C.15.12.-44., undated, inclusive
General note
Also in Historic Album I.
Duplicate of II.B.1.IX. C.1.12.-38., undated, inclusive
General note
Also in Historic Album I.
Duplicate of II.B.1.LVI. C.1.-1.19.-76., undated, inclusive
Duplicate of II.B.1.XXXII. C.1.-4.17.-47., undated, inclusive
Duplicate of II.B.1.XXXII. C.1.-5.17.-48., undated, inclusive
Duplicate of II.B.1.XXXII. C.18.-5.17.-64., undated, inclusive
Duplicate of II.B.1.XXXII. C.18.-6.17.-65., undated, inclusive
Near duplicate of II.B.1.LX. A.10.-1.20.-7., undated, inclusive
Duplicate of II.B.1.LX. A.10.-2.20.-8., undated, inclusive
Duplicate of II.B.1.XLVIII. D.20.-2.18.-91., undated, inclusive
General note
With the caption: "attribuita a Bonaventura Segna allievo di Duccio di Boninsegna".
XXX. B.16., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino. h. 61,5 l. 39 Bernardo Daddi metà del XIV secolo. Annotated on the album page: "Pubblicato Vedi Tavola [1]93 Novembre 1935". See also II.B.1.XXX. B.16.-2.15.-36.
XXX. A.9., undated, inclusive
General note
DIPINTO a olio (?) su tavola: Madonna che adora il Bambino e un angelo. Nella cornice iscrizione: "Ave Maria Gratia Plena Dominus teco" e due stemmi: a tre gigli e rastrello nella parte superiore, sotto vaio rosso in campo blu tripartito con scacchiera, tre cerchi d'oro in campo rosso e fasce verticali blu e oro. h. 74 l. 63,5 Iacopo del Sellaio, seconda metà del XV secolo. See also II.B.1.XXX. A.9.15.-13.
Duplicate of II.B.1.LXXVI. D.3.-1.21.-49., undated, inclusive
General note
Also in Historic Album II. The label numbered 315. not countersigned with a 'tick'.
Photos missing, replaced at an unknown date by photocopies of (duplicate) prints of the gardens of Villa La Pietra., undated, inclusive
Crucifix, undated, inclusive
General note
Detail, n. 349, is in IV.A.1.2.13.-1. The label numbered 348. not countersigned with a 'tick'.
Duplicate of a Crucifix - detail of the torso of Christ in IV.A.1.2.13.-1., undated, inclusive
V. A.1., undated, inclusive
General note
DIPINTO a olio su tela con Martirio di S. Sebastiano, in cornice lignea scolpita e dorata (da villa Sassetti. h. 203 l. 137 Pittore veneto del XVII secolo.
Duplicate of II.B.4.25.-22., undated, inclusive
General note
The label numbered 351. not countersigned with a 'tick'.
Duplicate of II.B.1.XXXII. A.19.-1.17.-37., undated, inclusive
Duplicate of II.B.1.XXXII. D.1.-1.17.-68., undated, inclusive
Duplicate of II.B.1.XXXII. D.10.17.-87., undated, inclusive
Duplicate of II.B.1.XIX. E.8.-3.13.-32., undated, inclusive
Duplicate of a garden gate in IV.A.7.11.39.-1.-2., undated, inclusive
General note
The label numbered 356. not countersigned with a 'tick'.
Duplicate of a garden gate in IV.A.7. 11.39.-3.-4., undated, inclusive
General note
The label numbered 357. not countersigned with a 'tick'.
Duplicate of a garden gate in IV.A.7. 11.39.-5.-6., undated, inclusive
General note
The label numbered 358. not countersigned with a 'tick'.
Duplicate of II.B.1.XXXII. A.19.-4.17.-40., undated, inclusive
Duplicate of a fresco in Villa Natalia, II.C.3. 34.-121., undated, inclusive
General note
The label numbered 360. not countersigned with a 'tick'.
Duplicate of a fresco in Villa Natalia, II.C.3. 34.-122., undated, inclusive
General note
The label numbered 361. not countersigned with a 'tick'.
Duplicate of II.B.1.LXXVI. C.2.-2.21.-47., undated, inclusive
Near duplicate of II.B.1.a.22.-26., undated, inclusive
Duplicate of a landscape in IV.A.1., undated, inclusive
General note
In the same series as no. 363. The label numbered 364. not countersigned with a 'tick'.
Duplicate of a landscape in IV.A.1., undated, inclusive
General note
In the same series as no. 363. The label numbered 365. not countersigned with a 'tick'.
Duplicate of a chair in IV.A.10., undated, inclusive
General note
The label numbered 366. not countersigned with a 'tick'.
Duplicate of II.B.1.LVI. C.8.19.-78., undated, inclusive
General note
The label numbered 367. not countersigned with a 'tick'.
Duplicate of chairs in IV.A.10. 13.11.-1.-2., undated, inclusive
General note
The label numbered 368. not countersigned with a 'tick'.
Duplicate of painted panel with birds in IV. A.2.6-10.-1.-2., undated, inclusive
General note
The label numbered 369. not countersigned with a 'tick'.
Duplicate of painted panel with birds in IV. A.2.6.11.-1.-3., undated, inclusive
General note
The label numbered 370. not countersigned with a 'tick'.
Duplicate of painted panel in Villa Emilia II.C.2.34.-58., undated, inclusive
General note
The label numbered 371. not countersigned with a 'tick'.
Duplicate of painted panel in Villa Emilia II.C.2.34.-61., undated, inclusive
General note
The label numbered 372. not countersigned with a 'tick'.
Duplicate of painted panel in Villa Emilia II.C.2. 34.-60., undated, inclusive
General note
The label numbered 373. not countersigned with a 'tick'.
Duplicate of II.B.1.a.22.-10., undated, inclusive
General note
Also in Historic Album IX.
The label numbered 374. not countersigned with a 'tick'.
Duplicate of II.B.1.a.22.-9., undated, inclusive
General note
Also in Historic Album IX.
The label numbered 375. not countersigned with a 'tick'.
Duplicate of II.B.1.a.22.-12., undated, inclusive
General note
Also in Historic Album IX.
The label numbered 376. not countersigned with a 'tick'.
Duplicate of II.B.1.a.22.-8., undated, inclusive
General note
Also in Historic Album IX.
The label numbered 377. not countersigned with a 'tick'.
Duplicate of II.B.1.a.22.-11., undated, inclusive
General note
Also in Historic Album IX.
The label numbered 378. not countersigned with a 'tick'.
Duplicate of painted panel with birds in IV.A.2.6.12.-1.-3., undated, inclusive
General note
The label numbered 379. not countersigned with a 'tick'.
Duplicate of painted panel with birds in IV.A.2. 6.13.-1.-2., undated, inclusive
General note
The label numbered 380. not countersigned with a 'tick'.
Duplicate of painted panel with birds in IV.A.2.6.14.-1., undated, inclusive
Duplicate of II.B.1.LIII. A.30.19.-22., undated, inclusive
Near duplicate of II.B.1.LXII. A.2.20.-55., undated, inclusive
General note
The label numbered 383. not countersigned with a 'tick'.
Duplicate of painted panel with birds in IV.A.2.7.38.-1.-3., undated, inclusive
General note
The label numbered 384. not countersigned with a 'tick'.
Duplicate of painted panel with birds in IV.A.2.7.37.-1.-4., undated, inclusive
General note
The label numbered 385. not countersigned with a 'tick'.
Duplicate of II.B.1.LXIV. C.2.21.-7., undated, inclusive
General note
Also in Historic Album IX.
Duplicate of painted panel with mythological scenes in IV.A.2.6.32.-2., undated, inclusive
General note
The label numbered 387. not countersigned with a 'tick'.
Duplicate of painted panel with mythological scenes in IV.A.2.6.32.-6., undated, inclusive
General note
The label numbered 388. not countersigned with a 'tick'.
Duplicate of painted panel with mythological scenes in IV.A.2.6.32.-1., undated, inclusive
General note
The label numbered 389. not countersigned with a 'tick'.
Duplicate of painted panel with mythological scenes in IV.A.2.32.-3., undated, inclusive
General note
The label numbered 390. not countersigned with a 'tick'.
Duplicate of painted panel with mythological scenes in IV.A.2.32.-7., undated, inclusive
General note
The label numbered 391. not countersigned with a 'tick'.
Duplicate of painted panel with mythological scenes in IV.A.2.32.-5., undated, inclusive
General note
The label numbered 392. not countersigned with a 'tick'.
Duplicate of an oval painted panel with birds in IV.A.2.6.16.-1.-3., undated, inclusive
General note
The label numbered 393. not countersigned with a 'tick'.
Duplicate of an oval painted panel with birds in IV.A.2.6.15.-1.-3., undated, inclusive
General note
The label numbered 394. not countersigned with a 'tick'.
Duplicate of a painted panel with birds in IV.A.2.6.17.-1.-3., undated, inclusive
General note
The label numbered 395. not countersigned with a 'tick'.
Duplicate of a painted panel with birds in IV.A.2. 6.18.-1., undated, inclusive
Duplicate of a painted panel with mythological scenes in IV.A.2.6.34.-1.-2., undated, inclusive
General note
The label numbered 397. not countersigned with a 'tick'.
Duplicate of a painted panel with mythological scenes in IV.A.2.6.33.-1.-2., undated, inclusive
General note
The label numbered 398. not countersigned with a 'tick'.
Duplicate of a painted screen (cupboard doors) in IV.A.2.7.20.-1.-9., undated, inclusive
General note
The label numbered 399. not countersigned with a 'tick'.
Folder 3. Album labelled "3. Collezione Acton"
Scope and Contents note
This is one of a series of canvas-bound albums with photographs pasted on to the pages and numbered as follows:
Duplicate of a painted screen (cupboard doors) in IV.A.2.7.20.-1.-9., undated, inclusive
General note
The label numbered 400. not countersigned with a 'tick'.
Duplicate of a painted screen (cupboard doors) in IV.A.2.7.20.-1.-9., undated, inclusive
General note
The label numbered 401. not countersigned with a 'tick'.
Duplicate of a painted panel in IV.A.2.7.6.-1. with architectural elements and genre scenes, undated, inclusive
Duplicate of a painted panel in IV.A.2.7.6.-2. with architectural elements and genre scenes, undated, inclusive
Duplicate of a painted panel in IV.A.2.7.6.-3. with architectural elements and genre scenes, undated, inclusive
Duplicate of a painted panel in IV.A.2.7.6.-4. with architectural elements and genre scenes, undated, inclusive
General note
The label numbered 405. not countersigned with a 'tick'.
Duplicate of a painted panel with architectural ruins in II.C.4.34.-182. (now in Villa Colletta), undated, inclusive
General note
The label numbered 406. not countersigned with a 'tick'.
Duplicate of a painted panel with architectural ruins in II.C.4.34.-181. (now in Villa Colletta), undated, inclusive
General note
The label numbered 407. not countersigned with a 'tick'.
Duplicate of II.B.1.a.22.-26.a., undated, inclusive
Duplicate of II.B.1.XXXII. A.19.-4.17.-39., undated, inclusive
Duplicate of II.B.1.LX. A.4.-1.20.-5., undated, inclusive
Duplicate of II.B.1.LX. A.12.-1.20.-11., undated, inclusive
General note
Also in Historic Album II.
Duplicate of II.B.1.LIII. C.31.19.-38., undated, inclusive
General note
Also in Historic Album IX.
Duplicate of II.B.1.a.22.-25., undated, inclusive
General note
The label numbered 413. not countersigned with a 'tick'.
Duplicate of II.B.1.a.22.-24., undated, inclusive
General note
The label numbered 414. not countersigned with a 'tick'.
Duplicate of a painted panel with birds in IV.A.2.6.19.-1.-4., undated, inclusive
General note
The label numbered 415. not countersigned with a 'tick'.
Duplicate of a painted panel with birds in IV.A.2.6.20.-1.-4., undated, inclusive
General note
The label numbered 416. is not countersigned with a 'tick'.
Duplicate of a painted panel with birds in IV.A.2.6.21.-1.-4., undated, inclusive
General note
The label numbered 417. is not countersigned with a 'tick'.
Duplicate of a painted panel with birds in IV.A.2.6.22.-1.-3., undated, inclusive
General note
The label numbered 418. is not countersigned with a 'tick'.
Duplicate of a painted panel with birds in II.C.4.34.-179. (now in Villa Colletta), undated, inclusive
General note
The label numbered 419. is not countersigned with a 'tick'.
Duplicate of a painted panel with birds in II.C.4.34.-178. (now in Villa Colletta), undated, inclusive
General note
The label numbered 420. is not countersigned with a 'tick'.
Duplicate of a painted panel with birds in IV.A.2.6.23.-1.-5., undated, inclusive
General note
The label numbered 421. is not countersigned with a 'tick'.
Duplicate of a painted panel with 'Chinoiserie' in II.C.4.34.-176. (now in Villa Colletta), undated, inclusive
General note
The label numbered 422. is not countersigned with a 'tick'.
Duplicate of II.B.1.L. A.8.-2.19.-2., undated, inclusive
Duplicate of II.B.1.L. A.8.-1.19.-1., undated, inclusive
Duplicate of II.B.1.XLVI. B.1.18.-7., undated, inclusive
Duplicate of II.B.1.LVI. B.3.19.-75., undated, inclusive
General note
Also in Historic Album I.
Duplicate of a painted bedhead in IV.A.10. 13.36.-1.-2., undated, inclusive
Painted bedhead, undated, inclusive
Duplicate of II.B.1.XX. B.2.-1.13.-92., undated, inclusive
General note
The label numbered 429. is not countersigned with a 'tick'.
Duplicate of a still life in II.C.5.35.-130. (Villa Sassetti), undated, inclusive
Duplicate of a still life in II.C.5.35.-128. (Villa Sassetti), undated, inclusive
General note
The label numbered 431. is not countersigned with a 'tick'.
Duplicate of a still life in II.C.5.35.-129. (Villa Sassetti), undated, inclusive
General note
The label numbered 432. is not countersigned with a 'tick'.
Duplicate of a still life in II.C.5.35.-131. (Villa Sassetti), undated, inclusive
General note
The label numbered 433. is not countersigned with a 'tick'.
Duplicate of II.B.4.25.-25., undated, inclusive
General note
The label numbered 434. is not countersigned with a 'tick'.
Duplicate of II.B.4.25.-26., undated, inclusive
General note
The label numbered 435. is not countersigned with a 'tick'.
Duplicate of II.B.4.25.-24., undated, inclusive
General note
The label numbered 436. is not countersigned with a 'tick'.
Duplicate of II.B.4.25.-23., undated, inclusive
General note
The label numbered 437. is not countersigned with a 'tick'.
Duplicate of II.B.1.LXXVI. C.5.21.-48., undated, inclusive
General note
Also in Historic Album II.
Duplicate of a painted panel in II.C.5.35.-150. (Villa Sassetti), undated, inclusive
Duplicate of a painted panel in II.C.5.35.-151. (Villa Sassetti), undated, inclusive
Duplicate of II.B.1.a.22.-3., undated, inclusive
General note
The label numbered 441. is not countersigned with a 'tick'.
Duplicate of II.B.1.a.22.-1., undated, inclusive
General note
Also in Historic Album II.
Duplicate of II.B.1.a.22.-2., undated, inclusive
General note
Also in Historic Album II.
Duplicate of II.B.1.a.22.-5., undated, inclusive
General note
Also in Historic Album II.
Duplicate of II.B.1.a.22.-7., undated, inclusive
General note
Also in Historic Album II.
Duplicate of II.B.1.a.22.-6., undated, inclusive
Duplicate of II.B.1.a.22.-4., undated, inclusive
General note
Also in Historic Album II.
Duplicate of II.B.1.L. E.4.-2.19.-8., undated, inclusive
Duplicate of II.B.1.L. E.4.-1.19.-7., undated, inclusive
Duplicate of painted screen in IV.A.2.7.17.-1.-3., undated, inclusive
Duplicate of II.B.1.LIII. D.4.19.-41., undated, inclusive
General note
Also in Historic Album II.
Duplicate of II.B.1.LIII.-1.19.-9., undated, inclusive
Duplicate photo of Villa La Pietra gardens missing and replaced at an unknown period by a photocopy, undated, inclusive
loose photo (possibly not originally here) of a duplicate of a painted panel with birds in IV.A.2.6.24.-1.-4., undated, inclusive
Duplicate of a painted panel with birds in IV.A.2.6.25.-1.-4., undated, inclusive
General note
The label numbered 455. is not countersigned with a 'tick'.
Duplicate of two painted panels with birds in IV.A.2.6.26.-1.-4., undated, inclusive
General note
The label numbered 456. is not countersigned with a 'tick'.
Duplicate of a painted panel in Chinese style in IV.A.2.7.21.-1.-3., undated, inclusive
General note
The label numbered 457. is not countersigned with a 'tick'.
Duplicate of a painted panel in Chinese style in IV.A.2.7.22.-1.-3. (Villa Natalia?), undated, inclusive
General note
The label numbered 458. is not countersigned with a 'tick'.
Duplicate of II.B.1.LVII. A.2.19.-81., undated, inclusive
Duplicate of II.B.1.LVII. A.2.19-80., undated, inclusive
Duplicate of II.B.1.LVII. A.2.19.-82., undated, inclusive
Duplicate of a piece of painted furniture in oversize, IV.A.10. folder 286.-1., undated, inclusive
General note
The label numbered 462. is not countersigned with a 'tick'.
Duplicate of a detail of a piece of painted furniture in oversize, IV.A.2.7. folder 463., undated, inclusive
General note
The label numbered 463. is not countersigned with a 'tick'.
Duplicate of a piece of painted furniture in IV.A.10.13.38.-1.-2., undated, inclusive
General note
The label numbered 464. is not countersigned with a 'tick'.
Duplicate of a painted panel in Chinese style in IV.A.2.7.23.-1.-3., undated, inclusive
General note
The label numbered 465. is not countersigned with a 'tick'.
Duplicate of a painted panel in Chinese style in IV.A.2.7.23.-4.-6., undated, inclusive
General note
The label numbered 466. is not countersigned with a 'tick'.
Duplicate of a painted panel in Chinese style in IV.A.2. 7.24.-1.-3., undated, inclusive
General note
The label numbered 467. is not countersigned with a 'tick'.
Duplicate of a painted panel (with flowers) in IV.A.2.7.35.-1.-3., undated, inclusive
General note
The label numbered 468. is not countersigned with a 'tick'.
Duplicate of a painted panel (with flowers) in IV.A.2.7.36.-1.-3., undated, inclusive
General note
The label numbered 469. is not countersigned with a 'tick'.
Painted panel with genre scenes in the same series as 471., undated, inclusive
General note
The label numbered 470. is not countersigned with a 'tick'.
Duplicate of a painted panel with genre scenes [in the same series as 470. above] in IV.A.1.3.24.-1., undated, inclusive
General note
The label numbered 471. is not countersigned with a 'tick'.
Duplicate photos of Villa La Pietra gardens missing and replaced at an unknown date by photocopies, undated, inclusive
Duplicate of II.B.1.XLII. D.12.18.-4., undated, inclusive
Photos missing, undated, inclusive
Folder 1. Album labelled "I."
Scope and Contents note
This is one of a series of canvas-bound albums where most of the photographs were not pasted on to the pages, numbered (not sequentially) on labels pasted on to the page. Those of Villa La Pietra gardens were replaced at an unknown time by photocopies: all of the originals are in the archive and the photocopies here have been given their Finding Aid number, since the originals do not bear the provenance and Historic Album number. Those of the interior and collection of Villa La Pietra were removed to the Archive in 2004 (noting on the original the provenance and Historic Album number) and replaced here with Color photocopies of the recto and verso. These have been listed below, but not identified, giving only their number on the label pasted onto the page or any annotations made on the pages. Unless otherwise indicated all the numbered labels or pages are annotated with a 'tick'. For easy reference the album pages have been numbered by the archivist in pencil on the top right-hand corner. The only photographs remaining in this album are those on page 1 and on the last page 102.
Inside front cover, undated, inclusive
General note
XXXII. D.10. STATUETTA in terracotta modellata a tutto tondo e dipinta: San Sebastiano. h. 66,5 Artista fiorentino della prima metà del XVI secolo. See also II.B.1.XXXII. D.10.17.-87.
Inside front cover, undated, inclusive
General note
XXXII. D.10. STATUETTA in terracotta modellata a tutto tondo e dipinta: San Sebastiano. h. 66,5 Artista fiorentino della prima metà del XVI secolo. See also II.B.1.XXXII. D.10.17.-87.
XIX. E.8., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto in policromia: Buddha seduto. h. 84 Cina, Dinastia Sung (?). See also II.B.1.XIX. E.8.-3.13.-32.
Photo missing, undated, inclusive
General note
Numbered 316., and the page annotated "Bigallo Crucifix master" without a 'tick'.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 343. See II.A.3.iii.3.-8.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 317. See II.A.5.i.6.-10.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 344. See II.A.3.iii.3.-1.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 25814. See II.A.3.ii.2.-72. Not countersigned with a 'tick'.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 345. See II.A.3.ii.2.-56.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 318. See II.A.2.i.1.-54.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 347. See II.A.3.i.1.-110.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 328. See II.A.3.iii.3.-38.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 323. See II.A.3.ii.2.-52.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 346. See II.A.3.i.1.-108.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 319. See II.A.2.i.1.-50.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 25819. See II.A.3.iv.4.-22. Not countersigned with a 'tick'.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 25818. See II.A.3.ii.2.-67. Not countersigned with a 'tick'.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 321. See II.A.3.i.1.-112.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 25824. See II.A.3.iv.4.-19. Not countersigned with a 'tick'.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 325bis. See II.A.3.iii.3.-23.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 326. See II.A.3.iv.4.-11.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 325. See II.A.3.iii.3.-22.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 322. See II.A.3.iii.3.-5.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 25825. See II.A.3.iv.4.-23. Not countersigned with a 'tick'.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 329. See II.A.3.iii.3.-26.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 331. See II.A.3.iii.3.-35.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 332. See II.A.3.111.3.-30.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 334. See II.A.3.iii.3.-15.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 333. See II.A.3.iii.3.-14.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 336. See II.A.3.v.4.-82.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 335. See II.A.3.v.4.-81.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 327. See II.A.3.iii.3.-18.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 25817. See II.A.5.i.5.-135. Not countersigned with a 'tick'.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 25823. See II.A.3.ii.2.-71. Not countersigned with a 'tick'.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 25822. See II.A.3.ii.2.-69. Not countersigned with a 'tick'.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 25816. See II.A.5.i.6.-16. Not countersigned with a 'tick'.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 324. See II.A.6.iii.8.-11.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 341-2-. See II.A.4.ii.5.-1.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 358. See II.A.4.ii.5.-6.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 473. See II.A.5.iii.6.-56.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 472. See II.A.5.iii.6.-59.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 340. See II.A.4.ii.5.-90.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 453. See II.A.5.ii.6.-8.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 339. See II.A.5.v.6.-131.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 337. See II.A.5.v.6.-108.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 338. See II.A.5.v.6.-111.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 25820. See II.A.4.ii.5.-11. Not countersigned with a 'tick'.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 25821. See II.A.4.ii.5.-15. Not countersigned with a 'tick'.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 25815. See II.A.4.ii.5.-13. Not countersigned with a 'tick'.
Photocopy of a print of a garden vase of Villa La Pietra, undated, inclusive
General note
Numbered 351. See II.A.9.9.-96. Not countersigned with a 'tick'.
Photocopy of a print of a garden vase of Villa La Pietra, undated, inclusive
General note
Numbered 299. See II.A.9.9.-97. Not countersigned with a 'tick'.
Photocopy of a print of a garden vase of Villa La Pietra, undated, inclusive
General note
Numbered 356. See II.A.9.9.-98. Not countersigned with a 'tick'.
Photo missing, undated, inclusive
General note
Numbered 357.
Photocopy of a print of the interior of Villa La Pietra, undated, inclusive
General note
Numbered 452. See II.B.1.LIII.-1.19.-9.
Photocopy of a print of the interior of Villa La Pietra, undated, inclusive
General note
Numbered 296. See II.B.1.XXX.-1.15.-1.
Photocopy made in 2004 of a print of the interior of Villa La Pietra, undated, inclusive
General note
Numbered 297.
Photocopy made in 2004 of a print of the interior of Villa La Pietra, undated, inclusive
General note
Numbered 298.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 251A.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 251.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 300.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 301.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 308.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 309.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 306.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 307.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 236.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 203. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 214.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 353.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 204.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 252.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 303.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 253.
Photo missing, undated, inclusive
General note
Numbered 254. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 258.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 259.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 260.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 304.
Photocopy of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 279. See II.B.1.XX. A.11.13.-76.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 261. Annotated on the page in AA's hand: "Pal Rinnuccini grotto".
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 205. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 243. Annotated on the page in AA's hand: "Alessandro Vittorio".
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 302. Annotated on the page in AA's hand: "Tribolo".
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 354.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 243.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 280.
Photo missing, undated, inclusive
General note
Numbered 281. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 282.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 283.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 284.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 293. Annotated on the page in AA's hand "Sansovino".
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 287. Annotated on the page in AA's hand "Tribolo".
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 287.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 204.
Photo missing, un-numbered, but annotated "Giardino", undated, inclusive
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 426.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
un-numbered but annotated "Salone".
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 214.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 426. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Annotated A.
Photo missing, undated, inclusive
General note
Numbered 212. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 246.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 240.
XXI. A.1., undated, inclusive
General note
RILIEVO in stucco policromo con cornice lignea modanata: Madonna col Bambino (come altro esemplare in pp. XLVIII-Camera dei Genitori, A.19. h. 110 l. 115 Bottega veneziana del XV secolo.
Relief [from a chimneypiece] of two putti holding a garlanded heraldic device., undated, inclusive
Folder 2. Album labelled "II."
Scope and Contents note
This is one of a series of canvas-bound albums where most of the photographs were not pasted on to the pages, numbered (not sequentially) on labels pasted on to the page. The photographs of works of art in the Collection of Villa La Pietra or in villas on the Estate (or once formerly part of the collection) were removed to the Archive in 2004 (noting on the original the provenance and Historic Album number) and replaced here with photocopies of the recto (and verso when this had annotations). These have been listed below, but not identified, giving only their number on the label pasted onto the page or any annotations made on the pages. Unless otherwise indicated all the numbered labels or pages are annotated with a 'tick'. For easy reference the album pages have been numbered by the archivist in pencil on the top right-hand corner. The only photographs remaining in this album are on pages 1, 38, 103, and 104.
Bench in front of a tapestry beside a bust (IX. A.21. see II.B.1.IX.-4.12.-19). Probably photographed on the ground floor of the interior of Villa La Pietra., undated, inclusive
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 235.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 349.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 348.
Photocopy made in 2004 of a fresco in Villa Natalia, undated, inclusive
General note
Numbered 361. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 230.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 202.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 200.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 201.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 208.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 247.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 289.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 255.
Photo missing, undated, inclusive
General note
Numbered 267. Annotated "Crocifisso, busto".
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 266.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 265.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 232. Not countersigned with a 'tick'.
Photo missing, undated, inclusive
General note
Numbered 274. Not countersigned with a 'tick'.
Photo missing, undated, inclusive
General note
Numbered 272. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 249.
Photo missing, undated, inclusive
General note
Numbered 250. Not countersigned with a 'tick'.
Photo missing, undated, inclusive
General note
Numbered 241. Not countersigned with a 'tick'.
Photo missing, un-numbered, annotated S. Benedetto., undated, inclusive
Photo missing, un-numbered, annotated S. Benedetto., undated, inclusive
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 294.
Photo missing, undated, inclusive
General note
Numbered 270. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 271.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 269.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 264.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 226.
Photocopy made in 2004 of a painting of the Madonna del Latte in IV.A.1.1.29.-1.-2., undated, inclusive
General note
Numbered 216. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 215.
Photocopy made in 2004 of a Coronation of the Virgin by the "Maestro di Calenzano", undated, inclusive
General note
Stolen in February 1978. Numbered 213. Not countersigned with a 'tick'.
See II.B.3.23.-10.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 269.
Photo missing, undated, inclusive
General note
Numbered 312.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 312.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 236. Not countersigned with a 'tick'.
Near duplicate of oversize II.B.1.LIII. D.11.-1. folder 212., undated, inclusive
General note
Also in Historic Album 1. Numbered 227.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 210.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 217.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 224.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 352.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 211.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 409.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 359.
Photo missing, undated, inclusive
General note
Numbered 238. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art formerly part of the collection of Villa La Pietra, but whereabouts at present unknown, undated, inclusive
General note
Numbered 207.
See II.B.3.23.-2
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 411.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 410.
Photocopy made in 2004 of a painted panel with architectural ruins in II.C.4.34.-181. (now in Villa Colletta), undated, inclusive
General note
Numbered 407. Not countersigned with a 'tick'.
Photocopy made in 2004 of a painted panel in IV.A.2.7.6.-4.with architectural elements and genre scenes, undated, inclusive
General note
Numbered 405.
Photocopy made in 2004 of a painted panel with architectural ruins in II.C.4.34.-182. (now in Villa Colletta), undated, inclusive
General note
Numbered 406. Not countersigned with a 'tick'.
Photo missing, undated, inclusive
General note
Numbered 209. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 242.
Photo missing, undated, inclusive
General note
Numbered 248. Not countersigned with a 'tick'.
Photo missing, undated, inclusive
General note
Numbered 257. Not countersigned with a 'tick'.
Photo missing, undated, inclusive
General note
Numbered 262. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 263.
Photo missing, undated, inclusive
General note
Numbered 273. Not countersigned with a 'tick'.
Photo missing, undated, inclusive
General note
Numbered 291. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 295.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 295.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 295.
Photocopy made in 2004 of a painted panel in IV.A.2.7.6.-1. with architectural elements and genre scenes, undated, inclusive
General note
Numbered 402.
Photocopy made in 2004 of a painted panel in IV.A.2.7.6.-2. with architectural elements and genre scenes, undated, inclusive
General note
Numbered 403.
Photocopy made in 2004 of a painted panel in IV.A.2.7.6.-3. with architectural elements and genre scenes, undated, inclusive
General note
Numbered 404.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 758.
Photocopy made in 2004 of a still life in II.C.5.35.-131. (Villa Sassetti), undated, inclusive
General note
Numbered 433. Not countersigned with a 'tick'.
Photocopy made in 2004 of a still life in II.C.5.35.-129. (Villa Sassetti), undated, inclusive
General note
Numbered 432. Annotated "Sassetti".
Photocopy made in 2004 of a still life in II.C.5.35.-128. (Villa Sassetti), undated, inclusive
General note
Numbered 431. Not countersigned with a 'tick'.
Photocopy made in 2004 of a still life in II.C.5.35.-130. (Villa Sassetti), undated, inclusive
General note
Numbered 430. With an illegible annotation: "P.P. Gr-….".
Photocopy made in 2004 of II.B.1.a.22.-24., undated, inclusive
General note
Numbered 414. Not countersigned with a 'tick'.
Photocopy made in 2004 of II.B.1.a.22.-25., undated, inclusive
General note
Numbered 413. Not countersigned with a 'tick'.
Photocopy of a painted panel with an allegorical female figure., undated, inclusive
General note
The label numbered 408 is marked 'Natalia' .
One of a series of seven: see XXXIX. A.6. and XCII. C.3., but this panel is now in LXXVI [formerly in LXXIV].
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 758.
Photo missing, undated, inclusive
General note
Numbered 231. Not countersigned with a 'tick'.
Photo missing, undated, inclusive
General note
Numbered 223. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 219.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 218.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 229.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 305.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 310.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 311.
Photo, un-numbered, missing, undated, inclusive
Photocopy made in 2004 of II.B.4.25.-22., undated, inclusive
General note
Numbered 351. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 315.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 362.
Photocopy of II.B.1.a.22.-26., undated, inclusive
General note
Numbered 363. and annotated "Sassetti".
Photocopy of a landscape in IV.A.1. in the same series as no. 363, undated, inclusive
General note
The label numbered 364. not countersigned with a 'tick'.
Photocopy of a landscape in IV.A.1. in the same series as no. 363, undated, inclusive
General note
The label numbered 365. not countersigned with a 'tick'.
Photo, un-numbered, missing, undated, inclusive
Photo, un-numbered, missing, undated, inclusive
Photo, un-numbered, missing, undated, inclusive
Photocopy of II.B.1.a.22.-1., undated, inclusive
General note
Numbered 442.
Photocopy of II.B.1.a.22.-2., undated, inclusive
General note
Numbered 443.
Photocopy of II.B.1.a.22.-5., undated, inclusive
General note
Numbered 444.
Photocopy of II.B.1.a.22.-7., undated, inclusive
General note
Numbered 445.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 451.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 429. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 438.
Photocopy of II.B.1.a.22.-4., undated, inclusive
General note
Numbered 447.
Photocopy of II.B.1.a.22.-6., undated, inclusive
General note
Numbered 446.
Duplicate of II.B.1.a.22.-6., undated, inclusive
General note
Numbered 446.
Duplicate of II.B.1.a.22.-4., undated, inclusive
General note
Numbered 447.
Folder 3. Album labelled "III."
Scope and Contents note
This is one of a series of canvas-bound albums with most of the photographs pasted on to the page. The pages are not numbered but many of the photographs are numbered on the page. For easy reference the album pages have been numbered by the archivist in pencil on the top right-hand corner.
Inside cover. XLVIII. A.2., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea intagliata, dipinta e dorata: Madonna che adora il Bambino con melagrana e arancia. Stemmi nella parte inferiore della cornice e scritta: "Ave Maria Graia plena Dominus T." h. 123 l. 92,5 Francesco Pesellino. Numbered 270. See also II.B.1.XLVIII. A.2.-1.18.-32.
Loose album page. Near duplicate of oversize II.B.1.XXI.C.1. folder 176., undated, inclusive
General note
On the verso "Pier Francesco Fiorentino 'Madonna and Child', panel, Size 46 by 28 inches"
Numbered 49489.
XLVIII. A.2., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea intagliata, dipinta e dorata: Madonna che adora il Bambino con melagrana e arancia. Stemmi nella parte inferiore della cornice e scritta: "Ave Maria Gratia plena Dominus T."
h. 123 l. 92,5
Francesco Pesellino.
Numbered 270. See also II.B.1.XLVIII. A.2.-1.18.-32.
XXVIII. D.2., undated, inclusive
General note
DIPINTO a tempera su tavola a fondo oro: S. Chiara con S. Bartolomeo (nella cuspide
h. 116 l. 40.
Date and artist missing from the Conti inventory.
Numbered 13.
See also II.B.1.XXVIII. D.2.-1.14.-98.
Painting of a Madonna and Child (holding a pomegranate), attributed to a 19th century painter, undated, inclusive
General note
Numbered 65.
Stolen 13 February 1978.
Duplicate of II.B.1.LX. D.1.-1.20.-20., undated, inclusive
General note
Numbered 292.
Painting of a Madonna and Child enthroned with two female Saints, undated, inclusive
General note
Numbered 19. in pencil.
Pasted upside down on the page.
Painted panel with flowers, undated, inclusive
Duplicate of II.B.1.LX. D.3.20.-22., undated, inclusive
General note
Numbered 25350
Painting of a Madonna and Child enthroned with five Saints, undated, inclusive
XXX. C.18., undated, inclusive
General note
DIPINTO a olio (?) su tavola: Madonna col Bambino e S. Giovannino. h. 36 l. 57,5 Maestro dell'Epifania di Fiesole. Rientrato nel Luglio del 1995 dal furto del febbraio 1978. Numbered 42. See also II.B.1.XXX. C.18.15.-49.
XLVIII. D.13., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea modanata e dorata: Madonna col Bambino. h. 60,5 l. 45,5 Scuola umbra del XV secolo. Numbered 50.
LXI. C.1., undated, inclusive
General note
SCULTURE statue (coppia) di legno scolpito, dipinto in policromia e dorato: Fanciulle more con grande cesto di frutta sul capo su base a forma di stemma. h. 233 Manifattura italiana XVIII-XIX secolo. One of the pair (the other half of II.B.1.LXI. C.1.20.-48.).
Duplicate of II.B.1.XLVIII. B.19.-1.18.-61., undated, inclusive
General note
Numbered 242.
LXI. B.2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato dipinto e dorato: Ritratto di gentiluomo a caccia. h. 340 ca l. 253 Giacomo Ceruti metà del XVIII secolo (M. Gregori: intorno al 1743). See also II.B.1.LXI. B.2.-1.20.-43.
Frescoed lunette by Rosso Fiorentino in Firenze, Villa Fossi (Via di Marignolle and Via delle Campora), undated, inclusive
General note
Labelled 'No'.
Duplicate of IV.B.3.17.24.-22.-23.
Duplicate of II.B.1.XX. A.10.-1.13.-74., undated, inclusive
General note
Numbered 275.
Frescoed lunette by Rosso Fiorentino in Firenze, Villa Fossi (Via di Marignolle and Via delle Campora), undated, inclusive
General note
Labelled 'No'.
Duplicate of IV.B.3.17.24.-24.-25.
Duplicate of II.B.1.XX.-2.13.-36., undated, inclusive
Frescoed lunette by Rosso Fiorentino in Firenze, Villa Fossi (Via di Marignolle and Via delle Campora), undated, inclusive
General note
Labelled 'No'.
Duplicate of IV.B.3.17.24.-18.-19.
II.B.1.XX. Salone - general view, undated, inclusive
Frescoed lunette by Rosso Fiorentino in Firenze, Villa Fossi (Via di Marignolle and Via delle Campora), undated, inclusive
General note
Labelled 'No'. Duplicate of IV.B.3.17.24.-12.-14.
LXI. C.3., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato dipinto e dorato con motivi di rocailles: Gentiluomo a cavallo (Ritratto di un Savoia h. 340 ca l. 254,5 Giacomo Ceruti, metà del XVIII secolo (M. Gregori: intorno al 1743). See also II.B.1.LXI. C.3.-1.20.-49.
Frescoed lunette by Rosso Fiorentino in Firenze, Villa Fossi (Via di Marignolle and Via delle Campora), undated, inclusive
General note
Labelled 'No'.
Duplicate of IV.B.3.17.24.-5.-8.
LXI. B.8.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato con protomi angeliche agli angoli: Ritratto di fanciullo con giocattolo. h. 160 ca l. 136 Pittore spagnolo del XVII secolo. Numbered 262. See also II.B.1.LXI. B.8.-1.20.-46.
Frescoed lunette by Rosso Fiorentino in Firenze, Villa Fossi (Via di Marignolle and Via delle Campora), undated, inclusive
General note
Labelled 'No'.
Duplicate of IV.B.3.17.24.-1.-4.
XX. A.18., undated, inclusive
General note
STATUETTA in terracotta modellata a tutto tondo: figura allegorica, Estate o Abbondanza base di legno modanato e dorato con iscrizione: "S./Philip/pus/Nerius". h. 49 base: h. 20 l. 23 l. 23 Scultore romano del XVIII secolo. Numbered 197.
Frescoed lunette by Rosso Fiorentino in Firenze, Villa Fossi (Via di Marignolle and Via delle Campora), undated, inclusive
General note
Labelled 'No'.
Duplicate of IV.B.3.17.24.-9.-11.
XX. A.18., undated, inclusive
General note
STATUETTA in terracotta modellata a tutto tondo: figura allegorica, Estate o Abbondanza base di legno modanato e dorato con iscrizione: "S./Philip/pus/Nerius". h. 49 base: h. 20 l. 23 l. 23 Scultore romano del XVIII secolo. Two prints.
Frescoed lunette by Rosso Fiorentino in Firenze, Villa Fossi (Via di Marignolle and Via delle Campora), undated, inclusive
General note
Labelled 'No'.
Duplicate of IV.B.3.17.24.-26.-27.
Near duplicate of II.B.1.LXV. B.6.21.-26., undated, inclusive
General note
Numbered 300.
Near duplicate of II.B.1.XXXI. A.39.16.-14., undated, inclusive
General note
Labelled on the recto 'Santi di Tito'.
Numbered 68.
Near duplicate of II.B.1.LXV. B.6.21.-26., undated, inclusive
General note
Numbered 300.
Near duplicate of II.B.1.XXVIII. C.3.-3.14.-90., undated, inclusive
General note
Numbered 757.
Duplicate of II.B.2.22.-34., undated, inclusive
Painting of the Adoration of the Child (a duplicate print in IV.A.1.1.38.-1.), undated, inclusive
Duplicate of II.B.1.XXXI. C.8.-1.16.-39., undated, inclusive
General note
Numbered 60.
XXXI. A.1., undated, inclusive
General note
RILIEVO a colmo in stucco dipinto con cornice lignea: Natività. h. 84,5 l. 83 Bottega di Donatello della metà del XV secolo. Numbered 67. See also II.B.1.XXXI. A.1.16.-9.
XXXI. E.5., undated, inclusive
General note
BUSTO in terracotta dipinta su base lignea intagliata e dipinta: Santo. h. 45 Artista bolognese del XVII secolo. Restauri, incrinature. Numbered 78.
X. D.2., undated, inclusive
General note
SCULTURE (coppia) di Cinese e Turco in legno, dipinto e dorato (cfr. la coppia di mori B.2.). h. 125 l. 36,5 p.36,5 Bottega veneta del XVIII secolo. Annotated on the recto: "Altezza m. 1,25" Numbered 84.-85.
X. B.2., undated, inclusive
General note
SCULTURE (coppia) di Mori portacandeliere in legno, dipinto e dorato (cfr. la coppia X. D.2.). h. 122 l. 37 p. 37 Bottega veneta del XVIII secolo. Annotated on the recto "m. 1,25" Numbered 87-86. See also II.B.1.X. B.2.12.-52.
Duplicate of II.B.1.XXXI. B.7.-1.16.-22., undated, inclusive
General note
Numbered 65.
XXVII. A.7., undated, inclusive
General note
OROLOGIO in bronzo a fusione e dorato, sorretto da due mori e sormontato da due giovani e cani. La base ha pianta ellissoidale e decorazioni di scene pastorali. h. 53,5 Manifattura francese del XIX secolo. Numbered 127.
Painting of the Madonna and Child (with rose bushes in the background), undated, inclusive
General note
Numbered 46.
XXXI. C.10., undated, inclusive
General note
DIPINTO a olio su tavola in cornice lignea intagliata, dipinta e dorata: Madonna col Bambino iscrizione: "Ave Maria Gratia Plena D. T.". Pittore fiorentino del XV secolo. Numbered 48-5. See also II.B.1.XXXI. C.10.-1.16.-45.
XXXI. C.10., undated, inclusive
General note
DIPINTO a olio su tavola in cornice lignea intagliata, dipinta e dorata: Madonna col Bambino iscrizione: "Ave Maria Gratia Plena D. T.". Pittore fiorentino del XV secolo. Numbered 48-5. See also II.B.1.XXXI. C.10.-1.16.-45.
XXIX. C.1., undated, inclusive
General note
STATUE (due) in legno scolpito, dipinto e dorato: Moro e Valletto. h. 130 ca. Bottega veneziana del XVIII secolo. Numbered 162-163.
Sculpture: Relief of the Madonna and Child [by Donatello], loosely connected to XXXII. A.13.-2., undated, inclusive
General note
Numbered 158.
See also II.B.4.25.-32.
Photo missing, undated, inclusive
Photo missing, undated, inclusive
XXXII. A.25., undated, inclusive
General note
RILIEVI (due pannelli) in terracotta dipinta con tracce di doratura in cornice lignea intagliata e dorata: S. Giovanni Battista e S. Francesco. h. 143 l. 77,5 Scultore padovano della metà XVI secolo. Numbered 21. See also II.B.1.XXXII. A.25.17.-42.
XXXII. A.16., undated, inclusive
General note
BUSTO in terracotta modellata a tutto tondo e patinata con interventi di colore su base lignea dipinta. h. 36,5 base: h. 9 l. 44,5 Modellatore del XV (?), XIX secolo. Numbered 139. See also II.B.1.XXXII. A.16.-3.17.-34.
XXX. C.9., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: S. Lucia tra Santo Martire e Antonio Abate. h. 135,5 l. 95,5 Bicci di Lorenzo, fine del XIV secolo. Numbered 143. See also II.B.1.XXX. C.9.-1.15.-45.
XXXII. A.13., undated, inclusive
General note
RILIEVO in stucco con tracce di policromia: Madonna che adora il Bambino, in tabernacolo ligneo intagliato, dipinto e dorato. h. 130 l. 121,5 Bottega di Donatello della metà del XV secolo. Numbered 281. See also II.B.1.XXXII. A.13.-3.17.-31.
XXXII. D.7., undated, inclusive
General note
DIPINTO (polittico d'altare) a tempera su tavola, con cornice lignea scolpita e dorata: Madonna in trono col Bambino e i santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate nelle cuspidi: Madonna della Misericordia, l'Annunciazione e santa Margherita. h. 171 Pittore fiorentino della fine del XIV secolo. Detail of the Madonna in trono col Bambino. Numbered 274. See also II.B.1.XXXII. D.7.-7.17.-86.
XXXII. D.13., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata e dorata: Sant'Ansano con iscrizione: "S.C.S. Sanus Martir". h. 131 l. 63 Artista senese inizi del XV secolo. Numbered 217. See also II.B.1.XXXII. D.13.17.-88.
XXXII. A.11., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata con decorazioni a pastiglia: Incoronazione della Vergine. h. 147 l. 71 Mariotto di Nardo (?), fine del XIV secolo. Numbered 150. See also II.B.1.XXXII. A.11.-2.17.-28.
XXXII. D.2., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna in trono col Bambino giglioforo e due angeli. h. 132,5 l. 77,5 Pittore fiorentino della seconda metà del XIII secolo. Detail of the head of the Madonna.
Near duplicate of II.B.1.XXXII. A.13.-1.17.-29., undated, inclusive
General note
Numbered 281.
Near duplicate of II.B.1.XXXII. A.18.-1.17.-35., undated, inclusive
General note
Numbered 148.
Duplicate of II.B.2.22.-27. The Madonna (A.8.) and the angels (C.17.) are now in the Sala da Pranzo, undated, inclusive
Duplicate of II.B.1.XXXII. C.11.-4.17.-37., undated, inclusive
General note
Numbered 301.
Duplicate of a lantern in IV.A.8.12.14.-1., undated, inclusive
General note
Numbered 74.
XX. A.18., undated, inclusive
General note
STATUETTA in terracotta modellata a tutto tondo: figura allegorica, Estate o Abbondanza base di legno modanato e dorato con iscrizione: "S./Philip/pus/Nerius". h. 49 base: h. 20 l. 23 l. 23 Scultore romano del XVIII secolo. Numbered 197.
Near duplicate of II.B.1.XXXI. C.1.-1.16.-24., undated, inclusive
General note
Numbered 44.
Near duplicate of II.B.1.XXXI. D.9.-1.16.-56., undated, inclusive
General note
Numbered 217.
XXXI. A.46, undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: Madonna in trono col Bambino e due angeli Il Redentore Benedicente nella cuspide. Alla base iscrizione: "ANO DNI MCCCCXXII" "Ave Maria Gratia Plena Dominus Teco B.Tus". h. 198 l. 86 Attribuito a Mariotto di Nardo, 1422 (datato). Numbered 73. See also oversize, II.B.1.XXXI.A.46.-1. folder 188.
XXXI. D.2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata e cornice intagliata, dipinta e dorata con decorazioni a pastiglia: Madonna col Bambino in piedi. h. 110,5 l. 62,3 Mariotto di Nardo, inizi del XV secolo. Numbered 6. See also II.B.1.XXXI. D.2.16.-53.
XXXI. D.2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata e cornice intagliata, dipinta e dorata con decorazioni a pastiglia: Madonna col Bambino in piedi. h. 110,5 l. 62,3 Mariotto di Nardo, inizi del XV secolo. Numbered 283. See also II.B.1.XXXI. D.2.16.-53.
Duplicate of II.B.1.XXIX. A.1.-2.14.-106., undated, inclusive
General note
Numbered 160.-161.
Duplicate of II.B.1.XXIX. A.1.-1.14.-105., undated, inclusive
General note
Numbered 160.-161.
XX. B.7., undated, inclusive
General note
CONSOLLE (coppia con pt. X-Atrio C.6.) in legno scolpito e dorato con puttini, sirene e monstra. Piano di legno (moderno) macchiato. h. 99 l. 169 Bottega romana del primo quarto del XVIII secolo. (Un-numbered) loose print: duplicate of II.B.1.XX. B.7.13.-94.
XXXII. C.4., undated, inclusive
General note
CASSONE in legno di noce scolpito e intarsiato con motivi decorativi a girali, sfingi, tarsie "a toppo" a motivi geometrici. h. 100 l. 206 p. 76 Bottega dei Del Tasso, XVI secolo. Photographed in the Rotonda near one of the twisted columns. On top are two candle-bearing kneeling angels and a statuette of a female Saint (in IV.A.4.8.27.-1.-2.
XII. A.30., undated, inclusive
General note
STATUA in marmo bianco scolpito: Venere che brucia le frecce d'Amore. Firmata e datata sulla base: "Io. Fr. Susini. Flor. Fa. MDCXXXVII". h. 160 l. 42 p. 31 Gian Francesco Susini, 1637. See also II.B.1.XII. A.30.12.-104.
XII. A.18., undated, inclusive
General note
ARAZZO con stemma Medici-Austria sorretto da angeli. h. 260 l. 208 Manifattura fiorentina del XVII secolo. Foderatura di lino usure, numerosi e piccoli strappi restauri.
Duplicate of II.B.1.XII. A.7.12.-90., undated, inclusive
XXVIII. C.13., undated, inclusive
General note
PANCA in legno di noce scolpito, modanato e tornito ha schienale a balaustro, braccioli a voluta, scanalatura centrale e gambe sagomate come i braccioli e terminanti a zampa di leone. h. 122 l. 281,5 p. 43,5 Bottega toscana della prima metà del XVII secolo. See also II.B.1.XXVIII. C.13.14.-97.
Duplicate of II.B.1.XXVIII. C.13.14.-97., undated, inclusive
Duplicate of II.B.1.XII.-21.12.-79., undated, inclusive
General note
Numbered 299
XII. one of the detached frescoes before restoration and installation, undated, inclusive
Duplicate of II.B.4.25.-77., undated, inclusive
XII. General view of the upper walls, undated, inclusive
The frescoes of villas on the walls of the Office (VIII.), undated, inclusive
General note
Numbered 11788., 11787., 11790., 11791.
Bench (with empty frames on the walls) [the base of the bench, formerly in Villa Sassetti, is now in the top floor corridor of Villa La Pietra], undated, inclusive
Chest (with masques), undated, inclusive
Duplicate of II.B.1.XXI. B.15.-2.14.-45., undated, inclusive
Duplicate of II.B.1.XXI. C.13.-2.14.-54., undated, inclusive
General note
Numbered 1215.
Duplicate of II.B.1.XXI. C.8.14.-50., undated, inclusive
XXI. B.13., undated, inclusive
General note
SCULTURA in legno dipinto in policromia: Madonna col Bambino. h. 42,5 Scultore veneto della seconda metà del XIV secolo. See also II.B.1.XXI. B.13.-1.14.-42.
XXI. E.5., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna col Bambino. h. 90 l. 31 Scultore abruzzese (?) del XIII (?) secolo. See also II.B.1.XXI. E.5.-3.14.-57.
XXI. B.13., undated, inclusive
General note
SCULTURA in legno dipinto in policromia: Madonna col Bambino. h. 42,5 Scultore veneto della seconda metà del XIV secolo. See also II.B.1.XXI. B.13.-1.14.-42.
XXI. B.6., undated, inclusive
General note
BOZZETTO di Torso virile in terracotta modellata su base di marmo intarsiato. h. 33 base: h. 17 Artista italiano del XVI secolo. See also II.B.1.XXI. B.6.-2.14.-28.
XXI. C.8., undated, inclusive
General note
SCULTURA in terracotta modellata a tutto tondo: S. Girolamo penitente. h. 33 Bottega toscana del XVI secolo. See also II.B.1.XXI. C.8.14.-50.
Duplicate of II.B.1.XXI. C.10.-2.14.-52., undated, inclusive
General note
Numbered 393.
IX. D.2., undated, inclusive
General note
DIPINTO olio su tela: San Girolamo con il sasso della penitenza e il libro delle Scritture. Cornice lignea intagliata e dorata. h. 101 l. 82,5 Attribuito a Giuseppe Antonio Petrini. Numbered 220. See also II.B.1.IX. D.2.12.161.-45.
Near duplicate of II.B.1.IX. A.8.12.-20., undated, inclusive
General note
Numbered 285.
Near duplicate of II.B.1.IX. D.2.12.161.-45., undated, inclusive
General note
Numbered 220.
IX. D.2., undated, inclusive
General note
DIPINTO olio su tela: San Girolamo con il sasso della penitenza e il libro delle Scritture. Cornice lignea intagliata e dorata. h. 101 l. 82,5 Attribuito a Giuseppe Antonio Petrini. Numbered 220.
Duplicate of II.B.1.XX. A.22.13.-78., undated, inclusive
General note
Numbered 159.
Near duplicate of II.B.1.XX. A.22.13.-78., undated, inclusive
General note
Numbered 159.
Folder 1. Album labelled "IV"
Scope and Contents note
This is one of a series of canvas-bound albums with most of the photographs pasted on to the page. The pages are not numbered but many of the photographs are numbered on the page. For easy reference the album pages have been numbered by the archivist in pencil on the top right-hand corner.
Photo missing, undated, inclusive
General note
Cut out from the page, numbered 247.
Photo missing, undated, inclusive
XXXI. D.1.-1., undated, inclusive
General note
DIPINTO a tempera su tavola sagomata e parzialmente dorata: Crocifissione con S. Francesco ai piedi della croce e iscrizione in alto: "IHS Nazarenus Rex Iudeorum" e in basso: "S. Franciscus"(si tratta, della croce dipinta, proveniente da Londra, ricordata in un "Inventory" del maggio 1931, p. 10, ritrovato nella credenza della Camera Blu-LXV). h. 234 l. 161,5 Maestro di San Francesco, fine del XIII secolo. See also II.B.1.XXXI. D.1.-1.16.-47.
Duplicate of II.B.1.LX. A.13.20.-13., undated, inclusive
XXXI. D.1.-1., undated, inclusive
General note
DIPINTO a tempera su tavola sagomata e parzialmente dorata: Crocifissione con S. Francesco ai piedi della croce e iscrizione in alto: "IHS Nazarenus Rex Iudeorum" e in basso: "S. Franciscus"(si tratta, della croce dipinta, proveniente da Londra, ricordata in un "Inventory" del maggio 1931, p. 10, ritrovato nella credenza della Camera Blu-LXV). h. 234 l. 161,5 Maestro di San Francesco, fine del XIII secolo. See also II.B.1.XXXI. D.1.-1.16.-47.
Duplicate of II.B.1.XLVII. A.3.18.-8a., undated, inclusive
Duplicate of II.B.1.XXXI. D.1.-3.16.-49., undated, inclusive
General note
Numbered 230.
Duplicate of oversize II.B.1.XLVII. C.1.-1. folder 202., undated, inclusive
General note
Numbered 80611.
Near duplicate of II.B.1.XXX. A.10.-7.15.-20., undated, inclusive
General note
Numbered 290.
Duplicate of II.B.1.LVII. A.2.19.-80., undated, inclusive
General note
Numbered 461.
Duplicate of II.B.1.XXX. A.10.-3.15.-16., undated, inclusive
General note
Numbered 200.
Duplicate of II.B.1.LVII. A.2.19.-82., undated, inclusive
General note
Numbered 461.
LVII. A.2., undated, inclusive
General note
PANNELLI (sei) decorativi ad olio su tela entro cornice di legno sagomato e dipinto: Scene di genere. h. 178,5 l. 65 Pittore francese del XVIII secolo. Numbered 460. See also II.B.1.LVII. A.2.19.-80.
LVII. A.2., undated, inclusive
General note
PANNELLI (sei) decorativi ad olio su tela entro cornice di legno sagomato e dipinto: Scene di genere. h. 178,5 l. 65 Pittore francese del XVIII secolo. Numbered 460. See also II.B.1.LVII. A.2.19.-80.
Duplicate of II.B.1.XXI. A.4.-6.14.-17., undated, inclusive
General note
Numbered 240.
Duplicate of II.B.1.LVII. A.2.19.-81., undated, inclusive
General note
Numbered 459.
Near duplicate of II.B.1.XXI. A.4.-2.14.-13., undated, inclusive
General note
Numbered 239.
LVII. A.2., undated, inclusive
General note
PANNELLI (sei) decorativi ad olio su tela entro cornice di legno sagomato e dipinto: Scene di genere. h. 178,5 l. 65 Pittore francese del XVIII secolo. See also II.B.1.LVII. A.2.19.-80
Near duplicate of II.B.1.XXXI. C.7.-2.16.-29., undated, inclusive
General note
Numbered 235. Pasted on to the page upside down.
Near duplicate of II.B.1.LXIV. C.2.21.-7., undated, inclusive
General note
Numbered 386.
Near duplicate of II.B.1.XXXI. C.7.-10.16.-37., undated, inclusive
General note
Numbered 246.
LIII. D.13., undated, inclusive
General note
COLONNE di letto in legno intagliato e dorato a motivi vegetali, con mascheroni, sezioni a tortiglione e finali ad anfora biansata. h. 198 Bottega romana (?) del XVIII secolo. Photographed when the bed still had its baldacchino.
Duplicate of II.B.1.XLVII. D.1.-3.18.-12., undated, inclusive
General note
Numbered 277.
Duplicate of II.B.1.LIII. D.4.19.-41., undated, inclusive
General note
Numbered 451.
Duplicate of II.B.1.XXX. B.4.-2.15.-28., undated, inclusive
General note
Numbered 255.
Duplicate of II.B.1.LIII. D.4.19.-41., undated, inclusive
General note
Numbered 451.
XLVIII. B.10., 1937, inclusive
General note
DIPINTO a tempera su tavola entro teca: Madonna col Bambino (esposto a Firenze alla mostra giottesca del 1937 col n. 211 h. 62,5 l. 53 Maestro toscano della metà del XIII secolo. Numbered 35. See also II:B.1.XLVIII. B.10.18.-50.
LIII. D.11., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea dorata: Madonna col Bambino. h. 23,5 l. 18,5 Pittore senese del XIV secolo. Numbered 227. See also oversize, II.B.1.LIII. D.11.-1.19.-43. folder 212.
XXX. A.9., undated, inclusive
General note
DIPINTO a olio (?) su tavola: Madonna che adora il Bambino e un angelo. Nella cornice iscrizione: "Ave Maria Gratia Plena Dominus teco" e due stemmi: a tre gigli e rastrello nella parte superiore, sotto vaio rosso in campo blu tripartito con scacchiera, tre cerchi d'oro in campo rosso e fasce verticali blu e oro. h. 74 l. 63,5 Iacopo del Sellaio, seconda metà del XV secolo. Numbered 314. See also II.B.1.XXX. A.9.15.-13.
Duplicate of II.B.1.a.22.-2., undated, inclusive
General note
Numbered 443.
Duplicate of II.B.1.a.22.-7., undated, inclusive
General note
Numbered 445.
Duplicate of II.B.1.a.22.-1., undated, inclusive
General note
Numbered 442.
Duplicate of II.B.1.a.22-5., undated, inclusive
General note
Numbered 444.
LIII. D.11., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea dorata: Madonna col Bambino. h. 23,5 l. 18,5 Pittore senese del XIV secolo. Numbered 227. See also oversize, II.B.1.LIII. D.11.-1.19.-43. folder 212.
Duplicate of II.B.1.LIII. C.31.19.-38., undated, inclusive
General note
Numbered 412.
Duplicate of II.B.1.LIII. A.30.19.-22., undated, inclusive
General note
Numbered 382.
Duplicate of a painted panel with birds in IV.A.2.6.18.-1., undated, inclusive
General note
Numbered 396.
Duplicate of a painted panel with birds in IV.A.2.6.18.-1., undated, inclusive
General note
Numbered 396.
Photo missing, undated, inclusive
Duplicate of II.B.1.XLVIII.-4.18.-18., undated, inclusive
Near duplicate of II.B.1.XLVIII. B.19.-1.18.-61., undated, inclusive
General note
Numbered 242.
XLVIII. B.19., undated, inclusive
General note
DIPINTO ad olio su tela: La sacra famiglia in cornice lignea scolpita e dorata, con motivi di tipo classico, mascheroni e specchi dipinti a monocromo con le Virtù e figure allegoriche. h. 192 l. 170 ca. Giorgio Vasari, seconda metà del XVI secolo. See also II.B.1.XLVIII. B.19.-1.18.-61.
Duplicate of II.B.1.XLVIII. E.28.18.-95., undated, inclusive
XLVI. B.1., undated, inclusive
General note
PANNELLI decorativi (quattro) con incisioni acquarellate montate su tela e listello di legno: Cineserie con scene familiari o scene di genere e scritta "A' Paris ches Daumont" (cfr. pp. LXII. B.3. h. 152 l. 58 Incisore francese del XVIII secolo. Left panel is a duplicate of II.B.1.L. A.8.-1.19.-1
XLVI. B.1., undated, inclusive
General note
PANNELLI decorativi (quattro) con incisioni acquarellate montate su tela e listello di legno: Cineserie con scene familiari o scene di genere e scritta "A' Paris ches Daumont" (cfr. pp. LXII. B.3. h. 152 l. 58 Incisore francese del XVIII secolo. Numbered 424.
Duplicate of II.B.1.L. A.8.-2.19.-2., undated, inclusive
General note
Numbered 423.
Duplicate of II.B.1.XLVI. B.1.18.-7., undated, inclusive
General note
Numbered 425.
XXX. C.1., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea cuspidata, intagliata, decorata a pastiglia e dorata: Madonna col Bambino lattante. Sul basamento due stemmi: giglio blu e fasce alternate in blu/oro. h. 115,5 l. 62,5 Pittore toscano della fine del XIV secolo. Detail of the Christ Child. See also II.B.1.XXX. C.1.-2.15.-42.
Duplicate of II.B.1.L. E.4.-2.19.-8., undated, inclusive
General note
Numbered 448.
XXXII. D.13., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata e dorata: Sant'Ansano con iscrizione: "S.C.S. Sanus Martir". h. 131 l. 63 Artista senese inizi del XV secolo. Numbered 217. See also II.B.1.XXXII. D.13.17.-88.
Duplicate of II.B.1.L. E.4.-2.19.-8., undated, inclusive
General note
Numbered 448.
Photo missing, undated, inclusive
LXV. A.11., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo. h. 102 l. 129 Lippo di Benivieni XIV secolo. Numbered 241. See also II.B.1.LXV. A.11.-2.21.-22.
Duplicate of II.B.3.23.-14., undated, inclusive
General note
Numbered 225.
LXV. A.11., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo. h. 102 l. 129 Lippo di Benivieni XIV secolo. Detail of the Madonna and Child.
Duplicate of a painted Crucifix in IV.A.1.2.19.-1., undated, inclusive
General note
Numbered 250.
LXV. A.11., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo. h. 102 l. 129 Lippo di Benivieni XIV secolo. Detail of St Peter.
Near duplicate of II.B.3.23.-2., undated, inclusive
General note
Numbered 207.
Near duplicate of II.B.1.XLVIII. A.2.-3.18.-34., undated, inclusive
General note
Numbered 270.
XLVIII. B.8., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea modanata, dorata e dipinta: Madonna in trono col Bambino, S. Antonio Abate, S. Caterina d'Alessandria e due angeli reggicortina. h. 34,5 l 26,5 Allegretto Nuzzi (?) XIV secolo. See also II.B.1.XLVIII. B.8.18.-49.
LXV. A.11., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo. h. 102 l. 129 Lippo di Benivieni XIV secolo. Detail of St Paul.
Near duplicate of a Madonna of Humility in IV.A.1.1.18.-1., undated, inclusive
XXXVIII. B.4., undated, inclusive
General note
ARMADIO in legno con specchio argentato a mercurio, colonnine ai lati con capitelli in metallo dorato come i motivi decorativi applicati. h. 178,5 l. 120,5 p. 52 Manifattura italiana dell' inizio del XIX secolo.
Duplicate of a Madonna and Child with two Saints and two angels in the style of Sano di Pietro in IV.A.1.1.46.-1., undated, inclusive
Near duplicate of II.B.1.XLVIII. A.18.-1.18.-43., undated, inclusive
Painting: Madonna and Child with angels [Sano di Pietro], undated, inclusive
General note
See also II.B.4.25.-1.
XX. A.31., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e i santi Girolamo, Bernardino, Ansano e Santa Dorotea (?). h. 69,5 l. 52,5 Siena, Sano di Pietro. Numbered 271. See also II.B.1.XX. A.31.-3.13.-84.
Duplicate of II.B.1.XX. A.31.-3.13.-84., undated, inclusive
Four-poster bed, undated, inclusive
Near duplicate of II.B.1.XLVIII. C.10.-4.18.-81., undated, inclusive
General note
Numbered 40.
Portrait of Vittorio Amedeo II di Savoia re di Sardegna (or Carlo Emaneule III), a companion piece to LXI. A.3., undated, inclusive
LXI. A.3., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Ritratto di Vittorio Amedeo II di Savoia re di Sardegna (o Carlo Emanuele III?). h. 231 l. 133 Maria Clementi (?) metà del XVIII secolo. See also II.B.1.LXI. A.3.20.-38.
Duplicate of II.B.1.XLVIII. C.10.-1.18.-78., undated, inclusive
General note
Numbered 269.
Duplicate of II.B.1.XIX. B.2.13.-26., undated, inclusive
General note
Numbered 391
Duplicate of a painted panel with birds in IV.A.2.6.14.-1., undated, inclusive
General note
Numbered 381.
XLVIII. B.20., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: San Nicola di Bari. h. 96 l. 51,5 Pittore senese del XIV-XV secolo. Numbered 7. See also II.B.1.XLVIII. B.20.-2.18.-64.
XLVIII. A.5.a and A.5.b., undated, inclusive
General note
DIPINTI (due) a tempera su tavola in cornice a tabernacolo modanata e dorata: Profeti. h. 35 l. 26 Andrea di Bartolo (?). Numbered 24. See also II.B.1.XLVIII. A.5.a.A.5.b.18.-38.
XLVIII. A.5.a and A.5.b., undated, inclusive
General note
DIPINTI (due) a tempera su tavola in cornice a tabernacolo modanata e dorata: Profeti. h. 35 l. 26 Andrea di Bartolo (?). Numbered 24. See also II.B.1.XLVIII. A.5.a.A.5.b.18.-38.
XXI. B.11., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e Cristo Benedicente con libro (Santo?) nella cuspide. h. 146 l. 70 Pietro di Giovanni Ambrosi, XV secolo. Numbered 380. See also II.B.1.XXI. B.11.-2.14.-40.
Duplicate of II.B.1.XXI. B.11.-2.14.-40., undated, inclusive
General note
Numbered 28.
Consolle with mirror on which are: LIII. C.18. and LXII. D.1., undated, inclusive
General note
LIII. C.18. VASO in legno scolpito con motivi di baccellature dipinto e dorato, con un grande mazzo di fiori di stoffa. h. 25 Bottega del XVIII secolo. LXII. D.1. LUMI (coppia) a vaso biansato su base lignea, in latta dipinta con figure di orientali e plinto decorato con motivi floreali. h. 53 Manifattura francese (?) del XIX secolo. Pasted upside down on the page.
Small sculpted group of Tobias and the angel (folk art), undated, inclusive
General note
Pasted upside down on the page.
Closely related to XXVI. B.2.
Near duplicate of II.B.1.XLVIII. A.11.-1.18.-40., undated, inclusive
General note
Numbered 210.
Small sculpted group of Tobias and the angel, undated, inclusive
Duplicate of a painting of the Madonna del Latte in IV.A.1.1.29.-1.-2., undated, inclusive
General note
Numbered 216.
Closely related to XXVI. B.2.
XLII. D.4., undated, inclusive
General note
DIPINTO a olio su tela in cornice lignea intagliata a motivi di ovoli ed elementi vegetali, e dorata: San Giovanni Battista. h. 78 l. 68,5 Pittore napoletano del XVII secolo. See also II.B.1.XLII. D.4.-1.18.-2.
Duplicate of II.B.1.XLII. D.4.-1.18.-2., undated, inclusive
Near duplicate of II.B.1.XXXII. D.2.-1.17.-70., undated, inclusive
General note
Numbered 247.
XXXII. D.2., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna in trono col Bambino giglioforo e due angeli. h. 132,5 l. 77,5 Pittore fiorentino della seconda metà del XIII secolo. Detail of the head of the Christ Child.
XXXII. D.7., undated, inclusive
General note
DIPINTO (polittico d'altare) a tempera su tavola, con cornice lignea scolpita e dorata: Madonna in trono col Bambino e i santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate nelle cuspidi: Madonna della Misericordia, l'Annunciazione e santa Margherita. h. 171 Pittore fiorentino della fine del XIV secolo. Detail of the Madonna della Misericordia. See also II.B.1.XXXII. D.7.-2.17.-81.
XX. A.27./ A.33.-1.and A.27./A.33.-2., undated, inclusive
General note
DIPINTI (due pannelli) con (quattro) Sante martiri, cornice lignea modanata e dorata. h. 128 l. 57,5 Scuola veronese del sec. XV. Numbered 499. and 498. See also oversize, II.B.1.XX.A.27/33.-1.and 2. folder 169.
XX. A.27./ A.33.-1. and A.27./A.33.-2., undated, inclusive
General note
DIPINTI (due pannelli) con (quattro) Sante martiri, cornice lignea modanata e dorata. h. 128 l. 57,5 Scuola veronese del sec. XV. See also oversize, II.B.1.XX.A.27/33.-1.and 2. folder 169.
XX. A.27./ A.33.-1 and A.27./A.33.-2., undated, inclusive
General note
DIPINTI (due pannelli) con (quattro) Sante martiri, cornice lignea modanata e dorata. h. 128 l. 57,5 Scuola veronese del sec. XV. Numbered 499. and 498. See also oversize, II.B.1.XX.A.27/33.-1. and 2. folder 169.
XXXII. A.18., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Crocifissione con le Marie e S. Giovanni Evangelista. Iscrizione in basso: "Factus Obediensusque ad Mortem: Mortem A. Crucis". h. 129,5 l. 71,5 Maestro di San Lucchese, fine del XIV secolo. Numbered 148. See also II.B.1.XXXII. A.18.-2.17.-36.
Duplicate of a painting with an elaborate classical building in IV.A.1.3.40.-1., undated, inclusive
XLVIII. B.8., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea modanata, dorata e dipinta: Madonna in trono col Bambino, S. Antonio Abate, S. Caterina d'Alessandria e due angeli reggicortina. h. 34,5 l 26,5 Allegretto Nuzzi (?) XIV secolo. See also II.B.1.XLVIII. B.8.18.-49.
Duplicate of II.B.1.XLVIII. B.23.-1.18.-70., undated, inclusive
General note
Numbered 209.
Duplicate of II.B.1.XXXII. D.7.-5.17.-84., undated, inclusive
General note
Numbered 265.
