Series II: Villa La Pietra
Subseries A: The Gardens
1 Viale
Viale, 1904, inclusive
Viale, 1904, inclusive
General note
Oversize, II.A.1.1. folder 124.
Viale, ca. 1915, inclusive
Viale, undated, inclusive
General note
Neg.
Viale, ca. 1920, inclusive
Viale, ca. 1930s, inclusive
General note
Photos by Ermanno Biagini, Firenze.
Viale, 1939, inclusive
General note
Photo by Brogi, Firenze (no. 26256), captioned on the recto.
Viale, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Viale, ca. 1950s, inclusive
General note
Photos by Ferrania, one with an ink drawing of a garden vase on the verso.
Viale, undated, inclusive
General note
Photo by Bruno Novarese, Firenze.
Viale, ca. 1960s, inclusive
General note
Color print.
Viale, undated, inclusive
General note
Color print.
Viale, August, 1965, inclusive
General note
Photo by Reginald Colby. Annotated on the verso.
Viale, undated, inclusive
General note
Color print.
Viale, 1965, inclusive
General note
Color print. Annotated and dated 1965 on the verso.
Viale, March-April, 1973, inclusive
General note
Color prints.
Viale, undated, inclusive
General note
Color neg.
Viale, August, 1974, inclusive
General note
Annotated on the verso.
Viale, undated, inclusive
General note
Color print.
2 Piazzale, i. Corte
Piazzale, i. Corte, 1903, inclusive
General note
Neg.: for print, see III.A.1.
Piazzale, i. Corte, 1904, inclusive
Piazzale, i. Corte, 1904, inclusive
General note
With HA in his pram, and a nurse.
Piazzale, i. Corte, ca. 1904, inclusive
General note
Oversize, II.A.2i.1. folder 125.
Piazzale, i. Corte, undated, inclusive
Piazzale, i. Corte in the snow, ca. 1910, inclusive
General note
Neg. and print.
Piazzale, i. Corte, ca. 1920s, inclusive
1924, undated, inclusive
Piazzale, i. Corte, ca. 1930s, inclusive
General note
Photos by Ermanno Biagini, Firenze.
Piazzale, i. Corte, ca. 1950s, inclusive
General note
Photo by Ferrania.
Piazzale, i. Corte, early 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Piazzale, i. Corte, early 1930s, inclusive
General note
Photo by Brogi, Firenze with circular ink stamp on the verso.
Piazzale, i. Corte, early 1930s, inclusive
General note
Photo by Brogi, Firenze, captioned on the recto.
Piazzale, i. Corte, early 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Piazzale, i. Corte, early 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp on the verso, and annotated on the verso.
Piazzale, i. Corte, early 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Piazzale, i. Corte, ca. 1930s, inclusive
Piazzale, i. Corte, ca. 1930s, inclusive
Piazzale, i. Corte, ca. 1930s, inclusive
General note
Sepia prints.
Piazzale, i. Corte, ca. 1940s, inclusive
Piazzale, i. Corte, ca. 1950s, inclusive
Piazzale, i. Corte, ca. 1950s, inclusive
General note
Color prints.
Piazzale, i. Corte, undated, inclusive
General note
Neg.
Piazzale, i. Corte, ca. 1960s, inclusive
Piazzale, i. Corte, undated, inclusive
General note
Photo by Antonio Sferlazzo, Firenze.
Piazzale, i. Corte, ca. 1960s, inclusive
General note
Photos by Cocchi.
Piazzale, i. Corte, 1970, inclusive
General note
Color prints.
Piazzale, i. Corte, undated, inclusive
General note
Color print.
Piazzale, i. Corte April, 1991, inclusive
General note
Color slide.
Piazzale, i. Corte April, 1991, inclusive
General note
Color slide.
Piazzale, i. Corte statue 1.1., 1986, inclusive
General note
Photo by Anna Marx.
Piazzale, i. Corte statue 1.2., 1986, inclusive
General note
Photo by Anna Marx.
Piazzale, i. Corte statue 1.3., 1986, inclusive
General note
Photo by Anna Marx.
Piazzale, i. Corte statue 1.4., 1986, inclusive
General note
Photo by Anna Marx.
Piazzale, i. Corte statue 1.4., 1986, inclusive
General note
Photo by Anna Marx.
Piazzale, i. Corte statue 1.1 before being erected on the gate post of the Viale, undated, inclusive
General note
Now replaced by statue 1.3.
Piazzale, i. Corte statue 1.3., 1986, inclusive
General note
Photo by Anna Marx.
2 Piazzale, ii. Parcheggio
Piazzale, ii. Parcheggio, ca. 1930s, inclusive
General note
Oversize, II.A.2ii.1. folder 126.
3 Vasche, i. Terrazza
Vasche, i. Terrazza, 1900s, inclusive
Vasche, i. Terrazza, ca. 1920s, inclusive
General note
Sepia print.
Vasche, i. Terrazza, ca. 1920s, inclusive
Vasche, i. Terrazza, undated, inclusive
General note
Neg.
Vasche, i. Terrazza, 1920s, inclusive
Vasche, i. Terrazza, ca. 1920s, inclusive
Vasche, i. Terrazza, ca. 1930s, inclusive
Vasche, i. Terrazza, early 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, i. Terrazza, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp on the verso, and annotated on the verso.
Vasche, i. Terrazza, 1939, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Vasche, i. Terrazza, early 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
early 1930s, undated, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp on the verso, and annotated on the verso.
Vasche, i. Terrazza, undated, inclusive
General note
Photo by Brogi, Firenze. Captioned on the recto.
Vasche, i. Terrazza, ca. 1930s, inclusive
General note
Neg.
Vasche, i. Terrazza, undated, inclusive
General note
Neg.
Vasche, i. Terrazza, ca. 1930s, inclusive
Vasche, i. Terrazza, ca. 1940s, inclusive
Vasche, i. Terrazza, ca. 1960s, inclusive
General note
Color print.
Vasche, i. Terrazza, 1960s, inclusive
General note
Color prints.
Vasche, i. Terrazza, undated, inclusive
General note
Color print.
Vasche, i. Terrazza, undated, inclusive
General note
Oversize, II.A.3i.1. folder 127.
Vasche, i. Terrazza, 1973, inclusive
General note
Color print.
Vasche, i. Terrazza, 1980, inclusive
General note
Color prints.
Vasche, i. Terrazza, ca. 1980s, inclusive
General note
Color prints.
Vasche, i. Terrazza, statue 15.14, 1986, inclusive
General note
Photo by Anna Marx.
Vasche, i. Terrazza, statue 15.15, 1986, inclusive
General note
Photo by Anna Marx.
Vasche, i. Terrazza, statue 15.16, 1986, inclusive
General note
Photo by Anna Marx.
Vasche, i. Terrazza, statue 15.17, 1986, inclusive
General note
Photo by Anna Marx.
Vasche, i. Terrazza, statue 15.18, 1986, inclusive
General note
Photo by Anna Marx.
Vasche, i. Terrazza, statue 15.4, 1986, inclusive
General note
Photo by Anna Marx.
3 Vasche, ii. Prima Vasca
Vasche, ii. Prima Vasca, ca. 1910, inclusive
Vasche, ii. Prima Vasca, ca. 1910, inclusive
General note
Oversize, II.A.3ii.2. folder 128.
Vasche, ii. Prima Vasca, ca. 1920, inclusive
General note
Oversize, II.A.3ii.2. folder 129.
Vasche, ii. Prima Vasca in the snow, ca. 1910, inclusive
General note
Negs.and prints.
Vasche, ii. Prima Vasca, undated, inclusive
General note
Neg., double exposure.
Vasche, ii. Prima Vasca, ca. 1920, inclusive
General note
Oversize, II.A.3ii.2. folder 130.
Vasche, ii. Prima Vasca, ca. 1920, inclusive
Vasche, ii. Prima Vasca, undated, inclusive
General note
Neg.
Vasche, ii. Prima Vasca, ca. 1920, inclusive
Vasche, ii. Prima Vasca, ca. 1920, inclusive
General note
Sepia print.
Vasche, ii. Prima Vasca, 1924, inclusive
Vasche, ii. Prima Vasca, undated, inclusive
General note
Neg.
Vasche, ii. Prima Vasca, ca. 1930s, inclusive
Vasche, ii. Prima Vasca, 1939, inclusive
General note
Photos by Brogi, Firenze, one with circular ink stamp on the verso.
Oversize, II.A.3ii.2.folder 131.
Vasche, ii. Prima Vasca, ca. 1930s, inclusive
Vasche, ii. Prima Vasca, ca. 1930s, inclusive
Vasche, ii. Prima Vasca, ca. 1930s, inclusive
General note
Oversize, II.A.3ii.2. folder 132.
Vasche, ii. Prima Vasca, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, ii. Prima Vasca, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp on the verso, and annotated on the verso.
Vasche, ii. Prima Vasca, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze. Captioned on the recto.
Vasche, ii. Prima Vasca, early 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".), and with rectangular ink stamp, and annotated on the verso.
Vasche, ii. Prima Vasca, ca. 1930s, inclusive
Vasche, ii. Prima Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25818, annotated on the verso "In Florence and Tuscany May/June 1951, p. 16". With a negative taken by Donato Pneider, Settignano, October 2002 for a presentation copy for HRH Prince of Wales on his visit to Villa La Pietra
Vasche, ii. Prima Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25818 (captioned on the recto
Vasche, ii. Prima Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25822, (annotated on the verso "From set of "Florence and Tuscany"May/June 1951")
Vasche, ii. Prima Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25822, captioned on the recto.
Vasche, ii. Prima Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25823, (annotated on the verso "From set of "Florence and Tuscany"May/June 1951".
Vasche, ii. Prima Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25823, captioned on the recto.
Vasche, ii. Prima Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25814, (annotated on the verso "From set of "Florence and Tuscany"May/June 1951"
Vasche, ii. Prima Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, stamped on the verso.
Vasche, ii. Prima Vasca, 1930s, inclusive
Vasche, ii. Prima Vasca, ca. 1940s, inclusive
Vasche, ii. Prima Vasca, undated, inclusive
General note
Neg.
Vasche, ii. Prima Vasca, undated, inclusive
General note
Neg. and print.
Vasche, ii. Prima Vasca, ca. 1940s, inclusive
General note
Photo by Alinari, stamped on the verso.
Vasche, ii. Prima Vasca, ca. 1950s, inclusive
Vasche, ii. Prima Vasca, undated, inclusive
General note
Color prints.
Vasche, ii. Prima Vasca, undated, inclusive
General note
Neg.
Vasche, ii. Prima Vasca, ca. 1960s, inclusive
Vasche, ii. Prima Vasca, ca. 1960s, inclusive
General note
Photos by Cocchi.
Vasche, ii. Prima Vasca, undated, inclusive
General note
Color print.
Vasche, ii. Prima Vasca, 1966, inclusive
General note
Color print, dated on the recto.
Vasche, ii. Prima Vasca, undated, inclusive
General note
Color prints.
Vasche, ii. Prima Vasca, 1970, inclusive
General note
Color print.
Vasche, ii. Prima Vasca, 1973, inclusive
General note
Color print.
Vasche, ii. Prima Vasca, ca. 1970s, inclusive
Vasche, ii. Prima Vasca, undated, inclusive
General note
Color prints.
Vasche, ii. Prima Vasca, 1980, inclusive
General note
Color print.
Vasche, ii. Prima Vasca, undated, inclusive
General note
Two Color negs.
Vasche, ii. Prima Vasca, April, 1991, inclusive
General note
Color slide.
Vasche, ii. Prima Vasca, April, 1991, inclusive
General note
Color slide.
Vasche, ii. Prima Vasca, 1993, inclusive
General note
Color slide.
Vasche, ii. Prima Vasca, statue 15.1., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, ii. Prima Vasca, statue 15.2., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, ii. Prima Vasca, statue 15.4., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, ii. Prima Vasca, statue 15.7., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, ii. Prima Vasca, statue 15.8., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, ii. Prima Vasca, statue 15.9., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, ii. Prima Vasca, statue 15.10., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, ii. Prima Vasca, statue 15.11., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, ii. Prima Vasca, statue 15.12., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, ii. Prima Vasca, statue 15.13., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, ii. Prima Vasca, statue 15.10., undated, inclusive
Vasche, ii. Prima Vasca, statue 15.12, undated, inclusive
General note
Color print.
Oversize, II.A.3ii.2. folder 133.
Vasche, ii. Prima Vasca, statue 15.11, undated, inclusive
General note
Color print
Oversize, II.A.3ii.2. folder 134.
3 Vasche, iii. Scalone
Vasche, iii. Scalone, ca. 1915, inclusive
General note
Neg.
Vasche, iii. Scalone in the snow, ca. 1920s, inclusive
Vasche, iii. Scalone, ca. 1920s, inclusive
Vasche, iii. Scalone, ca. 1937, inclusive
Vasche, iii. Scalone, ca. 1930s, inclusive
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, iii. Scalone, the stone vase at the bottom of the steps, 1933, inclusive
General note
Removed to the cross vista on the Vista dell'Arco in 1933. Print and neg.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Oversize, II.A.3iii.3. folder 135.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, captioned on the recto.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, numbered 325bis on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp, and numbered 326bis on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photos by Brogi, Firenze, with circular ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photos by Brogi, Firenze, with circular ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photos by Brogi, Firenze, with circular ink stamp on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp, and numbered 328 on the verso.
Vasche, iii. Scalone, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, captioned on the recto.
Vasche, iii. Scalone, ca. 1930s, inclusive
Vasche, iii. Scalone, ca. 1940s, inclusive
Vasche, iii. Scalone, undated, inclusive
General note
Neg.
Vasche, iii. Scalone, ca. 1940s, inclusive
Vasche, iii. Scalone, ca. 1940s, inclusive
General note
Photo by Alinari, stamped on verso.
Vasche, iii. Scalone, ca. 1940s, inclusive
Vasche, iii. Scalone, 1960s, inclusive
Vasche, iii. Scalone, ca. 1960s, inclusive
General note
Photos by Cocchi.
Vasche, iii. Scalone, undated, inclusive
General note
Color print.
Vasche, iii. Scalone, 1967, inclusive
General note
Color prints.
Vasche, iii. Scalone, undated, inclusive
General note
Color neg.
Vasche, iii. Scalone, 1973, inclusive
General note
Color print.
Vasche, iii. Scalone, ca. 1970s, inclusive
General note
Color print.
Vasche, iii. Scalone, 1973, inclusive
General note
Color print. With dedication on the verso, dated 1973
Oversize, II.A.3iii.3. folder 136.
Vasche, iii. Scalone, ca. 1970-1989, inclusive
General note
Color prints.
Vasche, iii. Scalone, undated, inclusive
General note
Color print.
Oversize, II.A.3iii.3. folder 137.
Vasche, iii. Scalone, ca. 1970-1989, inclusive
General note
Color prints.
Vasche, iii. Scalone, undated, inclusive
General note
Two Color negs.
Vasche, iii. Scalone, statue 12.6., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, iii. Scalone, statue 12.7., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, iii. Scalone, statue 12.8., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, iii. Scalone, statue 12.9., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, iii. Scalone, statue 12.10., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, iii. Scalone, statue 12.11., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, iii. Scalone, statue 12.12., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, iii. Scalone, statue 12.13., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, iii. Scalone, statue 12.9., 1973, inclusive
General note
Color print.
Vasche, iii. Scalone, statue 12.10., undated, inclusive
General note
Color print.
Vasche, iii. Scalone, statue 12.11., undated, inclusive
General note
Color print.
Vasche, iii. Scalone, statue 12.10., 1973, inclusive
General note
Color print.
Oversize, II.A.3iii.3. folder 138.
3 Vasche, iv. Seconda Vasca
Vasche, iv. Seconda Vasca under construction, ca. 1910, inclusive
General note
Negs. and prints.
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Neg.
Vasche, iv. Seconda Vasca, ca. 1910s, inclusive
Vasche, iv. Seconda Vasca with gardeners, ca. 1910s, inclusive
Vasche, iv. Seconda Vasca in the snow, ca. 1910s, inclusive
Vasche, iv. Seconda Vasca, ca. 1920s, inclusive
General note
Oversize, II.A.4iv.3. folder 139.
Vasche, iv. Seconda Vasca, ca. 1920s, inclusive
Vasche, iv. Seconda Vasca, ca. 1915, inclusive
General note
The statue was removed to the Pomario in 1915. Annotations and a sketch by AA on the verso about the fountain: "Light stone cupid, 17th cent. Genuine; grey stone fountain reproduction of 16th century one" and price.
Vasche, iv. Seconda Vasca, ca. 1915, inclusive
General note
With a sketch on the verso and the price.
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Sepia print.
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Neg.
Vasche, iv. Seconda Vasca, 1924, inclusive
Vasche, iv. Seconda Vasca, ca. 1920s, inclusive
Vasche, iv. Seconda Vasca, ca. 1930s, inclusive
Vasche, iv. Seconda Vasca, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Vasche, iv. Seconda Vasca, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with annotations on the verso.
Vasche, iv. Seconda Vasca, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp on the verso.
Vasche, iv. Seconda Vasca, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with ink stamp on the verso.
Vasche, iv. Seconda Vasca, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Vasche, iv. Seconda Vasca, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso. With a negative taken by Donato Pneider, Settignano, October 2002 for a presentation copy for HRH Prince of Wales on his visit to Villa La Pietra
Vasche, iv. Seconda Vasca, ca. 1930, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, iv. Seconda Vasca, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Vasche, iv. Seconda Vasca, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, captioned on the recto.
Vasche, iv. Seconda Vasca, ca. 1930s, inclusive
Vasche, iv. Seconda Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25824 (captioned on the recto).
Vasche, iv. Seconda Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso with the no. 25824.
Vasche, iv. Seconda Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25819 (captioned on the recto).
Vasche, iv. Seconda Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso with the no. 25819.
Vasche, iv. Seconda Vasca, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25825 (annotated on the verso "From set of "Florence and Tuscany May/June 1951". With a negative taken by Donato Pneider, Settignano, October 2002 for a presentation copy for HRH Prince of Wales on his visit to Villa La Pietra.
Vasche, iv. Seconda Vasca, 1939, inclusive
General note
Captioned on the recto, and the date stamped on the verso with a fragment of a note to Mrs Putnam from AA on the verso.
Vasche, iv. Seconda Vasca, ca. 1940s, inclusive
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Neg. and print.
Vasche, iv. Seconda Vasca, ca. 1940s, inclusive
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Double print, one with a statue in the Teatrino.
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Neg.
Vasche, iv. Seconda Vasca, ca. 1940s, inclusive
Vasche, iv. Seconda Vasca, ca. 1940s, inclusive
Vasche, iv. Seconda Vasca, 1949, inclusive
General note
Dated 1949 on the verso.