Near duplicate of II.B.1.XLVIII. B.23.-1.18.-70., undated, inclusive
General note
Numbered 209.
Near duplicate of II.B.1.XXXII. A.18.-1.17.-35., undated, inclusive
General note
Numbered 4.
Painting of a landscape with a river, cascades, Roman ruins and pastoral scenes., undated, inclusive
General note
Stolen 28/29 September 1983.
See also II.B.3.23.-25.
Duplicate of II.B.1.XXX. B.16.-2.15.-36., undated, inclusive
General note
Numbered 313.
Near duplicate of II.B.1.XLVIII. B.27.-1.18.-72., undated, inclusive
General note
Numbered 55.
XLVIII. B.1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata, dipinta e dorata con protomi umane e girali fioriti che si dipartono da un vaso: Scena mitologica: L'Età dell'Oro. h. 222,5 l. 322 Pittore veneto dell'ultimo quarto del XVI secolo. Numbered 257. and pasted upside down onto the page. See also II.B.1.XLVIII. B.1.-2.18.-47.
Folder 2. Album labelled "V"
Scope and Contents note
This is one of a series of canvas-bound albums with most of the photographs pasted on to the page. The pages are not numbered but many of the photographs are numbered on the page. For easy reference the album pages have been numbered by the archivist in pencil on the top right-hand corner.
Duplicate of II.B.3.23.-10., undated, inclusive
General note
Numbered 213.
LXV. A.11., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo. h. 102 l. 129 Lippo di Benivieni XIV secolo. Detail of the head of the Madonna Numbered 249. See also II.B.1.LXV. A.11.-3.21.-23.
XLVIII. B.8., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea modanata, dorata e dipinta: Madonna in trono col Bambino, S. Antonio Abate, S. Caterina d'Alessandria e due angeli reggicortina. h. 34,5 l 26,5 Allegretto Nuzzi (?) XIV secolo. See also II.B.1.XLVIII. B.8.18.-49.
LXV. A.11., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo. h. 102 l. 129 Lippo di Benivieni XIV secolo. Detail of the head of San Paolo Numbered 249. See also II.B.1.LXV. A.11.-3.21.-23.
Near duplicate of II.B.1.XXXII. A.18.-1.17.-35., undated, inclusive
General note
Numbered 148.
XXX. A.11., undated, inclusive
General note
DIPINTO a tempera su tavola (tagliata) con cornice lignea modanata e dorata: Madonna col Bambino. h. 65,5 l. 55,5 Pittore fiorentino del XIV secolo. Numbered 45. See also II.B.1.XXX. A.11.-2.15.-23.
XXX. A.11., undated, inclusive
General note
DIPINTO a tempera su tavola (tagliata) con cornice lignea modanata e dorata: Madonna col Bambino. h. 65,5 l. 55,5 Pittore fiorentino del XIV secolo. Numbered 45. See also II.B.1.XXX. A.11.-2.15.-23.
XXX. A.11., undated, inclusive
General note
DIPINTO a tempera su tavola (tagliata) con cornice lignea modanata e dorata: Madonna col Bambino. h. 65,5 l. 55,5 Pittore fiorentino del XIV secolo. See also II.B.1.XXX. A.11.-2.15.-23.
Duplicate of a painting of the Madonna and Child in IV.A.1.1.30.-1.-2., undated, inclusive
LXV. A.2., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice di legno modanato, dipinto e dorato, con stemma: Madonna col Bambino. h. 66,5 l. 43 Maestro della Natività di Castello. Numbered 1319. See also II.B.1.LXV. A.2.21.-19.
Near duplicate of II.B.1.XXX. D.7.-3.15.-59., undated, inclusive
General note
Numbered 151.
XLVIII. D.23., undated, inclusive
General note
DIPINTI a tempera (due) su tavola in cornice lignea intagliata, dipinta e dorata: Storie di S. Benedetto: Fuga di S. Benedetto, S. Benedetto in preghiera. h. 40 43,5 l. 44,5 48,5 Giovanni del Biondo, XV secolo. Fuga di S. Benedetto.
XX. A.19., undated, inclusive
General note
DIPINTO (scomparto di polittico) a tempera su tavola con cornice lignea dorata: S. Antonio Abate. h. 104,5 l. 40,5 Cerchia di Niccolò di Pietro Gerini. Numbered 14.
XX. A.19., undated, inclusive
General note
DIPINTO (scomparto di polittico) a tempera su tavola con cornice lignea dorata: S. Antonio Abate. h. 104,5 l. 40,5 Cerchia di Niccolò di Pietro Gerini. Numbered 396.
XXXI. D.9., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata e cornice modanata, dipinta e dorata: S. Onofrio e donatore. Nella Base iscrizione: "Questa: Tavola: Afata: Fare: Nicholo Di/ Pici: Perimedio: delanima: Sua: Anni: MCCC:LXXX". Scuola dell'Orcagna (Giovanni del Biondo?), XIV secolo (datato 1380). Numbered 217. See also II.B.1.XXXI. D.9.-1.16.-56.
Duplicate of II.B.1.XLVIII. D.14.-1.18.-87., undated, inclusive
General note
Numbered 215.
Duplicate of II.B.1.XLVIII. D.14.-1.18.-87., undated, inclusive
General note
Numbered 215.
Duplicate of II.B.1.XXI. C.2.-1.14.-47., undated, inclusive
XXI. C.2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: Annunciazione. h. 102 l. 73 Cenni di Francesco, XV secolo. Numbered 11. See also II.B.1.XXI. C.2.-1.14.-47.
Near duplicate of II.B.1.LXV. D.12.-1.21.-31., undated, inclusive
General note
Numbered 291. Loose photograph.
XXX. C.9., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: S. Lucia tra Santo Martire e Antonio Abate. h. 135,5 l. 95,5 Bicci di Lorenzo, fine del XIV secolo. Numbered 143. See also II.B.1.XXX. C.9.-1.15.-45.
Near duplicate of II.B.1.LXV. D.12.-1.21.-31., undated, inclusive
General note
Numbered 221.-291.
Painting of the Coronation of the Virgin with Saints and angels, 1975, inclusive
General note
Numbered 10.
Attributed by Miklos Boscovits in "Pittura Fiorentina alla vigilia del Rinascimento", 1975 to the Maestro della Madonna Lazzaroni, and provenance given as 'Firenze, Collezione Acton'
XLVIII. D.23., undated, inclusive
General note
DIPINTI a tempera (due) su tavola in cornice lignea intagliata, dipinta e dorata: Storie di S. Benedetto: Fuga di S. Benedetto, S. Benedetto in preghiera. h. 40 43,5 l. 44,5 48,5 Giovanni del Biondo, XV secolo. San Benedetto in preghiera. See also II.B.1.XLVIII. D.23.18.-93.
Near duplicate of II.B.1.XXI. B.1.-1.14.-19., undated, inclusive
Blank page, undated, inclusive
XXXII. A.11., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata con decorazioni a pastiglia: Incoronazione della Vergine. h. 147 l. 71 Mariotto di Nardo (?), fine del XIV secolo. Numbered 150. See also II.B.1.XXXII. A.11.-2.17.-28.
Blank page, undated, inclusive
XXXI. D.2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata e cornice intagliata, dipinta e dorata con decorazioni a pastiglia: Madonna col Bambino in piedi. h. 110,5 l. 62,3 Mariotto di Nardo, inizi del XV secolo. Numbered 6. See also II.B.1.XXXI. D.2.16.-53.
Blank page, undated, inclusive
Duplicate of a Madonna and Child with two Saints in IV. A.1.1.35.-1., undated, inclusive
Painting of St Lucy (loose photograph), undated, inclusive
Painting of St Lucy, undated, inclusive
XLVIII. B.13., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata con iscrizione alla base: "Ave Maria Gratia Plena": Madonna col Bambino e committente Cherubino nella cuspide. h. 131 l. 52 Niccolò di Tommaso. See also II.B.1.XLVIII. B.13.-4.18.-60.
XLVIII. B.13., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata con iscrizione alla base: "Ave Maria Gratia Plena": Madonna col Bambino e committente Cherubino nella cuspide. h. 131 l. 52 Niccolò di Tommaso. Numbered 32. See also II.B.1.XLVIII. B.13.-4.18.-60.
XLVIII. C.3., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea modanata,intagliata, dipinta e dorata: Storie di San Biagio: Santa Monaca che offre il cibo al Santo. h. 38,5 l. 38,5 Scuola fiorentina o senese del XV secolo. Numbered 63.-4.
XLVIII. C.3., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea modanata,intagliata, dipinta e dorata: Storie di San Biagio: Santa Monaca che offre il cibo al Santo. h. 38,5 l. 38,5 Scuola fiorentina o senese del XV secolo. Numbered 4.-63.
Blank page, undated, inclusive
XXVIII. D.2., undated, inclusive
General note
DIPINTO a tempera su tavola a fondo oro: S. Chiara con S. Bartolomeo (nella cuspide) h. 116 l. 40. Date and artist missing from the Conti inventory. Numbered 13. See also II.B.1.XXVIII. D.2.-1.14.-98.
Blank page, undated, inclusive
Duplicate of II.B.1.XXX. D.1.-4.15.-53., undated, inclusive
General note
Numbered 224
XLVIII. D.39., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea modanata: San Giuliano trasporta sul fiume un pellegrino. h. 33 l. 53 Ambrogio di Baldese. Numbered 238. See also II.B.1.XLVIII. D.39.18.-14.
XLVIII. D.39., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea modanata: San Giuliano trasporta sul fiume un pellegrino. h. 33 l. 53 Ambrogio di Baldese. Numbered 238. See also II.B.1.XLVIII. D.39.18.-14.
Blank page, undated, inclusive
LXV. A.11., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo. h. 102 l. 129 Lippo di Benivieni XIV secolo. Numbered 241. See also II.B.1.LXV. A.11.-3.21.-23.
Duplicate of II.B.1.XXX. A.4.-3.15.-11., undated, inclusive
General note
Numbered 31
XXX. A.4., undated, inclusive
General note
DIPINTO a tempera su tavola (lunetta): Madonna col Bambino. h. 63 l. 88 Mariotto di Nardo. Numbered 31. See also II.B.1.XXX. A.4.-1.15.-9.
Blank page, undated, inclusive
XXXII. D.7., undated, inclusive
General note
DIPINTO (polittico d'altare) a tempera su tavola, con cornice lignea scolpita e dorata: Madonna in trono col Bambino e i santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate nelle cuspidi: Madonna della Misericordia, l'Annunciazione e santa Margherita. h. 171 Pittore fiorentino della fine del XIV secolo. Numbered 19. See also oversize, II.B.1.XXXII.D.7.-1. folder 199.
Blank page, undated, inclusive
XXXII. D.13., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata e dorata: Sant'Ansano con iscrizione: "S.C.S. Sanus Martir". h. 131 l. 63 Artista senese inizi del XV secolo. Numbered 217. See also II.B.1.XXXII. D.13.17.-88.
Blank page, undated, inclusive
Duplicate of II.B.1.XXXII. D.7.-2.17.-81., undated, inclusive
General note
Numbered 232.
Blank page, undated, inclusive
XXXII. D.7., undated, inclusive
General note
DIPINTO (polittico d'altare) a tempera su tavola, con cornice lignea scolpita e dorata: Madonna in trono col Bambino e i santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate nelle cuspidi: Madonna della Misericordia, l'Annunciazione e santa Margherita. h. 171 Pittore fiorentino della fine del XIV secolo. Detail of the Madonna. Numbered 274.
Blank page, undated, inclusive
Duplicate of II.B.1.XXXII. D.7.-4.17.-83., undated, inclusive
General note
Numbered 265.
Blank page, undated, inclusive
Duplicate of II.B.1.XXXII. D.7.-5.17.-84., undated, inclusive
General note
Numbered 266.
Blank page, undated, inclusive
Duplicate of a detail of a painted Crucifix in IV.A.1.2.17.-1., undated, inclusive
General note
Numbered 267.
XXX. C.1., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea cuspidata, intagliata, decorata a pastiglia e dorata: Madonna col Bambino lattante. Sul basamento due stemmi: giglio blu e fasce alternate in blu/oro. h. 115,5 l. 62,5 Pittore toscano della fine del XIV secolo. Detail of the head of the Madonna. Numbered 226.
Near duplicate of II.B.1.XXX. C.1.-2.15.-42., undated, inclusive
General note
Numbered 226.
Blank page, undated, inclusive
Near duplicate of II.B.1.LXV. A.11.-4.21.-24., undated, inclusive
General note
Numbered 249.
Blank page, undated, inclusive
Near duplicate of II.B.1.XXX. D.1.-2.15.-51., undated, inclusive
General note
Numbered 41.
Blank page, undated, inclusive
Duplicate of the Madonna and Child with two angels in IV.A.1.1.34.-1., undated, inclusive
Blank page, undated, inclusive
XXX.A.5., undated, inclusive
General note
DIPINTO a tempera su tavola: Il Beato Davino d'Armenia. Iscrizione: "Hic Iacet Corpus Sancti Davini De Arminea". Cornice sagomata e dorata. h. 73 l. 204 Maestro lucchese (?) del XV secolo. Numbered 272. See also oversize, II.B.1.XXX.A.5. folder 182.
Blank page, undated, inclusive
Painting of the Coronation of the Virgin (formerly part of the Collection but whereabouts at present unknown), undated, inclusive
General note
Numbered 28.
See also II.B.3.23.-6.
Blank page, undated, inclusive
Near duplicate of II.B.3.23.-9., undated, inclusive
General note
Numbered 222.
Blank page, undated, inclusive
XXXI. D.3., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata e cornice intagliata, dipinta e dorata: Madonna col Bambino e iscrizione: "Ave Maria Gratia Plena (...)". h. 110,5 l. 63,5 Pittore fiorentino del XV secolo. Numbered 29. See also II.B.1.XXXI. D.3.-2.16.-55.
Blank page, undated, inclusive
Painting of the Madonna and Child with two angels, undated, inclusive
Blank page, undated, inclusive
Near duplicate of II.B.1.XLVIII. B.22.-1.18.-66., undated, inclusive
General note
Numbered 211.
Blank page, undated, inclusive
XXX. D.7., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata, cornice lignea intagliata, dipinta e dorata: Madonna col Bambino. Alla base iscrizione: "Ave Maria Gratia Plena Dom." h. 103,5 l. 68,5 Pittore fiorentino dell'inizio del XV secolo. Numbered 151. See also II.B.1.XXX. D.7.-1.15.-57.
Blank page, undated, inclusive
I bis. A.3., undated, inclusive
General note
DIPINTO olio su tela, cornice intagliata e dorata: Ritratto di dama con bambino. h. 108,5 l. 94 Pittore fiorentino del primo '600. Numbered 273. See also II.B.1.I bis. A.3.12.-5.
Blank page, undated, inclusive
XXX. D.11., undated, inclusive
General note
DIPINTO a olio su tavola in cornice lignea modanata a colmo e dorata: Madonna in trono col Bambino e i santi Giovanni Evangelista e Davide. h. 113,5 l. 85 Pittore umbro (?) dell'inizio del XVI secolo. Numbered 45. See also II.B.1.XXX. D.11.15.-60.
XXX. E.10., undated, inclusive
General note
SCULTURA in terracotta modellata a tutto tondo: S. Giovannino nel deserto. h. 30 l. 40 Bottega fiorentina del XVI secolo. Numbered 47.
Near duplicate of II.B.1.XXX. B.5.-3.15.-32., undated, inclusive
General note
Numbered 264.
Blank page, undated, inclusive
XXX. D.12., undated, inclusive
General note
ALTORILIEVO in terracotta modellata e dipinta: S. Girolamo penitente. h. 44 l. 55 ca. Maestro fiorentino (Baccio da Montelupo? Maestro di San Giovannino o Pietro Torrigiano?) del XVI secolo. Numbered 300. (two photographs)
XLVIII. D.10., undated, inclusive
General note
DIPINTO a tempera su tavola entro teca: Madonna in trono col Bambino tra due santi e due angeli (dietro la teca cartellino: Mostra Giottesca 1937 n. 213 h. 43 l. 37,5 Maestro della Maddalena (attribuita dall'Offner) ultimo quarto del XIII secolo (1275 ca.) Numbered 286. See also II.B.1.XLVIII. D.10.-2.18.-86.
XLVIII. D.10., undated, inclusive
General note
DIPINTO a tempera su tavola entro teca: Madonna in trono col Bambino tra due santi e due angeli (dietro la teca cartellino: Mostra Giottesca 1937 n. 213. h. 43 l. 37,5 Maestro della Maddalena (attribuita dall'Offner) ultimo quarto del XIII secolo (1275 ca.). Numbered 286. See also II.B.1.XLVIII. D.10.-2.18.-86.
Blank page, undated, inclusive
Blank page, undated, inclusive
Blank page, undated, inclusive
Duplicate of II.B.1.XLVIII. B.22.-1.18.-66., undated, inclusive
General note
Loose page. Numbered 211.
Folder 3. Album labelled "VI"
Scope and Contents note
This is one of a series of canvas-bound albums with most of the photographs pasted on to the page. The pages are not numbered but many of the photographs are numbered on the page. For easy reference the album pages have been numbered by the archivist in pencil on the top right-hand corner.
Duplicate of II.B.1.XII. A.10.-1.12.-91., undated, inclusive
General note
Numbered 253.
Statuette of an angel [and Tobias], undated, inclusive
General note
Closely related to XXVI. B.2.
Duplicate of II.B.4.25.-47., undated, inclusive
General note
Numbered 254.
Blank page, undated, inclusive
Duplicate of II.B.1.XII. A.3.-1.12.-86., undated, inclusive
General note
Numbered 258.
Blank page, undated, inclusive
Duplicate of II.B.1.XXI. E.5.-3.14.-57., undated, inclusive
General note
Numbered 251.
Duplicate of II.B.1.XXVIII. A.14.-2.14.-82., undated, inclusive
General note
Numbered 244, (photo detached from the page).
Duplicate of II.B.1.XXVIII. A.14.-2.14.-82., undated, inclusive
General note
Numbered 244.
Blank page, undated, inclusive
Duplicate of II.B.1.XII. A.13.-1.12.-93., undated, inclusive
General note
Numbered 259.
Blank page, undated, inclusive
Duplicate of II.B.1.XII. A.13.-3.12.-95., undated, inclusive
General note
Numbered 260
Blank page, undated, inclusive
Duplicate of II.B.1.X. C.7.-2.12.-55., undated, inclusive
General note
Numbered 261
Blank page, undated, inclusive
Bas relief of Perseus and Andromeda, undated, inclusive
Blank page, undated, inclusive
Duplicate of II.B.1.IX. B.1.-1.12.-36., undated, inclusive
General note
Numbered 252.
Blank page, undated, inclusive
Near duplicate of II.B.1.XXXII. D.5.-3.17.-78., undated, inclusive
General note
Numbered 214.
Blank page, undated, inclusive
Duplicate of II.B.2.22.-27., undated, inclusive
General note
Numbered 6.
Blank page, undated, inclusive
Near duplicate of II.B.1.XII. A.16.-1.12.-98., undated, inclusive
General note
Numbered 58.
Near duplicate of II.B.1.IX. D.3.-1.12.-46., undated, inclusive
General note
Numbered 62.
IX. D.3., undated, inclusive
General note
RILIEVO in terracotta policroma: Madonna col Bambino. Iscrizione: "Ave Maria Gracia Plena D. Teco". h. 63,5 l. 48,5 Bottega fiorentina del XV secolo (cerchia di Desiderio da Settignano). Numbered 62. See also II.B.1.IX. D.3.-1.12.-46.
Blank page, undated, inclusive
XXXI. C.8., undated, inclusive
General note
RILIEVO a tondo in stucco dipinto: Madonna col Bambino. d. 88,5 ca. Da Francesco di Simone Ferrucci (copia dell'esemplare marmoreo nel monumento Tartagni in S. Domenico di Bologna) ultimo quarto del XV secolo. See also II.B.1.XXXI. C.8.-1.16.-39.
Blank page, undated, inclusive
Near duplicate of II.B.1.IX. C.5.12.-42., undated, inclusive
Blank page, undated, inclusive
XXXII. A.25., undated, inclusive
General note
RILIEVI (due pannelli) in terracotta dipinta con tracce di doratura in cornice lignea intagliata e dorata: S. Giovanni Battista e S. Francesco. h. 143 l. 77,5 Scultore padovano della metà XVI secolo. See also II.B.1.XXXII. A.25.17.-42.
Blank page, undated, inclusive
Duplicate of II.B.4.25.-49., undated, inclusive
General note
Numbered 205.
Blank page, undated, inclusive
Duplicate of a seated statue of the Madonna and Child in IV.A.4.8.20.-1.-4., undated, inclusive
General note
Numbered 203.
Blank page, undated, inclusive
Near duplicate of II.B.1.IX. C.4.-1.12.-39., undated, inclusive
General note
Numbered 204
Blank page, undated, inclusive
XII. A.30., undated, inclusive
General note
STATUA in marmo bianco scolpito: Venere che brucia le frecce d'Amore. Firmata e datata sulla base: "Io. Fr. Susini. Flor. Fa. MDCXXXVII". h. 160 l. 42 p. 31 Gian Francesco Susini, 1637. See also II.B.1.XII. A.30.12.-104.
Blank page, undated, inclusive
Duplicate of II.B.3.23.-31., undated, inclusive
Blank page, undated, inclusive
Duplicate of a bust of the Redeemer in IV.A.4.9.30.-1.-2., undated, inclusive
Blank page, undated, inclusive
Near duplicate of II.B.1.LXI. A.12.-1.20.-39., undated, inclusive
General note
Numbered 243.
Duplicate of II.B.1.LX. B.13.-1.20.-14., undated, inclusive
Duplicate of II.B.1.LX. B.13.-1.20.-14., undated, inclusive
Blank page, undated, inclusive
XXI. B.10., undated, inclusive
General note
SCULTURA in terracotta modellata a tutto tondo: Ritratto di gentiluomo con guanti. h. 66 Bottega emiliana (cerchia di Alfonso Lombardi) del XVI secolo. See also II.B.1.XXI. B.10.14.-38.
Blank page, undated, inclusive
Garden statue 7.5., undated, inclusive
General note
Before its installation in the garden of Villa La Pietra in the Vialone of the Boschetto (5.v.).
See also Series II.A.9.
Blank page, undated, inclusive
Garden statues, including 13.3. and 13.4., undated, inclusive
General note
Before their installation in the garden of Villa La Pietra in the Teatrino (4.ii.), see also II.A.9.9.-1. et seq.
Blank page, undated, inclusive
Garden statue 13.7., undated, inclusive
General note
Before its installation in the garden of Villa La Pietra in the Teatrino (4.ii.See also II.A.9.9.-1. et seq. Photo by Giacomelli, Venezia.
Garden statue 13.2., undated, inclusive
General note
Before its installation in the garden of Villa La Pietra in the Teatrino (4.ii.). See also II.A.9.9.-1. et seq. Photo by Giacomelli, Venezia.
Blank page, undated, inclusive
Garden statue 13.3., undated, inclusive
General note
Before its installation in the garden of Villa La Pietra in the Teatrino (4.ii.). See also II.A.9.9.-1. et seq.
Garden statue 13.4., undated, inclusive
General note
Before its installation in the garden of Villa La Pietra in the Teatrino (4.ii.). See also II.A.9.9.-1. et seq.
Blank page, undated, inclusive
Garden statue 7.6., undated, inclusive
General note
Before its installation in the garden of Villa La Pietra in the Vialone of the Boschetto (5.v.), see also Series II.A.9.
Photocopy made at an unknown time of the garden of Villa La Pietra, undated, inclusive
General note
For the original print see II.A.7.8.-77.
Photocopy made at an unknown time of the garden of Villa La Pietra, undated, inclusive
General note
For the original print see II.A.4.ii.5.-93.
Duplicate of II.B.1.XXX. B.3.15.-26., undated, inclusive
Unidentified interior, undated, inclusive
Bench in an interior, undated, inclusive
Blank page, undated, inclusive
Duplicate of a circular Roman altar with bucrania in IV.A.7., undated, inclusive
Blank page, undated, inclusive
Duplicate of II.B.1.XX. A.11.13.-76., undated, inclusive
General note
Numbered 279.
Blank page, undated, inclusive
XXXII. A.13., undated, inclusive
General note
RILIEVO in stucco con tracce di policromia: Madonna che adora il Bambino, in tabernacolo ligneo intagliato, dipinto e dorato. h. 130 l. 121,5 Bottega di Donatello della metà del XV secolo. Numbered 281. See also II.B.1.XXXII. A.13.-3.17.-31.
XX. D.1., undated, inclusive
General note
TONDO a bassorilievo in terracotta parzialmente invetriata con putto su delfino entro ghirlanda di frutti e foglie. d. 85 ca. Bottega robbiana (?) del XVI secolo (?). Numbered 493.
XX. D.1., undated, inclusive
General note
TONDO a bassorilievo in terracotta parzialmente invetriata con putto su delfino entro ghirlanda di frutti e foglie. d. 85 ca. Bottega robbiana (?) del XVI secolo (?). Numbered 280.
XX. D.1., undated, inclusive
General note
TONDO a bassorilievo in terracotta parzialmente invetriata con putto su delfino entro ghirlanda di frutti e foglie. d. 85 ca. Bottega robbiana (?) del XVI secolo (?). Numbered 280.
Duplicate of II.B.1.XXI. B.6.-3.14.-29., undated, inclusive
General note
Numbered 282.
Interior of the dining room of Villa Emilia. The wrought-iron candle stands are similar to those now in the top floor corridor of Villa La Pietra, undated, inclusive
Duplicate of II.B.1.XXI. B.6.-1.14.-27., undated, inclusive
General note
Numbered 283.
Photocopy made at an unknown time of the garden of Villa La Pietra (for the original print see II.A.3.iv.4.-17.), undated, inclusive
Photocopy made at an unknown time of the garden of Villa La Pietra, undated, inclusive
General note
For the original print see II.A.3.ii.2.-40.
Duplicate of II.B.1.XXI. B.6.-4.14.-30., undated, inclusive
General note
Numbered 284.
XXXII. Sala da Pranzo - general view, undated, inclusive
General note
See also II.B.1.XXXII.-8.17.-8.
Duplicate of a circular Roman altar with bucrania in IV.A.7., undated, inclusive
Four stone garden vases of fruits and flowers, undated, inclusive
General note
See also II.A.9.9.-85.
Duplicate of II.B.1.XXX. B.3.15.-26., undated, inclusive
Interior with a carved bench and a high relief of a Madonna and child in a tabernacle, undated, inclusive
Interior with a four-poster bed and tapestries, undated, inclusive
Interior with a large Chinese screen, undated, inclusive
Photocopy made at an unknown time of the garden of Villa La Pietra (for the original print see II.A.3.iv.3.-120.), undated, inclusive
Photocopy made at an unknown time of the garden of Villa La Pietra (for the original print see II.A.5.v.6.-104.), undated, inclusive
Photocopy made at an unknown time of the garden of Villa La Pietra (the original print is missing from the archives), undated, inclusive
Pair of highly elaborate pedestal tables with vases, undated, inclusive
Stone garden vases of fruits, undated, inclusive
General note
See also II.A.9.9.-85.
Stone garden vases of fruits, undated, inclusive
General note
See also II.A.9.9.-85.
Photocopy made at an unknown time of the garden of Villa La Pietra, undated, inclusive
General note
The original print is missing from the archives, but for the negative see II.A.7.8.-67.
Duplicate of II.B.1.L. E.4.-1.19.-7., undated, inclusive
Blank page, undated, inclusive
Blank page, undated, inclusive
Blank page, undated, inclusive
Blank page, undated, inclusive
Blank page, undated, inclusive
Blank page, undated, inclusive
Blank page, undated, inclusive
XXI. C.1., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna col Bambino, Angeli e Dio Padre. h. 115,5 l. 74 Pseudo Pier Francesco Fiorentino. Loose page. See also oversize, II.B.1.XXI. C.1. folder 176.
Duplicate of a Madonna del Latte in IV.A.1.1.29.-1.-2., undated, inclusive
General note
Loose page.
Folder 1. Album labelled "VII"
Scope and Contents note
This is one of a series of canvas-bound albums with most of the photographs pasted on to the page. The pages are not numbered but many of the photographs are numbered on the page. For easy reference the album pages have been numbered by the archivist in pencil on the top right-hand corner.
Near duplicate of II.B.1.LVI. A.3a.-1.19.-69., undated, inclusive
General note
Numbered 56.
Duplicate of II.B.1.LVI. A.1.19.-68., undated, inclusive
General note
Numbered 25349.
LVI. A.3b., undated, inclusive
General note
DIPINTI (due) a tempera grassa su tela in cornice sagomata, modanata e dorata: Paesaggio con scene mitologiche: Enea e Acate Enea e Venere. h. 205 l. 177 ca. Scuola bolognese della metà XVIII secolo. Enea e Venere. Numbered 57. See also II.B.1.LVI. A.3b.-1.19.-71.
LVI. A.3a., undated, inclusive
General note
DIPINTI (due) a tempera grassa su tela in cornice sagomata, modanata e dorata: Paesaggio con scene mitologiche: Enea e Acate Enea e Venere. h. 205 l. 177 ca. Scuola bolognese della metà XVIII secolo. Enea e Acate. Numbered 56. See also II.B.1.LVI. A.3a.-2.19.-70.
Duplicate of II.B.1.LVI. A.3b.-1.19.-71., undated, inclusive
General note
Numbered 57.
blank page, undated, inclusive
XLVIII. B.1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata, dipinta e dorata con protomi umane e girali fioriti che si dipartono da un vaso: Scena mitologica: L'Età dell'Oro. h. 222,5 l. 322 Pittore veneto dell'ultimo quarto del XVI secolo. Numbered 257.
blank page, undated, inclusive
Near duplicate of II.B.1.XLVIII. C.12.-1.18.-83., undated, inclusive
General note
Numbered 452.
blank page, undated, inclusive
Photo missing, undated, inclusive
General note
Numbered 55.
blank page, undated, inclusive
Near duplicate of II.B.1.XLVIII. B.23.-1.18.-70., undated, inclusive
General note
Numbered 209.
Blank page, undated, inclusive
Duplicate of two Tiepolesque grisaille frescoes, undated, inclusive
General note
In oversize, IV.A.3.7. folder 272.-7. Countersigned with "no".
Blank page, undated, inclusive
Duplicate of two Tiepolesque grisaille frescoes, undated, inclusive
General note
In oversize, IV.A.3.7. folder 272.-3. Countersigned with "no".
Blank page, undated, inclusive
Duplicate of two grisaille trompe l'oeil frescoes of female statues, undated, inclusive
General note
In oversize, IV.A.3.7.271.-1. Countersigned with "no".
Blank page, undated, inclusive
Duplicate of grisaille trompe l'oeil frescoes of female statues, undated, inclusive
General note
In oversize, IV.A.3.7.271.-10. Countersigned with "no".
Blank page, undated, inclusive
Tondo of Tiepolesque fresco, undated, inclusive
General note
In oversize, IV.A.3.7. folder 272.-1. Numbered 152.
Blank page, undated, inclusive
Duplicate of two oval Tiepolesque frescoes in IV.A.3.7.272.-10., undated, inclusive
Blank page, undated, inclusive
Detail of a frescoed head of grisaille trompe l'oeil of a female statue See 19. above), undated, inclusive
General note
In oversize, IV.A.3.7. folder 271.-7. Countersigned with "no". Numbered 233.
Blank page, undated, inclusive
Detail of a frescoed head of grisaille trompe l'oeil of a female statue See 21. above), undated, inclusive
General note
In oversize, IV.A.3.7. folder 271.-16. Countersigned with "no". Numbered 234.
Blank page, undated, inclusive
Near duplicate of II.B.1.XXVIII. A.3.-1.14.-76., undated, inclusive
General note
Numbered 228.
Blank page, undated, inclusive
LXI. B.8., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato con protomi angeliche agli angoli: Ritratto di fanciullo con giocattolo. h. 160 ca l. 136 Pittore spagnolo del XVII secolo. Numbered 262. See also II.B.1.LXI. B.8.-1.20.-46.
Blank page, undated, inclusive
Photo missing, undated, inclusive
General note
Numbered 263.
Blank page, undated, inclusive
Near duplicate of II.B.1.XXVIII. C.5.14.-91., undated, inclusive
General note
Numbered 248.
Blank page, undated, inclusive
Duplicate of a battle scene in IV.A.1.3.22.-1.-2., undated, inclusive
General note
Numbered 276.
Blank page, undated, inclusive
Duplicate of II.B.1.XLII. D.4.-2.18.-3., undated, inclusive
Blank page, undated, inclusive
Near duplicate of II.B.1.LXV. A.1.-2.21.-16., undated, inclusive
General note
Numbered 219.
Blank page, undated, inclusive
Near duplicate of II.B.1.LXV. A.1.-1.21.-15., undated, inclusive
General note
Numbered 218.
Blank page, undated, inclusive
Near duplicate of II.B.1.LIII. A.57.19.-23., undated, inclusive
General note
Numbered 231.
Blank page, undated, inclusive
Near duplicate of II.B.1.LIII. A.62.19.-24., undated, inclusive
General note
Numbered 223.
Blank page, undated, inclusive
Duplicate of II.B.1.XXVIII. C.6.-1.14.-92., undated, inclusive
General note
Numbered 229.
Blank page, undated, inclusive
Photo missing numbered 220., undated, inclusive
Blank page, undated, inclusive
Detail of a frescoed head of a grisaille trompe l'oeil fresco of a female statue, undated, inclusive
General note
Numbered 221.
Countersigned with "no".
Duplicate in oversize, IV.A.3.7. folder 271.-5.See 19 above.
Blank page, undated, inclusive
Near duplicate of II.B.1.XXVIII. A.6.14.-79., undated, inclusive
General note
Numbered 256.
Photocopy made at an unknown time of a garden, undated, inclusive
General note
Folder 93. For the original print, see V.B.6.3.
Photocopy made at an unknown time of a garden, undated, inclusive
Blank page, undated, inclusive
Photo missing, undated, inclusive
General note
Numbered 277.
Blank page, undated, inclusive
Photo missing, undated, inclusive
General note
Numbered 285.
Blank pages, undated, inclusive
Folder 2. Album labelled "VIII Sculture"
Scope and Contents note
This is in the numbered series of albums, but is much smaller than the other eight and not canvas-bound. It bears the label of the Cartoleria Pistoj, Via Condotta, Firenze on the inside cover. All the photographs are pasted on to the page. The pages are not numbered but many of the photographs are numbered on the page. For easy reference the album pages have been numbered by the archivist in pencil on the top right-hand corner. Many of the sculptures were photographed in the same room (presumably the Sala da Pranzo) in the same position (with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background
Duplicate of II.B.1.LXV. B.12.-2.21.-29., undated, inclusive
Near duplicate of II.B.1.XXXII. D.10.17.-87., undated, inclusive
General note
Numbered 354.
LXV. B.12., undated, inclusive
General note
SCULTURA in alabastro: Madonna seduta col Bambino. h. 38 Scultore siciliano del XVI secolo. See also II.B.1.LXV. B.12.-1.21.-28.
Statuette [with Tobias and the Angel] (folk art), undated, inclusive
General note
Closely related to XXVI. B.2.
XX. C.9., undated, inclusive
General note
STATUETTE (coppia) di Europa e Africa in terracotta dipinta e policromata. Europa: corno dell'abbondanza, cavallo, tiara e simboli del potere temporale Africa: copricapo con elefante, serpenti, e fascio di spighe. h. 52 Mozzi, XVIII secolo. Africa. Annotated on the page: "Domenico Mazza, Venezia". See also II.B.1.XX. C.9.13.-95.
XXXI. E.5., undated, inclusive
General note
BUSTO in terracotta dipinta su base lignea intagliata e dipinta: Santo. h. 45 Artista bolognese del XVII secolo. Restauri, incrinature. Numbered 78. Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background.
LXV. B.12., undated, inclusive
General note
SCULTURA in alabastro: Madonna seduta col Bambino. h. 38 Scultore siciliano del XVI secolo. Annotated on the verso "Probably Bambaia - Milanese sculptor of small marble figures". See also II.B.1.LXV. B.12.-1.21.-28.
XXI. E.5., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna col Bambino. h. 90 l. 31 Scultore abruzzese (?) del XIII (?) secolo. Numbered 251. and annotated on the page "dugento" Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background. See also II.B.1.XXI. E.5.-3.14.-57.
XXI. B.13., undated, inclusive
General note
SCULTURA in legno dipinto in policromia: Madonna col Bambino. h. 42,5 Scultore veneto della seconda metà del XIV secolo. Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background. See also II.B.1.XXI. B.13.-1.14.-42.
XIX. E.8., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto in policromia: Buddha seduto. h. 84 Cina, Dinastia Sung (?). Numbered 758. Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background.
XX. C.9., undated, inclusive
General note
STATUETTE (coppia) di Europa e Africa in terracotta dipinta e policromata. Europa: corno dell'abbondanza, cavallo, tiara e simboli del potere temporale Africa: copricapo con elefante, serpenti, e fascio di spighe. h. 52 Mozzi, XVIII secolo. (Detail of Europa).
IX. A.9., undated, inclusive
General note
RILIEVO in terracotta policroma entro cornice centinata a tabernacolo: Madonna col Bambino. h. 83 l. 67 Bottega di Donatello, XV secolo. See also II.B.1.IX. A.9.-1.12.-21.
XX. C.9., undated, inclusive
General note
STATUETTE (coppia) di Europa e Africa in terracotta dipinta e policromata. Europa: corno dell'abbondanza, cavallo, tiara e simboli del potere temporale Africa: copricapo con elefante, serpenti, e fascio di spighe. h. 52 Mozzi, XVIII secolo. Detail of Africa. See also II.B.1.XX. C.9.13.-95.
Near duplicate of II.B.1.XX. C.9.13.-95., undated, inclusive
XV. A.1., undated, inclusive
General note
STATUETTA in terracotta dipinta di bruno su base lignea: Giovane con cestino di frutta. h. 46 Manifattura napoletana (?) del XVIII secolo. Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background. See also II.B.1.XV. A.1.-1.12.-117.
LIII. A.27., undated, inclusive
General note
STATUETTA in legno scolpito e dipinto in policromia: Accattone. h. 50 Intagliatore francese del XVIII secolo. Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background. See also II.B.1.LIII. A.27.19.-21.
XXXII. D.10., undated, inclusive
General note
STATUETTA in terracotta modellata a tutto tondo e dipinta: San Sebastiano. h. 66,5 Artista fiorentino della prima metà del XVI secolo. Numbered 354. Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background. See also II.B.1.XXXII. D.10.17.-87.
XX. C.9., undated, inclusive
General note
STATUETTE (coppia) di Europa e Africa in terracotta dipinta e policromata. Europa: corno dell'abbondanza, cavallo, tiara e simboli del potere temporale Africa: copricapo con elefante, serpenti, e fascio di spighe. h. 52 Mozzi, XVIII secolo. Only detail of Europa.
Statuette of (Tobias and the angel) (also in Historic Album VI, page 2). Closely related to XXVI. B.2., undated, inclusive
XXXI. E.5., undated, inclusive
General note
BUSTO in terracotta dipinta su base lignea intagliata e dipinta: Santo. h. 45 Artista bolognese del XVII secolo. Restauri, incrinature. Numbered 78. Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background.
LIII. A.27., undated, inclusive
General note
STATUETTA in legno scolpito e dipinto in policromia: Accattone. h. 50 Intagliatore francese del XVIII secolo. Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background. See also II.B.1.LIII. A.27.19.-21.
XXI. E.5., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna col Bambino. h. 90 l. 31 Scultore abruzzese (?) del XIII (?) secolo. Number 251. Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background. See also II.B.1.XXI. E.5.-3.14.-57.
XIX. E.8., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto in policromia: Buddha seduto. h. 84 Cina, Dinastia Sung (?). Numbered 758. Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background.
Near duplicate of II.B.1.IX. A.9.-1.12.-21., undated, inclusive
XXXII. A.16., undated, inclusive
General note
BUSTO in terracotta modellata a tutto tondo e patinata con interventi di colore su base lignea dipinta. h. 36,5 base: h. 9 l. 44,5 Modellatore del XV (?), XIX secolo. Numbered 139 and annotated on the page "Allievo Donatello - Nanni di Bartolo" Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background. See also II.B.1.XXXII. A.16.-3.17.-34.
XXI. B.6., undated, inclusive
General note
BOZZETTO di Torso virile in terracotta modellata su base di marmo intarsiato. h. 33 base: h. 17 Artista italiano del XVI secolo. Numbered 282. Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background.
XXX. E.10., undated, inclusive
General note
SCULTURA in terracotta modellata a tutto tondo: S. Giovannino nel deserto. h. 30 l. 40 Bottega fiorentina del XVI secolo. Numbered 47., and annotated on the recto "Florentine" Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background. Also in Historic Album V, page 88.
Folder 3. Album labelled "IX Doppione"
Scope and Contents note
This is canvas-bound album with photos almost all of painted panels and screens or furniture in the interior of Villa La Pietra (series II.B.1.), in one of the Villas (series II.C.) or a work of art illustrating the Actons' activity as collectors (series IV.A.). None of these were pasted on to the page and so they were all removed in 2004 and replaced by Color photocopies. A number of pages at the end of the album are un-numbered and without photos. The pages are not numbered but many of the photographs are numbered on the page on labels, and these have not been countersigned with a 'tick'. Some of the pages also bear initials and a second label, sometimes blank and sometimes with another number (but these appear to be of little interest and so have not all been noted below). For easy reference the album pages have been numbered by the archivist in pencil on the top right-hand corner.
Photocopy made in 2004 of a painted bedhead in IV.A.10., undated, inclusive
General note
Numbered 427. Also numbered 201. Initialled 'H'.
Photocopy made in 2004 of a piece of furniture in II.B.1., undated, inclusive
General note
Numbered 412.
Photocopy made in 2004 of a porcelain jar in II.B.1., undated, inclusive
General note
Numbered 278. Initialled 'H'.
Photocopy made in 2004 of a piece of furniture in IV.A.10., undated, inclusive
General note
Numbered 366. Initialled 'I'
Photocopy made in 2004 of furniture in IV.A.10., undated, inclusive
General note
Numbered 368.
Photocopy made in 2004 of furniture in II.B.1., undated, inclusive
General note
Numbered 367.
Photocopy made in 2004 of a frame in II.B.1., undated, inclusive
General note
Numbered 386.
Photocopy made in 2004 of a painted panel in IV.A.2., undated, inclusive
General note
Numbered 391.
Photocopy made in 2004 of a painted panel in IV.A.2., undated, inclusive
General note
Numbered 390. Initialled 'L'.
Photocopy made in 2004 of a painted panel in IV.A.2., undated, inclusive
General note
Numbered 392.
Photocopy made in 2004 of a painted panel in IV.A.2., undated, inclusive
General note
Numbered 389.
Photocopy made in 2004 of a painted panel in IV.A.2., undated, inclusive
General note
Numbered 388.
Photocopy made in 2004 of an oval painted panel with birds in IV.A.2., undated, inclusive
General note
Numbered 393.
Photocopy made in 2004 of an oval painted panel with birds in IV.A.2., undated, inclusive
General note
Numbered 394.
Photocopy made in 2004 of a painted screen in IV.A.2., undated, inclusive
General note
Numbered 385.
Photocopy made in 2004 of a painted screen in IV.A.2., undated, inclusive
General note
Numbered 384.
Photocopy made in 2004 of a painted panel in IV.A.2., undated, inclusive
General note
Numbered 379.
Photocopy made in 2004 of a painted panel in IV.A.2., undated, inclusive
General note
Numbered 380.
Photocopy made in 2004 of a painted panel in IV.A.2., undated, inclusive
General note
Numbered 370.
Photocopy made in 2004 of a painted panel in IV.A.2., undated, inclusive
General note
Numbered 381.
Photocopy made in 2004 of a painted panel in II.B.1., undated, inclusive
General note
Numbered 383.
Photocopy made in 2004 of a painted panel in II.B.1., undated, inclusive
General note
Numbered 382.
Photocopy made in 2004 of a painted panel with mythological scenes in IV.A.2., undated, inclusive
General note
Numbered 387.
Photocopy made in 2004 of a painted panel in II.B.1., undated, inclusive
General note
Numbered 459.
Photocopy made in 2004 of a painted panel in II.B.1., undated, inclusive
General note
Numbered 461.
Photocopy made in 2004 of a painted panel in II.B.1., undated, inclusive
General note
Numbered 460.
Photocopy made in 2004 of a painted screen (cupboard doors) in IV.A.2., undated, inclusive
General note
Numbered 399.
Photocopy made in 2004 of a painted screen (cupboard doors) in IV.A.2., undated, inclusive
General note
Numbered 400.
Photocopy made in 2004 of a painted screen (cupboard doors) in IV.A.2., undated, inclusive
General note
Numbered 401.
Photocopy made in 2004 of a painted screen in IV.A.2., undated, inclusive
General note
Numbered 405.
Photocopy made in 2004 of a painted screen in II.B.1., undated, inclusive
General note
Numbered 424.
Photocopy made in 2004 of a painted screen in II.B.1., undated, inclusive
General note
Numbered 423.
Photocopy made in 2004 of a painted panel with birds in IV.A.2., undated, inclusive
General note
Numbered 417.
Photocopy made in 2004 of a painted panel with birds in IV.A.2., undated, inclusive
General note
Numbered 415.
Photocopy made in 2004 of a painted panel with birds in IV.A.2., undated, inclusive
General note
Numbered 416. The page is annotated "Bess Adams" (HMA's half sister).
Photocopy made in 2004 of a painted panel in II.B.1.a., undated, inclusive
General note
Numbered 447.
Photocopy made in 2004 of a painted panel in II.B.1.a., undated, inclusive
General note
Numbered 446.
Photocopy made in 2004 of a painted panel in II.B.1.a., undated, inclusive
General note
Numbered 445.
Photocopy made in 2004 of a painted panel in II.B.1.a., undated, inclusive
General note
Numbered 444.
Photocopy made in 2004 of a painted panel in II.B.1.a., undated, inclusive
General note
Numbered 443.
Photocopy made in 2004 of a painted panel in II.B.1.a., undated, inclusive
General note
Numbered 442.
Photocopy made in 2004 of a painted panel in II.B.1.a., undated, inclusive
General note
Numbered 441.
Photocopy made in 2004 of a painted panel in II.C.5. (Villa Sassetti), undated, inclusive
General note
Numbered 439.
Photocopy made in 2004 of a painted panel in II.B.1., undated, inclusive
General note
Numbered 438.
Photocopy made in 2004 of a painted panel in II.C.5. (Villa Sassetti), undated, inclusive
General note
Numbered 440.
Photocopy made in 2004 of a painted panel in II.B.1.a., undated, inclusive
General note
Numbered 374.
Photocopy made in 2004 of a painted panel in II.B.1.a., undated, inclusive
General note
Numbered 378.
Photocopy made in 2004 of a painted panel in II.B.1.a., undated, inclusive
General note
Numbered 377.
Photocopy made in 2004 of a painted panel in II.B.1.a., undated, inclusive
General note
Numbered 376.
Photocopy made in 2004 of a painted panel in II.B.1.a., undated, inclusive
General note
Numbered 375.
Photocopy made in 2004 of a painted panel in Chinese style in IV.A.2. [Villa Natalia], undated, inclusive
General note
Numbered 458.
Photocopy made in 2004 of a painted panel in Chinese style in IV.A.2, undated, inclusive
General note
Numbered 457.
Photocopy made in 2004 of two painted panels with birds in IV.A.2., undated, inclusive
General note
Numbered 456.
Photocopy made in 2004 of a painted panel with birds in IV.A.2., undated, inclusive
General note
Numbered 455.
Photocopy made in 2004 of a painted panel with birds in IV.A.2., undated, inclusive
General note
Numbered 454.
Photocopy made in 2004 of a painted panel with birds in IV.A.2., undated, inclusive
General note
Numbered 421.
Photocopy made in 2004 of a painted panel with birds and 'Chinoiserie' in II.C.4. (now in Villa Colletta), undated, inclusive
General note
Numbered 420.
Photocopy made in 2004 of a painted panel with 'Chinoiserie' in IV.A.2., undated, inclusive
General note
Numbered 422.
Photocopy made in 2004 of a painted panel with birds and 'Chinoiserie' in II.C.4 (now in Villa Colletta), undated, inclusive
General note
Numbered 419.
Photocopy made in 2004 of a painted panel with birds in IV.A.2., undated, inclusive
General note
Numbered 418.
Photocopy made in 2004 of a painted panel with birds in IV.A.2., undated, inclusive
General note
Numbered 395.
Photocopy made in 2004 of a painted panel with birds in IV.A.2., undated, inclusive
General note
Numbered 396.
Photocopy made in 2004 of a painted panel with birds in IV.A.2., undated, inclusive
General note
Numbered 369.
Photocopy made in 2004 of a painted screen with birds in II.B.1., undated, inclusive
General note
Numbered 448.
Photocopy made in 2004 of a painted screen with birds in II.B.1., undated, inclusive
General note
Numbered 449.
Photocopy made in 2004 of a painted screen in IV.A.2., undated, inclusive
General note
Numbered 450.
Photo missing, undated, inclusive
General note
Numbered 470.
Photo missing, undated, inclusive
General note
Numbered 471.
Photocopy made in 2004 of a painted panel with mythological scenes, undated, inclusive
General note
Numbered 398.
Photocopy made in 2004 of a painted panel with mythological scenes, undated, inclusive
General note
Numbered 397.
Photocopy made in 2004 of a painted panel with flowers in II.B.4., undated, inclusive
General note
Numbered 437.
Photocopy made in 2004 of a painted panel with flowers in II.B.4., undated, inclusive
General note
Numbered 436.
Photocopy made in 2004 of a painted panel with flowers in II.B.4., undated, inclusive
General note
Numbered 435.
Photocopy made in 2004 of a painted panel with flowers in II.B.4., undated, inclusive
General note
Numbered 434.
Photocopy made in 2004 of a work of art in Villa La Pietra (XXVIII. A.14.), undated, inclusive
Photos missing, un-numbered, undated, inclusive
1. Oversize green canvas album (unlabelled) containing photographs numbered 1-98
Scope and Contents note
This is a canvas bound album made by the Ditta Barbieri, Firenze with HA's ex libris. The photos are inserted into corner slips on the recto of each page (not pasted on to the page) and there are usually two photographs on each page. They are annotated by HA, and he has numbered them more or less consecutively on the page and almost always given the measurements of each work beneath the photograph. Above the photograph he has in some cases supplied the name of the artist or given an attribution, and has also occasionally noted 'stolen'. Some of the photographs are missing. The numbers listed below are those given by HA and correspond to the Reali negative numbers (for their glass negatives, see Series X.
Photo missing. Page annotated "Bernardo Daddi, 1.37 x 0.76, stolen", undated, inclusive
Near duplicate of II.B.1.XXXII. D.2.-6.17.-75., undated, inclusive
General note
Annotated "Coppo di Marcovaldo, 73 x 1.03 -26.".
XXX. B.5., undated, inclusive
General note
DIPINTO a tempera su tavola con cornice lignea dorata e dipinta: Madonna col Bambino, i santi Pietro e Paolo e angeli. Nell'aureola della Madonna : "Ave Gratia Plena..." e nell'aureola del Bambino: "Ego Sum...". h. 125 l. 90 Siena, Sano di Pietro. Annotated "0.53 x 0,71 Stolen". See also II.B.1.XXX. B.5.-4.15.-33. A postcard has been kept here with the photograph of a similar painting by Sano di Pietro in the Martin A. Ryerson collection at The Art Institute of Chicago.
Near duplicate of II.B.1.XXX. A.10.-8.15.-21., undated, inclusive
General note
Annotated "0,59 x 1,20 Bigallo Master".
XXXII. A.11., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata con decorazioni a pastiglia: Incoronazione della Vergine. h. 147 l. 71 Mariotto di Nardo (?), fine del XIV secolo. Annotated "0,67 x 1,49".
Near duplicate of II.B.1.XXXII. A.11.-2.17.-28., undated, inclusive
General note
Annotated "Mariotto di Nardo".
XXI. C.1., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna col Bambino, Angeli e Dio Padre. h. 115,5 l. 74 Pseudo Pier Francesco Fiorentino. Annotated 0,49 x 0,91 [Photo Reali, Firenze] A postcard has been kept here with the photograph of a similar painting by Pier Francesco Fiorentino in the Musée Jacquemart-André. See also oversize, II.B.1.XXI.C.1. folder 176.
XXI. B.11., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e Cristo Benedicente con libro (Santo?) nella cuspide. h. 146 l. 70 Pietro di Giovanni Ambrosi, XV secolo. Annotated "0,56 x 0,83".
Duplicate of II.B.1.XXI. C.13.-1.14.-53., undated, inclusive
General note
Annotated "Dalmasio, 0,60 x 0,70".
Duplicate of II.B.1.XXI. A.4.-1.14.-12., undated, inclusive
General note
Annotated "Maestro di S. Martino, 0,60 x 1,05".
XXI. C.10., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: S. Michele e S. Pietro nella cuspide. h. 126 l. 63 Luca di Tommè, XIV secolo. Annotated "Lucca di Tommé, 0,51 x 0,70" [Photo Reali, Firenze].
Near duplicate of II.B.1.XXXII. A.18.-2.17.-36., undated, inclusive
General note
Annotated "1,30 x 0,715".
Duplicate of II.B.1.XXXII. A.19.-5.17.-41., undated, inclusive
General note
Annotated "S. Martino a Mensola 0,90 x 1,68".
XXI. B.7., undated, inclusive
General note
DIPINTO a olio su tavola con la Presa di Troia. h. 63 l. 181,5 Biagio d'Antonio, XVI secolo. Annotated "Biagio di Antonio?, 1,596 x 0,41" [Photo Reali, Firenze].
Photo missing, annotated "72 x 92 x 1,29", undated, inclusive
XXXII. B.1., undated, inclusive
General note
DIPINTO a olio su tela in cornice lignea dipinta e dorata: Ultima Cena. h. 137 l. 306 Scuola umbra degli inizi del XVI secolo. Annotated "1,06 x 2,74".
Photo missing, annotated "S. Francesco, 2,32 x 1,62", undated, inclusive
Duplicate of II.B.1.XXXII. D.4.-7.17.-86., undated, inclusive
General note
Annotated "Cristiani, 2,14 x 1,55 x 1,71".
Photo missing, undated, inclusive
General note
Page annotated "stolen, 0,43 x 0,59". A postcard has been kept here with the photograph presumably of a similar painting of the Madonna and Child with two saints and two angels by Sano di Pietro at the Ashmolean Museum, Oxford.
Near duplicate of II.B.1.XXX. A.4.-1.15.-9., undated, inclusive
General note
Annotated "0,81 x 0,55".
XXXI. D.1., undated, inclusive
General note
DIPINTO a tempera su tavola sagomata e parzialmente dorata: Crocifissione con S. Francesco ai piedi della croce e iscrizione in alto: "IHS Nazarenus Rex Iudeorum" e in basso: "S. Franciscus"(si tratta, della croce dipinta, proveniente da Londra, ricordata in un "Inventory" del maggio 1931, p. 10, ritrovato nella credenza della Camera Blu-LXV. h. 234 l. 161,5 Maestro di San Francesco, fine del XIII secolo. Annotated "0,43 x 0,58".
Photo missing, annotated "0,78 x 1,835", undated, inclusive
XXX. A.5., undated, inclusive
General note
DIPINTO a tempera su tavola: Il Beato Davino d'Armenia. Iscrizione: "Hic Iacet Corpus Sancti Davini De Arminea". Cornice sagomata e dorata. h. 73 l. 204 Maestro lucchese (?) del XV secolo. Annotated "1,89 x 0,57". See also oversize, II.B.1.XXX.A.5. folder 182.
XX. A.20., undated, inclusive
General note
DIPINTO (scomparto di predella) a tempera su tavola con cornice lignea modanata dipinta e dorata: Morte di S. Rocco. h. 30 l. 50 Bartolomeo della Gatta (?) seconda metà del XV secolo. Annotated "0,41 x 0,20".
Near duplicate of II.B.1.XXXI. C.10.-2.16.-46., undated, inclusive
General note
Annotated "0,43 x 0,635".
Near duplicate of II.B.1.XXI. B.15.-1.14.-44., undated, inclusive
General note
Annotated "0,485 x 0,69".
Photo missing, annotated "stolen, 0,38 x 0,55", undated, inclusive
Duplicate of II.B.1.XXX. A.11.-2.15.-23., undated, inclusive
General note
Annotated "0,42 x 0,55".
XXX. C.1., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea cuspidata, intagliata, decorata a pastiglia e dorata: Madonna col Bambino lattante. Sul basamento due stemmi: giglio blu e fasce alternate in blu/oro. h. 115,5 l. 62,5 Pittore toscano della fine del XIV secolo. Annotated "0,63 x 1,18".
Near duplicate of II.B.1.XXX. B.12.15.-34., undated, inclusive
General note
Annotated 0,68 x 0,57
XXXI. E.4., undated, inclusive
General note
GRUPPO in terracotta modellata a tutto tondo su base di legno con specchiature in marmo policromo: Ercole e Nesso. h. 61 base: h. 21 G. B. Foggini (Vossilla). Annotated "0,61 x 108".
Painting of Ercole e Nesso in the same pose as the sculpture group XXXI. E.4., undated, inclusive
General note
Photograph [supplied by the Soprintendenza] numbered 11554.
XLVIII. D.13., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea modanata e dorata: Madonna col Bambino. h. 60,5 l. 45,5 Scuola umbra del XV secolo. Annotated "stolen, 0,32 x 0,50".
XXX. C.10., undated, inclusive
General note
DIPINTO a olio su tavola: Madonna in adorazione del Bambino col S. Giovannino. Iscrizione alla base: "Ave Maria Gratia Plena D." tra due stemmi. h. 88,5 l. 62 Pittore fiorentino della seconda metà del XV secolo. Annotated "0,62 x 0,89".
XXX. D.7., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata, cornice lignea intagliata, dipinta e dorata: Madonna col Bambino. Alla base iscrizione: "Ave Maria Gratia Plena Dom." h. 103,5 l. 68,5 Pittore fiorentino dell'inizio del XV secolo. Annotated "0,56 x 0,78".
Duplicate of II.B.1.XXX. B.4.-3.15.-29., undated, inclusive
General note
Annotated "0,44 x 0,56".
XXI. C.2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: Annunciazione. h. 102 l. 73 Cenni di Francesco, XV secolo. Annotated "Cenni di Francesco di Ser Cenni, 0,65 x 0,92". See also II.B.1.XXI. C.2.-2.14.-48.
Painting of the Coronation of the Virgin with Saints and Angels, annotated "stolen, 0,48 x 0,62"., undated, inclusive
General note
Attributed by Miklos Boscovits in "Pittura Fiorentina alla vigilia del Rinascimento,"1975 to the Maestro della Madonna Lazzaroni, and provenance given as 'Firenze, Collezione Acton'.
See also page 23 of Historic Album V.
Duplicate of II.B.1.XXXII. D.13.17.-88., undated, inclusive
General note
Annotated "Niccolò di Pietro Gerini, 0,53 x 1,31".
XX. A.19., undated, inclusive
General note
DIPINTO (scomparto di polittico) a tempera su tavola con cornice lignea dorata: S. Antonio Abate. h. 104,5 l. 40,5 Cerchia di Niccolò di Pietro Gerini. Annotated "0,33 x 0,97".
Photo missing, annotated on the page "stolen, 0,33 x 0,68", undated, inclusive
Photo missing, annotated on the page "S. Miniato - stolen - 0,37 x 0,59", undated, inclusive
XXX. D.11., undated, inclusive
General note
DIPINTO a olio su tavola in cornice lignea modanata a colmo e dorata: Madonna in trono col Bambino e i santi Giovanni Evangelista e Davide. h. 113,5 l. 85 Pittore umbro (?) dell'inizio del XVI secolo. Annotated 0,76 x 1,06
Duplicate of II.B.1.XXX. D.2.15.-54., undated, inclusive
General note
Annotated "Barnaba da Modena?, 0,435 x 0,645".
XX. A.27./ A.33., undated, inclusive
General note
DIPINTI (due pannelli) con (quattro) Sante martiri, cornice lignea modanata e dorata. h. 128 l. 57,5 Scuola veronese del sec. XV. See also oversize, II.B.1.XX.A.27/33. folder 169.
XX. A.27./ A.33., undated, inclusive
General note
DIPINTI (due pannelli) con (quattro) Sante martiri, cornice lignea modanata e dorata. h. 128 l. 57,5 Scuola veronese del sec. XV. Annotated "0,476 x 1,18". See also oversize, II.B.1.XX.A.27/33. folder 169.
Near duplicate of II.B.1.XXX. A.9.15.-13., undated, inclusive
General note
Annotated "Jacopo del Sellaio, 0,43 x 0,53".
Duplicate of II.B.1.XXVIII. C.3.-2.14.-89, undated, inclusive
General note
Annotated "Salimbeni,0,45 x 0,26".
Duplicate of II.B.1.XXVIII. C.3.-1.14.-88., undated, inclusive
General note
Annotated "0,45 x 0,26".
Near duplicate of II.B.1.XXI. B.2.14.-25., undated, inclusive
General note
Annotated "0,59 x 0,77".
XXXI. A.39., undated, inclusive
General note
DIPINTO a olio su tavola: Sacra Famiglia. Cornice in legno modanata, intagliata, dipinta e dorata. h. 108 l. 88 Artista fiammingo della fine del XVI secolo (Pietro Candido?). Annotated "Pietro Candido - De W[…], 0,63 x 0,79".
Near duplicate of II.B.1.IX. A.8.12.-20., undated, inclusive
General note
Annotated: "Paris Bordon, 1,02 x 1,33".
XLVII. A.2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata e dorata: Gentiluomo con sciabola. h. 137 l. 114 Pittore fiammingo del XVII secolo. Annotated "0,84 x 1,07".
XXVIII. C.5., undated, inclusive
General note
DIPINTO a olio su tela con cornice intagliata a rosette e dorata: Figura di magistrato. h. 109 l. 94 Fra' Galgario, XVII-XVIII secolo. Annotated "Ghislandi?, 0,66 x 0,84".
Duplicate of II.B.1.XXVIII. C.6.-3.14.-94., undated, inclusive
General note
Annotated: "Zuccarelli, 0,98 x 1,52".
Duplicate of II.B.1.XXXI.-1.16.-1., undated, inclusive
General note
Annotated: "Santo 0,60 x 1,37; polittico 2 x 0,51 x 0,82".
Duplicate of II.B.1.XXXI.-6.16.-6., undated, inclusive
Photo missing, page annotated "0,75 x 0,93 and 0,70 and 1,26", undated, inclusive
Duplicate of II.B.1.XII.-20.12.-78. (un-numbered) Photo missing, undated, inclusive
Duplicate of II.B.1.XXVII.-2.14.-65., undated, inclusive
Near duplicate of II.B.1.XXIX.-2.14.-104., undated, inclusive
Photo missing, annotated "Donatello, 0,74", undated, inclusive
XII. A.16., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna col Bambino. h. 154 Scultore umbro del XIII secolo.
Near duplicate of II.B.1.XXXI. A.37.-1.16.-10., undated, inclusive
General note
Annotated "0,44 x 1,39".
Duplicate of II.B.1.XXXII. D.5.-4.17.-79., undated, inclusive
General note
Annotated "0,37 x 1,24".
XIX. A.2., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto con base: Santa. h. 133 l. 42 p. 34 Bottega dell'Italia centrale del XV secolo.
Duplicate of II.B.1.XXXII. C.1.-6.17.-49., undated, inclusive
General note
Annotated "1,68 x 0,5".
Duplicate of II.B.1.XXXII. C.18.-7.17.-66., undated, inclusive
General note
Annotated "1,68 x 0,5".
Near duplicate of II.B.1.XXXI. B.7.-2.16.-23., undated, inclusive
General note
Annotated "0,48 x 1,74".
Duplicate of II.B.1.XXI. E.12.-1.14.-61., undated, inclusive
General note
Annotated "Francesco Valdambrino?, 1,48".
Duplicate of II.B.1.XXXII. A.9.17.-25., undated, inclusive
General note
Annotated "1,18".
Duplicate of II.B.1.XXXII. C.11.-3.17.-56., undated, inclusive
General note
Annotated "0,875 x 0,70".
Duplicate of II.B.1.XXX. C.11.15.-47., undated, inclusive
General note
Annotated "0,355 x 0,94".
Near duplicate of II.B.1.XXI E.5.-4.14.-38., undated, inclusive
General note
Annotated "0,78".
Duplicate of II.B.1.XXXII. D.1.-2.17.-69., undated, inclusive
General note
Annotated "1,14 + 1 base".
Duplicate of II.B.1.XXXII. A.25.17.-42., undated, inclusive
General note
Annotated "Min[aldo], 0,65 x 1,14".
Duplicate of II.B.1.XXXI. A.1.16.-9., undated, inclusive
General note
Annotated "Moana da Lor[iano], 0,77 x 0,76".
Near duplicate of II.B.1.XXXI. C.8.-2.16.-40., undated, inclusive
General note
Annotated "0,88".
Duplicate of II.B.1.V. B.4.12.-14., undated, inclusive
General note
Annotated "0,31 x 0,42".
Duplicate of II.B.1.XXXII. C.20.17.-67., undated, inclusive
General note
Annotated "0,57 x 0,76".
Duplicate of II.B.1.XXXII. A.1.17.-24., undated, inclusive
General note
Annotated "0,43 x 0,65 + frontone".
IX. A.9., undated, inclusive
General note
RILIEVO in terracotta policroma entro cornice centinata a tabernacolo: Madonna col Bambino. h. 83 l. 67 Bottega di Donatello, XV secolo. Annotated "Bottega Donatello, 0,67 x 0,82".
Near duplicate of II.B.1.IX. C.10.12.-43., undated, inclusive
General note
Annotated "0,35 x 0,45".
Duplicate of II.B.1.IX. A.19.-1.12.-25., undated, inclusive
General note
Annotated "Antonio Rossellino, 0,50 x 0,74".
Duplicate of II.B.1.XXX. A.1.15.-8., undated, inclusive
Duplicate of II.B.1.XXVIII. D.4.14.-100., undated, inclusive
General note
Annotated "0,38 x 0,55".
Duplicate of II.B.1.XIX. B.1.13.-25., undated, inclusive
Duplicate of II.B.1.XIX. D.3.13.-28., undated, inclusive
Duplicate of II.B.1.XVI. B.3.-2.13.-4., undated, inclusive
Duplicate of II.B.1.XVI. D.2.-2.13.-6., undated, inclusive
Duplicate of II.B.1.XXI. B.13.-1.14.-42., undated, inclusive
General note
Annotated "0,21 x 0,43".
Duplicate of II.B.1.IX. A.18.12.-24., undated, inclusive
General note
Annotated "0,725".
Duplicate of II.B.1.XXXII. A.16.-1.17.-32., undated, inclusive
General note
Annotated "0,36".
Duplicate of II.B.1.XXI. B.10.14.-38., undated, inclusive
General note
Annotated "0,64 x 0,67".
Duplicate of II.B.1.XXI. E.7.-2.14.-60., undated, inclusive
Duplicate of II.B.1.XXI. E.7.-1.14.-59., undated, inclusive
General note
Annotated "0,40".
Duplicate of II.B.1.XXXII. C.9.17.-53., undated, inclusive
Duplicate of II.B.1.XXXII. C.5.17.-52., undated, inclusive
General note
Annotated "0,69".
2. Oversize green canvas album (unlabelled) containing photographs numbered 99-200
Scope and Contents note
This is a canvas bound album made by the Ditta Barbieri, Firenze, identical to the one above. The photos are inserted into corner slips on the recto of each page (not pasted on to the page) and there are two photographs on each page. They are annotated by HA, and he has numbered them more or less consecutively on the page and almost always given the measurements of each work beneath the photograph. Above the photograph he has in some cases supplied the name of the artist or given an attribution. The numbers listed below are those given by HA and correspond to the Reali negative numbers (for their glass negatives, see Series X.
Duplicate of II.B.1.XX. C.14.13.-99., undated, inclusive
General note
Annotated "0,25 x 0,57".
Duplicate of II.B.1.XXXII. C.17.17.-59., undated, inclusive
General note
Annotated "0,65".
Duplicate of II.B.1.XXX. A.13.15.-24., undated, inclusive
General note
Annotated "0,24 x 0,54".
Duplicate of II.B.1.XXI. B.9.14.-37., undated, inclusive
General note
Annotated "0,75" (un-numbered). Duplicate of II.B.1.XXXI. D.11.16.-58.
Annotated "0,14 x 0,49".
Duplicate of II.B.1.XXVIII. A.14.-1.14.-81., undated, inclusive
General note
Annotated "Susini, 0,22 x 0,52".
XXXI. E.5., undated, inclusive
General note
BUSTO in terracotta dipinta su base lignea intagliata e dipinta: Santo. h. 45 Artista bolognese del XVII secolo. Restauri, incrinature. Annotated "Algardi?, 0,29 x 0,31".
Duplicate of II.B.1.XXI. B.5.14.-26., undated, inclusive
General note
Annotated "0,61 x 0,40".
Duplicate of II.B.1.XXI. B.6.-2.14.-28., undated, inclusive
General note
Annotated "0,34".
Photo missing, annotated "0,61", undated, inclusive
Duplicate of II.B.1.X. B.2.12.-52., undated, inclusive
General note
Annotated "1,19".
IX. C.4., undated, inclusive
General note
PANNELLO (paliotto) in marmo bianco scolpito a bassorilievo per papa Sisto IV (Francesco della Rovere), con angioli reggistemma, nastri, panoplie, scudi, trofei e iscrizione "Sub umbra tua". h. 80 l. 223 Scultore ligure della seconda metà del XV secolo. Annotated "Mino del R[eame?], 2,26 x 0,80". See also II.B.1.IX. C.4.-1.12.-39.
Duplicate of II.B.1.XXX. C.12.15.-48., undated, inclusive
General note
Annotated "0,35 x 0,49".
Duplicate of II.B.1.XXX. A.16.15.-25., undated, inclusive
General note
Annotated "0,78".
Duplicate of II.B.1.IX. A.12.12.-23., undated, inclusive
General note
Annotated "0,77".
Duplicate of II.B.1.XX. A.25.13.-79., undated, inclusive
General note
Annotated "1,14".
Duplicate of II.B.1.XX. A.1.13.-72., undated, inclusive
General note
Annotated "1,14".
Duplicate of II.B.1.XX. B.1.13.-91., undated, inclusive
General note
Annotated "Bonazza?, 1,21".
Duplicate of II.B.1.XII. A.10-2.12.-92., undated, inclusive
General note
Annotated "1,85".
Duplicate of II.B.1.XII. A.30.12.-104., undated, inclusive
General note
Annotated "Susini, 1,58".
Duplicate of II.B.1.XII. A.23.12.-100., undated, inclusive
General note
Annotated "fountain 1,30 cm, fauno 75cm, fauno 0,80".