Vasche, iv. Seconda Vasca, 1940s, inclusive
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Annotated on the verso by AA "Al principe e principessa Leporano Acton".
Vasche, iv. Seconda Vasca (with an Alsatian puppy), undated, inclusive
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Neg.
Vasche, iv. Seconda Vasca, 1940s, inclusive
Vasche, iv. Seconda Vasca, ca. 1950s, inclusive
General note
Color slide.
Vasche, iv. Seconda Vasca, 1951, inclusive
General note
Color print.
Vasche, iv. Seconda Vasca, 1950, inclusive
General note
Color slide by Kirker.
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Color print.
Vasche, iv. Seconda Vasca, ca. 1960s, inclusive
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Color print.
Vasche, iv. Seconda Vasca, ca. 1960s, inclusive
Vasche, iv. Seconda Vasca, ca. 1960s, inclusive
General note
Photo by Cocchi.
Vasche, iv. Seconda Vasca, ca. 1970s, inclusive
General note
Color print.
Vasche, iv. Seconda Vasca, 1970, inclusive
General note
Color print.
Vasche, iv. Seconda Vasca, ca. 1970s, inclusive
General note
Photo by Garuti for the Comitato Visita Giardini Ville Fiorentine .
Vasche, iv. Seconda Vasca, ca. 1980, inclusive
General note
Color print.
Vasche, iv. Seconda Vasca, 1983, inclusive
General note
Color print.
Vasche, iv. Seconda Vasca, 1985, inclusive
General note
Color print. Dated on the verso.
Vasche, iv. Seconda Vasca, ca. 1980s, inclusive
General note
Color prints.
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Color print.
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Two Color negs.
Vasche, iv. Seconda Vasca, undated, inclusive
General note
Two Color negs.
Vasche, iv. Seconda Vasca, April, 1991, inclusive
General note
Color slide.
Vasche, iv. Seconda Vasca, April, 1991, inclusive
General note
Color slide.
Vasche, iv. Seconda Vasca, 1993, inclusive
General note
Color slide.
3 Vasche, v. Peristilio della glicine
Vasche, v. Peristilio della glicine, ca. 1920s, inclusive
Vasche, v. Peristilio della glicine, undated, inclusive
General note
Neg.
Vasche, v. Peristilio della glicine, ca. 1920s, inclusive
Vasche, v. Peristilio della glicine, undated, inclusive
General note
Neg.
Vasche, v. Peristilio della glicine, ca. 1920s, inclusive
Vasche, v. Peristilio della glicine in the snow, undated, inclusive
General note
Neg. and print.
Vasche, v. Peristilio della glicine, early 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, v. Peristilio della glicine, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, ink stamp on the verso.
Vasche, v. Peristilio della glicine, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, annotated and with rectangular ink stamp on the verso.
Vasche, v. Peristilio della glicine, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp on the verso.
Vasche, v. Peristilio della glicine, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Vasche, v. Peristilio della glicine, ca. 1940s, inclusive
Vasche, v. Peristilio della glicine, undated, inclusive
General note
Neg.
Vasche, v. Peristilio della glicine, undated, inclusive
General note
Color print.
Vasche, v. Peristilio della glicine, ca. 1960s, inclusive
Vasche, v. Peristilio della glicine, undated, inclusive
General note
Color Negs.
Vasche, v. Peristilio della glicine showing damage and repair to the colonnade, undated, inclusive
General note
Color prints.
Vasche, v. Peristilio della glicine, 1973, inclusive
General note
Color print.
Vasche, v. Peristilio della glicine, undated, inclusive
General note
Color prints.
Vasche, v. Peristilio della glicine, undated, inclusive
General note
Two Color negs.
Vasche, v. Peristilio della glicine statue 12.1. when it was on the cross-vista of the Prima Vasca, undated, inclusive
Vasche, v. Peristilio della glicine statue 12.1 (before its installation in the Peristilio della glicine), undated, inclusive
Vasche, v. Peristilio della glicine statue 12.1., ca. 1950s, inclusive
Vasche, v. Peristilio della glicine statue 12.1., undated, inclusive
General note
Color print.
Vasche, v. Peristilio della glicine statue 12.1., undated, inclusive
Vasche, v. Peristilio della glicine statue 12.1., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, v. Peristilio della glicine statue 12.2., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, v. Peristilio della glicine statue 12.3., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, v. Peristilio della glicine statue 12.4., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, v. Peristilio della glicine statue 12.5., 1986, inclusive
General note
Photo by Anna Marx.
Vasche, v. Peristilio della glicine statue 12.1., undated, inclusive
General note
Oversize, II.A.3v.4. folder 140.
4 Tempietto e Teatrino, i. Tempietto
Tempietto, ca. 1920s, inclusive
Tempietto, undated, inclusive
General note
Neg.
Tempietto, ca. 1960s, inclusive
Tempietto, ca. 1960s, inclusive
General note
Photo by Cocchi.
Tempietto, 1970s, inclusive
General note
Color print.
Tempietto, April, 1993, inclusive
General note
Color slide.
Tempietto, May, 1993, inclusive
General note
Color slide.
Tempietto, statue 14.1., 1986, inclusive
General note
Photo by Anna Marx.
Tempietto, statue 14.2., 1986, inclusive
General note
Photo by Anna Marx.
4 Tempietto e Teatrino, ii. Teatrino
Teatrino, ca. 1920s, inclusive
Teatrino, ca. 1920s, inclusive
Teatrino, ca. 1920s, inclusive
Teatrino, ca. 1930s, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Teatrino, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, captioned on the recto.
Teatrino, ca. 1930s, inclusive
General note
Photo by Goodwin.
Oversize, II.A.4ii.4. folder 141.
Teatrino, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp on the verso.
Teatrino, ca. 1939, inclusive
General note
Photo by Brogi, Firenze.
Teatrino, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Teatrino, ca. 1939, inclusive
General note
Photo by Brogi, Firenze.
Teatrino, 1930s, inclusive
Teatrino, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25820, captioned on the recto.
Teatrino, 1937, inclusive
General note
Photo by Brogi, Firenze, annotated with the no. 25820 on the verso.
Teatrino, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25815 (annotated on the verso "From set of "Florence and Tuscany May/June 1951"With a negative taken by Donato Pneider, Settignano, October 2002 for a presentation copy for HRH Prince of Wales on his visit to Villa La Pietra.
Teatrino, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25815, captioned on the recto.
Teatrino, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25821, captioned on the recto.
Teatrino, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25821, annotated on the verso "From set of "Florence and Tuscany May/June 1951".
Teatrino, ca. 1930s, inclusive
Teatrino, ca. 1940s, inclusive
Teatrino, 1940s, inclusive
Teatrino, undated, inclusive
General note
Negs.and double negs.
Teatrino, undated, inclusive
General note
Photo by Alinari, stamped on verso.
Teatrino, ca. 1940s, inclusive
Teatrino, lower terrace, undated, inclusive
General note
With vases 13.10 and 13.11.
Teatrino, lower terrace, undated, inclusive
General note
With annotations on the recto by AA.
Teatrino, 1930s, inclusive
Teatrino with a gardener trimming the hedges, undated, inclusive
Teatrino, ca. 1950s, inclusive
Teatrino, undated, inclusive
General note
Neg.and print.
Teatrino, ca. 1950s, inclusive
Teatrino, September, 1950, inclusive
General note
Color slide by Kirker.
Teatrino, ca. 1950s, inclusive
Teatrino, undated, inclusive
General note
Color prints.
Teatrino, undated, inclusive
General note
Double negs.
Teatrino, ca. 1960s, inclusive
Teatrino, undated, inclusive
General note
Color prints.
Teatrino, ca. 1960s, inclusive
General note
Photos by Cocchi.
Teatrino, 1962, inclusive
General note
Color print.
Teatrino, ca. 1960s, inclusive
Teatrino, 1969, inclusive
General note
Color print.
Teatrino, 1970, inclusive
General note
Color print.
Teatrino, ca. 1970s, inclusive
General note
Color print. Photo by Garuti for the Comitato Visita Giardini Ville Fiorentine .
Teatrino, 1973, inclusive
General note
Color print.
Teatrino, undated, inclusive
General note
Color print.
Teatrino, 1980, inclusive
General note
Color print.
Teatrino, 1988, inclusive
General note
Color print dated on the verso.
Teatrino, undated, inclusive
General note
Color prints.
Teatrino, undated, inclusive
General note
Color print.
Teatrino (one of the Seconda Vasca), undated, inclusive
General note
Two Color negs.
Teatrino, April, 1993, inclusive
General note
Color slide.
Teatrino, F7 portale (with statue 6.1. which is now in the Boschetto (v. Vialone), under F2 portale), undated, inclusive
General note
Neg.
Teatrino, F7 portale with statue 15.4. (now on the Terrazza), ca. 1920s, inclusive
Teatrino, F7 portale, ca. 1920s, inclusive
General note
Neg.
Teatrino, F7 portale, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Teatrino, F7 portale, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Teatrino, F7 portale, ca. 1930, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Teatrino, F7 portale, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with a sketch [by AA] on the verso of the portale with measurements.
Teatrino, F7 portale, ca. 1930s, inclusive
Teatrino, F7 portale, ca. 1940s, inclusive
Teatrino, F7 portale, ca. 1960s, inclusive
Teatrino, F7 portale, undated, inclusive
General note
Color print.
Teatrino, F2 portale with statue 13.8., ca. 1970s, inclusive
General note
Oversize, II.A.4ii.5. folder 142.
Teatrino, lower terrace with arcone F5 and F6, undated, inclusive
Teatrino, lower terrace with arcone F5 and F6, undated, inclusive
General note
Neg.
Teatrino, lower terrace with arcone F5 and F6, undated, inclusive
Teatrino, statue 13.1., 1986, inclusive
General note
Photo by Anna Marx.
Teatrino, statue 13.2., 1986, inclusive
General note
Photo by Anna Marx.
Teatrino, statue 13.3., 1986, inclusive
General note
Photo by Anna Marx.
Teatrino, statue 13.4., 1986, inclusive
General note
Photo by Anna Marx.
Teatrino, statue 13.5., 1986, inclusive
General note
Photo by Anna Marx.
Teatrino, statue 13.6., 1986, inclusive
General note
Photo by Anna Marx.
Teatrino, statue 13.7., 1986, inclusive
General note
Photo by Anna Marx.
Teatrino, statue 13.8., 1986, inclusive
General note
Photo by Anna Marx.
Teatrino, statue 13.9., 1986, inclusive
General note
Photo by Anna Marx.
Teatrino, statue 13.10., 1986, inclusive
General note
Photo by Anna Marx.
Teatrino, statue 13.2., undated, inclusive
General note
Color print.
Teatrino, statue 13.2., undated, inclusive
General note
Color print, reversed.
Teatrino, statue 13.2., undated, inclusive
General note
Neg.
Teatrino, statue 13.3., undated, inclusive
Teatrino, statue 13.3., undated, inclusive
General note
Neg.
Teatrino, statue 13.4, undated, inclusive
Teatrino, statue 13.4., undated, inclusive
Teatrino, statue 13.4., undated, inclusive
General note
Color print.
Teatrino, statue 13.5., undated, inclusive
Teatrino, statue 13.5., undated, inclusive
General note
Neg.
Teatrino, statue 13.5., undated, inclusive
Teatrino, statue 13.5., 1965, inclusive
General note
Annotated on the verso,photo by Reginald Colby, 1965.
Teatrino, statue 13.5., 1973, inclusive
General note
Color print.
Teatrino, statue 13.5., undated, inclusive
General note
Color print.
Teatrino, statue 13.5., ca. 1980s, inclusive
General note
Color print.
Teatrino, statue 13.6., undated, inclusive
General note
Neg.
Teatrino, statue 13.7., undated, inclusive
General note
Color print.
Teatrino, statue 13.9., 1973, inclusive
General note
Color print.
Teatrino, statue 13.9, undated, inclusive
General note
Color print.
5 Boschetto, i. Vista dell'Arco
Boschetto, i. Vista dell'Arco, before F11 portale erected, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp on the verso.
Boschetto, i. Vista dell'Arco, 1951, inclusive
General note
Photo by Brogi, Firenze, no. 25817 (annotated on the verso "From set of "Florence and Tuscany"May/June 1951"
Boschetto, i. Vista dell'Arco, undated, inclusive
General note
Photo by Brogi, Firenze, no. 25817 (captioned on the recto).
Boschetto, i. Vista dell'Arco, ca. 1930s, inclusive
Boschetto, i. Vista dell'Arco, undated, inclusive
General note
Neg.
Boschetto, i. Vista dell'Arco, 1930s, inclusive
Boschetto, i. Vista dell'Arco, undated, inclusive
General note
Double neg.
Boschetto, i. Vista dell'Arco, 1930s, inclusive
Boschetto, i. Vista dell'Arco, ca. 1940s, inclusive
Boschetto, i. Vista dell'Arco, ca. 1950s, inclusive
Boschetto, i. Vista dell'Arco, ca. 1960s, inclusive
General note
Photo by Cocchi.
Boschetto, i. Vista dell'Arco, ca. 1960s, inclusive
Boschetto, i. Vista dell'Arco, April, 1993, inclusive
General note
Color slide.
Boschetto, i. Vista dell'Arco, second vista, looking down, ca. 1939, inclusive
General note
Photo by Brogi, Firenze.
Boschetto, i. Vista dell'Arco, second vista, looking down, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp on the verso.
Boschetto, i. Vista dell'Arco, second vista, looking down, undated, inclusive
Boschetto, i. Vista dell'Arco, second vista, looking down, 1930s, inclusive
Boschetto, i. Vista dell'Arco, second vista, looking down, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25816 (captioned on the recto).
Boschetto, i. Vista dell'Arco, second vista, looking down, 1937, inclusive
General note
Photo by Brogi, Firenze, no. 25816 (annotated on the verso "From set of "Florence and Tuscany"May/June 1951"
Boschetto, i. Vista dell'Arco, second vista, looking down, undated, inclusive
Boschetto, i. Vista dell'Arco, statue 8.1., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, i. Vista dell'Arco, statue 8.2., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, i. Vista dell'Arco, statue 9.1., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, i. Vista dell'Arco, statue 9.2., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, i. Vista dell'Arco, statue 9.3., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, i. Vista dell'Arco, statue 9.4., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, i. Vista dell'Arco, statue 9.7., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, i. Vista dell'Arco, statue 9.8., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, i. Vista dell'Arco, statue 9.8A., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, i. Vista dell'Arco, statue 4.1., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, i. Vista dell'Arco, statue 4.2., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, i. Vista dell'Arco, statue 9.2., undated, inclusive
Boschetto, i. Vista dell'Arco, statue 9.2., ca. 1970, inclusive
General note
Color print.
Boschetto, i. Vista dell'Arco, statue 9.8., undated, inclusive
Boschetto, i. Vista dell'Arco, [vase 4.2A.], undated, inclusive
5 Boschetto, ii. Vista del Duomo
Boschetto, ii. Vista del Duomo, Philadelphus walk, ca. 1930s, inclusive
Boschetto, ii. Vista del Duomo, F3 portale, ca. 1930s, inclusive
Boschetto, ii. Vista del Duomo, F3 portale, ca. 1940s, inclusive
Boschetto, ii. Vista del Duomo, undated, inclusive
General note
Double neg.
Boschetto, ii. Vista del Duomo, ca. 1940s, inclusive
Boschetto, ii. Vista del Duomo , F3 portale, ca. 1960s, inclusive
General note
Photo by Cocchi.
Boschetto, ii. Vista del Duomo, F3 portale, ca. 1970s, inclusive
General note
Oversize, II.A. 5ii.6. folder 143.
Boschetto, ii. Vista del Duomo, undated, inclusive
General note
Color prints.
Boschetto, ii. Vista del Duomo, statue 10.2., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, ii. Vista del Duomo, statue 10.3., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, ii. Vista del Duomo, [statue 10.4.], 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, ii. Vista del Duomo, statue 10.5., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, ii. Vista del Duomo, statue 10.6., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, ii. Vista del Duomo, statue 10.7., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, ii. Vista del Duomo, statue 10.8. (under F3 portale), 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, ii. Vista del Duomo, statue 10.8. (under F3 portale), undated, inclusive
Boschetto, ii. Vista del Duomo, statue 10.7., undated, inclusive
5 Boschetto, iii. Prato Ovale
Boschetto, iii. Prato Ovale, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso (laid out as a tennis court).
Boschetto, iii. Prato Ovale, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with ink stamp on the verso (laid out as a tennis court).
Boschetto, iii. Prato Ovale, with F4 portale, 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp on the verso (laid out as a tennis court).
Boschetto, iii. Prato Ovale, with F4 portale, 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso (laid out as a tennis court).
Boschetto, iii. Prato Ovale, undated, inclusive
General note
Color print.
Boschetto, iii. Prato Ovale, ca. 1960s, inclusive
General note
Photos by Cocchi.
Boschetto, iii. Prato Ovale, December, 1993, inclusive
General note
Color slide.
Boschetto, iii. Prato Ovale, December, 1993, inclusive
General note
Color slide.
Boschetto, iii. Prato Ovale, statue 11.1., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, iii. Prato Ovale, statue 11.2., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, iii. Prato Ovale, statue 11.3. (beneath portale F4), 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, iii. Prato Ovale, statue 11.4., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, iii. Prato Ovale, statue 11.5., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, iii. Prato Ovale, statue 11.5., 1993, inclusive
General note
Color slide.
5 Boschetto, iv. Vista del Colosso
Boschetto, iv. Vista del Colosso, ca. 1920, inclusive
Boschetto, iv. Vista del Colosso, ca. 1920, inclusive
General note
Neg. of 69.
Boschetto, iv. Vista del Colosso, 1937, inclusive
Boschetto, iv. Vista del Colosso, 1937, inclusive
Boschetto, iv. Vista del Colosso, ca. 1930s, inclusive
Boschetto, iv. Vista del Colosso, ca. 1940s, inclusive
Boschetto, iv. Vista del Colosso, ca. 1950s, inclusive
Boschetto, iv. Vista del Colosso, undated, inclusive
General note
Photo by Del Rocca, Firenze.
Boschetto, iv. Vista del Colosso, ca. 1960s, inclusive
General note
Neg.
Boschetto, iv. Vista del Colosso, ca. 1960, inclusive
General note
Photo by Cocchi.
Boschetto, iv. Vista del Colosso, 1973, inclusive
General note
Color print.
Boschetto, iv. Vista del Colosso, 1980s, inclusive
General note
Color print.
Boschetto, iv. Vista del Colosso, undated, inclusive
General note
Two Color negs.
Boschetto, iv. Vista del Colosso, January, 1993, inclusive
General note
Color slide.