Duplicate of II.B.1.XII. A.13.-5.12.-97., undated, inclusive
General note
Annotated "0,65".
Duplicate of II.B.1.XII. A.3.-2.12.-87., undated, inclusive
General note
Annotated "0,65".
Duplicate of II.B.1.XXXII. A.10.17.-26., undated, inclusive
Duplicate of II.B.1.XLVIII. B.20.-2.18.-64., undated, inclusive
General note
Annotated "0,41 x 0,73".
Duplicate of II.B.1.XLVIII. D.20.-3.18.-92., undated, inclusive
General note
Annotated "0,66 x 0,58".
Near duplicate of II.B.1.LXV. A.11.-3.21.-23., undated, inclusive
General note
Annotated "Lippi di Benivieni, 1,24 x 0,80 x 0,76" XXX. C.9. DIPINTO a tempera su tavola cuspidata: S. Lucia tra Santo Martire e Antonio Abate. h. 135,5 l. 95,5 Bicci di Lorenzo, fine del XIV secolo. Annotated "Lorenzo di Bicci, 0,88 x 1,30".
Duplicate of II.B.1.XLVIII. B.10.18.-50., undated, inclusive
General note
Annotated "0,35 x 0,48".
Duplicate of II.B.1.LXV. A.2.21.-19., undated, inclusive
General note
Annotated "0,33 x 0,40".
Duplicate of II.B.1.XLVIII. A.18.-2.18.-44., undated, inclusive
General note
Annotated "0,31 x 0,44".
Duplicate of II.B.1.XLVIII.-15.18.-30., undated, inclusive
General note
Annotated "1 x 1,20".
Duplicate of II.B.1.XLVIII. C.10.-5.18.-82., undated, inclusive
General note
Annotated "0,33 x 0,43".
Duplicate of II.B.1.XLVIII. B.8.18.-49., undated, inclusive
General note
Annotated "Niccolò di Tommaso, 0,175 x 0,235".
Duplicate of II.B.1.XLVIII. A.2.-4.18.-35., undated, inclusive
General note
Annotated "Master of Castello Nativity, 0,55 x 0,83".
Duplicate of II.B.1.XLVIII. A.5.a.A.5.b.18.-38., undated, inclusive
General note
Annotated "0,21 x 0,28".
Duplicate of II.B.1.XLVIII. B.11.-4.18.-54., undated, inclusive
General note
Annotated "0,19 x 0,26".
Duplicate of II.B.1.LIII. D.11.-2.19.-43., undated, inclusive
General note
Annotated "0,15 x 0,20".
Duplicate of II.B.1.XLVIII. B.13.-4.18.-60., undated, inclusive
General note
Annotated "Niccolò di Tommaso, 0,41 x 0,92".
Duplicate of II.B.1.XLVIII. D.39.18.-94., undated, inclusive
General note
Annotated "0,45 x 0,25".
Duplicate of II.B.1.XLVIII. D.14.-2.18.-88., undated, inclusive
General note
Annotated "0,23 x 0,27".
Duplicate of II.B.1.XLVIII. D.10.-2.18.-86., undated, inclusive
General note
Annotated "0,29 x 0,34".
Duplicate of II.B.1.XLVIII. D.23.18.-93., undated, inclusive
General note
Annotated "0,32 x 0,36".
XLVIII. D.23., undated, inclusive
General note
DIPINTI a tempera (due) su tavola in cornice lignea intagliata, dipinta e dorata: Storie di S. Benedetto: Fuga di S. Benedetto, S. Benedetto in preghiera. h. 40 43,5 l. 44,5 48,5 Giovanni del Biondo, XV secolo. (Fuga di San Benedetto). Annotated "0,32 x 0,28".
XLVIII. C.3., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea modanata,intagliata, dipinta e dorata: Storie di San Biagio: Santa Monaca che offre il cibo al Santo. h. 38,5 l. 38,5 Scuola fiorentina o senese del XV secolo. Annotated "0,30 x 0,27".
LXV. A.19., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice di legno intagliato, dipinto e dorato: S.Antonio e S. Dorotea. Iscrizione sulla base della cornice: "S. Antonius. S. Dorothea". h. 48,5 l. 38 Rossello di Iacopo Franchi (cerchia?). Annotated "0,28 x 0,36".
Duplicate of II.B.1.XLVIII. B.22.-2.18.-67., undated, inclusive
General note
Annotated "0,12 x 0,29".
Near duplicate of II.B.1.XLVIII. C.4.18.-77., undated, inclusive
General note
Annotated "0,44 x 0,32".
Duplicate of II.B.1.LXV. A.4.21.-20., undated, inclusive
General note
Annotated "0,41 x 0,60".
Duplicate of II.B.1.LXV. A.20.21.-25., undated, inclusive
General note
Annotated "0,27 x 0,28".
Duplicate of II.B.1.XLVIII. D.15.18.-89., undated, inclusive
General note
Annotated "0,17 x 0,33".
Duplicate of II.B.1.LX. C.1.b.20.-17., undated, inclusive
General note
Annotated "0,49 x 0,83".
Duplicate of II.B.1.LX. C.1.a.20.-16., undated, inclusive
Photo missing, annotated "Vasari, 0,89 x 1,09", undated, inclusive
Duplicate of II.B.1.LXV. B.11.21.-27., undated, inclusive
General note
Annotated "0,30 x 0,49".
Duplicate of II.B.1.LIII. A.5.19.-20., undated, inclusive
General note
Annotated "0,35".
Duplicate of II.B.1.XLVIII. B.23.-2.18.-71., undated, inclusive
General note
Annotated "1,25".
Duplicate of II.B.1.LXV. D.12.-2.21.-32., undated, inclusive
General note
Annotated "Furini, 0,70 x 0,85".
Duplicate of II.B.1.LXXVI-LXXVII. A.10.21.-44., undated, inclusive
General note
Annotated "1,17 x 0,86".
LXXVI-LXXVII. D.3., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato, dipinto e lumeggiato d'oro: La Cena in Emmaus (pendant di A.10). h. 136,5 l. 173,5 Pittore veneto del XVI secolo. Annotated "1,48 x".
Duplicate of II.B.1.XLVIII. C.12.-2.18.-84., undated, inclusive
General note
Annotated "0,82 x 1,11".
Duplicate of II.B.1.XLVIII. B.27.-2.18.-73., undated, inclusive
General note
Annotated "0,92 x 1,26".
Duplicate of II.B.1.LXI. A.3.20.-38., undated, inclusive
General note
Annotated "1,17 x 2,12".
Duplicate of II.B.1.LXI. C.3.-1.20.-49., undated, inclusive
General note
Annotated "2,13 x 3".
Duplicate of II.B.1.LXI. B.2.-1.20.-43., undated, inclusive
General note
Annotated "2,13 x 3".
Duplicate of II.B.3.23.-23., undated, inclusive
General note
Annotated "0,50 x 0,60".
Duplicate of II.B.1.XLVIII. C.1.18.-76., undated, inclusive
General note
Annotated "1,35 x 1,70".
Duplicate of II.B.1.XLVII. C.1.-2.18.-9., undated, inclusive
General note
Annotated "1,58 x 1,58".
Duplicate of II.B.3.23.-24., undated, inclusive
General note
Annotated "0,64 x 0,82".
Duplicate of II.B.1.LXI. D.2.20.-52., undated, inclusive
General note
Annotated "0,79 x 1".
Duplicate of II.B.1.LXI. A.15.20.-41., undated, inclusive
General note
Annotated "1,18 x 1,07".
Duplicate of II.B.1.LXI. B.8.-2.20.-47., undated, inclusive
General note
Annotated "0,64 x 0,82".
Duplicate of II.B.1.LIII. A.2.19.-17., undated, inclusive
General note
Annotated "0,64 x 0,54".
Duplicate of II.B.1.LXV. A.21.21.-25a., undated, inclusive
General note
Annotated "Codazzi, 1,30 x 0,97".
Near duplicate of II.B.1.LX. A.12.-2.20.-12., undated, inclusive
General note
Annotated "Magnasco, 0,96 x 0,73".
Duplicate of II.B.1.LX. A.4.-2.20.-6., undated, inclusive
General note
Annotated "Magnasco, 0,34 x 0,43".
LX. A.10., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Tentazioni di S. Antonio Abate. h. 203 l. 152 Alessandro Magnasco. Annotated "1,40 x 1,95".
Duplicate of II.B.3.23.-25., undated, inclusive
General note
Annotated "1,29 x 0,92
Duplicate of II.B.1.LVI. C.1.-2.19.-77., undated, inclusive
General note
Annotated "1,70 x 2,25".
Duplicate of II.B.1.LVI. A.3.a.-2.19.-70., undated, inclusive
General note
Annotated "1,70 x 1,95".
Duplicate of II.B.1.LVI. A.3.b.-2.19.-72., undated, inclusive
General note
Annotated "1,70 x 1,95".
Duplicate of II.B.1.LX. C.11.20.-19., undated, inclusive
General note
Annotated "1,41 x 0,74".
Duplicate of II.B.1.LXV.A.1.-4.21.-18., undated, inclusive
General note
Annotated "1,90 x 1,2
LXV. A.1., undated, inclusive
General note
DIPINTI (coppia) ad olio su tela in cornice di legno intagliato e dorato: Veduta di villa con giardino e Veduta di villa con chiesa e giardini (Villa d'Este a Tivoli e Villa Mattei). h. 117 l. 207 Pittore romano della fine del XVII secolo. Villa Mattei. Annotated "1,90 x 1,2".
LXV. B.14., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Veduta della villa e del giardino di Caprarola (?). h. 91 l. 113 Pittore romano del XVIII secolo. Annotated "0,90 x 0,65".
XXVIII. A.3., undated, inclusive
General note
DIPINTO a olio su tela con cornice intagliata e dorata: Natura morta. h. 90 l. 60 Carlo Magini, XVIII secolo. Annotated "0,81 x 0,55". See also II.B.1.XXVIII. A.3.-1.14.-76.
LX. A.13., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Satiro. h. 54 l. 44 Pittore del XVII secolo. Annotated "Mola, 0,33 x 0,43".
Duplicate of II.B.1.LVI. D.2.19.-79., undated, inclusive
General note
Annotated "1 x 1,40".
Duplicate of II.B.1.LIII. B.24.19.-26., undated, inclusive
General note
Annotated "0,50 x 0,69".
Duplicate of II.B.1.XLVIII. E.29.18.-96., undated, inclusive
General note
Annotated "0,33 x 0,25".
Duplicate of II.B.1.XLVIII. B.21.18.-65., undated, inclusive
Duplicate of II.B.1.XLVIII. A.17.18.-42., undated, inclusive
Duplicate of II.B.1.XLVIII. B.28.18.-75., undated, inclusive
Duplicate of II.B.1.LXV. B.12.-1.21.-28., undated, inclusive
General note
Annotated "0,39".
Duplicate of II.B.1.XLVIII. A.10.18.-39., undated, inclusive
Duplicate of II.B.1.LX. B.13.-2.20.-15., undated, inclusive
Duplicate of II.B.1.XLVIII. B.7.18.-48., undated, inclusive
Duplicate of II.B.1.LXV. D.2.21.-30., undated, inclusive
General note
Annotated "0,33".
XLVIII - general view, undated, inclusive
Duplicate of II.B.1.XLVIII.-16.18.-31., undated, inclusive
5a. Album of Color prints of Villa la Pietra
Scope and Contents note
An album of 27 large Color prints of the interior of Villa La Pietra in Carbochrome. On the title page "La Pietra, tome II La Maison 1973". Two pages of introduction in French, mentioning "le très docte et très raffiné Harold Acton".
Album of Color prints of Villa la Pietra, 1973, inclusive
6. Interiors taken by Anna Marx, 1986
I. Antingresso with I. A.2. Pannello in mosaico, 1986, inclusive
I. Antingresso with I. C.2. Pannello in mosaico, 1986, inclusive
I bis. Ingresso with I bis. C.8. Dipinto (Ritratto del Cardinale Gian Carlo de' Medici), 1986, inclusive
I bis. Ingresso with I bis. A.11. Dipinto (Ninfa inseguito da satiro), 1986, inclusive
I bis. Ingresso with I bis. A.5. Pannello in mosaico, 1986, inclusive
I.bis. Ingresso with I bis. C.7. Dipinto (Dama con cagnolino), 1986, inclusive
I.bis. Ingresso with I bis. A.3. Dipinto (Ritratto di dama con bambino), 1986, inclusive
IX. Corridoio nord-est - general view, 1986, inclusive
IX. Corridoio nord-est - general view, 1986, inclusive
IX. Corridoio nord-est - general view, 1986, inclusive
IX. Corridoio nord-est - general view, 1986, inclusive
IX. Corridoio nord-est with IX. B.1. Altorilievo (Madonna col Bambino in terracotta in un tabernacolo di legno), 1986, inclusive
IX. Corridoio nord-est with IX. A.22. Rilievo in cartapesta e gesso (Madonna col Bambino), 1986, inclusive
IX. Corridoio nord-est with IX. A.2. Busto muliebre in marmo bianco and IX. A.6. Tondo in stucco (Madonna col Bambino), 1986, inclusive
IX. Corridoio nord-est with IX. D.2. (Dipinto: San Girolamo con il sasso della penitenza) and IX. A.2. Busto muliebre in marmo bianco, 1986, inclusive
IX. Corridoio nord-est with IX. D.4. Rilievo in terracotta policroma con cornice lignea: Madonna col Bambino., 1986, inclusive
X. Atrio with X. C.4. Vaso in porcellana X. C.3. Putti (coppia) in marmo bianco, and X. C.6. Consolle in legno scolpito, 1986, inclusive
X. Atrio with X. B.2. Statue (coppia) di Mori portacandeliere in legno, 1986, inclusive
X. Atrio with X. C.8. Scultura in marmo bianco: Venere con cupido e delfino, 1986, inclusive
X. Atrio with X. C.7. Scultura in marmo bianco: Figura allegorica [La Temperanza], 1986, inclusive
X. Atrio with X. D.2. Statue (coppia) di Cinese e Turco in legno, 1986, inclusive
X. Atrio with X. C.4. Vaso in porcellana and X.C.14./15./16./17. Statuette allegoriche in legno scolpito, 1986, inclusive
XII. Scalone, Rotonda - general view, 1986, inclusive
XII. Scalone, Rotonda - general view, 1986, inclusive
XII. Scalone, Rotonda - general view, 1986, inclusive
XII. Scalone, Rotonda - general view, 1986, inclusive
XII. Scalone, Rotonda - general view, 1986, inclusive
XII. Scalone, Rotonda with XII. A.34. Arazzo con stemma Medici and XII. A.35. Arazzo con Donna con canestro di frutta, 1986, inclusive
XII. Scalone, Rotonda with XII. A.32. Statua in legno: La Prudenza and XII. A.33. Arazzo con fondo bleu a motivi floreali, 1986, inclusive
XV. Salottino, Saletta con Grottesche (or Saletta delle Grottesche) - general view, 1986, inclusive
XV. Salottino, Saletta con Grottesche (or Saletta delle Grottesche) - general view, 1986, inclusive
XV. Salottino, Saletta con Grottesche (or Saletta della Grottesche) - general view, 1986, inclusive
XV. Salottino, Saletta con Grottesche (or Saletta delle Grottesche) - general view, 1986, inclusive
XV. Salottino, Saletta con Grottesche (or Saletta delle Grottesche) - general view, 1986, inclusive
XV. Salottino, Saletta con Grottesche (or Saletta delle Grottesche) - general view, 1986, inclusive
XV. Salottino, Saletta con Grottesche (or Saletta delle Grottesche) - general view, 1986, inclusive
XVI. Studio Biblioteca - general view, 1986, inclusive
XVI. Studio Biblioteca - general view, 1986, inclusive
XVI. Studio Biblioteca - general view, 1986, inclusive
XVI. Studio Biblioteca - general view, 1986, inclusive
XVI. Studio Biblioteca - general view, 1986, inclusive
XIX. Biblioteca - general view, 1986, inclusive
XIX. Biblioteca - general view, 1986, inclusive
XIX. Biblioteca - general view, 1986, inclusive
XIX. Biblioteca - general view, 1986, inclusive
XIX. Biblioteca - general view, 1986, inclusive
XIX. Biblioteca - general view, 1986, inclusive
XIX. Biblioteca - general view, 1986, inclusive
XX. Salone - with the fireplace XX. D.1. Tondo in terracotta con putto su delfino entro ghirlanda di frutti and XX. D.5. statuette (copia) di putti reggistemma in marmo bianco, 1986, inclusive
XX. Salone with XX. A.2. Pannello circolare dipinto con stemma Rondinelli-Carnesecchi and XX. A.6. Mobiletto a troumeau-secretaire con specchio inciso con Apollo e Arianna and XX. A.1. Scultura in marmo bianco: Figura femminile drappeggiata in mantello, 1986, inclusive
XX. Salone with XX. B.9. Pendola in marmi e bronzo and XX. C.9. Statuette (coppia) di Europa e Africa in terracotta, 1986, inclusive
XX. Salone with XX. C.13. Specchiera in legno intagliato, 1986, inclusive
XX. Salone with XX. A.30. Tondo in terracotta: Madonna col Bambino e angeli entro ghirlanda di fiori e frutta and XX. A.27./A.33. Dipinti (due pannelli) con quattro Sante martiri and XX. A.31. Dipinto: Madonna col Bambino e i santi Girolamo, Bernardino, Ansano e Santa Dorotea (?) and XX. A.32. Divano in legno di noce tornito con rivestimento in arazzo, 1986, inclusive
XX. Salone with XX. B.2. Specchiera in legno scolpito and XX. B.7. Consolle in legno scolpito e dorato con puttini, sirene e monstra, 1986, inclusive
XX. Salone with XX. B.20. Vaso con coperchio in vetro soffiato and XX. C.21. Statuetta in legno scolpito: Santa Barbara, 1986, inclusive
XX. Salone with XX. A.10. Dipinto: ritratto di Maria Teresa d'Austria and XX. A.9. Statue (coppia) di moretti reggicuscino in legno scolpito and XX. A11. Statuette (coppia) di puttini alati reggicornucopia in terracotta and XX. A.12. Busto di monaco in terracotta, 1986, inclusive
XX. Salone with XX. B.18. Portiere in seta e velluto rosso con motivo centrale, 1986, inclusive
XX. Salone with XX. D.8. Statuette (coppia) di angiolini volanti in legno scolpito XX. D.9. and Portiera in seta rossa ricamata and XX. D.2. Divano in legno sagomato con tappezzeria di arazzo, 1986, inclusive
XX. Salone with XX. C.3. Specchiera in legno scolpito and XX. C.12. Potica in porcellana dipinta in policromia (Famiglia verde), 1986, inclusive
XX. Salone with XX. A.25. Statua in marmo bianco: Allegoria della Prudenza and XX. A.19. Dipinto: Sant'Antonio Abate and XX. A.22. Leone in legno scolpito and XX. C.10. Poltrona in legno intagliato con tappezzeria Gobelin, 1986, inclusive
XX. Salone with XX. B.1. Statua in marmo bianco di giovane in costume della commedia dell'arte and XX. B.3. Angeli (coppia) portacero in legno scolpito and XX. B.14. Poltrona in legno intagliato con tappezzeria di arazzo, 1986, inclusive
XXI. Sala del Caminetto - general view, 1986, inclusive
XXI. Sala del Caminetto - general view, 1986, inclusive
XXI. Sala del Caminetto with XXI. E.12. Scultura in legno: San Giorgio (o San Michele senza ali), 1986, inclusive
XXI. Sala del Caminetto with XXI. C.1. Dipinto: Madonna col Bambino, Angeli e Dio Padre and XXI. C.10. Dipinto: San Michele e San Pietro nella cuspide, 1986, inclusive
XXI. Sala del Caminetto with XXI. C.2. Dipinto: Annunciazione and XXI. C.3. Portiera in damasco con applicazioni di ricami a figure di angeli, 1986, inclusive
XXI. Sala del Caminetto with XXI. and B.1. Dipinto con l'Incoronazione della Vergine, lo Spirito Santo e Angeli adoranti nella cuspide and XXI. B.4. Anfora (lekythos) in terracotta and XXI. B.5. Bassorilievo in terracotta con Scena di battaglia and XXI. B.6. Bozzetto di torso virile in terracotta, 1986, inclusive
XXI. Sala del Caminetto with XXI. B.11. Dipinto: Madonna col Bambino e Cristo Benedicente nella cuspide and XXI. B.13. Scultura in legno dipinto: Madonna col Bambino and XXI. B.15. Dipinto: Madonna col Bambino, 1986, inclusive
XXI. Sala del Caminetto with XXI. D.2. Panca in legno di noce intarsiato con postergale e pedana, 1986, inclusive
XXI. Sala del Caminetto with XXI. C.12. Rilievo in cartapesta: Madonna col Bambino in raggiera dorata and XXI. C.13. Dipinto: Crocefissione and XXI. C.14. Credenzina in legno di noce intagliato e modanato, 1986, inclusive
XXI. Sala del Caminetto with XXI. B.7. Dipinto con la Presa di Troia and XXI. B.10. Scultura in terracotta: Busto di gentiluomo con guanti and XXI. B.9. Statuette (due) in legno: Santa Barbara e Santa Margherita and XXI. B.8. Mobile a credenza: nelle ante: angelo annunciante, Battesimo di Cristo, Vergine Annunziata, 1986, inclusive
XXI. Sala del Caminetto with XXI. E.5. Scultura in legno dipinto: Madonna col Bambino and XXI. E.7. Statuetta in terracotta: Madonna Adorante, 1986, inclusive
XXVI. Bagno - general view, 1986, inclusive
XXVI. Bagno - general view, 1986, inclusive
XXVI. Bagno - general view, 1986, inclusive
XXVI. Bagno with XXVI. D.1. Pannelli decorativi in carta dipinta su tela (volatili tra fiori), 1986, inclusive
XXVIII. Corridoio sud-ovest - general view, 1986, inclusive
XXVIII. Corridoio sud-ovest - general view, 1986, inclusive
XXVIII. Corridoio sud-ovest with XXVIII. A.7. Dipinto: Natura Morta and XXVIII. A.14. Scultura in terracotta: La Virtù che vince il Vizio and XXVIII. A.13. Altorilievo in legno: testa di leone, 1986, inclusive
XXVIII. Corridoio sud-ovest with XXVIII. A.8. Dipinto: Ritratto di dama con ventaglio and XXVIII. A.16. Scultura in marmo: testa muliebre and XXVIII. A.11. Vaso in marmo giallo and XXVIII. A.15. Urna per coppia in marmo bianco, 1986, inclusive
XXVIII. Corridoio sud-ovest with XXVIII. A.6. Dipinto: Flora con putto and XXVIII. A.5. Urna in marmo bianco con teste di Giove Ammone and XXVIII. A.11. Vaso in marmo giallo, 1986, inclusive
XXVIII. Corridoio sud-ovest with XXVIII. D.3. Acquasantiera in marmo bianco, 1986, inclusive
XXVIII. Corridoio sud-ovest with XXVIII. A.3. Dipinto: Natura Morta, 1986, inclusive
XXVIII. Corridoio sud-ovest with statuettes in the wall cupboard (with XXVIII. A.19.-XXVIII. A.44.), 1986, inclusive
XXVIII. Corridoio sud-ovest with XXVIII. A.1. Dipinti: tondi con scenette mitologiche, 1986, inclusive
XXVIII. Corridoio sud-ovest with XXVIII. C.3. Dipinti (due): Presentazione e Visitazione and XXVIII. D.6. Pannello in broccato di seta ricamato: Madonna col Bambino e due angeli, 1986, inclusive
XXVIII. Corridoio sud-ovest with XXVIII. D.4. Altorilievo in stucco policromo: Madonna col Bambino, 1986, inclusive
XXVIII. Corridoio sud-ovest with XXVIII. A.45. Targa murale in terracotta a rilievo a stampo, maiolicata e dipinta: Madonna col Bambino, due angeli e S. Sebastiano, 1986, inclusive
XXVIII. Corridoio sud-ovest with XXVIII. C.4. Dipinto: Cesto di fiori, 1986, inclusive
XXVIII. Corridoio sud-ovest with the door open out to the garden, 1986, inclusive
XXIX. Saletta con rovine (Saletta delle rovine) - general view, 1986, inclusive
XXX. Sala Rossa - general view, 1986, inclusive
XXX. Sala Rossa - general view, 1986, inclusive
XXX. Sala Rossa - general view, 1986, inclusive
XXX. Sala Rossa - general view, 1986, inclusive
XXX. Sala Rossa - general view, 1986, inclusive
XXX. Sala Rossa - general view, 1986, inclusive
XXX. Sala Rossa - general view, 1986, inclusive
XXX. Sala Rossa - general view, 1986, inclusive
XXX. Sala Rossa - general view, 1986, inclusive
XXX. Sala Rossa - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXII. Sala da Pranzo - general view, 1986, inclusive
XXXII. Sala da Pranzo with XXXII. D.12. Pannello circolare dipinto con stemma Medici-Orleans, 1986, inclusive
XXXII. Sala da Pranzo - general view, 1986, inclusive
XXXII. Sala da Pranzo with XXXII. A.13. Bassorilievo in stucco: Madonna che adora il Bambino in tabernacolo ligneo, 1986, inclusive
XXXII. Sala da Pranzo - general view, 1986, inclusive
XXXII. Sala da Pranzo with XXXII. B.1. Dipinto: Ultima Cena, 1986, inclusive
XXXII. Sala da Pranzo - general view, 1986, inclusive
XXXII. Sala da Pranzo - general view, 1986, inclusive
XXXII. Sala da Pranzo - general view with the fireplace, 1986, inclusive
XXXII. Sala da Pranzo - general view, 1986, inclusive
XXXII. Sala da Pranzo - general view, 1986, inclusive
XXXII. Sala da Pranzo with XXXII. D.7. Dipinto (polittico): Madonna in trono col Bambino e i Santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate: nelle cupside Madonna della Misericordia, Annunciazione e Santa Margherita, 1986, inclusive
XLIV. Ufficio (Stanza della Signora Malesci) - general view, 1986, inclusive
XLIV. Ufficio (Stanza della Signora Malesci) - general view, 1986, inclusive
XLIV. Ufficio (Stanza della Signora Malesci) - general view, 1986, inclusive
XLIV. Ufficio (Stanza della Signora Malesci) - general view, 1986, inclusive
XLIV. Ufficio (Stanza della Signora Malesci) - general view, 1986, inclusive
XLIV. Ufficio (Stanza della Signora Malesci) - general view with XLIV. B.9. Dipinto: Ritratto di Arthur Acton (by William Merritt Chase), 1986, inclusive
XLIV. Ufficio (Stanza della Signora Malesci) - general view with V. B.4. Rilievo: Madonna col Bambino in un tabernacolo, 1986, inclusive
XLIV. Ufficio (Stanza della Signora Malesci) - general view, 1986, inclusive
XLII. Corridoio with XLII. D.14. Statuetta in bronzo: Minatore, 1986, inclusive
XLII. Corridoio with XLII. D.11. Dipinto: Natura Morta con fiori e rovine architettoniche, 1986, inclusive
XLII. Corridoio - general view, 1986, inclusive
XLII. Corridoio - general view with XLII. D.2. Dipinto: architettura con statue prospiciente il mare e personaggi and XLII. D.6. Struttura architettonica a tempietto in legno, 1986, inclusive
XLII. Corridoio with XLII. D.1. Dipinto: ritratto virile and XLII. D.13. Statuetta in bronzo: operaio minatore, 1986, inclusive
XLII. Corridoio with XLII. D.23. Statue (coppia) in legno di mori and XLII. D.17. Specchi (coppia) in legno sagomato, 1986, inclusive
XLII. Corridoio with XLII. D.26. Statua in legno di moro reggifiaccola and XLII. D.37. Statuetta in bronzo di soldato sopra un mulo, 1986, inclusive
XLII. Corridoio - general view, 1986, inclusive
XLII. Corridoio - general view, 1986, inclusive
XLII. Corridoio with XLII. B.1. Statue (coppia) in legno di mori reggivassoio, 1986, inclusive
XLII. Corridoio - general view, 1986, inclusive
XLII. Corridoio - general view, 1986, inclusive
XLII. Corridoio - general view, 1986, inclusive
XLII. Corridoio - general view, 1986, inclusive
XLII. Corridoio - general view, 1986, inclusive
XLII. Corridoio - general view with XLII. B.7. Dipinto: Ritratto di giovane uomo con sigaretta, 1986, inclusive
XLVII. Camera Gialla - general view, 1986, inclusive
XLVII. Camera Gialla - general view, 1986, inclusive
XLVII. Camera Gialla - general view, 1986, inclusive
XLVII. Camera Gialla - general view, 1986, inclusive
XLVII. Camera Gialla - general view, 1986, inclusive
XLVII. Camera Gialla with XLVII. C.1. Dipinto: Fuga da Sodoma, Lot e le figlie, 1986, inclusive
XLVII. Camera Gialla with XLVII. A.2. Dipinto: Gentiluomo con sciabola, 1986, inclusive
XLVIII. Camera dei Genitori - general view, 1986, inclusive
XLVIII. Camera dei Genitori - general view, 1986, inclusive
XLVIII. Camera dei Genitori with the fireplace and XLVIII. B.19. Dipinto: la Sacra Famiglia, 1986, inclusive
XLVIII. Camera dei Genitori - general view, 1986, inclusive
XLVIII. Camera dei Genitori - general view, 1986, inclusive
XLVIII. Camera dei Genitori - general view, 1986, inclusive
XLVIII. Camera dei Genitori with XLVIII. E.29. Bassorilievo in marmo con cavalli e cavalieri and XLVIII. E.14. Statuetta in bronzo: nudo virile, 1986, inclusive
XLVIII. Camera dei Genitori with XLVIII. C.10. Dipinto: Madonna col Bambino (Sano di Pietro), 1986, inclusive
XLVIII. Camera dei Genitori with XLVIII. B.24. Armadio in legno a due ante and XLVIII. B.23. Tondo con scena di banchetto, 1986, inclusive
XLVIII. Camera dei Genitori with XLVIII. B.27. Dipinto: Ritratto di gentiluomo and XLVIII. B.28. Statuetta: aquila, 1986, inclusive
XLVIII. Camera dei Genitori with XLVIII. D.13. Dipinto: Madonna col Bambino and XLVIII. D.14. Dipinto: Adorazione dei Pastori and XLVIII. D.15. Dipinto: Santa Scolastica e committente, 1986, inclusive
XLVIII. Camera dei Genitori - general view with XLVIII. D.1. Dipinto: scena mitologica, 1986, inclusive
XLVIII. Camera dei Genitori - general view, 1986, inclusive
XLVIII. Camera dei Genitori - general view with XLVIII. A.2. Dipinto: Madonna che adora il Bambino (Francesco Pesellino), 1986, inclusive
XLVIII. Camera dei Genitori - general view with XLVIII. C.3. Dipinto: storie di San Biagio: Santa Monica che offre il cibo al Santo and XLVIII. C.4. Dipinto: Annunciazione, 1986, inclusive
XLVIII. Camera dei Genitori - general view, 1986, inclusive
XLVIII. Camera dei Genitori - general view with XLVIII. A.19. Rilievo in stucco policromo: Madonna col Bambino and XLVIII. A.18. Dipinto: Madonna col Bambino, 1986, inclusive
LIII. Camera di Sir Harold - general view with LIII. C.24. Armadio a due ante and LIII. C.41. Manichino in cartapesta: busto di fanciulla, 1986, inclusive
LIII. Camera di Sir Harold - general view, 1986, inclusive
LIII. Camera di Sir Harold - general view with LIII. B.24. Dipinto: Ritratto di fanciulla, 1986, inclusive
LIII. Camera di Sir Harold - general view with LIII. C.19. Bureau cabinet dipinto con cineserie, 1986, inclusive
LIII. Camera di Sir Harold - general view with LIII. C.8. Orologio in porcellana con statuette and LIII. C.10. Reliquari (coppia) ad obelisco in legno dipinto, 1986, inclusive
LIII. Camera di Sir Harold - general view, 1986, inclusive
LIII. Camera di Sir Harold - general view, 1986, inclusive
LIII. Camera di Sir Harold - general view, 1986, inclusive
LIII. Camera di Sir Harold - general view, 1986, inclusive
LIII. Camera di Sir Harold - general view, 1986, inclusive
LIII. Camera di Sir Harold - general view, 1986, inclusive
LIII. Camera di Sir Harold - general view, 1986, inclusive
LIII. Camera di Sir Harold - general view with LIII. D.10. Pannello di arazzo con motivi di grottesche, 1986, inclusive
LIII. Camera di Sir Harold - general view, 1986, inclusive
LVI. Sala da Studio (Antecamera del Barone) - general view with LVI. B.1. Arazzo a "feuilles des choux" con balconata, uccelli esotici, frutta e fiori, 1986, inclusive
LVI. Sala da Studio (Antecamera del Barone) - general view, 1986, inclusive
LVI. Sala da Studio (Antecamera del Barone) - general view, 1986, inclusive
LVI. Sala da Studio (Antecamera del Barone) - general view, 1986, inclusive
LVI. Sala da Studio (Antecamera del Barone) - general view, 1986, inclusive
LVI. Sala da Studio (Antecamera del Barone) - general view, 1986, inclusive
LVII. Saletta (Antecamera Sala Studio) - general view, 1986, inclusive
LVII. Saletta (Antecamera Sala Studio) - general view, 1986, inclusive
LVII. Saletta (Antecamera Sala Studio) - general view, 1986, inclusive
LVII. Saletta (Antecamera Sala Studio) - general view with LVII. D.6. Dipinto: Architetture con personaggi di genere, 1986, inclusive
LX. Camera Verde - general view, 1986, inclusive
LX. Camera Verde - general view, 1986, inclusive
LX. Camera Verde - general view, 1986, inclusive
LX. Camera Verde - general view, 1986, inclusive
LX. Camera Verde - general view, 1986, inclusive
LX. Camera Verde - general view, 1986, inclusive
LX. Camera Verde - general view, 1986, inclusive
LX. Camera Verde - general view with LX. B.1. Dipinto ovale: ritratto di gentiluomo (matematico), 1986, inclusive
LXI. Sala da Ballo - general view, 1986, inclusive
LXI. Sala da Ballo - general view, 1986, inclusive
LXI. Sala da Ballo - general view, 1986, inclusive
LXI. Sala da Ballo - general view, 1986, inclusive
LXI. Sala da Ballo - general view, 1986, inclusive
LXI. Sala da Ballo - general view, 1986, inclusive
LXII. Saletta (Antecamera Sala da Ballo) - general view, 1986, inclusive
LXII. Saletta (Antecamera Sala da Ballo) - general view, 1986, inclusive
LXII. Saletta (Antecamera Sala da Ballo) - general view, 1986, inclusive
LXIV. Corridoio (Atrio di Sopra) - general view, 1986, inclusive
LXIV. Corridoio (Atrio di Sopra) - general view, 1986, inclusive
LXIV. Corridoio (Atrio di Sopra) - general view, 1986, inclusive
LXIV. Corridoio (Atrio di Sopra) - general view, 1986, inclusive
LXIV. Corridoio (Atrio di Sopra) - general view, 1986, inclusive
LXIV. Corridoio (Atrio di Sopra) - general view, 1986, inclusive
LXIV. Corridoio (Atrio di Sopra) - general view, 1986, inclusive
LXV. Camera Blu - general view, 1986, inclusive
LXV. Camera Blu - general view, 1986, inclusive
LXV. Camera Blu - general view, 1986, inclusive
LXV. Camera Blu - general view, 1986, inclusive
LXV. Camera Blu - general view, 1986, inclusive
LXV. Camera Blu - general view, 1986, inclusive
LXV. Camera Blu - general view, 1986, inclusive
LXV. Camera Blu with LXV. B.1. Dipinto: Morte di Lucrezia Romana and LXV. B.2. Dipinto: Ritratto di fanciullo con busto muliebre, 1986, inclusive
LXV. Camera Blu - general view with the fireplace, 1986, inclusive
LXV. Camera Blu - general view, 1986, inclusive
LXV. Camera Blu with LXV. B.15. Dipinto: Madonna col Bambino and LXV. B.16. Dipinto: San Nicola and LXV. B.17. Dipinto: Madonna col Bambino in trono tra due angeli e due santi, 1986, inclusive
LXV. Camera Blu with LXV. D.2. Rilievo in stucco: Madonna col Bambino entro tabernacolo, 1986, inclusive
LXVI. Scalone with LXVI. A.2. statua in legno: moretto reggivassoio, 1986, inclusive
LXXVI-LXXVII. Biblioteca - general view, 1986, inclusive
LXXVI-LXXVII. Biblioteca - general view, 1986, inclusive
LXXVI-LXXVII. Biblioteca - general view, 1986, inclusive
LXXVI-LXXVII. Biblioteca - general view, 1986, inclusive
LXXVI-LXXVII. Biblioteca - general view, 1986, inclusive
LXXVI-LXXVII. Biblioteca - general view, 1986, inclusive
LXXVI-LXXVII. Biblioteca - general view, 1986, inclusive
Subseries C: The Estate
1 The Podere (including views from and of Villa La Pietra)
Villa La Pietra with the hills of Fiesole in the background., ca. 1905, inclusive
General note
Annotated on the verso "telescope lens".
View of the hills of Fiesole from Villa La Pietra, ca. 1905, inclusive
General note
Neg.
View of the hills of Fiesole from Villa La Pietra, ca. 1905, inclusive
Villa La Pietra with other villas nearby., 1907, inclusive
General note
Similar to a postcard (preserved in the paper archives) sent to HMA in Chicago [in 1907]: "Happy X-mas and please don't quite forget us.(your house done from our window. Yours truly, Ferdinand Lilien[eron]".
The retaining wall of the Viale with Villa La Pietra, June, 1908, inclusive
General note
Taken from the Podere. Neg.
The retaining wall of the Viale with Villa La Pietra, June, 1908, inclusive
General note
Taken from the Podere. Neg.
Villa La Pietra taken from the Podere, ca. 1908, inclusive
General note
Neg.
The Podere, 1908, inclusive
General note
Labelled by HMA: "Villa from podere Corsi villa wall, June 1908". Neg.
The Podere, ca. 1908, inclusive
General note
Neg.
View of the Podere and Villa La Pietra from Villa Colletta, ca. 1915, inclusive
General note
Labelled "View from Italy". Print and neg.
View of the Podere and Villa La Pietra from Villa Colletta, ca. 1915, inclusive
View of the Podere and Villa La Pietra from Villa Colletta, ca. 1915, inclusive
View of the Podere and Villa La Pietra taken from Villa Colletta, undated, inclusive
[View of the Podere], undated, inclusive
View of the Podere, undated, inclusive
View of the Podere looking towards Villa Natalia from Villa Ulivi, undated, inclusive
General note
Photo Locchi, Firenze.
View of the Podere looking towards Villa Natalia from Villa Ulivi, undated, inclusive
General note
Photo Locchi, Firenze.
Oversize, II.C.1. folder 225.
View of the Podere looking towards Villa Natalia from Villa Ulivi, undated, inclusive
General note
Photo Locchi, Firenze.
Oversize, II.C.1. folder 225.
View of the Podere looking towards Villa Natalia from Villa Ulivi, undated, inclusive
General note
Oversize, II.C.1. folder 226.
View of the Podere taken from a villa on Vicolo San Marco Vecchio, undated, inclusive
General note
Color print.
View of the Podere taken from a villa on Vicolo San Marco Vecchio, undated, inclusive
General note
Color print.
View of the Podere and Villa La Pietra taken from a villa on Vicolo San Marco Vecchio, undated, inclusive
General note
Color print (similar to a card with a note in French signed by M. et R.L. Bre[t]).
The pool in the Podere, 1950, inclusive
General note
Color slide by Kirker.
The Podere with Villa La Pietra, 1950, inclusive
General note
Color slide by Kirker.
The wall of the Estate on Via Bolognese between Villa Colletta and Villa Sassetti, ca. 1975, inclusive
General note
Probably taken in 1975 when the wall between nos. 114-120. was restored by Giuliano Torrini. Color print.
The wall of the Estate on Via Bolognese between Villa Colletta and Villa Sassetti, ca. 1975, inclusive
General note
Showing repair work. Probably taken in 1975 when the wall between nos. 114-120 was restored by Giuliano Torrini. Color print.
The wall of the Estate on Via Bolognese between Villa Colletta and Villa Sassetti, 1975, inclusive
General note
Probably taken in 1975 when the wall between nos. 114-120 was restored by Giuliano Torrini. Color print.
Aerial view of the Estate by the Istituto Geografico Militare, Firenze, 1935, inclusive
General note
The flight dated on the verso.
Oversize, II.C.1. folder 227.
Aerial view of the Estate by the Istituto Geografico Militare, Firenze, 1954, inclusive
General note
The flight dated on the verso.
Oversize, II.C.1. folder 227.
Aerial view of the Estate by the Istituto Geografico Militare, Firenze, 1986, inclusive
General note
The flight dated on the verso.
Oversize, II.C.1. folder 227.
Aerial view of the Estate by the Istituto Geografico Militare, Firenze, 1991, inclusive
General note
The flight dated on the verso.
Oversize, II.C.1. folder 227.
2 Villa Emilia
Exterior, undated, inclusive
[Exterior with a garden fountain], 1924, inclusive
[Exterior with a garden fountain], 1924, inclusive
Painted panel, undated, inclusive
General note
Photo by Dino Zani, Milano.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Dino Zani, Milano.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Dino Zani, Milano.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Annotated on the verso "Villa Emilia".
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Dino Zani, Milano.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Dino Zani, Milano.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Dino Zani, Milano.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Dino Zani, Milano.
Annotated on the recto "2,20 x 1,50" and on the verso "questo è la fotografia del paneaux che le ho mandato in più" [illegible signature].
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel with a hunting scene, undated, inclusive
Painted panel with a hunting scene, undated, inclusive
General note
Photo by Brogi.
Annotated on the verso with measurements.
Painted panel with a hunting scene, undated, inclusive
General note
Annotated on the verso with measurements.
Painted panel with a hunting scene, undated, inclusive
General note
Photo by Brogi.
3 Villa Natalia
Exterior, undated, inclusive
General note
Captioned on the recto: "Firenze - Veduta della 'Villa Natalia'" and on the verso: "Pensione Villa 'Natalia', Firenze," with a short description of its amenities in three languages.
Exterior, undated, inclusive
General note
Captioned on the recto: "Villa Natalia, Via Bolognese 106 (Firenze)", a postcard by Becocci, Firenze.
Exterior, undated, inclusive
Exterior with fountain, undated, inclusive
General note
Annotated on the verso "Villa Natalia - before the war".
Exterior with fountain and garden, undated, inclusive
Exteriors, undated, inclusive
General note
Photos by Locchi, Firenze.
Oversize, II.C.3. folder 229.
The garden showing the bunkers built during the Second World War, undated, inclusive
General note
Annotated on the verso by HA: "Ruined garden of the Villa Natalia. c.f. pre War photos of same Box-hedges-flower parterres etc. ruined - gravel on paths worn out by lorries etc."
Garden fountain, undated, inclusive
Detail of the façade on Via Bolognese with scaffolding, April, 1986, inclusive
General note
Dated on the verso, with annotations about the price and payments for building work.
Views of rooms in the interior taken by Barsotti, Firenze, 1970s, inclusive
General note
Neg.
View of a room in the interior taken by Barsotti, Firenze, 1970s, inclusive
General note
Print and neg.
View of a room in the interior taken by Barsotti, Firenze, 1970s, inclusive
General note
Print and neg.
View of a room in the interior taken by Barsotti, Firenze, 1970s, inclusive
Views of rooms in the interior taken by Barsotti, Firenze, 1970s, inclusive
General note
Neg.
View of a room in the interior taken by Locchi, Firenze, undated, inclusive
General note
Oversize, II.C.3. folder 230.
View of the dining room taken by Locchi, Firenze, undated, inclusive
General note
Oversize, II.C.3. folder 230.
View of the dining room with Olivetti staff at table, undated, inclusive
General note
Photo by Locchi, Firenze.
Oversize, II.C.3. folder 230.
an Empire-style bed, undated, inclusive
General note
Annotated on the verso "Baciocchi bed, Natalia".
Detail of the Empire-style bed, undated, inclusive
General note
Photo by Wallace Heaton, London. Annotated on the verso "Natalia".
Detail of the Empire-style bed, undated, inclusive
General note
Photo by Wallace Heaton, London, annotated on the verso "Natalia".
Painting, undated, inclusive
General note
Annotated on the verso "Natalia". Photo by Henry Dixon, London.
Oversize, II.C.3. folder 231.
Detail of a fragment of a fresco, undated, inclusive
General note
Annotated on the verso "Villa Natalia, frescoe under canvas in vaulted room, ground floor". Photo by Brogi, numbered 360.
Detail of a fragment of a fresco, undated, inclusive
General note
Annotated on the verso "Fresco decoration in the salon at Villa Natalia behind library, date about 1400-?", Photo by Brogi, numbered 361.
Detail of a fragment of a fresco, undated, inclusive
General note
Neg.
Detail of a fragment of a fresco, undated, inclusive
General note
Neg.
Detail of a fragment of a fresco, undated, inclusive
4 Villa Colletta
Exteriors, undated, inclusive
General note
One Annotated on the verso "Villa Colletta", and one with a farm worker. Prints and negs.
No image available for inspection, undated, inclusive
Painted panel with a Chinoiserie scene, undated, inclusive
No image available for inspection, undated, inclusive
No image available for inspection, undated, inclusive
Painted panel with a Chinoiserie scene, undated, inclusive
Painting with a port scene and architectural ruins, undated, inclusive
General note
Annotated on the verso "Capella. La Pietra Volt[..] appartamento Lung Arno Quartiere Grande". Photo by Brogi, numbered 407.
Painting with architectural ruins, undated, inclusive
General note
Photo by Brogi, numbered 406.
Limonaia at Villa Ulivi, undated, inclusive
General note
2 Color prints.
See also II.C.5.35.-153a-153b.
View of a room in the interior, ca. 1970, inclusive
General note
Photo by Barsotti, Firenze, annotated on the verso: "41 Colletta Salone 4". Neg and print.
View of a room in the interior taken by Barsotti, Firenze, ca. 1970, inclusive
General note
Annotated on the verso: "53 Colletta Salone Pranzo". Neg and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Neg.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "51 Colletta Salone Pranzo". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "44 Colletta Salone L". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Duplicate of 144.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "54 Colletta Salone Pranzo". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Duplicate of 146.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "45 Colletta ingresso". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "Colletta ingresso". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Duplicate of 149.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "39 Colletta prima salotto". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Duplicate of 150a.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Neg.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "40 Colletta primo Salone". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "46 Colletta ingresso". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "Colletta - Corridoio finestrone 2 piano". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "48 Ingresso scale Colletta". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "42 Colletta Salone". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Neg.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Neg.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Neg.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "57 Colletta P.P. Camera 26". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "65 Colletta P.P. Camera 30". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "64 Colletta P.P. Camera 30". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "72 Colletta 2 piano - camera 34". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "61 Colletta P.P. Camera 28". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "60 Colletta P.P. Camera 28". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "43 Colletta Salone L". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "71 Colletta Camera 34 [2 P]". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "59 Colletta P.P. Camera 27". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "58 Colletta P.P. Camera 27". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "63 Colletta P.P. Camera 29". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "62 Colletta P.P. Camera 29". Neg. and print.
View of a room in the interior (with four pictures) taken by Barsotti, Firenze, late 1970s, inclusive
General note
Neg.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "66 Colletta P.P. Corridoio interno a camere 27, 28, 29, 30 31". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "67 Colletta P.P. Corridoio interno a camere 27, 28, 29, 30 31". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "69 Colletta Corridoio 2 piano".
Painting with ruins and a river, late 1970s, inclusive
General note
Annotated on the verso: "Villa Coletta new wing". Neg. and print.
Painting of St. Sebastian, late 1970s, inclusive
General note
Annotated on the verso: "S. Sebastiano - Colletta".
Open cupboard resting on lions, late 1970s, inclusive
General note
Numbered "115." on the recto. Annotated on the verso: "Colletta" and "Gia V. Emilia ora Ulivi". Neg. and print.
Chimneypiece with two putti holding a coat of arms, late 1970s, inclusive
General note
Annotated on the verso: "Villa Colletta". See also IV.A.5.10.18-28.
Chimneypiece with two putti holding a coat of arms, late 1970s, inclusive
General note
Annotated on the verso: "Villa Colletta".
Chimneypiece with two putti holding a coat of arms, late 1970s, inclusive
Chimneypiece with two putti holding a coat of arms, late 1970s, inclusive
General note
Duplicate of 175g.
5 Villa Sassetti
Exterior with HMA, HA, and WA, ca. 1906, inclusive
General note
WA in his pram. Neg.
Exterior with HMA, HA, and WA, ca. 1906, inclusive
General note
WA in his pram. Neg.
Exterior, February, 1908, inclusive
General note
Print and neg.
Exterior, undated, inclusive
General note
Print and neg.
Exterior, undated, inclusive
General note
Print and neg.
Exterior, with a distant view of Villa La Pietra, undated, inclusive
General note
Print and neg.
Exteriors, undated, inclusive
General note
Prints and negs.
Exterior, with [HMA] and the dog Caesar, undated, inclusive
General note
Print and neg.
Exterior (with building work in progress), December 1, 1908, inclusive
General note
Print and neg.
Exteriors, undated, inclusive
General note
Prints and negs.
Exterior (detail of the façade), undated, inclusive
General note
Print and neg.
Exterior, undated, inclusive
Exterior (with building work in progress), undated, inclusive
Exterior (with building work in progress), undated, inclusive
Exterior, undated, inclusive
Exteriors, undated, inclusive
Exterior, undated, inclusive
General note
Neg.
The garden, undated, inclusive
Exteriors, with the garden, undated, inclusive
General note
Neg.
Interior, ca. 1915, inclusive
General note
Print and neg.
Interior, undated, inclusive
General note
Annotated on the verso "painting at Villa Sassetti".
Interiors, undated, inclusive
General note
63. Annotated on the verso "Villa Sassetti - Compare with Album before Greek royalties took Sassetti. These photos show the condition after they left without apologies". 68a. Annotated on the verso "condition of antique furniture. Villa Sassetti".
Interior, undated, inclusive
General note
Annotated on the verso "Foto danni Principi".
Interiors, undated, inclusive
Interior, undated, inclusive
General note
Annotated on the verso "Egeli riconsegnò così il mobilio".
Interior, undated, inclusive
Interior, 1970s, inclusive
General note
Annotated on the verso "75. Sassetti - Sala Ingresso". Photo by Barsotti, Firenze. Print and neg.
Interior, 1970s, inclusive
General note
Annotated on the verso "85. Sassetti - Salone". Photo by Barsotti, Firenze. Print and neg.
Interior, 1970s, inclusive
General note
Annotated on the verso "83. Sassetti - Sala Verde". Photo by Barsotti, Firenze. Print and neg.
Interior, 1970s, inclusive
General note
Annotated on the verso "74. Sassetti - Sala Ingresso". Photo by Barsotti, Firenze. Print and neg.
Interior, 1970s, inclusive
General note
Annotated on the verso "84. Sassetti - Sala Verde". Photo by Barsotti, Firenze. Print and neg.
Interior, 1970s, inclusive
General note
Annotated on the verso "101. Sassetti - P.P.[piano primo] Vestibolo". Photo by Barsotti, Firenze. Print and neg.
Interior, 1970s, inclusive
General note
Annotated on the verso "81. Sassetti - Prima sala destra". Photo by Barsotti, Firenze. Print and neg.
Interior, 1970s, inclusive
General note
Annotated on the verso "82. Sassetti - Sala verde". Photo by Barsotti, Firenze. Print and neg.
Interior, 1970s, inclusive
General note
Annotated on the verso "89. Sassetti - sotto scala". Photo by Barsotti, Firenze. Print and neg.
Interiors, 1970s, inclusive
General note
Negs. by Barsotti, Firenze.
Interior, 1970s, inclusive
General note
Annotated on the verso "102. Sassetti - P.P.[piano primo] Camera Contessa 67." Photo by Barsotti, Firenze. Print and neg.
Interior, 1970s, inclusive
General note
Annotated on the verso "104. Sassetti - P.P. [piano primo] Camera Conte 68.". Photo by Barsotti, Firenze. Print and neg.
Interiors, undated, inclusive
General note
Negs. by Barsotti, Firenze.
Still Life painting, undated, inclusive
General note
Annotated on the verso "one of a pair" with measurements and (coded) price. Photo by Brogi, numbered 431.
Still Life painting, undated, inclusive
General note
Annotated on the verso "a pair of these" with measurements and (coded) price. Photo by Brogi, numbered 432.
Still Life painting, undated, inclusive
General note
Photo by Brogi, numbered 430.
Still Life painting, undated, inclusive
General note
Annotated on the verso "Antique flower picture in antique frame 130 x 155, one pair - each" with (coded) price. Photo by Brogi numbered 433.
Carved wall bracket [candle-holder], undated, inclusive
General note
Now in the Sala Conferenza (ground floor).
Painted panels, May, 1966, inclusive
General note
Annotated on the verso with measurements, and some of them annotated "pannelli venduti dal Sig. Acton". Color prints dated on the recto.
Painted panel with grotteschi, undated, inclusive
General note
Annotated on the verso "Natalia". Photo by Brogi, numbered 439.
Painted panel with grotteschi, undated, inclusive
General note
Photo by Brogi Numbered 440.
Painted panels with grotteschi, undated, inclusive
General note
Annotated with measurements on the verso.
Exterior, undated, inclusive
General note
2 Color prints.
See also II.C.4.34.-183.-186.
6 Villa Ulivi
Exterior - the façade, undated, inclusive
General note
Annotated on the verso.
Exterior, with the garden, undated, inclusive
General note
Photo by Locchi, Firenze.
Exterior, with the garden, undated, inclusive
General note
Photo by Locchi, Firenze.
Exterior, with the garden, undated, inclusive
The garden, undated, inclusive
Exterior, with the garden, undated, inclusive
The garden, undated, inclusive
The garden, undated, inclusive
Tennis court, undated, inclusive
Pergola at Swimming pool, undated, inclusive
The garden, undated, inclusive
Swimming pool, undated, inclusive
Swimming pool with an (unidentified) bather, undated, inclusive
Swimming pool, undated, inclusive
General note
Color print.
Swimming pool, undated, inclusive
Villa Ulivi, piscina (negs.), undated, inclusive
Villa Ulivi, piscina (with Villa La Pietra on the skyline), undated, inclusive
Interior - the hall, undated, inclusive
General note
Annotated on the verso "Villa negli Ulivi".
Interior, undated, inclusive
General note
Annotated on the verso "Salone".
Interior, undated, inclusive
General note
Annotated on the verso "Salone Soggiorno".
Interior, undated, inclusive
General note
Annotated on the verso "Sala Pranzo".
Interior, undated, inclusive
General note
Annotated on the verso "Salottino p.p.".
Interiors, undated, inclusive
General note
Annotated on the verso "Salottino terreno".
Interiors - bedrooms, 1930s, inclusive
General note
Some with a young girl [daughter of Frederick Faust in the 1930s] and her toys and dog.
Interior, undated, inclusive
General note
Annotated on the verso "Salotto p.p.".
Interior, undated, inclusive
General note
Annotated on the verso "Biblioteca panoramica".
Interior, undated, inclusive
General note
Annotated on the verso "Salone".
Interiors, undated, inclusive
General note
Annotated on the verso "Biblioteca panoramica".
Interior, undated, inclusive
Interior, 1970s, inclusive
General note
Annotated on the verso "196. Ulivi. Direzione". Photo by Barsotti, Firenze. Print and neg.
Interior, 1970s, inclusive
General note
Annotated on the verso: "197. Ulivi. Direzione". Photo by Barsotti, Firenze. Print and neg.
Interiors [late 1970s], 1970s, inclusive
General note
Neg. by Barsotti, Firenze.
Roll of (36) negatives of interiors and exteriors of Villa Ulivi, undated, inclusive
7 unidentified
Maid in a garden, ca. 1915, inclusive
General note
Labelled by HMA "Villetta, 1915-1916" [Villa Colletta or Villa Sassetti]. Prints and negs.
Part of a garden with steps and a balustrade, undated, inclusive
General note
Print and neg.
Exterior of a villa, undated, inclusive
General note
Print and neg.
Masque of a wall fountain, undated, inclusive
General note
Print and neg.
Exterior of a villa, 1915, inclusive
General note
Neg.
Exterior of a villa, undated, inclusive
General note
Print and neg.
Gardens with a statue [Villa Natalia] and terracotta vases [a pomario], undated, inclusive
General note
Negs.
Garden with balustrade, fountain and flower beds, undated, inclusive
Interiors, with details of ceilings, undated, inclusive
General note
Found with an envelope labelled "Rifugio Natalia. D.G.".
Portal, undated, inclusive
General note
#1. Found in a financial ledger concerning Villa Emilia, and annotated on the verso "Porta di Pietra smontato all[..]go"
#2. annotated by AA with measurements and a sketch on the verso.
Oversize, II.C.7.35. folder 231a.
8 Albums of the villas
Villa Emilia A simply bound album labelled on the outside cover: "Villa 'Emilia', Via Bolognese [112] - Mitchell-Acton"., ca. 1920s, inclusive
General note
Contains 108 photographs, many of them pasted on to the page (others inserted into photo corners), standard size as well as very small prints. A few of the garden but most of them of the interior - the reception rooms and bedrooms. Apparently not all of the same date, but most of them probably taken in the 1920s or 1930s.
Villa Emilia A simply bound album labelled on the outside cover: "Villa Emilia bis"., ca. 1920s, inclusive
General note
Contains 84 photographs, many of them pasted on to the page (others inserted into photo corners) and others loose. Many of the pages of the album have also come loose. A few of the garden but most them of the interior - the reception rooms and bedrooms, mostly duplicates of those in Folder 1. Apparently not all of the same date, but most of them probably taken in the 1920s or 1930s.
Villa Natalia A simply bound album labelled on the outside cover: "Villa Natalia"., ca. 1920s, inclusive
General note
Contains 111 photographs, most of them pasted on to the page (others inserted into photo corners). Some of the pages of the album have come loose. Photos of the gardens and interior. Apparently not all of the same date, but most of them probably taken in the 1920s or 1930s.
Villa Natalia A simply bound album labelled on the outside cover: "Villa Natalia No. I"., ca. 1920s, inclusive
General note
Contains 112 photographs, most of them pasted on to the page (others inserted into photo corners), and including some very small format prints. Photos of the gardens and interior some of them duplicates of those in Folder 3. Apparently not all of the same date, but most of them probably taken in the 1920s or 1930s.
Villa Sassetti A simply bound album labelled on the outside cover: "Villa Sassetti - Via Bolognese 116"., ca. 1920s, inclusive
General note
Contains 93 photographs, most of them pasted on to the page (others inserted into photo corners), and including some very small format prints. Photos of the gardens and interior. Apparently not all of the same date, but most of them probably taken in the 1920s or 1930s.
Villa Sassetti A simply bound album labelled on the outside cover: "Villa Sassetti"., ca. 1920s, inclusive
General note
Contains 39 photographs, most of them pasted on to the page (others inserted into photo corners), many of them missing. Photos of the gardens and interior, some of them duplicates of those in Folder 5. Apparently not all of the same date, but most of them probably taken in the 1920s or 1930s.
Subseries D: Other Acton properties
1 Palazzo Guadagni, Porta al Prato, Firenze, see Series I.A.6.
2 Palazzo Lanfredini, 9 Lungarno Guicciardini, Firenze (now the premises of the British Institute Library)
Interior, undated, inclusive
General note
Annotated on the verso "Salone - Lungarno" . Also Annotated on the verso "Oil jar - decorated - missing". Includes a Still Life which is probably a pair to II.C.5.35.-131. Photo by Renato Salvini, Lungarno Guicciardini 7, Firenze.
Interior, undated, inclusive
General note
Annotated on the verso "Lungarno".
Interiors, undated, inclusive
General note
Some annotated on the verso "Lungarno".
Interior [or Villa Sassetti], undated, inclusive
3 108 Lancaster Gate, London (owned by the Actons [and/or Guy Mitchell] 1928-1932)
Interiors, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "Salon".
Interior with a painted panel with ruins, ca. 1928-1932, inclusive
General note
See also IV.A.1.3.40.-1.
Interior, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "a very good [Han] vase I got in Kyoto of [yo….]. A Ming bowl".
Interior with a painted panel with ruins, ca. 1928-1932, inclusive
General note
See also IV.A.1.3.40.-1.
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "This console would look better with the chairs than these XVII. cent. ones. These are nice but not my period. The [thin caladins] are good and above is a water Color by Marco Ricci.".
Interior with two photographs of 'Jennie' (Sarah) Mitchell née Jewett (HMA and Guy Mitchell's mother, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "Ask Acton what he thinks of this chair. I got two alike in London. The design of the back is in [Odon's] book. I think them very choice. This is in corner of my bedroom. The curtains are Chinese yellow satin. I had to pull down the shade to photograph".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "Everyone likes this chair. It might almost be English. Look for this variety. It is upholstered in old yellow silk, very strong. I use it as a desk chair.".
Interiors with a Chinese panel, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "These four chairs are superb. They are in the dining room with the green one something like them. [Regency], in old blue damask. The Claude Vernet [came out] pretty well." The painting of a landscape with a river, cascades, Roman ruins and pastoral scenes [Tivoli by Orazio Vernet] was stolen from Villa La Pietra on 28/29 September 1983.
See II.B.3.23.-25.
Interiors, with chairs and Chinese vases, ca. 1928-1932, inclusive
Interior, undated, inclusive
General note
Annotated on the verso by Guy Mitchell: "I am very fond of all these things and shall keep them. Each piece of furniture, painting, rug and vase, lamp etc. is choice. I am satisfied in this room".
Interior with an arrow indicating a chair on the recto, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "This chair is very good and most comfortable. A chair like this goes with any kind of old furniture. I like the yellow silk it is upholstered in".
Interiors, with furniture, Chinese paintings and vases, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "If you can find another very fine commode get it for me. A […] piece. I like this one particularly".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "Chinese painting on the wall".
Interiors with chairs, Chinese vases, and paintings, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the recto by Guy Mitchell: "both chairs are very good".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "2 Bardini chairs, lovely patina, done up in charming old silk of the period".
Interiors with Chinese vases, chairs, and Chinese paintings, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "Your lovely [hard …] chair and a very good portrait [Bl…tt…found…in Holland…of old China]. Blue and white vases".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "I like this chair so much. This is the type I want when possible".
Interiors, with chairs, a commode, and Chinese vases, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "These two commodes are nice, good color and shape, and I like them, but they are far too large for American apartments".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "These blue and whites are very beautiful. The two large ones are Chei[…Kagn…] with magnolias on a blue ground." Annotated on the recto by Guy Mitchell: "I love these commodes but they are too large for […] I want some smaller ones".
Interiors, with chairs, furniture and Chinese vases, ca. 1928-1932, inclusive
Interior, with a cabinet which is now in Villa La Pietra (XV. A.3.), ca. 1928-1932, inclusive
Interior, with a cabinet which is now in Villa La Pietra (XV. A.3.), ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "These pieces satisfy me perfectly - all of them. I have a bookcase with my case of jades etc. on it in this room and shall remove it some day if I find another very fine commode or console. The two big commodes are simple but good.".
Interior, with a cabinet which is now in Villa La Pietra (XV. A.3.), ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "everything in the room is good. I must take some good photos of all the chairs etc.".
Interior, with a cabinet which is now in Villa La Pietra (XV. A.3.), ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "I got two of these little chairs in London, £34 the pair. I had never seen this design but found it in O[don]'s book. They are very nice, small and graceful and lovely patina. I found this French velvet in London and like it immensely, green [will -golden], very small pattern. Had lots of trouble finding it. ".
Interior with furniture and two small Burmese bronze figures, ca. 1928-1932, inclusive
General note
See also oversize, IV. A.4.8. folder 275.-1.-2.
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: I took this from my dining room."Is it not good? These are the Burmese figures all inlaid with glass [g…]. The heads are studded with round mirrors and the robes are beautiful. I like this commode.".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "view from dining room of hall and door into Salon. My wonderful Burmese figures on commode and a Thibetan print […], yellow with small […] Buddhas framed, back of them.".
Interior, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "Here are the other two I like. I am very fond of the criss-cross one. I think it very unusual and the one in the hall is nice, much better in [….] you sent the photo of.".
Interiors, with furniture, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "The reflection in the mirror shows the 1st [pog…] chair you sent. It is nice. I shall have it upholstered some day, as the old striped stuff is rather worn and soiled and it needs [stu]ffing. I […two others and like----Wannamaker's ….]ask $500 for one. The curtains are a lovely rose red. I love the mirror.
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "[…] reflected in mirror by bathroom door.".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "This was difficult to take on account of the window beside it. The little mirror looks well above […gueridon]- The chest is good too.".
Interior, with chair and console, ca. 1928-1932, inclusive
Interior, with chair and console., ca. 1928-1932, inclusive
General note
Annotated on the recto by Guy Mitchell: "I love this [style]. You might get copies".
Interior, with chair and console, ca. 1928-1932, inclusive
Interior, with chair, ca. 1928-1932, inclusive
General note
Annotated on the recto by Guy Mitchell: "I love this - very comfortable".
Interior, with chair and console, ca. 1928-1932, inclusive
Interior, with chair and console, ca. 1928-1932, inclusive
General note
Annotated on the recto by Guy Mitchell: "This is most comfortable".
Interiors with chairs, furniture, and prints, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "my dining room. The jade vase is exquisite.".
Interiors, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "Mr [Min] admired the little bronze figure immensely. I had Ya[….] put a shade on it and it makes a lovely lamp".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the recto by Guy Mitchell: "This is nice covered in lovely green velvet . Copy of period velvet".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "This cabinet is too Dutch for me. There are 4 of these little chairs in blue silk. They were cheap and are nice. They are the sort of thing I should like to get more of. They would be lovely in those Venetian brocades and could be copied easily too".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "I am not fond of this room and would like to sell these three pieces you sent last year, and the cabinet, which is too Dutch and the little red lacquer piece, which is too English. They are lovely but do not appeal to me. I like all the chairs. The commode is ordinary, ugly handles etc".
Interior with a cabinet which is now in Villa La Pietra (LIII. A.59.), ca. 1928-1932, inclusive
General note
See also II.B.1.LIII. A.59.-1.19.-32.
Interior with a cabinet which is now in Villa La Pietra (LIII. A.59.), ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "These are miserable photos. I will take some more. I love this desk. It is my idea of a fine Italian XVIII. cent. desk. These chairs I got in London (£38 (thirty eight) the two). They are beauties. Always get me any like this. My rugs etc. very good".
See also II.B.1.LIII. A.59.-1.19.-32.
Interior with a cabinet which is now in Villa La Pietra (LIII. A.59.), ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "I cannot understand why you did not buy this the moment you saw it. It is the handsomest one I ever saw and 1000 times more attractive to me than the little red desk and Dutch cupboard combined. It is so absolutely genuine. I cannot open the glass door".
See also II.B.1.LIII. A.59.-1.19.-32.
Interior with a cabinet which is now in Villa La Pietra (LIII. A.59.), ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "These are two of the chairs I got in London. The Chinese painting you saw".
See also II.B.1.LIII. A.59.-1.19.-32.
Interior with a cabinet and two framed photos of HMA taken in Paris, ca. 1928-1932, inclusive
Interior with a cabinet, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "everyone admires this chair immensely and it was, I think, only $30. If you see any […order….] I like this desk too, always did, and it goes well with English things too. Looks like Queen Anne [o…] If you see any more get them for me…until later." Annotated on the recto: "These pieces are nice".
Interiors with a cabinet and chair, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "entrance hall".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "2 Portuguese chairs in red velvet".
Interior, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "Blue covers […] white. You sent me 4 of these little chairs and they are nice.".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "This chair looks well in velvet. It is on [ground floor].".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "This is a good chair. I had 4 […] in this lovely French velvet silk - […] pattern. Reproduction of Louis XVI. Green.".
Vase, ca. 1928-1932, inclusive
General note
Annotated on the recto by Guy Mitchell: "dark green like bronze. Han jar I got in Kyoto".
Interior with objects, ca. 1928-1932, inclusive
Vase, ca. 1928-1932, inclusive
General note
Annotated on the recto by Guy Mitchell: "lovely blue and white".
Vase, ca. 1928-1932, inclusive
General note
Annotated on the recto by Guy Mitchell: "[palace] piece [famille [T…]".
Vase, ca. 1928-1932, inclusive
General note
Annotated on the recto by Guy Mitchell: "blue and white".
Vase, ca. 1928-1932, inclusive
General note
Annotated on the recto by Guy Mitchell: "celadin, was in Ashmolean at Oxford".
Vase, ca. 1928-1932, inclusive
General note
Annotated on the recto by Guy Mitchell: "[clair de lune with…]".
Interiors, with furniture and statuettes, ca. 1928-1932, inclusive
Interiors, ca. 1928-1932, inclusive
General note
Prints and negs.
Interior, with chairs, ca. 1928-1932, inclusive
Interior, with a chair and mirror, ca. 1928-1932, inclusive
General note
Print and neg.
Interiors, with the statue of a Moro (blackamoor). Identical or very similar to the one now in Villa La Pietra (LXVI. A.2.), ca. 1928-1932, inclusive
General note
Prints and negs.
Interior with the statue of a Moro (blackamoor) and a stand (or small round table or font) supported by dolphins, ca. 1928-1932, inclusive
General note
Neg.
Interiors with furniture and Chinese style painted panels, ca. 1928-1932, inclusive
General note
See II.B.1.a. 22.
Interior with furniture and Chinese style painted panels, ca. 1928-1932, inclusive
General note
See II.B.1.a. 22. Print and neg.
Interior with furniture and Chinese style painted panels, ca. 1928-1932, inclusive
General note
See II.B.1.a. 22. Print and neg.
Interiors with furniture and Chinese style painted panels, ca. 1928-1932, inclusive
General note
See II.B.1.a. 22.
Interior with furniture and Chinese style painted panels, ca. 1928-1932, inclusive
General note
See II.B.1.a. 22. Print and neg.
Interiors with furniture and Chinese style painted panels, ca. 1928-1932, inclusive
General note
See II.B.1.a. 22.
Interiors with furniture and Chinese style painted panels, ca. 1928-1932, inclusive
General note
See II.B.1.a. 22. Print and neg.
Interiors with furniture and Chinese style painted panels, ca. 1928-1932, inclusive
General note
See II.B.1.a. 22. Prints and neg.
Interiors, ca. 1928-1932, inclusive
General note
Neg.
Interior with furniture and a painting of Venezia (one of a pair now in Villa La Pietra, LIII. D.3.), ca. 1928-1932, inclusive
Interior with furniture and a painting of Venezia (one of a pair now in Villa La Pietra, LIII. D.3.), ca. 1928-1932, inclusive
Interior, with furniture, ca. 1928-1932, inclusive
Interiors with painting in an oval frame (now in Villa La Pietra, XLIV. B.1.), ca. 1928-1932, inclusive
Interior, with a fireplace, clock, and painted panel, ca. 1928-1932, inclusive
Interior with a fireplace, clock, and painted panel, ca. 1928-1932, inclusive
General note
Print and neg.
Interiors with a fireplace, clock, and painted panel, ca. 1928-1932, inclusive
General note
Neg.
Interiors with a fireplace, clock, and painted panel, ca. 1928-1932, inclusive
Interior with a fireplace, clock, and painted panel, ca. 1928-1932, inclusive
General note
Print and neg.
Interior with a chair and console, ca. 1928-1932, inclusive
General note
Print and neg.
Interiors with consoles, mirrors and chairs, ca. 1928-1932, inclusive
Interior with furniture, ca. 1928-1932, inclusive
General note
Prints and negs.
Interiors with furniture, a clock and Chinese style painted panels, ca. 1928-1932, inclusive
Interior with furniture and Chinese style painted panels, ca. 1928-1932, inclusive
General note
See II.B.1.a. 22. Print and neg.
Interiors with furniture and Chinese style painted panels, ca. 1928-1932, inclusive
General note
See II.B.1.a. 22.
Interior with furniture and Chinese style painted panels, ca. 1928-1932, inclusive
General note
See II.B.1.a. 22. Print and neg.
Interior with furniture and Chinese style painted panels, ca. 1928-1932, inclusive
General note
See II.B.1.a. 22.
Interior with furniture and a painted panel, ca. 1928-1932, inclusive
Interior with furniture and a painted panel, ca. 1928-1932, inclusive
General note
Print and neg.
Interiors with furniture and chairs, ca. 1928-1932, inclusive
Interior with desk and chair, ca. 1928-1932, inclusive
General note
Print and neg.
Interior with furniture, a Madonna relief and two wall brackets supported by crouching figures, now in Villa La Pietra (XXXI. C.9.), ca. 1928-1932, inclusive
General note
Print and neg.
Interior with furniture and a mirror, and two wall brackets supported by crouching figures, now in Villa La Pietra (XXXI. C.9.), ca. 1928-1932, inclusive
General note
Print and neg.
Interior with furniture and a Portrait of a child with a crown [a Polish prince], 1983, inclusive
General note
Stolen from Villa La Pietra 28/29 September 1983. See II.B.3.23.-24.
Interior with furniture and prints, ca. 1928-1932, inclusive
Interior with furniture and prints, ca. 1928-1932, inclusive
Interior, with furniture and prints, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "This is….very decorative. I like this particularly. The little tables are nice".
Interiors, with commode, Chinese figures, vases, and prints, ca. 1928-1932, inclusive
Interior with furniture and a painted screen with a port scene, ca. 1928-1932, inclusive
General note
Print and neg.
Interiors (bedrooms), with furniture, prints, chairs, ca. 1928-1932, inclusive
Interior with a painting of a Madonna and Child, ca. 1928-1932, inclusive
General note
Print and neg.
Interiors with furniture and paintings, ca. 1928-1932, inclusive
Interiors with furniture and paintings, ca. 1928-1932, inclusive
General note
Prints and negs.
Interior with furniture and a statuette of the Madonna and Child, ca. 1928-1932, inclusive
General note
Neg. and 2 prints
Rolls Royce with a chauffeur, ca. 1928-1932, inclusive
General note
Found with the Lancaster Gate photographs above.
Interior with a painting later in Villa Emilia on the estate of Villa La Pietra, ca. 1928-1932, inclusive
General note
See II.C.3.34.231.-120.
Interiors with furniture, paintings, and Burmese bronze kneeling figure, ca. 1928-1932, inclusive
General note
See also oversize, IV.A.4.8. folder 275.-1.-2.
Interiors with furniture, ca. 1928-1932, inclusive
General note
Neg.
Two chairs, 1930, inclusive
General note
Annotated on the verso "5 chairs Empire. Copies in cherrywood. Covered in chintz. 18 inches in front of seat. 32 inches high. £10 each. More could be made - a reduction would be made on a dozen - about £100 for 12." One of these chairs appears in 228. and 246. above. Photo by Wallace Heaton London, no. 25226.
Two chairs, 1930, inclusive
General note
Annotated on the verso "8 chairs modern copies in cherrywood (uncovered£10 each, £75 for the eight. 1ft 3" deep 1ft 6" wide 2ft 10" height at the back 1ft 4" height of seat. More could be made." These chairs appear in 199.-201. above. Photo by Wallace Heaton, London, no. 25224
Chair and table (the table is now in Villa La Pietra, XXVII. E.4.), 1930, inclusive
General note
Annotated on the verso "Small table, 2ft 4 inches high, 18.5 inches diameter. Gilt and Blackwood table. Price £40.top inlaid marble in diamond shaped sections. Date about 1810.
White painted wood chair (original paint) with old brass workand on [jual] cushion. Also shaped cushion for back. Price £15." One of these chairs appears in 141. and 160. above. Photo by Wallace Heaton, London, no. 25228
Subseries E: black-and-white negatives (in sheets and rolls), with their prints made in 2005
1 negatives
Black-and-white negatives, undated, inclusive
General note
For their prints, see II.E.2.,II.E.3.,II.E.4.
2 Villa La Pietra: the gardens
1 . Viale, undated, inclusive
2 . Piazzale, i. Corte, undated, inclusive
2 . Piazzale, ii. Parcheggio (with topiary border), undated, inclusive
3 . Vasche, i. Terrazza, undated, inclusive
General note
#1. taken from a window of Villa La Pietra.
3 . Vasche, ii. Prima Vasca, undated, inclusive
3 . Vasche, iii. Scalone, undated, inclusive
General note
#1.-3. looking towards Villa La Pietra.
#4.-11. looking towards the Peristilio della glicine.
3 . Vasche, iv. Seconda Vasca, undated, inclusive
3 . Vasche, v. Peristilio della glicine, undated, inclusive
4 . Tempietto and Teatrino, i. Tempietto, undated, inclusive
4 . Tempietto and Teatrino, ii. Teatrino, undated, inclusive
5 . Boschetto, i. Vista dell'Arco, undated, inclusive
5 . Boschetto, i. Vista dell'Arco, Statue 9.8., undated, inclusive
5 . Boschetto, iii. Prato ovale, garden urn, undated, inclusive
5 . Boschetto, iv. Vista del Colosso, undated, inclusive
5 . Boschetto, v. Vialone, undated, inclusive
6 . Giardino Topiario, iii. Prato del Cedro, undated, inclusive
7 . Pomario, undated, inclusive
General note
#6.-7. taken from a window of Villa La Pietra.
3 Villa La Pietra: the interior and the Collection
I bis. Ingresso, A.3., undated, inclusive
General note
DIPINTO olio su tela, cornice intagliata e dorata: Ritratto di dama con bambino. h. 108,5 l. 94 Pittore fiorentino del primo '600. Out of focus.
XII. Scalone, Rotonda, undated, inclusive
General note
Image #2. XII. A.42. SCULTURA in marmo bianco: Satiro con otre usata come getto di fontana (in XII. A.23.) h. 95 Bottega toscana del XVII secolo.
XV. Saletta con Grottesche, undated, inclusive
General note
Image #2. detail of the vault.
XIX. Biblioteca, undated, inclusive
XX. Salone, undated, inclusive
XX. Salone, A.10., undated, inclusive
General note
DIPINTO a olio su tela: Ritratto di Maria Teresa d'Austria con cornice ovale di legno intagliato e dorato. h. 120 Martin van Meytens il Giovane (?) XVIII secolo.
XXI. Sala del Caminetto, undated, inclusive
XXVII. Saletta con vedute, undated, inclusive
XXVIII. Corridoio Sud-est A.3., undated, inclusive
General note
DIPINTO a olio su tela con cornice intagliata e dorata: Natura morta. h. 90 l. 60 Carlo Magini, XVIII secolo.
XXXII. Sala da Pranzo, undated, inclusive
XLVIII. Camera dei Genitori, undated, inclusive
LVI. Sala da Studio, undated, inclusive
LXI. Sala da Ballo, undated, inclusive
General note
Images 3.-4. also with LXI. B.1. STATUA in cartapesta e legno policroma: Nudo di donna su base di legno dipinto. h. 184 Scultore toscano (Siena?) del XVI secolo. Partially robed. Image 6. LXI. A.12. BUSTO in marmo bianco scolpito: Figura muliebre a seno scoperto (Virtù?) su base di legno modanato e dorato. h. 95 ca Scultore lombardo (o francese ?) del XVII secolo.
Unidentified room [Villa Sassetti] used as a store for furniture, undated, inclusive
General note
Image 1. also with statue 2.17b. (now in the Giardino Segreto).
See also II.A.9.9.-76. and II.C.5.35.-76a.
Seated wooden statue of the Madonna and Child (perhaps formerly part of the Collection in Villa La Pietra), undated, inclusive
General note
See also II.B.5.26.1. and IV.A.4.8.20.-1.-4.
4 Villa La Pietra: the Estate
Villa Natalia: the gardens, undated, inclusive
General note
3. (double exposure).
Villa Colletta: the gardens with the rose pergola and topiary, undated, inclusive
Series III: Family Albums and Scrapbooks
Subseries A: Family Albums
1. Family Album, 1903-1905, inclusive
General note
This is an extremely important album, beautifully bound in Chinese-style cloth, dating from 1903, the year HMA and AA got married, and going up to January 1905. It documents the summer of 1903 when apparently the couple lived (or stayed, probably with their friends Algar Labouchere Thorold and Theresa Mary Mansel Thorold) at Villa le Fontanelle at Careggi (on the northern outskirts of Firenze) before moving to Villa La Pietra, and several other villas and gardens they visited at that time (including Villa Rimbotti, Firenze, Villa Palmieri, Firenze, Villa Gamba, Settimello outside Firenze) with their friends (including Charles Loeser, Miss Whittaker, Count Carlo Gamba, [Mario Mansa], Morton Mitchell, Mrs [La Shelle] There are some very interesting early prints of the park before the construction of the gardens of La Pietra, as well as the gardens of Villa La Pietra, and the interior of Villa La Pietra. There are also prints of Siena and Pietrasanta, vintage cars, and HA as a baby. At the end of the album are two sketches of AA (one signed "J.M.F." - James Montgomery Flagg) and a clipping with a caricature of him from L'Italie, February 29 1904.
109 prints. The prints are not duplicated elsewhere in the Collection, but a few of HMA have negatives which are filed in I.B.1. (where they are cross-referenced to this album).
Some of the prints are annotated by HMA, usually beneath the photos but also sometimes on the verso. The earliest prints are pasted on the page, but the later ones inserted in slits.
1a. Family Album, 1905-1910, inclusive
General note
A small album bound by Giannini, Firenze, with photographs pasted onto the page, many of them annotated by AA. Of extreme interest as it documents the villa gardens seen by AA as he began work on the gardens of Villa La Pietra. Also includes a photograph of Charles Loeser, who appears in only two other photographs in the Acton Photograph Archive. Some are duplicates of photographs elsewhere in the Acton Photograph Archive, including those of Villa Corsi Guicciardini, Villa Marlia, Villa Bernardini at Saltocchio in the province of Lucca, Villa di Celle, and Villa Collazzi. 65 Photographs. The pages have been numbered by the archivist in pencil.
2. Family Album, 1910-1916, inclusive
General note
A small album with prints mainly of friends of AA and HMA, sometimes taken with the Actons. The friends include Italia and Riccardo de Soriano, Louise Gaylord, Isabelle and Ella O'Connor, Vittorio Bourbon del Monte, Lorenzo Cantagalli, Donna Rosa Scalea, Cora Antinori, David Costantini, Mario Pansa, Count Gherardo Gherardesca (at their villa in the Mugello), Contessa Lizine Rucellai, Valfredo Gherardesca and his mother, Jeanne Piccolellis, Riccardo Fabbricotti, Francesca d'Orsay, Contessa [Valentine] di Robilant, Franco Spalletti, Guy Mitchell (HMA's brother), and Maria Teresa Massari. Some of them show HMA playing golf or at the races in the Cascine in Firenze, and there is also a group at a picnic at Villa Fabbricotti, Firenze. Many are taken in the gardens of Villa La Pietra, some with Australian officers from Gallipoli in the First World War, and there are several of HMA in Red Cross uniform. All the family (AA, HMA, HA, and WA) appear in some of the prints.
43 prints. Some have negatives in I.A.3., I.A.4., I.B.1 and 1.B.2. Many of them are annotated by HMA. There is just one print each page, and all of them are pasted onto the page.
3. Family Album, 1915-1918, inclusive
General note
This album may have belonged to WA. Many of the prints were probably taken by WA with a simple Kodak. There are some of WA as a boy, also with HMA, and of the family (AA, HMA, and HA), Guy Mitchell, and a family trip to Capri, and friends such as Cora Antinori and Rosa Scalea, Garvin Thomas (from Paris), and Francesca d'Orsay. There is a print of AA, HMA and HA in front of the Tempietto in the gardens of Villa La Pietra. Also of the family pets, and, strangely, people in a Japanese interior. 48 prints. Many of the prints are duplicates of prints in I.A.4., I.B.1., I.C.2. The album has no annotations. They are all pasted onto the page and are mostly rather poor quality and some are damaged. There are many blank pages, and then at the end there are pages of 'cut-outs' of line drawings [of the 1920s] mainly of women, some of them signed and dated, pasted on to the pages.
4. Family Album: officers at Villa La Pietra, 1915-1918, inclusive
General note
The first five pages bear the signatures of numerous officers from Britain and the US (with their rank and regiment) dating from 4 January 1915; from 25 January - 3 March 1916; and from 18 February - 8 June 1918. There are also two comments: "October 21st 1918 will be the greatest day in the history of the World" and "The war will end on October 24th 1918". After numerous blank pages, the last 17 pages bear photographs of officers at La Pietra (some with their horses), many of them taken in the gardens of Villa La Pietra, and some with HMA, AA, HA and WA, as well as Florentine friends (including Cora Antinori, Cantagalli, Salimbene, Thomas, 'Miss Ogilvy' [probably Princess Daria Kara-Georgevitch of Serbia, since this is the duplicate of a print with its negative filed in I.A.4. dated October 11 1915, where the lady is identified as such], Mrs Burton, Mrs Ballerille, Contessa d'Orsay, Bourbon del Monte, and Contessa Fabbricotti.
There are also prints taken at the Villa di Camugliano (Pontedera, province of Pisa, with the owner Marchese Niccolini), and at Camaldoli (province of Arezzo), with Mlle. Serristori and Mlle. De Piccolellis. The views of the gardens of Villa La Pietra include the Pomario, Scalone, Terrazza, Prato Ovale, and Giardino Segreto.
45 prints. Some of the prints are duplicates of those in I.A.4. All the photographs are pasted onto the page, and some are annotated by HMA. The album has particularly fine paper and is a 'Goldoni Book' as used in the Gordon Craig School for the Art of the Theatre, procurable only from The Mask Publishers, Arena Goldoni, Firenze.
5. Family Album, 1919, inclusive
General note
This is a small album which belonged to Harold Acton of photographs taken at Eton in 1919. They include prints of HA at Eton: in his Eton tails, his rooms, Etonian friends (including 'R.O.S'.), and exteriors of the College. Also prints of Miss Constable and WA.
29 prints. Some of the prints, which are pasted onto the page, are annotated in white ink by HA. The album has many blank pages and some loose photos, and some clippings.
At the end of the album are two (loose) clippings, one from the New York Times - European edition, Paris, Sunday November 18, 1917, recording the death of Rodin (with reports from the campaigns in Palestine and Italy in the First World War on the verso).
6. Family Album, 1920-1922, inclusive
General note
This is a small album which belonged to Harold Acton. It contains prints of the gardens of Villa La Pietra (including the Giardino Segreto and Seconda Vasca. A grape harvest (vendemmia) in September 1910 at Villa La Pietra, and of friends in Firenze April 1921. Prints of Magnolia, Massachusetts, US 1921 include HA, HMA and WA, and a family group also with AA and 'Grannie' (Sarah Jewett, mother of HMA) at Baldpate Inn, near Magnolia, Mass. US, and views of Lee Cottage, near Magnolia, Mass. US. Prints of "Mr Crane's Garden, Ipswich USA" Sept 1921 (HMA's close childhood friend Florence Higinbotham married Richard Crane and they lived at Castle Hill, near Ipswich, Mass, US.
There are also prints of the Villa Pisani at Strà (Venezia) and of Venezia in September 1922, and some taken in Rosatch St Moritz (in HA's diary of August 1920 he mentions that he took some photos of Miss Rammage and Princess Daria on the Rosatch glacier. This is presumably the daughter or grand-daughter of Princess Daria Kara-Georgevitch, a friend of HMA and AA, often photographed at La Pietra during the First World War.
44 prints and 11 negatives. The album includes some loose photos and negatives, all with prints in this album.
The album was made by Giannini in Florence. Every page is annotated by HA, giving the location and date, but the people are not identified.
7. Album of theatricals in the gardens of Villa La Pietra in June, 1927, inclusive
General note
The prints are of actors, alone and in groups, in the gardens of Villa La Pietra. There are also prints of the staff behind a table serving drinks at a reception in the Giardino Topario, and one of the seated guests including HMA beside Queen Sophie and her youngest daughter and governess in the front row (5th, 6th, 7th and 8th from left they are identified in another photo in Series I.B.2., annotated by HMA for HA. There are prints of the play taking place in the Teatrino, and of the actors in other parts of the garden including the Scalone, the Vasche, and the Tempietto. 42 prints. This consists of two groups of pages, without external bindings, with the prints pasted on the pages, and without annotations.
8. Album of La Pietra estate, Honolulu, 1965, inclusive
General note
This is an album with a plastic binding presented to HA by Robert E. Van Dyke of Honolulu, Hawaii: "These pictures were taken in August of 1965. The house was willed to Punahou School and the contents to the Honolulu Academy of Arts. After picking out about twenty items the contents were sold in a week long auction for a little over $100,000.00 in September 1965." (Walter Dillingham died 1963 and his wife Louise Gaylord Dillingham in 1964.
It has a short description of the meeting of Walter and Louise in November 1909 and their wedding at Villa La Pietra in Florence on May 2 1910, with a copy of a cablegram to Honolulu "married. love to absent ones. Louise Walter." Then a photo of their wedding party at Villa La Pietra with HA and WA as pages (other photos of the wedding are in I.C.2. and I.B.4.) and 7 prints (duplicates of prints in Series II.A.3 etc.) of the gardens of Villa La Pietra. There are 7 prints of the exterior of Villa La Pietra in Honolulu: "The years pass and in far off Honolulu, another La Pietra is born which becomes the social center of Hawaii" and then 9 prints of the interior, one with a scrap of paper: "cable sent about these pieces 2 matched urn stands from your home." There are other prints of La Pietra in Honolulu in V.B.4. A total of 24 prints.
9. Family Album, 1965-1966, inclusive
General note
This is a leather-bound album with black pages, with Color snapshots dated 1965 and 1966, of HA and Alexander Zielcke at Villa La Pietra and on trips in France and Spain. Prints of landscapes in Spain (and a bull-fight), and of France (Chateau La Rochepot) and the gardens of Villa La Pietra (Pomario and Terrazza, Teatrino,Vasche, Vista del Colosso, Prato Ovale, Piazzale, Pergola delle Rose).
38 prints. The photos are not pasted onto the page but have annotations by Alexander Zielcke in white ink in French (mostly just the dates). Many photos are missing (some on pages with annotations), others are loose, and there are many blank pages. It is an incomplete album with photos inserted into the pages at random.
9a. Family Album, 1987, inclusive
General note
This is a leather-bound album presented to HA, with a dedication: "For Sir Harold Acton on his 83rd birthday with warm regards and deep appreciation for his hospitality and friendship from John Bradamas, President, New York University, La Pietra July 5, 1987". It contains Color photographs of HA in the interior of Villa La Pietra (including the Sala del Crocifisso) and in the gardens of Villa La Pietra. It was found in his bedroom. The pages have been annotated by the archivist in pencil:
Group photograph with HA, Mary Ellen Bradamas, John Bradamas, the Chinese film maker Shirley Sun, J. Carter Brown, Director of the National Gallery of Washington (in the back row [the film crew]), 1987, inclusive
HA receiving the Bobst award from John Bradamas, 1987, inclusive
HA with Michael Mallon and Joan Haslip (Dino in the background serving drinks), 1987, inclusive
HA with [a member of the film crew], 1987, inclusive
HA with Shirley Sun and [a member of the film crew], 1987, inclusive
Shirley Sun with [two members of the film crew], 1987, inclusive
HA, Shirley Sun, John Bradamas, J. Carter Brown (in the back row [the film crew]), 1987, inclusive
HA with J. Carter Brown and John Bradamas in the Sala del Crocifisso, Villa La Pietra, 1987, inclusive
HA with J. Carter Brown in the Sala del Crocifisso, Villa La Pietra, 1987, inclusive
HA with J. Carter Brown, 1987, inclusive
HA with J. Carter Brown being filmed in the gardens of Villa La Pietra by Shirley Sun and other members of the film crew, 1987, inclusive
HA with J. Carter Brown in the gardens of Villa La Pietra (il Tempietto), 1987, inclusive
HA with J. Carter Brown and John Bradamas at the entrance to Villa La Pietra, 1987, inclusive
HA with Alexander Zielcke, Shirley Sun and photographer watching the film, 1987, inclusive
10 Arthur Acton's family ancestors
General note
This was a grand leather-bound album, but the photos have been extracted for conservation reasons. The (loose) note found in the album by HA has been kept with the photos, as it appears to have attempted to identify some of the Acton ancestors but since there were no page numbers and there were numerous loose photos also, his numerical sequence is hard to follow (and his hand-writing is - unusually - difficult to decipherThey have been kept in the order in which they were found, but this does not seem to be chronological. Most of the photographs are carte de visite or cabinet card photos and date from the 19th century, and a few from the very first years of the 20th century.
[Marie] Acton, cabinet card photo by King, Southsea (GB), undated, inclusive
Roger Acton (AA's father), cabinet card photo by Fratelli Vianelli, Venezia, undated, inclusive
[Gablenz], cabinet card photo by Montabone, Napoli, undated, inclusive
[Marie] Acton, cabinet card photo by Hills and Saunders, York (GB), undated, inclusive
[Marie Acton] with a child, carte de visite, undated, inclusive
Francesco Acton, carte de visite by Alinari, Firenze, undated, inclusive
General note
Annotated on the verso.
Lady, cabinet card photo by L. Suscipj, Roma, undated, inclusive
Lady, cabinet card photo by H.Le Lieure, Roma, undated, inclusive
Man, undated, inclusive
Man with side whiskers and heavily decorated with medals, cabinet card photo by H.Le Lieure, Roma, undated, inclusive
Man, cabinet card photo by Fratelli Vianelli, Venezia, undated, inclusive
Man, with a dedication on the recto, cabinet card photo by Avati, Napoli, undated, inclusive
Lady with doves, undated, inclusive
General note
Cabinet card photo by Erich Sellin, Berlin, with an annotation on the verso.
Lady, cabinet card photo by Avati, Napoli, undated, inclusive
Lady, cabinet card photo by H.Le Lieure, Roma, undated, inclusive
Boys, photo by Studio Vailati, Spezia, undated, inclusive
Man and a lady, cabinet card photos by Ganzini, Milano, undated, inclusive
A couple, 1907, inclusive
General note
Dated on the recto.
Boy, carte de visite,, undated, inclusive
General note
Annotated 'Edoardo' on the recto, and stamped 'Fotografia Nazionale per G. Sigismondo Guantai Vecchi No. 31' on the verso.
Lady, carte de visite, photo by Fratelli Russo, Napoli, undated, inclusive
Man, carte de visite by R.C. May, London, undated, inclusive
Man, carte de visite by Carlo Fratacci, Napoli, undated, inclusive
Ammiraglio Guglielmo Acton, carte de visite by E. Garreaud, Lima, undated, inclusive
Ammiraglio Guglielmo Acton, carte de visite (duplicate of 24. above), photo by J. Negretti, Lima (successor of Garreaud), undated, inclusive
Lady, photo by Fratelli Russo, Napoli, undated, inclusive
Man, carte de visite, undated, inclusive
General note
Stamped 'Fotografia Cabli' on the verso.
[Roger Acton], carte de visite, undated, inclusive
Man, carte de visite by GB Sciutto, Genova, undated, inclusive
General note
Annotated on the verso [E.Acton].
Man, undated, inclusive
Lady, carte de visite by Dupont, Bruxelles, undated, inclusive
Boy, carte de visite by Pompeiana, Napoli, undated, inclusive
Lady, carte de visite, undated, inclusive
Man, undated, inclusive
General note
Annotated on the recto 'M. Minghetti', carte de visite by Disdéri, Paris (Disdéri invented the carte de visite).
Man, carte de visite by Carlo Fratacci, Napoli, undated, inclusive
Man, carte de visite by Fratelli Vianelli, Venezia, undated, inclusive
Two men, carte de visite by Alphonse Bernoud (Firenze, Livorno, Napoli), undated, inclusive
Boy, carte de visite, photo by G. Popovich, Spalato, Dalmazia, undated, inclusive
Man with side whiskers and medals, undated, inclusive
General note
See 10. above, carte de visite by E. Le Jeune, Napoli.
Man, undated, inclusive
Man, undated, inclusive
General note
Duplicate of #23 above, carte de visite by Carlo Fratacci, Napoli.
Lady, carte de visite by R.C. May, London, undated, inclusive
Lady, carte de visite by Grillet, Napoli, undated, inclusive
Man with side whiskers and medals, undated, inclusive
General note
See #10 and #39 above, carte de visite by Grillet, Napoli.
Lady, photo by H.Le Lieure, Roma, undated, inclusive
Lady, carte de visite by Fratelli Vianelli, Venezia, undated, inclusive
Man, carte de visite, 1872, inclusive
General note
Annotated on the verso 'Palermo, 24 maggio '72'.
Lady, carte de visite, undated, inclusive
Boy, undated, inclusive
General note
See #38 above, carte de visite by Edoardo Gallicy, Spalato, Dalmazia.
Two girls, carte de visite by Achille Mauri, Napoli, undated, inclusive
Boy, carte de visite by Arturo Bonavia, Spalato, Dalmazia, undated, inclusive
Painting of a lady and her daughter, photo by S.A. Walker, London, undated, inclusive
Lady, ca. 1891, inclusive
General note
Cabinet card photo by Ledru Mauro, Messina, annotated on the verso 'Il carissimo zio Eduardo da […] il 12 ottobre [1891].
Lady, cabinet card photo by Bettini, Livorno, undated, inclusive
Lady, cabinet card photo by Fratelli Toppo, Napoli, undated, inclusive
Boy, 1912, inclusive
General note
Annotated 'Ferdinando 1912' on the recto, photo by Fratelli Toppo, Napoli.
Lady, undated, inclusive
General note
With a photographer's embossed stamp on the recto.
Lady, undated, inclusive
General note
Signed on the recto.
Girl, ca. 1900s, inclusive
Man, 1881, inclusive
General note
Signed on the verso 'Paolo di [Lampedusa], Nuova York 7 apr. 81'.
Subseries B: Baby Books
Harold Acton, ca. 1904-1918, inclusive
General note
The album with illustrations by Maud Humphrey, was printed in New York in 1898. It covers the period 1904-1918. It is very full (94 pages) of photographs (131 prints) mostly pasted on to the page, but sometimes loose, of HA as a baby and child often with his parents HMA and AA and his brother WA. It also has prints of the gardens of Villa La Pietra (Piazzale and Pomario), and of the interior of Villa La Pietra (the nursery). It includes his first 'letters' and drawings, and is also a scrapbook with clippings and keepsakes. It contains two copies of HA's baptismal certificate dated June 25th 1905 (Arthur Harold Mitchell, son of Arthur Mario and Hortense Lenore Mitchell of Villa Incontri, Florence, signed by the British Chaplain at Florence, Knollys. His nurses including Nurse d'Alton, and his 'balia' (wet-nurse) Ester Tonozzi, Nurse Winters, Mrs Goodbau, Frau Farnbacher, and Sarah Coleridge are photographed and named. Family trips to Germany, France and Switzerland are documented.
His trip to America in 1906 (to Green Gables, Geneva Lake, and Chicago) is well recorded with prints of his relations Kathleen Sheriff, Clarence and Louise Mitchell, Rothwell Sheriff and Neath Stevens, Fritz Jewett, and the Cabin passenger list of the 'Kaiser Wilhelm II' September 18 1906.
In 1906 he is photographed with Edward Neville at Villa La Pietra. In 1907 "mother was ill in America and Harold went to Mrs Labouchere's tree - Mrs Dodge's where he saw Father Xmas, to Lady Paget's and to Mrs McCalmont's at Villa Medici and his mother has had many complements on his behaviour and good manners." In February 1909 HA dressed as a Spanish bull fighter and WA as Pierrot went to Mrs Labouchere's fancy- dress ball. A clipping of 1911 describes a Christmas party for Anglo-American children given by Miss Penrose at the English School, mentioning Master Harold Acton, and numerous contemporaries including Master Bindon Blood, Berthe, Sebastiano and Francesca Braggiotti. There are prints of HA and WA in their costumes for the fancy-dress ball at the Braggiotti on 18th Feb 1912. There is a list in HA's hand of acceptances to a party he gave on 31 December 1913: "Iris Cutting, Marie-Lou Bourbon del Monte, Franca Antinori, [Elriyth] Arbuthnot, Nini, Mondo and Olga Robilon[t], three Fabbricotti, 5 Harach [or Harrach], 2 De Ritter, and 'Jackson baby'." An incomplete clipping [1914] reports that "Mr and Mrs Arthur Acton had a beautiful Christmas tree for children". A third clipping reports Lady Sybil Cutting's Cotillion for children at Villa Medici. With Master's (sic.) H. and WA Acton as Louis XV pages. Also present Miss Iris Cutting, S.na Rucellai, Signorina Bourbon del Monte, and others.
Friends and relations of HA mentioned or photographed include: Mrs Hayden Bates, Mrs R.J. Crane, jr., Maud Buckingham, and his Mitchell relations, Auntie Stevens, Aunt Italia Blair (really his cousin), Aunt Mollie Blair, Aunt Marguerite, and Mrs John Mitchell (really his aunt) - these all shown in the list of gifts to baby Harold . Also Lady Enniskillen (who suggested it was good for him to 'creep' [crawl]), Cornelia and Isabelle O'Connor, and Mrs Brough (or Boyd).
There is a print of Wixenford, Wokingham, HA's school, captioned 'Sept 1912: home from Xmas 1914-Easter 1915', and a postcard of Ashlawn, Benenden Kent 1917-18 (annotated on verso by HA 'I have made a mark with ink beside my dormitory window').
Towards the end of the album are pressed flowers "from Grandfather's casket -Chicago, March 12th, 1916".
The prints are sometimes duplicates of prints in I.C.1. (or sometimes prints of negatives in I.C.1.), but most of them are not duplicated elsewhere in the Collection. The annotations are all by HMA. The prints are pasted onto the pages.
William Acton, 1907-1917, inclusive
General note
The album was printed in New York 1905 and is in good condition, a gift from WA's grandmother. The period covered is 1907-1917. 108 prints. Numerous prints include HMA and HA. There are prints of the gardens of Villa La Pietra (including the Vasche) and the interior of Villa La Pietra (the day nursery). It includes WA's first 'letters' and drawings, and is also a scrapbook.
WA's birth at 2004 Calumet Avenue in Chicago is recorded on 16 August 1906, and his first few weeks in the US with a visit to his grandfather at Green Gables Lake Geneva, and the trip from New York on 18 September 1906 to Cherbourg (arriving 24th) and from there to Paris and by train to Firenze via Milano and Bologna.
'Baby's Gifts' include "$5000 from Grandfather" and others from Grandmother, Aunt Bess Adams, Mme. Costantini, Louise Bates, Auntie Stevens, Aunt Marguerite, and Louise Gaylord. A certificate from the British Chaplain at Florence records his christening by the Rev. A.A. Knollys on 29 April 1907.
Other people photographed include Kathleen Sheriff, Mrs [or Miss] Boyd and Ella and Isabella O'Connor.
There are two prints of HA as a Toreador and WA as Pierrot and a clipping reporting the costume ball held on January 9 1909 for children at the Villa Christina, the home of Mr Henry Labouchere, mentioning the Acton children as among the guests.
WA and HA are also photographed in the gardens of Villa La Pietra 18 February 1912 as 'Turks' for the Braggiotti children's fancy-dress ball.
There are prints of his schools: Wixenford in Wokingham, annotated Sept 1915 to Easter 1916, and Chateau de Lancy, Sept 1916-July 1917.
There are dried flowers "from Grandfather's casket, March 12th 1910, Chicago".
Some of the prints are duplicates or in the same series as those in I.C.1., I.C.2. and in I.D.1.The photos are all pasted onto the pages and annotated by HMA, but put together with less care than those in HA's baby book, and often there are photos in the same series not on consecutive pages.
Subseries C: Albums of Places and Art work
1. Veronese frescoes at Villa Maser, taken by C. Naya, 1873, inclusive
General note
This is a large album of 59 loose mounted photographs captioned: "affreschi di Paolo Veronese a Maser presso Treviso (N. 1530 + 1588) - Riproduzione tratta dall'originale di C. Naya fotografo di S.M. il Re d'Italia - Venezia Agosto 187".These are the famous frescoes by Paolo Veronese (1530-1588) at Villa Maser, near Treviso, and the photographer, C. Naya, was a very well-known professional photographer of Venezia, photographer to the King of Italy. They are dated August 1873. The captions are all identical so that the subject matter of the fresco and the room have not been specified.
The album and mounts are in poor condition, with signs of mould and bevelling.
Villa Maser was acquired by Count Giuseppe Volpi in 1935 for his daughter Marina, who in 1945 married Conte Enrico Luling Buschetti. Her sister was Anna Maria Luling (Cicogna). Volpi became governor of Tripoli. HA visited the family both at Maser and in Tripoli, so this album may have been given to him (or bought by him) because of his connections with Maser.
2. 'Italia' circa 1870, ca. 1870, inclusive
General note
A large, handsomely bound album entitled on the outside cover 'Italia', and probably dating from the 1870s. Professional photos, pasted on to the pages, mostly with captions incorporated. Includes some photos by the important Italian photographer G. Sommer of Napoli (and also, probably, some by Alinari). 96 prints.
Places include: Genova (the cemetery - Camposanto - with details of the tombs), Pisa, Napoli, Vesuvio (with the funicular), Pompeii, Tivoli, Roma (including views of the Forum and famous sculptures in the Musei Vaticani and Musei Capitolini), Firenze (exteriors including views of San Miniato before the Viale dei Colle was built in 1865-70, and Piazzale Michelangelo just built (1875), and some artwork), Milano (exteriors, some art work, and the cemetery).
3. Album belonging to Hortense Mitchell, September, ca. 1888, inclusive
General note
A large leather-bound album inscribed on the inside cover "Hortense Lanore Mitchell Sept. 1888".
Professional photos, pasted on to the pages, mostly with captions incorporated, but some annotated by hand. 116 prints.
Prints of places (mostly exteriors) but also some interiors and a few art works. Places include GB: Scotland, York, Warwick, Stratford on Avon, London (including interiors of Westminster Abbey), Paris, Fontainebleau, Brussels, Antwerp, Cologne, and Heidelberg.
4. Album belonging to Hortense Mitchell September, 1890, inclusive
General note
A large leather-bound album made in Chicago inscribed on the inside cover: "Hortense Lanore Mitchell Sept 1890".
The binding is identical to III.C.7., III.C.8., and II.C.9., and it bears no. 20 on the spine.
Professional photos, pasted on to the pages, mostly with captions incorporated, but some annotated by hand. 100 prints.
Some are Brogi and perhaps Alinari photos, and there are a conspicuous number by the important Italian photographer G. Sommer of Napoli, including mountain scenes. Places (mostly exteriors) but also interiors and statues include: Britain (Chatsworth, Canterbury, Cambridge, Oxford) France (Paris, Petit Trianon, St Cloud), Geneva, Chamounix, Mt Blanc, Lucerne, the Matterhorn, Berne, Lago Maggiore (Isola Bella), Milano, Innsbruck, St Petersburg.
5. Album belonging to Marguerite Mitchell, 1891, inclusive
General note
A small leather-bound album made in London inscribed on the inside cover "Marguerite Mitchell 1891". (Marguerite, later Mrs Andrew Sheriff, was Hortense Mitchell Acton's sister).Behind each photo, which is only half pasted onto the page, the subject is annotated on the page, and also given a number. It contains professional photos of sculpture from the Assyrian and classical period to the Renaissance and neoclassical period. 70 prints.
6. Album belonging to Marguerite Mitchell, 1891, inclusive
General note
A small album made in London (which matches no. III.C.5) inscribed: "Marguerite Mitchell 1891". Behind each photo, which is only half-pasted onto the page, the subject is annotated on the page, and also given a number. It contains professional photographs of places including: Egyptian temples and reliefs, Luxor, Palmyra, Baalbek, Delhi, Athens, Roma (some of these are Alinari photos), Pompeii (some photos by G. Sommer, Napoli), Ravenna, Constantinople, the Alhambra, India (Benares, Delhi), castles in Germany (including Heidelburg), Amiens, Strasbourg, Cologne, Nurenburg, Berlin, Versailles, Rheims, and GB: London, Windsor, Canterbury, the cathedrals of Salisbury, Wells and Norwich, and Melrose Abbey.
Towards the end of the album there are some blank pages then photographs of sculpture on the last pages. 161 prints.
7. Album made in Chicago, 1892, inclusive
General note
A large leather-bound album bearing the number 19 on the spine, made in Chicago in 1892 (the binding is identical to III.C.8. and III.C.9. The large professional photos, some of them annotated, are pasted on to the page. Some of them are by G. Sommer of Napoli. They are of exteriors in Europe, including Frankfurt, Munich, Bern, Budapest, Berlin, Vienna, Nurenburg, and Marseilles. There are also genre scenes of Algerian women and musicians. 56 prints.
8. Album made in Chicago, ca. 1892, inclusive
General note
A large leather-bound album bearing the number 19 on the spine, made in Chicago, but undated, probably around 1892 (the binding is identical to III.C.7. and III.C.9. The professional photos are pasted on to the page without annotations, but some have captions incorporated into the photo on the recto. The subjects are works of art in various museums including the Louvre, Versailles, and Luxembourg, and they range in date from Guido Reni to Amy Scheffer. 92 prints.
9. Album made in Chicago, ca. 1892, inclusive
General note
A large leather-bound album bearing the number 19 on the spine, probably made in Chicago and dating from around 1892 (the binding is identical to III.C.7. and III.C.8. The professional photos are pasted on to the page, some with captions incorporated, and others annotated. Some of them are Brogi prints. The subjects are places (mostly exteriors but a few interiors), statues, gardens, and artwork. Places include Dresden (with some market scenes), Meissen, Berlin, Potsdam, Frankfurt, and the artwork is in the Hermitage, St Petersburg and in the Brera, Milano. The last pages have sentimental genre scenes by contemporary painters. 70 prints.
10. Album belonging to Harold Acton, 1911, inclusive
General note
A small bound album inscribed on the inside cover: "Harold Acton, 1911". Professional photographs of works of art, all of them annotated with the name of the artist and the title of the work, and sometimes its location. These include famous works from the 14th century up to the late 19th century many of them in Firenze, Roma and the rest of Italy as well as museums all over Europe. In the middle of the book is a postcard photo of 8 children who may be the Braggiotti who were childhood friends of HA's (printed on the recto: "Teatro Niccolini, recita di benificenza, 3 aprile 1913)". (Niccolini Theatre (in Florence): charity performance, 3 April 1913. 210 prints.
11. Album belonging to William Acton, 1912, inclusive
General note
A small bound album which matches album III.C.10, inscribed on the inside cover "William Acton, 1912". Professional photographs of contemporary or late 19th-century paintings, all of them annotated. Many of the artists are nowadays little known. 95 prints.
12 Album (empty) of Guy Mitchell's Villa Passerini, 1908, inclusive
General note
A very fine leather-bound album, with HMA's bookplate, and annotated on the inside cover: "Villa Passerini - owned by Guy Mitchell and restored". The villa was bought by Guy in 1908 and sold in 1929.
This is now an empty album (with photocopies inserted into some of the pages
13. Album (empty) of Villa La Pietra Gardens, around, 1930, inclusive
General note
A small album labelled on the outside cover "Il Giardino La Pietra". But now empty (the photographs formerly here were apparently taken by Gebruder [or Gebrucher] Mertens, Zurich c. 1930.
Series IV: Works of Art
Subseries A
General note
This series is currently being processed and is unavailable for consultation.
Subseries B: Art objects (with locations)
1 Paintings, drawings and prints, i. Italy
Bergamo, S. Grata Borramini, P.V., Macabre scenes (exhibited 1922), undated, inclusive
General note
Photo Alinari 45325.
Caso (Spoleto), S. Cristina (present whereabouts unknown) [13th-14th century] painted Cross, undated, inclusive
General note
Photo Anderson 5952.
Chiusdino (Siena Sassetta), Madonna and Child (detail), undated, inclusive
General note
Photo Anderson 21801.
Empoli (Firenze), Ponte a Elsa, chiesa del Canneto, Neri di Bicci, Madonna and Child enthroned with four Saints, undated, inclusive
General note
Annotated on the verso Photo Reali 227.
Fiesole (Firenze), Duomo, [Bicci di Lorenzo], Triptych of the Madonna and Child enthroned with angels and Saints., undated, inclusive
General note
Photo Reali, ed. Brogi 7758.
Fiesole (Firenze), S. Ansano (now Museo Bandini, Fiesole), School of Taddeo Gaddi, Madonna and Child with four Saints, undated, inclusive
General note
Photo Reali, [Brogi] 7744.
Figline Valdarno (Firenze), Collegiata di Santa Maria, Master of Figline (Master of the Fogg Pietà), Madonna enthroned with Saints, undated, inclusive
General note
Annotated on the verso "Chiesa della Misericordia di Figline -Valdarno" Photo Reali 207.
Figline Valdarno (Firenze), Giovanni del Biondo, Madonna and Child, undated, inclusive
General note
Annotated on the verso "Chiesa della Misericordia di Figline - Valdarno. Giovanni del Biondo" Photo Reali 155.
Firenze, Galleria dell'Accademia, Pacino di Buonaguida, two details of his Albero della Vita, undated, inclusive
General note
Photo Brogi 19997. (captioned "Firenze, Antica e Moderna")
Firenze [Galleria dell'Accademia], [Lorenzo di Bicci], triptych of the Madonna enthroned with four Saints, undated, inclusive
General note
Photo Reali, ed. Brogi 2496. (captioned "Accademia di Belle Arti")
Firenze [Galleria degli Uffizi], Baciccio (Giovanni Battista Gaulli), Portrait of Cardinal Leopoldo de' Medici, undated, inclusive
General note
Photo Brogi 19007.
Firenze, Galleria degli Uffizi Bassano, Iacopo, Self portrait with his family, undated, inclusive
General note
Photo Reali, ed. Alinari P.2. 900
Firenze, Galleria degli Uffizi Botticelli, detail of the Primavera (Flora), undated, inclusive
General note
Photo print Alinari 1460.
Firenze, Galleria degli Uffizi Boucher, Francesco, Christ Child and the young St John, undated, inclusive
General note
Photo captioned #2172.
Firenze, Galleria degli Uffizi, Allori, Alessandro, Portrait of Bianca Cappello (fresco), undated, inclusive
General note
Photo captioned #2259. and attributed to Angiolo Bronzino.
Firenze, Galleria degli Uffizi Duccio di Buoninsegna, Maestà (formerly in Santa Maria Novella), undated, inclusive
General note
Photo print Alinari 4020. Captioned Santa Maria Novella and attributed to Cimabue.
Firenze, Galleria degli Uffizi [Giorgione], a knight with his page ('Gattamelata'), undated, inclusive
General note
Photo Brogi 2187.
Firenze, Galleria degli Uffizi Longhi, Pietro, Portrait of a Venetian lady, undated, inclusive
General note
Photo Alinari 31156.
Firenze, Galleria degli Uffizi Lorenzo Monaco, details of the predella of the Coronation of the Virgin, undated, inclusive
General note
Annotated on the verso Photo Reali 75., 76., 77., 78.
Firenze, Galleria degli Uffizi Perugino, Madonna enthroned with two Saints, undated, inclusive
General note
Photo print Alinari 1047.
Firenze, Galleria degli Uffizi, Antonio del Pollaiolo, Portrait of a man, undated, inclusive
General note
Annotated on the verso "Presumed portrait of Orsino di Jacopo Lanfredi, b. about 1442 died after 1475. Uffizi Gallery no. 30bis. - variously ascribed to Antonio and Piero del Pollaiuolo - but the latter by authorities - Bode, [Reinach], Cruttwell etc." Photo Reali, ed. Alinari P.2. 894
Galleria degli Uffizi, Firenze Salvator Rosa, Self portrait, undated, inclusive
General note
Photo Reali, ed. Brogi 2644.
Firenze, Galleria degli Uffizi Tiziano, Madonna and Child with the young St John and St Anthony Abbot (detail), undated, inclusive
General note
Photo print by Alinari 1071.
Firenze, Galleria degli Uffizi Vasari, Giorgio, Portrait of Alessandro de' Medici, undated, inclusive
General note
Photo Brogi 17696.
Firenze, Galleria degli Uffizi Verrocchio, details of the Baptism of Christ, undated, inclusive
General note
#1. Photo Reali, ed. Alinari P.2.1660.
#2. Photo captioned 2275., and on the recto stamped Giuseppina Novelli, Firenze.
[Firenze, Galleria degli Uffizi] [12th century] Madonna and Child, undated, inclusive
General note
Photo Alinari 30502.
[Firenze, Galleria degli Uffizi] Byzantine master, Madonna and Child with angels, undated, inclusive
General note
Photo Alinari 30501.
[Firenze, Galleria degli Uffizi] [12th century master], details of a Passion cycle (the Way to Calvary and the Maries at the tomb), undated, inclusive
General note
Photo Brogi 19987. and 19984.
Firenze, Galleria degli Uffizi [14th-15th century master], Madonna of Humility (with angels), undated, inclusive
General note
Photo Reali 6684.
[Firenze, Galleria degli Uffizi] [14th-15th century master], Madonna and Child with two Saints, undated, inclusive
General note
Photo Reali 224., captioned "Segreteria della Galleria Antica e Moderna".
Firenze, formerly Museo di Firenze com'era Utens, Giusto, lunette of the Medici Villa La Peggio (Lapeggio), undated, inclusive
General note
Photo of the Soprintendenza di Firenze, 6811. All 14 lunettes of the Medici Villas by Utens have been exhibited since 2013 at the Villa della Petraia, Florence.
Firenze, [Museo Nazionale del Bargello] [15th century master], detail of a Madonna and Child, undated, inclusive
General note
Photo Reali 183. Annotated on the verso with the location.
Firenze, Museo di San Marco Fra' Angelico, Madonna and Child (Tabernacolo dei Linaiuoli), undated, inclusive
General note
Alinari photo print 647., captioned Galleria degli Uffizi.
Firenze, Palazzo Pitti Sustermans (Suttermans), Giusto, undated, inclusive
General note
1. Holy Family. Photo Reali, ed. Brogi 7934.
2. detail of the portrait of the son of Frederick III, King of Denmark. Photo Brogi 7933.
Firenze, Palazzo Vecchio Stradano, details of ceilings in the Quartiere di Eleonora, undated, inclusive
General note
Photos Alinari 16985. and 16988.
Firenze, Palazzo Vecchio Vasari, Giorgio, detail of the walls of the Sala di Giovanni delle Bande Nere in the Quartiere di Leone X, with a portrait of Caterina Sforza, undated, inclusive
General note
Photo Alinari 16974.
Firenze, Galleria degli Uffizi Giotto, Dossal with Madonna and Child and four Saints (Badia polyptych), undated, inclusive
General note
Photo Reali 175. Annotated on the verso 'Firenze, chiesa di S. Croce, Ignoto del sec. XV or scuola di Giotto.".
Firenze, San Giorgio sulla costa (now Museo Diocesano d'Arte Sacra, Santo Stefano al Ponte) Giotto, Madonna and Child enthroned, undated, inclusive
General note
Photo Brogi 19959.
Firenze, S. Leonardo in Arcetri Lorenzo di Niccolò (or Lorenzo di Bicci), Madonna and Child, undated, inclusive
General note
Annotated on the verso. Photo Reali 121.
[Firenze, S. Lucia dei Magnoli] Lippi, Filippo, two panels of an Annunciation, undated, inclusive
General note
Annotated on the verso. Photo Reali 103.
Firenze [S. Maria del Carmine] [15th century master], Polyptych with the Madonna and Child enthroned with angels and four saints, undated, inclusive
General note
Annotated on the verso. Photo Reali 153.
[13th-century master] St Margaret and scenes from her life undated [13th-14th-century master] Madonna and Child enthroned, undated, inclusive
General note
1.-3.[13th century master].
St Margaret and scenes from her life, and details, undated, inclusive
Firenze, S. Niccolò sopr'Arno Bicci di Lorenzo, Madonna and Child with six saints, undated, inclusive
General note
Annotated on the verso. Photo Reali 44.
Firenze, S. Spirito Raffaellino del Garbo, Trinity and Saints, undated, inclusive
Firenze, S. Spirito Maso di Banco, Mary Magdalen, S. Andrea, S. Julian, and S. Catherine of Alexandria, undated, inclusive
General note
Annotated on the verso "Ignoto, sec. XV". Photo Reali 174.
Firenze, [chiesa di Soffiano], (now Signano, Scandicci, S. Giusto) Daddi, Bernardo, Madonna enthroned with four Saints, undated, inclusive
General note
Annotated on the verso. Photo Reali 89.
Firenze, [tabernacle in Via Michelangiolo] Gaddi, Agnolo, Madonna and Child with two Saints and a donor, undated, inclusive
General note
Photo Alinari 31053.
[Grosseto, Duomo] Byzantine master, Last Judgement, undated, inclusive
General note
Annotated on the verso and Numbered 2890. Photo Lombardi, Siena.
Impruneta (Firenze), Collegiata [13th-14th century master], Madonna and Child, undated, inclusive
General note
Photo Brogi 7771.
Lucca, Pinacoteca Pontormo, Portrait of a boy, undated, inclusive
General note
Photo Brogi 19639.
Massa Marittima (Grosseto), Duomo Follower of Duccio di Buoninsegna [or Simone Martini], Madonna 'delle Grazie', undated, inclusive
General note
Photo Alinari 21825., with rubber stamp on the verso of Pineider, Firenze.
Milano, Pinacoteca del Brera Van Dyck, Anthony, Madonna and Child with St Anthony of Padua, undated, inclusive
General note
Photo Reali 2681.
Milano, Pinacoteca del Brera Longhi, Pietro, Il Cavadenti (the tooth-puller), undated, inclusive
General note
Photo Alinari 31822.
Napoli, Museo Nazionale di Capodimonte Parmigianino, Portrait of Amerigo Vespucci, undated, inclusive
General note
Photo Alinari 12082.
Napoli, Museo Nazionale di Capodimonte Palizzi, Nicola, The race at Agnano, 1959, inclusive
General note
Photo Alinari 53188 (ediz. 1959).
Napoli, Museo Nazionale di Capodimonte Dalbono, E., From Friale to Santa Lucia (detail), 1959, inclusive
General note
Photo Alinari 53233. (ediz. 1959).
Napoli, Museo Nazionale di Capodimonte Pannini, Giovanni Paolo, Charles III visiting Benedict XIV, undated, inclusive
General note
Photo Alinari 33969.
Napoli, Museo Nazionale di Capodimonte Parmigianino, Madonna and Child, undated, inclusive
General note
Photo Alinari 12175.
[Napoli] Scuola di Posillipo, The Return of the Bourbons (1815), undated, inclusive
General note
Photo Numbered 38. on the verso.
Orvieto (Terni), Duomo Memmi, Lippo, Madonna of the Misericordia, undated, inclusive
General note
Photo Anderson 15541.
Perugia, Galleria Nazionale dell'Umbria [Duccio di Buoninsegna], triptych with the Marriage of St Catherine, Saints, and the Annunciation, undated, inclusive
General note
Photo Anderson 15783.
Perugia, Galleria Nazionale dell'Umbria Maestro della Madonna di Perugia, Madonna and Child, undated, inclusive
General note
Photo Anderson 15782., attributed to Duccio di Buoninsegna.
Perugia, Galleria Nazionale dell'Umbria Meo di Guido da Siena, Polyptych, undated, inclusive
General note
Photo Anderson 15868.
Perugia, Galleria Nazionale dell'Umbria Vigoroso da Siena, Polyptych, undated, inclusive
General note
Photo Anderson 15869.
Perugia, S. Matteo [14th -15th century], Madonna and Child, undated, inclusive
General note
Photo Anderson 15903.
Pisa, Museo Nazionale di San Matteo [13th-14th century Pisan school], Madonna and Child with stories from the life of the Virgin, undated, inclusive
General note
Photo Alinari 9880.
Pisa, Museo Nazionale di San Matteo [14th century Pisan school], St Francis and stories from his life, undated, inclusive
General note
1. Photo Brogi 19346.
2. Photo Reali 162. Annotated on the verso: Cimabue, Museo di Pisa
Pisa, Museo Nazionale di San Matteo Ghirlandaio, Domenico, Madonna and Child enthroned (detail), undated, inclusive
General note
1. Ghirlandaio, Domenico, Madonna and Child enthroned (detail) Photo Reali 136.
2. Ghirlandaio, Domenico, Madonna and Child enthroned (detail) Photo Reali 135.
[Pisa, Museo Nazionale di San Matteo] 16th century copy of a fresco by Benozzo Gozzoli in the Camposanto of Pisa, undated, inclusive
General note
1. 16th century copy of a fresco by Benozzo Gozzoli in the Camposanto of Pisa. Photo Alinari 8868.
2. 16th century copy of a fresco by Benozzo Gozzoli in the Camposanto of Pisa. Photo Alinari 8867.
Pisa, Museo Nazionale di San Matteo Paolo Schiavo, Resurrection of Lazarus, undated, inclusive
General note
Photo Reali 169.
Pisa, Museo Nazionale di San Matteo Simone Martini, Polyptych, undated, inclusive
General note
1.[central panel of the Madonna and Child].
2. two details from the bottom panels. Annotated on the verso Photo Reali 93. and 92.
Pisa, Museo Nazionale di San Matteo Ghirlandaio, Domenico, Girl carrying a plate of fruit on her head, undated, inclusive
General note
Photo Reali 38.
Pisa, S. Caterina Traini, Francesco, Birth of St Dominic, undated, inclusive
General note
Photo Alinari 8871a.
Poggio a Caiano (Prato), Villa Medici Sustermans (Suttermans), Giusto, Portrait of Carlo de' Medici, undated, inclusive
General note
Photo Brogi 19111.
Prato, Galleria Comunale Daddi, Bernardo, Polyptych, undated, inclusive
General note
Annotated on the verso Photo Reali 157.
Prato, Galleria Comunale [Gaddi, Taddeo], predella (detail), undated, inclusive
General note
Photo Reali 156.
Roma, Galleria Nazionale d'Arte Antica (Palazzo Corsini) [Simone Martini], Madonna and Child, undated, inclusive
General note
Photo Anderson 4393.
Roma, Città del Vaticano (Pinacoteca) [Daddi, Bernardo], Madonna and Child, undated, inclusive
General note
Photo Anderson 23947.
San Miniato al Tedesco (Pisa) Botticini, Madonna enthroned with four Saints, undated, inclusive
General note
Annotated on the verso. Photo Reali 79.
San Miniato al Tedesco (Pisa), undated, inclusive
General note
1. [15th century master], Madonna enthroned with Saints. Annotated on the verso. Photo Reali 72.
2. [Botticini], Madonna enthroned with four Saints. Annotated on the verso. Photo Reali 126.
Siena, Museo dell'Opera del Duomo Duccio di Buoninsegna, Maestà (details), undated, inclusive
General note
Photo Anderson 21252. and 21255.
Siena, Museo dell'Opera del Duomo Gregorio da Siena, Assunta, undated, inclusive
General note
Photo Anderson 21274.
Siena, Pinacoteca Nazionale Niccolò di ser Sozzo and Luca di Tommé, Madonna enthroned with angels, undated, inclusive
General note
Photo Anderson 21055. (attributed to Bartolo di Fredi).
Siena, Pinacoteca Nazionale [13th century, Sienese], Polyptych with the Madonna and Child and Saints, undated, inclusive
General note
Photo Anderson 21071. (attributed to 'Ceccarelli').
Siena, Pinacoteca Nazionale Guida da Siena, Madonna and Child, undated, inclusive
General note
Photo Anderson 21109.
Siena, Pinacoteca Nazionale Lorenzetti, Ambrogio, a town on the seacoast; a castle by the sea; triptych with the Madonna and Child with Mary Magdalene and St Dorothy; Maestà, undated, inclusive
General note
Photo Anderson 21115., 21110., 21112., 21113.
Siena, Pinacoteca Nazionale Lorenzetti, Pietro, Madonna enthroned with angels, undated, inclusive
General note
Photo Alinari 36651.
Siena, Pinacoteca Nazionale Luca di Tommé, Polyptych, undated, inclusive
General note
Photo Anderson 21123.
Siena, Pinacoteca Nazionale Margaritone d'Arezzo, St Francis, undated, inclusive
General note
Photo Anderson 21124.
Siena, Pinacoteca Nazionale Martino di Bartolomeo, Polyptych with the Madonna and Child and Saints, undated, inclusive
General note
Photo Anderson 21126.
Siena, Pinacoteca Nazionale Michelino di Benozzo, Marriage of St Catherine, undated, inclusive
General note
Photo Alinari 36699.
Siena, Pinacoteca Nazionale Follower of Pacchiarotto, Visitation and Saints, undated, inclusive
General note
Photo Brogi 14993.
Siena, Pinacoteca Nazionale Spinello Aretino, Coronation of the Virgin, undated, inclusive
General note
Photo Anderson 21190.
Siena, Pinacoteca Nazionale Stefano di Giovanni, Last Supper, undated, inclusive
General note
Photo Anderson 21192.
Siena, Pinacoteca Nazionale Vecchietta, panels painted for a reliquary cupboard door (Santa Maria della Scala), undated, inclusive
General note
Photo Anderson 21121., 21122., 21120.
Siena, Pinacoteca Nazionale Guido da Siena, Dossal with the Madonna and Child and four Saints, undated, inclusive
General note
Photo Anderson 21203.
Siena, Pinacoteca Nazionale [14th-15th century Sienese master], Triptych with St Michael enthroned with two Saints; Triptych with the Marriage of St Catherine and Passion scenes, undated, inclusive
General note
Photo Anderson 21206., 21205.
Siena, Pinacoteca Nazionale Maestro di San Pietro, Dossal of St Peter with stories from his life, undated, inclusive
General note
Photo Anderson 21204.
Siena, Pinacoteca Nazionale Simone Martini, Blessed Agostino Novelli with scenes of four of his miracles (details of the miracles), formerly in the church of Sant'Agostino, and then the Museo dell'Opera del Duomo, undated, inclusive
General note
Photo Anderson 21618., 21617.
Siena, S. Domenico Vanni, Andrea, St Catherine, undated, inclusive
General note
Photo Anderson 21681.
Siena, S. Pietro Ovile (present whereabouts unknown) [Simone Martini], Madonna annunciate, and annunciatory angel (details), undated, inclusive
General note
Annotated on the verso and Numbered 2867., 2868. Photo Lombardi, Siena.
Spoleto (Perugia), Duomo Sotio, Alberto, Painted Cross, undated, inclusive
General note
Photo Anderson 5788. (with the rubber stamp of Pineider, Firenze on the verso).
Stia (Firenze), chiesa di Pratovecchio [Landini, Jacopo], Annunciation and Saints, undated, inclusive
General note
Annotated on the verso. Photo Reali 64.
Torino, Galleria Sabauda [Argenti, Iacopo], Carlo Emanuele I as a boy, undated, inclusive
General note
Photo Brogi 7057.
Torino, Galleria Sabauda Botticelli, Madonna and Child, undated, inclusive
General note
Photo Anderson 10682.
Torino, Galleria Sabauda Daddi, Bernardo, Coronation of the Virgin, undated, inclusive
General note
Photo Anderson 17214.
Torino, Galleria Sabauda Ganereaux, Benedetto, Allegory of Amore, undated, inclusive
General note
Photo Numbered 7075. on the recto.
Torino, Galleria Sabauda Paolo Veronese, Danae, undated, inclusive
General note
Photo Reali, ed. Brogi 7081.
Torino, Galleria Sabauda [Schiavone, Gregorio], Madonna and Child, undated, inclusive
General note
1. Numbered 2302. on the recto.
2. photo Anderson 10763.
Torino, Galleria Sabauda Tempesta, Antonio, Tournament in Piazza Castello, undated, inclusive
General note
Photo Alinari 14852b.
Torino, Galleria Sabauda Van Scuppen, G., Prince Eugene of Savoy on the battlefield, undated, inclusive
General note
Photo Alinari 31304.
Torino, Galleria Sabauda [16th century Veneto school], Birth of the Virgin, undated, inclusive
General note
Photo Anderson 17207., with the stamp of the Regia Pinacoteca, Torino on the verso.
Trevignano Romano (Roma), S. Maria Assunta [13th century master], Christ enthroned, undated, inclusive
General note
Photo Brogi 17759.
Urbino (Pesaro), Palazzo Ducale Piero della Francesca, The Flagellation, undated, inclusive
General note
Photo Alinari 17564.
Venezia, Basilica dei Frari Bellini, Giovanni, Madonna enthroned with Saints, undated, inclusive
General note
Photo Anderson, Numbered 11649. on the verso.
Venezia, Basilica dei Frari Tiziano, Assumption (detail), undated, inclusive
General note
Photo Naya, Venezia 24E.
Venezia, Galleria dell'Accademia Bassano, Leandro, Resurrection of Lazarus, undated, inclusive
General note
Photo Naya, Venezia 494.
Venezia, Galleria dell'Accademia Bellini, Gentile, Miracle of the Cross (detail), undated, inclusive
General note
Photo Naya, Venezia 529b.
Venezia, Galleria dell'Accademia Bonifacio Veronese, Allegorical scene, undated, inclusive
General note
Photo Naya, Venezia 500.
Venezia, Galleria dell'Accademia. Carpaccio, Vittore, Legend of St Ursula, from the Scuola di San Orsola (details), undated, inclusive
General note
1. Photo Anderson, numbered 11920. on the verso.
2. Photo Naya, Venezia 554A.
Venezia, Galleria dell'Accademia Simone da Cusighe, Madonna and Child with scenes from the life of St Bartholomew, undated, inclusive
General note
Photo Alinari 32227.
Venezia, Galleria dell'Accademia Tintoretto, Jacopo, Miracle of St Mark (detail), undated, inclusive
General note
Photo Naya, Venezia 45b.
Venezia, Galleria dell'Accademia Zais, Giuseppe, two landscapes, undated, inclusive
General note
Photos Naya, Venezia, 57. and 58.
[Venezia, Museo Correr] unknown painter, a circular loggia, undated, inclusive
General note
Annotated on the verso "P. Venezia. C[o]rrer. 3[00]".
Venezia, Museo Correr Longhi, Pietro, Four genre scenes, undated, inclusive
General note
Photo Alinari 18396.
Venezia, Palazzo Ducale Tiepolo, GB, Venice and Neptune, undated, inclusive
General note
Photo Alinari 13581a.
Venezia, Palazzo Reale [now Museo Correr] Zais, Giuseppe, Country genre scenes, undated, inclusive
General note
Photo Alinari 18827.
Venezia, Santi Apostoli Tiepolo, GB, Communion of St Lucy (detail), undated, inclusive
General note
Photo Naya, Venezia 1764.
Venezia, Basilica di San Marco (Sagrestia dei Canonici) Tiepolo, GB, Adoration of the Child, undated, inclusive
General note
Photo Alinari 13766a.
Venezia, Santa Maria della Consolazione Tiepolo, GB, Education of the Virgin, undated, inclusive
General note
Photo Alinari 13713b.
Venezia, Scuola di San Giorgio degli Schiavoni Carpaccio, Vittore, scenes from the life of St George, undated, inclusive
General note
1. Photo Anderson 11883.
2. (detail) Photo Anderson 11885.
3. Photo Anderson 11879.
4. Photo Anderson 11890.
Venezia, Seminario Patriarcale [Tiziano], Apollo and Daphne, undated, inclusive
General note
Photo Naya, Venezia 1705., attributed to Giorgione.
Venezia, [parish church of] Murano Tiepolo, GB, Miracle of St Anthony, undated, inclusive
General note
Photo Alinari 13837.
Volterra (Pisa), Pinacoteca Rosso Fiorentino, Deposition, undated, inclusive
1 Paintings, drawings and prints, ii. Europe
Amsterdam, Rijksmuseum Poggenbeek, Geo, The Ditch, undated, inclusive
General note
Photo Abrahamson, Amsterdam.
[Berlin] [Botticelli], Annunciation, undated, inclusive
General note
Photo Cesellschaft, Berlin 5045.
Berlin, Gemäldegalerie Hanfstaengl, Munchen Collection Gentile da Fabriano, Madonna and Child with Saints and donor, undated, inclusive
Berlin, Gemäldegalerie Hanfstaengl, Munchen Collection [Memmi, Lippo], Madonna of Humility, undated, inclusive
General note
1. [Memmi, Lippo], Madonna of Humility.
2. Memmi, Lippo, Madonna and Child.
Berlin, Gemäldegalerie Hanfstaengl, Munchen Collection 13th-14th century Tuscan master, Madonna and Child and four Scenes of the Passion, undated, inclusive
Berlin, Gemäldegalerie Hanfstaengl, Munchen Collection 15th century Florentine master, Madonna and Child enthroned with Saints and angels, undated, inclusive
General note
#1. 15th century Florentine master, Madonna and Child enthroned with Saints and angels
#2. Madonna and Child with rose bushes
Braunschweig, Gemaldegalerie Sienese master, Madonna and Child with angels, undated, inclusive
General note
Photo Bruckmann, Munchen.
Bruxelles, Musée Wiertz [16th century Italian], Vulcan's forge, undated, inclusive
Budapest, Musée des Beaux-Arts Hanfstaengl, Munchen Collection Memmi, Lippo, Madonna and Child, undated, inclusive
Budapest, Musée des Beaux-Arts Hanfstaengl, Munchen Collection [Simone Martini], Annunciation, undated, inclusive
Budapest, Musée des Beaux-Arts Hanfstaengl, Munchen Collection 15th century Florentine school, Madonna and Child with the infant St John, undated, inclusive
Dresden, Gemaldegalerie Van Delft, Jan Vermeer, genre scene, undated, inclusive
Dresden, Gemaldegalerie [13th century Tuscan], Madonna and Child enthroned, undated, inclusive
General note
Photo Bruckmann, Munchen.
Dresden, Gemaldegalerie Parmigianino, Madonna and Child, undated, inclusive
Geneva, Musée d'Art ed d'Histoire [Velazquez], Portrait of a girl, undated, inclusive
General note
Photo Numbered 3007. on the verso.
Karlsruhe, Gemaldegalerie [school of Giotto], Scene of a martyrdom, undated, inclusive
General note
Photo Bruckmann, Munchen.
London, National Gallery Botticelli, Venus and Adonis, undated, inclusive
London, National Gallery Hanfstaengl, London Collection [Cimabue], Maestà, undated, inclusive
General note
Photo copyright of the National Gallery.
London, National Gallery Giorgione, four scenes, undated, inclusive
General note
Oversize, IV.B.1.ii.16. folder 287.
London, National Gallery Lorenzo di Credi, Portrait of a lady, undated, inclusive
General note
Photo copyright of the National Gallery.
London, National Gallery Pollaiolo, Apollo and Daphne, undated, inclusive
General note
Photo copyright of the National Gallery.
London, National Gallery Rosselli, Cosimo, Mythological scene, undated, inclusive
General note
Photo copyright of the National Gallery.
London, National Gallery [15th century Italian], [two Saints], undated, inclusive
General note
Photo copyright of the National Gallery.
London, National Gallery [Tiepolo, GB], mythological scene, undated, inclusive
General note
Photo copyright of the National Gallery.
London, National Gallery [Tiepolo, Gian Domenico], Deposition, undated, inclusive
General note
Photo copyright of the National Gallery.
London, National Gallery [17th century Spanish], genre scene, undated, inclusive
General note
Photo copyright of the National Gallery
London, National Gallery 20th century artist, portrait of a lady [Dame Edith Sitwell], undated, inclusive
General note
Photo copyright of the National Gallery.
London, Victoria and Albert Museum Chinese painting, undated, inclusive
General note
Photo copyright of the Victoria and Albert Museum, Numbered 56633.
London, Victoria and Albert Museum
London, Victoria and Albert Museum Indian panels, undated, inclusive
General note
Photos copyright of the Victoria and Albert Museum, Numbered 34467. and 37410.
Oversize, IV.B.1.ii.16. folder 288.
[Madrid] [El Greco], unidentified Saint, undated, inclusive
General note
Photo M. Moreno, Madrid.
Madrid, Museo del Prado Velazquez, La Rendiciòn de Breda (Las Lanzas) - detail, undated, inclusive
General note
Photo M. Moreno, Madrid 397.
Munchen, Altepinakothek [School of Cimabue], Madonna and Child with two Saints, Washing of the Feet, [Resurrection and Last Judgement], undated, inclusive
General note
Photo Bruckmann, Munchen.
Munchen, Altepinakothek Cranach, Lucas, Venus and Cupid, undated, inclusive
Munchen, Altepinakothek, Giotto, Crucifixion and Descent of Christ into Limbo, undated, inclusive
General note
1.Photo Bruckmann, Munchen
2. Hanfstaengel, Munchen Collection.
Paris, Musée du Louvre Reni, Guido, David with the head of Goliath, undated, inclusive
General note
Photo Numbered 11439. on the recto.
Paris, Musée du Louvre [18th century], [St Apollonia], undated, inclusive
General note
(Illegible) photographer's stamp and annotated on the verso "1740 Louvre".
Paris, Musée du Louvre Pesellino, scenes from the lives of Saints and Ecce Homo, undated, inclusive
General note
Numbered 11415 a., 11415b., 11415c.
Oversize, IV.B.1.ii.16. folder 289.
Paris, Musée du Luxembourg Hanfstaengel, Munchen Collection Whistler, James MacNeill, Portrait of his mother, undated, inclusive
Toledo El Greco, St Thomas (detail of the head of a deacon), undated, inclusive
General note
Photo Anderson 17000.
1 Paintings, drawings and prints, iii. US and Canada
Chicago, The Art Institute Chinese painting, undated, inclusive
General note
Photograph by V.R. McQuilkin for the Photograph Department of The Art Institute, neg. C6662., numbered also 26249.
Kansas City (Missouri), Nelson Atkins Museum of Fine Arts 10 Chinese panels (marble pictures of the four seasons, and ink on paper scrolls), undated, inclusive
General note
All labelled in detail on the verso by the Museum (copyright photos).