Boschetto, iv. Vista del Colosso, statue 5.1., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, iv. Vista del Colosso, statue 5.2., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, iv. Vista del Colosso, statue 5.3., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, iv. Vista del Colosso, statue 5.4., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, iv. Vista del Colosso, statue 5.2, ca. 1970s, inclusive
General note
Oversize, II.A.5iv.6. folder 144.
Boschetto, iv. Vista del Colosso, statue 5.2., undated, inclusive
Boschetto, iv. Vista del Colosso, statue 5.2., ca. 1980s, inclusive
General note
Color print.
Boschetto, iv. Vista del Colosso, statue 5.2., 1983, inclusive
General note
Color print.
Boschetto, iv. Vista del Colosso, statues 5.3. and 5.4., undated, inclusive
General note
Color print.
5 Boschetto, v. Vialone
Boschetto, v. Vialone, looking southwest, before the vialone was laid out, ca. 1910, inclusive
Boschetto, v. Vialone, looking southwest, in the snow, 1915, inclusive
General note
Neg. and print.
Boschetto, v. Vialone, looking southwest (with F2 portale), undated, inclusive
Boschetto, v. Vialone, looking southwest (with F2 portale), undated, inclusive
Boschetto, v. Vialone, looking southwest, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Boschetto, v. Vialone, looking southwest, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with ink stamp on the verso.
Boschetto, v. Vialone, looking southwest, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Boschetto, v. Vialone, looking southwest, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Boschetto, v. Vialone, looking southwest, with F2 portale, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Boschetto, v. Vialone, looking southwest, with F2 portale, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Boschetto, v. Vialone, looking southwest, with F2 portale, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Boschetto, v. Vialone, looking southwest, with F2 portale, ca. 1939, inclusive
General note
Photo by Brogi, Firenze.
Boschetto, v. Vialone, looking southwest, with F2 portale, undated, inclusive
General note
Photos by Brogi (stamped on verso).
Boschetto, v. Vialone, looking southwest, ca. 1930s, inclusive
Boschetto, v. Vialone, looking southwest, ca. 1940s, inclusive
Boschetto, v. Vialone, looking southwest, ca. 1950s, inclusive
Boschetto, v. Vialone, looking southwest, ca. 1960s, inclusive
General note
Photo by Cocchi.
Boschetto, v. Vialone, looking southwest, ca. 1960s, inclusive
Boschetto, v. Vialone, looking southwest, undated, inclusive
General note
Color neg.
Boschetto, v. Vialone, looking southwest, undated, inclusive
General note
Color print.
Boschetto, v. Vialone, F2 portale, 1973, inclusive
General note
Color print.
Boschetto, v. Vialone, looking southwest, undated, inclusive
General note
Color print.
Boschetto, v. Vialone, April, 1993, inclusive
General note
Color slide.
Boschetto, v. Vialone, looking northeast with F7 portale, 1900s, inclusive
General note
Before the statues were installed.
Boschetto, v. Vialone, looking northeast, undated, inclusive
General note
Neg.
Boschetto, v. Vialone, looking northeast, 1930s, inclusive
Boschetto, v. Vialone, looking northeast, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199".
Boschetto, v. Vialone, looking northeast, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with circular ink stamp on the verso.
Boschetto, v. Vialone, looking northeast, ca. 1939, inclusive
General note
Photo by Brogi, Firenze (captioned on the recto).
Boschetto, v. Vialone, looking northeast, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso, with the number 26266.
Boschetto, v. Vialone, looking northeast, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Boschetto, v. Vialone, looking northeast, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp on the verso.
Boschetto, v. Vialone, looking northeast, ca. 1930s, inclusive
General note
Oversize, II.A.5v.6. folder 145.
Boschetto, v. Vialone, looking northeast, ca. 1960s, inclusive
Boschetto, v. Vialone, statue 7.4., ca. 1970s, inclusive
General note
Oversize, II.A.5v.6. folder 146.
Boschetto, v. Vialone, statue 6.1., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, v. Vialone, statue 6.2., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, v. Vialone, statue 6.3., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, v. Vialone, statue 6.4., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, v. Vialone, statue 6.5., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, v. Vialone, statue 7.1., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, v. Vialone, statue 7.2., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, v. Vialone, statue 7.3., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, v. Vialone, statue 7.4., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, v. Vialone, statue 7.5., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, v. Vialone, statue 7.6., 1986, inclusive
General note
Photo by Anna Marx.
Boschetto, v. Vialone, statue 6.1. (beneath F2 portale), undated, inclusive
Boschetto, v. Vialone, statue 6.1., undated, inclusive
Boschetto, v. Vialone, statue 6.3., undated, inclusive
Boschetto, v. Vialone, statue 6.4., undated, inclusive
Boschetto, v. Vialone, statue 6.5., 1980s, inclusive
General note
Color print.
Boschetto, v. Vialone, statue 6.5., 1980s, inclusive
Boschetto, v. Vialone, statue 7.3., undated, inclusive
General note
Photo by Del Rocco, Firenze.
Boschetto, v. Vialone, statue 7.3., 1973, inclusive
General note
Color print.
Boschetto, v. Vialone, statue 7.5., undated, inclusive
5 Boschetto, vi. Pergola delle rose
Boschetto, vi. Pergola delle rose, ca. 1960, inclusive
Boschetto, vi. Pergola delle rose, undated, inclusive
General note
Color print.
Boschetto, vi. Pergola delle rose, April, 1991, inclusive
General note
Color slide.
Boschetto, vi. Pergola delle rose, April, 1991, inclusive
General note
Color slide.
Boschetto, vi. Pergola delle rose, statue 4.3., 1986, inclusive
General note
Photo by Anna Marx.
6 Giardino Topiario, i. Giardino Segreto
Giardino Topiario, i. Giardino Segreto, ca. 1904, inclusive
Giardino Topiario, i. Giardino Segreto, ca. 1904, inclusive
General note
One photo by Reali, Firenze.
Oversize, II.A.6i.7. folder 147.
Giardino Topiario, i. Giardino Segreto, ca. 1904, inclusive
Giardino Topiario, i. Giardino Segreto, ca. 1908, inclusive
General note
Neg.
Giardino Topiario, i. Giardino Segreto, with F10, ca. 1910, inclusive
Giardino Topiario, i. Giardino Segreto, ca. 1910, inclusive
Giardino Topiario, i. Giardino Segreto, ca. 1910, inclusive
Giardino Topiario, i. Giardino Segreto in the snow, ca. 1910, inclusive
General note
Neg. and print.
Giardino Topiario, i. Giardino Segreto, ca. 1910, inclusive
Giardino Topiario, i. Giardino Segreto, undated, inclusive
General note
Neg.
Giardino Topiario, i. Giardino Segreto, ca. 1920s, inclusive
Giardino Topiario, i. Giardino Segreto, undated, inclusive
General note
Neg. and print.
Giardino Topiario, i. Giardino Segreto, undated, inclusive
General note
Neg.
Giardino Topiario, i. Giardino Segreto before the installation of F1 portale, 1920s, inclusive
Giardino Topiario, i. Giardino Segreto, ca. 1920s, inclusive
Giardino Topiario, i. Giardino Segreto in the snow, ca. 1920s, inclusive
Giardino Topiario, i. Giardino Segreto, ca. 1920, inclusive
Giardino Topiario, i. Giardino Segreto, undated, inclusive
General note
Print reversed.
Giardino Topiario, i. Giardino Segreto, ca. 1930s, inclusive
Giardino Topiario, i. Giardino Segreto, ca. 1940s, inclusive
Giardino Topiario, i. Giardino Segreto, 1940s, inclusive
Giardino Topiario, i. Giardino Segreto, undated, inclusive
General note
Neg.
Giardino Topiario, i. Giardino Segreto, undated, inclusive
General note
Neg. and print.
Giardino Topiario, i. Giardino Segreto, undated, inclusive
General note
Photo by Gorsen.
Giardino Topiario, i. Giardino Segreto, ca. 1940, inclusive
Giardino Topiario, i. Giardino Segreto, undated, inclusive
General note
Photo by Bruno Novarese, Firenze.
Giardino Topiario, i. Giardino Segreto, 1950, inclusive
General note
Color slide.
Giardino Topiario, i. Giardino Segreto, undated, inclusive
General note
Color print.
Giardino Topiario, i. Giardino Segreto, ca. 1960s, inclusive
General note
Photos by Cocchi.
Giardino Topiario, i. Giardino Segreto, ca. 1960s, inclusive
Giardino Topiario, i. Giardino Segreto, undated, inclusive
General note
Color prints.
Giardino Topiario, i. Giardino Segreto, 1976, inclusive
General note
Color prints.
Giardino Topiario, i. Giardino Segreto, ca. 1970s, inclusive
General note
Color prints. Photo by Novarese for the Comitato Visita Giardini Ville Fiorentine [1970s]
Giardino Topiario, i. Giardino Segreto, ca. 1980s, inclusive
General note
Color prints.
Giardino Topiario, i. Giardino Segreto, with statue 2.22., April, 1991, inclusive
General note
Color slide.
Giardino Topiario, i. Giardino Segreto, undated, inclusive
General note
Color prints.
Giardino Topiario, i. Giardino Segreto, statue 2.1., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.2., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.3., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.4., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.5., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.6. (beneath FI portale), 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.7., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.8., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.9., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.10., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.11., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.12., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.13., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.14., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.15., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, [statue 2.17B.], 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.21., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.22., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue 2.1., undated, inclusive
Giardino Topiario, i. Giardino Segreto, statue 2.2., ca. 1940s, inclusive
Giardino Topiario, i. Giardino Segreto, statue 2.2., 1960, inclusive
General note
Color print.
Giardino Topiario, i. Giardino Segreto, statue 2.2., 1963, inclusive
General note
Color print.
Giardino Topiario, i. Giardino Segreto, statue 2.9., ca. 1970s, inclusive
General note
Oversize, II.A.6i.7. folder 148.
Giardino Topiario, i. Giardino Segreto, statue 2.11., undated, inclusive
Giardino Topiario, i. Giardino Segreto, statue 2.11., 1965, inclusive
General note
Photo by Reginald Colby.
Giardino Topiario, i. Giardino Segreto, statue 2.13., 1965, inclusive
General note
Photo by Reginald Colby.
Giardino Topiario, i. Giardino Segreto, statue 2.21., undated, inclusive
Giardino Topiario, i. Giardino Segreto, statue 2.21., 1973, inclusive
General note
Color print.
Giardino Topiario, i. Giardino Segreto, statue 2.22., undated, inclusive
General note
Color prints.
Giardino Topiario, i. Giardino Segreto, the grotto, ca. 1920s, inclusive
Giardino Topiario, i. Giardino Segreto, the grotto with three garden jars, undated, inclusive
General note
Numbered on the recto.
Giardino Topiario, i. Giardino Segreto, statue on the right in the grotto, 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, i. Giardino Segreto, statue on the left in the grotto, 1986, inclusive
General note
Photo by Anna Marx.
6 Giardino Topiario, ii. Vasca di Diana
Giardino Topiario, ii. Vasca di Diana, statue of Diana [statue 26.A.], 1986, inclusive
General note
Photo by Anna Marx.
6 Giardino Topiario, iii. Prato di Cedro
Giardino Topiario, iii. Prato di Cedro, with statue 3.3., ca. 1910, inclusive
Giardino Topiario, iii. Prato di Cedro in the snow, ca. 1915, inclusive
Giardino Topiario, iii. Prato di Cedro in the snow, undated, inclusive
Giardino Topiario, iii. Prato di Cedro, undated, inclusive
General note
Neg.
Giardino Topiario, iii. Prato di Cedro, ca. 1920s, inclusive
Giardino Topiario, iii. Prato di Cedro, 1924, inclusive
Giardino Topiario, iii. Prato di Cedro, ca. 1920, inclusive
Giardino Topiario, iii. Prato di Cedro, ca. 1920s, inclusive
Giardino Topiario, iii. Prato di Cedro, 1930s, inclusive
Giardino Topiario, iii. Prato di Cedro, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, annotated on the verso "Commissione Acton 24199". and the number 26263.
Giardino Topiario, iii. Prato di Cedro, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with rectangular ink stamp and annotated on the verso.
Giardino Topiario, iii. Prato di Cedro, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, with ink stamp and annotated on the verso.
Giardino Topiario, iii. Prato di Cedro, ca. 1939, inclusive
General note
Photo by Brogi, Firenze, captioned on the recto.
Giardino Topiario, iii. Prato di Cedro, ca. 1940s, inclusive
Giardino Topiario, iii. Prato di Cedro, 1950s, inclusive
General note
Color print.
Giardino Topiario, iii. Prato di Cedro, ca. 1950, inclusive
General note
Color print.
Giardino Topiario, iii. Prato di Cedro, ca. 1960, inclusive
General note
Photo by Cocchi.
Giardino Topiario, iii. Prato di Cedro, undated, inclusive
General note
Color prints.
Giardino Topiario, iii. Prato di Cedro, 1976, inclusive
General note
Color print.
Giardino Topiario, iii. Prato di Cedro, 1977, inclusive
Giardino Topiario, iii. Prato di Cedro, 1983, inclusive
General note
Color print.
Giardino Topiario, iii. Prato di Cedro, April, 1991, inclusive
Giardino Topiario, iii. Prato di Cedro, statue 3.1., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, iii. Prato di Cedro, statue 3.2., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, iii. Prato di Cedro, statue 3.3., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, iii. Prato di Cedro, statue 3.4., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, iii. Prato di Cedro, statue 3.5., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, iii. Prato di Cedro, statue 3.6., 1986, inclusive
General note
Photo by Anna Marx.
Giardino Topiario, iii. Prato di Cedro, statue 2.1., undated, inclusive
Giardino Topiario, iii. Prato di Cedro, statue 3.2., undated, inclusive
Giardino Topiario, iii. Prato di Cedro, statue 3.3., undated, inclusive
Giardino Topiario, iii. Prato di Cedro, statue 3.3., undated, inclusive
General note
Color print.
Giardino Topiario, iii. Prato di Cedro, statue 3.3., undated, inclusive
General note
Color prints.
Giardino Topiario, iii. Prato di Cedro, statue 3.3, undated, inclusive
Giardino Topiario, iii. Prato di Cedro, statue 3.3, 1980s, inclusive
Giardino Topiario, iii. Prato di Cedro, statue 3.6., undated, inclusive
General note
Oversize, II.A.6iii.8. folder 149.
7 Pomario
Pomario, ca. 1903, inclusive
Pomario, ca. 1903, inclusive
Pomario, ca. 1912, inclusive
General note
Neg.
Pomario, ca. 1916, inclusive
Pomario, ca. 1916, inclusive
General note
Oversize, II.A.7.8. folder 150.
Pomario, ca. 1916, inclusive
General note
Oversize, II.A.7.8. folder 151.
Pomario, undated, inclusive
General note
Neg.
Pomario, huge vase (empty) outside the Limonaia, undated, inclusive
Pomario, undated, inclusive
General note
Neg.
Pomario, dog kennels, ca. 1915, inclusive
General note
Neg.
Pomario, ca. 1920s, inclusive
Pomario, ca. 1920, inclusive
Pomario with a statue of Venus on the fountain, undated, inclusive
General note
Annotated with a sketch and measurements on the verso.
Pomario, ca. 1920s, inclusive
General note
Oversize, II.A.7.8. folder 152.
Pomario with a statue of Venus on the fountain, undated, inclusive
General note
Oversize, II.A.7.8. folder 153.
Pomario, ca. 1920, inclusive
Pomario, undated, inclusive
General note
Neg.
Pomario, 1930s, inclusive
Pomario with a gardener, undated, inclusive
Pomario, ca. 1940s, inclusive
Pomario, ca. 1950s, inclusive
Pomario, 1951, inclusive
General note
Color print.
Pomario, undated, inclusive
General note
Color prints.
Pomario, ca. 1960, inclusive
General note
Photo by Cocchi.
Pomario, ca. 1962, inclusive
Pomario, undated, inclusive
General note
Color prints.
Pomario, 1965, inclusive
General note
Color print.
Pomario, undated, inclusive
General note
Neg.
Pomario, 1970, inclusive
General note
Color prints.
Pomario, 1978, inclusive
General note
Color print.
Pomario, ca. 1980s, inclusive
General note
Color print.
Pomario, July, 1993, inclusive
General note
Taken from a window of Villa La Pietra.
Pomario, undated, inclusive
General note
Color print.
Pomario, undated, inclusive
General note
Color print.
Oversize, II.A.7.8. folder 154.
8 The park before the construction of the gardens
The park before the construction of the gardens, ca. 1904, inclusive
The park before the construction of the gardens, ca. 1903, inclusive
General note
Neg. For print see III.A.1.
The park before the construction of the gardens, 1908, inclusive
General note
Neg.
The park before the construction of the gardens in the snow, undated, inclusive
The park before the construction of the gardens in the snow, 1908, inclusive
General note
Neg.
The park before the construction of the gardens in the snow, 1904, inclusive
9 The garden statuary, vases, and masques, before their present installation in the gardens
Statue 13.1. (now in the Teatrino), undated, inclusive
Statue 13.2. (now in the Teatrino), undated, inclusive
Statue 13.3.(now in the Teatrino), undated, inclusive
Statue 13.4. (now in the Teatrino), undated, inclusive
Statue 13.5. (now in the Teatrino), undated, inclusive
Statue 13.6. (now in the Teatrino), undated, inclusive
Statue 13.7. (now in the Teatrino), undated, inclusive
Statue 13.9. (now in the Teatrino), undated, inclusive
Statues in the same location as #1-8 above, undated, inclusive
Statue 2.6. (now beneath FI in the Giardino Segreto) and Statue 11.1.(now in the Prato Ovale), in the same location as #1-12. above, undated, inclusive
Statue 15.4. (now in the Prima Vasca), undated, inclusive
Statue 15.7. (now in the Prima Vasca), undated, inclusive
Statue 15.8. (now in the Prima Vasca), undated, inclusive
Statue 15.9. (now in the Prima Vasca), undated, inclusive
Statue 15.10 (now in the Prima Vasca), undated, inclusive
Statue 15.11. (now in the Prima Vasca), undated, inclusive
Statue 15.12., undated, inclusive
General note
Now in the Prima Vasca.
Statue 15.13. (now in the Prima Vasca), undated, inclusive
Statue 12.6. (now on the Scalone), undated, inclusive
Statue 9.1. (now in the Vista dell'Arco), undated, inclusive
Statue 9.2. (now in the Vista dell'Arco), undated, inclusive
Statue 9.3. (now in the Vista dell'Arco), undated, inclusive
Statue 9.4. (now in the Vista dell'Arco), undated, inclusive
Statue 10.7. (now in the Vista del Duomo), undated, inclusive
Statue 6.5.(now on the Vialone), undated, inclusive
Statue 3.2. (now on the Prato del Cedro), undated, inclusive
Statue 3.4. (now on the Prato del Cedro), undated, inclusive
Statue 3.5. (now on the Prato del Cedro), undated, inclusive
Statues and garden views with topiary in the same location as #14-31. above, undated, inclusive
garden Statue on a rooftop, undated, inclusive
General note
With price and annotations on the verso.