Kansas City (Missouri), Nelson Atkins Museum of Fine Arts Boucher, François, landscape in the environs of Beauvais and Souvenir of Italy, undated, inclusive
General note
Labelled in detail on the verso by the Museum (copyright photo).
Kansas City (Missouri), Nelson Atkins Museum of Fine Arts Pissarro, Camille, Le Jardin des Mathurins, Pontoise, undated, inclusive
General note
Labelled in detail on the verso by the Museum (copyright photo).
Kansas City (Missouri), Nelson Atkins Museum of Fine Arts Ricci, Sebastiano, The Marriage at Cana, undated, inclusive
General note
Labelled in detail on the verso by the Museum (copyright photo).
Kansas City (Missouri), Nelson Atkins Museum of Fine Arts [Flemish] painting, undated, inclusive
New York, Metropolitan Museum of Art Giordano, Luca, Nativity, undated, inclusive
General note
Annotated on the verso and Numbered 6522.
New York, Metropolitan Museum of Art [17th-18th century Venetian], historical scene, undated, inclusive
General note
Numbered 65409. on the verso.
Ontario (Canada), Ontario Art Gallery Giovanni del Biondo, two scenes from the life of St Benedict, undated, inclusive
General note
Labelled in detail on the verso by the Art Gallery (gifts of A.L. Koppel, 1953).
Washington D.C., Freer Gallery of Art (Smithsonian Institute) 15 Chinese paintings, undated, inclusive
General note
Labelled in detail on the verso by the Freer Gallery, with accession number, date, subject, medium, and measurements.
2 Painted decoration (panels)
London, Victoria and Albert Museum Painted panels, decorated with birds, undated, inclusive
General note
Photos copyright of the Museum, Numbered 50583., 50582., 54111., 46913., 58804., 58805., 58803., 49550. and 24932.
8. Annotated on the verso "Urgente 1 Diapositiva 9 x 12, Bencini, Borgognissanti".
London, Victoria and Albert Museum Painted panels, decorated with birds, undated, inclusive
General note
Photos copyright of the Museum.
1. and 2. shown in situ in an interior Numbered 54709., 54710.
3.-6. Numbered 54340., 54342., 54339., 54341.
Oversize, IV.B.2.17. folder 290.
London, Victoria and Albert Museum Painted panels, decorated with hunting scenes, undated, inclusive
General note
Photos copyright of the Museum, Numbered 58330., 58329.
London, Victoria and Albert Museum Painted panel, decorated with a river scene, undated, inclusive
General note
Photo copyright of the Museum, Numbered 56529.
London, Victoria and Albert Museum Painted panels with chinoiserie, undated, inclusive
General note
Photos copyright of the Museum, Numbered 55021., 56531.
3 Frescoes
Anagni (Frosinone), Cattedrale (crypt) [13th century master], Christ in majesty with Saints, undated, inclusive
General note
Photo Brogi 17911.
Arezzo, San Francesco Piero della Francesca, Legend of the True Cross (two details), undated, inclusive
General note
Photo Alinari 9940., 9945.
Assisi (Perugia), S. Francesco (upper church) [Cimabue], Sacrifice of Isaac, undated, inclusive
General note
Photo Anderson 15337.
Castel Sant'Elia (Viterbo), Basilica di S. Elia [late 11th-early 12th century master], Scenes from the Apocalypse, undated, inclusive
General note
Photo Brogi 17755.
Castel Sant'Elia (Viterbo), Basilica di S. Elia 15th century master, Madonna and Child, undated, inclusive
General note
Photo Brogi 17757.
Figline Valdarno (Firenze), S. Francesco (Misericordia) [15th century master], Annunciation, Coronation of the Virgin, and Crucifixion, undated, inclusive
General note
Photo Reali 205., 206.
Firenze, Museo di San Marco Fra' Angelico, St Dominic, undated, inclusive
General note
Photo print by Alinari.
Firenze, Palazzo Medici Riccardi (chapel) Gozzoli, Benozzo, Procession of the Magi, undated, inclusive
General note
Photo Reali, ed. Brogi 2531., 2525.
3. detail of Gozzoli's self-portrait Numbered 209[1].
Firenze, Palazzo Pitti (now Museo degli Argenti) Giovanni da San Giovanni, scenes from the life of the Medici, undated, inclusive
General note
1. Photo Alinari 30623.
2. (detail), Photo Reali 214. (annotated on the verso).
Firenze, Palazzo Vecchio Vasari, Giorgio, detail with portraits of Marsilio Ficino and Paolo Dal Pozzo Toscanelli, undated, inclusive
General note
Photo Alinari 4420.
Firenze, S. Croce Giotto, a scene from the life of St Francis and a scene from the life of St John the Evangelist, undated, inclusive
General note
Photo prints by Alinari.
Firenze, S. Croce Maso di Banco, a scene from the life of St Sylvester, undated, inclusive
General note
Photo Reali 204.
Firenze, S. Croce [school of Cimabue], St John the Evangelist (detail), undated, inclusive
General note
Photo Brogi 19957.
Firenze, S. Croce [Starnina], details of frescoed heads, undated, inclusive
General note
Photos Brogi 19263a., 19949.
Firenze, S. Croce [Niccolò di Pietro Gerini], frescoed scene, undated, inclusive
General note
Annotated on the verso. Photo Reali 158.
Firenze, S. Maria Novella Taddeo Gaddi, frescoed scene of a miracle, undated, inclusive
General note
Photo Brogi 6721.
Firenze, S. Maria Novella (Spanish chapel) Andrea di Bonaiuto (Andrea da Firenze), Crucifixion, undated, inclusive
General note
Photo print by Alinari.
Firenze, S. Miniato al Monte (sacristy) Spinello Aretino, scenes from the life of St Benedict, undated, inclusive
General note
Annotated on the verso. Photo Reali 171.
Firenze, S. Trinita Ghirlandaio, Domenico, scenes from the life of St Francis in the Sassetti chapel (including details), undated, inclusive
General note
Photo Alinari 4134., 4138., 4139., 4134., 4134c., 4676.
Firenze, Villa Fossi (Via di Marignolle and Via delle Campora) 27 frescoed lunettes [by Rosso Fiorentino], undated, inclusive
General note
#1. Annotated on the verso "Villa Fossi, Bellosguardo, Marignolle. Rosso Fiorentino."
Some duplicates, and some showing before and after restoration
Firenze, Villa Medicea di Careggi Watts, George Frederic, Murder of Lorenzo dei Medici's doctor Pietro Leoni, undated, inclusive
General note
Photo Alinari 4659.
Mantova A frescoed ceiling (detail), undated, inclusive
General note
Photo by A. Premi, Mantova.
Monterchi (Arezzo) Piero della Francesca, Madonna del Parto, undated, inclusive
General note
Photo Alinari 10496.
Napoli, Museo Nazionale di Capodimonte Ancient Roman frescoes from Ercolano and Pompei, undated, inclusive
General note
Photos by Alinari 12029., 12033., 12156., 12163., 34113., 34126.
Rimini, Tempio Malatestiano Piero della Francesco, St Sigismondo kneeling before his patron St Sigismund of Burgundy, undated, inclusive
General note
Photo Alinari 10994.
Roma, Città del Vaticano, Cappella Sistina Michelangelo, detail of a sibyl on the vault, undated, inclusive
General note
Photo Numbered 7267.
Roma, Città del Vaticano, Cappella Sistina Michelangelo, detail of Geremiah on the vault (or a study for it), undated, inclusive
Roma, S. Clemente (lower church) 5th or 6th century Byzantine master, Madonna and Child, undated, inclusive
General note
Photo Anderson 6588.
San Gimignano (Siena), Collegiata Taddeo di Bartolo, Hell, undated, inclusive
General note
Photo Reali, ed. Brogi 15247.
Spoleto (Perugia), Santi Giovanni e Paolo Sotio, Alberto or late 12th-early 13th century master, Martyrdom of St Thomas Becket, undated, inclusive
General note
Photo Anderson 5890.
Tarquinia (Viterbo) A frescoed ceiling (details), undated, inclusive
General note
Photos Numbered 8949., 8946., 8947.
Venezia, Galleria dell'Accademia Tiepolo, GB, Finding of the True Cross, 1977, inclusive
General note
Photo Naya, Venezia, 1977.
Venezia, Gesuati (church of) Tiepolo, GB, Institution of the Rosary (in the vault), undated, inclusive
Venezia, Palazzo Labia Tiepolo, GB, Anthony and Cleopatra, undated, inclusive
General note
Photos Alinari 13625., 13626.
Venezia, Palazzo Papadopoli Tiepolo, GB, The Charlatan, undated, inclusive
General note
Photo Alinari 13632a.
Venezia, Scalzi (church of) Tiepolo, GB, Transport of the House of Loreto (in the vault), undated, inclusive
General note
Photo Alinari 13643a.
Venezia, Scuola Grande dei Carmini Tiepolo, GB, Virgin in Glory and allegories of the Virtues (in the vault), including details, undated, inclusive
General note
Photos Alinari 13839., 13845., 13844., 13842., 13841., 13847., 13846.
[Venezia] [Tiepolo, GB], an historical scene, undated, inclusive
[Venezia, Congregazione Mechitarista] [Tiepolo, GB], Justice and Peace, undated, inclusive
General note
Photo Alinari 13775a.
Madrid, Palacio Reali (the Throne Room) Tiepolo, GB, Glory of Spain (in the vault), undated, inclusive
General note
Annotated on the verso "Photo by J. Roig, Madrid 1264."
Madrid, San Antonio de la Florida Goya, Francisco, scenes in the cupola, undated, inclusive
General note
Madrid photographer's name illegible, but Numbered 2622. and 2623.
Oversize IV.B.3.17. folder 291.
[Madrid] [Tiepolo, GB], undated, inclusive
General note
1. sketch for a ceiling fresco. Photo by J. Roig, Madrid.
4 Sculpture, i. Italy
Barga (Lucca), Duomo [early 12th century master], wood statue of St Christopher, undated, inclusive
General note
Postcard to 'Signor Acton' Via Bolognese 84, addressed from Ripafratta (Pisa) 22 June [1926]: "This is the wooden statue I told you of at Barga. It is in the Duomo. Kindest regards to you and Mrs. Acton". Signed [GMS] [M…Smith].
Bassano del Grappa (Vicenza), Museo Civico Cattaneo, Danese, bronze bust of Lazzaro Buonamico, undated, inclusive
General note
Photo Alinari 20502. (refuse copy).
Bologna, S. Petronio Jacopo della Quercia, carvings above the main portal, undated, inclusive
General note
Photo Alinari 10596.
Empoli (Firenze), Museo della Collegiata Della Robbian frame around a bas relief of the Madonna and Child (the relief similar to that in Villa La Pietra, XXXII. C.11.), undated, inclusive
General note
Photo Alinari 10121.
Fiesole (Firenze), Duomo Mino da Fiesole, altarpiece, undated, inclusive
General note
Photo print by Alinari # 3267.
Firenze, Cappelle Medicee Michelangelo, allegorical male statue representing Day, undated, inclusive
General note
Photo Anderson 8453.
Firenze, Galleria degli Uffizi Roman marble carvings (a sarcophagus and the Medici Vase), undated, inclusive
General note
#1.-2. Sarcophagus with the Fall of Phaeton, Photo Alinari 1312 and Brogi 9245.
#3. Medici Vase, Photo Alinari 1324.
Firenze, Galleria degli Uffizi Roman classical sculpture, undated, inclusive
General note
Photo Alinari 1269., 1216., 1287.
Firenze, Galleria degli Uffizi Marble bust of Cardinal Leopoldo de' Medici, undated, inclusive
General note
Photo Brogi 18950.
Firenze, Loggia del Bigallo Arnoldi, Alberto, Madonna and Child, undated, inclusive
General note
Photo Alinari 17095.
Firenze, Loggia dei Lanzi (or della Signoria) Vacca, Flaminio, marble lion, undated, inclusive
Firenze, Museo Archeologico Chimera in bronze (Etruscan master), undated, inclusive
General note
Photo Alinari 2539.
Firenze, Museo Archeologico Idolino in bronze (ancient classical statue), undated, inclusive
General note
Photo Alinari 2541.
Firenze, Museo Archeologico Ancient Egyptian bust, undated, inclusive
General note
Photo Alinari 3448.
Firenze, Museo Nazionale del Bargello Benedetto da Maiano, bust of Pietro Mellini, undated, inclusive
General note
Photo Alinari 2739.
Firenze, Museo Nazionale del Bargello Della Robbian tondo with the Madonna in Adoration, undated, inclusive
General note
Photo Brogi.
Firenze, Museo Nazionale del Bargello Desiderio da Settignano, the Martelli Young St John the Baptist (detail), undated, inclusive
General note
Photo Brogi 20670.
Firenze, Museo Nazionale del Bargello Donatello, Atys-Amorino in bronze, undated, inclusive
General note
Photo Alinari 2648.
Firenze, Museo Nazionale del Bargello Francesco Laurana, Bust of Battista Sforza, undated, inclusive
Firenze, Museo Nazionale del Bargello Michelangelo, Bust of Brutus, undated, inclusive
General note
Photo Brogi.
Firenze, Museo Nazionale del Bargello Mino da Fiesole, Bust of Piero de' Medici, undated, inclusive
General note
Photo Brogi 4437.
Firenze, Museo Nazionale del Bargello Two 16th century small bronzes, undated, inclusive
General note
Photo Brogi 13288.
Firenze, Museo Nazionale del Bargello 15th century bronze medal with St Antoninus, undated, inclusive
General note
Photo Alinari 32860.
Firenze, Museo Nazionale del Bargello [Mino da Fiesole], relief of a lady in profile, undated, inclusive
General note
Photo Brogi.
Firenze, [Museo Nazionale del Bargello], [now Gipsoteca of the Istituto d'Arte, Porta Romana] [Donatello], St John the Baptist (cast of an original in Berlin), undated, inclusive
General note
Photo Alinari 4784.
Firenze, Museo dell'Opera del Duomo Giovanni Bandini (dell'Opera), Bust of Cosimo I (over the entrance), undated, inclusive
General note
Photo Brogi 20795.
Firenze, Museo dell'Opera del Duomo Luca della Robbia, Cantoria (detail of one panel), undated, inclusive
Firenze, Orsanmichele Baccio da Montelupo, St John the Evangelist, undated, inclusive
General note
Photo print by Alinari, # 2324.
Firenze, San Lorenzo Donatello, bronze pulpit, undated, inclusive
Firenze [Santo Stefano al Ponte] [Mino da Fiesole], relief of the Madonna and Child, undated, inclusive
General note
Photo Alinari 2406.
[Firenze] [Mino da Fiesole], relief of the Madonna and Child, undated, inclusive
Impruneta (Firenze), Collegiata Altarpiece with the Crucifixion by Luca and Andrea Della Robbia, undated, inclusive
General note
Photo Alinari 17010.
Lucca, Pinacoteca Della Robbian putti, undated, inclusive
General note
Photo Alinari 8361., 8362.
Milano, Palazzo del Brera Thorvaldsen, Bertel, The Three Graces, undated, inclusive
General note
Photo Brogi 12288.
Napoli, Museo Filangeri Canova, Antonio, Bust of Ferdinando I, undated, inclusive
General note
Photo Alinari 33526.
Napoli, Museo Nazionale di Capodimonte Ancient classical sculptures, undated, inclusive
General note
Photos Alinari 34262., 11154., 34267., 11043., 34158.
Napoli, Museo Nazionale di Capodimonte Ancient classical vase in the shape of a female head (known as the 'Nasinterna'), undated, inclusive
General note
Photos Anderson 23396., and Brogi 5762.
Napoli, Museo Nazionale di Capodimonte Ancient classical sculptures, undated, inclusive
General note
Photos Anderson 23211., 25916., 23005., 23098.
#3. with a rubber stamp on the verso: "Art Shop - photographs, bronzes, marbles, Prop. J. Clemente, Naples, Via Vittoria (near Cook's Travel Bureau)".
Napoli, Museo Nazionale di Capodimonte Ancient classical sculptures, undated, inclusive
General note
Photos by Brogi 5517., 22492.
Napoli, Museo Nazionale di Capodimonte Classical masks and a sarcophagus, undated, inclusive
General note
Photos by Brogi 12578., and Alinari 19057., 19058.
Napoli, Museo Nazionale di Capodimonte Ancient classical reliefs, undated, inclusive
Napoli, Museo Nazionale di Capodimonte Heron with a lizard, undated, inclusive
General note
Annotated in French on the verso and Numbered 486.
Napoli, Museo Nazionale di Capodimonte Thorvaldsen, Berthel, Relief in a tondo representing Night, undated, inclusive
General note
Photo Alinari 11306.
Napoli, S. Anna dei Lombardi Giovanni da Santa Croce, altar-frontal with the Pietà, undated, inclusive
General note
Photo Alinari 33484.
Napoli, S. Restituta [8th century] reliefs with scenes from the life of Jacob, undated, inclusive
General note
Photo Alinari 11598.
Napoli, S. Severo Sammartino, Dead Christ, undated, inclusive
Napoli, S. Severo Corradini, Antonio, female allegorical statue, undated, inclusive
General note
Photo Alinari 19115.
Piazzola sul Brenta (Padova), Villa Camerini Mino da Fiesole, relief of the Madonna and Child, undated, inclusive
Pisa, Duomo Giambologna, bronze angels, undated, inclusive
Pisa, Duomo Giambologna [or Felice Palma], the Redeemer, undated, inclusive
Pisa, Duomo [Stagi, Stagio], statuette of the Madonna and Child, undated, inclusive
Pistoia, Ospedale del Ceppo Giovanni della Robbia, details of the frieze of the Seven Works of Mercy, undated, inclusive
General note
1. with traces of Color on the recto. Photo Brogi 4555.
2. with traces of Color on the recto, and the rubber stamp of John Russell Pope. Photo Brogi 4557.
3. Photo Alinari Numbered 10271. on the verso.
4. Photo Alinari 20595.
Pompei (Napoli), Casa Vetti Ancient classical statue of Paris (for a fountain), undated, inclusive
General note
Photo Cav. Ach. Mauri, Napoli, 1678.
Roma, Antiquarium Comunale Ancient Roman sculpture of a nymph and satyr, undated, inclusive
General note
Photo Alinari 28080.
Roma, Museo Barracco Ancient Greek female bust, undated, inclusive
General note
Photo Alinari 34888.
Roma, Museo Borghese Canova, Antonio, Paolina Borghese, undated, inclusive
General note
Photo Alinari 17383.
Roma, Musei Capitolini Ancient Roman sculpture, undated, inclusive
General note
1. Centaur Numbered 4249. on the recto.
3. and 4. Caryatid Numbered 3269. on the recto.
5. Fountain in the form of a Rhyton. Photo Alinari 6039.
6. Fountain in the form of a Rhyton. Photo numbered 750. on the recto.
8. Seated girl. Photo Alinari 6038.
9. Seated girl. Photo Brogi 16661.
10. Seated girl. Photo Brogi 16662.
11. Amore and Psyche Numbered 724. on the recto.
12. Bust of Commodus as Hercules Numbered 744. on the recto.
13. Colossal bust of Juno Numbered 8162. on the recto.
Roma, [Musei Capitolini], found in the Campo Verano Ancient Roman sculpture, Young Hercules, undated, inclusive
General note
1. Numbered 3268. on the recto.
Roma, Museo Nazionale Romano Ancient Roman sculpture, undated, inclusive
General note
1. female head [Penelope]. Numbered 1278. on the recto.
2. female head [fragment of the sleeping Ariadne]. Photo Anderson, Numbered 2154. on the recto.
3. sarcophagus with a battle scene. Numbered 12991. on the recto.
Roma [Museo Nazionale Romano], formerly Museo Kircheriano Ancient Roman sculpture, undated, inclusive
General note
1. female head [portrait of Giulia Mammea, mother of Severus]. Photo Alinari 28385.
2. head of a girl. Photo Alinari 28386.
Roma, Musei Vaticani Ancient classical sculpture, undated, inclusive
General note
1. Agrippina. Numbered 1374. on the recto.
2. Juno nursing Hercules. Numbered 3906. on the recto.
3. Calliope. Numbered 820. on the recto.
4. bronze head of an Emperor. Photo Alinari 35537.
5. Head of Juno. Numbered 1916. on the recto.
6. Herm of Pan with the young Bacchus. Numbered 8354. on the recto.
7. Nereid. Photo Moscioni, 675.
8. Nereid. Photo Moscioni, 676.
9. sarcophagus with Bacchic scenes. Numbered 384. on the recto.
10. colossal mask of Medusa. Photo Brogi 8300.
Roma, Musei Vaticani Ancient Egyptian statue (Isis nursing Horus), undated, inclusive
General note
Photo Alinari 35675.
Roma, Musei Vaticani Ancient Assyrian reliefs, undated, inclusive
General note
Photo Alinari 34700.
Roma, S. Cecilia Maderno, Stefano, statue of S. Cecilia, undated, inclusive
General note
Photo Alinari 6069.
Roma, S. Francesco a Ripa Bernini, Gian Lorenzo, the Blessed Ludovica Albertoni, undated, inclusive
General note
2. detail. Photo Alinari 28444.
Roma, S. Maria Antiqua Sarcophagus with garlands, masks and putti, undated, inclusive
General note
Photo Brogi 16793.
Roma, S. Maria della Vittoria Bernini, Gian Lorenzo, S. Teresa, undated, inclusive
General note
Photo Alinari.
Roma, Villa Albani Ancient classical sculpture, undated, inclusive
General note
1. Diana of the Ephesians. Numbered 1968. on the recto.
2. Nymph riding a sea monster. Photo Alinari 27682.
3. altar with a relief of Apollo. Photo Alinari 27572.
4. sarcophagus with a marriage scene. Photo Alinari 27720.
Roma [from the Forum of Augustus, now in the Casa dei Cavalieri di Rodi] Head of a caryatid, undated, inclusive
General note
Numbered 1952. on the recto.
San Vivaldo (San Miniato al Tedesco, Pisa), Church of the Minori Osservanti Cieco da Gambassi, Scenes from the life of Christ, undated, inclusive
General note
1. Incredulity of St Thomas. Photo Alinari 16006.
2. Pietà. Photo Alinari 10098.
Venezia, Campo Santi Giovanni e Paolo Verrocchio, Andrea del, Colleoni monument, undated, inclusive
General note
Photo Alinari 12540.
Venezia, Museo Archeologico 16th-century bronze, undated, inclusive
General note
Photo Alinari 12897.
Venezia, S. Maria dei Frari Vittoria, Alessandro, St Jerome, undated, inclusive
General note
Photo Alinari 12459.
[Venezia] Bernini, Gian Lorenzo, Bust of Scipione Borghese, undated, inclusive
General note
Photo Numbered 3211.
4 Sculpture, ii. Europe
Athens, National Archaeological Museum Ancient classical statues, undated, inclusive
General note
1. and 2. Zeus.
3. Ephebus in bronze. Photo Alinari 24441.
4. Hermes. Photo Alinari 24268.
5. Hermes - detail of the head. Photo Alinari 24271.
6. Diadamenos (from Delos). Photo numbered 1826. on the verso.
7. Ephebus of Marathon.
8. Archaic female statue. Numbered 686. on the recto.
9. Archaic female statue. Numbered 675. on the recto.
10. a crouching boy. Numbered 458. on the verso.
11. a young athlete. Photo Alinari 24297.
12. head of Artemis. Photo Alinari 24214.
Athens, National Archaeological Museum Ancient classical reliefs, undated, inclusive
General note
1. funerary stele with a nude man and dog. Photo Alinari 24397.
2. relief of Apollo, Marshals and the Muses. Numbered 215. on the recto.
3. stele of Agathocles. Numbered 742. on the recto.
4. stele with three male figures and a dog. Numbered 869. on the recto.
5. fragment of a relief of an athlete. Numbered 3344. on the recto.
6. funerary stele. Photo Alinari 24390.
Berlin, Royal Museum Duquesnoy, François, Cupid, undated, inclusive
General note
Numbered 375. and 2200. on the verso.
Frankfurt am Main, Liebighaus Dannecker, Heinrich, Ariadne on the panther, undated, inclusive
Istanbul, Museum of Archaeology Alexander Sarcophagus, undated, inclusive
General note
1. Numbered 85. on the recto. Photo by Sebahand Joaillier, Constantinople.
2. Numbered 84. on the recto. Photo by Sebahand Joaillier, Constantinople.
London, Victoria and Albert Museum Bronze female figure, nursing a child, undated, inclusive
General note
Photo property of the Victoria and Albert Museum. Numbered 45128. on the verso.
Mons (Belgium), Collégiale Sainte Waudru Jacques Du Broeucq, Two female allegorical statues, undated, inclusive
General note
Numbered 2279. and 2280. (and 420. and 421.) on the verso.
Munchen, Glyptothek Two female statues, undated, inclusive
General note
Photos by Verlagsanstalt Bruckmann, Munchen. Numbered 459. and 449. on the recto.
Olympia (Greece), Archaeological Museum Nike by Paionios, undated, inclusive
General note
Numbered 2. on the recto.
Paris, Musée de Cluny Small bronze with Neptune, undated, inclusive
General note
Embossed stamp on the recto of Paul Robert, Paris, and Numbered 318.
Paris, Musée du Louvre Classical ancient sculpture, undated, inclusive
General note
1. Naiad (Fesch collection). Photo Alinari 22666.
2. Centaur with Eros (Borghese collection). Photo Alinari 22573.
3. Atlante. Embossed stamp on the recto of the photographer J. Kuhk, Paris. Numbered 2560.
Paris, Musée du Louvre Ancient Egyptian sculpture, undated, inclusive
General note
1. female figure. Photo Alinari 23904.
2. relief. Photo Alinari 23887.
Paris, Musée du Louvre Donatello (school of), relief of the Madonna and Child, undated, inclusive
General note
Photo Alinari 22349.
Paris, Musée du Louvre 15th-century Florentine school, relief of Galba, undated, inclusive
General note
Photo Alinari 22303.
Paris, Musée du Louvre 16th-century sculpture, undated, inclusive
General note
1. Jean Goujon, Diana. Photo Verlag der Ne[u]en Photogr. Gesellschaft A.-G. Berlin-Steglitz 1903. Numbered 12733. on the recto.
A sketch [of a garden statue] on the verso, with measurements.
2. P. Biard, a bronze winged figure for the tomb of the Duc d'Epernon. Photo Alinari 22262.
3. painted wood statue of Eve. Photo Alinari 22398.
Paris, Musée du Louvre Michel Auguier, statue of a female figure, undated, inclusive
Paris, Musée du Louvre Le Gros, Pierre, statues of the Four Seasons, undated, inclusive
General note
1. Numbered 487. on the recto.
2. Photo Alinari 22466.
3. Photo Alinari 22465.
4. Numbered 486. on the recto.
6. Numbered 488. on the recto.
Versailles Marble group of putti, undated, inclusive
General note
Numbered 956. on the recto.
4 Sculpture, iii. US
Kansas City, Missouri, Nelson Atkins Museum of Fine Arts Persian bronze stag (7th century B.C.), undated, inclusive
General note
Museum photo.
Kansas City, Missouri, Nelson Atkins Museum of Fine Arts Greek bronze mirror, undated, inclusive
General note
Museum photo.
Kansas City, Missouri, Nelson Atkins Museum of Fine Arts Roman bust of Antinous, undated, inclusive
General note
Museum photos.
Kansas City, Missouri, Nelson Atkins Museum of Fine Arts 16th-century Florentine gilded bronze statuettes, undated, inclusive
General note
Museum photos.
Kansas City, Missouri, Nelson Atkins Museum of Fine Arts 18th-century wooden statue by Jorhan, Christian the Elder, undated, inclusive
General note
Museum photo.
[Kansas City, Missouri, Nelson Atkins Museum of Fine Arts] Chinese bronzes, undated, inclusive
New York, Metropolitan Museum of Art Seated Buddha, undated, inclusive
New York, Metropolitan Museum of Art Madonna reliefs, undated, inclusive
5 Decorative sculpture and carving, i. Italy
Arezzo, Duomo Pulpit by Bastiano and Antonio Bencivenni, undated, inclusive
General note
Photo Alinari 9699.
Arezzo, Casa Cellesi Cast-iron balustrade for a staircase, undated, inclusive
General note
Photo Alinari 9671. and 9672.
Arezzo, Casa Chianini Chimneypiece, undated, inclusive
General note
Photo Alinari 9674. and 9675.
Bologna, Palazzo Baciocchi Marble staircase (with statues), undated, inclusive
Brescia, S. Francesco Detail of the carving of a marble ancona by Stefano Lombardo, undated, inclusive
General note
Photo Alinari 14056.
Brescia, Palazzo Municipale Detail of a keystone and masque, undated, inclusive
General note
Photo by B. Rossetti. Corso Magenta, Brescia.
IV.B.5i.20, oversize folder 292a.
Carrara, Cattedrale Carved 16th-century marble screen, undated, inclusive
General note
Photo Alinari 8185.
Como, Cattedrale Carved bracket below the statue of Pliny, undated, inclusive
General note
Photo Brogi 13089.
Como, Cattedrale Carved portals on the exterior, undated, inclusive
General note
2.-4. Photo Alinari 14292.
3. Annotated on the verso "7 feet including base 3,50", with a sketch.
Empoli (Firenze), Collegiata di Sant'Andrea (now in the Museo della Collegiata di Sant'Andrea) Font, attributed to Bernardo Rossellino, undated, inclusive
General note
Photo Alinari 10116.
Ferrara, Palazzo Prosperi Carved portal on the exterior, undated, inclusive
General note
Photo by [Emilia, Bologna]
Fiesole (Firenze), Badia Fiesolana Carved capitals, undated, inclusive
General note
Photo Alinari 3255. and 3256., and Brogi 9816.
Fiesole (Firenze), Badia Fiesolana Carved portal, window and pulpit, undated, inclusive
General note
Photo Alinari 3235., 3245. and 3242.
Fiesole (Firenze), S. Ansano Carved altar bracket, undated, inclusive
General note
Photo Brogi 9840.
Fiesole (Firenze), S. Domenico di Fiesole Carved wooden bench, undated, inclusive
General note
Photo Alinari 3615.
Firenze, Badia Fiorentina Wooden choir stalls (detail), undated, inclusive
General note
Photo Alinari 2058., 2059.
Firenze, Galleria degli Uffizi Marble cinerary urn and candelabrum, undated, inclusive
General note
Photo Brogi 9313.
Firenze, Museo Nazionale del Bargello Carved stone bracket beneath a tabernacle, undated, inclusive
General note
Photo Brogi 9465.
Firenze, Palazzo Vecchio Carved marble portal by Benedetto da Maiano (with detail), undated, inclusive
General note
Photo Alinari 3065. and 3066.
Firenze, Palazzo Vecchio Carved wood ceiling (detail), undated, inclusive
General note
Photo Alinari 3057.
Firenze, Palazzo Ferroni Carved marble heraldic device, undated, inclusive
General note
Photo Alinari 3680.
Firenze, Santissima Annunziata Tomb of Orlando de' Medici, undated, inclusive
General note
Photo Alinari 29374.
Firenze, S. Croce Details of the pulpit by Benedetto da Maiano, undated, inclusive
General note
Photo Alinari 2128.
Firenze, S. Croce Tomb of Carlo Marsuppini (with details), undated, inclusive
General note
Photo Alinari 2112. and Brogi 5832a.
Firenze, S. Croce Tomb of Leonardo Bruni, undated, inclusive
General note
Photo Brogi 5821.
Firenze, S. Lorenzo (Sagrestia Vecchia) Carved marble balustrade, undated, inclusive
General note
Photo Brogi 8672.
Firenze, S. Lorenzo (Sagrestia Nuova) Marble candelabrum, undated, inclusive
General note
Photo Brogi 10291.
Firenze, formerly S. Maria Maddalena dei Pazzi Cast of a pulpit by Benedetto da Maiano, undated, inclusive
Firenze, S. Maria Novella (Chiostro Grande) Carved architrave of the portal of the Cappella del Nocentino, undated, inclusive
General note
Photo Alinari 31215.
Firenze, S. Miniato al Monte Eagle on the roof of the Cappella del Crocifisso by Maso di Bartolomeo, undated, inclusive
General note
Photo Alinari 20418.
Firenze, S. Pancrazio, Cappella Rucellai Santo Sepolcro by Leon Battista Alberti, undated, inclusive
General note
Photo Alinari 3708a.
Firenze, S. Spirito Carved wooden bench, undated, inclusive
General note
Photo Brogi 12138.
Firenze, S. Spirito Tomb of Neri di Gino Capponi, undated, inclusive
Firenze, S. Spirito, Sagrestia, undated, inclusive
General note
1., 1a. and 1b. views of the entrance to the Sacristy
2.-7. details of the capitals
Photos Alinari 2386., 2388., 2389., 2390., 2392., 2396., 18595.
Firenze, S. Spirito Detail of a carved frame, undated, inclusive
General note
Photo Alinari 2370.
Firenze, S. Trinita Tomb of Francesco Sassetti (with details), undated, inclusive
General note
Alinari 2414., 2415., 2416., 2418., 2419.
Firenze, Torre del Gallo Carved stone capital, undated, inclusive
General note
Photo Brogi 9376.
Foligno, Palazzo Comunale Chimneypiece, undated, inclusive
General note
Photo Alinari 4878.
Genova, Palazzo Doria (Salita S. Matteo) Carved portal, undated, inclusive
General note
Photo Brogi 8770.
Gubbio, Palazzo Ducale Carved windows, undated, inclusive
Lucca, Cattedrale Pulpit by Matteo Civitali (and details), undated, inclusive
General note
Photo Alinari 8283., 8284., and 8285.
Lucca, Cattedrale Cantoria, undated, inclusive
General note
Photo Alinari 8269.
Lucca, Cattedrale Carved marble tondo, undated, inclusive
General note
Photo Alinari 8273.
Lucca, Cattedrale Carved panel of the main portal, undated, inclusive
General note
Photo Alinari 8246.
Lucca, Cattedrale Stoup by Matteo Civitali, undated, inclusive
General note
Photo Alinari 8281.
Lucca, Palazzo Arcivescovile Carved portal, undated, inclusive
General note
Photo Alinari 8311.
Lucca, Palazzo Orsetti Carved wooden portal, undated, inclusive
General note
Photo Alinari 8346.
Lucca, S. Frediano Font and lunette of the Annunciation, undated, inclusive
General note
Photo Alinari 8210.
Lucca, S. Maria della Rosa Carved portal, undated, inclusive
General note
Photo Alinari 8233.
Mantova, Palazzo Ducale Carved wood ceilings, undated, inclusive
General note
5. Photo by A. Premi, Mantova. Numbered 40.
6. Photo by A. Premi, Mantova. Numbered 58.
Milano, Museo Archeologico Roman cinerary urn, undated, inclusive
General note
Photo Brogi 13027.
Milano, Museo Civico (Museo d'Arte Antica) Carved frames for altarpieces, undated, inclusive
General note
Photo Alinari 14263., 14264.
Monreale (Palermo), Duomo Carved bronze portal by Bonanno da Pisa, undated, inclusive
General note
Photo Alinari 19636.
Napoli, church of Monte Oliveto Marble altarpiece by Benedetto da Maiano, undated, inclusive
General note
Photo Alinari 11007.
Napoli, Museo Nazionale di Capodimonte Carved Roman friezes, undated, inclusive
General note
Photo Alinari 19046. and Brogi 10457.
Napoli, Museo Nazionale di Capodimonte Carved candelabra (Farnese collection), undated, inclusive
General note
Numbered on the recto 5214. and 5247.
Napoli, Museo Nazionale di Capodimonte Carved Roman marble vases, undated, inclusive
General note
Photo Brogi 12566. and 5212.
Napoli, S. Severino Carved wooden choirstalls, undated, inclusive
General note
Numbered 8503. on the recto.
Noicattaro (Bari), Duomo.
Carved wooden choirstalls, undated, inclusive
General note
Numbered 5567. on the recto. Oversize IV.B.5.i.20. folder 292.
Orvieto, Duomo Stoup, undated, inclusive
General note
Numbered 5127. on the recto.
Padova, S. Antonio Alessandro Contarini Monument by Sanmicheli, undated, inclusive
General note
Photo Alinari 12242.
Palestrina (Roma), Palazzo Barberini Ancient Roman altar, undated, inclusive
General note
Numbered 9055. on the recto.
Parma, Battistero Detail of the carved wooden main portal, undated, inclusive
General note
Photo Alinari 15453.
Parma, S. Giovanni Detail of the choir stalls, undated, inclusive
General note
Photo by Emilia, Bologna. Numbered 107h. on the recto.
Pavia, Certosa di Pavia Detail of the carved bracket of the 16th-century pulpit, undated, inclusive
General note
Photo Alinari 14392.
Pavia, Certosa di Pavia Window on the façade of the church, undated, inclusive
General note
Photo Alinari 14338.
Perugia, Collegio del Cambio Wood panelling of the Tribune (including details), by Domenico del Tasso, undated, inclusive
General note
Photos Alinari 5019., 5020., 5024., 5029.
Perugia, Oratorio di S. Bernardino Marble relief panels by Agostino di Duccio, undated, inclusive
General note
Photo Alinari 5007., 5009.
Perugia, S. Agostino Carved choir stalls, undated, inclusive
General note
Photos by Moscioni, Roma, 5150., 5164., 5154., 5157., 5155., 5156., 5160.
Perugia, S. Pietro Carved choir stalls, undated, inclusive
General note
#1.-37. and #39.-41. Photos [by Moscioni, Roma]: only some numbers legible: 5312., 5216., 5186., 5213., 5204., 5206., 5217., 5200., 5196., 5201., 5189., 5215., 5179., 5177., 5210., 5178., 5184.
#38. Photo Alinari 5063.
Pisa, Duomo Detail of the carved wood ceiling, undated, inclusive
General note
Numbered 243. on the recto.
Pisa, Duomo Stoup, undated, inclusive
General note
Numbered 2110. on the recto.
Pisa, Duomo Carved wooden Bishop's throne in the choir, undated, inclusive
General note
Numbered 228. on the recto.
Pistoia, Palazzo Comunale Details of the carved wooden stalls, undated, inclusive
General note
#1.-3. Photo Alinari 20551., 20555., 20565.
#4. Photo Brogi 4866.
Pompei (Napoli) Carved Roman marble tables, undated, inclusive
General note
1. Photo Alinari 11352. 2., Photo Brogi 12573. 3. Numbered 5088. on the recto.
Rimini, Tempio Malatestiano Marble balustrades and detail of the carvings, undated, inclusive
General note
Photos by P. Poppi, Bologna, Numbered 4724., 4718., 4726.
Roma, Campidoglio (steps of Palazzo Senatorio) Carved stemme, undated, inclusive
General note
Photos Numbered on the recto 8751., 8750.
Roma, Musei Capitolini Tondo with Roman reliefs and Cosmati work, undated, inclusive
General note
Photo Alinari 27139.
Roma, Musei Capitolini Roman marble vases, undated, inclusive
General note
#1. Photo Brogi 16614.
Roma, Museo Nazionale Romano Roman marble cinerary urns, undated, inclusive
General note
#1. Photo Alinari 7050.
#2. and 3. Numbered 6187. and 9159.
Roma, Museo Nazionale Romano Roman Corinthian capital, undated, inclusive
General note
Numbered 9127. on the recto.
Roma, Musei Vaticani (ex Museo Laterano) Roman cippus, undated, inclusive
General note
Photo Moscioni, Roma 10522.
Roma, Musei Vaticani (ex Museo Laterano) Roman carved friezes and reliefs, undated, inclusive
General note
1. Relief from the Forum of Trajan. Photo Alinari 6350.
2. Relief from the Forum of Trajan. Photo Alinari 6356.
3. Numbered 2929., 4383.
Roma, Musei Vaticani Roman marble vases, undated, inclusive
General note
#2. Numbered 8236. on the recto.
#3. Numbered 8235. on the recto.
#4. Photo Alinari 11801.
#5. Numbered 3251. on the recto.
#6. Photo Alinari 11802.
#7.-9. Numbered 5265. on the recto.
#10.-11. Numbered 5266. on the recto.
#12.-13. Photo Alinari 11800.
#14. Numbered 8234. on the recto.
#15. Numbered 8237. on the recto.
#16. Numbered 3250. on the recto.
#17. Photo Moscioni, Roma 3952.
Roma, Musei Vaticani Roman marble candelabra, undated, inclusive
General note
#1. Numbered 8298. on the recto.
#2. Photo Brogi 8299.
#3. Numbered 8232. on the recto.
#4. Numbered 5269. on the recto.
Roma, Musei Vaticani Roman carved marble tables, undated, inclusive
General note
#2. Numbered 8239. on the recto.
Roma, Musei Vaticani Roman carved base, undated, inclusive
Roma, Vaticano, Cappella Sistina Details of the 15th-century choir screen, undated, inclusive
General note
#1. Photo Alinari 26919.
#2. Numbered 4214. on the recto.
Roma, Vaticano, Loggia di Raffaello Stucco and carved wood grotteschi, undated, inclusive
General note
#1. Numbered 8258. on the recto.
#2. Numbered 2338. on the recto.
#3. Numbered 2332. on the recto.
Roma, Vaticano, Appartamento Borgia Chimneypiece and carved portal, undated, inclusive
General note
#1. Photo Alinari 11873.
#2. Photo Alinari 11870.
Roma, Palazzo Caffarelli Bas-reliefs, undated, inclusive
General note
Numbered 8849. on the recto.
Roma, Palazzo Venezia Carved portal, undated, inclusive
General note
Numbered 4300. on the recto.
Roma, Palazzo Zuccari Carved window, undated, inclusive
General note
Numbered 310A. on the recto.
Roma, Via Tuscolana, Porta Furba Wall fountain, undated, inclusive
General note
Photo R. Moscioni 4373.
Roma, Santi Apostoli Roman bas-relief of an eagle holding an oak-wreath (from Trajan's Forum), undated, inclusive
General note
Photo Alinari 6064.
Roma, S. Clemente Detail of a marble transenna, undated, inclusive
General note
Photo R. Moscioni 20009.
Roma, S. Eusebio Carved choir stalls, undated, inclusive
General note
Numbered 8021. on the recto.
Roma, S. Lorenzo fuori le Mura Cosmatesque ambone, undated, inclusive
General note
Photo Alinari 5871.
Roma, S. Maria in Aracoeli Two carved stemme, undated, inclusive
General note
#1. Annotated on the verso "8737. Stemma del Cardinale Valentini, S.M Aracoeli".
#2. Valentini heraldic device, Numbered 8739. on the recto.
Roma, S. Maria sopra Minerva Putto on the arch of the Cappella Caraffa, undated, inclusive
General note
Photo Alinari 20139. (rubber stamp on the verso: refuse copy).
Roma, S. Maria del Popolo Carved heraldic device of Cardinal di Castro, undated, inclusive
General note
Numbered 8736. on the recto.
Roma, S. Maria in Trastevere Capitals and architrave, undated, inclusive
General note
Numbered 6747. on the recto.
Roma, S. Maria della Vittoria Carved niche, undated, inclusive
General note
Numbered 8763. on the recto.
Roma, S. Pietro in Montorio Details of a carved balustrade with putti, undated, inclusive
General note
Numbered 2424., 2425., and 2426. on the recto.
Roma, S. Sabina Detail of the carved wood portal, undated, inclusive
General note
Numbered 2980. on the recto.
Roma, Tabularium (Campidoglio) Detail of the frieze from the Temple of Concord, undated, inclusive
General note
Numbered 5248. on the recto.
Roma, Villa Albani Roman marble vases, undated, inclusive
General note
Photos Alinari 27740., 27732.
Roma Roman carved frieze found in Ostia, undated, inclusive
General note
Numbered 327. on the recto.
[Roma] Carving from an ancient Roman building, undated, inclusive
Siena, Cattedrale carved wooden choir stalls and lectern, undated, inclusive
General note
#1. Photo Alinari 8966.
#2.-5. Photo Lombardi, Siena.
#7. Photo Alinari 8967.
#8. Photo Lombardi, Siena.
#9. lectern Photo Alinari 8968.
#10. lectern Photo Lombardi, Siena.
Siena, Loggia dei Nobili, undated, inclusive
General note
#1. carved bench, Photo Lombardi, Siena. Annotated on the verso. "1002. Peruzzi. Loggie dei Nobili, Siena".
#2. carved bench. Photo Lombardi, Siena. Numbered 1001. on the verso.
#3. carved bench. Photo Lombardi, Siena. Numbered 992. on the verso.
Siena, S. Domenico Marble intarsia pavement in the Cappella di S. Caterina, undated, inclusive
General note
Photo Anderson 21695.
Siena, S. Maria in Portico a Fontegiusta Carved high altar by Marrina, undated, inclusive
General note
Photo Alinari 9060.
[Siena] Portals, undated, inclusive
General note
Photos by Lombardi, Siena. Numbered on the verso 977., 979., 1026., 1023.
[Siena] Carved window, undated, inclusive
General note
Photo Lombardi, Siena. Numbered on the verso 973.
[Siena] Carved column, undated, inclusive
General note
Photo Lombardi, Siena. Numbered on the verso 19.
[Siena] Carved capital and detail of a frieze, undated, inclusive
General note
Photo Lombardi, Siena. Numbered on the verso 925.
[Siena] Carved ceiling, undated, inclusive
General note
Photo Lombardi, Siena. Numbered on the verso 999.
[Terni] Carved wood ceiling, undated, inclusive
Todi, S. Fortunato Choir stalls, undated, inclusive
General note
Photo Alinari 5199.
Torino, Palazzo Reale Marble staircase, undated, inclusive
General note
Photo Numbered 15354. on the recto.
Tuscania (formerly Toscanella) (Viterbo), S. Agostino, Cappella Ludovisi Carved portal (and detail), undated, inclusive
Venezia, Arsenale Bronze base, undated, inclusive
General note
Photo by C. Naya, Venezia.
Venezia, Casa dei Quattro Evangelisti Carved doorway, undated, inclusive
General note
Photo Alinari 32106.
Venezia, Museo Archeologico (formerly in Palazzo Ducale) Classical carved bases and candelabrum, undated, inclusive
General note
#1. Photo C. Naya, Venezia. Numbered 2159. on the recto.
#2. Photo Alinari 12917.
#3. Photo C. Naya, Venezia.
Venezia, Museo Civico (now Museo Correr) Carved stoup, undated, inclusive
General note
Photo C. Naya, Venezia.
Venezia, Palazzo Ducale, Scala dei Giganti Detail of the carving, undated, inclusive
General note
Photo C. Naya, Venezia.
Venezia, Palazzo Ducale, Scala d'Oro Details of the carved panels, undated, inclusive
General note
#1. Photo C. Naya, Venezia
#2. Photo Alinari 12602.
#3. Photo C. Naya, Venezia.
#4. Photo C. Naya, Venezia. Numbered 2165. on the recto.
#5. Photo C. Naya, Venezia. Numbered 2163. on the recto.
#6. Photo C. Naya, Venezia. Numbered 2162. on the recto.
Venezia, Palazzo Ducale Carved heraldic device of Doge Barbarigo, undated, inclusive
General note
Photo C. Naya, Venezia. Numbered 2102. on the recto.
Venezia, Palazzo Ducale Chimneypieces, undated, inclusive
General note
#1.-6. Photos by C. Naya, Venezia, numbered 2309., 2310., 2322., 2312., 2313. on the recto.
#7.-8. Photos by Alinari 12604., 12603.
#9. Photo C. Naya, Venezia.
#10.-11. Photos C. Naya, Venezia. Numbered 2318., 2315. on the recto.
Venezia, Palazzo Guizetti (Rio della Fava) Carved portal and window, undated, inclusive
General note
Photo C. Naya, Venezia.
Venezia, Piazzetta Column with the winged lion of St Mark, undated, inclusive
General note
Photo Alinari 12639.
A pencil sketch on the verso.
Venezia, S. Giobbe Carved altar, undated, inclusive
General note
Numbered 319. on the recto.
Venezia, S. Giorgio Maggiore Carved choir stalls, undated, inclusive
General note
Photo C. Naya, Venezia. Numbered 3673. on the recto.
Venezia, Basilica di S. Marco 13th-century carving over a portal of the façade, undated, inclusive
General note
Photo Alinari 32427.
Venezia, Basilica di S. Marco Sculptural decoration on the façade, undated, inclusive
General note
Photos by Naya, Venezia, numbered 2339., 2340., 2341., 2342., and 2343. on the recto.
Venezia, S. Maria Gloriosa dei Frari Monument of Jacopo Marcello, undated, inclusive
Venezia, S. Maria dei Miracoli Details of the carved marble decoration and stoup, undated, inclusive
General note
Photos C. Naya, Venezia, numbered 2186., 2187., 2188., 2189., 2265., 2273. on the recto.
Venezia, S. Maria dei Miracoli Detail of the wooden ceiling, undated, inclusive
General note
Photo C. Naya, Venezia. Numbered 2252. on the recto.
Venezia, S. Michele in Isola Carved portal, undated, inclusive
General note
Photo C. Naya, Venezia. Numbered 2044. on the recto.
Venezia, S. Zaccaria Carved portal and carved decoration, undated, inclusive
General note
Photos C. Naya, Venezia, numbered 2040., 2041. and 2042. on the recto.
Venezia, Scuola Grande di San Marco Portal (and detail of the carving), undated, inclusive
General note
#1. Photo C. Naya, Venezia, numbered 2054. on the recto.
#2. Photo Alinari 12558.
Venezia, Scuola Grande di S. Marco Detail of the wood ceiling, undated, inclusive
General note
Photo Alinari 13019.
Romanesque sculpture in Tuscany, undated, inclusive
General note
IV.B.5.i.22a., oversized folder 291a. (boxed separately on the same shelf).
100 photographs by Bencini and Sansoni, Firenze of romanesque sculpture in Tuscany, with an inventory. Contained in a volume with, on the spine: "Archivio Fotografico, Sculture romaniche. Toscane. 1. Serie. 100 tavole."
5 Decorative sculpture and carving, ii. Europe
Angers, Musée Pincé Chimneypiece (with a sculpture), undated, inclusive
Beauvais, Cathedral 16th-century carved friezes, undated, inclusive
General note
Photo Numbered 920. on the recto and verso.
[Bruges] Chimneypiece, undated, inclusive
General note
Annotated on the verso "A 1357.".
[Bruges] Carved portal, undated, inclusive
General note
Annotated on the verso "783. No. 1993.
Portail au Greppe de Bruges. XVI siècle".
Bruxelles Chimneypiece, undated, inclusive
General note
Annotated on the verso "776. No. 1521
cheminée par les frères Lombardi. Bruxelles. Palais de S.A.R. mgr. Le Comte de Flandres. XVI° siecle."
Gaillon, Chateau de Gaillon.
Carved wood panels, undated, inclusive
General note
Oversize IV.B.5ii.23. folder 293.
Limoges, Cathedral Carved marble [pulpit], undated, inclusive
General note
Numbered 927. on the recto. Photo by A. Legros, Paris.
Munchen, Glyptothek Carved Roman base, undated, inclusive
General note
Photo Numbered 439. by Verlagsanstalt Bruckmann, Munchen.
Paris, Notre-dame 15th-century carved marble relief, undated, inclusive
General note
Photo Alinari 24081.
Paris, Musée de Cluny Chimneypiece, undated, inclusive
General note
Photo Numbered 1008. on the recto by X. Photo.
Paris, Musée de Cluny Wood carvings, undated, inclusive
General note
Photo Numbered 125. on the recto.
Paris, Musée du Louvre Ancient Roman marble carvings, undated, inclusive
General note
Photos by Giraudon (and A.G.), numbered on the recto 1080., 1071., 1070., 1069.
#6. Captioned on the recto: "Verlag der Nenen Photogr. Gesellschaft A.-G. Berlin-Steglitz 1903" and numbered 12565.
Paris, Musée du Louvre Marble carvings (and busts), undated, inclusive
General note
#1. Annotated on the verso "777. No. 396. La trone de Saturne dépouillé par les Amours. Paris - Musée du Louvre"
#2. Annotated on the verso "775. No. 1741. Candélabre. Gand - Eglise St Ba[..] (Benedetto da Rovezzano) XVI° Siècle".
Paris, Musée du Louvre Carved portal, undated, inclusive
General note
Photo Alinari 22312.
Paris, Musée du Louvre Detail of a wooden choir stall, undated, inclusive
General note
Photo by A.G. Numbered 3094. on the recto.
Paris, Musée du Louvre Carved friezes from the tomb of Paul II, undated, inclusive
General note
#1. numbered 2660. on the recto.
#2. Photo Alinari 22345.
Paris, Musée du Louvre Carved frieze by Jean Goujon, undated, inclusive
General note
#1. Numbered 956. on the recto.
#2. Numbered 2369. on the recto.
Paris, Musée du Louvre 16th-century fountain (from Chateau de Gaillon), undated, inclusive
General note
Photo Alinari 22318.
Paris, Musée du Louvre Marble carvings, undated, inclusive
General note
Photo Alinari 22264.
Paris, Musée du Louvre Carved putti (and a vase), undated, inclusive
General note
Photo by J. Ku[hn], Paris. Numbered 653. on the recto.
Santiago, S. Martin Carved altars, undated, inclusive
General note
Photos by J. Lacoste, Madrid, numbered 143. and 139. on the recto.
Toledo, Cathedral Carved wooden doors, undated, inclusive
General note
Photos numbered 1404. and 1405. on the recto.
6 Garden statues, i. Italy
Firenze, Giardino di Boboli Fountain with statue in the Vasca dell'Isolotto, undated, inclusive
General note
#1. Photo Brogi 8941.
#2. detail of the fountain.
Firenze, Giardino di Boboli Detail of a statue in the Vasca dell'Isolotto, undated, inclusive
General note
Photo Brogi.
Firenze, Giardino di Boboli Two statues, undated, inclusive
General note
Photo Alinari 2962.
Firenze, Giardino di Boboli Fontana della Vendemmia by Valerio and Simone Cioli, undated, inclusive
General note
Photo Numbered 6018. on the recto.
Roma, Musei Vaticani Statuary group with a centaur and marine figures, undated, inclusive
General note
Photo by G. Sommer, Napoli.
6 Garden statues, ii. Europe
Fontainebleau Sculptural group, undated, inclusive
General note
Photo by L.P. Numbered 3274. on the recto.
Versailles, Chateau de Versailles Statues, undated, inclusive
General note
Photo Alinari 25799., 25801., 25806., 25812.
[Versailles, Chateau de Versailles] Garden statuary, undated, inclusive
7 Garden or exterior decorative sculpture, i. Italy
Bagnaia (Viterbo), Villa Lante Detail of garden steps, undated, inclusive
General note
Photo R. Moscioni, Roma, 22201.
Capo d'Istria (now Koper), Trieste Public fountain, undated, inclusive
General note
Photo Alinari 21218.
Caserta (Napoli), Villa Reale Cascata, undated, inclusive
General note
Photo R. Moscioni, Roma 11002.
Firenze, Palazzo Bartolommei, Via Lambertesca Wrought-iron gateway, undated, inclusive
General note
Photo Alinari 2844a.
Firenze, Palazzo Pitti Marble fountain at the top of the garden staircase, undated, inclusive
General note
#1. Photo Brogi 9779.
#3. Photo Alinari 3297.
Frascati (Roma), Villa Aldobrandini Fountain, undated, inclusive
General note
Photo R. Moscioni, Roma 21555.
Frascati (Roma), Villa Falconieri Entrance gate, undated, inclusive
General note
Photo R. Moscioni, Roma 3393.
Frascati (Roma), Villa Lancellotti Entrance gate, undated, inclusive
General note
Photo Numbered 2434. on the recto.
Napoli, Museo Nazionale di Capodimonte Well-head, undated, inclusive
General note
Photo Alinari 19078.
Palermo, Villa Tasca Pond with circular temple, undated, inclusive
General note
Photo Brogi 10862.
Perugia, Piazza del Duomo Fontana Maggiore, undated, inclusive
General note
Photo Alinari 5032.
Pisa, Piazza del Duomo Public fountain, undated, inclusive
General note
Photo Alinari 8670.
Roma, Palazzo Borghese Wall fountain, undated, inclusive
General note
Photo Numbered 6316. on the recto.
Roma, Palazzo Lante Wall fountain, undated, inclusive
General note
Photo Numbered 4297. on the recto.
Roma, Piazza Navona Fontana del Moro, undated, inclusive
General note
Photo by R. Moscioni, Roma Numbered 22007.
Roma, Villa Borghese (Tempietto) circular garden temple, undated, inclusive
General note
Photo Brogi 12094.
Roma, Villa Della Porta, Via Portuense (now Via E. Rolli) Gateway named 'Villa a Porta de Rodiani', undated, inclusive
General note
Photo R. Moscioni, Roma. Numbered 2472.
[Roma] Fountain basin, undated, inclusive
General note
Photo R. Moscioni, Roma. Numbered 2132.
Siena, Il Campo Fonte Gaia, undated, inclusive
General note
Photo Numbered 4350. on the recto.
Tuscania (formerly Toscanella), Viterbo Wall fountain at S. Marco, undated, inclusive
General note
Photo R. Moscioni, Roma. Numbered 4476.
Venezia, [Campo dei Miracoli] Well-head, undated, inclusive
General note
Photo C. Naya, Venezia. Numbered 2135.
Venezia, Istituto Manin Well-head, undated, inclusive
General note
Photo C. Naya, Venezia. Numbered 2146.
Venezia, Palazzo Ducale Bronze well-head in the courtyard, undated, inclusive
General note
Photo Alinari 12594., 12595.
7 Garden or exterior decorative sculpture, ii. Europe
Chantilly, Chateau Garden vases, undated, inclusive
General note
Photos by L.P., numbered 2399., 2397., 2396.
Versailles, Chateau de Versailles Garden vases, tables, and fountains, undated, inclusive
General note
Photos by L.P., numbered 215., 226., 268., 270., 2610., 2615., 2650., 2665., 2667., 871., 535., 2199.
Versailles, Chateau de Versailles Garden fountains, undated, inclusive
General note
Photos Alinari 25805., 25807., 25822.
Versailles, Grand Trianon Vases and garden benches, undated, inclusive
General note
Photos by L.P., numbered 2590., 2591., 2595.,2596.
8 Decorative arts, i. Italy
Firenze, Biblioteca Laurenziana Stained glass, undated, inclusive
General note
Photo Alinari 3775.
Firenze, Certosa di Galluzzo Stained glass, undated, inclusive
General note
Photo Alinari 4531.
Firenze, Museo Nazionale del Bargello Bronze andiron by Pietro Tacca, undated, inclusive
General note
Photo numbered 5510. on the recto, and 2624. on the verso.
Firenze, Museo Nazionale del Bargello Bronze candelabra, undated, inclusive
General note
#1. Photo Alinari 2633.
#2. by Valerio Cioli, Photo Alinari 2635.
#3. and 4. by Valerio Cioli (details).
Photos Alinari 2626. and 2637.
Firenze, Palazzo Medici Riccardi (Galleria) Painted mirrors, undated, inclusive
General note
Photos by Brogi and Reali.
Sketches on the versos.
Firenze, Palazzo Vecchio Iron weather-vane (Marzocco), with a view over the rooftops to the Duomo, undated, inclusive
General note
Photo Alinari 17045.
Napoli, Museo Nazionale di Capodimonte Porcelain decoration on the walls and ceiling of a room, undated, inclusive
General note
#1. Photo Brogi 12839.
#2.-3. Photo Alinari 34401.
#4.-5. Photo Alinari 34402.
#6.-7. Photo Alinari 34403.
Napoli, Museo Nazionale di Capodimonte.
Porcelain decoration on the walls and ceiling of a room (details), undated, inclusive
General note
Oversize IV.B.8.i.24. folder 294.
Napoli, Museo Nazionale di Capodimonte [Bronze] vase, undated, inclusive
General note
Photo Numbered 5736. on the recto.
Pavia, Certosa di Pavia Mosaic altar frontal, undated, inclusive
General note
Photo Brogi 8242.
Pisa, Duomo Bronze lamp from the nave, by Battista Lorenzi, undated, inclusive
General note
Photo Alinari 8598.
Pistoia, Duomo Bronze candelabrum, undated, inclusive
General note
Photo Alinari 10174.
Trapani, Madonna dell'Annunziata Bronze [lectern], undated, inclusive
General note
Photo Brogi 12059.
Venezia, Museo Correr Bronze candelabrum, by Alessandro Vittoria (detail), undated, inclusive
General note
Photo Alinari 12549.
Venezia, Museo Archeologico (ex Palazzo Ducale) Bronze andirons (fragment), undated, inclusive
General note
Photo Alinari 12899.
Venezia, S. Giorgio Maggiore Bronze candelabra, undated, inclusive
General note
Photo Alinari 12957, 12956., and 12432.
Venezia, S. Maria della Salute Bronze candelabrum by Andrea Bresciano, undated, inclusive
General note
#1. Photo Alinari 12516
#2. Photo C. Naya, Venezia, numbered 291.
[Venezia] Bronze candelabrum by Roccatagliata, undated, inclusive
8 Decorative arts, ii. Europe
Paris, Musée du Louvre Vases in precious stones, undated, inclusive
General note
Annotated on the recto with letters, and (illegible "2 [Fenwick]") on the versos
Photos by A. Giraudon, Numbered on the recto 2896., 2856., 2279., 2280.
8 Decorative arts, iii. US
New York, Metropolitan Museum of Art Chinese porcelain vases, undated, inclusive
General note
Numbered on the versos: 20709., 20712., 20856., 20857., 20876., 20937., 23454., 23488., 23487., 23484., 23483., 23459., 23512., 23513., 23514., 23805g.
9 Textiles
Tapestry, London, Victoria and Albert Museum., undated, inclusive
General note
Photo, numbered 30758. on the verso, copyright of the Victoria and Albert Museum.
Oversize, IV.B.9.24. folder 295.
10 Furniture, i. Italy
Firenze, Castello di Vincigliata Cassettone (chest of drawers) owned by Temple Leader, undated, inclusive
General note
Photo Numbered 2167. on the recto.
Firenze, Museo Nazionale del Bargello Cassapanca and cassoni (chests), undated, inclusive
General note
Photo Alinari 2745. and Brogi 9433.
Lucca, Palazzo Mansi Cassapanca (chest), undated, inclusive
General note
Photo Alinari 8338.
Lucca, Pinacoteca [Museo Nazionale di Palazzo Mansi] Carved bench, undated, inclusive
General note
Photo Alinari 8360.
Milano, Museo Civico Chairs and a stool, and cassone (chest), undated, inclusive
General note
Photo Alinari 14255., 14256.
Napoli, Museo Nazionale di Capodimonte Ancient Roman marble table, undated, inclusive
General note
Photo Numbered 5785. on the recto.
Napoli, Museo Nazionale di Capodimonte Bronze tripod, undated, inclusive
General note
Photo Alinari 11278.
Parma, Museo di Antichità [Galleria Nazionale] Sacristy cupboard, undated, inclusive
General note
Photo Alinari 15485. Annotated on the verso "Monsieur Acton".
Poggio a Caiano (Prato), Villa Medicea di Poggio a Caiano Cassone (chest), undated, inclusive
General note
Photo [Brogi] Numbered 9764. on the recto.
Poggio a Caiano (Prato), Villa Medicea di Poggio a Caiano Dressers, undated, inclusive
General note
Photos by Brogi 9762. 9763., and 9766.
Venezia, Basilica di S. Marco Bishop's throne in carved wood, undated, inclusive
General note
Photo Naya, Venezia. Numbered 3820. on the recto.
10 Furniture, ii. Europe
Dijon, Musée de Dijon Tables (Henri II), undated, inclusive
London, Victoria and Albert Museum Chair, undated, inclusive
General note
Museum photo, numbered 57466. on the verso.
Paris, Musée de Cluny Cabinet and bureau, undated, inclusive
General note
Photos numbered on the recto 57. and 41.
Paris, Musée du Louvre Chairs, undated, inclusive
General note
#1. numbered 118. on the recto.
#2. Photo by A.G. [Giraudon], numbered 3067. on the recto.
Paris, Musée du Louvre Table, undated, inclusive
General note
#1. Photo L.P., numbered 3451. on the recto.
#2. Photo A.G. [Giraudon], numbered 3149. on the recto.
Paris, Musée du Louvre Cassone (chest), and a female bust, undated, inclusive
General note
#1. illegible annotation on the verso.
#2. Photo by L.P., numbered 3473. on the recto.
Paris, Musée du Louvre Bed in an alcove, undated, inclusive
General note
Photo by A.G. [Giraudon]. Numbered 182. on the recto.
[France] Four-poster bed, undated, inclusive
General note
Caption illegible on the recto, numbered [..]508.
10 Furniture, iii. US
New York, Metropolitan Museum of Art Chairs, bureau-cabinet, and a stand, undated, inclusive
General note
Photos numbered on the verso 52740g., 19352g., 40914g.
11 Works of art used as illustrations in Harold Acton's published works
Photos used as illustrations in The Last Medici', undated, inclusive
General note
#1. Firenze, Galleria degli Uffizi
Portrait of Leopoldo de' Medici by Giusto Suttermans. Photo Brogi 22041.
#2. Firenze, Galleria degli Uffizi.
Portrait of Vittoria della Rovere by Carlo Dolci. Photo Brogi 7844. (Reali).
#3. Portrait of Ferdinando II de' Medici by Giusto Suttermans. Photo Reali.
#4. Poggio a Caiano, Villa di Poggio a Caiano, Prato
Portrait of Ferdinando II de' Medici by Giusto Suttermans. Photo Brogi 19174.
#5.-6. Poggio a Caiano, Villa di Poggio a Caiano, Prato
Portrait of Cosimo III de' Medici by Giusto Suttermans. Photo Brogi 19173.
#7.-8. Portrait of a ruler. Photo Brogi. Numbered on the verso 3374/4.
#8. Annotated on the verso "Giov. Francesco. Richter 1969. 4.25 " wide."
#9. Firenze, Galleria degli Uffizi marble portrait bust of Gian Gastone de' Medici. Photo Brogi 18946.
#10. Poggio a Caiano, Villa di Poggio a Caiano, Prato view of the exterior.
11. Firenze, Villa Demidoff, Pratolino. Colossal statue of Appenninio by Giambologna. Photo Alinari 3315.
12. Lucca, Pinacoteca (Palazzo Mansi). Portrait of Vittoria della Rovere and her son Cosimo III de' Medici by Giusto Suttermans. Photo Brogi 11914 (Reali).
13. Firenze, Palazzo Medici Riccardi. Detail of the ceiling frescoed by Luca Giordano. Photo Brogi 2096. (Reali).
14. Firenze, Galleria degli Uffizi. Portrait of Cardinal Leopoldo de' Medici by Baciccio. Photo Brogi 19007.
[Photo used as an illustration in "The Bourbons of Naples"], undated, inclusive
General note
Annotated on the verso: 85 x 34. Photo Boccardi, Roma.
Photos used in Great Houses of Italy: The Tuscan Villas, undated, inclusive
General note
#1. Drawing of HA by Luciano Guarnieri (1973).
#2. Il Trebbio, a Medicean villa near Florence.
Subseries C: Interiors
1 Italy
Appiano (Eppen), Bolzano Castel Ganda (Schloss Gandegg), undated, inclusive
General note
Numbered 1518. on the verso and annotated. Photo by Otto Schmidt, Wien.
Cortina d'Ampezzo, Bolzano Cappella del Collegio Linguistico 'Orsoline del Sacro Cuore' at Faloria, undated, inclusive
General note
Annotated on the verso. Photo by Giuseppe Ghedino, Cortina.
Firenze, Biblioteca Laurenziana Vestibule, 1906, inclusive
General note
Photo Alinari 1906.
Firenze, Biblioteca Marucelliana, Interior, undated, inclusive
General note
Photo Brogi.
Firenze, Galleria degli Uffizi Sala dell'Ermafrodite, undated, inclusive
General note
Photo Alinari 1299.
Firenze, Museo Horne Room 1, undated, inclusive
General note
Photo by Gherardelli e Guadagni, Firenze.
Firenze, Palazzo Davanzati [Interior at the time of Elia Volpi, 1° arredo 1910-1916], ca. 1910, inclusive
General note
#1. Numbered 18028. on the verso.
#2. with the embossed stamp of Alinari on the recto and numbered 44. on the verso.
Interior, Firenze, Palazzo Davanzati [at the time of Elia Volpi, 1° arredo ca. 1910], ca. 1910, inclusive
General note
Oversize, IV.C.1.25. folder 296.
Photo Brogi, Numbered 18928.
Firenze, Palazzo Davanzati [Interior after 1910], ca. 1910, inclusive
General note
#1. Photo Brogi
#2. Photo Alinari, numbered 43. on the verso.
Firenze, Palazzo Davanzati Bedroom on the upper floor, undated, inclusive
General note
#1. numbered 33. on the recto.
#2. Photo Brogi.
#3. Photo Brogi, numbered on the verso 24025/26.
[Firenze, Palazzo Davanzati], undated, inclusive
General note
#1. interior of a dining room. Annotated on the verso "lunghezza m. 26 altezza m. 1,69. 9-9-4-4"
#2. detail of a painted frieze.
#3. sculpted Madonna and Child in a niche.
#4.-7. detail of the Madonna and Child.
Firenze, Palazzo Serristori Salone, undated, inclusive
General note
Printed on the recto: Fotocalcografia Fa[setti].
Firenze, S. Lorenzo Sagrestia Vecchia, undated, inclusive
General note
Photo Alinari 2223.
Firenze, Villa Torrigiani, Quinto (Sesto Fiorentino Quinto Library, undated, inclusive
General note
Annotated on the verso.
Mantova, Palazzo Ducale Sala dei 4 Marchesi (Corte Vecchia), undated, inclusive
General note
Photo A. Premi, Mantova. Numbered 39. on the recto.
Pisa, Baptistery interior, undated, inclusive
General note
Numbered 9417. on the recto.
Pistoia, Madonna dell'Umiltà Atrium, undated, inclusive
General note
Photo Alinari 10209.
Roma, Musei Capitolini interior, undated, inclusive
Roma, Musei Vaticani Sala degli Animali, undated, inclusive
General note
#1. Photo Alinari 21210.
Roma, Palazzo Antici Mattei Sala da Pranzo, undated, inclusive
Roma, S. Giovanni in Laterano Loggetta Ponteficale, undated, inclusive
General note
Photo R. Moscioni, Roma, 20781.
Venezia, Santi Giovanni e Paolo, interior, undated, inclusive
General note
Cappella del Rosario, showing the damage in the fire of 1867, Photo Alinari 12435.
Vigo di Ton (Trento), Castel Thun, interior, undated, inclusive
General note
Photos by Otto Schmidt, Wien.
#2. numbered 1528. on the verso.
2 Europe
Chantilly (Oise), Chateau Sala de la Grande Singerie, 1929, inclusive
General note
Photo Alinari 42189. dated 1929.
Elstree, Hertfordshire, Aldenham Estate (formerly the property of Lord (Edward) Acton, 1834-1902), interiors, undated, inclusive
General note
Photos from a sale catalogue of Christie, Manson and Woods Ltd.
#1. Annotated on the verso "Aldenham. Library sold to Carnegie".
Lugrin, Savoy, Chateau de Tourronde Residence of the Duchesse de Vendome, princess de Belgique, undated, inclusive
General note
Photos by Jongh, Lausanne.
Madrid, [Royal Palace].
Photos by M. Moreno, Madrid.
#2. numbered 393. on the recto.
#3. numbered 394. on the recto.
Interiors, undated, inclusive
General note
Oversize, IV.C.2.25. folder 297.
[Munchen, Royal Palace].
Photos by F. Albert, Munchen. Annotated on the verso.
Interiors, undated, inclusive
General note
Oversize, IV.C.2.25. folder 298.
Rennes, Palais de Justice Salle de l'Ancien Parlement de Bretagne, undated, inclusive
General note
Photo by N.J., Numbered 2417. on the verso.
3 US
Beaumont, California, The Edward Dean Museum of Decorative Arts, Interiors and exteriors, ca. 1958, inclusive
General note
Annotated [in 1958] on the verso by Edward Eberle who created the museum and lived there with Guy Mitchell
Photos by Harold Davis, California.
#1. Annotated on the verso "4 Italian paintings, Prodigal Son. 17th century Spanish Madonna. 18th century Italian console. 19th century German bronze by Franck von Stuck".
#2. Annotated on the verso "Entrance from hall to English Pine panelled room from Earl of Essex. Country house Cassiobury Park. Portrait by Sir Peter Lely of Ann M[…] daughter of the Earl of Rochester. Pine room was executed by Grinling Gibbins (sic. Gibbons) about 1680."
#14.-17. Color prints.
#18.-20. exteriors, with courtyard and pool.
Colorado Springs [The Trianon], residence of Charles and Virginia Baldwin, undated, inclusive
General note
Sketches for the design were made by Stanford White before his death in 1905. Annotated on the verso by AA "home of Baldwins".
Photos by H.L. Standley, Colorado Springs. See also oversize, V.B.4.3. folder 345.
Honolulu, Hawaii Villa La Pietra, residence of Louise and Walter Dillingham [ground floor], undated, inclusive
General note
Annotated [by Louise Dillingham] on the verso.
Some of the photos by Post.
Honolulu, Hawaii Villa La Pietra, residence of Louise and Walter Dillingham [upper floor], undated, inclusive
General note
Annotated [by Louise Dillingham] on the verso.
Some of the photos by Post.
Honolulu, Hawaii Residence of Mrs Bess Adams, mother of Louise Dillingham, undated, inclusive
General note
The 'Japanese-style' house mentioned by HA in "Memoirs of an Aesthete". Photos by Edgeworth, Honolulu.
#2. Annotated on the verso "Mrs Bess Adams Home".
New York New York University with a display of photos and books by HA, 1980s, inclusive
General note
Color prints.
New York Metropolitan Museum of Art Period interiors, including an alcova, undated, inclusive
General note
Museum photos, numbered MM1379g and MM1374g on the verso.
4 unidentified
Clinton Lodge [GB or US][Lewis David Einstein, 1877-1967], undated, inclusive
General note
#1. annotated on the verso by AA "L.E. Boudoir".
#2. annotated on the verso by AA "L.E. Clinton Lodge. Dining Room".
#3. annotated on the verso by AA "Einstein. Living Room".
#4. annotated on the verso by AA "L.E. Clinton Lodge. Library".
[US] [a house which belonged to Guy Mitchell in the 1940s], undated, inclusive
General note
#2. Annotated on the verso by Guy Mitchell: "corner of living room. Potteries by William Manker" (William Manker was a successful South California potter in the 1930s.
#5. Annotated on the verso by Guy Mitchell: "big Davenport or sofa-bed".
[US], undated, inclusive
General note
#1. Annotated on the verso "Howard Shaw #9. (1-11).
#2. Annotated on the verso "Howard Shaw #11. (1-11).
[Heisell Grange], undated, inclusive
General note
Annotated on the recto.
Annotated on the verso "Arthur Acton Esq. Palazzo Guadagni, Porta al Prato, Florence".
[Photo Brogi, Numbered 18020. and 18021. on the verso].
[Firenze] interior, undated, inclusive
General note
Oversize, IV.C.4.25. folder 299.
[House in Italy with stencilled decoration on the walls and the photo of its owner], undated, inclusive
An interior, ca. 1960, inclusive
General note
Color print [found with photographs of Alexander Zielcke].
Very fine interior, with a triptych and bust [in Italy], undated, inclusive
Very fine interior [in the US] with a collection of Asian works of art [from Burma and Siam], undated, inclusive
General note
Oversize, IV.C.4.25. folder 300.
Interior [in Europe], undated, inclusive
Five contact prints of an interior in Italy, undated, inclusive
Neg., undated, inclusive
Interiors, ca. 1930s, inclusive
Interiors, undated, inclusive
Staircase and doorway in Italy [Firenze], undated, inclusive
Subseries D: Private Collections
Belper (Lord) Collection Bacchiacca, Florentine street scene, undated, inclusive
Bernard Berenson Collection, Villa I Tatti, Firenze Sassetta, detail of St Francis in Ecstasy, undated, inclusive
General note
Annotated on the verso "in omaggio al Sig. [D.re] Acton".
First Lord Belper (Edward Strutt, 1801-1880) Purchased the collection of Duke d'Alberg for Kingston Hall, Nottinhamshire].
Annotated with measurements and description on the verso.
First Lord Belper (Edward Strutt, 1801-1880) Purchased the collection of Duke d'Alberg for Kingston Hall, Nottinhamshire], undated, inclusive
General note
Annotated with measurements and description on the verso.
Oversize IV.D.26. folder 301.
Brass Collection, Venezia Luca Giordano, Biblical Scenes, undated, inclusive
General note
#1. Photo Alinari 45404., exhibited 1922. Annotated on the verso "L. Giordano? o Castiglione? Con cornice, 0.75 - 1.20. L. 15.000".
#2. Photo Alinari 962. (corrected to 45404.), exhibited 1922. Annotated on the verso "L. Giordano o Castiglione? Con cornice, 0,75 - 1.20. L. 15.000".
(ex) Brauer Collection [Pollaiolo, school of], [bronze] bas relief, undated, inclusive
General note
Photo Reali 182.
Charles Butler Collection Piero del Pollaiolo, Two wild men bearing shields (from a cassone, painted for Agostino Chigi), undated, inclusive
General note
Annotated on the verso with a detailed description, exhibited at the Royal Academy, Old Masters Exhibition, 1884.
(ex) Du Berry (Duchesse), Collection (now Nelson Gallery and Atkins Museum, Kansas City, Missouri) Petrus Christus, Virgin and Child with St Joseph, undated, inclusive
General note
Color print.
Cailleux Collection, Paris Giovanni Boldini, Portrait of a girl in Scottish dress, undated, inclusive
General note
Exhibited at the XVIII Esposizione Internazionale di Venezia (the Biennale). Photo Giacomelli 521.
Corsini Collection, Firenze Bernardo Daddi and Giovanni da Milano, Triptych, undated, inclusive
General note
Photo Reali 181.
Corsini Collection, Firenze Gian Lorenzo Bernini, model for the Elephant in Piazza Minerva, Roma, undated, inclusive
General note
Photo Alinari 29288b.
[Emilio] Costantini Collection, Firenze Interior, with paintings and furniture of the residence of [Emilio] Costantini in Firenze, undated, inclusive
General note
Annotated on the verso by AA: "House of Prof. Costantini, 1st floor, Lungarno Guicciardini 9".
[Emilio] Costantini Collection, Firenze [Granacci], Tondo, undated, inclusive
General note
Annotated on the verso. Photo Reali 11.
(ex) [Emilio] Costantini Collection, Firenze [Fra' Diamante or Pseudo Pier Francesco Fiorentino], Madonna and Child, undated, inclusive
General note
Annotated on the verso. Photo Reali 3.
(ex) [Emilio] Costantini Collection, Firenze [Fra' Diamante or Pseudo Pier Francesco Fiorentino], Madonna and Child with angels and the young St John, undated, inclusive
General note
Annotated on the verso. Photo Reali 102. See also Villa La Pietra Collection, XXI. C.1.
Demandolx Dedons (M. le Comte de) Collection, Marseille Paintings of religious subjects (Pietà, Crucifixion, Madonna and Child, Redeemer, Female Saints, portable Triptych, Veronica, Male Saints), undated, inclusive
General note
Annotated on the verso.
Photos by Ch. Heirieis, Marseille.
Demandolx Dedons (M. le Comte de) Collection, Marseille. 14th-century Avignon Master, Scenes from the life of St Andrew, undated, inclusive
General note
Photo prints by Braun, Paris. Oversize, IV.D.26. folder 302.
De Nesselrode Collection, Amsterdam Armour (helmets and a shield), ca. 1909, inclusive
General note
Printed on the recto: "vente 28 Avril 1909, Dir. Frederik Muller and Cir. Amsterdam".
Robert Langton Douglas Collection, London Annunciation, undated, inclusive
General note
Annotated on the verso "Langton Douglas, 11 Montague Place, Bryanston Sq., London WI.".
Ilario Galaverni Collection, [Livorno] G. Batta Lepori, Landscape entitled 'Prime Piogge', undated, inclusive
(ex) [Luigi] Grassi Collection, Firenze Della Robbian lunette in enamelled terracotta of the Madonna and Child, undated, inclusive
General note
#1. Annotated on the verso by AA: "Belonged to Prof. Grassi many years ago".
(ex) [Luigi] Grassi Collection, Firenze predella scenes, undated, inclusive
General note
#1. Annotated on the verso "Botticelli. Prof. Grassi". Photo Reali 172.
#2. Annotated on the verso "Ignoto del sec. XV°. Già Collezione Prof.re Grassi" Photo Reali 69.
#3. Annotated on the verso "Ignoto del sec. XV°. Già Collezione Prof.re L. Grassi" Photo Reali 68.
Griggs Collection, New York Bernardo Daddi, St Catherine before the Emperor [or St. Reparata before the Emperor Decius], undated, inclusive
General note
Exhibited at the Mostra Giottesca, Galleria degli Uffizi, 1937. The Maitland F. Griggs Collection was bequeathed to the Metropolitan Museum of Art in 1943.
Horne Collection, Firenze Nerroccio, Madonna and Child with two Saints, undated, inclusive
General note
Annotated on the verso. Photo Reali 36.
Michael Jaffé Collection, London Attributed to Tinelli (school of Suttermans), Portrait of Cosimo III as a canon of the Lateran, undated, inclusive
General note
Annotated on the verso "Collection Mr and Mrs. Michael Jaffé, 50 Argyll Road, London W.8." with description Photo by Stearnand Sons, Cambridge.
Samuel H. Kress Collection (now Lowe Art Museum, University of Miami, Coral Gables, Florida) Unknown Master c. 1343, Triptych of the Madonna and Child with donors and St Dominic and St Elisabeth of Hungary, undated, inclusive
General note
Annotated on the verso "late follower of Duccio somewhat influenced by Ambrogio Lorenzetti" and Numbered 31.
Kerr Lawson Collection Jacopo del Casentino, Coronation of the Madonna with saints and angels, and Scenes from the Life of Christ (portable triptych), undated, inclusive
General note
Annotated on the verso.
(ex) Philip Lehman Collection, New York Icilio Federico Joni, Madonna and Child with two angels (in the style of Neroccio di Bartolomeo Landi), undated, inclusive
General note
See "Falsi d'autore", 2004, page 148. Numbered 84. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Barna da Siena (follower of), St Peter, undated, inclusive
General note
Numbered 81. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Giovanni Bellini, Madonna and Child, undated, inclusive
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Benvenuto di Giovanni, Madonna and Child, undated, inclusive
General note
Numbered 50. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Bicci di Lorenzo, Saints John the Baptist and Matthew, undated, inclusive
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Naddo Ceccarelli, Madonna and Child, undated, inclusive
General note
Annotated on the verso "Near Giacomo di Mino del Pellicciaio might be same hand as a Madonna [and] S. Giovannino in Pantano, Siena" and Numbered 33.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Carlo Crivelli (attributed), Madonna and Child, undated, inclusive
General note
Numbered 45. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Gerard David, Christ carrying the Cross with the Crucifixion, the Resurrection, and the Pilgrims of Emmaus, undated, inclusive
General note
Numbered 6. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Gerard David, Annunciation, undated, inclusive
General note
Numbered 5. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Andrea Delitio (attributed), Virgin Annunciate, undated, inclusive
General note
Annotated "Masolino" on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Bernardino Fei, Diptych with the Madonna enthroned with Saints and the Crucifixion, undated, inclusive
General note
Numbered 74. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Francesco di Giorgio Martini, Nativity (detail of God the Father with angels), undated, inclusive
General note
Top part of a panel, sawn in two in the 19th century and rejoined in 1988 with the bottom half in the National Gallery, London.
#1. Numbered 3. on the verso.
#2. Annotated on the verso "Girolamo di Benvenuto? Not sure" and numbered 35.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Giovanni di Paolo, religious paintings, undated, inclusive
General note
#1. Male Saints, numbered 69. on the verso.
#2.-3. Temple scene, numbered 47. on the verso.
#4. Scene with a nun, numbered 65. on the verso.
#5.-6. Scene from the Creation, numbered 86. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Giovanni di Paolo, Coronation of the Virgin, undated, inclusive
General note
Numbered 49. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Goya, Condesa de Altamira and her daughter Maria Agustina, undated, inclusive
General note
Numbered 17. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) El Greco, St Jerome as a scholar, undated, inclusive
General note
Numbered 18. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Corneille de la Haye (attributed), Portrait of a man, undated, inclusive
General note
Numbered 13. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Pieter de Hooch, Leisure time in an elegant setting, undated, inclusive
General note
Numbered 22. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Icilio Federico Joni, Three predella scenes from the life of St Cosma and St Damiano (copies from works by Sano di Pietro), undated, inclusive
General note
See "Falsi d'autore", 2004, cat. n. 34. Numbered 75., 76., and 77. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Icilio Federico Joni, Madonna and Child with Mary Magdalene and St Sebastian (in the style of Neroccio di Bartolomeo Landi), undated, inclusive
General note
See "Falsi d'autore", 2004, cat. n. 35. Numbered 46. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Simone Marmion, Lamentation of Christ (and the coat of arms of Charles the Bold and Margaret of York on the verso), undated, inclusive
General note
Numbered 7. and 8. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Master of St Giles, Madonna and Child, undated, inclusive
General note
Numbered 4. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Master of the Life of St John the Baptist, Beheading of the Saint and the dance of Solomé, undated, inclusive
General note
Annotated: "Baronzio" on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Master of the St Ursula Legend, Anna van Nieuwenhove presented to the Virgin and Child by St Anne, undated, inclusive
General note
Numbered 3. and 35. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) [Matteo di Giovanni], female Saint, undated, inclusive
General note
Annotated on the verso "Matteo d. Giov. Lehman".
Robert Lehman Collection (now Metropolitan Museum of Art, New York) [Matteo di Giovanni], Madonna and Child, undated, inclusive
General note
Numbered 80. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Hans Memling, Portrait of a young Man, undated, inclusive
General note
Numbered 1. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Hans Memling, Annunciation, undated, inclusive
General note
Numbered 2. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Niccolò di Buonaccorso, Coronation of the Virgin, undated, inclusive
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Petrus Christus, a Goldsmith in his shop, undated, inclusive
General note
Numbered 10. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Sir Henry Raeburn, Portrait of William Fraser of [Reelig], undated, inclusive
General note
Numbered 20. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Sano di Pietro, Madonna and Child, undated, inclusive
General note
Numbered 63. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Gerard Terborch, Portrait of the Burgomaster Jan van Duren, undated, inclusive
General note
Numbered 23. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Gerard Terborch, Portrait of Margeretha van Haexburgen, undated, inclusive
General note
Numbered 24. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Ugolino da Siena, Head of a Saint, undated, inclusive
General note
Numbered 29. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Workshop of Joos van Cleve, Holy Family, undated, inclusive
General note
Numbered 4. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Velasquez (attributed), Portrait of a Girl, undated, inclusive
General note
Numbered 25. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Imitator of Antwerp Mannerism, Adoration of the Magi, undated, inclusive
General note
Numbered 15. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Amsterdam master, Portrait of a man, undated, inclusive
General note
Numbered 21. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Franco-Flemish master c. 1475/80, Portrait of a Lady, undated, inclusive
General note
Numbered 9. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) [Flemish master], Annunciation and Scenes from the Life of Christ (exterior and interior panels of a diptych), undated, inclusive
General note
Numbered 5. and 6. on the verso.
Robert Lehman Collection (now Metropolitan Museum of Art, New York) Italian master, Nativity and Annunciation to the Shepherds, undated, inclusive
Robert Lehman Collection (now Metropolitan Museum of Art, New York) [Italian master], Crucifixion, undated, inclusive
General note
Catalogued by the Metropolitan Museum of Art, New York as "probably a forgery" on p. 268. Numbered 58. on the verso.
ex Robert Lehman Collection (gift to Oberlin, Allen Memorial Art Museum Icilio Federico Joni, Madonna of Humility (in the style of Sassetta), undated, inclusive
General note
See "Falsi d'autore", 2004, catalogue page 69. Numbered 26. on the verso.
ex Robert Lehman Collection Benvenuto di Giovanni, four panels of Saints, undated, inclusive
General note
#1.-2. St Dominic and St Peter Martyr (St Dominc presented by Robert Lehman in 1945 to Nelson Atkins Museum of Art, Kansas City and St Peter Martyr presented by Robert Lehman in 1945 to Yale University Art Gallery). Annotated on the verso "Benvenuto di Giovanni" and "Girolamo di Benvenuto" and Numbered 83.
[Robert Lehman Collection] [Flemish masters], two male Portraits, undated, inclusive
General note
Numbered 12. and 14. on the verso.
[Robert Lehman Collection] [Flemish master], Madonna of Humility (or Rest on the Flight into Egypt), undated, inclusive
General note
Numbered 16. on the verso.
[Robert Lehman Collection] [Bernardino Fei], Madonna of Humility (and Crucifixion), undated, inclusive
General note
Numbered 32. on the verso.
[Robert Lehman Collection] Ambrogio Lorenzetti, Madonna and Child, undated, inclusive
General note
Numbered 41. on the verso.
[Robert Lehman Collection] [Benvenuto di Giovanni or Priamo della Quercia], Madonna and Child with two Saints, undated, inclusive
General note
#1. Annotated on the verso "Priamo della Quercia? Not sure" and numbered 71.
#2. Annotated on the verso "Benvenuto di Giovanni" and numbered 71.
Charles Loeser Collection, Firenze Archaic statuette, ca. 1898, inclusive
General note
Annotated on the recto: "To Arthur Acton from Charles Loeser, Xmas 1898".
Lubomirski Collection, Cracow Leandro Bassano, Portrait of a young man playing a lute, undated, inclusive
General note
Photo Brogi 19150.
Mead Collection Italian 15th-century master, Madonna and Child, undated, inclusive
General note
Annotated on the verso "Mead".
Ugo Ojetti Collection, Firenze Alessandro Algardi, Bust of Cardinal Zacchia, undated, inclusive
General note
Annotated on the verso "Comm. Acton, Lungarno Guicciardini 7" (from Fernanda Ojetti, wife of Ugo, at Villa Il Salviatino, Firenze.
Paget Collection Bust of a man (oval relief or cameo), undated, inclusive
General note
Annotated on the verso "Paget Coll. 5249/N".
(ex) Paoletti Collection Painting of the Death of a monk, undated, inclusive
General note
Annotated on the verso "Ignoto. Già Collezione Dottr. Paoletti". Photo Reali 53.
Dino Phillipson Collection, Prato. [Attributed to Pontormo], Portrait of a man, undated, inclusive
General note
Annotated [by AA] on the verso.
Oversize, IV.D.27. folder 303.
Dan Fellows Platt Collection, Englewood, New Jersey Sienese 14th-century master, Madonna and Child with two angels, undated, inclusive
General note
Annotated on the verso "Ignoto Senese. Ambrogio Lorenzetti (1323-1348). Collezione Sig.re Platt. cf. Madonna in coll. of D.F. Platt in Loan Exhibition of Primitives Catalogue at Kleinb[erger] Galleries". Photo Reali 7.
Dan Fellows Platt Collection, Englewood, New Jersey [Neroccio], Madonna and Child with two Saints, undated, inclusive
General note
Annotated on the verso. Photo Reali 48.
José Luis and Beatriz Plaza Collection, Firenze (formerly Caracas) Bronze statuette of a 'Bagneuse' by Edward Degas, undated, inclusive
General note
On a Christmas card, addressed from "La Castellina" Viale A Righi 56 (formerly Avenida Les Pinos, La Florida, Caracas.
Mario Praz Collection, Roma Saverio della Gatta, two historical paintings, undated, inclusive
General note
#1. Annotated on the verso (partly illegible): "Saverio Della Gatta, 1799 (signed and dated), Shooting of patriots on the bridge of the Maddalene by the troops of Cardinal Ruffo. Tempera in the possession of Mario Praz, Roma".
#2. Annotated on the verso (partly illegible): "Saverio Della Gatta, 1799 (signed and dated), Landing of English and departure of French troops under the escort of Bourbon soldiers, at the Immacolatella. Tempera in the possession of Mario Praz, Roma".
Serristori Collection, Firenze Italian paintings, undated, inclusive
General note
#1. Mariotto di Nardo, Triptych.
#2.-3. Giacomo Pacchiarotti, Madonna and Child.
#4. Pier Francesco Fiorentino, Madonna and Child.
#5. Vittorio Crivelli, Madonna and Child.
#6. Carpaccio, Dead Christ.
#7. Perugino, Madonna and Child.
#8. 15th century Sienese school, Legend of Troy.
Simonetti Collection, Roma detail of a painted wood ceiling, undated, inclusive
General note
Rubber stamp on the verso: "Collezione Simonetti, Roma".
Chauncey D. Stillman Collection (now in the J. Paul Getty Museum, California) Pontormo, Portrait of a Halbadier, 1976, inclusive
General note
On a Christmas card from Stillman, "of an edition of 100 prints made from a photograph of the painting after it was cleaned in 1976, this is number 29"
Color photo, 1976
Adolphe Stoclet Collection, Bruxelles Barna da Siena, Deposition, undated, inclusive
Adolphe Stoclet Collection, Bruxelles [G. Baronzio or Vitale da Bologna], Coronation of the Virgin, undated, inclusive
Adolphe Stoclet Collection, Bruxelles Pietro Cavallini, Madonna enthroned with angels and Saints, undated, inclusive
Adolphe Stoclet Collection, Bruxelles Duccio di Buoninsegna, Madonna and Child, undated, inclusive
General note
Photo by Paul Becker, Ixelles. Purchased by the Metropolitan Museum of Art, New York in a Christie's sale in 2004-2005.
Adolphe Stoclet Collection, Bruxelles Duccio di Buoninsegna, St Michael Archangel, undated, inclusive
General note
Photo by Paul Becker, Ixelles.
Adolphe Stoclet Collection, Bruxelles Duccio di Buoninsegna, Crucifixion, undated, inclusive
General note
Annotated on the verso "fond argent".
Adolphe Stoclet Collection, Bruxelles Pier Francesco Fiorentino, Madonna and Child, undated, inclusive
Adolphe Stoclet Collection, Bruxelles Giotto, Nativity, undated, inclusive
Adolphe Stoclet Collection, Bruxelles Giovanni di Paolo, [St Catherine of Siena] before the Pope, undated, inclusive
General note
Photo by Paul Becker, Ixelles.
Adolphe Stoclet Collection, Bruxelles Ambrogio Lorenzetti, Madonna and Child, undated, inclusive
Adolphe Stoclet Collection, Bruxelles [Pietro Lorenzetti], Scenes from the Life of Christ (right and left panels of a polyptych), undated, inclusive
General note
Annotated on the verso "mauvaise photo".
Adolphe Stoclet Collection, Bruxelles [Pietro Lorenzetti], Crucifixion (central panel of a polyptych), undated, inclusive
General note
See 24. above. Annotated on the verso "mauvaise photo".
Adolphe Stoclet Collection, Bruxelles [Maestro della Maddalena], Madonna and Child enthroned with two angels, undated, inclusive
General note
Numbered 74224. on the verso.
Adolphe Stoclet Collection, Bruxelles Neroccio, Madonna and Child with two Saints, undated, inclusive
Adolphe Stoclet Collection, Bruxelles [Sassetta], St George, undated, inclusive
Adolphe Stoclet Collection, Bruxelles Simone Martini, Madonna Annunciate, undated, inclusive
General note
Photo by Paul Becker, Ixelles.
Adolphe Stoclet Collection, Bruxelles Simone Martini, St James, undated, inclusive
Adolphe Stoclet Collection, Bruxelles 13th-century master, Crucifixion, undated, inclusive
General note
#1. Annotated on the verso "M[o]ri. Oct 31st 1922".
#2. numbered 73458.
Adolphe Stoclet Collection, Bruxelles Giovanni di Paolo, Two scenes from the life of a female Saint, undated, inclusive
General note
Photos by Paul Becker, Ixelles.
Adolphe Stoclet Collection, Bruxelles Master of the […] of St George, Madonna Annunciate, undated, inclusive
General note
Photo by Paul Becker, Ixelles.
Adolphe Stoclet Collection, Bruxelles [14th century Italian master], Crucifixion, undated, inclusive
Adolphe Stoclet Collection, Bruxelles Late 13th century master, Crucifixion, undated, inclusive
Adolphe Stoclet Collection, Bruxelles 13th century Armenian illuminated manuscript, Madonna and Child with donors, undated, inclusive
Adolphe Stoclet Collection, Bruxelles [15th century Italian master], Madonna of Humility, undated, inclusive
General note
Annotated on the verso "Donato". Photo by Paul Becker, Ixelles.
Adolphe Stoclet Collection, Bruxelles [14th-century Piedmontese master], Adoration of the Magi, undated, inclusive
General note
Annotated on the verso.
Adolphe Stoclet Collection, Bruxelles Italian paintings, including works by Bernardo Daddi and Giovanni di Paolo, undated, inclusive
General note
Oversize, IV.D.27. folder 304.
Gregory Stroganoff Collection, Roma, undated, inclusive
General note
Annotated on the verso (partly illegible): "Gallerie Strogonof, Roma", and Numbered 2835. on the verso and 33. on the recto. Probably pre 1925.
Wolfgang Tschermak v. Seysenegg Collection, Stuttgart Giovanni della Robbia, enamelled terracotta statuette of Judith with the head of Holofernes, 1984, inclusive
General note
Color prints enclosed with a letter from the owner to HA, 25 April 1984.
Marquess of Tweeddale Collection Portrait of the Countess of Roxburghe, undated, inclusive
General note
Exhibited at the Royal Academy 1938. Annotated on the recto: "This is a beauty, blues and greens and lemon yellow".
Viganò Collection, Milano Alessandro Magnasco, Martyrdom of St Erasmus, undated, inclusive
General note
Photo Alinari 652. and 45453., captioned: "Esp. 1922, Milano - Prop. Prof. Viganò".
Elia Volpi Collection, Firenze Botticelli (attributed), Tondo of the Madonna and Child with the Young St John the Baptist and an angel, undated, inclusive
General note
Photo Reali 124.
Ralph Wornum Collection (ex General Pitt Rivers Collection) Margaritone d'Arezzo, Madonna and Child enthroned with four Saints, undated, inclusive
General note
Annotated on the verso with details of the provenance, size, bibliography, etc.
Unknown Private Collection, Venezia Leandro Bassano, Noah's Ark, undated, inclusive
General note
#1. Annotated on the verso "Bassano. 1.31-0.96. Senza cornice. L. 20.000".
#2.-4. Photo Alinari 38865.
Unknown Private Collection, [France] Delacroix, Portrait of a young man, undated, inclusive
Unknown Private Collection [Robert C. Bak, 1961] Detail of a Madonna and Child on a Christmas card, 1961, inclusive
General note
Annotated on the recto: "Season's Greetings, Robert C. Bak, 1961".
Unknown Private Collection [Cassioli Collection, Firenze, 1991] Amos Cassioli, Il Cino e Selvaggia,1864, undated, inclusive
General note
Annotated on the verso "Firenze, Piazza M. D'Azeglio 18, Natale 1991- Con tantissimi auguri, Renata Cassioli Po[…]. P.S. E' il suo libro del quale una volta mi parlò?".
Color print.
Unknown Private Collection [Massimo Frassineto] [15th century Italian master], Madonna and Child, undated, inclusive
General note
Photo Reali. Annotated on the verso [by HMA] "Massimo Frassineto".
Series V: Places
Subseries A: Italian Villas and Gardens
1 Firenze and Toscana
Firenze, Villa ANTINORI, San Martino alle Palme, 1939, inclusive
Firenze, Villa Le BALZE, Via Vecchia Fiesolana, Fiesole, undated, inclusive
General note
Color prints.
Firenze, Villa BARGAGLI Petrucci, Pozzolatico (Galluzzo), undated, inclusive
Firenze, Villa BONDI ('Il Garofano'), 31 Via delle Forbici, ca. 1911-1917, inclusive
Firenze, Villa BRAGGIOTTI, Montughi, undated, inclusive
Firenze, Villa La CAPPONCINA, Settignano, ca. 1911-1917, inclusive
General note
#1. exterior, #2-3. interiors
Firenze, Villa di CASTELLO, undated, inclusive
General note
Photo by Alinari, 3296. The fountain by Tribolo and Ammannati.
Firenze, Villa I COLLAZZI, 1903, inclusive
General note
#1-7. Negs. and prints.
Firenze, Villa I COLLAZZI, ca. 1970s, inclusive
General note
Comitato Ville Fiorentine. Color print.
Firenze, Villa CORSINI, Castello, ca. 1900s, inclusive
General note
#1-2. Neg.and print, #3. Neg. (with a vintage car), early 1900s.
Firenze, Villa CURONIA, Via Suor Maria Celeste, ca. 1970s, inclusive
General note
Color print. Comitato Ville Fiorentine.
Firenze, Villa DEMIDOFF, Pratolino, January 21, 1905, inclusive
General note
Annotated on the verso. Statue of Appennino by Giambologna.
Firenze, Villa FAVARD, undated, inclusive
Firenze, Villa GAMBERAIA, Settignano, ca. 1912-1917, inclusive
Firenze, Villa GAMBERAIA, Settignano, undated, inclusive
General note
Neg.
[Firenze, Villa GAMBERAIA, Settignano - the grotto], undated, inclusive
Firenze, Villa GAMBERAIA, Settignano, undated, inclusive
Firenze, Villa GAMBERAIA, Settignano, ca. 1970s, inclusive
General note
Comitato Ville Fiorentine. Color prints.
Firenze, Villa GAMBERAIA, Settignano, in the snow, 1968, inclusive
General note
Photo by Balthazar Korab 1968 (Korab published "Gamberaia: a photo essay", with text by HA in 1971. Annotated on the verso with a dedication to HA from Korab. Mounted photo
Firenze, Villa GELSOMINO, Via Accursio 12, undated, inclusive
Firenze, Villa LAUDER, Via di San Leonardo, with the owner Sir Thomas Dick-Lauder, 1913, inclusive
General note
No photo. A postcard to HMA. Original in the correspondence archives.
Firenze, Villa MERCEDES, Bellosguardo (also known as Villa Belvedere al Saracino and as Villa Castellani), ca. 1970s, inclusive
General note
Color print. Comitato Ville Fiorentine.
Firenze, Villa MONNA LISA, ca. 1970s, inclusive
General note
Color print. Comitato Ville Fiorentine.
Firenze, Villa MONTALTO, Maiano, ca. 1912-1917, inclusive
Firenze, Villa DELL'OMBRELLINO, Bellosguardo, ca. 1970s, inclusive
General note
Color print. Comitato Ville Fiorentine.
Firenze, Villa DELL'OMBRELLINO, Bellosguardo, after 1924, inclusive
General note
Annotated on the verso "Keppel, Bellosguardo". Colonel George Keppel and his wife Alice, mistress of King Edward VII, bought the villa in 1924.
Firenze, Villa DELL'OMBRELLINO, Bellosguardo, undated, inclusive
Firenze, Villa PALMIERI, Via Boccaccio, undated, inclusive
Firenze, Villa PASSERINI (also known as Villa del Giullarino), ca. 1908-1929, inclusive
General note
8-12 Via Pian de'Giullari. Owned by Guy Mitchell, brother of HMA 1908-1929. Negs. before the tower was heightened by Guy Mitchell.
Firenze, Villa PASSERINI (also known as Villa del Giullarino), ca. 1908-1929, inclusive
General note
8-12 Via Pian de'Giullari. Owned by Guy Mitchell, brother of HMA 1908-1929. Negs.and prints, showing work in progress on heightening the tower.
Firenze, Villa PASSERINI (also known as Villa del Giullarino), ca. 1908-1929, inclusive
General note
8-12 Via Pian de'Giullari. Owned by Guy Mitchell, brother of HMA 1908-1929.
Firenze, Villa PASSERINI (also known as Villa del Giullarino), ca. 1908-1929, inclusive
General note
8-12 Via Pian de'Giullari. Owned by Guy Mitchell, brother of HMA 1908-1929. Interiors.
Firenze, Villa PASSERINI (also known as Villa del Giullarino), ca. 1908-1929, inclusive
General note
8-12 Via Pian de'Giullari. Owned by Guy Mitchell, brother of HMA 1908-1929.
Firenze, Villa PASSERINI (also known as Villa del Giullarino), ca. 1908-1929, inclusive
Firenze, Villa PASSERINI (also known as Villa del Giullarino) Views from the house and exteriors, ca. 1908-1929, inclusive
General note
Oversize, V.A.1.1. folder 305.-313.
Firenze, Villa PASSERINI (also known as Villa del Giullarino) Interiors, ca. 1908-1929, inclusive
General note
Oversize, V.A.1.1. folder 314.-325.
Firenze, Villa PASSERINI (also known as Villa del Giullarino) Gardens, ca. 1908-1929, inclusive
General note
Oversize, V.A.1.1. folder 326.-336.
Firenze, Villa PASSERINI (also known as Villa del Giullarino), ca. 1908-1928, inclusive
General note
8-12 Via Pian de' Giullari. Owned by Guy Mitchell, brother of HMA 1908-1929. Album of exteriors and interiors, with the prints pasted onto the page, without annotations.
Firenze, Villa della PETRAIA, ca. 1970s, inclusive
General note
1. photo by Alinari, 3300. Fountain by Tribolo and Giambologna. 2. Color print. Comitato Ville Fiorentine.
Firenze, Villa di POGGIO IMPERIALE, the gate, undated, inclusive
Firenze, Villa il POZZINO, Via Giovanni da San Giovanni, Castello, undated, inclusive
Firenze, Villa il SALVIATINO, 1940, inclusive
General note
Postcard to AA 1940 from Fernanda Ojetti. No photo. Original in the correspondence archives.
Firenze, Villa SAN LEONARDO, ca. 1970, inclusive
General note
Color print. Comitato Ville Fiorentine.
Firenze, (Villa di) SAN MARTINO A MENSOLA, Ponte a Mensola, Settignano, undated, inclusive
General note
The home of Alda Anrep, née Mariano.
Firenze, Villa SAN MICHELE, Fiesole, undated, inclusive
Firenze, Villa Schifanoia, Via Boccaccio, San Domenico di Fiesole, undated, inclusive
General note
Owned by Myron C. Taylor. Negs. and prints.
Firenze, Villa I TATTI, Settignano, ca. 1970, inclusive
General note
3. Color print. Comitato Ville Fiorentine. 4. Engraving of the garden.
Firenze, TORRE DEL GALLO (Villa Bardini), Via Pian de' Giullari, ca. 1906, inclusive
Firenze, Villa TORRI GATTAIA, ca. 1970, inclusive
General note
Color print. Comitato Ville Fiorentine.
Firenze (province) Grassina, Poggio Secco: Villa Canevaro, undated, inclusive
Firenze (province): Villa di Montegufoni, undated, inclusive
General note
Annotated on the verso "Monte Gufoni Sitwell". Photos by Renato Salvini, Firenze. The villa was purchased by Sir George Reresby Sitwell in 1910, the father of Edith, Osbert, and Sacheverell.
Firenze (province): Villa di Poggio a Caiano (now in the province of Prato), ca. 1970, inclusive
General note
1. photo by Alinari, 3301. 2. Color print. Comitato Ville Fiorentine.
Firenze (province), San Casciano Val di Pesa: Villa di Poggio Torselli, ca. 1900-1910, inclusive
Firenze (province), San Piero a Sieve: Castello del Trebbio, ca. 1970, inclusive
General note
Color print. Comitato Ville Fiorentine.
Firenze (province), Sesto Fiorentino: Villa Corsi Salviati (Guicciardini), ca. 1908, inclusive
General note
Neg.
Firenze (province), Sesto Fiorentino: Villa Corsi Salviati (Guicciardini), ca. 1908, inclusive
Firenze (province), Sesto Fiorentino: Villa Corsi Salviati (Guicciardini), ca. 1912, inclusive
Firenze (province), Vallombrosa, Campiglione: Villa Story, 1912, inclusive
General note
Annotated on the verso "Villa Julian Story, Campiglione, Vallombrosa, July 1912". This was the house owned by the daughter of William Wetmore Story and, known as the Casa al Dono, it was later the summer residence of Bernard Berenson.
[Firenze]: Villa Maclean, undated, inclusive
General note
1. with the huge terracotta vase now in the Pomario of the gardens of Villa La Pietra outside the Limonaia.
Arezzo (province): Castello di Poppi, undated, inclusive
Livorno (province), San Vincenzo: Villa della Gherardesca, undated, inclusive
Lucca (province): Villa Marlia, undated, inclusive
General note
1. photo by Brogi, 24036.
Lucca (province): Villa Marlia, ca. 1908-1920, inclusive
General note
Negs. and prints.
Lucca (province): Villa Marlia (Teatrino Verde), undated, inclusive
Lucca (province), Gattaiola: Villa Altieri (with unidentified people), 1910-1920, inclusive
Lucca (province), Saltocchio: Villa Bernardini, ca. 1910, inclusive
General note
Two negs. and print.
Pisa (province), Pontedera: Villa di Camugliano, the residence of Marchesa Niccolini, August, 1915, inclusive
General note
Negs. and prints.
Pistoia (province), Collodi: Villa Garzoni, undated, inclusive
Pistoia (province), Collodi: Villa Garzoni, ca. 1911-1917, inclusive
Pistoia (province): Villa di Celle (also known as Fattoria di Celle and Celle dei Fabbroni a Santomato), 1908, inclusive
General note
Neg.
Pistoia (province): Villa di Celle (also known as Fattoria di Celle and Celle dei Fabbroni) a Santomato, undated, inclusive
General note
Photos by Brogi when owned by Volpi, 21470., 21471., 21475., 21476., 21478., 21485., 21488., 21491., 21492., 21494., 21498.
Pistoia (province): Villa di Lappeggi (Magia di Quarrata), undated, inclusive
General note
Neg. and print.
Siena (province), Anqua: Villa Pannocchieschi d'Elci, undated, inclusive
Siena (province), Pienza: Villa Piccolomini (the courtyard and well), undated, inclusive
2 Italy
Ancona: Palazzo di Monte Gallo, undated, inclusive
General note
Photo by R. Moscioni, Roma.
Asolo (province of Treviso): Villa Conte Oliviero Rinaldi, undated, inclusive
Bagheria (province of Palermo): Villa Valguanera, undated, inclusive
Bagnaia (province of Viterbo): Villa Lante, undated, inclusive
General note
#1-4. Photos by Brogi. #5. Photo by Brogi, 18338. #7-8. photos by R. Moscioni, Roma, 21801., 21064.
Bagnaia (province of Viterbo): Villa Lante, ca. 1911-1917, inclusive
Caprarola (province of Viterbo): Villa Farnese, undated, inclusive
General note
1-5. Photos by Brogi. 6. Photo by R. Moscioni, Roma, 8140. 7. Photo by Brogi.
Caprarola (province of Viterbo): Villa Farnese, ca. 1911-1917, inclusive
Capri (province of Napoli): Villa Narcissus, undated, inclusive
General note
Photos by Sommer, Napoli. The residence of Charles Coleman, see also I.A.4.
Capri (province of Napoli): Villa Narcissus, interior, undated, inclusive
General note
Photos by Sommer, Napoli. Captioned on the recto. The residence of Charles Coleman, see also I.A.4.
Caserta (province of Napoli): Villa Reale, ca. 1911-1917, inclusive
Caserta (province of Napoli): Villa Reale, undated, inclusive
General note
2-5. Photos (postcard size) by Alinari, 11545-11547. and 11549.
Frascati (province of Roma): Villa Aldobrandini, undated, inclusive
General note
1. Photo by Alinari, 6848. 2. Photo by R. Moscioni, 3418.
Frascati (province of Roma): Villa Falconieri, undated, inclusive
General note
Photos by R. Moscioni, 3441., 3396., 3399, and 3439.
Frascati (province of Roma): Villa Falconieri, ca. 1911-1920, inclusive
Frascati (province of Roma): Villa Lancellotti, undated, inclusive
General note
Photo by R. Moscioni, 3369.
Frascati (province of Roma): Villa Mondragone, undated, inclusive
General note
Photos by R. Moscioni, 3412., 3413.
Frascati (province of Roma): Villa Muti, undated, inclusive
General note
Photos by R. Moscioni, 3443., 3442.
Frascati (province of Roma): Villa Muti, undated, inclusive
General note
Photos by Vasari, Roma. Annotated on the verso.
Frascati (province of Roma): Villa Torlonia, undated, inclusive
General note
Photos by Brogi, 16500, 16501, 16498, 16502.
Gallicano nel Lazio, Poli (province of Roma): Villa Catena, undated, inclusive
Maser (province of Treviso): Villa Barbaro (Giacomelli - Volpi), undated, inclusive
General note
#7. Photo by Alinari, 12340.
Maser (province of Treviso): Villa Barbaro (Giacomelli - Volpi) Interiors Maser (province of Treviso): Villa Barbaro (Giacomelli - Volpi), undated, inclusive
General note
See also III.C.1. Color prints. Oversize, V.A.2.2. folder 337.
Montalto Pavese (province of Pavia): Castello di Montalto Pavese, undated, inclusive
General note
5. Interior.
Pallanza (Lago Maggiore): Isola Bella (Isole Borromei, province of Verbania), undated, inclusive
General note
1. Photo by Brogi, 9927. 2-3. Photos (postcard size) by Brunner, Como.
Pallanza (Lago Maggiore): Villa San Remigio (owned by Marchese della Valle di Casanova), undated, inclusive
General note
Photos by G. Sterna, Pallanza. The neo-Renaissance garden of the 19th century villa was created by Sophie Brown who married Marchese Silvio della Valle di Casanova in 1903. Silvio died in 1929; Sophie in 1961.
Pallanza (Lago Maggiore): Villa San Remigio (owned by Marchese della Valle di Casanova), undated, inclusive
Pernumia (province of Padova): Villa Maldura Bonacossi, undated, inclusive
Porto Potenza Picena (province of Macerata): Villa Buonaccorsi (Castel San Filippo), undated, inclusive
General note
Annotated on the verso.
Ravello (Salerno): Villa Cimbrone, undated, inclusive
Ravello (Salerno): Palazzo Rufolo, undated, inclusive
Roma: Villa Albani, undated, inclusive
Roma: Villa Borghese, undated, inclusive
General note
1. photo (postcard size) by Anderson, 440. 2-4. [photos by Brogi, 6190, 6189, 4779.)], 5. photo by Alinari, 6797.
Roma: Villa Borghese, undated, inclusive
General note
Photo by R. Moscioni, Roma, 1659. Oversize, V.A.2.2. folder 338.
Roma: Villa Colonna, undated, inclusive
Roma: Villa Doria Pamphilj, undated, inclusive
General note
#2. Photo by Brogi, 8032.
Roma: Villa Giulia, undated, inclusive
General note
Photo by Brogi, 8866.
Roma: Villa Madama, undated, inclusive
General note
Photo by R. Moscioni, 9457.
Roma: Villa Medici, undated, inclusive
Roma: Villa Sciarra (owned by George W. Wurts), undated, inclusive
Tivoli (province of Roma): Villa d'Este, undated, inclusive
General note
Neg. and 2 prints
Tivoli (province of Roma): Villa d'Este, undated, inclusive
General note
#2. photo by Anderson, 4689. Photo by Moscioni, Roma, 15344.
Tivoli (province of Roma): Villa d'Este, undated, inclusive
General note
Oversize, V.A.2.2. folder 339.
Valsanzibio (province of Padova): Villa Barbarigo (Donà delle Rose), ca. 1911-1919, inclusive
Vicenza, Villa Rotonda, undated, inclusive
General note
Photo by Otto Schmidt, Wien, 3340.
3 unidentified
[Firenze] Limonaia and grand garden entrance, undated, inclusive
[Firenze, Villa I Collazzi], undated, inclusive
[Farinola], undated, inclusive
[Valsanzibio (province of Padova) Villa Barbarigo (Donà delle Rose)], undated, inclusive
Villa near Abano Terme (province of Padova), undated, inclusive
General note
Annotated on the verso.
[Villa in the province of Siena], undated, inclusive
Villa near Napoli, 1916, inclusive
General note
Taken on an Acton family trip, 1916, annotated on the verso by HMA.
[Villa near Pesaro], undated, inclusive
Unidentified villas and gardens (including grottoes, fountains, statues, and garden follies), undated, inclusive
[Villa in Sicilia] [Castello di Poppi, Casentino, province of Arezzo], undated, inclusive
General note
Negs. and prints.
Garden fountain and garden gate, undated, inclusive
General note
Neg.
Garden grotto, undated, inclusive
General note
Neg.
Castle courtyard: [a Bardini property: Torre del Gallo or Marignolle, Firenze ], ca. 1908, inclusive
General note
Neg. See also V.A.3.2.70.
Castle: [a Bardini property: Torre del Gallo or Marignolle, Firenze ], ca. 1910, inclusive
General note
Neg. and prints. See also V.A.3.2.69. Exteriors, interiors and the courtyard.
Villa garden with a copy of Giambologna's statue of Mercury, undated, inclusive
General note
Neg.
Villa garden, ca. 1912, inclusive
General note
Neg.
Villa garden, undated, inclusive
General note
Neg.
Garden grotto, undated, inclusive
General note
Neg.
Venetian villa, undated, inclusive
General note
1.and 2. exteriors.
3. courtyard.
4. interior, annotated on the verso by AA "One of a series of Columns of rare marbles in a ruined Venetian villa".
5. and 6. interiors (with columns.
Statue in a garden, undated, inclusive
General note
Neg.
Fountain in a garden, undated, inclusive
General note
Neg.
Statue of a Colossus in a villa courtyard [Villa Maser], undated, inclusive
Villa garden, undated, inclusive
Exterior of a villa with circular outside stairs and a clock and heraldic device on the façade (with a group of four people), undated, inclusive
Garden in a [convent] courtyard, undated, inclusive
Villa garden terrace with a fountain and statues, undated, inclusive
Hillside with villas and a barn (fienile) [near Firenze], undated, inclusive
Villa piscina (fountain) with four statues on the wall, undated, inclusive
Subseries B: Exteriors
1 Firenze
Views of Firenze, undated, inclusive
Detail of the fountain in Piazza della Signoria, undated, inclusive
General note
Photo by Gorsen, annotated on the verso.
British pavilion at the fair in the Parco delle Cascine, 1918, 1918, inclusive
A terrace overlooking the Arno, undated, inclusive
General note
Oversize, V.B.1.3. folder 340.
Houses on the Arno [before their destruction in the Second World War], 1918, inclusive
General note
Annotated on the verso by HMA "Sensani's apartment, 1918" [G.C. Sensani]
Badia Fiesolana, undated, inclusive
General note
#2. photo by Brogi, 9814.
Fiesole [with HMA and an officer], 1915, inclusive
General note
Negs.
The Arno in flood, November 4, 1966, inclusive
General note
Photo signed by Balthazar Korab.
Oversize, V.B.1.3. folder 341.
[San Martino alle Palme], undated, inclusive
2 Italy
Amalfi, undated, inclusive
Asciano (province of Siena), Centro Studi Amos Cassioli, undated, inclusive
General note
Color prints.
[Bassano del Grappa], undated, inclusive
General note
Oversize, V.B.2.3. folder 342.
Brescia, undated, inclusive
Brescia: Santa Maria dei Miracoli, undated, inclusive
Camugliano (province of Pisa), undated, inclusive
Lucca, undated, inclusive
Modena: Palazzo Ducale, undated, inclusive
Napoli, 1916, inclusive
General note
Print taken on an Acton family trip, 1916
Napoli, undated, inclusive
Napoli [La Quiete, the 'Vesuvian villa' of Donna Giulia Betocchi, mother of Clotilde Marghieri], undated, inclusive
General note
See "More Memoirs of an Aesthete". Print by G. Parisio, Napoli, with a dedication to HA on the verso.
Paestum, undated, inclusive
General note
Photos by Brogi, 5134.
Palermo, Giardino Botanico, undated, inclusive
General note
Photo by Brogi, 10831
Perugia, undated, inclusive
Pietrasanta, 1903, inclusive
General note
Neg. For print see III.A.1.
Pompeii, undated, inclusive
General note
Photo by Cav. Arch. Mauri, Napoli.
Rocca di Papa (province of Roma), undated, inclusive
General note
Photo by Brogi, 16949.
Roma, the Roman Forum, 1916, inclusive
General note
Print taken on an Acton family trip, 1916
Roma, the Roman Forum, undated, inclusive
General note
Photo by Brogi, 3643.
Roma, the view from outside Villa Medici on the Pincio, undated, inclusive
Roma, Teatro di Marcello, undated, inclusive
General note
Annotated on the verso "Circus Marcello, Palazzo Sermoneta: window on left our apartment spooky looking".
Roma, Palazzo Massimo, undated, inclusive
General note
Photo by Brogi, 8793.
Roma, a religious ceremony on the steps of Santa Maria in Aracoeli, undated, inclusive
Roma, Palazzo Cardelli, undated, inclusive
General note
Photo by R. Moscioni, Roma, 21846.
Roma, undated, inclusive
Roma, Vatican gardens, undated, inclusive
Ronciglione (province of Viterbo), undated, inclusive
General note
Photo by R. Moscioni, Roma, 22016.
San Gimignano (province of Siena), ca. 1920, inclusive
General note
Neg. and print.
Siena, undated, inclusive
Tarquinia, undated, inclusive
General note
Photo by Brogi, 9271.
Tivoli, Tempio della Sibilla, undated, inclusive
General note
#1. photo by Ernesto Richter, Roma, 10022.
Venezia, undated, inclusive
General note
Photo by Brogi, 13234.
Viterbo, undated, inclusive
General note
3. Photo by R. Moscioni, Roma, 3454.
Viterbo, undated, inclusive
Zagarolo (province of Roma), undated, inclusive
General note
Photo by R. Moscioni, 20343.
3 Europe
Belgium: Chateau de Tourronde (the residence of the Duchesse de Vendome), undated, inclusive
General note
Color prints.
France: Gorges du Tarn, undated, inclusive
General note
Prints by A. Trantoul, Toulouse
France: Orsay (Essonne), ca. 1987, inclusive
General note
The residence of Diana Mosley, née Mitford, 1987. Color print used as a Christmas card by Diana Mosley to HA, annotated on the verso.
France: Sutry (between Vevey and Lausanne), undated, inclusive
General note
Annotated on the verso by AA "taken by my friend McCann with a Leica…".
France: Chateau d'Hauteville, Vevey, including an interior, undated, inclusive
General note
3. and 4. a garden temple very similar to the Tempietto in the gardens of Villa La Pietra, annotated on the verso by AA.
France: Chenonçeaux, undated, inclusive
General note
Photo by C. Peigné, Tours.
Chateau de Blois, undated, inclusive
General note
Photo by ND.
France: Chateau de Chantilly, undated, inclusive
General note
Oversize, V.B.3.3. folder 343.
Germany: Berlin: the destruction of the monument to King Friedrich Wilhelm IV in the Second World War, undated, inclusive
General note
Photo by Carl Weinrother, Berlin.
Germany: Schloss Sanssouci (Potsdam), undated, inclusive
Great Britain: Aldenham Estate, undated, inclusive
General note
From a sale catalogue of Christie, Manson and Woods Ltd.
Great Britain: Clinton Lodge, undated, inclusive
General note
Property of L. Einstein.
Great Britain: Clovelly, undated, inclusive
Great Britain: Colets Well, Otford, Kent, undated, inclusive
General note
The property of Helen Maclean (on a printed New Year's card from Helen Maclean).
Great Britain: [Colets Well, Otford, Kent, the property of Helen Maclean], undated, inclusive
General note
On a greeting card, printed on the recto: "Love from Helen".
Great Britain: Garsington, near Oxford, 1990, inclusive
General note
Color prints.
Great Britain: Hove, undated, inclusive
General note
Annotated on the verso.
Great Britain: Wixenford, Berks, undated, inclusive
General note
The preparatory school attended by HA 1912-1916, also interiors.
Great Britain: Yester House, Gifford, East Lothian, undated, inclusive
General note
17th century house restyled in the 18th century by Robert Adam, and purchased by Gian Carlo Menotti in 1972.
Greece: Athens, undated, inclusive
Spain: Burgos, undated, inclusive
Spain: Santiago, undated, inclusive
Spain: [Madrid], undated, inclusive
General note
Oversize, V.B.3.3. folder 344.
Spain, 1966, inclusive
General note
Color prints taken in 1966 on a trip by HA and Alexander Zielcke.
Spain, ca. 1965, inclusive
General note
Color negs. taken in 1965 or 1966 on a trip by HA and Alexander Zielcke.
4 US
Beaumont, California: the Edward-Dean Museum of Decorative Arts, ca. 1958, inclusive
General note
Created by Edward Eberle who lived here with Guy Mitchell, brother of HMA. Color prints annotated on the verso by Eberle.
Ipswich, Mass: Castle Hill, ca. 1924, inclusive
General note
Residence of Florence and Richard Crane: their second house built ca. 1924.
Ipswich, Mass: Castle Hill, ca. 1924, inclusive
General note
Residence of Florence and Richard Crane: their first house built ca. 1910 and demolished ca. 1924.
Ipswich, Mass: Castle Hill, ca. 1920s, inclusive
General note
Residence of Florence and Richard Crane: their second house built ca. 1924.
Ipswich, Mass: Castle Hill, undated, inclusive
General note
Residence of Florence and Richard Crane. The 'Grand Allèe' on the Atlantic.
Ipswich, Mass: Castle Hill, ca. 1920s, inclusive
General note
Residence of Florence and Richard Crane. The garden and herbaceous border.
Hawaii, Honolulu: Villa La Pietra, undated, inclusive
General note
Residence of Louise and Walter Dillingham, cousins of HMA. Architectural drawings by David Adler, annotated on the verso by Louise Dillingham.
Hawaii, Honolulu: Villa La Pietra, undated, inclusive
General note
Residence of Louise and Walter Dillingham, cousins of HMA. See also III.A.8.
Hawaii, Honolulu: Villa La Pietra, undated, inclusive
General note
Residence of Louise and Walter Dillingham, cousins of HMA. Photos by Post, annotated on the verso by Louise Dillingham.
Hawaii, Honolulu: Villa La Pietra, undated, inclusive
General note
Residence of Louise and Walter Dillingham, cousins of HMA. Color print.
Hawaii, Honolulu: Villa La Pietra, undated, inclusive
General note
Residence of Louise and Walter Dillingham, cousins of HMA.
Hawaii, Honolulu: Villa La Pietra, 1956, inclusive
General note
Residence of Louise and Walter Dillingham, cousins of HMA. Color prints.
Hawaii, Honolulu: Villa La Pietra, undated, inclusive
General note
Residence of Louise and Walter Dillingham, cousins of HMA.
Hawaii, Honolulu, undated, inclusive
General note
Photos by R.J. Baker.
Hawaii, Honolulu, undated, inclusive
General note
Photos by Williams Studio.
Magnolia, Mass.: Lee Cottage, 1921, inclusive
General note
Rented for the summer in 1921 by Marguerite Sheriff née Mitchell (sister of HMA). See also IV.C.3.25.27.-1.
[The Trianon], Colorado Springs, residence of Charles and Virginia Baldwin, 1921, inclusive
General note
Sketches for the design were made by Stanford White before his death in 1905.
Annotated on the recto "Baldwin Home" (mounted prints of exteriors and interiors).
Oversize, V.B.4.3. folder 345.
5 rest of the world
Azores: Horta, undated, inclusive
General note
Where HA was stationed briefly during the Second World War.
Egypt, including people in street scenes, undated, inclusive
Egypt: Assuan dam, undated, inclusive
India: military scenes and general, including people, undated, inclusive
General note
Taken by HA who was stationed here in the Second World War.
India: mountain scenes, undated, inclusive
India: Amber, undated, inclusive
General note
Formerly Umber. Photos by Clifton and Co. Mounted by Linotype, Gautier, Paris.
Oversize, V.B.5.3. folder 346.
India: Agra, undated, inclusive
General note
Photos by Clifton and Co. Mounted by Linotype, Gautier, Paris.
Oversize, V.B.5.3. folder 347.
India: Benhares (now Varanasi), undated, inclusive
General note
Photos by Clifton and Co. Mounted by Linotype, Gautier, Paris.
Oversize, V.B.5.3. folder 348.
India: Delhi, undated, inclusive
General note
Photos by Clifton and Co. Mounted by Linotype, Gautier, Paris.
Oversize, V.B.5.3. folder 349.
India: Futtehpore Sikri (now Fatehpur Sikri), undated, inclusive
General note
Photos by Clifton and Co. Mounted by Linotype, Gautier, Paris.
Oversize, V.B.5.3. folder 350.
India: Jeypore, undated, inclusive
General note
Photos by Clifton and Co. Mounted by Linotype, Gautier, Paris.
Oversize, V.B.5.3. folder 351.
India: Secundra, undated, inclusive
General note
Photos by Clifton and Co. Mounted by Linotype, Gautier, Paris.
Oversize, V.B.5.3. folder 352.
Japan: Naguya (tea house), undated, inclusive
General note
Photos by Clifton and Co. Mounted by Linotype, Gautier, Paris.
Japan: Chuzenji, undated, inclusive
General note
Photos by Clifton and Co. Mounted by Linotype, Gautier, Paris.
Oversize, V.B.5.3. folder 353.
Japan: Hakone, undated, inclusive
General note
Photos by Clifton and Co. Mounted by Linotype, Gautier, Paris.
Oversize, V.B.5.3. folder 354.
Japan: Kamakura, undated, inclusive
General note
Photos by Clifton and Co. Mounted by Linotype, Gautier, Paris.
Oversize, V.B.5.3. folder 355.
Japan: Kyoto, undated, inclusive
General note
Photos by Clifton and Co., mounted by Linotype, Gautier, Paris.
Oversize, V.B.5.3. folder 356.
Japan: Nikko, undated, inclusive
General note
Photos by Clifton and Co. Mounted by Linotype, Gautier, Paris.
Oversize, V.B.5.3. folder 357.
Japan: Osaka, undated, inclusive
General note
Photos by Clifton and Co., mounted by Linotype, Gautier, Paris.
Oversize, V.B.5.3. folder 358.
Japan: Tokaido, undated, inclusive
General note
Photos by Clifton and Co. Mounted by Linotype, Gautier, Paris.
Oversize, V.B.5.3. folder 359.
Japan: Tokyo, undated, inclusive
General note
Photos by Clifton and Co. Mounted by Linotype, Gautier, Paris.
Oversize, V.B.5.3. folder 360.
Myanmar (formerly Burma), undated, inclusive
General note
Photos by Clifton and Co. Mounted by Linotype, Gautier, Paris.
Oversize, V.B.5.3. folder 361.
Japan: Yokohama, Grand Hotel, undated, inclusive
General note
See also I.B.2.4.-194. and 195.
Libya, Tripoli: Villa Volpi at Sciara sidi i khalifa., ca. 1957, inclusive
General note
Volpi was governor of Tripoli, and HA stayed here in 1957 with his daughters Anna Maria Cicogna and Marina Luling (who also owned Villa Maser in the Veneto in Italy). Includes an interior.
Mexico, 1947, inclusive
General note
Negs. and prints.
6 unidentified
[Italy], undated, inclusive
[Italy: Ischia], undated, inclusive
[Italy: Mantova], undated, inclusive
[Italy: olive trees], undated, inclusive
General note
3 attached photos.
[Italy: a road through a pine forest], undated, inclusive
Italy: a loggia [Siena], undated, inclusive
Italy: a palace with an outside stair and courtyard, undated, inclusive
[Italy: Roma], ca. 1960, inclusive
General note
Color print.
[Italy: war photographs], undated, inclusive
[Italy: war photographs], undated, inclusive
Italy: a convent hermitage, undated, inclusive
[France], undated, inclusive
[France: a villa in Paris], undated, inclusive
General note
Annotated on the verso by HMA "owned by Vittorio Bourbon's sister".
[France], undated, inclusive
General note
Oversize, V.B.6.3. folder 362.
[GB,London], undated, inclusive
[GB], undated, inclusive
[GB], undated, inclusive
General note
Annotated on the verso "Trenarren Ho. 1805". Color print.
[GB] a garden with a portico and a pool, undated, inclusive
General note
Annotated on the recto [Melchet Park, Wiltshire].
[US] country houses, undated, inclusive
General note
Landscapes. 14. and 15. negs.
[US] residence, undated, inclusive
General note
Annotated on the verso by HMA "Carrie's house".
Misfiled, no photo, undated, inclusive
[Azores] a native dance, undated, inclusive
[Egypt: Cairo], undated, inclusive
General note
Oversize, V.B.6.3. folder 363.
[India] a statue of an elephant, undated, inclusive
[India] an ocean liner with sailors [and prisoners], 1901, inclusive
General note
Annotated on the verso "Empress of India, August 1901" [the liner which was launched in 1890 at Barrow, and used by Canadian Pacific for regular transpacific services from Vancouver to Hong Kong with calls at Yokohama, Kobe, Nagasaki and Shanghai. In 1914 she was converted into an Indian Army hospital ship before being broken up in Bombay in 1923].
[India] a radio broadcast by the Army Publicity Department (in an interior), undated, inclusive
[India, Japan, Myanmar], undated, inclusive
General note
Photos by Clifton and Co. Mounted by Linotype, Gautier, Paris.
Oversize, V.B.5.3. folder 364.
Series VI: Postcards
Subseries A: Places (exteriors)
1 Firenze
Firenze, undated, inclusive
Firenze, ca. 1918, inclusive
2 Italy
Alberobello (province of Bari), undated, inclusive
Amalfi, undated, inclusive
Andria (province of Bari), undated, inclusive
Assisi (province of Perugia), undated, inclusive
Capri (province of Napoli), undated, inclusive
Certaldo (province of Firenze), undated, inclusive
Figline Val d'Arno (province of Firenze), undated, inclusive
Ischia (province of Napoli), undated, inclusive
Isola Farnese (province of Roma), undated, inclusive
Mantova, undated, inclusive
Modena, undated, inclusive
Monreale (province of Palermo), undated, inclusive
Monte Oliveto Maggiore (province of Siena), undated, inclusive
Napoli, undated, inclusive
Orta San Giulio (province of Novara), undated, inclusive
Padova, ca. 1914, inclusive
Paestum (province of Salerno), undated, inclusive
Palermo, undated, inclusive
Parma, undated, inclusive
Perugia, undated, inclusive
Pienza (province of Siena), undated, inclusive
Pistoia, undated, inclusive
Poppi (province of Arezzo), undated, inclusive
Posillipo (province of Napoli), undated, inclusive
General note
Annotated on the recto by HA "the house below me".
Possagno (province of Treviso), undated, inclusive
Pozzuoli (province of Napoli), undated, inclusive
Riva del Garda (province of Trento), undated, inclusive
Roma, undated, inclusive
I Ronchi (province of Massa Carrara), undated, inclusive
San Gimignano (province of Siena), undated, inclusive
San Gimignano, Pieve di Cellole (province of Siena), undated, inclusive
San Leo (province of Urbino), undated, inclusive
San Marino, undated, inclusive
Sorrento (province of Napoli), undated, inclusive
Spoleto (province of Perugia), undated, inclusive
Stresa (province of Novara), undated, inclusive
Tivoli (province of Roma), undated, inclusive
Todi (province of Perugia), undated, inclusive
Torbole, Riva del Garda (province of Trento), undated, inclusive
Trani (province of Bari), undated, inclusive
Trento, undated, inclusive
Treviso, undated, inclusive
Urbino, undated, inclusive
Vallombrosa (province of Firenze), undated, inclusive
Venezia, undated, inclusive
Viareggio (province of Lucca), undated, inclusive
Vignola (province of Modena), undated, inclusive
Volterra, undated, inclusive
3 Europe
Baltic States: Mecklenburg-Vorpommern, undated, inclusive
Belgium, undated, inclusive
France, undated, inclusive
General note
Early postcards in alphabetical order.
France, undated, inclusive
France, undated, inclusive
Germany, undated, inclusive
Germany, undated, inclusive
Germany: Wurtzburg (Bayern), Veithochheim Hofgarten, undated, inclusive
Great Britain, undated, inclusive
Greece, undated, inclusive
Netherlands, undated, inclusive
Portugal, undated, inclusive
Spain, undated, inclusive
General note
Early postcards
Spain, undated, inclusive
Switzerland: Chateau de Lancy, Geneva, ca. 1916, inclusive
General note
The school attended by HA, September 1916-August 1917.
Switzerland, undated, inclusive
General note
Early postcards.
Switzerland, undated, inclusive
Turkey, undated, inclusive
4 US
Arizona, undated, inclusive
California, undated, inclusive
California: Lake Tahoe, undated, inclusive
California: Panama-Pacific exposition, 1915, inclusive
California: the Missions, undated, inclusive
California: Yellowstone Park, undated, inclusive
Chicago, undated, inclusive
Florida, undated, inclusive
Georgia, undated, inclusive
Magnolia, Massachusetts, undated, inclusive
Massachusetts, undated, inclusive
New York, undated, inclusive
Oregon, undated, inclusive
Washington D.C., undated, inclusive
Wisconsin: Lake Geneva, undated, inclusive
Wisconsin: Lake Geneva, undated, inclusive
General note
Residence of J.J. Mitchell, half brother of HMA.
5 rest of the world
Brazil, undated, inclusive
Canada, undated, inclusive
Egypt, undated, inclusive
India, undated, inclusive
Japan, undated, inclusive
Libya, undated, inclusive
Mexico, undated, inclusive
General note
Including interiors.
Peru: Arequipa, undated, inclusive
Serbia (Villa Agnes), undated, inclusive
Subseries B: Works of Art (and interiors)
1 Firenze
Firenze, undated, inclusive
2 Italy
Italy, undated, inclusive
General note
Early postcards.
Italy, undated, inclusive
Venetian scene of masqueraders, undated, inclusive
General note
Found in an album owned by HMA, 1911-1918.
Anacapri (province of Napoli), undated, inclusive
Bassano del Grappa, undated, inclusive
Bologna, undated, inclusive
Cortona, undated, inclusive
Genova, undated, inclusive
Mantova, undated, inclusive
Milano, undated, inclusive
Napoli, undated, inclusive
Palermo, undated, inclusive
Parma, undated, inclusive
Perugia, undated, inclusive
Ponte Buggianese (province of Pistoia), undated, inclusive
Ravenna, undated, inclusive
Roma, undated, inclusive
Siena, undated, inclusive
Spoleto, undated, inclusive
Torino, undated, inclusive
Trento, undated, inclusive
Urbino, undated, inclusive
Venezia, undated, inclusive
Verona, undated, inclusive
Volterra, undated, inclusive
3 Europe
Austria, undated, inclusive
Belgium, undated, inclusive
France, undated, inclusive
France: Angers, undated, inclusive
France: Anvers, Musée Royal des Beaux-Arts, undated, inclusive
France: Autun, undated, inclusive
France: Avignon, undated, inclusive
France: Blois, undated, inclusive
France: Bourg-en-Bresse (Ain), undated, inclusive
France: Brou, undated, inclusive
France: Caen, undated, inclusive
France: Cluny, undated, inclusive
France: Lyon, undated, inclusive
France: Nantes, undated, inclusive
France: Paris, Musée des Arts Décoratifs, undated, inclusive
France: Paris, Musée Jacquemart-André, undated, inclusive
France: Paris, Musée du Louvre, undated, inclusive
France: Paris, Musée de Sculpture Comparée, undated, inclusive
France: Pau, undated, inclusive
France: Rouen, undated, inclusive
France: Tours, undated, inclusive
France: Vézelay (Yonne), undated, inclusive
Germany, undated, inclusive
Germany: Ansbach, undated, inclusive
Germany: Berlin, undated, inclusive
Germany: Bruchsal, undated, inclusive
Germany: Dresden, undated, inclusive
Germany: Frankfurt, undated, inclusive
Germany: Munich, undated, inclusive
Germany: Potsdam, Schloss Sanssouci, undated, inclusive
Germany: Weimar, undated, inclusive
Great Britain, undated, inclusive
Great Britain: Cambridge, Fitzwilliam Museum, undated, inclusive
Great Britain: National Gallery of Ireland, undated, inclusive
Great Britain: London, British Museum, undated, inclusive
Great Britain: London, National Gallery, undated, inclusive
Great Britain: London, Victoria and Albert Museum, undated, inclusive
Great Britain: London, Wallace Collection, undated, inclusive
Great Britain: London, Westminster Abbey, undated, inclusive
Great Britain: Oxford, Randolph Hotel, undated, inclusive
General note
12 paintings by Osbert Lancaster illustrating Sir Max Beerbohm's novel 'Zuleika Dobson'
Great Britain: London, Sotheby's, undated, inclusive
Netherlands, undated, inclusive
Netherlands: Haarlem, undated, inclusive
Portugal, undated, inclusive
Spain, undated, inclusive
Spain: Aranjuez, undated, inclusive
Spain: Barcelona, undated, inclusive
Spain: Madrid, undated, inclusive
Spain: Madrid, Escorial, undated, inclusive
Spain: Madrid, Prado museum, undated, inclusive
Spain: Madrid, Prado museum, undated, inclusive
Switzerland, undated, inclusive
4 US
US, undated, inclusive
Albany (New York), undated, inclusive
Boston, undated, inclusive
California, undated, inclusive
Chicago, undated, inclusive
Massachusetts: Lee Mansion, Marblehead, undated, inclusive
Missouri, undated, inclusive
New York, undated, inclusive
Washington DC, undated, inclusive
US (Frank Duveneck, The Whistling Boy), undated, inclusive
5 rest of the world
Egypt, undated, inclusive
India, undated, inclusive
Mexico, undated, inclusive
Subseries C: Picture Postcards
Austria, undated, inclusive
Belgium, undated, inclusive
China, undated, inclusive
Egypt, undated, inclusive
France, undated, inclusive
France: First World War, ca. 1914-1918, inclusive
Germany, undated, inclusive
Great Britain, undated, inclusive
Great Britain, ca. 1911-1917, inclusive
Great Britain: First World War, ca. 1914-1918, inclusive
General note
Annotated on the verso.