Statue 1.1. (now in the Piazzale), undated, inclusive
Statue 1.2. (now in the Piazzale), undated, inclusive
Statue 4.3. (now near the Pergola delle Rose), undated, inclusive
General note
Annotated on the verso "grandezza al vero, pietra di Vicenza, antiche del 1600".
Statue 10.8., before its integration (now in the Vista del Duomo), undated, inclusive
General note
With a sketch of a fountain basin on the verso.
Garden Statue in the same location as #51-52 above, undated, inclusive
Statue 2.4. (now in the Vasca di Diana), undated, inclusive
Statue 15.13. (now in the Prima Vasca), undated, inclusive
garden Statue in the same location as #54-55 above, and #57-58. below, undated, inclusive
Statue 3.3. (now in the Prato del Cedro) [in the background Statue 11.1. now in the Prato Ovale], undated, inclusive
Statue 2.8 (now in the Giardino Topiario), undated, inclusive
Statue 2.7. (now in the Giardino Segreto), undated, inclusive
Garden Statue, undated, inclusive
Statue 9.8A. (now on the Vista dell'Arco), undated, inclusive
Statue 12.12. (now on the Scalone), undated, inclusive
Statue 12.11. (now on the Scalone), undated, inclusive
Statue 12.8 (now on the Scalone, and holding a trident), undated, inclusive
Statue 12.7. (now on the Scalone), undated, inclusive
Statue 12.5. before its restoration (now beneath the Peristilio della glicine), undated, inclusive
General note
Oversize, II.A.9.9. folder 155.
Statue 11.2. (now in the Prato Ovale), undated, inclusive
Statue 6.1. (now beneath portale F2 in the Vialone), showing how the left arm should be restored, undated, inclusive
General note
Oversize, II.A.9.9. folder 156.
Statue 2.14. (now in the Giardino Segreto), undated, inclusive
Statue 2.15. (now in the Giardino Segreto), undated, inclusive
Statue 2.21. (now in the Giardino Segreto), undated, inclusive
Statue 10.2. (now in the Vista del Duomo), undated, inclusive
Statue 10.3. (now in the Vista del Duomo), undated, inclusive
Statue 2.17B. (now in the Giardino Segreto), undated, inclusive
General note
Annotated on the verso "Giardino Natalia".
Statue 2.17B. (now in the Giardino Segreto), undated, inclusive
Statue. 2.17B. in an interior (now in the Giardino Segreto), undated, inclusive
Statue 2.2. (now in the Giardino Segreto), undated, inclusive
Garden vase, undated, inclusive
Garden vase with a lady sitting in it, undated, inclusive
Garden vases, undated, inclusive
Garden vase [14.3A. or 14.3B.,now in the Teatrino], undated, inclusive
General note
With measurements annotated on the verso.
Garden vases and detail of the balustrade of garden steps, undated, inclusive
Pair of vases, undated, inclusive
General note
With a sketch and measurements on the verso.
Garden vases, undated, inclusive
General note
Some with measurements on the verso.
Garden vase, undated, inclusive
General note
Color print.
Masques (now on the Scalone), undated, inclusive
Garden jars nos. 24 and 26 now in the Limonaia, and no. 27 now in the Ingresso of Villa La Pietra, undated, inclusive
General note
Numbered on the recto.
Garden statuary, vases, and masques, before their present installation in the gardens, undated, inclusive
General note
Neg. garden vases.
10 Albums of Garden Photos
Album entitled 'Giardino La Pietra' in HMA's hand, ca. 1930, inclusive
General note
Prints extracted (since they were loose mounted with corner stickers) from the acid pages of an album, and kept in the (rather haphazard) order in which they were inserted. All in the same format, they provide a fairly complete documentation of all areas of the garden ca. 1930. 15 prints were missing from the album. A few have the stamp on the verso of Gebruder [Gebrucher] Mertens, Zurich.
Album of the garden statues, taken by Anna Marx, 1986, inclusive
General note
Identified with their numbers, according to the Nizzi Griffi inventory. Since there were two complete sets of these photographs it was decided to integrate one set into the albums of garden photos arranged according to each area of the gardens, and keep the other set here, providing a fairly complete documentation of the statues. However, it should be noted that the archive number of the two prints of each statue will be different, according to whether it is filed here or in Series II.A.1 to Series II.A.8 of garden photos.
Album of photographs taken by Frederick Faust, 1930s, inclusive
General note
Album inscribed on the title page: "In Memoriam. Frederick Faust took these photos when he occupied Villa Ulivi. He died on active service."Most of the 29 photographs taken in the 1930s by Frederick Faust.('Max Brand') are loose (with corner stickers) but some of them are pasted on to the page. They are mostly of Villa La Pietra gardens, but there is also a print of Villa Sassetti, and two of AA in fencing outfit, and one of a 'masque' in an interior.
Album of photographs taken by James Hester, President of NYU, July, 1974, inclusive
General note
On the title page is a letter from New York University. Office of the President: "Dear Harold, My work in your garden paid some dividends, which I hope you will enjoy. Let my enthusiasm compensate for their defects. Sincerely, Jim" This was James M. Hester, President of NYU. There are 11 Color prints, pasted on to the page.
Album of photographs which belonged to Alexander Zielcke, undated, inclusive
General note
Album with 35 photographs, mostly Brogi duplicates, pasted on to the page except for 2 loose photographs. Gift to Villa La Pietra from Zielcke in 2010.
Subseries B: The Interior and the Collection
1 The Rooms with their contents
I. Antingresso
I. A.2., undated, inclusive
General note
PANNELLO in mosaico di marmo a tessere policrome. Parte di pavimento con figura allegorica femminile. h.136 l. 97. Artista romano del IV secolo d.C.
I. C.2., undated, inclusive
General note
PANNELLO in mosaico di marmo a tessere policrome. Parte di pavimento con allegoria del mese "Setembris". h.175 l. 120 Artista romano del IV secolo d. C.
I bis. Ingresso
General view, undated, inclusive
General view looking into the Rotonda, undated, inclusive
General view, ca. 1960s, inclusive
General note
Neg.
I bis. A.3., undated, inclusive
General note
DIPINTO olio su tela, cornice intagliata e dorata: Ritratto di dama con bambino.
h.108,5 l. 94
Pittore fiorentino del primo '600.
I bis. A.5, undated, inclusive
General note
PANNELLO in mosaico di marmo a tessere policrome. Parte di pavimento con allegoria del mese "Iunius".
h. 133 l. 108
Artista romano del IV secolo d.C.
I bis. C.8.-1., undated, inclusive
General note
DIPINTO olio su tela con cornice lignea intagliata e dorata: Ritratto del Cardinale Gian Carlo de' Medici.
h.98 l. 83
Maniera fiorentina (da G.Sustermans) del XVII secolo
Ibis. C.8.-2., undated, inclusive
General note
DIPINTO olio su tela con cornice lignea intagliata e dorata: Ritratto del Cardinale Gian Carlo de' Medici.
h. 98 l. 83
Maniera fiorentina (da G. Sustermans, now Suttermans) del XVII secolo
Ibis. C.8.-3., undated, inclusive
General note
DIPINTO olio su tela con cornice lignea intagliata e dorata: Ritratto del Cardinale Gian Carlo de' Medici.
h. 98 l. 83
Maniera fiorentina (da G. Sustermans) del XVII secolo
Photo by Brogi.
Oversize, II.B.1.1 bis.C.8.-3. folder 156a.
III. Scale
III. A.8.-1., undated, inclusive
General note
DIPINTO olio su tela in cornice lignea intagliata e dorata: "Naiadi". Firmato a destra: Aman Jean.
h. 125,5 l. 156,5
Aman Jean, inizio del XX secolo. Annotated on the verso "danneggiato Lungarno. Ritirato e in Cappella alla Pietra".
III. A.8.-2., undated, inclusive
General note
DIPINTO olio su tela in cornice lignea intagliata e dorata: "Naiadi". Firmato a destra: Aman Jean.
h. 125,5 l. 156,5
Aman Jean, inizio del XX secolo.
III. A.8.-3., undated, inclusive
General note
DIPINTO olio su tela in cornice lignea intagliata e dorata: "Naiadi". Firmato a destra: Aman Jean. h. 125,5 l. 156,5 Aman Jean, inizio del XX secolo. With frame.
III. A.8.-4., undated, inclusive
General note
DIPINTO olio su tela in cornice lignea intagliata e dorata: "Naiadi". Firmato a destra: Aman Jean. h. 125,5 l. 156,5 Aman Jean, inizio del XX secolo. Annotated on the verso: French Aman Jean Signed Damaged bombardmente Bridge già Lungarno. Oversize, II.B.1.III.A.8.-4. folder 157.
IV. Portineria
IV. C.2., undated, inclusive
General note
DIPINTO olio su tela con cornice a pastiglia dorata: Ritratto di Hortense Mitchell Acton.
h. 110 l. 90,5
Inizio del XX secolo. By Julius Rolshoven (1858-1930)
V. Cappella
V. B.4., undated, inclusive
General note
RILIEVO in stucco policromo: Madonna col Bambino e Benedicenti, con cornice a tabernacolo in legno dipinto. h. 100 ca. l. 64 ca. Bottega toscana del XVI secolo. Photo Reali, Firenze (numbered 80 on the verso).
VIII. Office
VIII.B.1.-1., undated, inclusive
General note
AFFRESCO [Villa La Pietra]
Annotated on the verso by HA: "Villa La Pietra (then Capponi) in the early 18th century - from a fresco in the pantry".
Photo by H. Burton Florence.
Oversize, II.B.1.VIII.B.1. folder 158.
VIII.B.1.-2., undated, inclusive
General note
AFFRESCO [Villa La Pietra]
Color transparency.
IX. Corridoio N.E.
IX.-1. general view, undated, inclusive
IX.-2. general view, undated, inclusive
IX.-2a. general view, undated, inclusive
IX.-3. general view, undated, inclusive
IX.-4. general view, undated, inclusive
IX. A.8., undated, inclusive
General note
DIPINTO olio su tela con cornice lignea intagliata e dorata a mecca: Dama con cagnolino. h. 158 l. 127 Paris Bordone (?), metà del XVI secolo. Photo Reali, Firenze.
IX. A.9.-1., undated, inclusive
General note
RILIEVO in terracotta policroma entro cornice centinata a tabernacolo: Madonna col Bambino.
h. 83 l. 67
Bottega di Donatello, XV secolo.
IX. A.9.-2., undated, inclusive
General note
RILIEVO in terracotta policroma entro cornice centinata a tabernacolo: Madonna col Bambino. h. 83 l. 67 Bottega di Donatello, XV secolo. Oversize, II.B.1.IX.A.9.-2. folder 159. Photo Reali, Firenze (numbered 83 on the verso).
IX. A.12., undated, inclusive
General note
SCULTURA in marmo bianco scolpito, con tracce di policromia: Angelo porta stemma. h. 77 Artista toscano attivo a Napoli intorno alla metà del XIV secolo. Photo Reali, Firenze (numbered 113 on the verso).
IX. A.18., undated, inclusive
General note
SCULTURA in legno dipinto e dorato: Angelo inginocchiato.
h. 19
Scultore veneto della metà del XV secolo.
Photo Reali, Firenze (numbered 93 on the verso).
IX. A.19.-1., undated, inclusive
General note
RILIEVO in stucco e gesso con tracce di doratura: Madonna col Bambino e due candelabra.
h. 86,5 l. 61
Ambito di Desiderio da Settignano, XV secolo.
Annotated on the verso by HA: "Acton Collection, Antonio Rossellino". [Used for publication in 'Apollo' magazine].
Photo Reali, Firenze (numbered 85 on the verso).
IX. A.19.-2., undated, inclusive
General note
RILIEVO in stucco e gesso con tracce di doratura: Madonna col Bambino e due candelabra.
h. 86,5 l. 61
Ambito di Desiderio da Settignano, XV secolo.
IX. A.21.-1., undated, inclusive
General note
TESTA muliebre in marmo bianco scolpito, su base moderna in marmo nero.
h. 40
Artista romano di epoca classica ?
IX. A.21.-2., undated, inclusive
General note
TESTA muliebre in marmo bianco scolpito, su base moderna in marmo nero.
h. 40
Artista romano di epoca classica ?
IX. A.21.-3., undated, inclusive
General note
TESTA muliebre in marmo bianco scolpito, su base moderna in marmo nero.
h. 40
Artista romano di epoca classica?
IX. A.21.-4., undated, inclusive
General note
TESTA muliebre in marmo bianco scolpito, su base moderna in marmo nero.
h. 40
Artista romano di epoca classica ?
A printed photograph with the detail of a fireplace on the same page from an auction catalogue: annotated on the verso with a series of numbers corresponding to works of art and the days of the week noted and marked off.
IX. A.21.-5., undated, inclusive
General note
TESTA muliebre in marmo bianco scolpito, su base moderna in marmo nero.
h. 40
Artista romano di epoca classica ?
IX. A.21.-6., undated, inclusive
General note
TESTA muliebre in marmo bianco scolpito, su base moderna in marmo nero.
h. 40
Artista romano di epoca classica ?
IX. A.21.-7., undated, inclusive
General note
TESTA muliebre in marmo bianco scolpito, su base moderna in marmo nero.
h. 40
Artista romano di epoca classica ?
IX. A.21.-8., undated, inclusive
General note
TESTA muliebre in marmo bianco scolpito, su base moderna in marmo nero.
h. 40
Artista romano di epoca classica ?
IX. A.21.-9., undated, inclusive
General note
TESTA muliebre in marmo bianco scolpito, su base moderna in marmo nero.
h. 40
Artista romano di epoca classica ?
IX. B.1.-1., undated, inclusive
General note
ALTORILIEVO: Madonna col Bambino e teste di angioli in terracotta policroma tabernacolo di legno intagliato, dipinto e dorato.
h. 210 l. 93
Dello Delli o Maestro di Santa Maria Nuova, prima metà del XV secolo
IX. B.1.-2., undated, inclusive
General note
ALTORILIEVO: Madonna col Bambino e teste di angioli in terracotta policroma tabernacolo di legno intagliato, dipinto e dorato.
h. 210 l. 93
Dello Delli o Maestro di Santa Maria Nuova, prima metà del XV secolo
Oversize, II.B.1.IX.B.1.-2. folder 160.
IX. C.1., undated, inclusive
General note
TESTA (muliebre?) scolpita in marmo bianco su base tornita (moderna) di marmo bianco.
h. 50
Artista di epoca classica.
Photo Brogi.
IX. C.4.-1., undated, inclusive
General note
PANNELLO (paliotto) in marmo bianco scolpito a bassorilievo per papa Sisto IV (Francesco della Rovere), con angioli reggistemma, nastri, panoplie, scudi, trofei e iscrizione "Sub umbra tua".
h. 80 l. 223
Scultore ligure della seconda metà del XV secolo.
IX. C.4.-2., undated, inclusive
General note
PANNELLO (paliotto) in marmo bianco scolpito a bassorilievo per papa Sisto IV (Francesco della Rovere), con angioli reggistemma, nastri, panoplie, scudi, trofei e iscrizione "Sub umbra tua".
h. 80 l. 223
Scultore ligure della seconda metà del XV secolo.
Photo Brogi.
IX. C.4.-3., undated, inclusive
General note
PANNELLO (paliotto) in marmo bianco scolpito a bassorilievo per papa Sisto IV (Francesco della Rovere), con angioli reggistemma, nastri, panoplie, scudi, trofei e iscrizione "Sub umbra tua".
h. 80 l. 223
Scultore ligure della seconda metà del XV secolo.
Annotated on the verso "Roman, Mino da Ria[ma] Della Rovere pope".
IX. C.5., undated, inclusive
General note
RILIEVO in stucco policromo: Madonna col Bambino in cornice lignea dipinta. Alla base due angioli reggistemma.
h. 81 l.53,5
Bottega fiorentina (da Donatello) del secondo quarto del XV secolo.
IX. C.10., undated, inclusive
General note
RILIEVO in terracotta policroma: Madonna col Bambino in tabernacolo di legno scolpito e dipinto. Iscrizione: "Ave Maria Gratia..." parzialmente leggibile.
h. 94,5 l. 56 ca.
Scultore fiorentino (Buggiano?) del secondo quarto del XV secolo.
Photo Reali, Firenze.
IX. C.15., undated, inclusive
General note
TESTA (di Bacco?) scolpita in marmo bianco su base tornita moderna.
h. 46,5
Scultore di epoca classica.
Photo Brogi.
IX. D.2., undated, inclusive
General note
DIPINTO olio su tela: San Girolamo con il sasso della penitenza e il libro delle Scritture. Cornice lignea intagliata e dorata.
h. 101 l. 82,5
Attribuito a Giuseppe Antonio Petrini.
Oversize, II.B.1.IX.D.2. folder 161.
IX. D.3.-1., undated, inclusive
General note
RILIEVO in terracotta policroma: Madonna col Bambino.
Iscrizione: "Ave Maria Gracia Plena D. Teco".
h. 63,5 l. 48,5
Bottega fiorentina del XV secolo (cerchia di Desiderio da Settignano.
Annotated on the verso "Rossellino, Corridoio nord - terreno".
IX. D.3.-2., undated, inclusive
General note
RILIEVO in terracotta policroma: Madonna col Bambino.
Iscrizione: "Ave Maria Gracia Plena D. Teco".
h. 63,5 l. 48,5
Bottega fiorentina del XV secolo (cerchia di Desiderio da Settignano.
X. Atrio
X.-1. general view, undated, inclusive
X.-2. general view, undated, inclusive
X.-3. general view, undated, inclusive
X.-4. general view, undated, inclusive
General note
Color print.
X. B.2., undated, inclusive
General note
SCULTURE (coppia) di Mori portacandeliere in legno, dipinto e dorato (cfr. la coppia X. D.2.).
h. 122 l. 37 p. 37
Bottega veneta del XVIII secolo.
Photo Reali, Firenze (numbered 109. on the verso).
X. C.4., undated, inclusive
General note
VASI (coppia) a potiche, in porcellana decorata a rilievi e dipinta su fondo azzurro.
h. 95,5 d. 25,5 ca.
Manifattura cinese del XVIII (?) secolo.
X. C.7.-1., undated, inclusive
General note
STATUA in marmo bianco (su base in pietra come C.8.): figura allegorica (La Temperanza?) su cumulio di nubi (Apoteosi di una santa?
h. 185
Scultore italiano (Genova?) della prima metà XVIII secolo.