Italy, undated, inclusive
Italy: First World War, ca. 1914-1918, inclusive
Italy: Second World War, ca. 1939-1945, inclusive
Japan, undated, inclusive
Russia, undated, inclusive
Spain, undated, inclusive
Switzerland, undated, inclusive
Switzerland: First World War, ca. 1914-1918, inclusive
US, undated, inclusive
US, ca. 1911-1918, inclusive
Subseries D: Postcards documenting Travels
1 Hortense Acton née Mitchell's travels
1908 (July 22-25) Italy, 1908, inclusive
General note
A trip from Firenze with [AA], Charles Loeser and [Count Carlo] Gamba to Arezzo, Cortona, Orvieto, Bolsena, Bagnaia (Villa Lante), Caprarola (Palazzo Farnese), Viterbo, Roma, Albano (Villa Chigi), Genzano, Lago di Nemi, Castel Gandolfo (Villa Barberini), Marino (where Loeser wanted to see a Guido Reni), Frascati (Villa Torlonia, Villa Falconieri, Villa Lancellotti, Villa Aldobrandini, Villa Mondragone), Tivoli (Villa d'Este), Civitavecchia, Grosseto, and Cecina.
1910 (June 5-6) Italy, 1910, inclusive
General note
A trip from Firenze with [AA] and others to Collodi, Monte Catini, Villa Mansi [Gamba] at Segromigno near Marlia (Lucca), Villa Torrigiani (Camugliano near Lucca), Villa Marlia (Principe di Capua), Bagni di Lucca, Villa Rosselmini, San Pancrazio di Lucca (now Villa Oliva Buonvisi), Villa Conte Bernardini at Saltocchio near Lucca, Pisa, Volterra, Siena.
1911 (April 3) Certosa di Pavia, 1911, inclusive
1911 (July 6-September 15) France and Itay, 1911, inclusive
General note
A trip through France with HMA's sister Bab (Marguerite Sheriff née Mitchell). Joined for part of it by AA, HA, WA, and Rothwell Sheriff. Bologna, Schlangenbad, Wiesbaden, Paris, Etretat (where HA and WA were left at the Hotel Blanquet), Villerville, Dives sur Mer, Caen, Bayeux, Coutances Avranches, Mont Saint-Michel, [Binic], Morlaix, Quimper, Concarneau, Carnac, Vitré, Moulins, Lyons, Moutiers, Aosta, Milano, Como,Bellagio, Milano, Torino, Biella, Novara, Brescia, Bologna, Firenze.
1911 (October 28) Firenze, 1911, inclusive
1911 (October 1-9) Italy, 1911, inclusive
General note
Trips from Firenze with AA and HMA's sister Bab (Marguerite Sheriff née Mitchell) to Collodi, Radicofani, Roma, Viterbo.
1912 (May 20 and July 30, August 10-September 1, and December 16 Italy and Germany, 1912, inclusive
General note
Trips in Italy and Germany, some with [Mrs Bayle], Ella O'Connor, and AA. Bologna, Ferrara, Frankfurt, Darmstadt, Isle of Ruegen (Binz and Scholoss Putbus), Berlin, Schloss Sanssouci, Potsdam, Venezia, Vicenza Milano.
1913 ( June 21 - September 12) Great Britain, 1913, inclusive
General note
A trip to Great Britain with HMA's mother, HA and WA (who spent July in Cromer), [AA], Bab (Marguerite Sheriff née Mitchell), and her son Rothwell Sheriff. Ragaz, Basle, London, Plymouth, Exeter, Wells, Newbury, Stratford (Shottery), Warwick, Gloucester, Cardiff, Aberystwyth, Carmarthen, Pass of Aberglaslyn, Conway castle, Llandudno, Bettws-y-Cood, Grasmere, Keswick, Portinscale, Edinburgh, Stirling castle, Ellens Isle, Loch Katrine, Trossachs, Callander, Stronachlacher, Lochearnhead, Blair Atholl, Inverness, Nairn, Lochness, Fort William, Caladonian Canal, Loch Lomand, Peebles, Abbotsford on Tweed, Melrose abbey, Durham, Ripon, York, Rowsley (Haddon Hall), Castleton, near Roseley, Buxton, Lincoln, Cromer (and Felbrigg woods), Norwich, Sandringham, Overstrand (Lady Battersea's the Pleasaunce), Ely, Cambridge, Portsmouth, Bournemouth, Salisbury, Stonehenge, Ventnor, the Needles, Carisbrook castle, Brighton, Canterbury, and London. At the end of the trip HMA's mother, Marguerite Sheriff and her son Rothwell sail for America and HMA [and AA and/or a nurse] go to the Netherlands and Belgium (see folder #9), and then HA is left at school (Wixenford) on September 23.
1913 (September 15-21) Netherlands and Belgium, 1913, inclusive
General note
Trip to the Netherlands and Belgium Haarlem, Brussels, Antwerp.
1914 (May 16) France, 1914, inclusive
General note
Visit to France: Villa Trianon, Versailles, France (owned by Miss Elsie de Wolfe). She was a protegé of Stanford White. See I.A.4.2.-117.
1914 (June 27-August 6) Italy, 1914, inclusive
General note
Trips in Italy (at the outbreak of the First World War).
June 27-July 11: HMA motored with her brother Guy Mitchell to Fiuggi (visited Subiaco), and returned via Roma and Siena.
July 31- August 6: HMA motors north with AA, intending to leave Milano on August 5 to join HA and WA in England. Bologna, Modena, Carpi, Mantova, Verona, Vicenza, Padova. On August 2 in Venezia: on a post card of the XI Esposizione Internazionale d'Arte in Venice: "War declared - all countries hastily preparing. Italy to remain neutral as long as possible - but nothing may be exported. Guy [her brother Guy Mitchell] telegraphed from Germany for 2000 marks - his motor may be sequestered there. … not children in England Harold to stay there. I should not leave Italy but go …… war ships busy taking … etc. and sailors with their …going out to ships". On August 4 leaves Venezia for Padova, Vicenza, Verona, Brescia, and Bergamo. On August 5 in Milano "found letters….Guy safe in Switzerland - impossible go Aug….officers with passports cannot be sure of arriving … War spirit keen. I am anxious to get home. Lack of resolution if … wants to join war - government insists on neutrality. About 3.30 motored to [Urio]…to see Mrs [McCreery's] place - she in … so … had to spend night in Milan."
On August 6 from Milano via Modena and Abetone home to Firenze. "Great excitement over war at home. Guy lost motor…".
1915 (September 24) Italy, 1915, inclusive
General note
At Villa di San Remigio, Pallanza, Lago Maggiore (the residence of Marchese Della Valle di Casanova. Also Isola Bella.
1916 (June 2) Italy, 1916, inclusive
General note
Sorrento, Ravello, Capri.
1916 Zurich, 1916, inclusive
1917 (December) Paris, 1917, inclusive
1918 US: New York, the Metropolitan Museum of Art, 1918, inclusive
1919 [in June]. US, 1919, inclusive
General note
A trip to the US. Massachusetts (Plymouth, with interiors of Lee Mansion, Sudbury, Hyannis, Annisquam), Kittery Point (Me.), Portsmouth (N.H.), Mt. Washington, White Mts (N.H.), the Mohawk Trail through the Berkshire Hills, Massachusetts (Lebanon Mountain trail, Lenox, Charlestown, Boston), New York, Washington D.C., Ormond (Florida), Chicago (including 'The Blackstone' hotel), Oregon (Crater Lake National park Multnomah Falls, Columbia River Highway), and California (Nevada Falls and Palm Springs). Includes some picture postcards of US marines, and eskimos.
1932 (December 7-24) Egypt, 1932, inclusive
General note
Trip to Egypt on a Cook's Nile steamer. Cairo, Luxor (the ancient city of Thebes), Edfou (the Temple of Horus, near Luxor), and Karnak.
(un-dated) March 11. US, undated, inclusive
General note
Trip to the U.S.A. Barstow, California (Yellowstone Park).
(un-dated) Trip to Frankfurt, undated, inclusive
(un-dated) Trip to Sicily, undated, inclusive
(un-dated) Trip to France, with AA, undated, inclusive
General note
Nimes, Foix, Valençay.
2 Harold Acton's travels
1911 France, 1911, inclusive
1912 Venezia, 1912, inclusive
1912 Germany, Denmark, and Sweden, 1912, inclusive
1913 Spain, 1913, inclusive
1913 Firenze, 1913, inclusive
1913 Viterbo and Perugia, 1913, inclusive
1913 Germany and Switzerland, 1913, inclusive
1914 Great Britain (Norfolk and Sussex), 1914, inclusive
1914 France (Dijon), 1914, inclusive
3 Guy Mitchell's travels in the Far East
Burma (now Myanmar): Mandalay, undated, inclusive
Cambodia, 1922, inclusive
Cambodia: Angkor-Vat, undated, inclusive
Cambodia: Laos and Angkor-Vat (dancers), undated, inclusive
Ceylon, undated, inclusive
China: Beijing, undated, inclusive
Hongkong, undated, inclusive
India, undated, inclusive
Indonesia: Soereabaja (capital of East Java province), undated, inclusive
Indonesia: Fort de Kock, Sumatra, undated, inclusive
Indonesia: Jakarta (formerly Batavia), undated, inclusive
Indonesia: Java, undated, inclusive
Indonesia: Java, Baraboedoer, undated, inclusive
Japan, undated, inclusive
Japan: Amanohashidate, Tango, undated, inclusive
Japan: Fushimi, undated, inclusive
Japan: Horiuji, Yamato, undated, inclusive
Japan: Itsukushima, Aki, undated, inclusive
Japan: Iwakuni, undated, inclusive
Japan: Kamakura, undated, inclusive
Japan: Korakuen, Okayama, undated, inclusive
Japan: Kyoto, undated, inclusive
Japan: Matsue, undated, inclusive
Japan: Mikoshi, undated, inclusive
Japan: Minobu, Kai, undated, inclusive
Japan: Nara, undated, inclusive
Japan [Nara], undated, inclusive
Japan: Onomichi, undated, inclusive
Japan: Sanuki (Kotohira temple), undated, inclusive
Japan: Shizuoka, undated, inclusive
Japan: Uji (Kyoto), undated, inclusive
Japan: Yakushi-ji (near Nara), undated, inclusive
Japan: Yamato, undated, inclusive
Japan: paintings by the 18th century painter Okyo, ca. 1921, inclusive
Japanese paintings, ca. 1921, inclusive
[Actors in Japan], ca. 1911-1918, inclusive
Korea, undated, inclusive
[Korea], undated, inclusive
Philippines (including Banig), undated, inclusive
Siam: Bangkok, undated, inclusive
Vietnam: Hue, Annam, Mausoleum of Khai-Dinh, undated, inclusive
Far Eastern sculpture, undated, inclusive
Subseries E: Albums
William Acton's Book of Travels, 1906-1918, inclusive
General note
A travel scrapbook and journal compiled by HMA. Most of the postcards are pasted onto the page, but some, with correspondence are inserted into corner slits. Some loose scraps of paper with notes by HMA help to confirm the chronology. There are loose postcards at the end of the album, and many pages were left blank.
1906: September 28 - the Cabin Passenger list of the 'Kaiser Wilhelm II' which sailed from New York, US for Bremen via Plymouth and Cherbourg shows the Acton family (AA, HMA, HA, and WA) with nurse and maid in the 'First Cabin'.
1907: July - Montana s. Sierre, Glion sur Territet, Aigle les Bains
August - Cause (Caux
1908: July - Westgate-on-sea
August - "at Broadstairs with Nurse".
1909: June - Genova
June 17 - sailed from Genova to New York (HMA, HA, WA, and nurse).
July 1 - New York, Hotel Manhattan.
July 1 - Depart New York for Chicago on the 'Twentieth Century Limited', via Lake Shore New York Central - "finest and fastest long-distance train in the world".
Lake Geneva, Wis. W.H. Mitchell's residence (also in a print of 1905)
'-August 30-31 - New York, Hotel Waldorf-Astoria.
September 1-8 - on board RMS 'Oceanic'
Paris - Hotel Continental.
October - Sestri Levante.
1910: June 3 - July 20 - Bexhill-on-sea (with nurse).
August - Les Grandes Dalles. Le Littoral (Seine inferiore) with nurse.
September - Hotel de Crillon, Paris.
1911: June and July - Bognor (with nurse).
August - Etretat. Margherite Sheriff née Mitchell and her family and all our family [HMA, AA, HA, WA].
1912: July - Bad Homburg (until August 1).
July - Copenhagen, Stockholm.
August 10 - Ostseebad.
August - Berlin.
1913: June 21-July 16 - Bad Ragaz (with HMA and her mother).
July 16 - Basel.
July and August - Cromer, Norfolk.
1914: July, August, and September - Cromer, Norfolk (with nurse).
1915: July (with nurse for a fortnight at Forte dei Marmi) later a week at Vallombrosa.
1916 - April - Paris the Sussex having just been torpedoed children did not go back to school summer - St. Moritz.
1916-1917: Winter - Geneva.
1917: Home
Harold Acton's Book of Travels, 1906-1918, inclusive
General note
Very similar to WA's book of travels - only never completed. Just loose postcards and clippings with annotations by HMA. Most of the postcards are duplicates of those in WA's Book.
Art postcards (mostly France) which presumably belonged to HMA, undated, inclusive
Art postcards which presumably belonged to HMA, ca. 1911-1913, inclusive
General note
Almost all printed by Photo-Procede E. Druet.
This album, under half filled, has mostly works by French artists (including famous Impressionists). All postcards are without annotations on the verso.
Postcards of the US which presumably belonged to HMA, 1911-1919, inclusive
Art postcards which belonged to HA, 1911-1922, inclusive
General note
Female portraits.
Art postcards from an album entitled 'Harold Acton Artistic Album', ca. 1911-1913, inclusive
Art postcards (mostly Sienese and Florentine schools) which belonged to HA [1912-1913], ca. 1912-1913, inclusive
General note
Some postcards dated 1913 by HA, and one labelled "Harold Acton, Florence", and some with the dates of the artist on the verso.
Album of postcards of Italy and art postcards which belonged to HA, ca. 1912-1913, inclusive
General note
On the title page Harold Acton had it in the year 1913, 30th May. 2nd best album, begun in the year 1914. Numerous blank pages, and most of the postcards without annotations, a few with dates but not all in HA's hand. Postcards of Fiesole (on verso: Sunday 31 Jan 1915), Certosa di Galluzzo, Sestri Levante, Pinacoteca Torino (portrait of Carlo I d'Inghilterra: saw this in Turin at Pinacoteca Sept 1915), Verona, Pisa, Roma, Camaldoli (on verso: Thursday 19th Aug 1918, motored here with officers), Vallombrosa (Thursday 19 Aug 1918), Roma, Napoli, Pompeii, Amalfi, Sorrento, Ravello, Capri. (1916)
Postcards of the US which belonged to HA, begun, 1914, inclusive
General note
The album is entitled "Harold M. Acton begun in 1914 - postcards of Great Britain and North and South America". The album had many blank pages and in fact only had postcards of the US. Includes J.J. Mitchell's residence at Lake Geneva, Wisconsin.
Art postcards (male portraits including many self-portraits) which belonged to HA, 1914, inclusive
General note
On the title page: "Harold Acton begun in 1914".
Postcards of men in painting and sculpture, including numerous self-portraits
Most of them blank, but some dated on the verso by HA in 1913.
Art postcards (Europe and US) which belonged to HA, ca. 1912-1914, inclusive
General note
This was an album of works of art (mostly in France, Italy, Germany, and Holland).
Art postcards (mostly nudes) which belonged to HA, ca. 1913, inclusive
Art postcards (Europe) which belonged to HA, ca. 1912, inclusive
General note
Postcards of works of art in Italy (especially Umbria and Milano), Vienna, Madrid, Chantilly, and elsewhere. Two of the postcards with correspondence removed to the paper archives were of particular interest: one to AA and HMA from HA at the Hotel Excelsior in Venezia, 1912, and one to 'Mrs Acton' at Palazzo Guadagni, 9 Viale Principe Umberto, Firenze dated October 31 1903 from her brother Guy Mitchell.
Art postcards (mostly Sienese school), which belonged to HA, ca. 1913-1925, inclusive
General note
Nearly all of these are blank, but some have the dates of the artists annotated on the verso.
Album of postcards begun in 1910 which belonged to HA, ca. 1910, inclusive
General note
A damaged album with many loose pages, and many loose postcards. Annotated on the first page "1 best album 1913. Begun in 1910". Many of the postcards annotated on the verso from HMA to HA.
The postcards include: picture postcards (one dated 7 April 1913), and another annotated "Happy New Year from Elizabeth C. [Mitchell]" and dated Paris 1907); the interior of the Blackstone Hotel, Chicago the Chinese in Hongkong Egypt (one addressed to WA at La Pietra and dated January 28th 1911); Japan; Sumatra; the Chinese community in San Francisco Mexican street scenes; Grand Hotel Tirano (annotated on the recto "where we lunched July 19th 1916".
There are also childrens' drawings (mostly of women) and one photograph of a baby in a swing (annotated on the verso "8 months…deep blue eyes".
Two postcards with correspondence from HMA to HA removed to the paper archives (one from France dated 7 April 1913).
Series VII: Harold Acton in China and the Far East
Subseries A: Harold Acton's residence in Beijing
Exterior (with HA), in the snow, ca. 1934, inclusive
General note
Neg. and two prints, by Ann Watkins, Inc. 77 Park Avenue, New York. Annotated on the verso "my cloister" by HA.
Exterior, central courtyard, in the snow, ca. 1934, inclusive
General note
Neg.and two prints, by Ann Watkins, Inc. 77 Park Avenue, New York. Annotated on the verso by HA.
Exterior, the courtyard, in the snow, ca. 1934, inclusive
General note
Neg.and print, by Ann Watkins, Inc. 77 Park Avenue, New York.
Exterior, the garden in the snow, ca. 1934, inclusive
General note
Neg.and two prints, by Ann Watkins, Inc. 77 Park Avenue, New York.
Exterior, the garden in the snow, ca. 1934, inclusive
General note
Neg.and print, by Ann Watkins, Inc. 77 Park Avenue, New York. Annotated on the verso by HA.
Exterior, the garden in the snow, ca. 1934, inclusive
General note
Neg.and two prints, by Ann Watkins, Inc. 77 Park Avenue, New York. Annotated on the verso by HA.
Exterior in the snow, ca. 1934, inclusive
General note
Neg.and two prints, by Ann Watkins, Inc. 77 Park Avenue, New York.
Exterior of the studio in the snow, ca. 1934, inclusive
General note
Neg.and print, by Ann Watkins, Inc. 77 Park Avenue, New York. Annotated on the verso by HA.
Exterior, the garden in the snow, ca. 1934, inclusive
General note
Neg.and two prints, by Ann Watkins, Inc. 77 Park Avenue, New York.
Exterior, the garden in the snow, ca. 1934, inclusive
General note
Neg.and print, by Ann Watkins, Inc. 77 Park Avenue, New York. Annotated on the verso by HA.
Exterior, ca. 1934, inclusive
General note
Annotated on the verso by HA "my courtyard on a windy day".
Exterior, 1934, inclusive
General note
Annotated on the verso by HMA "Harold's Peiping courtyard 1934".
Exterior, ca. 1934, inclusive
General note
Annotated on the verso by HA "outside of my main hall".
Exterior, ca. 1934, inclusive
Exterior, inner courtyard with lotuses, undated, inclusive
Exterior, inner courtyard, ca. 1934, inclusive
General note
Annotated on the verso "lotuses in my inner courtyard".
Exterior, inner courtyard with lotuses, ca. 1934, inclusive
Exteriors, mounted prints, ca. 1934, inclusive
General note
Oversize, VII.A.1. folder 365.
Interior, carved moon-gate in drawing room, ca. 1934, inclusive
General note
Photo by Ann Watkins, Inc. 77 Park Avenue, New York. Annotated on the verso by HA "carved moon-gate, right of the big Salon - K'ung Hsi period scrolls behind. Central fireplace left covered by screen".
Interior, carved moon-gate in drawing room, ca. 1934, inclusive
General note
Photo by Ann Watkins, Inc. 77 Park Avenue, New York.
Subseries B: People
1. Indentified
Prince P'u Ju, ca. 1934, inclusive
General note
Also called Prince Pu Ro, an excellent calligrapher and painter who died in 1994. Younger brother of the last Emperor of China, photo by Ann Watkins, Inc. 77 Park Avenue, New York. Annotated on the verso by HA.
Prince P'u Ju, ca. 1934, inclusive
General note
Photo by Ann Watkins, Inc. 77 Park Avenue, New York. Annotated on the verso by HA.
Prince P'u Ju painting with two of his daughters, ca. 1934, inclusive
General note
Annotated on the verso by HA, [and also by Laurence Sickman].
Family of Prince P'u Ju, ca. 1934, inclusive
General note
Photo by Ann Watkins, Inc. 77 Park Avenue, New York.
Family of Prince P'u Ju, ca. 1934, inclusive
General note
Neg.and print, annotated on the verso by HA "Prince P'u Ju's children and nephews".
Anna May Wong, ca. 1936, inclusive
Anna May Wong, ca. 1936, inclusive
Anna May Wong in HA's residence in Beijing (at 2 Kung Hsien Hutung, or Gong Xian Hutong), after 1936, inclusive
General note
After 1936. Annotated by HA on the verso "the door to my main courtyard immediately facing main hall - kitchen and servants quarters in small courtyard with so-called cypresses between empty buildings (stable) at the end beyond rickshaw".
Anna May Wong, ca. 1936, inclusive
General note
Annotated on the verso "Anna May in my garden - lotus pond behind".
Anna May Wong with four others, 1938, inclusive
General note
Dated on the verso.
Anna May Wong, ca. 1938, inclusive
General note
Annotated on the verso "just outside my study opening into garden".
[Yang Shao Chi] with a child and baby, ca. 1936, inclusive
General note
Annotated by HA on the verso: "My 'Number One' with his offspring" ('number one' was the western term for servant).
[Yang Shao Chi] with a child and baby, ca. 1936, inclusive
Shelley Lee, 1934, inclusive
General note
With dedication on the verso.
Shelley Lee, 1949, inclusive
General note
With dedication on the verso.
Wang Changshu, 1934, inclusive
General note
With dedication on the recto dated September 1, 1934.
H.H. Hu, ca. 1936, inclusive
General note
With dedication on the verso.
[Bonna], ca. 1936, inclusive
General note
With dedication on the recto.
[Bonna], ca. 1936, inclusive
[Dennis and Chee Hung], 1990, inclusive
General note
With dedication on the verso, dated: December 11, 1990, Color print of a wedding party.
[Chen Shi-Hsiang], ca. 1936, inclusive
2 unidentified
Unidentified, ca. 1934-1938, inclusive
General note
Many taken outside HA's residence in Beijing.
Subseries C: Places
1 Beijing
District close to HA's residence at 2 Kung Hsien Hutung, ca. 1936, inclusive
General note
Annotated on the verso by HA "disused temple now a courtyard round the corner from my house".
District close to HA's residence at 2 Kung Hsien Hutung, ca. 1936, inclusive
General note
One annotated on the verso by HA "street in my neighbourhood".
Beijing, ca. 1936, inclusive
General note
One annotated on the verso by HA "disused palace behind 'Coal Mill'
[Mt. Jinshan in the Western Hills outside Beijing], ca. 1936, inclusive
General note
Including 5 negs.
Prince P'u Ju's residence, the Kung Wang Fu, ca.1936, inclusive
General note
Now known as the Gong Wang Fu and open to the public: the 18th century Jesuit gateway. Photo by Ann Watkins Inc. 77 Park Avenue, New York. Annotated on the verso by HA, [and also by Laurence Sickman]. Published in "Memoirs of an Aesthete" paperback edition 1984.
Prince P'u Ju's residence, the Kung Wang Fu, ca. 1936, inclusive
General note
Now known as the Gong Wang Fu: the 18th century Jesuit gateway, neg.and two prints, one annotated on the verso by HA "Baroque gate beside archery gallery in the Kung Wang Fu".
Prince P'u Ju's residence, the Kung Wang Fu, ca. 1936, inclusive
General note
Now known as the Gong Wang Fu, one annotated on the verso by HA "the dried up pool with pavilion, Kung Wang Fu" and "Prince P'u Ju's garden in lilac time, Kuan Yu T'ai, or Terrace for Watching the Fish". (Neg. and three prints). Photo by Ann Watkins Inc. 77 Park Avenue, New York, [one also annotated on the verso by Laurence Sickman].
Prince P'u Ju's residence, the Kung Wang Fu, ca. 1936, inclusive
General note
Now known as the Gong Wang Fu: the rockery, annotated on the verso by HA "long painted 'gallery' and rockery Kung Wang Fu", and "Yao Yuch T'ai, or Terrace to invite the Moon". Neg.and prints. Photo by Ann Watkins Inc. 77 Park Avenue, New York. One also annotated on the verso by Laurence Sickman.
Prince P'u Ju's residence, the Kung Wang Fu, ca. 1936, inclusive
General note
Now known as the Gong Wang Fu. 2 negs. and prints. Annotated on the verso by HA. Photo by Ann Watkins Inc. 77 Park Avenue, New York.
Bei Hai Park, 1936, inclusive
General note
This was opened to the public in 1925 and is still open.
Bei Hai Park, ca. 1936, inclusive
General note
Annotated on the verso by HA "Ching Hsin Chai (Studio of Restful Mind) - favourite …of Empress Dowager Tzu Hai I - Pei Hai Park".
Bei Hai Park, ca. 1936, inclusive
General note
Annotated on the verso by HA "Ching Hsin Chai".
Bei Hai Park, ca. 1936, inclusive
General note
Annotated on the verso by HA "Ching Hsin Chai".
Bei Hai Park, ca. 1936, inclusive
General note
Annotated on the verso by HA "Wu Lung T'ing (now tea houses) in Pei Hai".
Bei Hai Park, ca. 1936, inclusive
General note
Some annotated on the verso by HA.
Bei Hai Park, ca. 1936, inclusive
General note
One annotated on the verso by HA "pavilion with imperial tablet in Chung Hai".
Bei Hai Park, ca. 1936, inclusive
General note
The 18th century dragon screen, two annotated on the verso by HA.
[Bei Hai Park], ca. 1936, inclusive
Forbidden City (the Hall of Supreme Harmony), ca. 1936, inclusive
General note
Annotated on the verso by HA "Chief throne room, Forbidden City", with people, including a group dressed in western style.
Temple of Heaven, ca. 1936, inclusive
General note
Annotated on the verso by HA.
Pagodas [in the Summer Palace, Beijing], ca. 1936, inclusive
General note
Annotated on the verso by HA.
Ming Tombs outside Beijing, ca. 1936, inclusive
Bei Hai Park, 1986, inclusive
General note
Color print annotated on the verso and dated 1986 "Remember Pei Hai? It's the only place that hasn't changed much…".
Chienmen tower, 1986, inclusive
General note
Color print annotated on the verso and dated 1986 "They tore up the grand old city wall. Chienmen tower is the only part left. Too bad".
[Beijing], ca. 1936, inclusive
General note
6 Negs. and prints.
2 China (excluding Beijing and environs) and the Far East
China: Canton, ca. 1932-1936, inclusive
General note
1932 or 1936 when on both occasions HA stayed at the Victoria Hotel. Two annotated on the verso by HA.
China: Macau, ca. 1932, inclusive
General note
When HA stayed at the Hotel Riviera. One annotated on the verso by HA "ruined façade of church of Immaculate Conception, vulgarly called S. Paul's, Macau", and another "Dominican church, Macau", some postcards captioned on the recto. Since 1999 Macau has been a Special Administrative Region (SAR) of China. Prints mentioned by HA in a letter from Hong Kong to his mother 30 June, 1932.
Indonesia: Bali, ca. 1932-1935, inclusive
General note
Annotated on the verso by HA "Goenoeng Agoeng, Bali's Olympus", "Balinese temple", scenes of a funeral, annotated on the verso by HA "Around the coffin", "Burnt offerings", "King's graves and Rock monastery (Goenoeng Kawi), "Balinese dancers". Postcards captioned on the recto, and one dated on the verso 1935.
Indonesia: Java, Prambanan and Borobodur, ca. 1932-1935, inclusive
General note
Annotated on the verso by HA.
Japan: Keijo (now Seoul in South Korea), ca. 1935, inclusive
General note
Postcards captioned on the recto.
Japan: Kamakura, ca. 1935, inclusive
Japan: Nara, ca. 1935, inclusive
General note
Postcards annotated on the verso or recto by HA.
Korea, ca. 1935, inclusive
General note
Color postcards of local costumes, and a shadow play at Solo (annotated on the verso by HA).
Thailand: Bangkok, ca. 1932-1935, inclusive
Thailand: Bangkok, Wat Phra Keo (Temple of the Emerald Buddha), ca. 1932-1935, inclusive
General note
Some annotated on the verso by HA.
Thailand: Bangkok, Wat Benchamabopitr, ca. 1935, inclusive
Thailand: Bangkok, Sapan Han bridge, the bridge at Wat Benchamabopitr, and a floating market, ca. 1935, inclusive
General note
Annotated on the verso by HA.
Thailand: Bangkok, Wat Arun, ca. 1935, inclusive
General note
Annotated on the verso by HA.
Thailand: Wat Po, ca. 1932-1935, inclusive
General note
Some annotated on the verso by HA.
[Thailand], ca. 1932-1935, inclusive
Vietnam (Hanoi), Chua Motcot (One Pillar Pagoda), ca. 1932-1935, inclusive
General note
This was destroyed by the French in 1954 but has since been rebuilt.
Vietnam (Hanoi), Temple of Confucius, ca. 1932-1935, inclusive
General note
Now called Temple of Literature - Van Mieu. Some annotated on the verso by HA.
Far East, ca. 1930s, inclusive
General note
Unidentified.
Subseries D: Artwork
T'ang horse, ca. 1938, inclusive
General note
Purchased by HA in 1938 and deposited by him in the Peking branch of a New York bank the day before he left China for good. In 1950 it was in San Francisco, and in March 1953 in the Nelson Atkins Museum, Kansas City. See correspondence between HA and Lawrence Sickman, 1950.
Oversize, VII.D.2. folder 366.
Landscape by Prince P'u Ju, ca. 1935, inclusive
General note
Annotated by HA on the verso "(Author's Collection)". Photo by Ann Watkins, Inc. New York.
Monkey by Prince P'u Ju, ca. 1935, inclusive
General note
Annotated by HA on the verso "imitated from Northern Sung Dynasty painting (Author's Collection)…". Photo by Ann Watkins, Inc. New York.
Chinese scroll, ca. 1935, inclusive
General note
Annotated on the verso by HA: "a long scroll, gold on blue background by Ch'u-Ying (or Ch'ou Shih-chou) Ming dynasty"(Cho Ying, or Chou Shi Zhou). The translation of the title is: "Longevity as towering as the mountain and happiness as endless as the sea". The signature reads "Qiu Ying made". Qiu Ying (1494-1552) from Suzhou was a popular painter but many fakes were produced of his works and this could be 18th century.
Chinese scroll, ca. 1935, inclusive
General note
Larger print of #115.
Oversize, VII.D.2. folder 367.
Painting, ca. 1935, inclusive
General note
Oversize VII.D.2. folder 367.
Exhibition of Chinese paintings in the interior of Rongbaozhai (or Jung Pao Chai) art shop in Liulichang, Beijing, ca. 1935, inclusive
Painting signed by Pu Ru (Xinyu, 1896-1963), ca. 1935, inclusive
Painting signed by Pu Ru (Xinyu, 1896-1963), ca. 1935, inclusive
Painting signed by Pu Ru (Xinyu, 1896-1963), ca. 1935, inclusive
Painting signed by Pu Ru (Xinyu, 1896-1963), ca. 1935, inclusive
Painting signed by Pu Ru (Xinyu, 1896-1963), ca. 1935, inclusive
Painting signed by Pu Ru (Xinyu, 1896-1963), ca. 1935, inclusive
Chinese painting, ca. 1935, inclusive
General note
Annotated on the verso by HA "Late Sung".
Wild Geese, by Pa Ta Shan Jen, 1946, inclusive
General note
Neg.and print. Annotated on the verso by HA "(Author's Collection)". Photo by Ann Watkins, Inc., 1946. This painting is reported as being in the Nelson Atkins Museum, Kansas City in March 1953.
Unsigned genre painting, ca. 1935, inclusive
General note
Probably late Ming/early Qing period (but anyway before the Kangxi period).
Details of unsigned genre painting #128, ca. 1935, inclusive
Portraits of Chinese actors, ca. 1935, inclusive
Lacquer work, undated, inclusive
General note
Annotated on the verso by HA "An artist in lacquer".
Portraits of Chinese actors, ca. 1935, inclusive
Hunting scene, ca. 1935, inclusive
General note
Rubbing from Nan-yang. The mask almost identical with that of the Wu-Sheng protagonist of Wu Sung Ta Hu.
Group of musicians, ca. 1935, inclusive
General note
Rubbing from a Han Dynasty bas-relief at Nan-yang.
Prints of flowers, undated, inclusive
Art object, ca. 1935, inclusive
General note
Annotated on the recto by HA "13th century Korean".
Subseries E: The Peking Opera
Ma Hsiang [Hsian]- Lin as Pai Shih, the White Snake Lady from Pai Shih Chuan (the actor is also identified as Mao Shih-Lai), ca. 1936, inclusive
General note
Includes 8 negs. Taken in the porch of HA's residence in Beijing (2 Kung Hsien Hutung), between 1936 and 1939. The prints with '48' stamped on the verso are by Ann Watkins Inc., New York [and the others by Serge Vargassoff, Beijing]. One annotated on the verso by HA.
Hou Yung-K'uei as Lin Ch'ung in Lin Ch'ung's Escape by Night, ca. 1936, inclusive
General note
Includes 14 negs. Taken in the porch of HA's residence in Beijing (2 Kung Hsien Hutung), between 1936 and 1939. The prints with '48' stamped on the verso are by Ann Watkins Inc., New York [and the others by Serge Vargassoff, Beijing]. One annotated on the verso by HA, and two in Chinese.
Ma Hsiang [Hsian] - Lin as Ch'en Miao-Ch'ang, ca. 1936, inclusive
General note
Includes 6 negs. Taken in the porch of HA's residence in Beijing (2 Kung Hsien Hutung), between 1936 and 1939. The prints with '48' stamped on the verso are by Ann Watkins Inc., New York [and the others by Serge Vargassoff, Beijing].
Ma Hsiang [Hsian] - Lin as Ch'un - Hsiang, ca. 1936, inclusive
General note
Taken in the porch of HA's residence in Beijing (2 Kung Hsien Hutung), between 1936 and 1939. [prints by Serge Vargassoff, Beijing].
Hou Yung - K'uei as Kao Ch'ung, ca. 1936, inclusive
General note
Includes 11 negs. #205. includes a man 'offstage' [HA's servant]. Taken in the porch of HA's residence in Beijing (2 Kung Hsien Hutung), between 1936 and 1939. The prints with '48' stamped on the verso are by Ann Watkins Inc., New York, [and the others by Serge Vargassoff, Beijing].
Hou Yung-K'uei as Wu Sung and Ma Hsiang-lin as P'an Chin-Lien, ca. 1936, inclusive
General note
Including 5 negs. Taken in the porch of HA's residence in Beijing (2 Kung Hsien Hutung), between 1936 and 1939. The prints with '48' stamped on the verso are by Ann Watkins Inc., New York, [and the others by Serge Vargassoff, Beijing].
Hao Chên-chi in T'ou T'ao, stealing the peaches, ca. 1936, inclusive
General note
Annotated on the verso by HA.
Shui Lien Tung, ca. 1936, inclusive
General note
Annotated on the verso by HA.
Ting T'ien Hsi, ca. 1936, inclusive
General note
Annotated on the verso by HA.
Chang Fei, ca. 1936, inclusive
General note
Lu Hua Têng, annotated on the verso by HA.
Ch'ung K'nei, subduer of demons in Huo P'an, ca. 1936, inclusive
General note
Annotated on the verso by HA.
An T'ien Hui, ca. 1936, inclusive
General note
Annotated on the verso by HA, and in Chinese.
Son Ping Shan (Li Yuan Pa), ca. 1936, inclusive
General note
Annotated on the verso by HA, and in Chinese.
Ta Hu, ca. 1936, inclusive
General note
Annotated on the verso by HA, and in Chinese.
Lin Ch'ung, ca. 1936, inclusive
General note
Annotated on the verso by HA.
Shih Hsiu, ca. 1936, inclusive
General note
Annotated on the verso by HA.
Wu Sung Ta Hu, ca. 1936, inclusive
General note
Annotated on the verso by HA.
Tiao Hua Chî, ca. 1936, inclusive
General note
Annotated on the verso by HA, and in Chinese.
Chen Ma Ch'ao, ca. 1936, inclusive
General note
Annotated on the verso by HA, and in Chinese.
Pen P'o, ca. 1936, inclusive
General note
Annotated on the verso by HA, and in Chinese.
Lien Hua Tao, ca. 1936, inclusive
General note
Annotated on the verso by HA, and in Chinese.
Hu Tsun, ca. 1936, inclusive
General note
Annotated on the verso by HA, and in Chinese.
Fan Li Hua, ca. 1936, inclusive
General note
Annotated on the verso by HA.
Chao Chün Ch'u Tsai, ca. 1936, inclusive
General note
Annotated on the verso by HA.
Tui Tao Pu Chan, ca. 1936, inclusive
General note
Annotated on the verso by HA.
Ch'ang Shêng Tien, ca. 1936, inclusive
General note
Annotated on the verso by HA.
Yu Pei T'ing, ca. 1936, inclusive
General note
Annotated on the verso by HA.
Hsi Hsiang Chi, ca. 1936, inclusive
General note
Annotated on the verso by HA.
Ch'in T'iao, ca. 1936, inclusive
General note
Annotated on the verso by HA.
Yu Yuan Ching Mêng, ca. 1936, inclusive
General note
Annotated on the verso by HA.
Han Shih-Ch'ang as Li Kuei-Chih and Pai Yün-Shêng as Chao Ch'ung in Ch'i Shuang Hui, ca. 1936, inclusive
Chin Hsiang Nao, ca. 1936, inclusive
General note
Annotated on the verso by HA.
Hung Niang Hsi Hsiang Chi, ca. 1936, inclusive
General note
Annotated on the verso by HA.
Unidentified actors, ca. 1936, inclusive
Unidentified actors, ca. 1936, inclusive
General note
Annotated on the verso in Chinese
Unidentified actors, ca. 1936, inclusive
Unidentified actors, ca. 1936, inclusive
General note
Annotated on the verso in Chinese
Unidentified actors, ca. 1936, inclusive
Unidentified actors, ca. 1936, inclusive
General note
Annotated on the verso in Chinese
Mei Lan-fang as Kuei-Ying and Wang Shao-Lou as Hsiano Ên in Chi'ing Ting Chio, 1937, inclusive
General note
Annotated on the verso "Mei Lan-fang". Kuei-Ying tries to restrain her father from going to the Ting Mansion in "Ch'ing Ting Chu", published on page 112 of "Famous Chinese Plays" by Arlington and HA, 1937 (annotated by HA for Oxford University Press in 1955 but not published.
Mei Lan-fang as Kuei-Ying, ca. 1936, inclusive
Mei Lan-fang, ca. 1936, inclusive
Mei Lan-fang as Lady Dongfang in the first part of "Rainbow Pass", ca. 1936, inclusive
Mei Lan-fang as Chao Nü, ca. 1936, inclusive
Mei Lan-fang, ca. 1936, inclusive
[Mei Lan-fang], ca. 1936, inclusive
Actor making himself up, ca. 1936, inclusive
General note
Photos by Serge Vargassoff, Peiping.
Kao Shêng-Lin as Huang Tien-Pa (announcing his name), ca. 1936, inclusive
General note
Photos by Serge Vargassoff, Peiping.
Kao Shêng-Lin as Kao Têng, a despotic landlord, in "Yen Yang Lou", ca. 1936, inclusive
General note
Photos by Serge Vargassoff, Peiping, one annotated on the verso by HA.
Kao Shih-Shou as 'Flower Butterfly', ca. 1936, inclusive
General note
Photos by Serge Vargassoff, Peiping.
Unidentified actor, ca. 1936, inclusive
General note
Photos by Serge Vargassoff, Peiping
Unidentified actor, ca. 1936, inclusive
General note
Photos by Serge Vargassoff, Peiping.
Hou Yung-K'uei as Sun Wu-K'ung in"An T'ien Hui", ca. 1936, inclusive
General note
Photos by Serge Vargassoff, Peiping. One annotated on the verso by HA "Hou Yung-K'uei as Sun Wu-K'ung, the Monkey god, from "An T'ien Hui" the story of which has been translated by Arthur Waley".
Hua Kuo Shan Mao Chien-Chi, ca. 1936, inclusive
General note
Annotated on the verso by HA.
Unidentified actor, ca. 1936, inclusive
General note
Photo by Serge Vargassoff, Peiping.
Mao Shih-Lai as Yün-chieh in "Hsiao Fang-niu", ca. 1936, inclusive
Li Wan-ch'un as Huang T'ien-pa, ca. 1936, inclusive
General note
Photos by Serge Vargassoff, Peiping.
[Li Wan-ch'un], ca. 1936, inclusive
General note
Photos by Serge Vargassoff, Peiping.
[Li Wan-ch'un], ca. 1936, inclusive
General note
Photos by Serge Vargassoff, Peiping.
Wang Fu-shan as Chu Kuang-Tsu, wearing a comedian's 'mai-i-chin' or 'horsetail cap', ca. 1936, inclusive
General note
Photo by Serge Vargassoff, Peiping.
Mao Ch'ih-Lai as Lien Huan T'ao, ca. 1936, inclusive
General note
Photo by Serge Vargassoff, Peiping.
Unidentified actor, ca. 1936, inclusive
Unidentified actor, ca. 1936, inclusive
General note
Annotated on the verso "Pigsy".
Unidentified actors, ca. 1936, inclusive
Actor making himself up, ca. 1936, inclusive
Unidentified actors, ca. 1936, inclusive
Head of an unidentified actor, ca. 1936, inclusive
General note
Neg. and print.
Chinese acrobat, ca. 1936, inclusive
Unidentified actors, ca. 1936, inclusive
General note
Annotated on the verso in Chinese.
Actors performing in a play, ca. 1936, inclusive
General note
Photos by Serge Vargassoff, Peiping.
an unidentified actor, ca. 1936, inclusive
General note
Annotated on the verso.
Actors performing in a play, ca. 1936, inclusive
General note
Photos by Serge Vargassoff, Peiping.
The Fu Lien Chêng company in Beijing in a performance of "Yü Chou Fêng", ca. 1936, inclusive
General note
One annotated on the verso by HA.
Neg. of print on page 9 of VII.F., ca. 1936, inclusive
Neg. of print on page 11 of VII.F., ca. 1936, inclusive
Neg. of print on page 13 of VII.F., ca. 1936, inclusive
Neg. of print on page 14 of VII.F., ca. 1936, inclusive
Neg. of print on page 16 of VII.F., ca. 1936, inclusive
Neg. of print on page 25 of VII.F., ca. 1936, inclusive
Neg. of print on page 27 of VII.F., ca. 1936, inclusive
Neg. of print on page 32 of VII.F., ca. 1936, inclusive
Neg. of print on page 50 of VII.F., ca. 1936, inclusive
Neg. of print on page 51 of VII.F., ca. 1936, inclusive
Neg. of print on page 53 of VII.F., ca. 1936, inclusive
Neg. of two actors, ca. 1936, inclusive
Japanese Theatre performance, Fukusuke-Nakamura, ca. 1936, inclusive
General note
One annotated on the verso [by HA].
Japanese Theatre performance, ca. 1936, inclusive
General note
Annotated on the verso by HA "Kicheimon".
[Japanese Theatre], ca. 1936, inclusive
General note
Annotated on the verso by HA.
Subseries F: Album of Photographs of The Peking Opera
Large format photos of the Peking Opera pasted onto the page., ca. 1936, inclusive
General note
On the inside cover is a 'Vargassoff' sticker, so presumably the prints are all by Serge Vargassoff of Beijing. The negatives of 11 of these are in VII.E.5., and some are duplicates of prints in VII.E. No captions, and some blank pages at the end.
Series VIII: Images on glass
Subseries A: The Actons
1 Acton, Arthur
i. AA Alone
AA in the interior of Villa La Pietra (on the Scalone in the Rotonda), with the tapestry XII. A.35. of the "Donna con canestro di frutta e tavolo con cacciagione" in the background, undated, inclusive
General note
B/w stereograph.
AA, ca. 1930s, inclusive
General note
Color positives. For b/w prints, see I.A.1.1.-87a. and 87b.
AA [in the gardens of Villa La Pietra, Terrazza], ca. 1930s, inclusive
General note
Color stereograph.
ii. AA with others
AA in the gardens of Villa La Pietra (Seconda Vasca), with two ladies, ca. 1920s, inclusive
General note
B/w stereograph (sepia tone).
iii. Relations of AA
(Eugene Arthur) Roger Acton, father of AA, 1875, inclusive
General note
B/w negative. For b/w prints, see I.A.5.2.-123., 123a.and 123b.
(Eugene Arthur) Roger Acton, father of AA, undated, inclusive
General note
B/w negative. For b/w print, see I.A.5.2.-124.
(Eugene Arthur) Roger Acton, father of AA, undated, inclusive
General note
With a dog.
B/w negative. For b/w prints, see I.A.5.2.-127.and 127a.
[(Eugene Arthur) Roger Acton, father of AA], undated, inclusive
General note
Cased daguerreotype.
Lady [Mother of AA], undated, inclusive
General note
Cased daguerreotype. Found in HA's desk in the Library. For conservation reasons housed in box 11 of Images on Glass.
Two women [ancestors of AA], undated, inclusive
General note
Framed daguerreotype
iv. AA's painting activity
Lady model posing in a studio, undated, inclusive
General note
B/w stereographs.
Female nude, undated, inclusive
General note
B/w negative.
Studies for paintings, undated, inclusive
General note
1. Lady posing.
2. Painting of a lady.
3. Detail of an arm.
B/w negatives.
Portrait of Sir Winston Churchill painted by AA, undated, inclusive
General note
Color glass slides. See also I.A.6.3.-16.
Portrait of H.M. George VI painted by AA, undated, inclusive
General note
Color glass slide. See also I.A.6.3.-17.
Portrait of Field Marshall Bernard Montgomery painted by AA, undated, inclusive
General note
Color glass slide. See also I.A.6.3.-22.
Lady posing for a portrait by AA, undated, inclusive
General note
Color glass slide. See also I.A.6.3.-33.
Portraits of ladies painted by AA, undated, inclusive
General note
Color glass slides.
Portrait of a man (in uniform) painted by AA, undated, inclusive
General note
Color glass slide.
Model posing, undated, inclusive
General note
Color glass slide.
2 Acton, Hortense, née Mitchell
i. HMA alone
HMA in the interior of Villa La Pietra (Salone), undated, inclusive
General note
B/w stereographs (positives and negatives).
HMA in the gardens of Villa La Pietra (Giardino Segreto), ca. 1920s, inclusive
General note
Color stereographs (in metal frames).
HMA (with WA) in the gardens of Villa La Pietra (Giardino Segreto), ca. 1920s, inclusive
General note
Color stereograph (in a metal frame).
HMA in the gardens of Villa La Pietra (Tempietto), ca. 1920, inclusive
General note
Color stereograph (in a metal frame).
[HMA] in the gardens of Villa La Pietra (Vasche, Terrazza), undated, inclusive
General note
Color stereographs (in metal frames).
HMA [in the gardens of Villa La Pietra), undated, inclusive
General note
Color stereographs (in metal frames).
HMA in the gardens of Villa La Pietra (Vasche, Scalone), undated, inclusive
General note
B/w stereograph. Neg.
HMA outside Villa La Pietra (with an Alsatian dog), undated, inclusive
General note
B/w stereographs (positive and negative).
HMA in the gardens of Villa La Pietra (Vasche, Terrazza), with an Alsatian dog), undated, inclusive
General note
B/w stereograph.
ii. HMA with others
HMA with a lady and with WA [in the gardens of Villa La Pietra], undated, inclusive
General note
Color stereographs (in metal frames).
HMA with two men [in the gardens of Villa La Pietra], undated, inclusive
General note
B/w stereographs (positive and negative).
3. and 4. b/w stereographs (negatives).
HMA with two men in the gardens of Villa La Pietra [Vasche, Terrazza], undated, inclusive
General note
B/w stereograph (negative).
[HMA] with two ladies and two men in the gardens of Villa La Pietra (Vasche, Terrazza), undated, inclusive
General note
B/w stereographs (positives and negatives).
HMA with a lady [in the gardens of Villa La Pietra], undated, inclusive
General note
Color stereograph.
[HMA] in the a group [in the gardens of Villa La Pietra], undated, inclusive
General note
Color stereograph.
HMA with WA and an officer in the gardens of Villa La Pietra (Giardino Topiario), ca. 1916, inclusive
General note
Color stereographs (in metal frames).
HMA with officers in the gardens of Villa La Pietra (Vasche, Terrazza), ca. 1916, inclusive
General note
B/w stereographs (#1. with a sepia tone).
HMA with others outside Villa La Pietra (Terrazza), undated, inclusive
General note
B/w stereoscopes (positive and negative).
HMA [with Mario Pansa and Gentile Del Drago] in the gardens of Villa La Pietra (Prima Vasca), ca. 1916, inclusive
General note
B/w stereograph.
HMA with a lady in the gardens of Villa La Pietra (Prima Vasca), undated, inclusive
General note
B/w stereographs (with sepia tone), positives and negatives.
[HMA] in a group outside Villa La Pietra, undated, inclusive
General note
B/w stereograph.
[HMA] with Cora Antinori and an officer in the gardens of Villa La Pietra, ca. 1916, inclusive
General note
B/w stereographs (positive and negative).
HMA with Cora Antinori, Gentile del Drago and others in the gardens of Villa La Pietra (Tempietto, Prima Vasca), ca. 1916, inclusive
General note
B/w stereographs (positives and negatives).
[HMA] with officers in an interior, ca. 1916, inclusive
General note
Color stereograph.
[HMA] with officers in the gardens of Villa La Pietra, ca. 1916, inclusive
General note
B/w stereographs (positive and negative).
HMA at a ball with Cora Antinori and others, undated, inclusive
General note
B/w stereographs (positives and negatives). See also I.B.2.4.-204.,and III.A.2.
3 Acton, Harold
HA with HMA and WA in the gardens of Villa La Pietra (Prima Vasca), undated, inclusive
General note
B/w stereograph.
HA with AA and WA in the gardens of Villa La Pietra, ca. 1916, inclusive
General note
Color stereograph.
HA, ca. 1916, inclusive
General note
Color stereographs.
HA in the interior of Villa La Pietra (also with WA), and with mannequin busts, undated, inclusive
General note
Color stereographs.
HA with HMA and WA in the gardens of Villa La Pietra (Terrazza), ca. 1916, inclusive
General note
Color stereographs (in metal frames).
HA with WA, undated, inclusive
General note
Color stereograph.
HA with WA in the gardens of Villa La Pietra, ca. 1917, inclusive
General note
B/w stereographs (positive and negative).
[HA] with [HMA] in a horse carriage outside Villa La Pietra, ca. 1918, inclusive
General note
B/w stereograph. See also similar print, I.B.1.4.-60.
HA, ca. 1920, inclusive
General note
Color stereograph.
HA with WA in the gardens of Villa La Pietra [Giardino Topiario], undated, inclusive
General note
Color stereograph.
HA with HMA and WA and others [inside Villa la Pietra], undated, inclusive
General note
B/w stereographs
HA with HMA and WA in the gardens of Villa La Pietra (Prima Vasca), ca. 1920s, inclusive
General note
Color stereograph.
HA dressed as a toreador in the gardens of Villa La Pietra (Giardino Topiario), ca. 1924, inclusive
General note
Color stereographs.
4 Acton, William
WA in fancy dress in the gardens of Villa La Pietra, ca. 1915, inclusive
General note
Color stereographs.
WA in the gardens of Villa La Pietra, undated, inclusive
General note
Color stereographs.
5 friends of the Actons
i. men
Man in the gardens of Villa La Pietra (Prima Vasca), undated, inclusive
General note
B/w stereograph (negative).
Man in a garden, undated, inclusive
General note
B/w negative.
Man in the interior of Villa La Pietra, undated, inclusive
General note
B/w stereographs (positives and negatives).
ii. women
Cora Antinori in the gardens of Villa La Pietra (Tempietto), undated, inclusive
General note
B/w stereograph.
Ladies [in the gardens of Villa La Pietra], undated, inclusive
General note
Color stereographs (in metal frames).
Ladies in interiors, undated, inclusive
General note
Color stereographs.
Ladies in interiors, undated, inclusive
General note
B/w stereographs (negatives).
Lady [HMA] on horseback, undated, inclusive
General note
B/w stereograph.
Ladies (and a man) in a garden, undated, inclusive
General note
Color stereographs.
Lady, undated, inclusive
General note
Signed "affettuosissima". B/w negative.
Couple [in the gardens of Villa La Pietra, Pomario], undated, inclusive
General note
B/w stereograph.
iii. groups
People in the gardens of Villa La Pietra (Peristilio della glicine), undated, inclusive
General note
B/w stereograph. Neg.
People in the gardens of Villa La Pietra (Pomario), undated, inclusive
General note
B/w stereograph. Neg.
People [in the gardens of Villa La Pietra], undated, inclusive
General note
B/w stereograph. Neg.
People in the gardens of Villa La Pietra (Seconda Vasca and Peristilio della glicine), undated, inclusive
General note
B/w stereographs.
People including Cora Antinori, Mario Pansa, Bourbon del Monte, [and HMA] in the gardens of Villa La Pietra (Prima Vasca), undated, inclusive
General note
B/w stereographs. Positives and negs.
People, including Cora Antinori in the gardens of Villa La Pietra (Vasche - Scalone), undated, inclusive
General note
B/w stereographs. Positives and negs.
Five ladies [including HMA] in a garden, undated, inclusive
General note
B/w stereographs.
People in the gardens of Villa La Pietra (Vasche - Terrazza), undated, inclusive
General note
B/w stereograph. Positive and neg.
People in the gardens of Villa La Pietra (Prima Vasca), undated, inclusive
General note
Color stereograph.
People in a garden (with a statue), undated, inclusive
General note
B/w stereograph.
Five ladies on a terrace, undated, inclusive
General note
B/w stereographs
People on a terrace, undated, inclusive
General note
B/w stereographs. Positives and neg.
People in the interior of Villa La Pietra, undated, inclusive
General note
B/w stereograph. Neg.
iv. officers at Villa La Pietra [1915/16]
Officers in the gardens of Villa La Pietra (including the Pomario), ca. 1916, inclusive
General note
B/w stereographs. Positives and negs.
Officers in the gardens of Villa Sassetti, ca. 1916, inclusive
General note
B/w stereographs. Positives and negs.
Officers in the gardens of Villa La Pietra (Giardino Topiario), ca. 1916, inclusive
General note
B/w stereographs.
Officers in the gardens of Villa La Pietra (Prima Vasca), ca. 1916, inclusive
General note
B/w stereographs. Positive and neg.
Subseries B: Villa La Pietra
1 The Gardens
i. Viale
Viale, undated, inclusive
General note
Color stereograph.
ii. Piazzale
Piazzale, undated, inclusive
General note
Color stereograph.
iii. Vasche
Terrazza (looking into the Pomario), undated, inclusive
General note
B/w stereograph. Positive and neg.
Terrazza, undated, inclusive
General note
Color stereograph.
Prima Vasca, undated, inclusive
General note
B/w (with sepia tone) stereographs.
Prima Vasca, undated, inclusive
General note
Color stereographs
2. with a metal frame.
Scalone, undated, inclusive
General note
Color stereographs.
8. with a metal frame.
[Scalone], undated, inclusive
General note
Color stereograph, with a metal frame.
Scalone, undated, inclusive
General note
B/w stereographs. Positives and negs.
Seconda Vasca, undated, inclusive
General note
B/w stereographs.
3. (sepia tone).
Seconda Vasca, undated, inclusive
General note
Color stereographs
8.and 9. with metal frames.
Peristilio della glicine, undated, inclusive
General note
Color stereographs, with metal frames.
Peristilio della glicine, undated, inclusive
General note
B/w stereographs. Positives and negs.
iv. Tempietto and Teatrino
Tempietto, undated, inclusive
General note
Color stereographs, with metal frames.
Teatrino (with F7 portal), undated, inclusive
General note
Color slide.
v. Boschetto
Vista dell'Arco, undated, inclusive
General note
Color stereograph.
[Vista dell'Arco], undated, inclusive
General note
Color stereograph.
Vista del Colosso, undated, inclusive
General note
Color stereograph.
Vialone (looking south-west), undated, inclusive
General note
Color stereograph.
vi. Giardino Topiario
Giardino Segreto, undated, inclusive
General note
Color stereographs.
4. damaged (only a single image).
5. damaged.
12. the grotto.
Prato del Cedro, undated, inclusive
General note
Color stereograph.
[Prato del Cedro], undated, inclusive
General note
Color stereograph.
vii. Pomario
Pomario, undated, inclusive
General note
Color stereographs.
1.-3. in metal frames.
3. damaged.
Pomario, undated, inclusive
General note
B/w stereographs. Positive and negs.
Pomario (seen from a window of Villa La Pietra, with the hill of Fiesole in the background), undated, inclusive
General note
B/w negs.
Details of flowers [in the Limonaia in the Pomario], undated, inclusive
General note
Color stereographs.
2 The Interior and the Collection
i. the Rooms with their contents
XII. Rotonda detail of the fountain (A. 23.), ca. 1920, inclusive
General note
Color stereograph.
XIX. Biblioteca (when used as a billiards room), detail of a Chinese porcelain vase [now X. C.4.], undated, inclusive
General note
Color stereograph.
XX. Salone, undated, inclusive
General note
Color stereographs.
5. in a metal frame.
XXI. Sala del Caminetto, undated, inclusive
General note
Color stereograph.
XXVII. Saletta delle Vedute, undated, inclusive
General note
Color stereograph.
XXX. Sala Rossa, undated, inclusive
General note
Color stereograph.
[Sala Rossa or Sala del Crocifisso], undated, inclusive
General note
Color stereographs.
XXXII. Sala da Pranzo, undated, inclusive
General note
Color stereograph.
XLVIII. Camera dei Genitori, undated, inclusive
General note
Color stereographs.
XLVIII. A.2., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea intagliata, dipinta e dorata: Madonna che adora il Bambino con melagrana e arancia. Stemmi nella parte inferiore della cornice e scritta: "Ave Maria Gratia plena Dominus T." h. 123 l. 92,5 Francesco Pesellino. Color stereograph.
XLVIII. C.10., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Madonna col Bambino. Iscrizione alla base della cornice: "Ave Maris Stella Dei Mat. Alma". h. 73 l. 55,5 Sano di Pietro. Color stereograph.
LXI. Sala da Ballo, ca. 1920, inclusive
General note
B/w stereograph.
Villa La Pietra and Roma, undated, inclusive
General note
11 Stereographs found in the Camera Blu in 2007. For conservation reasons not processed with a series number but housed in box 11 of images on glass.
ii. unidentified (probably once part of the Collection, and whereabouts at present unknown)
Unidentified [in Villa La Pietra], undated, inclusive
General note
Color stereographs.
Madonna and Child [by Sano di Pietro], once probably part of the Collection, undated, inclusive
General note
Color stereograph. See also II.B.5.28.1.-65. and II.B.4.25.-1.
Madonna and Child with Saints and angels, once probably part of the Collection, undated, inclusive
General note
Color stereograph. See also II.B.5.27.3.-9.
Decorative panels [by Umberto Brunelleschi], once probably part of the Collection, undated, inclusive
General note
Color stereographs.
Panel with harlequins, once probably part of the Collection, undated, inclusive
General note
Color stereograph.
Prints and a decorative panel in chinoiserie, whereabouts at present unknown, undated, inclusive
General note
B/w positives.
Painted panel [by WA], undated, inclusive
General note
B/w positive (sepia tone).
Detail of a painted panel with rural scenes, undated, inclusive
General note
B/w negative
3 The Estate
View of Villa La Pietra across the podere (from Villa Sassetti), undated, inclusive
General note
Color stereograph.
View of Villa La Pietra across the podere (from Villa Sassetti), undated, inclusive
General note
B/w stereograph.
Villa La Pietra from the podere, with the hill of Fiesole in the background, undated, inclusive
General note
B/w negs.
Villa Ulivi - the garden, undated, inclusive
General note
Color stereographs.
[Villa Ulivi - the gardens], undated, inclusive
General note
B/w stereographs
Map of the Estate on a scale of 1:5000 (from the Comune di Firenze), undated, inclusive
General note
B/w neg.
Subseries C: Works of Art
2 Interiors (and private collections)
Period interior with numerous works of art [Francis Alexander Collection], undated, inclusive
General note
B/w negs (for two prints, see also IV.C.4.25.39.-1.and IV.C.4.25.39.-2.).
7. and 8. A villa garden (with a lady), found with 1-5. above.
Firenze, Palazzo Vecchio (Studiolo), undated, inclusive
General note
B/w stereograph.
Annotated by hand.
[Lucca, San Frediano], font, undated, inclusive
General note
B/w stereograph.
Interior (hung with portraits), undated, inclusive
General note
B/w stereographs
Man painting a huge panel with harlequins, undated, inclusive
General note
B/w stereographs
Interior with a statuette of a horse, undated, inclusive
General note
Color stereograph. Inside Villa Gattaia, owned by Charles Loeser (also identified as the Rotonda in Villa La Pietra).
Subseries D: Places
1. Italian Villas and gardens
i. Firenze
Firenze, Boboli gardens, ca. 1924, inclusive
General note
B/w stereographs. Positives and negs.
[Firenze, Boboli gardens], undated, inclusive
General note
B/w stereographs. Positive and neg.
Firenze, Villa Gamberaia (Settignano) - the gardens, undated, inclusive
General note
B/w stereographs. Positives and negs.
Firenze, Villa Gamberaia (Settignano) - the gardens, undated, inclusive
General note
B/w stereograph.
Firenze, Villa Gamberaia (Settignano) - the gardens, undated, inclusive
General note
B/w stereograph.
Firenze, Villa Passerini (now Villa il Giullarino) - the gardens, 1908, inclusive
General note
Color stereographs, in metal frames. 8 Pian dei Giullari (owned by Guy Mitchell, 1908-29).
5. damaged.
ii. Italy
Roma, Villa Sciarra (the gardens), undated, inclusive
General note
The villa owned by George W. Wurts. B/w stereographs. Positives and negs.
12.-14. the courtyard.
15.-18. peacocks.
Roma, Villa Sciarra (the gardens), undated, inclusive
General note
The villa owned by George W. Wurts. B/w stereographs. Neg.
Roma, Villa Sciarra (the gardens), undated, inclusive
General note
The villa owned by George W. Wurts. B/w stereographs.
iii. unidentified
Villa garden (with people), undated, inclusive
General note
B/w stereographs. Positives and negs.
Villa garden [Firenze], undated, inclusive
General note
Color stereograph.
Villa garden (with two people), undated, inclusive
General note
B/w stereographs. Positives and negs.
Villa with a loggia and a clock, undated, inclusive
General note
B/w stereographs. Positives and negs.
Villa with a loggia and a clock, undated, inclusive
General note
B/w stereographs. Neg.
Villa with a loggia and a clock (and a private chapel), undated, inclusive
General note
B/w stereographs.
Family chapel (in the grounds of a villa), with people, undated, inclusive
General note
B/w stereographs. Positives and negs.
Limonaia and garden entrance, undated, inclusive
General note
B/w negs. See also V.A.3.2.42.-1.
Villa with a five-arched portico, undated, inclusive
General note
B/w stereograph. Positives and neg.
Unidentified villa gardens, undated, inclusive
General note
B/w stereographs. Neg.
2. Exteriors
Firenze, Piazza Santissima Annunziata, undated, inclusive
General note
B/w stereograph.
Annotated by hand: "904. Firenze, statua di Ferdinando I° Piazza Santissima Annunziata".
Firenze, Piazza della Signoria, undated, inclusive
General note
B/w stereograph.
Roma, Arch of Constantine (with the Meta Sudans), undated, inclusive
General note
B/w stereograph.
Captioned: Rome Arc de Constantin. 214.
Roma, Castel Sant'Angelo and Ponte Sant'Angelo (with 3 people), undated, inclusive
General note
B/w stereographs. Positive and neg.
Roma, Castel Sant'Angelo and Ponte Sant'Angelo, undated, inclusive
General note
B/w stereograph. Neg.
Roma, Fontana di Trevi, undated, inclusive
General note
B/w stereographs. Neg.
Roma, Fontana di Trevi, undated, inclusive
General note
B/w stereographs. Positives and negs.
Roma, Fontana del Tritone, undated, inclusive
General note
B/w stereograph.
Roma, obelisk [Pincio or Villa Celimontana], undated, inclusive
Roma, Piazza della Repubblica (details of the nymphs on the fountain of the Naiads), undated, inclusive
General note
B/w stereographs. Positives and negs.
Roma, Piazza della Repubblica (details of the nymphs on the fountain of the Naiads), undated, inclusive
General note
B/w stereographs. Neg.
Roma [a statue at the Quattro Fontane crossroads], undated, inclusive
General note
B/w stereographs. Positives and negs.
Siena, il Campo and the steps of the Duomo (with people), 1924, inclusive
General note
B/w stereographs.
Annotated and dated: "Siena 21/V/24".
Siena (province), Certosa di Pontignano, 1924, inclusive
General note
B/w stereograph. See also I.B.2.4.-218.
Annotated and dated "Certosa di Pontignano 21/V/24".
Venezia, Bacino di San Marco, undated, inclusive
General note
B/w stereograph.
Venezia, Bridge of Sighs, ca. 1924, inclusive
General note
B/w stereograph.
Venezia, Palazzo Ducale (cortile), undated, inclusive
General note
B/w stereograph.
Annotated "588. Venezia - Cortile del Palazzo Ducale".
Street in an Italian town with a horse carriage, undated, inclusive
General note
B/w stereograph.
France, Fontainebleau, undated, inclusive
General note
B/w stereograph.
Annotated "Fontainebleau - chateau et parc".
France, Chateau Maintenon, undated, inclusive
General note
B/w stereograph (damaged).
Captioned "Maintenon Chateau - vu du parc. 707".
Spain, a bull-fight, undated, inclusive
General note
B/w stereographs.
3. War Photographs
Soldiers in Italy [First World War], ca. 1915-1918, inclusive
General note
B/w stereographs.
War scenes [First World War], ca. 1915-1918, inclusive
General note
B/w stereographs.
3. and 4. broken.
Subseries E: unidentified
Unidentified, undated, inclusive
General note
Color or b/w stereographs. Over dark.
Series IX: Glass negatives (10 x 15 cm and over)
Subseries A: The Actons
1. (Eugene Arthur) Roger Acton, father of AA
(Eugene Arthur) Roger Acton, father of AA, undated, inclusive
General note
Broken double neg., (12 x 10cm). For print, see I.A.5.2.-124c.
(Eugene Arthur) Roger Acton, father of AA, ca. 1870s, inclusive
General note
Broken neg. For print, see I.A.5.2.-131.
(Eugene Arthur) Roger Acton, father of AA in Cairo, ca. 1870s, inclusive
General note
12 x 16.5 cm. For print, see I.A.5.2.-130.
(Eugene Arthur) Roger Acton, father of AA in Cairo, ca. 1870s, inclusive
General note
13 x 18.5 cm. For print, see I.A.5.2.-133.
(Eugene Arthur) Roger Acton, father of AA in Cairo, ca. 1870s, inclusive
General note
13 x 18.5 cm. For print, see I.A.5.2.-133b.
(Eugene Arthur) Roger Acton, father of AA in Cairo, ca. 1870s, inclusive
General note
13.5 x 18 cm. For print, see I.A.5.2.-134.
2. Portraits by William Acton
Portrait of a lady by William Acton, undated, inclusive
General note
13 x 18 cm. For print, see I.D.3.13.81.-3.
Portrait of a lady in a hat [by William Acton], undated, inclusive
General note
13 x 18 cm.
3. unidentified friends of the Actons
Lady playing a harp, undated, inclusive
General note
10 x 15 cm.
Lady, undated, inclusive
General note
10 x 15 cm.
Lady [in fancy dress], undated, inclusive
General note
10 x 15 cm.
Subseries B: Villa La Pietra
1. the gardens
i. the garden vases before their present installation in the gardens
Garden vase, undated, inclusive
General note
13 x 18 cm. For print, see II.A.9.9.-79.
Garden vase on a wall, undated, inclusive
General note
13 x 18 cm. For print, see II.A.9.9.-81.
Garden vase on a wall, undated, inclusive
General note
13 x 18 cm. For print, see II.A.9.9.-82.
Garden vase on a wall, undated, inclusive
General note
13 x 18 cm. For print, see II.A.9.9.-83.
Garden vase on a wall, undated, inclusive
General note
13 x 18 cm. For print, see II.A.9.9.-84.
2. The interior and the Collection
i. the Rooms with their contents
Roman mosaic in the Antingresso of Villa La Pietra (I. A.2.), undated, inclusive
General note
27 x 21.5 cm. For print, see II.B.1.I. A.2.12.-1.
Roman mosaic in the Antingresso of Villa La Pietra (I. C.2.), undated, inclusive
General note
27 x 21.5 cm. For print, see II.B.1.I. C.2.12.-2.
Madonna and Child by Bernardo Daddi in the Sala Rossa of Villa La Pietra (XXX. B.16.), undated, inclusive
General note
13 x 18 cm.
Adoration of the Child, with the young St John, by Giovan Batista Utili, in the Sala del Crocifisso of Villa La Pietra (XXXI. C.5.), undated, inclusive
General note
27 x 21.5 cm. For print, see II.B.1.XXXI. C.5.16.-27.
Crucifix by the Maestro di San Francesco in the Sala del Crocifisso in Villa La Pietra (XXXI. D.1.), undated, inclusive
General note
27 x 21.5 cm. (cracked). For print, see II.B.1.XXXI. D.1.-1.16.-47.
Crucifix by the Maestro di San Francesco in the Sala del Crocifisso in Villa La Pietra (XXXI. D.1.) - detail of the head of Christ, undated, inclusive
General note
27 x 21.5 cm. For print, see II.B.1.XXXI. D.1.-2.16.-48.
St Julian carrying a pilgrim across a river, by Ambrogio di Baldese in the Camera dei Genitori in Villa La Pietra (XLVIII. D.39.), undated, inclusive
General note
27 x 21.5 cm. For print, see II.B.1.XLVIII. D.39.18.-94.
Painted panels in Chinese style in the Bagno Camera dei Genitori and the Bagno Camera Gialla in Villa La Pietra (L. A.8. and XLVI. B.1.), undated, inclusive
General note
12.5 x 18 cm. For prints, see also II.B.1.L. A.8.-1.19.-1. and II.B.1.XLVI. B.1.18.-7.