X. C.7.-2., undated, inclusive
General note
STATUA in marmo bianco (su base in pietra come C.8.): figura allegorica (La Temperanza?) su cumulio di nubi (Apoteosi di una santa?)
h. 185
Scultore italiano (Genova?) della prima metà XVIII secolo.
Photo Brogi.
X. C.20., undated, inclusive
General note
POLTRONA Luigi XIV (spostata in pp. LXI-Salone).
X. C.20., undated, inclusive
General note
POLTRONA Luigi XIV (spostata in pp. LXI-Salone).
Numbered 52. on the recto.
X. C.7.-3., undated, inclusive
General note
STATUA in marmo bianco (su base in pietra come C.8.): figura allegorica (La Temperanza?) su cumulio di nubi (Apoteosi di una santa?)
h. 185
Scultore italiano (Genova?) della prima metà XVIII secolo.
Oversize, II.B.1.X.C.7.-3. folder 162.
XII. Scalone, rotonda
XII.-1. general view, ca. 1903, inclusive
XII.-1a. general view, 1903, inclusive
General note
Neg.
XII.-2. general view, ca. 1903, inclusive
XII.-2a. general view, 1903, inclusive
General note
Neg.
XII.-3. general view, undated, inclusive
XII.-4. general view, undated, inclusive
XII.-5. general view, undated, inclusive
XII.-6. general view, undated, inclusive
XII.-7. general view, undated, inclusive
XII.-8. general view, undated, inclusive
XII.-9. general view, undated, inclusive
XII.-10. general view, undated, inclusive
XII.-11. general view, undated, inclusive
XII.-12. general view, undated, inclusive
XII.-13. general view, undated, inclusive
XII.-14. general view, undated, inclusive
XII.-15. general view, undated, inclusive
XII.-16. general view, undated, inclusive
XII.-17. general view, undated, inclusive
XII.-17a. general view, undated, inclusive
XII.-18. general view, undated, inclusive
XII.-19. general view, undated, inclusive
XII.-20. general view (the painted decoration on the upper walls), undated, inclusive
General note
Annotated on the verso "affreschi fine settecento del Morleiter".
XII.-21. general view (the painted decoration on the upper walls), undated, inclusive
General note
Photo by Brogi di Laurati.
XII.-22. general view, undated, inclusive
General note
Color print.
XII.-23. one of the detached frescoes before restoration and installation, undated, inclusive
General note
With measurements annotated on the verso.
XII.-24. one of the detached frescoes before restoration and installation, undated, inclusive
General note
With measurements annotated on the verso.
XII.-25. one of the detached frescoes before restoration and installation, undated, inclusive
General note
With measurements annotated on the verso.
XII.-26. one of the detached frescoes before restoration and installation, undated, inclusive
General note
With measurements annotated on the verso.
XII.-27. general view, undated, inclusive
General note
Color print.
No image available for inspection, undated, inclusive
XII. A.3.-2., undated, inclusive
General note
TESTA di Apollo (?) su capitello composito rovesciato, in marmo bianco scolpito.
h. 61
Scultore romano di epoca classica.
Photo Reali, Firenze (numbered 121 on the verso).
XII. A.4.-1., undated, inclusive
General note
Capitello composito in marmo bianco scolpito.
h. 61
Scultore romano di epoca classica (?).
XII. A.4.-2., undated, inclusive
General note
Capitello composito in marmo bianco scolpito.
h. 61
Scultore romano di epoca classica (?).
XII. A.7., undated, inclusive
General note
ORCI biansati (quattro) in terracotta invetriata con macchiature marmorizzanti in giallo e arancio, con stemma mediceo a rilievo firmati "Lorenzo Montauti" e datati 1725.
h. 85 ca. d. 60 ca.
XII. A.10.-1., undated, inclusive
General note
STATUA in marmo bianco: Allegoria della Prudenza su base di pietra (XII. A.11.).
h. 182
Scultore romano o fiorentino del XVII secolo.
XII. A.10.-2., undated, inclusive
General note
STATUA in marmo bianco: Allegoria della Prudenza su base di pietra (XII. A.11.).
h. 182
Scultore romano o fiorentino del XVII secolo.
Photo Reali, Firenze (numbered 117 on the verso).
XII. A.13.-1., undated, inclusive
General note
TESTA femminile su capitello composito rovesciato, in marmo bianco scolpito.
h. 64
Scultore romano di epoca classica (?).
Photo Brogi.
No image available for inspection, undated, inclusive
XII. A.13.-3., undated, inclusive
General note
TESTA femminile su capitello composito rovesciato, in marmo bianco scolpito.
h. 64
Scultore romano di epoca classica (?).
Photo Brogi.
No image available for inspection, undated, inclusive
XII. A.13.-5., undated, inclusive
General note
TESTA femminile su capitello composito rovesciato, in marmo bianco scolpito.
h. 64
Scultore romano di epoca classica (?).
Photo Reali, Firenze (numbered 120 on the verso).
XII. A.16.-1., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna col Bambino.
h. 154
Scultore umbro del XIII secolo.
XII. A.16.-2., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna col Bambino.
h. 154
Scultore umbro del XIII secolo.
Oversize, II.B.1.XII.A.16.-2. folder 163.
XII. A.23., undated, inclusive
General note
FONTANA in marmo scolpito con stemma Panciatichi alla base e vasca baccellata figura di satiro (v. XII. A.42) come getto.
h. 248 d. 154
Bottega fiorentina del XV secolo.
Annotated on the verso "Acton Collection, central hall of Villa La Pietra. Fountain attributed to Benedetto da Maiano". With "Apollo" magazine label.
Photo Reali, Firenze (numbered 119 on the verso).
XII. A.25.-1., undated, inclusive
General note
PIEDISTALLO in marmo bianco scolpito con colonna centrale scanalata e sostegni a foggia di figure mostrose alate con zampe leonine.
h. 112 d. 76,5
Bottega romana (?) del XIX secolo.
Cabinet card photo by Luigi Cattani, Firenze.
XII. A.25.-2., undated, inclusive
General note
PIEDISTALLO in marmo bianco scolpito con colonna centrale scanalata e sostegni a foggia di figure mostrose alate con zampe leonine.
h. 112 d. 76,5
Bottega romana (?) del XIX secolo.
Cabinet card photo by Luigi Cattani, Firenze.
No image available for inspection, undated, inclusive
XII. A.30., undated, inclusive
General note
STATUA in marmo bianco scolpito: Venere che brucia le frecce d'Amore.
Firmata e datata sulla base: "Io. Fr. Susini. Flor. Fa. MDCXXXVII".
h. 160 l. 42 p. 31
Gian Francesco Susini, 1637.
Photo Reali, Firenze.
XII. A.35.-1., undated, inclusive
General note
ARAZZO in lana e seta: Donna con canestro di frutta e tavolo con cacciagione. Alla base motivi vegetali. Sul bordo inferiore la marca: scudo fiancheggiato da due B sul bordo destro il monogramma TBVGR.
h. 400 l. 315
Manifattura di Bruxelles (?) del XVII secolo (?).
Oversize, II.B.1.XII.A.35.-1. folder 164.
XII. A.35.-2., undated, inclusive
General note
ARAZZO in lana e seta: Donna con canestro di frutta e tavolo con cacciagione. Alla base motivi vegetali. Sul bordo inferiore la marca: scudo fiancheggiato da due B sul bordo destro il monogramma TBVGR.
h. 400 l. 315
Manifattura di Bruxelles (?) del XVII secolo (?).
Neg.
XII. A.35.-3., undated, inclusive
General note
ARAZZO in lana e seta: Donna con canestro di frutta e tavolo con cacciagione. Alla base motivi vegetali. Sul bordo inferiore la marca: scudo fiancheggiato da due B sul bordo destro il monogramma TBVGR.
h. 400 l. 315
Manifattura di Bruxelles (?) del XVII secolo (?).
Neg.
XII. A.42.-1., undated, inclusive
General note
SCULTURA in marmo bianco: Satiro con otre usata come getto di fontana (in XII. A.23.).
h. 95
Bottega toscana del XVII secolo.
Photo Brogi.
XII. A.42.-2., undated, inclusive
General note
SCULTURA in marmo bianco: Satiro con otre usata come getto di fontana (in XII. A.23.).
h. 95
Bottega toscana del XVII secolo.
Photo Brogi.
XII. A.42.-2°., undated, inclusive
General note
SCULTURA in marmo bianco: Satiro con otre usata come getto di fontana (in XII. A.23.).
h. 95
Bottega toscana del XVII secolo.
XV. Salottino, Saletta con Grottesche (or Saletta delle Grottesche)
XV.-1. general view, undated, inclusive
XV.-2. general view, undated, inclusive
XV.-3. general view, undated, inclusive
XV.-4. general view, undated, inclusive
XV.-5. general view, undated, inclusive
XV.-6. general view, undated, inclusive
XV.-7. general view, undated, inclusive
XV. A.1.-1., undated, inclusive
General note
STATUETTA in terracotta dipinta di bruno su base lignea: Giovane con cestino di frutta.
h. 46
Manifattura napoletana (?) del XVIII secolo.
XV. A.1.-1., undated, inclusive
General note
STATUETTA in terracotta dipinta di bruno su base lignea: Giovane con cestino di frutta.
h. 46
Manifattura napoletana (?) del XVIII secolo.
XV. B.9., undated, inclusive
General note
CONSOLLE in legno scolpito con montanti a foggia di sirene alate e piano in marmo rosa.
h. 90 l. 124 p. 67
Artista genovese (?) allievo di Filippo Parodi (?) primo quarto del XVIII secolo (?).
No image available for inspection, undated, inclusive
XVI. Studio Biblioteca
XVI.-1. general view, undated, inclusive
XVI.-2. general view, undated, inclusive
General note
Reversed.
XVI. B.3.-1., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto: Madonna col Bambino.
h. 65
Bottega del Nord Italia (?) del XV secolo.
XVI. B.3.-2., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto: Madonna col Bambino.
h. 65
Bottega del Nord Italia (?) del XV secolo.
Photo Reali, Firenze (numbered 90 on the verso).
XVI. D.2.-1., undated, inclusive
General note
SCULTURA in legno scolpito dipinto e dorato: Madonna in trono col Bambino.
h. 86
Artista umbro (?) del XIV secolo.
XVI. D.2.-2., undated, inclusive
General note
SCULTURA in legno scolpito dipinto e dorato: Madonna in trono col Bambino.
h. 86
Artista umbro (?) del XIV secolo.
Photo Reali, Firenze (numbered 91 on the verso).
XIX. Biblioteca
XIX.-1. general view, undated, inclusive
XIX.-2. general view, undated, inclusive
XIX.-3. general view, undated, inclusive
XIX.-4. general view, undated, inclusive
XIX.-5. general view, undated, inclusive
XIX.-6. general view, undated, inclusive
XIX.-7. general view, undated, inclusive
XIX.-8. general view, undated, inclusive
XIX.-9. general view, undated, inclusive
XIX.-9a. general view, undated, inclusive
General note
Neg.
XIX.-10. general view (bookcases), ca. 1960, inclusive
General note
Photo by Barsotti.
XIX.-10a. general view (bookcases), ca. 1960, inclusive
General note
Neg. by Barsotti.
XIX.-11. general view (bookcases), ca. 1960, inclusive
General note
Photo by Barsotti.
XIX.-11a. general view (bookcases), ca. 1960, inclusive
General note
Neg. by Barsotti.
XIX.-12. general view, ca. 1960, inclusive
General note
Photo by Barsotti.
XIX.-12a. general view, ca. 1960, inclusive
General note
Neg. by Barsotti.
XIX.-13. general view, ca. 1960, inclusive
General note
Photo by Barsotti.
XIX.-13a. general view, ca. 1960, inclusive
General note
Neg. by Barsotti.
XIX. B.1., undated, inclusive
General note
BUSTO femminile in terracotta policromata.
h. 37 ca.
Bottega bolognese del XVIII-XIX secolo.
Photo Reali, Firenze (numbered 88 on the verso).
XIX. B.2., undated, inclusive
General note
BUSTO in terracotta con tracce di policromia: la Maddalena su base esagonale di legno intagliato a motivi vegetali.
h.36
Bottega toscana del XV (?) XIX (?) secolo.
XIX. B.6., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto: Santo anacoreta (S. Onofrio ?
h. 73
Scultore fiorentino del XVI secolo Tribolo (?).
Photo by Giacomo Brogi di Laurati, Firenze.
XIX. D.3., 1970, inclusive
General note
STATUETTA in stucco dipinto: Gesù Bambino benedicente (esemplare analogo nella vendita del 10-12 ottobre 1970)
h. 58
Firenze, bottega di Desiderio da Settignano.
Photo Reali, Firenze (numbered 89 on the verso).
XIX. D.9., undated, inclusive
General note
LEGGIO in legno scolpito e dorato, con cuoio.
h. 151
Bottega fiorentina del XVI secolo.
Print includes a chair.
XIX. E.8.-1., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto in policromia: Buddha seduto.
h. 84
Cina, Dinastia Sung (?).
Annotated on the verso "altezza, cm 87, base larghezza cm 56".
XIX. E.8.-2., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto in policromia: Buddha seduto.
h. 84
Cina, Dinastia Sung (?).
Photo Reali, Firenze (numbered 189 on the verso).
XIX. E.8.-3., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto in policromia: Buddha seduto.
h. 84
Cina, Dinastia Sung (?).
Photo by Brogi.
XIX. E.8.-4., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto in policromia: Buddha seduto.
h. 84
Cina, Dinastia Sung (?).
XIX. E.8.-5., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto in policromia: Buddha seduto.
h. 84
Cina, Dinastia Sung (?).
Neg.
XX. Salone
XX.-1. general view, undated, inclusive
General note
Oversize, II.B.1.XX.-1. folder 165.
XX.-2. general view, ca. 1905, inclusive
XX.-3. general view, ca. 1905, inclusive
XX.-4. general view, ca. 1905, inclusive
XX.-4a. general view, ca. 1903, inclusive
General note
Neg.
XX-4b. general view, undated, inclusive
XX.-5. general view, undated, inclusive
General note
Oversize, II.B.1.XX.-5. folder 166.
XX.-6. general view, undated, inclusive
General note
Oversize, II.B.1.XX.-6. folder 167.
XX.-7. general view, undated, inclusive
General note
Oversize, II.B.1.XX.-7. folder 168.
XX.-8. general view with AA and a lady, undated, inclusive
XX.-8a. general view with AA and a lady, undated, inclusive
General note
Neg.
XX.-9. general view, undated, inclusive
XX.-9a. general view, undated, inclusive
General note
Neg.
XX.-10. general view, undated, inclusive
XX.-10a. general view, undated, inclusive
General note
Neg.
XX.-10b. General view, undated, inclusive
General note
With AA (back view) with the daughter of McCann.
XX.-11. general view, undated, inclusive
General note
With AA (back view) with the daughter of McCann, annotated on the verso "McCann's daughter taken by McCann".
XX.-11a. general view, undated, inclusive
General note
Neg.
XX.-12. general view, ca. 1935, inclusive
XX.-13. general view, undated, inclusive
XX.-14. general view, undated, inclusive
XX.-15. general view, undated, inclusive
XX.-16. general view, undated, inclusive
XX.-17. general view, undated, inclusive
XX.-18. general view, undated, inclusive
XX.-19. general view, undated, inclusive
XX.-20. general view, undated, inclusive
General note
Reversed print.
XX.-21. general view, undated, inclusive
XX.-21a. general view, undated, inclusive
General note
Reversed print.
XX.-22. general view, undated, inclusive
XX.-23. general view, undated, inclusive
XX.-23a. and 23b. general view, 1916, inclusive
General note
Neg. and print.
Dated on the verso.
XX.-23c. and 23d. general view, 1916, inclusive
General note
Neg. and print.
Dated on the verso.
XX.-23e. general view, undated, inclusive
XX.-23f. general view, ca. 1915, inclusive
General note
Neg.
XX.-23g. general view, undated, inclusive
General note
Neg.
XX.-23h. general view, undated, inclusive
General note
Neg.
XX.-23i. general view, undated, inclusive
General note
Neg.
XX.-24. general view, undated, inclusive
XX.-25. general view, undated, inclusive
XX.-26. general view with portrait of Maria Teresa d'Austria, two moors, clock and two statuettes of winged putti, undated, inclusive
General note
Photo Reali, Firenze (numbered 58 on the verso).
XX. A.1., undated, inclusive
General note
STATUA in marmo bianco: Figura femminile drappeggiata in mantello (coppia con A.25)
h. 106
Scultore lombardo (?) del XVI secolo (?).
Photo Reali, Firenze (numbered 115 on the verso).
XX. A.9., undated, inclusive
General note
SCULTURE (coppia) di moretti reggicuscino in legno scolpito, dipinto e dorato.
h. 127
Bottega veneziana del primo quarto del XVIII secolo.
Annotated on the verso "Altezza m1.25, base 35".
XX. A.10.-1., undated, inclusive
General note
DIPINTO a olio su tela: Ritratto di Maria Teresa d'Austria con cornice ovale di legno intagliato e dorato.
h. 120
Martin van Meytens il Giovane (?) XVIII secolo.
Annotated on the verso "Acton Collection, Florence. Maria Theresia of Austro-Hungary by Mytens?".
XX. A.10.-2., undated, inclusive
General note
DIPINTO a olio su tela: Ritratto di Maria Teresa d'Austria con cornice ovale di legno intagliato e dorato.
h. 120
Martin van Meytens il Giovane (?) XVIII secolo.
XX. A.11., undated, inclusive
General note
STATUETTE (coppia) di puttini alati reggicornucopia in terracotta modellata a tutto tondo.
h. 70
Bottega toscana del XVII-XVIII secolo.
Photo by Brogi.
XX. A.16., undated, inclusive
General note
SERVITO DA CAFFE' con vassoio, caffettiera, zuccheriera e lattiera (quattro pezzi) in argento cesellato e iscrizione incisa: "Jennie M. Mitchell, Chicago 1897". Punzone: leone passante, ancora e lettera scritta: Sterling. Marcato Spaulding and Co., Chicago con tridente.
l. 35 l. 29,5 (vassoio) h. 30 (caffettiera) h. 8 (zuccheriera) h. 13 (lattiera
Argentiere Spaulding and Co. Chicago fine del XIX secolo (datato 1897).
Color transparency by Barsotti, Firenze.