Painted panels in Chinese style in the Bagno Camera dei Genitori in Villa La Pietra (L. A.8.), undated, inclusive
General note
12.5 x 18 cm. For prints, see also II.B.1.L. A.8.-1.19.-1. and II.B.1.L. A.8.-2.19.-2.
ii. unidentified (probably once part of the Collection, and whereabouts at present unknown)
Madonna and Child enthroned with Saints, undated, inclusive
General note
13 x 18 cm.
Madonna and Child (Madonna 'del latte'), undated, inclusive
General note
13 x 18 cm.
Closely related to XXVI. B.2. See also IV.A.1.1.29.-1. and 2.
Madonna and Child with two Saints, undated, inclusive
General note
21 x 27 cm. See also II.B.5.28.2.-31. and IV.A.1.1.35.-1.
Madonna and Child, undated, inclusive
General note
21 x 27 cm. See also II.B.5.30.1.-1.). Near duplicate of II.B.1.XXXI. C.10.-2.16.-46.
[Reali negative 26]
Crucifixion and Saints (portable triptych), undated, inclusive
General note
21 x 27 cm. See also II.B.5.26.1.-210.) Near duplicate of II.B.1.XLVIII. A.11.-1.18.-40.
3. The Estate
Detail of a painted panel with hunting scenes [once in Villa Emilia], undated, inclusive
General note
10 x 15 cm.
Series X: Reali glass negatives
XXX. B.16., undated, inclusive
General note
Reali negative #1. for print, see II.B.1.XXX. B.16.-3.15.-37. DIPINTO a tempera su tavola: Madonna col Bambino. h. 61,5 l. 39 Bernardo Daddi metà del XIV secolo.
XXXII. D.2., undated, inclusive
General note
Reali negative #2. for print, see II.B.1.XXXII. D.2.-6.17.-75. DIPINTO a tempera su tavola centinata: Madonna in trono col Bambino giglioforo e due angeli. h. 132,5 l. 77,5 Pittore fiorentino della seconda metà del XIII secolo.
XXX. B.5., undated, inclusive
General note
Reali negative #3. for print, see II.B.1.XXX. B.5.-4.15.-33. DIPINTO a tempera su tavola con cornice lignea dorata e dipinta: Madonna col Bambino, i santi Pietro e Paolo e angeli. Nell'aureola della Madonna : "Ave Gratia Plena..." e nell'aureola del Bambino: "Ego Sum...". h. 125 l. 90 Siena, Sano di Pietro.
XXX. A.10., undated, inclusive
General note
Reali negative #4. for print see II.B.1.XXX. A.10.-8.15.-21. DIPINTO a tempera su tavola: Madonna in trono e angeli. h. 120 l. 59 Maestro del Bigallo (?), metà del XIII secolo.
XXXII. A.11., undated, inclusive
General note
Reali negative #5. for print see II.B.1.XXXII. A.11.17.-28. DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata con decorazioni a pastiglia: Incoronazione della Vergine. h. 147 l. 71 Mariotto di Nardo (?), fine del XIV secolo.
XXXII. A.11., undated, inclusive
General note
Detail. Reali negative #6. DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata con decorazioni a pastiglia: Incoronazione della Vergine. h. 147 l. 71 Mariotto di Nardo (?), fine del XIV secolo.
XXI. C.1., undated, inclusive
General note
Reali negative #7. See also oversize, II.B.1.XXI.C.1. folder 176. DIPINTO a tempera su tavola centinata: Madonna col Bambino, Angeli e Dio Padre. h. 115,5 l. 74 Pseudo Pier Francesco Fiorentino.
XXI. B.11., undated, inclusive
General note
Reali negative #8. for print, see II.B.1.XXI. B.11.-1.14.-39. DIPINTO a tempera su tavola: Madonna col Bambino e Cristo Benedicente con libro (Santo?) nella cuspide. h. 146 l. 70 Pietro di Giovanni Ambrosi, XV secolo.
XXI. C.13., undated, inclusive
General note
Reali negative #9. for print, see II.B.1.XXI. C.13.-1.14.-53. DIPINTO tempera su tavola (entro teca moderna): Crocefissione. H. 88 (108,5) l. 70 (94 Scuola bolognese, Dalmasio, XIV secolo
XXI. A.4., undated, inclusive
General note
Reali negative #10. for print, see II.B.1.XXI. A.4.-1.14.-12. DIPINTO a tempera su tavola: Madonna in trono col Bambino e due angeli. h. 112,5 l. 68 Artista fiorentino della fine XIII secolo.
XXI. C.10., undated, inclusive
General note
Reali negative #11. for print, see II.B.5.30.1.-11. DIPINTO a tempera su tavola cuspidata: S. Michele e S. Pietro nella cuspide. h. 126 l. 63 Luca di Tommè, XIV secolo.
XXI. C.13.-1., undated, inclusive
General note
Reali negative #12. for print see II.B.1.XXXII. A.18.-2.17.-36. DIPINTO tempera su tavola (entro teca moderna): Crocefissione. h. 88 (108,5) l. 70 (94 Scuola bolognese, Dalmasio, XIV secolo.
XXXII. A.19., undated, inclusive
General note
Reali negative #13. for print see II.B.1.XXXII. A.19.-5.17.-41. DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Madonna in trono col Bambino e angeli Il Redentore nella cuspide. In basso iscrizione: "(Anno) Domini MCCCLXXXV di XX (...) d'Agosto Que[sta] (Tavola) [Fec]e Andrea Nesi Far[e]". h. 169 l. 90 Maestro di S. Martino a Mensola, ultimo quarto del XIV secolo (1385 datato).
XXI. B.7., undated, inclusive
General note
Reali negative #14. for print see II.B.5.30.1.-14. DIPINTO a olio su tavola con la Presa di Troia. h. 63 l. 181,5 Biagio d'Antonio, XVI secolo
XXXII. C.2., undated, inclusive
General note
Reali negative #15. for print see II.B.1.XXXII. C.2.17.-51. DIPINTO a tempera su tavola cuspidata in cornice lignea dipinta: San Michele Arcangelo e il drago. h. 131 Jacopo del Casentino, XIV secolo.
XXXII. B.1., undated, inclusive
General note
Reali negative #16. for print see II.B.5.30.1.-16. DIPINTO a olio su tela in cornice lignea dipinta e dorata: Ultima Cena. h. 137 l. 306 Scuola umbra degli inizi del XVI secolo.
XXXI. D.1., 1931, inclusive
General note
Reali negative #17. for print see II.B.5.30.1.-21.- wrongly numbered. DIPINTO a tempera su tavola sagomata e parzialmente dorata: Crocifissione con S. Francesco ai piedi della croce e iscrizione in alto: "IHS Nazarenus Rex Iudeorum" e in basso: "S. Franciscus"(si tratta, della croce dipinta, proveniente da Londra, ricordata in un "Inventory" del maggio 1931, p. 10, ritrovato nella credenza della Camera Blu-LXV h. 234 l. 161,5 Maestro di San Francesco, fine del XIII secolo.
XXXII. D.7., undated, inclusive
General note
Reali negative #18. for print see II.B.1.XXXII. D.7.-7.17.-86. DIPINTO (polittico d'altare) a tempera su tavola, con cornice lignea scolpita e dorata: Madonna in trono col Bambino e i santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate nelle cuspidi: Madonna della Misericordia, l'Annunciazione e santa Margherita. h. 171 Pittore fiorentino della fine del XIV secolo.
XX. A.31., undated, inclusive
General note
Reali negative #19. for print see II.B.1.XX. A.31.-6.13.-87. DIPINTO a tempera su tavola: Madonna col Bambino e i santi Girolamo, Bernardino, Ansano e Santa Dorotea (?). h. 69,5 l. 52,5 Siena, Sano di Pietro.
XXX. A.4., undated, inclusive
General note
Reali negative #20. for print see II.B.1.XXX. A.4.-1.15.-9. DIPINTO a tempera su tavola (lunetta): Madonna col Bambino. h. 63 l. 88 Mariotto di Nardo.
XXXI. C.5., undated, inclusive
General note
Reali negative #21. for print see II.B.1.XXXI. C.5.16.-27. And for another glass negative, 27 x 21.5.cm. See IX.B.2.i.2.-9. DIPINTO a olio su tavola: Madonna in adorazione del Bambino con S. Giovannino, in cornice lignea intagliata e lumeggiata d'oro a motivi geometrici. h. 85 l. 71,5 Giovan Battista Utili.
XXX. A.5., undated, inclusive
General note
Reali negative #22. for print see II.B.5.30.1.-22. See also oversize, II.B.1.XXX.A.5.,folder 182. DIPINTO a tempera su tavola: Il Beato Davino d'Armenia. Iscrizione: "Hic Iacet Corpus Sancti Davini De Arminea". Cornice sagomata e dorata. h. 73 l. 204 Maestro lucchese (?) del XV secolo.
XXX. D.1., undated, inclusive
General note
Reali negative #23. for print see II.B.1.XXX.D.1.-3.15.-52. DIPINTO a tempera su tavola con cornice lignea dorata: S. Cristoforo. h. 191 l. 85 Bicci di Lorenzo, fine XIV-inizio del XV secolo.
XX. A.20., undated, inclusive
General note
Reali negative #24. for print see II.B.5.30.1.-24. DIPINTO (scomparto di predella) a tempera su tavola con cornice lignea modanata dipinta e dorata: Morte di S. Rocco. h. 30 l. 50 Bartolomeo della Gatta (?) seconda metà del XV secolo
XXXI. C.10., undated, inclusive
General note
Reali negative #25. for print see II.B.1.XXXI. C.10.-2.16.-46. DIPINTO a olio su tavola in cornice lignea intagliata, dipinta e dorata: Madonna col Bambino iscrizione: "Ave Maria Gratia Plena D. T.". Pittore fiorentino del XV secolo.
XXI. B.15., undated, inclusive
General note
Reali negative #26. for print see II.B.1.XXI. B.15.-1.14.-44. DIPINTO a tempera su tavola cuspidata: Madonna col Bambino. h. 69 l. 48,5 Pittore fiorentino della fine del XIII secolo.
Madonna and Child attributed to Domenico di Michelino, undated, inclusive
General note
0,38 x 0,55, stolen. Reali negative #27. for print see also II.B.3.23.-1.
XXX. A.11., undated, inclusive
General note
Reali negative #28. for print see II.B.1.XXX. A.11.-2.15.-23. DIPINTO a tempera su tavola (tagliata) con cornice lignea modanata e dorata: Madonna col Bambino. h. 65,5 l. 55,5 Pittore fiorentino del XIV secolo.
XXX. C.1., undated, inclusive
General note
Reali negative #29. for print see II.B.5.30.1.-29. DIPINTO a tempera su tavola in cornice lignea cuspidata, intagliata, decorata a pastiglia e dorata: Madonna col Bambino lattante. Sul basamento due stemmi: giglio blu e fasce alternate in blu/oro. h. 115,5 l. 62,5 Pittore toscano della fine del XIV secolo.
XXX. B.12., undated, inclusive
General note
Reali negative #30. for print see II.B.1.XXXI. B.12.15.-34. DIPINTO a tempera su tavola in cornice lignea dorata e dipinta: Madonna col Bambino. h. 68 l. 57 Scuola umbro-marchigiana, XV secolo.
XLVIII. D.13., undated, inclusive
General note
Stolen. Reali negative #31. for print see II.B.5.30.1.-31. DIPINTO a tempera su tavola in cornice lignea modanata e dorata: Madonna col Bambino. h. 60,5 l. 45,5 Scuola umbra del XV secolo.
XXX. C.10., undated, inclusive
General note
Reali negative #32. for print see II.B.5.30.1.-32. DIPINTO a olio su tavola: Madonna in adorazione del Bambino col S. Giovannino. Iscrizione alla base: "Ave Maria Gratia Plena D." tra due stemmi. h. 88,5 l. 62 Pittore fiorentino della seconda metà del XV secolo.
XXX. D.7., undated, inclusive
General note
Reali negative #33. for print see II.B.5.30.1.-33. DIPINTO a tempera su tavola cuspidata, cornice lignea intagliata, dipinta e dorata: Madonna col Bambino. Alla base iscrizione: "Ave Maria Gratia Plena Dom." h. 103,5 l. 68,5 Pittore fiorentino dell'inizio del XV secolo.
XXX. B.4., undated, inclusive
General note
Reali negative #34. for print see II.B.1.XXX. B.4.-3.15.-29. DIPINTO (entro teca) a tempera su tavola: Madonna col Bambino e santi. h. 70 l. 58 Arte dalmata (?) del XIII (?) secolo.
XXI. C.2., undated, inclusive
General note
Reali negative #35. for print see II.B.5.30.1.-35. See also II.B.1.XXI. C.2.-2.14.-48. DIPINTO a tempera su tavola cuspidata: Annunciazione. h. 102 l. 73 Cenni di Francesco, XV secolo.
Painting of the Coronation of the Virgin with Saints and Angels, undated, inclusive
General note
Stolen. Reali negative #36. for print, see II.B.5.30.-36. See also page 23 of Historic Album V.
XXXII. D.13., undated, inclusive
General note
Reali negative #37. for print see II.B.1.XXXII. D.13.17.-88. DIPINTO a tempera su tavola in cornice lignea intagliata e dorata: Sant'Ansano con iscrizione: "S.C.S. Sanus Martir". h. 131 l. 63 Artista senese inizi del XV secolo.
XX. A.19., undated, inclusive
General note
Reali negative #38. for print see II.B.5.30.1.-38. DIPINTO (scomparto di polittico) a tempera su tavola con cornice lignea dorata: S. Antonio Abate. h. 104,5 l. 40,5 Cerchia di Niccolò di Pietro Gerini.
Painting of the Madonna and Child enthroned with Saints attributed to Cola di Petrucciola, undated, inclusive
General note
Formerly in the Sala Rossa. Reali negative #39.,see also II.B.3.34.-2.
XXX. C.18., 1995, inclusive
General note
Reali negative #40. DIPINTO a olio (?) su tavola: Madonna col Bambino e S. Giovannino. h. 36 l. 57,5 Maestro dell'Epifania di Fiesole. Rientrato nel Luglio del 1995 dal furto del febbraio 1978.
XXX. D.11., undated, inclusive
General note
Reali negative #41. for print see II.B.5.30.1.-41. and II.B.1.XXX. D.11.15.-60. DIPINTO a olio su tavola in cornice lignea modanata a colmo e dorata: Madonna in trono col Bambino e i santi Giovanni Evangelista e Davide. h. 113,5 l. 85 Pittore umbro (?) dell'inizio del XVI secolo.
XXX. D.2., undated, inclusive
General note
Reali negative #42. for print see II.B.1.XXX. D.2.15.-54. DIPINTO a tempera su tavola con cornice lignea intagliata dorata: Madonna col Bambino nell'aureola della Madonna : "Ora. Pro. Nobis. Sant.". h. 82 l. 55 Pittore senese del XIV secolo (?).
XX. A.27./ A.33., undated, inclusive
General note
Reali negative #43. for print see II.B.5.30.1.-43. See also oversize, II.B.1.XX.A.27/33. folder 169. DIPINTI (due pannelli) con (quattro) Sante martiri, cornice lignea modanata e dorata. h. 128 l. 57,5 Scuola veronese del sec. XV.
XX. A.27./ A.33., undated, inclusive
General note
Reali negative #44. for print see II.B.5.30.1.-44. See also oversize, II.B.1.XX.A.27/33. folder 169. DIPINTI (due pannelli) con (quattro) Sante martiri, cornice lignea modanata e dorata. h. 128 l. 57,5 Scuola veronese del sec. XV.
XXX. A.9., undated, inclusive
General note
Reali negative #45. for print see II.B.1.XXX. A.9.15.-13. DIPINTO a olio (?) su tavola: Madonna che adora il Bambino e un angelo. Nella cornice iscrizione: "Ave Maria Gratia Plena Dominus teco" e due stemmi: a tre gigli e rastrello nella parte superiore, sotto vaio rosso in campo blu tripartito con scacchiera, tre cerchi d'oro in campo rosso e fasce verticali blu e oro. h. 74 l. 63,5 Iacopo del Sellaio, seconda metà del XV secolo
XXVIII. C.3., undated, inclusive
General note
Reali negative #46. for print see II.B.1. XXVIII. C.3.-2.14.-89. DIPINTI (due) a olio su tela in cornice decorata e dorata: Presentazione e Visitazione. h. 36 l. 54,5 Pittore senese o fiorentino del XVI secolo. Visitazione.
XXVIII. C.3., undated, inclusive
General note
Reali negative #47. for print see II.B.1.XXVIII. C.3.-1.14.-88. DIPINTI (due) a olio su tela in cornice decorata e dorata: Presentazione e Visitazione. h. 36 l. 54,5 Pittore senese o fiorentino del XVI secolo. Presentazione.
XXI. B.2., undated, inclusive
General note
Reali negative #48. for print see II.B.1.XXI. B.2.14.-25. DIPINTO a olio su tavola in cornice lignea dorata: S. Andrea. h. 52,5 l. 43 Artista senese (?) del XVI secolo.
XXXI. A.39., undated, inclusive
General note
Reali negative #49. for print see II.B.5.30.1.-49. DIPINTO a olio su tavola: Sacra Famiglia. Cornice in legno modanata, intagliata, dipinta e dorata. h. 108 l. 88 Artista fiammingo della fine del XVI secolo (Pietro Candido?)
IX. A.8., undated, inclusive
General note
Reali negative #50. for print see II.B.1.IX. A.8.12.-20. DIPINTO olio su tela con cornice lignea intagliata e dorata a mecca: Dama con cagnolino. h. 158 l. 127 Paris Bordone (?), metà del XVI secolo.
X LVII. A.2., undated, inclusive
General note
Reali negative #51. for print see II.B.5.30.1.-51. DIPINTO ad olio su tela in cornice lignea intagliata e dorata: Gentiluomo con sciabola. h. 137 l. 114 Pittore fiammingo del XVII secolo.
XXVIII. C.5., undated, inclusive
General note
Reali negative #52. for print see II.B.5.30.1.-52. DIPINTO a olio su tela con cornice intagliata a rosette e dorata: Figura di magistrato. h. 109 l. 94 Fra' Galgario, XVII-XVIII secolo.
XXVIII. A.8., undated, inclusive
General note
Reali negative #53. for print see II.B.1.XXVIII. A.8.14.-80. DIPINTO a olio su tela con cornice di legno intagliato e dorato: Ritratto di dama con ventaglio. h. 121 l. 97 Artista italiano degli inizi del XVIII secolo.
XXVIII. C.7., undated, inclusive
General note
Reali negative #54. for print see II.B.1.XXVIII. C.7.14.-95. DIPINTO a olio su tela in cornice intagliata e dorata: Donna con maschera. h. 118 l. 92 Pittore veneto del XVIII secolo.
XXVIII. C.6., undated, inclusive
General note
Reali negative #55. for print see II.B.1.XXVIII. C.6.-3.14.-94. DIPINTO a olio su tela in listello ligneo intagliato e dorato: Scena agreste. h. 160 l. 104,5 Giuseppe Zais (firmato).
XXXI., undated, inclusive
General note
Reali negative #56. for print see II.B.1.XXXI.-1.16.-1. Sala del Crocifisso (general view with the walls on which are hung XXXI. C.1. and XXXI. D.9.)
XXXI. Sala del Crocifisso (general view with the centre of the room and the walls on which are hung XXXI. A.1. and XXI. D.1.), undated, inclusive
General note
Reali negative #57. for print see II.B.1.XXXI.-6.16.-6.
XX. Salone, with XX. A.10., undated, inclusive
General note
Reali negative #58. for print see II.B.1.XX.-26.13.-71.
XII. Scalone, Rotonda, undated, inclusive
General note
Reali negative #59. for print see II.B.1.XII.-20.12.-78.
XXVII. Saletta con vedute (Salette delle vedute), undated, inclusive
General note
Reali negative #60. for print see II.B.1.XXVII.-2.14.-65.
XXIX. Saletta con rovine (Saletta delle rovine), undated, inclusive
General note
Reali negative #61. for print see II.B.1.XXIX.-2.14.-104.
XXXII. A.13., undated, inclusive
General note
With frame. Reali negative #62. for print see II.B.1.XXXII. A.13.-2.17.-30. RILIEVO in stucco con tracce di policromia: Madonna che adora il Bambino, in tabernacolo ligneo intagliato, dipinto e dorato. h. 130 l. 121,5 Bottega di Donatello della metà del XV secolo.
XXXII. A.13., undated, inclusive
General note
Without frame. Reali negative #63. for print see II.B.1.XXXII. A.13.-3.17.-31. RILIEVO in stucco con tracce di policromia: Madonna che adora il Bambino, in tabernacolo ligneo intagliato, dipinto e dorato. h. 130 l. 121,5 Bottega di Donatello della metà del XV secolo.
XII. A.16., undated, inclusive
General note
Reali negative #64. for print see II.B.5.30.1.-64. SCULTURA in legno dipinto: Madonna col Bambino. h. 154 Scultore umbro del XIII secolo.
XXXI. A.37., undated, inclusive
General note
Reali negative #65. for print see II.B.1.XXXI. A.37.-1.16.-10. SCULTURA in legno dipinto e dorato: Madonna col Bambino. h. 142 Scultore umbro-laziale del XIV secolo.
XXXII. D.5., undated, inclusive
General note
Reali negative #66. for print see II.B.1.XXXII. D.5.-4.17.-79. SCULTURA in legno dipinto: Madonna in trono col Bambino (e uccellino) h. 123 Scultore fiorentino (?) del XIII secolo.
XIX. A.2., undated, inclusive
General note
Reali negative #67. for print see II.B.5.30.1.-67. SCULTURA in legno scolpito e dipinto con base: Santa. h. 133 l. 42 p. 34 Bottega dell'Italia centrale del XV secolo.
XXXII. C.1., undated, inclusive
General note
Reali negative #68. for print see II.B.1.XXXII. C.1.-6.17.-49. SCULTURA in legno dipinto: Madonna Dolente ai piedi di una Crocifissione (con C.18. h. 172 Scultore laziale del XIII secolo.
XXXII. C.18., undated, inclusive
General note
Reali negative #69. for print see II.B.1.XXXII. C.18.-7.17.-66. SCULTURA in legno dipinto: San Giovanni Evangelista ai piedi di una Crocifissione (con C.1. h. 170 Scultore laziale del XIII secolo
XXXI. B.7., undated, inclusive
General note
Reali negative #70. for print see II.B.1.XXXI. B.7.-2.16.-23. SCULTURA in legno scolpito e dipinto: Santo vescovo benedicente. h. 173,5 Scultore italiano del XIII secolo.
XXI. E.12., undated, inclusive
General note
Reali negative #71. for print see II.B.1.XXI. E.12.-1.14.-61. SCULTURA in legno dipinto con lumeggiature d'oro: S. Giorgio (o S. Michele senza ali h. 147,5 Domenico di Niccolò dei Cori, primo quarto del XV secolo.
XXXII. A.9., undated, inclusive
General note
Reali negative #72. for print see II.B.1.XXXII. A.9.17.-25. SCULTURA in legno dipinto: Madonna (è stata spostata dalla Sala del Caminetto-XXI, C.4. h. 120 Artista umbro del XV secolo.
XXXII. C.11., undated, inclusive
General note
Reali negative #73. for print see II.B.1. XXXII. C.11.-2.17.-55. RILIEVO in terracotta (?) modellata e dipinta su base di legno dipinto e dorato: Madonna col Bambino. h. 88 base: h. 16 l. 73 Scultore toscano del primo quarto del quattrocento (Jacopo della Quercia- Ghiberti).
XXX. C.11., undated, inclusive
General note
Reali negative #74. for print see II.B.1.XXX. C.11.15.-47. ALTORILIEVO in terracotta dipinta e dorata: Madonna col Bambino. h. 92,5 l. 35,5 Michele da Firenze del XV secolo.
XXI. E.5., undated, inclusive
General note
Reali negative #75. for print see II.B.1.XXI E.5.-4.14.-58. SCULTURA in legno dipinto: Madonna col Bambino. h. 90 l. 31 Scultore abruzzese (?) del XIII (?) secolo.
XXXII. D.1., undated, inclusive
General note
Reali negative #76. for print see II.B.1.XXXII. D.1.-2.17.-69. SCULTURA in legno dipinto: Madonna in trono col Bambino. h. 114 Scultore italiano del XIII secolo.
XXXII. A.25., undated, inclusive
General note
Reali negative #77. for print see II.B.1.XXXII. A.25.17.-42. RILIEVI (due pannelli) in terracotta dipinta con tracce di doratura in cornice lignea intagliata e dorata: S. Giovanni Battista e S. Francesco. h. 143 l. 77,5 Scultore padovano della metà XVI secolo.
XXXI. A.1., undated, inclusive
General note
Reali negative #78. for print see II.B.1.XXXI. A.1.16.-9. RILIEVO a colmo in stucco dipinto con cornice lignea: Natività. h. 84,5 l. 83 Bottega di Donatello della metà del XV secolo.
XXXI. C.8., undated, inclusive
General note
Reali negative #79. for print see II.B.1.XXXI. C.8.-2.16.-40. RILIEVO a tondo in stucco dipinto: Madonna col Bambino. d. 88,5 ca. Da Francesco di Simone Ferrucci (copia dell'esemplare marmoreo nel monumento Tartagni in S. Domenico di Bologna) ultimo quarto del XV secolo.
V. B.4., undated, inclusive
General note
Reali negative #80. for print see II.B.1.V. B.4.12.-14. RILIEVO in stucco policromo: Madonna col Bambino e Benedicenti, con cornice a tabernacolo in legno dipinto. h. 100 ca. l. 64 ca. Bottega toscana del XVI secolo.
XXXII. C.20., undated, inclusive
General note
Reali negative #81. for print see II.B.1.XXXII. C.20.17.-67. RILIEVO in stucco policromo e dorato con cornice lignea dipinta e dorata: Madonna col Bambino. Iscrizione: "Ave Maria Gratia Plena". h. 105 l. 88,5 Bottega di Antonio Rossellino della seconda metà del XV secolo.
XXXII. A.1., undated, inclusive
General note
Reali negative #82. for print see II.B.1.XXXII. A.1.17.-24. RILIEVO in stucco dipinto entro tabernacolo ligneo intagliato e dipinto: Madonna col Bambino in alto iscrizione: "Ave regina celorum" in basso: "Ave Domina Angelorum". h. 129,5 l. 74 Bottega di Desiderio da Settignano, XV secolo.
IX. A.9., undated, inclusive
General note
Reali negative #83. for print see II.B.5.30.1.-83. RILIEVO in terracotta policroma entro cornice centinata a tabernacolo: Madonna col Bambino. h. 83 l. 67 Bottega di Donatello, XV secolo.
IX. C.10., undated, inclusive
General note
Reali negative #84. for print see II.B.1.IX. C.10.12.-43. RILIEVO in terracotta policroma: Madonna col Bambino in tabernacolo di legno scolpito e dipinto. Iscrizione: "Ave Maria Gratia..." parzialmente leggibile. h. 94,5 l. 56 ca. Scultore fiorentino (Buggiano?) del secondo quarto del XV secolo.
IX. A.19., undated, inclusive
General note
Reali negative #85. for print see II.B.1.IX. A.19.-1.12.-25. RILIEVO in stucco e gesso con tracce di doratura: Madonna col Bambino e due candelabra. h. 86,5 l. 61 Ambito di Desiderio da Settignano, XV secolo.
XXX. A.1., undated, inclusive
General note
Reali negative #86. for print see II.B.1.XXX. A.1.15.-8. RILIEVO in stucco policromo: Madonna col Bambino. h. 60 ca. Bottega del Ghiberti, XV secolo.
XXVIII. D.4., undated, inclusive
General note
Reali negative #87. for print see II.B.1.XXVIII. D.4.14.-100. RILIEVO in stucco policromo: "Madonna col Bambino". Alla base iscrizione tra due stemmi di tre spade in campo rosso "Ave Maria Gra...". Base di legno decorata a pastiglia (come altri esemplari delle stanze pt. IX-Corridoio N.E. A.13.; XV-Salottino D.3.; XXX-Sala Rossa A.14.; XXXI-Sala del Crocifisso C.16). h. 54 l. 38. Bottega fiorentina del Ghiberti del primo quarto XV secolo.
XIX. B.1., undated, inclusive
General note
Reali negative #88. for print see II.B.1.XIX. B.1.13.-25. BUSTO femminile in terracotta policromata. h. 37 ca. Bottega bolognese del XVIII-XIX secolo.
XIX. D.3., 1970, inclusive
General note
Reali negative #89. for print see II.B.1.XIX. D.3.13.-28. STATUETTA in stucco dipinto: Gesù Bambino benedicente (esemplare analogo nella vendita del 10-12 ottobre 1970 h. 58 Firenze, bottega di Desiderio da Settignano.
XVI. B.3., undated, inclusive
General note
Reali negative #90. for print see II.B.1.XVI. B.3.-2.13.-4. SCULTURA in legno scolpito e dipinto: Madonna col Bambino. h. 65 Bottega del Nord Italia (?) del XV secolo.
XVI. D.2., undated, inclusive
General note
Reali negative #91. for print see II.B.1.XVI. D.2.-2.13.-6. SCULTURA in legno scolpito dipinto e dorato: Madonna in trono col Bambino. h. 86 Artista umbro (?) del XIV secolo.
XXI. B.13., undated, inclusive
General note
Reali negative #92. for print see II.B.1.XXI. B.13.-1.14.-42. SCULTURA in legno dipinto in policromia: Madonna col Bambino. h. 42,5 Scultore veneto della seconda metà del XIV secolo.
IX. A.18., undated, inclusive
General note
Reali negative #93. for print see II.B.1.IX. A.18.12.-24. SCULTURA in legno dipinto e dorato: Angelo inginocchiato. h. 19 Scultore veneto della metà del XV secolo.
XXXII. A.16., undated, inclusive
General note
Reali negative #94. for print see II.B.1.XXXII. A.16.-1.17.-32. BUSTO in terracotta modellata a tutto tondo e patinata con interventi di colore su base lignea dipinta. h. 36,5 base: h. 9 l. 44,5 Modellatore del XV (?), XIX secolo.
XXI. B.10., undated, inclusive
General note
Reali negative #95. for print see II.B.1.XXI. B.10.14.-38. SCULTURA in terracotta modellata a tutto tondo: Ritratto di gentiluomo con guanti. h. 66 Bottega emiliana (cerchia di Alfonso Lombardi) del XVI secolo.
XXI. E.7., undated, inclusive
General note
Reali negative #96. for print see II.B.1.XXI. E.7.-2.14.-60. STATUETTA in terracotta dipinta: Madonna Adorante. h. 39,5 Scultore toscano dell'ultimo quarto del XV secolo.
XXI. E.7., undated, inclusive
General note
Reali negative #96bis. for print see II.B.1.XXI. E.7.-1.14.-59. STATUETTA in terracotta dipinta: Madonna Adorante. h. 39,5 Scultore toscano dell'ultimo quarto del XV secolo.
XXXII. C.9., undated, inclusive
General note
Reali negative #97. for print see II.B.1.XXXII. C.9.17.-53. STATUETTE (coppia) di Angeli portacero, genuflessi, in legno scolpito e dipinto, su base lignea dorata (come gli esemplari di terracotta invetriata di Luca della Robbia, per l'altare del Sacramento nel Duomo di Firenze). h. 76,5 Bottega fiorentina.
XXXII. C.5., undated, inclusive
General note
Reali negative #98. for print see II.B.1.XXXII. C.5.17.-52. STATUETTE (coppia) di Angeli suonatori d'arpa in legno scolpito, dipinto e dorato. iscrizione sull'orlo dell'abito: "Sor Virginia Sabbati" e "(...)Ra Vincentia Paulini". h. 68,5 Bottega toscna dell'inizio del XVII secolo.
XX. C.14., undated, inclusive
General note
Reali negative #99. for print see II.B.1.XX. C.14.13.-99. SCULTURE: angeli (coppia) portacero in legno scolpito a tutto tondo e dorato. h. 64,5 Bottega toscana della seconda metà del XVI secolo.
XXXII. C.17., undated, inclusive
General note
Reali negative #100. for print see II.B.1.XXXII. C.17.17.-59. STATUETTE (coppia) in legno scolpito, dipinto e dorato: Angeli con cornucopia reggicandelabro. h. 65 Bottega senese del XV secolo.
XXX. A.13., undated, inclusive
General note
Reali negative #101. for print see II.B.1.XXX. A.13.15.-24. SCULTURE (coppia) in legno dipinto e dorato: Angeli portacero. h. 57 Manifattura tedesca (?) del XVII secolo.
XXI. B.9., undated, inclusive
General note
Reali negative #102. for print see II.B.1.XXI. B.9.14.-37. STATUETTE (due) in legno scolpito, dipinto e dorato: S. Barbara e S. Margherita (indicate in epigrafe h. 75 Artista lombardo o spagnolo (Vossilla) della prima metà XVI secolo.
XXXI. D.11., undated, inclusive
General note
Reali negative #103. for print see II.B.1.XXXI. D.11.16.-58. STATUETTA in alabastro scolpito: Angelo portacero base squadrata. h. 48,5 base: h. 13,5 Scultore siciliano del XVI secolo.
XXVIII. A.14., undated, inclusive
General note
Reali negative #104. for print see II.B.1.XXVIII. A.14.-1.14.-81. SCULTURA in terracotta formata a tutto tondo: La Virtù che vince il Vizio o Firenze che vince Pisa. h. 50,5 Artista toscano del XVIII secolo (da Giambologna).
XXXI. E.5., undated, inclusive
General note
Reali negative #105. for print see II.B.5.30.2.-105. BUSTO in terracotta dipinta su base lignea intagliata e dipinta: Santo. h. 45 Artista bolognese del XVII secolo. Restauri, incrinature.
XXI. B.5., undated, inclusive
General note
Reali negative #106. for print see II.B.1.XXI. B.5.14.-26. RILIEVO in terracotta modellata con Scena di battaglia. h. 40,5 l. 59,5 p. 8,5 Scultore lombardo del XVI secolo da (?) artista classico.
XXI. B.6., undated, inclusive
General note
Reali negative #107. for print see II.B.1.XXI. B.6.-2.14.-28. BOZZETTO di Torso virile in terracotta modellata su base di marmo intarsiato. h. 33 base: h. 17 Artista italiano del XVI secolo.
XXXI. E.4., undated, inclusive
General note
Reali negative #108. for print see II.B.5.30.1.-31. GRUPPO in terracotta modellata a tutto tondo su base di legno con specchiature in marmo policromo: Ercole e Nesso. h. 61 base: h. 21 G. B. Foggini (Vossilla).
X. B.2., undated, inclusive
General note
Reali negative #109. for print see II.B.1.X. B.2.12.-52. SCULTURE (coppia) di Mori portacandeliere in legno, dipinto e dorato (cfr. la coppia X. D.2. h. 122 l. 37 p. 37 Bottega veneta del XVIII secolo.
IX. C.4., undated, inclusive
General note
Reali negative #110. for print see II.B.5.30.2.-110. See also II.B.1.IX. C.4.-1.12.-39. PANNELLO (paliotto) in marmo bianco scolpito a bassorilievo per papa Sisto IV (Francesco della Rovere), con angioli reggistemma, nastri, panoplie, scudi, trofei e iscrizione "Sub umbra tua". h. 80 l. 223. Scultore ligure della seconda metà del XV secolo.
XXX. C.12., undated, inclusive
General note
Reali negative #111. for print see II.B.1.XXX. C.12.15.-48. RILIEVO in marmo bianco scolpito (su marmo nero del fondo): Busto di Vespasiano. Iscrizione: "Dius Vespasianus". h. 77 l. 45,5 Attribuito a Desiderio da Settignano.
XXX. A.16., undated, inclusive
General note
Reali negative #112 for print see II.B.1.XXX. A.16.15.-25. SCULTURA in marmo bianco scolpito: Eros. h. 73,5 Artista romano del II-III secolo d. C.
IX. A.12., undated, inclusive
General note
Reali negative #113. for print see II.B.1.IX. A.12.12.-23. SCULTURA in marmo bianco scolpito, con tracce di policromia: Angelo porta stemma. h. 77 Artista toscano attivo a Napoli intorno alla metà del XIV secolo.
XX. A.25., undated, inclusive
General note
Reali negative #114. for print see II.B.1.XX. A.25.13.-79. STATUA in marmo bianco: Allegoria della Prudenza (coppia con A.1. h. 105 Scultore lombardo del XV secolo.
XX. A.1., undated, inclusive
General note
Reali negative #115. for print see II.B.1.XX. A.1.13.-72. STATUA in marmo bianco: Figura femminile drappeggiata in mantello (coppia con A.25 h. 106 Scultore lombardo (?) del XVI secolo (?).
XX. B.1., undated, inclusive
General note
Reali negative #116. for print see II.B.1.XX. B.1.13.-91. STATUA in marmo bianco di giovane in costume della commedia dell'arte (Arlecchino? h. 122 Cerchia di Antonio Bonazza, secolo XVIII.
XII. A.10., undated, inclusive
General note
Reali negative #117. for print see II.B.1.XII. A.10-2.12.-92. STATUA in marmo bianco: Allegoria della Prudenza su base di pietra (XII. A.11. h. 182 Scultore romano o fiorentino del XVII secolo.
XII. A.30., undated, inclusive
General note
Reali negative #118. for print see II.B.1.XII. A.30.12.-104. STATUA in marmo bianco scolpito: Venere che brucia le frecce d'Amore. Firmata e datata sulla base: "Io. Fr. Susini. Flor. Fa. MDCXXXVII". h. 160 l. 42 p. 31 Gian Francesco Susini, 1637.
XII. A.23., undated, inclusive
General note
Reali negative #119. for print see II.B.1.XII. A.23.12.-100. FONTANA in marmo scolpito con stemma Panciatichi alla base e vasca baccellata figura di satiro (v. XII. A.42) come getto. h. 248 d. 154 Bottega fiorentina del XV secolo.
XII. A.13., undated, inclusive
General note
Reali negative #120. for print see II.B.1.XII. A.13.-5.12.-97. TESTA femminile su capitello composito rovesciato, in marmo bianco scolpito. h. 64 Scultore romano di epoca classica (?).
XII. A.3., undated, inclusive
General note
Reali negative #121. for print see II.B.1.XII. A.3.-2.12.-87. TESTA di Apollo (?) su capitello composito rovesciato, in marmo bianco scolpito. h. 61. Scultore romano di epoca classica (?).
XXXII. A.10., undated, inclusive
General note
Reali negative #122. for print see II.B.1.XXXII. A.10.17.-26. RILIEVO in marmo scolpito: bocca di fonte con Putti alati su sfondo architettonico. h. 58,5 l. 54,5. Bottega lombarda (?) del XV XVI secolo.
XLVIII. B.20., undated, inclusive
General note
Reali negative #123. for print see II.B.1.XLVIII. B.20.-2.18.-64. DIPINTO a tempera su tavola cuspidata: San Nicola di Bari. h. 96 l. 51,5. Pittore senese del XIV-XV secolo.
XLVIII. D.20., undated, inclusive
General note
Reali negative #124. for print see of II.B.1.XLVIII. D.20.-3.18.-92. DIPINTO a tempera su tavola in cornice lignea modanata, dipinta e dorata: Madonna col Bambino. h. 78 l. 68,5. Maestro senese (Segni di Bonaventura ?), XIII secolo
LXV. A.11., undated, inclusive
General note
Reali negative #125. for print see II.B.1.LXV. A.11.-3.21.-23. TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo. h. 102 l. 129 Lippo di Benivieni XIV secolo.
XXX. C.9., undated, inclusive
General note
Reali negative #126. for print see II.B.5.30.2. DIPINTO a tempera su tavola cuspidata: S. Lucia tra Santo Martire e Antonio Abate. h. 135,5 l. 95,5 Bicci di Lorenzo, fine del XIV secolo.
XLVIII. B.10., 1937, inclusive
General note
Reali negative #127. for print see II.B.1.XLVIII. B.10.18.-50. DIPINTO a tempera su tavola entro teca: Madonna col Bambino (esposto a Firenze alla mostra giottesca del 1937 col n. 211 h. 62,5 l. 53 Maestro toscano della metà del XIII secolo.
LXV. A.2., undated, inclusive
General note
Reali negative #128. for print see II.B.1.LXV. A.2.21.-19. DIPINTO a tempera su tavola in cornice di legno modanato, dipinto e dorato, con stemma: Madonna col Bambino. h. 66,5 l. 43 Maestro della Natività di Castello.
XLVIII. A.18., undated, inclusive
General note
Reali negative #129. for print see II.B.1.XLVIII. A.18.-2.18.-44. DIPINTO a tempera su tavola in cornice lignea centinata con stemma alla base, dipinta e dorata: Madonna col Bambino. Iscrizione sull'aureola della Madonna: "Ave Maria Gratia Plen." su quella del Bambino: "Jesus Lux" e alla base: "In sole posuit tabernaculum. Suum". h. 76 l. 48,5. Pittore senese del XIV secolo.
XLVIII. C.10., undated, inclusive
General note
Reali negative #130. for print see II.B.1.XLVIII. C.10.-5.18.-82. DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Madonna col Bambino. Iscrizione alla base della cornice: "Ave Maris Stella Dei Mat. Alma". h. 73 l. 55,5. Sano di Pietro.
XLVIII. B.8., undated, inclusive
General note
Reali negative #131. for print see II.B.1.XLVIII. B.8.18.-49. DIPINTO a tempera su tavola entro cornice lignea modanata, dorata e dipinta: Madonna in trono col Bambino, S. Antonio Abate, S. Caterina d'Alessandria e due angeli reggicortina. h. 34,5 l 26,5 Allegretto Nuzzi (?) XIV secolo.
XLVIII. A.2., undated, inclusive
General note
Reali negative #132. for print see II.B.1.XLVIII. A.2.-4.18.-35. DIPINTO a tempera su tavola entro cornice lignea intagliata, dipinta e dorata: Madonna che adora il Bambino con melagrana e arancia. Stemmi nella parte inferiore della cornice e scritta: "Ave Maria Graia plena Dominus T." h. 123 l. 92,5 Francesco Pesellino.
XLVIII. A.5.a. and A.5.b., undated, inclusive
General note
Reali negative #133. for print see II.B.1.XLVIII. A.5.a. and A.5.b.18.-38. DIPINTI (due) a tempera su tavola in cornice a tabernacolo modanata e dorata: Profeti. h. 35 l. 26 Andrea di Bartolo (?).
XLVIII. B.11., undated, inclusive
General note
Reali negative #134. for print see II.B.1.XLVIII. B.11.-4.18.-54. DIPINTO a tempera su tavola entro teca: Crocifissione con la Madonna e San Giovanni Evangelista. h. 29 h. 23,5 teca: h. 34 l. 28 Pittore pisano del XIII secolo.
LIII. D.11., undated, inclusive
General note
Reali negative #135. for print see II.B.1.LIII. D.11.-2.19.-43. DIPINTO a tempera su tavola in cornice lignea dorata: Madonna col Bambino. h. 23,5 l. 18,5 Pittore senese del XIV secolo.
XLVIII. B.13., undated, inclusive
General note
Reali negative #136. for print see II.B.1.XLVIII. B.13.-4.18.-60. DIPINTO a tempera su tavola cuspidata con iscrizione alla base: "Ave Maria Gratia Plena": Madonna col Bambino e committente Cherubino nella cuspide. h. 131 l. 52 Niccolò di Tommaso.
XLVIII. D.39., undated, inclusive
General note
Reali negative #137. for print see II.B.1.XLVIII. D.39.18.-94. DIPINTO a tempera su tavola in cornice lignea modanata: San Giuliano trasporta sul fiume un pellegrino. h. 33 l. 53 Ambrogio di Baldese.
XLVIII. D.14., undated, inclusive
General note
Reali negative #138. for print see II.B.1.XLVIII. D.14.-2.18.-88. DIPINTO a tempera su tavola in cornice di legno modanato e dorato con punzonature: Adorazione dei pastori. Sul retro tondi punzonati. h. 34,5 l. 30,5 Scuola fiorentina del XIV secolo.
XLVIII. D.10., undated, inclusive
General note
Reali negative #139. for print see II.B.1.XLVIII. D.10.-2.18.-86. DIPINTO a tempera su tavola entro teca: Madonna in trono col Bambino tra due santi e due angeli (dietro la teca cartellino: Mostra Giottesca 1937 n. 213 h. 43 l. 37,5 Maestro della Maddalena (attribuita dall'Offner) ultimo quarto del XIII secolo (1275 ca.).
XLVIII. D.23., undated, inclusive
General note
Reali negative #140. for print see II.B.1.XLVIII. D.23.18.-93. DIPINTI a tempera (due) su tavola in cornice lignea intagliata, dipinta e dorata: Storie di S. Benedetto: Fuga di S. Benedetto, S. Benedetto in preghiera. h. 40 43,5 l. 44,5 48,5 Giovanni del Biondo, XV secolo. (San Benedetto in preghiera).
XLVIII. D.23., undated, inclusive
General note
Reali negative #141. for print see II.B.5.30.2.-141. DIPINTI a tempera (due) su tavola in cornice lignea intagliata, dipinta e dorata: Storie di S. Benedetto: Fuga di S. Benedetto, S. Benedetto in preghiera. h. 40 43,5 l. 44,5 48,5 Giovanni del Biondo, XV secolo. (Fuga di San Benedetto).
XLVIII. C.3., undated, inclusive
General note
Reali negative #142. for print see II.B.5.30.2.-142. DIPINTO a tempera su tavola entro cornice lignea modanata,intagliata, dipinta e dorata: Storie di San Biagio: Santa Monaca che offre il cibo al Santo. h. 38,5 l. 38,5 Scuola fiorentina o senese del XV secolo.
LXV. A.19., undated, inclusive
General note
Reali negative #143. for print see II.B.5.30.2.-143. DIPINTO a tempera su tavola in cornice di legno intagliato, dipinto e dorato: S.Antonio e S. Dorotea. Iscrizione sulla base della cornice: "S. Antonius. S. Dorothea". h. 48,5 l. 38 Rossello di Iacopo Franchi (cerchia?).
XLVIII. B.22., undated, inclusive
General note
Reali negative #144. for print see II.B.1.XLVIII. B.22.-2.18.-67. DIPINTI (tre) a tempera su tavola entro tabernacolo ligneo cuspidato intagliato e dorato con figure di Apostoli e iscrizione alla base: S. Johannes. Ev:, Scs. Thomas, Scs. Jacobus. h. 49 l. 18,5 Pittore senese del XV secolo (Bruno Santi: Taddeo di Bartolo).
XLVIII. C.4., undated, inclusive
General note
Reali negative #145. for print see II.B.1.XLVIII. C.4.18.-77. DIPINTO a tempera su tavola in cornice di legno intagliato, dipinto e dorato: Annunciazione. L'angelo pronuncia: "Ave Maria Gratia Plena Ben. Tui Muliers.". Iscrizione sulla base della cornice: "Ecce Ancilla Domini Fiat Mihi Secundum Verbum Tuum". h. 47 l. 52,5 Marco Zoppo (?), XV secolo.
LXV. A.4., undated, inclusive
General note
Reali negative #146. for print see II.B.1.LXV. A.4.21.-20. DIPINTO ad olio su tavola in cornice di legno modanata, dipinta e dorata con stemma: Madonna col Bambino in piedi, San Giovannino e San Francesco. h. 90 l. 60 Pierfrancesco Fiorentino.
LXV. A.20., undated, inclusive
General note
Reali negative #147. for print see II.B.1.LXV. A.20.21.-25. DIPINTO a tempera su tavola in cornice di legno modanata dipinta e dorata: S. Girolamo penitente. h. 46 l. 34,5 Pittore fiorentino del XV secolo.
XLVIII. D.15., undated, inclusive
General note
Reali negative #148. for print see II.B.1.XLVIII. D.15.18.-89. DIPINTO a olio su tavola in cornice lignea modanata, intagliata, dipinta e dorata: Santa Scolastica e committente. h. 44 l. 28 Scuola senese del XV secolo (Vossilla: vicino a Bernardino Fungai.
LX. C.1b., undated, inclusive
General note
Reali negative #149. for print see II.B.1.LX. C.1.b.20.-17. DIPINTI (due) ad olio su tavola in cornice lignea modanata, dipinta e dorata: Putti nella fontana di Amore. h. 110 l. 71,5. Pittore (senese ? Bartolomeo Neroni detto il Riccio) del XVI secolo.
LX. C.1a., undated, inclusive
General note
Reali negative #150. for print see II.B.1.LX. C.1.a.20.-16. DIPINTI (due) ad olio su tavola in cornice lignea modanata, dipinta e dorata: Putti nella fontana di Amore. h. 110 l. 71,5. Pittore (senese ? Bartolomeo Neroni detto il Riccio) del XVI secolo.
XLVIII. B.19., ca., inclusive
General note
Reali negative #151. for print see II.B.1.XLVIII. B.19.-2.18.-62. The painting is now in the Sala da Pranzo (XXXII). DIPINTO ad olio su tela: La sacra famiglia in cornice lignea scolpita e dorata, con motivi di tipo classico, mascheroni e specchi dipinti a monocromo con le Virtù e figure allegoriche. h. 192 l. 170 ca. Giorgio Vasari, seconda metà del XVI secolo.
LXV. B.11., undated, inclusive
General note
Reali negative #152. for print see II.B.1.LXV. B.11.21.-27. DIPINTO ad olio su tavola in cornice di legno modanato, dipinto e lumeggiato d'oro: La Fede (?). h. 56,5 l. 36 Pittore tedesco (?) del XVI secolo.
LIII. A.5., undated, inclusive
General note
Reali negative #153. for print see II.B.1.LIII. A.5.19.-20. DIPINTO (tondo) ad olio su tavola con cornice lignea modanata e dorata: Venere e Amore. Sul verso scritta: "Pittore Bernardino Galliari 1707-1794"(spostato dalla Camera blu-LXV). d. 37.
XLVIII. B.23., ca., inclusive
General note
Reali negative #154. for print see II.B.1.XLVIII. B.23.-2.18.-71. TONDO ad olio su tela in cornice lignea modanata e dorata: Scena di banchetto. d. 143 ca. Pittore veneto della seconda metà XVI secolo (Vossilla: Domenico Tintoretto.
LXV. D.12., undated, inclusive
General note
Reali negative #155. for print see II.B.1.LXV. D.12.-2.21.-32. DIPINTO ad olio su tela in cornice di legno intagliata e dorata: Cleopatra. h. 112 l. 98,5 Orazio Fidani.
LXXVI-LXXVII. A.10., undated, inclusive
General note
Reali negative #156. for print see II.B.1.LXXVI-LXXVII. A.10.21.-44. DIPINTO ad olio su tela in cornice di legno intagliato, dipinto e lumeggiato d'oro: La Cena in Emmaus (pendant di D.3. h. 113 l. 142 Pittore veneto del XVI secolo.
LXXVI-LXXVII. D.3., undated, inclusive
General note
Reali negative #157. for print see II.B.5.30.2.-157. DIPINTO ad olio su tela in cornice di legno intagliato, dipinto e lumeggiato d'oro: La Cena in Emmaus (pendant di A.10 h. 136,5 l. 173,5 Pittore veneto del XVI secolo.
XLVIII. C.12., undated, inclusive
General note
Reali negative #158. for print see II.B.1.XLVIII. C.12.-2.18.-84. DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Ritratto di filosofo con libri. Segnato e datato: Bartolus Baldus 1630. h. 136 l. 110 Pittore fiorentino del XVII secolo.
XLVIII. B.27., undated, inclusive
General note
Reali negative #159. for print see II.B.1.XLVIII. B.27.-2.18.-73. DIPINTO ad olio su tela in cornice di legno intagliato a motivi vegetali e dorato: Ritratto di gentiluomo in abito rosso. h. 163,5 l. 130 Pittore veneto del XVI secolo.
LXI. A.3., undated, inclusive
General note
Reali negative #160. for print see II.B.1.LXI. A.3.20.-38. DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Ritratto di Vittorio Amedeo II di Savoia re di Sardegna (o Carlo Emanuele III? h. 231 l. 133 Maria Clementi (?) metà del XVIII secolo.
LXI. B.2., undated, inclusive
General note
Reali negative #161. for print see II.B.1.LXI. B.2.-1.20.-43. DIPINTO ad olio su tela in cornice di legno intagliato dipinto e dorato: Ritratto di gentiluomo a caccia. h. 340 ca l. 253 Giacomo Ceruti metà del XVIII secolo (M. Gregori: intorno al 1743).
LXI. C.3., undated, inclusive
General note
Reali negative #162. for print see II.B.1.LXI. C.3.-1.20.-49. DIPINTO ad olio su tela in cornice di legno intagliato dipinto e dorato con motivi di rocailles: Gentiluomo a cavallo (Ritratto di un Savoia h. 340 ca l. 254,5 Giacomo Ceruti, metà del XVIII secolo (M. Gregori: intorno al 1743).
Painting of [Venus], attributed to Paolo Veronese, undated, inclusive
General note
Reali negative #163. for print see II.B.3.23.-23. Stolen 28/29 September 1983.
XLVIII. C.1., ca., inclusive
General note
Reali negative #164. for print see II.B.1.XLVIII. C.1.18.-76. DIPINTO ad olio su tela in cornice di legno intagliato a motivi vegetali e dorato: Ritratto del Granduca Cosimo II e sua moglie Maria Maddalena d'Austria. h. 175 l. 145 ca. Scuola del Sustermans (Suttermans) (?) XVII secolo.
XLVII. C.1., undated, inclusive
General note
Reali negative #165. for print see II.B.1.XLVII. C.1.-2.18.-9. DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Fuga da Sodoma: Lot e le figlie. h. 164 l. 168,5 Paolo De Matteis.
Painting of a child with a crown ('Principe polacco'), undated, inclusive
General note
Stolen 28/29 September 1983. Reali negative #166. for print see II.B.3.23.-24.
LXI. D.2., undated, inclusive
General note
Reali negative #167. for print see II.B.1.LXI. D.2.20.-52. DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Ritratto di gentiluomo. h. 150 l. 132 Pittore del XVIII secolo.
LXI. A.15., ca., inclusive
General note
Reali negative #168. for print see II.B.1.LXI. A.15.20.-41. DIPINTO ad olio su tela in cornice di legno sagomata, intagliata e dorata: Ritratto di cacciatore. h. 200 ca. l. 165 ca. Giacomo Ceruti prima metà del XVIII secolo.
LXI. B.8., undated, inclusive
General note
Reali negative #169. for print see II.B.1.LXI. B.8.-2.20.-47. DIPINTO ad olio su tela in cornice di legno intagliato e dorato con protomi angeliche agli angoli: Ritratto di fanciullo con giocattolo. h. 160 ca l. 136 Pittore spagnolo del XVII secolo.
Portrait of King Ferdinand I and IV of the Two Sicilies in an oval frame., undated, inclusive
General note
Stolen 28/29 September 1983. Reali negative #170. for print see II.B.3.23.-27.
LIII. A.2., undated, inclusive
General note
Reali negative 171. for print see II.B.1.LIII. A.2.19.-17. DIPINTO ad olio su tela in cornice di legno intagliata e dorata: Ritratto di quattro fanciulli. h. 70 l. 80 Pittore dell'Europa settentrionale del XVIII secolo.
LXV. A.21., undated, inclusive
General note
Reali negative #172. for print see II.B.1.LXV. A.21.21.-25a. DIPINTO ad olio su tela in cornice di legno intagliata e dorata: Festino tra le rovine. h. 108,5 l. 145 Viviano Codazzi e Pierre Mignard.
LX. A.12., undated, inclusive
General note
Reali negative #173. for print see II.B.1.LX. A.12.-2.20.-12. DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Rovine classiche con personaggi. h. 86 l. 109 Alessandro Magnasco.
LX. A.4., undated, inclusive
General note
Reali negative #174. for print see II.B.1.LX. A.4.-2.20.-6. DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Scena di taverna. h. 52 l. 43 Pittore romano bambocciante (?)
LX. A.10., undated, inclusive
General note
Reali negative #175. for print see II.B.5.30.2.-175. DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Tentazioni di S. Antonio Abate. h. 203 l. 152 Alessandro Magnasco.
Painting of a landscape with a river, cascades, Roman ruins and pastoral scenes [Orazio Vernet]., undated, inclusive
General note
Stolen 28/29 September 1983. Reali negative #176. for print see II.B.3.23.-25.
LVI. C.1., undated, inclusive
General note
Reali negative #177. for print see II.B.1.LVI. C.1.-2.19.-77. DIPINTO a tempera grassa su tela in cornice di legno intagliato e dorato: Scena in un giardino con dame e cavalieri firmato sulla sinistra Vincenzo Martini (cfr. XLIV-Studio, B.1. h. 236 l. 186 Vincenzo Martini (Scuola piemontese), XVIII secolo.
LVI. A.3.a., undated, inclusive
General note
Reali negative #178. for print see II.B.1.LVI. A.3.a.-2.19.-70. DIPINTI (due) a tempera grassa su tela in cornice sagomata, modanata e dorata: Paesaggio con scene mitologiche: Enea e Acate Enea e Venere. h. 205 l. 177 ca. Scuola bolognese della metà XVIII secolo.
LVI. A.3.b., undated, inclusive
General note
Reali negative #179. for print see II.B.1.LVI. A.3.b.-2.19.-72. DIPINTI (due) a tempera grassa su tela in cornice sagomata, modanata e dorata: Paesaggio con scene mitologiche: Enea e Acate Enea e Venere. h. 205 l. 177 ca. Scuola bolognese della metà XVIII secolo.
LX. C.11., undated, inclusive
General note
Reali negative #180. for print see II.B.1.LX. C.11.20.-19. DIPINTO ad olio su tela in cornice di legno intagliato con motivi vegetali e due puttini, dipinto e dorato: Betsabea al bagno. h. 96 l. 166 Pittore del XVIII secolo.
LXV. A.1., undated, inclusive
General note
Reali negative #181. for print see II.B.1.LXV.A.1.-4.21.-18. DIPINTI (coppia) ad olio su tela in cornice di legno intagliato e dorato: Veduta di villa con giardino e Veduta di villa con chiesa e giardini (Villa d'Este a Tivoli e Villa Mattei h. 117 l. 207 Pittore romano della fine del XVII secolo. Villa d'Este.
LXV. A.1., undated, inclusive
General note
Reali negative #182. for print see II.B.5.30.2.-182. DIPINTI (coppia) ad olio su tela in cornice di legno intagliato e dorato: Veduta di villa con giardino e Veduta di villa con chiesa e giardini (Villa d'Este a Tivoli e Villa Mattei h. 117 l. 207 Pittore romano della fine del XVII secolo. Villa Mattei.
LXV. B.14., undated, inclusive
General note
Reali negative #183. for print see II.B.5.30.2.-183. DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Veduta della villa e del giardino di Caprarola (?). h. 91 l. 113 Pittore romano del XVIII secolo.
XXVIII. A.3., undated, inclusive
General note
Reali negative #184. for print see II:B.5.30.2.-184. See also II.B.1.XXVIII. A.3.-1.14.-76. DIPINTO a olio su tela con cornice intagliata e dorata: Natura morta. h. 90 l. 60 Carlo Magini, XVIII secolo.
LX. A.13., undated, inclusive
General note
Reali negative #185. for print see II.B.5.30.2.-185. DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Satiro. h. 54 l. 44 Pittore del XVII secolo.
LVI. D.2., undated, inclusive
General note
Reali negative #186. for print see II.B.1.LVI. D.2.19.-79. DIPINTO ad olio su tela in cornice lignea intagliata e dorata: Fanciulla con fiori e cagnolino. h. 158,5 l. 122 Pittore piemontese del XVIII secolo.
LIII. B.24. 5, undated, inclusive
General note
Reali negative #187. for print see of II.B.1.LIII. B.24.19.-26. DIPINTO ad olio su tela ovale in cornice rettangolare di legno intagliato a motivi vegetali a traforo e dorato, con specchi: Ritratto di fanciulla con fiori. In alto sulla cornice: A M intrecciata sotto corona ducale e lettere tra due serti: "E D L O S A F L I// G I D O S". h. 129,5 l. 108,5
XLVIII. E.29., undated, inclusive
General note
Reali negative #188. for print see II.B.1.XLVIII. E.29.18.-96. SCULTURA, rilievo in marmo bianco scolpito con Cavalli e cavalieri firmato con il monogramma L.K. h. 26 l. 32,5 Ludwig Krug.
XIX. E.8., undated, inclusive
General note
Reali negative #189. for print see II.B.1.XIX.E.8.-2.13.-31. SCULTURA in legno scolpito e dipinto in policromia: Buddha seduto. h. 84 Cina, Dinastia Sung (?).
XLVIII. B.21., undated, inclusive
General note
Reali negative #190. for print see II.B.1.XLVIII. B.21.18.-65. STATUETTA di legno scolpito con tracce di pittura e doratura: Cavallo alato (Pegaso) con base di legno dipinta di nero. h. 39 Bottega toscana del XVI secolo (?).
XLVIII. A.17., undated, inclusive
General note
Reali negative #191. for print see II.B.1.XLVIII. A.17.18.-42. STATUETTA in terracotta modellata a tuttotondo: San Giovanni Battista. h. 34 Bottega fiorentina del XV (?) secolo.
XLVIII. B.28., undated, inclusive
General note
Reali negative #192. for print see II.B.1.XLVIII. B.28.18.-75. STATUETTA in legno scolpito e dorato: Aquila. h. 40
LXV. B.12., undated, inclusive
General note
Reali negative #193. for print see II.B.1.LXV. B.12.-1.21.-28. SCULTURA in alabastro: Madonna seduta col Bambino. h. 38 Scultore siciliano del XVI secolo.
XLVIII. A.10., undated, inclusive
General note
Reali negative #194. for print see II.B.1.XLVIII. A.10.18.-39. STATUETTA in cartapesta e legno dipinti in policromia, entro teca di vetro: San Michele. h. 46 l. 25,5 p. 18 Bottega napoletana del XVII secolo.
LX. B.13., undated, inclusive
General note
Reali negative #195. for print see II.B.1.LX. B.13.-2.20.-15. RILIEVO in legno intagliato e dipinto: Santa Maria Maddalena iscrizione entro un cartiglio: "VIVIT IN ME XP· Gal C. R.". h. 89 l. 152,5 Scultore spagnolo della prima metà del XVI secolo.
XLVIII. B.7., undated, inclusive
General note
Reali negative #196. for print see II.B.1.XLVIII. B.7.18.-48. STATUETTE in fusione di bronzo e dorate: Santa Martire (?) e Madonna Dolente (?). h. 23,5 Scultore italiano del XVIII secolo.
LXV. D.2., undated, inclusive
General note
Reali negative #197. for print see II.B.1.LXV. D.2.21.-30. RILIEVO in stucco policromo: Madonna col Bambino entro tabernacolo centinato in legno intagliato, dipinto tracce di doratura. h. 75 l. 50 Bottega fiorentina del primo quarto del XV secolo (Nanni di Bartolo?).
XLVIII. B.1., undated, inclusive
General note
Reali negative #198. for print see II.B.1.XLVIII. B.1.-2.18.-47. DIPINTO ad olio su tela in cornice lignea intagliata, dipinta e dorata con protomi umane e girali fioriti che si dipartono da un vaso: Scena mitologica: L'Età dell'Oro. h. 222,5 l. 322 Pittore veneto dell'ultimo quarto del XVI secolo.
XLVIII.-15. Camera dei Genitori: general view (with A.17., A.18., and A.19.), undated, inclusive
General note
Reali negative #199. for print see II.B.1.XLVIII.-15.18.-30.
XLVIII.-16. Camera dei Genitori: general view (with D.20 and D.23), undated, inclusive
General note
Reali negative #200. for print see II.B.1.XLVIII.-16.18.-31.
XLVIII. Camera dei Genitori: general view, undated, inclusive
General note
Reali negative #201. for print see II.B.5.30.2.-201.
LXV.-2. Camera Blu: general view (with LXV. B.6.), undated, inclusive
General note
Reali negative #202. for print see II.B.1.LXV.-2.21.-9.
LIII.-3. Camera di Sir Harold: general view, undated, inclusive
General note
Reali negative #203. for print see II.B.1.LIII.-3.19.-11.
LIII.-4. Camera di Sir Harold: general view, undated, inclusive
General note
Reali negative #204. for print see II.B.1.LIII.-4.19.-12.
LIII.-2. Camera di Sir Harold: general view, undated, inclusive
General note
Reali negative #205. for print see II.B.1.LIII.-2.19.-10.
LXV.-1. Camera Blu: general view (with LXV. A.11.), undated, inclusive
General note
Reali negative #206. for print see II.B.1.LXV.-1.21.-2.
LX. C.6., undated, inclusive
General note
Reali negative #207. for print see II.B.1.LX. C.6.20.-18. STATUETTE (coppia) in terracotta dipinta in policromia: Guerrieri. h. 47 Modellatore del XVI (?) (XIX ?) secolo.
XLIV. D.7., undated, inclusive
General note
Reali negative #208. for print see oversize, II.B.1.XLIV. D.7. folder 201. DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Adorazione dei Magi. h. 49 l. 218,5 Pittore lombardo del XVIII secolo.
XLIV. D.7., undated, inclusive
General note
Reali negative #208a. for print see oversize, II.B.1.XLIV. D.7. folder 201. DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Adorazione dei Magi. h. 49 l. 218,5 Pittore lombardo del XVIII secolo.
LX. D.1., undated, inclusive
General note
Reali negative #209. for print see II.B.1.LX. D.1.-2.20.-21. DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Venere e Marte. h. 87 l. 69 Pittore del XIX secolo.
XXXI. C.7., undated, inclusive
General note
Reali negative #210. for print see II.B.1.XXXI. C.7.-11.16.-38. DIPINTO su tavola cuspidata a tempera e pastiglia: Madonna col Bambino e i santi Nicola, Giovanni, Michele e Dionigi: stemmi a pastiglia nella cornice. h. 95 l. 210,5 Maestro di San Remigio, seconda metà del XIII secolo. Detail of the Madonna and Child.
XLIV. B.3., undated, inclusive
General note
The subject is "A philosopher lecturing on the Orrery" (a planatery device). The original painting (exhibited in 1766) by Wright of Derby for this print is in the Derby Museum and Art Gallery, UK.(Reali negative #211. for print see oversize, II.B.1.XLIV. B.3. folder 200a. INCISIONE in cornice di legno modanato: Figure intorno ad una sfera armillare? In basso: I Boydell. Exc.t. A sinistra: Jos.h Wright pinxit a destra: W.m. Pether fecit 1768. Stemma in basso sorretto da un cervo e da un cane. h. 56 l. 67 J. Wright (pittore) W. Pether (incisore), XVIII secolo (datata 1768).
XXXI. B.1., undated, inclusive
General note
Reali negative #212. for print see II.B.1.XXXI. B.1.-2.16.-19. DIPINTO a olio su tavola in cornice lignea intagliata e dorata: La Fortuna. h. 82 l. 74,5 Il Poppi (?), XVI secolo.
XXI. B.1., undated, inclusive
General note
Reali negative #213. for print see II.B.1.XXI. B.1.-6.14.-24. DIPINTO a tempera su tavola con l'Incoronazione della Vergine, lo Spirito Santo e Angeli adoranti nella cuspide (parte di un polittico?Alla base : "An. Domini MCCCCXXXI A Di XXV di Lulgio Regina Angelorum Ora Pronobis". h. 137 l. 82 Scuola fiorentina (Mariotto di Nardo) del XV secolo (datato 1431).
XXXI. A.46., undated, inclusive
General note
Reali negative #214. for print see II.B.1.XXXI. A.46.-2.16.-16. DIPINTO a tempera su tavola cuspidata: Madonna in trono col Bambino e due angeli Il Redentore Benedicente nella cuspide. Alla base iscrizione: "ANO DNI MCCCCXXII" "Ave Maria Gratia Plena Dominus Teco B.Tus". h. 198 l. 86 Attribuito a Mariotto di Nardo, 1422 (datato).
XXXI. A.46., undated, inclusive
General note
Reali negative #214bis. for print see II.B.1.XXXI. A.46.-3.16.-17. DIPINTO a tempera su tavola cuspidata: Madonna in trono col Bambino e due angeli Il Redentore Benedicente nella cuspide. Alla base iscrizione: "ANO DNI MCCCCXXII" "Ave Maria Gratia Plena Dominus Teco B.Tus". h. 198 l. 86 Attribuito a Mariotto di Nardo, 1422 (datato). Detail.
XXXI. C.1., undated, inclusive
General note
Reali negative #215. for print see II.B.1.XXXI. C.1.-2.16.-25. DIPINTO a olio su tavola in cornice modanata e dorata: Madonna della Misericordia. h. 133 l. 85,5 Jacopo di Montagnana, XV secolo.
XXXI. D.9., undated, inclusive
General note
Reali negative #216. for print see II.B.1.XXXI. D.9.-2.16.-57. DIPINTO a tempera su tavola cuspidata e cornice modanata, dipinta e dorata: S. Onofrio e donatore. Nella Base iscrizione: "Questa: Tavola: Afata: Fare: Nicholo Di/ Pici: Perimedio: delanima: Sua: Anni: MCCC:LXXX". Scuola dell'Orcagna (Giovanni del Biondo?), XIV secolo (datato 1380).
XLII. D.1., undated, inclusive
General note
Reali negative #217. for print see II.B.1.XLII. D.1.18.-1. DIPINTO a olio su tela in cornice lignea intagliata e dorata: Ritratto virile. h. 90 l. 74,5 Pittore bolognese o cerchia di Andrea Sacchi (Vossilla) del XVII secolo.
XXXI. D.2., undated, inclusive
General note
Reali negative #218. for print see II.B.1.XXXI. D.2.16.53. DIPINTO a tempera su tavola cuspidata e cornice intagliata, dipinta e dorata con decorazioni a pastiglia: Madonna col Bambino in piedi. h. 110,5 l. 62,3 Mariotto di Nardo, inizi del XV secolo.
XXXI. D.3., undated, inclusive
General note
Reali negative #219. for print see II.B.1.XXXI. D.3.-2.16.-55. DIPINTO a tempera su tavola cuspidata e cornice intagliata, dipinta e dorata: Madonna col Bambino e iscrizione: "Ave Maria Gratia Plena (...)". h. 110,5 l. 63,5 Pittore fiorentino del XV secolo.
LIII. A.3., undated, inclusive
General note
Reali negative #220. for print see II.B.1.LIII. A.3.-2.19.-19. DIPINTO ad olio su tela ovale in cornice di legno modanata, intagliata e dorata: Riposo durante la fuga in Egitto. h. 118 l. 138 Pittore napoletano del XVIII secolo.
LIII. D.15., undated, inclusive
General note
Reali negative #221. for print see II.B.1.LIII. D.15.19.-44. DIPINTO ad olio su tela in cornice lignea intagliata e dorata: Veduta di Piazza S. Marco a Venezia con la basilica di San Marco. h. 89 l. 110,5. Zuccarelli (?) XVIII secolo.
LIII. D.3., undated, inclusive
General note
Reali negative #222. for print see II.B.1.LIII. D.3.-1.19.-39. DIPINTO ad olio su tela in cornice lignea intagliata e dorata: Veduta del Palazzo Ducale a Venezia. h. 86,5 l. 108 Zuccarelli (?) XVIII secolo.