XX. A.16., undated, inclusive
General note
SERVITO DA CAFFE' con vassoio, caffettiera, zuccheriera e lattiera (quattro pezzi) in argento cesellato e iscrizione incisa: "Jennie M. Mitchell, Chicago 1897". Punzone: leone passante, ancora e lettera scritta: Sterling. Marcato Spaulding and Co., Chicago con tridente.
l. 35 l. 29,5 (vassoio) h. 30 (caffettiera) h. 8 (zuccheriera) h. 13 (lattiera
Argentiere Spauldingand Co. Chicago fine del XIX secolo (datato 1897
Detail of the coffee pot.
Color transparency by Barsotti, Firenze.
XX. A.20., undated, inclusive
General note
DIPINTO (scomparto di predella) a tempera su tavola con cornice lignea modanata dipinta e dorata: Morte di S. Rocco.
h. 30 l. 50
Bartolomeo della Gatta (?) seconda metà del XV secolo.
Photo by Brogi.
XX. A.22., undated, inclusive
General note
SCULTURA: leone in legno scolpito con tracce di doratura su base di legno dipinto.
h. 70 l. 98,5 l. 46,5
Bottega veneta del XVI secolo.
XX. A.25., undated, inclusive
General note
STATUA in marmo bianco: Allegoria della Prudenza (coppia con A.1.).
h. 105
Scultore lombardo del XV secolo.
Photo Reali, Firenze (numbered 114. on the verso).
XX. A.26., undated, inclusive
General note
TAVOLINO in legno intagliato, dipinto e dorato a pastiglia, su stelo a tre piedi.
h. 91,5 d. 38
Lievi scrostature.
Inv. ott. '84, p. 29 n. 7
Color transparency by Barsotti, Firenze (photographed in the Saletta delle Vedute (Room XXVII).
XX. A.27./ A.33.-1., undated, inclusive
General note
DIPINTI (due pannelli) con (quattro) Sante martiri, cornice lignea modanata e dorata.
h. 128 l. 57,5
Scuola veronese del sec. XV.
Photo Reali, Firenze
Oversize, II.B.1.XX.A.27/33.-1. folder 169.
XX.A.27./A.33.-2., undated, inclusive
General note
DIPINTI (due pannelli) con (quattro) Sante martiri, cornice lignea modanata e dorata.
h. 128 l. 57,5
Scuola veronese del sec. XV.
Photo Reali, Firenze
Oversize, II.B.1.XX.A.27/33.-2. folder 169.
XX. A.31.-1., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e i santi Girolamo, Bernardino, Ansano e Santa Dorotea (?).
h. 69,5 l. 52,5
Siena, Sano di Pietro.
XX. A.31.-2., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e i santi Girolamo, Bernardino, Ansano e Santa Dorotea (?).
h. 69,5 l. 52,5
Siena, Sano di Pietro.
XX. A.31.-3., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e i santi Girolamo, Bernardino, Ansano e Santa Dorotea (?).
h. 69,5 l. 52,5
Siena, Sano di Pietro.
XX. A.31.-4., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e i santi Girolamo, Bernardino, Ansano e Santa Dorotea (?).
h. 69,5 l. 52,5
Siena, Sano di Pietro.
XX. A.31.-5., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e i santi Girolamo, Bernardino, Ansano e Santa Dorotea (?).
h. 69,5 l. 52,5
Siena, Sano di Pietro.
XX. A.31.-6., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e i santi Girolamo, Bernardino, Ansano e Santa Dorotea (?).
h. 69,5 l. 52,5
Siena, Sano di Pietro.
Photo Reali, Firenze (numbered 19 on the verso).
XX. A.31.-7., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e i santi Girolamo, Bernardino, Ansano e Santa Dorotea (?).
h. 69,5 l. 52,5
Siena, Sano di Pietro.
XX. A.31.-8., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e i santi Girolamo, Bernardino, Ansano e Santa Dorotea (?).
h. 69,5 l. 52,5
Siena, Sano di Pietro.
Oversize, II.B.1.XX.A.31.-8. folder 170.
XX. A.31.-9., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e i santi Girolamo, Bernardino, Ansano e Santa Dorotea (?).
h. 69,5 l. 52,5
Siena, Sano di Pietro.
Oversize, II.B.1.XX.A.31-9. folder 171.
XX. B.1., undated, inclusive
General note
STATUA in marmo bianco di giovane in costume della commedia dell'arte (Arlecchino?
h. 122
Cerchia di Antonio Bonazza, secolo XVIII.
Photo Reali, Firenze (numbered 116. on the verso).
XX. B.2.-1., undated, inclusive
General note
SPECCHIERA in legno scolpito, fregi dorati e dipinti, vetri a mercurio (cfr. pp. LVII-Salottino, B.3.).
h. 256 l. 146
Manifattura napoletana del XVIII secolo.
Photo by Brogi.
XX. B.2.-2, undated, inclusive
General note
SPECCHIERA in legno scolpito, fregi dorati e dipinti, vetri a mercurio (cfr. pp. LVII-Salottino, B.3.).
h. 256 l. 146
Manifattura napoletana del XVIII secolo
XX. B.7., undated, inclusive
General note
CONSOLLE (coppia con pt. X-Atrio C.6.) in legno scolpito e dorato con puttini, sirene e monstra. Piano di legno (moderno) macchiato.
h. 99 l. 169
Bottega romana del primo quarto del XVIII secolo.
XX. B.8., undated, inclusive
General note
GONDOLA in legno intagliato e dorato, e velluto rosso.
h. 26 l. 170
Bottega veneziana del XVIII secolo.
Photographed in XXVII. Saletta con vedute.
Color transparency.
XX. B.9., undated, inclusive
General note
XX. B.9.
PENDOLA in marmi diversi e bronzo parzialmente dorato nel quadrante iscrizione: "Muratelli Paine /a Genes".
h. 88 l. 47 p. 20
Genova, Muratelli Paine, XVIII secolo.
XX. C.9., undated, inclusive
General note
STATUETTE (coppia) di Europa e Africa in terracotta dipinta e policromata. Europa: corno dell'abbondanza, cavallo, tiara e simboli del potere temporale Africa: copricapo con elefante, serpenti, e fascio di spighe.
h. 52
Mozzi, XVIII secolo. (detail of Africa).
XX. C.12.-1., undated, inclusive
General note
POTICHE (coppia) in porcellana dipinta in policromia (Famiglia verde). Uno dei due ha base lignea dipinta di rosso e dorata.
h. 61
Manifattura cinese del XVIII secolo.
XX. C.12.-2., undated, inclusive
General note
POTICHE (coppia) in porcellana dipinta in policromia (Famiglia verde). Uno dei due ha base lignea dipinta di rosso e dorata.
h. 61
Manifattura cinese del XVIII secolo.
Annotated on the verso "Height of vases with covers 24ins width 15 ins.".
XX. C.12.-3., undated, inclusive
General note
POTICHE (coppia) in porcellana dipinta in policromia (Famiglia verdeUno dei due ha base lignea dipinta di rosso e dorata.
h. 61
Manifattura cinese del XVIII secolo.
XX. C.14., undated, inclusive
General note
SCULTURE: angeli (coppia) portacero in legno scolpito a tutto tondo e dorato.
h. 64,5
Bottega toscana della seconda metà del XVI secolo.
Photo Reali, Firenze (numbered 99 on the verso).
XX. E.11., undated, inclusive
General note
DIVANO in legno tornito e tappezzeria Gobelin a motivi di rose.
h. 105 l. 160 p. 69
Manifattura lombarda del XVII secolo.
XXI. Sala del Caminetto
XXI.-001. general view, 1930s, inclusive
XXI.-01. general view, 1930s, inclusive
XXI.-1. general view, undated, inclusive
XXI.-2. general view, undated, inclusive
XXI.-3. general view, undated, inclusive
XXI.-4. general view, undated, inclusive
XXI.-5. general view, undated, inclusive
XXI.-6. general view, undated, inclusive
XXI.-6a. general view, ca. 1960s, inclusive
General note
Neg.
XXI.-6b. general view, ca. 1960s, inclusive
General note
Neg.
XXI.-7. general view, 1951, inclusive
General note
Color print.
XXI.-8. general view, 1973, inclusive
General note
Color print.
XXI.-9. general view, undated, inclusive
General note
Color print, with dedication to HA on the verso.
XXI. A.4.-1., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono col Bambino e due angeli.
h. 112,5 l. 68
Artista fiorentino della fine XIII secolo.
Photo Reali, Firenze (numbered 10 on the verso).
XXI. A.4.-2., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono col Bambino e due angeli.
h. 112,5 l. 68
Artista fiorentino della fine XIII secolo.
XXI. A.4.-3., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono col Bambino e due angeli.
h. 112,5 l. 68
Artista fiorentino della fine XIII secolo.
XXI. A.4.-4., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono col Bambino e due angeli.
h. 112,5 l. 68
Artista fiorentino della fine XIII secolo.
XXI. A.4.-5., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono col Bambino e due angeli.
h. 112,5 l. 68
Artista fiorentino della fine XIII secolo.
Detail
Oversize, II.B.1.XXI.A.4.-5. folder 172.
XXI. A.4.-6., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono col Bambino e due angeli.
h. 112,5 l. 68
Artista fiorentino della fine XIII secolo.
Detail.
XXI. A.4.-7, undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono col Bambino e due angeli.
h. 112,5 l. 68
Artista fiorentino della fine XIII secolo.
Sepia print.
XXI. A.4.-8, undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono col Bambino e due angeli.
h. 112,5 l. 68
Artista fiorentino della fine XIII secolo.
Oversize, II.B.1.XXI.A.4.-8. folder 172a.
XXI. B.1.-1., undated, inclusive
General note
DIPINTO a tempera su tavola con l'Incoronazione della Vergine, lo Spirito Santo e Angeli adoranti nella cuspide (parte di un polittico?Alla base : "An. Domini MCCCCXXXI A Di XXV di Lulgio Regina Angelorum Ora Pronobis".
h. 137 l. 82
Scuola fiorentina (Mariotto di Nardo) del XV secolo (datato 1431).
XXI. B.1.-2., undated, inclusive
General note
DIPINTO a tempera su tavola con l'Incoronazione della Vergine, lo Spirito Santo e Angeli adoranti nella cuspide (parte di un polittico?Alla base : "An. Domini MCCCCXXXI A Di XXV di Lulgio Regina Angelorum Ora Pronobis".
h. 137 l. 82
Scuola fiorentina (Mariotto di Nardo) del XV secolo (datato 1431).
XXI. B.1.-3., undated, inclusive
General note
DIPINTO a tempera su tavola con l'Incoronazione della Vergine, lo Spirito Santo e Angeli adoranti nella cuspide (parte di un polittico?Alla base : "An. Domini MCCCCXXXI A Di XXV di Lulgio Regina Angelorum Ora Pronobis".
h. 137 l. 82
Scuola fiorentina (Mariotto di Nardo) del XV secolo (datato 1431).
XXI. B.1.-4., undated, inclusive
General note
DIPINTO a tempera su tavola con l'Incoronazione della Vergine, lo Spirito Santo e Angeli adoranti nella cuspide (parte di un polittico?Alla base : "An. Domini MCCCCXXXI A Di XXV di Lulgio Regina Angelorum Ora Pronobis".
h. 137 l. 82
Scuola fiorentina (Mariotto di Nardo) del XV secolo (datato 1431).
Oversize, II.B.1.XXI.B.1.-4. folder 173.
XXI. B.1.-5., undated, inclusive
General note
DIPINTO a tempera su tavola con l'Incoronazione della Vergine, lo Spirito Santo e Angeli adoranti nella cuspide (parte di un polittico?Alla base : "An. Domini MCCCCXXXI A Di XXV di Lulgio Regina Angelorum Ora Pronobis".
h. 137 l. 82
Scuola fiorentina (Mariotto di Nardo) del XV secolo (datato 1431).
XXI. B.1.-6., undated, inclusive
General note
DIPINTO a tempera su tavola con l'Incoronazione della Vergine, lo Spirito Santo e Angeli adoranti nella cuspide (parte di un polittico?Alla base : "An. Domini MCCCCXXXI A Di XXV di Lulgio Regina Angelorum Ora Pronobis".
h. 137 l. 82
Scuola fiorentina (Mariotto di Nardo) del XV secolo (datato 1431).
Photo Reali, Firenze (numbered 213. on the verso).
XXI. B.2., undated, inclusive
General note
DIPINTO a olio su tavola in cornice lignea dorata: S. Andrea.
h. 52,5 l. 43
Artista senese (?) del XVI secolo.
Photo Reali, Firenze.
XXI. B.5., undated, inclusive
General note
RILIEVO in terracotta modellata con Scena di battaglia.
h. 40,5 l. 59,5 p. 8,5
Scultore lombardo del XVI secolo da (?) artista classico.
Photo Reali, Firenze (numbered 106. on the verso).
XXI. B.6.-1., undated, inclusive
General note
BOZZETTO di Torso virile in terracotta modellata su base di marmo intarsiato.
h. 33 base: h. 17
Artista italiano del XVI secolo.
XXI. B.6.-2, undated, inclusive
General note
BOZZETTO di Torso virile in terracotta modellata su base di marmo intarsiato.
h. 33 base: h. 17
Artista italiano del XVI secolo.
Photo Reali, Firenze (numbered 107. on the verso).
XXI. B.6.-3, undated, inclusive
General note
BOZZETTO di Torso virile in terracotta modellata su base di marmo intarsiato.
h. 33 base: h. 17
Artista italiano del XVI secolo.
XXI. B.6.-4., undated, inclusive
General note
BOZZETTO di Torso virile in terracotta modellata su base di marmo intarsiato.
h. 33 base: h. 17
Artista italiano del XVI secolo.
XXI. B.6.-5., undated, inclusive
General note
BOZZETTO di Torso virile in terracotta modellata su base di marmo intarsiato.
h. 33 base: h. 17
Artista italiano del XVI secolo.
Annotated on the recto: "terracotta, altezza m. 0.35".
Mounted on card.
Oversize, II.B.1.XXI.B.6.-5. folder 174.
XXI. B.6.-6., undated, inclusive
General note
BOZZETTO di Torso virile in terracotta modellata su base di marmo intarsiato.
h. 33 base: h. 17
Artista italiano del XVI secolo.
Mounted on card.
Oversize, II.B.1.XXI.B.6.-6. folder 174.
XXI. B.6.-7., undated, inclusive
General note
BOZZETTO di Torso virile in terracotta modellata su base di marmo intarsiato.
h. 33 base: h. 17
Artista italiano del XVI secolo.
Mounted on card.
Oversize, II.B.1.XXI.B.6.-7. folder 174.
XXI. B.6.-8., undated, inclusive
General note
BOZZETTO di Torso virile in terracotta modellata su base di marmo intarsiato.
h. 33 base: h. 17
Artista italiano del XVI secolo.
Mounted on card.
Oversize, II.B.1.XXI.B.6.-8. folder 174.
XXI. B.6.-9., undated, inclusive
General note
BOZZETTO di Torso virile in terracotta modellata su base di marmo intarsiato.
h. 33 base: h. 17
Artista italiano del XVI secolo.
Mounted on card.
Oversize, II.B.1.XXI.B.6.-9. folder 174.
XXI. B.6.-10., undated, inclusive
General note
BOZZETTO di Torso virile in terracotta modellata su base di marmo intarsiato.
h. 33 base: h. 17
Artista italiano del XVI secolo.
Mounted on card.
Oversize, II.B.1.XXI.B.6.-10. folder 174.
XXI. B.9., undated, inclusive
General note
STATUETTE (due) in legno scolpito, dipinto e dorato: S. Barbara e S. Margherita (indicate in epigrafe)
h. 75
Artista lombardo o spagnolo (Vossilla) della prima metà XVI secolo.
Photo Reali, Firenze.
XXI. B.10., undated, inclusive
General note
SCULTURA in terracotta modellata a tutto tondo: Ritratto di gentiluomo con guanti.
h. 66
Bottega emiliana (cerchia di Alfonso Lombardi) del XVI secolo.
Photo Reali, Firenze (numbered 95 on the verso).
XXI. B.11.-1., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e Cristo Benedicente con libro (Santo?) nella cuspide.
h. 146 l. 70
Pietro di Giovanni Ambrosi, XV secolo.
Photo Reali, Firenze.
XXI. B.11.-2., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e Cristo Benedicente con libro (Santo?) nella cuspide.
h. 146 l. 70
Pietro di Giovanni Ambrosi, XV secolo.
Annotated on the verso "Sienese, Sassetta group. Giovanni di Ambrogio".
XXI. B.11.-3., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e Cristo Benedicente con libro (Santo?) nella cuspide.
h. 146 l. 70
Pietro di Giovanni Ambrosi, XV secolo.
Oversize, II.B.1.XXI.B.11.-3. folder 175.
XXI. B.13.-1., undated, inclusive
General note
SCULTURA in legno dipinto in policromia: Madonna col Bambino.
h. 42,5
Scultore veneto della seconda metà del XIV secolo.
Photo Reali, Firenze (numbered 92 on the verso).
XXI. B.13.-2., undated, inclusive
General note
SCULTURA in legno dipinto in policromia: Madonna col Bambino.
h. 42,5
Scultore veneto della seconda metà del XIV secolo.
XXI. B.15.-1., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: Madonna col Bambino.
h. 69 l. 48,5
Pittore fiorentino della fine del XIII secolo.
Photo Reali, Firenze.
XXI. B.15.-2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: Madonna col Bambino.
h. 69 l. 48,5
Pittore fiorentino della fine del XIII secolo.
XXI. C.1., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna col Bambino, Angeli e Dio Padre.
h. 115,5 l. 74
Pseudo Pier Francesco Fiorentino.
Annotated on the verso "Pier Francesco Fiorentino. Madonna and Child. Panel. Size, 46 x 28 inches".
Oversize, II.B.1.XXI.C.1. folder 176.
XXI. C.2.-1., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: Annunciazione.
h. 102 l. 73
Cenni di Francesco, XV secolo.
Annotated on the verso "Following Taddeo Gaddi".
XXI. C.2.-2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: Annunciazione.
h. 102 l. 73
Cenni di Francesco, XV secolo.
Label on the verso of "Apollo" Magazine
Photo Reali, Firenze.
XXI. C.2.-3., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: Annunciazione.
h. 102 l. 73
Cenni di Francesco, XV secolo.
Oversize, II.B.1.XXI.C.2.-3. folder 177.
Annotated on the verso "Following of Taddeo Gaddi".
XXI. C.8., undated, inclusive
General note
SCULTURA in terracotta modellata a tutto tondo: S. Girolamo penitente.
h. 33
Bottega toscana del XVI secolo.
XXI. C.10.-1., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: S. Michele e S. Pietro nella cuspide.
h. 126 l. 63
Luca di Tommè, XIV secolo.
XXI. C.10.-2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: S. Michele e S. Pietro nella cuspide.
h. 126 l. 63
Luca di Tommè, XIV secolo.
XXI. C.13.-1., undated, inclusive
General note
DIPINTO tempera su tavola (entro teca moderna): Crocefissione.
h. 88 (108,5) l. 70 (94
Scuola bolognese, Dalmasio, XIV secolo.
Photo Reali, Firenze.
XXI. C.13.-2., undated, inclusive
General note
DIPINTO tempera su tavola (entro teca moderna): Crocefissione.
h. 88 (108,5) l. 70 (94
Scuola bolognese, Dalmasio, XIV secolo.
XXI. E.5.-1., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna col Bambino.
h. 90 l. 31
Scultore abruzzese (?) del XIII (?) secolo.
Oversize, II.B.1.XXI.E.5.-1. folder 178.
XXI. E.5.-2., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna col Bambino.
h. 90 l. 31
Scultore abruzzese (?) del XIII (?) secolo.
Oversize, II.B.1.XXI.E.5.-2. folder 178.
XXI. E.5.-3., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna col Bambino.
h. 90 l. 31
Scultore abruzzese (?) del XIII (?) secolo.
XXI. E.5.-4., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna col Bambino.
h. 90 l. 31
Scultore abruzzese (?) del XIII (?) secolo.
Photo Reali, Firenze.
XXI. E.7.-1., undated, inclusive
General note
STATUETTA in terracotta dipinta: Madonna Adorante.
h. 39,5
Scultore toscano dell'ultimo quarto del XV secolo.
XXI. E.7.-2., undated, inclusive
General note
STATUETTA in terracotta dipinta: Madonna Adorante.
h. 39,5
Scultore toscano dell'ultimo quarto del XV secolo.
Photo Reali, Firenze (numbered 96 on the verso).
XXI. E.12.-1., undated, inclusive
General note
SCULTURA in legno dipinto con lumeggiature d'oro: S. Giorgio (o S. Michele senza ali)
h. 147,5
Domenico di Niccolò dei Cori, primo quarto del XV secolo.
Photo Reali, Firenze (numbered 71. on the verso).
XXI. E.12.-2., undated, inclusive
General note
SCULTURA in legno dipinto con lumeggiature d'oro: S. Giorgio (o S. Michele senza ali)
h. 147,5
Domenico di Niccolò dei Cori, primo quarto del XV secolo.
Oversize, II.B.1.XXI.E.12.-2. folder 179.
XXI. E.12.-3., undated, inclusive
General note
SCULTURA in legno dipinto con lumeggiature d'oro: S. Giorgio (o S. Michele senza ali)
h. 147,5
Domenico di Niccolò dei Cori, primo quarto del XV secolo.
XXVII. Saletta con vedute (Saletta delle vedute)
XXVII.-1. general view, undated, inclusive
XXVII.-2. general view, undated, inclusive
General note
Photo Reali, Firenze (numbered 8. on the verso).
XXVII.-3. general view, undated, inclusive
XXVII.-4. general view, undated, inclusive
XXVII.-5. general view, undated, inclusive
XXVII.-6. general view, undated, inclusive
XXVII.-6a. general view, ca. 1960s, inclusive
General note
Neg.
XXVII.-7. general view, undated, inclusive
General note
Color print.
XXVII.-8. general view, undated, inclusive
General note
Color print.
XXVII. A.1.-1., undated, inclusive
General note
STATUETTE di presepe (quattro; cinque con B.7.) in legno scolpito e dipinto in policromia.
h. 30
Manifattura ligure (?) del XVIII-XIX secolo.
XXVII. A.1.-2., undated, inclusive
General note
STATUETTE di presepe (quattro; cinque con B.7.) in legno scolpito e dipinto in policromia.
h. 30
Manifattura ligure (?) del XVIII-XIX secolo.
XXVII. A.1.-3., undated, inclusive
General note
STATUETTE di presepe (quattro; cinque con B.7.) in legno scolpito e dipinto in policromia.
h. 30
Manifattura ligure (?) del XVIII-XIX secolo.
XXVII. A.5., undated, inclusive
General note
TAVOLINO da appoggio in legno scolpito e dorato con marmorizzazioni di azzurro, piano in marmo di onice listrato con losanga centrale.
h. 93 l. 96,5 p. 55
Manifattura romana dell'ultimo quarto del XVIII secolo.
Color transparency.
XXVII. B.6., undated, inclusive
General note
TAVOLO (coppia di mezze tavole) in legno intagliato, dipinto e dorato. Il piano ha marmorizzazioni di verde.
h. 85 l. 106 p. 47,5
Manifattura toscana della fine del XVIII secolo.
Color transparency.
XXVII. E.4., undated, inclusive
General note
TAVOLINO in legno scolpito dipinto e lumeggiato d'oro. Ha piano ottagonale a vassoio con bordo in metallo e intarsi di marmo policromo a losanghe sorretto da quattro sfingi alate.
h. 73,5 l. 47
Bottega napoletana dell'ultimo quarto del XVIII secolo.
Color transparency.
XXVIII. Corridoio sud-ovest (del Bagno)
XXVIII. general view, undated, inclusive
XXVIII. general view, undated, inclusive
General note
Neg.
XXVIII. general view, undated, inclusive
General note
Neg.
XXVIII. A.3.-1., undated, inclusive
General note
DIPINTO a olio su tela con cornice intagliata e dorata: Natura morta.
h. 90 l. 60
Carlo Magini, XVIII secolo.
XXVIII. A.3.-2., undated, inclusive
General note
DIPINTO a olio su tela con cornice intagliata e dorata: Natura morta.
h. 90 l. 60
Carlo Magini, XVIII secolo.
Oversize, II.B.1.XXVIII.A.3.-2. folder 180.
XXVIII. A.3.-3., undated, inclusive
General note
DIPINTO a olio su tela con cornice intagliata e dorata: Natura morta.
h. 90 l. 60
Carlo Magini, XVIII secolo.
Photo Reali, Firenze.
XXVIII. A.3.-4., undated, inclusive
General note
DIPINTO a olio su tela con cornice intagliata e dorata: Natura morta.
h. 90 l. 60
Carlo Magini, XVIII secolo.
Annotated on the verso "Bolognese" "studio p.p."
Oversize, II.B.1.XXVIII.A.3.-4. folder 180a.
XXVIII. A.3.-5., undated, inclusive
General note
DIPINTO a olio su tela con cornice intagliata e dorata: Natura morta.
h. 90 l. 60
Carlo Magini, XVIII secolo.
XXVIII. A.6., undated, inclusive
General note
DIPINTO a olio su tela con cornice lignea intagliata e dorata: Flora con putto.
h. 138 l. 112,5
Pittore fiammingo del XVII secolo.
XXVIII. A.8., undated, inclusive
General note
DIPINTO a olio su tela con cornice di legno intagliato e dorato: Ritratto di dama con ventaglio.
h. 121 l. 97
Artista italiano degli inizi del XVIII secolo.
Photo Reali, Firenze (numbered 53 on the verso).
XXVIII. A.14.-1., undated, inclusive
General note
SCULTURA in terracotta formata a tutto tondo: La Virtù che vince il Vizio o Firenze che vince Pisa.
h. 50,5
Artista toscano del XVIII secolo (da Giambologna
Photo Reali, Firenze (numbered 104. on the verso).
XXVIII. A.14.-2., undated, inclusive
General note
SCULTURA in terracotta formata a tutto tondo: La Virtù che vince il Vizio o Firenze che vince Pisa.
h. 50,5
Artista toscano del XVIII secolo (da Giambologna).
Photo by Brogi.
XXVIII. A.14.-3., undated, inclusive
General note
SCULTURA in terracotta formata a tutto tondo: La Virt che vince il Vizio o Firenze che vince Pisa.
h. 50,5
Artista toscano del XVIII secolo (da Giambologna).
XXVIII. A.36.-1., undated, inclusive
General note
SCULTURA (cfr. A.42) in terracotta modellata a tutto tondo: Diana con Endimione.
h. 36
Modellatore del XVIII secolo.
Photographed inside a case.
XXVIII. A.36.-2., undated, inclusive
General note
SCULTURA (cfr. A.42) in terracotta modellata a tutto tondo: Diana con Endimione.
h. 36
Modellatore del XVIII secolo.
Photographed inside a case.
XXVIII. A.36.-3., undated, inclusive
General note
SCULTURA (cfr. A.42) in terracotta modellata a tutto tondo: Diana con Endimione.
h. 36
Modellatore del XVIII secolo.
Photographed inside a case.
XXVIII. A.36.-4., undated, inclusive
General note
SCULTURA (cfr. A.42) in terracotta modellata a tutto tondo: Diana con Endimione.
h. 36
Modellatore del XVIII secolo.
Photographed inside a case.
XXVIII. C.3.-1., undated, inclusive
General note
DIPINTI (due) a olio su tela in cornice decorata e dorata: Presentazione e Visitazione.
h. 36 l. 54,5
Pittore senese o fiorentino del XVI secolo.
Detail of Presentazione.
Photo Reali, Firenze (numbered 47. on the verso)
XXVIII. C.3.-2., undated, inclusive
General note
DIPINTI (due) a olio su tela in cornice decorata e dorata: Presentazione e Visitazione.
h. 36 l. 54,5
Pittore senese o fiorentino del XVI secolo.
detail of Visitazione
Photo Reali, Firenze (numbered 46. on the verso).
XXVIII. C.3.-3., undated, inclusive
General note
DIPINTI (due) a olio su tela in cornice decorata e dorata: Presentazione e Visitazione.
h. 36 l. 54,5
Pittore senese o fiorentino del XVI secolo.
XXVIII. C.5., undated, inclusive
General note
DIPINTO a olio su tela con cornice intagliata a rosette e dorata: Figura di magistrato.
h. 109 l. 94
Fra' Galgario, XVII-XVIII secolo.
XXVIII. C.6.-1., undated, inclusive
General note
DIPINTO a olio su tela in listello ligneo intagliato e dorato: Scena agreste.
h. 160 l. 104,5
Giuseppe Zais (firmato).
XXVIII. C.6.-2., undated, inclusive
General note
DIPINTO a olio su tela in listello ligneo intagliato e dorato: Scena agreste.
h. 160 l. 104,5
Giuseppe Zais (firmato).
Detail, Photo by Brogi.
Oversize, II.B.1.XXVIII.C.6.-2. folder 181.
XXVIII. C.6.-3., undated, inclusive
General note
DIPINTO a olio su tela in listello ligneo intagliato e dorato: Scena agreste.
h. 160 l. 104,5
Giuseppe Zais (firmato).
Photo Reali, Firenze (numbered 55 on the verso).
XXVIII. C.6.-4., undated, inclusive
General note
DIPINTO a olio su tela in listello ligneo intagliato e dorato: Scena agreste.
h. 160 l. 104,5
Giuseppe Zais (firmato).
Photo by Brogi.
Oversize, II.B.1.XXVIII.C.6.-4. folder 181a.
XXVIII. C.7., undated, inclusive
General note
DIPINTO a olio su tela in cornice intagliata e dorata: Donna con maschera.
h. 118 l. 92
Pittore veneto del XVIII secolo.
Photo Reali, Firenze (numbered 54 on the verso).
XXVIII. C.11., undated, inclusive
General note
ORCIO biansato con coperchio in terracotta parzialmente a rilievo invetriato a macchiature di giallo, verde e bruno stemma medici coronato e mascherone nel verso. Foglie a rilievo sul coperchio e fascia incisa sotto le anse. Iscrizione: "Fece Lorenzo Montauti 1725".
h. 103 d. 66
Fornace imprunetana di Lorenzo Montauti, XVIII secolo (datato 1725).
XXVIII. C.13., undated, inclusive
General note
PANCA in legno di noce scolpito, modanato e tornito ha schienale a balaustro, braccioli a voluta, scanalatura centrale e gambe sagomate come i braccioli e terminanti a zampa di leone.
h. 122 l. 281,5 p. 43,5
Bottega toscana della prima metà del XVII secolo.
XXVIII. D.2.-1., undated, inclusive
General note
DIPINTO a tempera su tavola a fondo oro: S. Chiara con S. Bartolomeo (nella cuspide)
h. 116 l. 40
Francesco Fiorentino.
XXVIII. D.2.-2., 1960s, inclusive
General note
DIPINTO a tempera su tavola a fondo oro: S. Chiara con S. Bartolomeo (nella cuspide)
h. 116 l. 40
Neg. by Barsotti.
XXVIII. D.4., undated, inclusive
General note
RILIEVO in stucco policromo: "Madonna col Bambino". Alla base iscrizione tra due stemmi di tre spade in campo rosso: "Ave Maria Gra...". Base di legno decorata a pastiglia (come altri esemplari delle stanze pt. IX-Corridoio N.E. A.13.; XV-Salottino D.3. XXX-Sala Rossa A.14.; XXXI-Sala del Crocifisso C.16.
h. 54 l. 38
Bottega fiorentina del Ghiberti del primo quarto XV secolo.
Photo Reali, Firenze (numbered 87 on the verso).
XXVIII. F.1.-1., undated, inclusive
General note
LANTERNA in legno scolpito e dorato, a pianta triangolare con vetri poligonali, motivi vegetali sugli spigoli terminanti con testine di angeli cherubini alla base che termina con baccellature.
h. 85 ca.
Manifattura toscana del XVII-XVIII secolo.
XXVIII. F.1.-2., undated, inclusive
General note
LANTERNA in legno scolpito e dorato, a pianta triangolare con vetri poligonali, motivi vegetali sugli spigoli terminanti con testine di angeli cherubini alla base che termina con baccellature.
h. 85 ca.
Manifattura toscana del XVII-XVIII secolo.
XXIX. Saletta con rovine (or Saletta delle rovine)
XXIX.-1. general view, undated, inclusive
XXIX.-2. general view, undated, inclusive
XXIX. A.1.-1., undated, inclusive
General note
SCULTURE (due) in legno scolpito, dipinto e dorato: statue di Moretti.
h. 171
Bottega veneziana dell'inizio del XVIII secolo.
Cadute di colore, fessurazioni e scheggiature.
XXIX. A.1.-2., undated, inclusive
XXX. Sala Rossa
XXX.-1. general view, undated, inclusive
General note
Photo by Brogi.
XXX.-2. general view, undated, inclusive
XXX.-3. general view, undated, inclusive
XXX.-4. general view, undated, inclusive
XXX.-5. general view, undated, inclusive
XXX.-6. general view, undated, inclusive
XXX.-7. general view, undated, inclusive
XXX. A.1., undated, inclusive
General note
RILIEVO in stucco policromo: Madonna col Bambino.
h. 60 ca.
Bottega del Ghiberti, XV secolo.
Photo Reali, Firenze (numbered 86 on the verso).
XXX. A.4.-1., undated, inclusive
General note
DIPINTO a tempera su tavola (lunetta): Madonna col Bambino.
h. 63 l. 88
Mariotto di Nardo.
Photo Reali, Firenze.
XXX. A.4.-2., undated, inclusive
General note
DIPINTO a tempera su tavola (lunetta): Madonna col Bambino.
h. 63 l. 88
Mariotto di Nardo.
XXX. A.4.-3., undated, inclusive
General note
DIPINTO a tempera su tavola (lunetta): Madonna col Bambino.
h. 63 l. 88
Mariotto di Nardo.
XXX. A.5., undated, inclusive
General note
DIPINTO a tempera su tavola: Il Beato Davino d'Armenia. Iscrizione: "Hic Iacet Corpus Sancti Davini De Arminea". Cornice sagomata e dorata.
h. 73 l. 204
Maestro lucchese (?) del XV secolo.
Oversize, II.B.1.XXX.A.5. folder 182.
Photo by Brogi.
XXX. A.9., undated, inclusive
General note
DIPINTO a olio (?) su tavola: Madonna che adora il Bambino e un angelo. Nella cornice iscrizione: "Ave Maria Gratia Plena Dominus teco" e due stemmi: a tre gigli e rastrello nella parte superiore, sotto vaio rosso in campo blu tripartito con scacchiera, tre cerchi d'oro in campo rosso e fasce verticali blu e oro.
h. 74 l. 63,5
Iacopo del Sellaio, seconda metà del XV secolo
Photo Reali, Firenze .
Label on verso of "Apollo" magazine.
XXX. A.10.-1., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono e angeli.
h. 120 l. 59
Maestro del Bigallo (?), metà del XIII secolo.
XXX. A.10.-2., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono e angeli.
h. 120 l. 59
Maestro del Bigallo (?), metà del XIII secolo.
XXX. A.10.-3., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono e angeli.
h. 120 l. 59
Maestro del Bigallo (?), metà del XIII secolo.
Detail.
XXX. A.10.-4., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono e angeli.
h. 120 l. 59
Maestro del Bigallo (?), metà del XIII secolo.
Oversize, II.B.1.XXX.A.10.-4. folder 183.
XXX. A.10.-5., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono e angeli.
h. 120 l. 59
Maestro del Bigallo (?), metà del XIII secolo.
Oversize, II.B.1.XXX.A.10.-5. folder 183.
Detail.
XXX. A.10.-6., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono e angeli.
h. 120 l. 59
Maestro del Bigallo (?), metà del XIII secolo.
Oversize, II.B.1.XXX.A.10.-6. folder 183.
XXX. A.10.-7., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono e angeli.
h. 120 l. 59
Maestro del Bigallo (?), metà del XIII secolo.
XXX. A.10.-8., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono e angeli.
h. 120 l. 59
Maestro del Bigallo (?), metà del XIII secolo.
Photo Reali, Firenze.
XXX. A.11.-1., undated, inclusive
General note
DIPINTO a tempera su tavola (tagliata) con cornice lignea modanata e dorata: Madonna col Bambino.
h. 65,5 l. 55,5
Pittore fiorentino del XIV secolo.
Oversize, II.B.1.XXX.A.11.-1. folder 184.
XXX. A.11.-2., undated, inclusive
General note
DIPINTO a tempera su tavola (tagliata) con cornice lignea modanata e dorata: Madonna col Bambino.
h. 65,5 l. 55,5
Pittore fiorentino del XIV secolo.
Photo Reali, Firenze (numbered 28 on the verso).
XXX. A.13., undated, inclusive
General note
SCULTURE (coppia) in legno dipinto e dorato: Angeli portacero.
h. 57
Manifattura tedesca (?) del XVII secolo.
Photo Reali, Firenze (numbered 101 on the verso).
XXX. A.16., undated, inclusive
General note
SCULTURA in marmo bianco scolpito: Eros.
h. 73,5
Artista romano del II-III secolo d. C.
Photo Reali, Firenze (numbered 112. on the verso).
XXX. B.3., undated, inclusive
General note
PORTALE in legno intagliato e ammannito: motivi decorativi a girali, clipeo con testa di fanciullo, negli stipiti motivi vegetali, trofei e protomi angeliche con mantovana in tessuto di arazzo e tenda di seta.
h. 327 l. 300
Bottega toscana o lombarda del XVI secolo.
XXX. B.4.-1., undated, inclusive
General note
DIPINTO (entro teca) a tempera su tavola: Madonna col Bambino e santi.
h. 70 l. 58
Arte dalmata (?) del XIII (?) secolo.
Annotated on the verso "Pisan follower Margheritone".
XXX. B.4.-2., undated, inclusive
General note
DIPINTO (entro teca) a tempera su tavola: Madonna col Bambino e santi.
h. 70 l. 58
Arte dalmata (?) del XIII (?) secolo.
Photo by Brogi.
XXX. B.4.-3., undated, inclusive
General note
DIPINTO (entro teca) a tempera su tavola: Madonna col Bambino e santi.
h. 70 l. 58
Arte dalmata (?) del XIII (?) secolo.
Photo Reali, Firenze (numbered 34 on the verso).
XXX. B.4.-4., undated, inclusive
General note
DIPINTO (entro teca) a tempera su tavola: Madonna col Bambino e santi.
h. 70 l. 58
Arte dalmata (?) del XIII (?) secolo.
Oversize, II.B.1.XXX. B.4.-4. folder 184a.
XXX. B.5.-1., undated, inclusive
General note
DIPINTO a tempera su tavola con cornice lignea dorata e dipinta: Madonna col Bambino, i santi Pietro e Paolo e angeli. Nell'aureola della Madonna : "Ave Gratia Plena..." e nell'aureola del Bambino: "Ego Sum...".
h. 125 l. 90
Siena, Sano di Pietro.
XXX. B.5.-2., undated, inclusive
General note
DIPINTO a tempera su tavola con cornice lignea dorata e dipinta: Madonna col Bambino, i santi Pietro e Paolo e angeli. Nell'aureola della Madonna : "Ave Gratia Plena..." e nell'aureola del Bambino: "Ego Sum...".
h. 125 l. 90
Siena, Sano di Pietro.
Photo by Brogi.
Oversize, II.B.1.XXX. B.5.-2. folder 185.
XXX. B.5.-3., undated, inclusive
General note
DIPINTO a tempera su tavola con cornice lignea dorata e dipinta: Madonna col Bambino, i santi Pietro e Paolo e angeli. Nell'aureola della Madonna : "Ave Gratia Plena..." e nell'aureola del Bambino: "Ego Sum...".
h. 125 l. 90
Siena, Sano di Pietro.
XXX. B.5.-4., undated, inclusive
General note
DIPINTO a tempera su tavola con cornice lignea dorata e dipinta: Madonna col Bambino, i santi Pietro e Paolo e angeli. Nell'aureola della Madonna : "Ave Gratia Plena..." e nell'aureola del Bambino: "Ego Sum...".
h. 125 l. 90
Siena, Sano di Pietro.
Photo Reali, Firenze.
XXX. B.12., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea dorata e dipinta: Madonna col Bambino.
h. 68 l. 57
Scuola umbro-marchigiana, XV secolo.
Photo Reali, Firenze.
XXX. B.16.-1., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino.
h. 61,5 l. 39
Bernardo Daddi metà del XIV secolo.
XXX. B.16.-2., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino.
h. 61,5 l. 39
Bernardo Daddi metà del XIV secolo.
Photo by Brogi.
XXX. B.16.-3., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino.
h. 61,5 l. 39
Bernardo Daddi metà del XIV secolo.
Photo Reali, Firenze
Label of "Apollo" magazine on the verso.
XXX. B.16.-4., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino.
h. 61,5 l. 39
Bernardo Daddi metà del XIV secolo.
Annotated on the verso "Bernardo Daddi, 0.37 x 0.76".
XXX. B.16.-5., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino.
h. 61,5 l. 39
Bernardo Daddi metà del XIV secolo.
XXX. B.16.-6., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino.
h. 61,5 l. 39
Bernardo Daddi metà del XIV secolo.
Neg.
XXX. C.1.-1., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea cuspidata, intagliata, decorata a pastiglia e dorata: Madonna col Bambino lattante. Sul basamento due stemmi: giglio blu e fasce alternate in blu/oro.
h. 115,5 l. 62,5
Pittore toscano della fine del XIV secolo.
Oversize, II.B.1.XXX.C.1.-1. folder 186.
XXX. C.1.-2., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea cuspidata, intagliata, decorata a pastiglia e dorata: Madonna col Bambino lattante. Sul basamento due stemmi: giglio blu e fasce alternate in blu/oro.
h. 115,5 l. 62,5
Pittore toscano della fine del XIV secolo.
Annotated on the verso "Nicolò di Piero Gerini (Perkins)".
XXX. C.1.-3., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea cuspidata, intagliata, decorata a pastiglia e dorata: Madonna col Bambino lattante. Sul basamento due stemmi: giglio blu e fasce alternate in blu/oro.
h. 115,5 l. 62,5
Pittore toscano della fine del XIV secolo.
Oversize, II.B.1.XXX.C.1.-3. folder 187.
XXX. C.1.-4., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea cuspidata, intagliata, decorata a pastiglia e dorata: Madonna col Bambino lattante. Sul basamento due stemmi: giglio blu e fasce alternate in blu/oro.
h. 115,5 l. 62,5
Pittore toscano della fine del XIV secolo.
Annotated on the verso "Near Orcagna. Offner and Perkins - Niccolò di Piero Gerini - Florentine".
XXX. C.9.-1., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: S. Lucia tra Santo Martire e Antonio Abate.
h. 135,5 l. 95,5
Bicci di Lorenzo, fine del XIV secolo.
XXX. C.9.-2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: S. Lucia tra Santo Martire e Antonio Abate.
h. 135,5 l. 95,5
Bicci di Lorenzo, fine del XIV secolo.
Neg.
XXX. C.11., undated, inclusive
General note
ALTORILIEVO in terracotta dipinta e dorata: Madonna col Bambino.
h. 92,5 l. 35,5
Michele da Firenze del XV secolo.
Photo Reali, Firenze.
XXX. C.12., undated, inclusive
General note
RILIEVO in marmo bianco scolpito (su marmo nero del fondo): Busto di Vespasiano. Iscrizione: "Dius Vespasianus".
h. 77 l. 45,5
Attribuito a Desiderio da Settignano.
Photo Reali, Firenze (numbered 111. on the verso).
XXX. C.18., undated, inclusive
General note
DIPINTO a olio (?) su tavola: Madonna col Bambino e S. Giovannino.
h. 36 l. 57,5
Maestro dell'Epifania di Fiesole.
Rientrato nel Luglio del 1995 dal furto del febbraio 1978.
XXX. D.1.-1., undated, inclusive
General note
DIPINTO a tempera su tavola con cornice lignea dorata: S. Cristoforo.
h. 191 l. 85
Bicci di Lorenzo, fine XIV-inizio del XV secolo.
XXX. D.1.-2., undated, inclusive
General note
DIPINTO a tempera su tavola con cornice lignea dorata: S. Cristoforo.
h. 191 l. 85
Bicci di Lorenzo, fine XIV-inizio del XV secolo.
XXX. D.1.-3., undated, inclusive
General note
DIPINTO a tempera su tavola con cornice lignea dorata: S. Cristoforo.
h. 191 l. 85
Bicci di Lorenzo, fine XIV-inizio del XV secolo.
Photo Reali, Firenze.
XXX. D.1.-4., undated, inclusive
General note
DIPINTO a tempera su tavola con cornice lignea dorata: S. Cristoforo.
h. 191 l. 85
Bicci di Lorenzo, fine XIV-inizio del XV secolo.
Detail
XXX. D.2., undated, inclusive
General note
DIPINTO a tempera su tavola con cornice lignea intagliata dorata: Madonna col Bambino nell'aureola della Madonna : "Ora. Pro. Nobis. Sant.".
h. 82 l. 55
Pittore senese del XIV secolo (?).
Photo Reali, Firenze (numbered 42 on the verso).
XXX. D.3.-1., undated, inclusive
General note
STATUETTE (coppia) in marmo bianco scolpito su base di legno intagliato: Puttini con coppa, una delle quali presenta tracce di doratura.
h. 57
Scultore romano del XVI secolo.
XXX. D.3.-2., undated, inclusive
General note
STATUETTE (coppia) in marmo bianco scolpito su base di legno intagliato: Puttini con coppa, una delle quali presenta tracce di doratura.
h. 57
Scultore romano del XVI secolo.
XXX. D.7.-1., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata, cornice lignea intagliata, dipinta e dorata: Madonna col Bambino. Alla base iscrizione: "Ave Maria Gratia Plena Dom."
h. 103,5 l. 68,5
Pittore fiorentino dell'inizio del XV secolo.
Annotated on the verso "Lorenzo di Niccolò - son of Niccolo di Pietro Gerini. Also att. Nardi di Cione".
No image available for inspection, undated, inclusive
XXX. D.7.-3., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata, cornice lignea intagliata, dipinta e dorata: Madonna col Bambino. Alla base iscrizione: "Ave Maria Gratia Plena Dom."
h. 103,5 l. 68,5
Pittore fiorentino dell'inizio del XV secolo.
XXX. D.11., undated, inclusive
General note
DIPINTO a olio su tavola in cornice lignea modanata a colmo e dorata: Madonna in trono col Bambino e i santi Giovanni Evangelista e Davide.
h. 113,5 l. 85
Pittore umbro (?) dell'inizio del XVI secolo.
Photo Reali, Firenze.
XXX. E.17., undated, inclusive
General note
TAPPETO Kilim in lana tessuta e annodata, a minuti motivi decorativi vegetali.
Manifattura del Kurdistan.
Usura della superficie.
Annotated with measurements on the recto.
Photo by Foto-Labor, Roma.
XXXI. Sala del Crocifisso
XXXI.-1. general view, undated, inclusive
General note
Photo Reali, Firenze.
XXXI.-2. general view, undated, inclusive
XXXI.-3. general view, undated, inclusive
XXXI.-4. general view, undated, inclusive
XXXI.-5. general view, undated, inclusive
XXXI.-6. general view, undated, inclusive
General note
Annotated on the verso "Acton Collection. Crucifix by Maestro di S. Francesco. Stucco over maiolica cabinet by Urbano da Cortona. Fondi Oro left to right: Mariotto di Nardo, Starnina, and 'Strauss Master'".
Photo Reali, Firenze.
XXXI.-7. general view, 1951, inclusive
General note
Color print, 1951
XXXI.-8. general view, undated, inclusive
General note
With Crucifix
Color print.
XXXI. A.1., undated, inclusive
General note
RILIEVO a colmo in stucco dipinto con cornice lignea: Natività.
h. 84,5 l. 83
Bottega di Donatello della metà del XV secolo.
Photo Reali, Firenze (numbered 78 on the verso).
XXXI. A.37.-1., undated, inclusive
General note
SCULTURA in legno dipinto e dorato: Madonna col Bambino.
h. 142
Scultore umbro-laziale del XIV secolo.
Photo Reali, Firenze.
XXXI. A.37.-2., undated, inclusive
General note
SCULTURA in legno dipinto e dorato: Madonna col Bambino.
h. 142
Scultore umbro-laziale del XIV secolo.
Photographed in the Camera Blu. See also II.B.1.LXV.-4.21.-11.
XXXI. A.37.-3., undated, inclusive
General note
SCULTURA in legno dipinto e dorato: Madonna col Bambino.
h. 142
Scultore umbro-laziale del XIV secolo.
Photographed in the Camera Blu. See also II.B.1.LXV.-4.21.-11.
XXXI. A.37.-4., undated, inclusive
General note
SCULTURA in legno dipinto e dorato: Madonna col Bambino.
h. 142
Scultore umbro-laziale del XIV secolo.
Photographed in the Camera Blu (reversed print). See also II.B.1.LXV.-4a.21.-11a.
XXXI. A.39., undated, inclusive
General note
DIPINTO a olio su tavola: Sacra Famiglia. Cornice in legno modanata, intagliata, dipinta e dorata.
h. 108 l. 88
Artista fiammingo della fine del XVI secolo (Pietro Candido?).
XXXI. A.46.-1., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: Madonna in trono col Bambino e due angeli Il Redentore Benedicente nella cuspide. Alla base iscrizione: "ANO DNI MCCCCXXII" "Ave Maria Gratia Plena Dominus Teco B.Tus".
h. 198 l. 86
Attribuito a Mariotto di Nardo, 1422 (datato).
Oversize, II.B.1.XXXI.A.46.-1. folder 188.
XXXI. A.46.-2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: Madonna in trono col Bambino e due angeli Il Redentore Benedicente nella cuspide. Alla base iscrizione: "ANO DNI MCCCCXXII" "Ave Maria Gratia Plena Dominus Teco B.Tus".
h. 198 l. 86
Attribuito a Mariotto di Nardo, 1422 (datato).
Photo Reali, Firenze (numbered 214 on the verso).
XXXI. A.46.-3., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: Madonna in trono col Bambino e due angeli Il Redentore Benedicente nella cuspide. Alla base iscrizione: "ANO DNI MCCCCXXII" "Ave Maria Gratia Plena Dominus Teco B.Tus".
h. 198 l. 86
Attribuito a Mariotto di Nardo, 1422 (datato).
Photo Reali, Firenze (numbered 214bis on the verso).
Detail.
XXXI. B.1.-1., undated, inclusive
General note
DIPINTO a olio su tavola in cornice lignea intagliata e dorata: La Fortuna.
h. 82 l. 74,5
Il Poppi (?), XVI secolo.
XXXI. B.1.-2., undated, inclusive
General note
DIPINTO a olio su tavola in cornice lignea intagliata e dorata: La Fortuna.
h. 82 l. 74,5
Il Poppi (?), XVI secolo.
Photo Reali, Firenze (numbered 212 on the verso).
XXXI. B.1.-3., undated, inclusive
General note
DIPINTO a olio su tavola in cornice lignea intagliata e dorata: La Fortuna.
h. 82 l. 74,5
Il Poppi (?), XVI secolo.
Oversize, II.B.1.XXXI.B.1.-3. folder 189.
XXXI. B.1.-4., undated, inclusive
General note
DIPINTO a olio su tavola in cornice lignea intagliata e dorata: La Fortuna.
h. 82 l. 74,5
Il Poppi (?), XVI secolo.
Neg.
XXXI. B.7.-1., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto: Santo vescovo benedicente.
h. 173,5
Scultore italiano del XIII secolo.
XXXI. B.7.-2., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto: Santo vescovo benedicente.
h. 173,5
Scultore italiano del XIII secolo.
Photo Reali, Firenze (numbered 70 on the verso).
Label on the verso of "Apollo" magazine.
XXXI. C.1.-1., undated, inclusive
General note
DIPINTO a olio su tavola in cornice modanata e dorata: Madonna della Misericordia.
h. 133 l. 85,5
Jacopo di Montagnana, XV secolo.
XXXI. C.1.-2., undated, inclusive
General note
DIPINTO a olio su tavola in cornice modanata e dorata: Madonna della Misericordia.
h. 133 l. 85,5
Jacopo di Montagnana, XV secolo.
Photo Reali, Firenze (numbered 215 on the verso).
XXXI. C.1.-3., undated, inclusive
General note
DIPINTO a olio su tavola in cornice modanata e dorata: Madonna della Misericordia.
h. 133 l. 85,5
Jacopo di Montagnana, XV secolo.
Oversize, II.B.1.XXXI.C.1.-3. folder 189a.
XXXI. C.4., undated, inclusive
General note
PORTACERI (coppia) in legno di noce scolpito: chiavi in decusse e tiara, stemma non leggibile, sirene, protomi angeliche e festoni dipinto e lumeggiato d'oro.
h. 191,5
Bottega romana del XVII secolo.
XXXI. C.5., undated, inclusive
General note
DIPINTO a olio su tavola: Madonna in adorazione del Bambino con S. Giovannino, in cornice lignea intagliata e lumeggiata d'oro a motivi geometrici.
h. 85 l. 71,5
Giovan Battista Utili.
Photo Reali, Firenze (numbered 21 on the verso).
XXXI. C.7.-1., undated, inclusive
General note
DIPINTO su tavola cuspidata a tempera e pastiglia: Madonna col Bambino e i santi Nicola, Giovanni, Michele e Dionigi: stemmi a pastiglia nella cornice.
h. 95 l. 210,5
Maestro di San Remigio, seconda metà del XIII secolo.
XXXI. C.7.-2., undated, inclusive
General note
DIPINTO su tavola cuspidata a tempera e pastiglia: Madonna col Bambino e i santi Nicola, Giovanni, Michele e Dionigi: stemmi a pastiglia nella cornice.
h. 95 l. 210,5
Maestro di San Remigio, seconda metà del XIII secolo.
XXXI. C.7.-3., undated, inclusive
General note
DIPINTO su tavola cuspidata a tempera e pastiglia: Madonna col Bambino e i santi Nicola, Giovanni, Michele e Dionigi: stemmi a pastiglia nella cornice.
h. 95 l. 210,5
Maestro di San Remigio, seconda metà del XIII secolo.
Oversize, II.B.1.XXXI.C.7.-3. folder 190.
XXXI. C.7.-4., undated, inclusive
General note
DIPINTO su tavola cuspidata a tempera e pastiglia: Madonna col Bambino e i santi Nicola, Giovanni, Michele e Dionigi: stemmi a pastiglia nella cornice.
h. 95 l. 210,5
Maestro di San Remigio, seconda metà del XIII secolo
Annotated on the verso "School of Cimabue. Billiard Room".
XXXI. C.7.-5., undated, inclusive
General note
DIPINTO su tavola cuspidata a tempera e pastiglia: Madonna col Bambino e i santi Nicola, Giovanni, Michele e Dionigi: stemmi a pastiglia nella cornice.
h. 95 l. 210,5
Maestro di San Remigio, seconda metà del XIII secolo.
XXXI. C.7.-6., undated, inclusive
General note
DIPINTO su tavola cuspidata a tempera e pastiglia: Madonna col Bambino e i santi Nicola, Giovanni, Michele e Dionigi: stemmi a pastiglia nella cornice.
h. 95 l. 210,5
Maestro di San Remigio, seconda metà del XIII secolo.
Detail of the Madonna and Child.
XXXI. C.7.-7., undated, inclusive
General note
DIPINTO su tavola cuspidata a tempera e pastiglia: Madonna col Bambino e i santi Nicola, Giovanni, Michele e Dionigi: stemmi a pastiglia nella cornice.
h. 95 l. 210,5
Maestro di San Remigio, seconda metà del XIII secolo
Detail of the Madonna and Child.
Oversize, II.B.1.XXXI.C.7.-7. folder 191.
XXXI. C.7.-8., undated, inclusive
General note
DIPINTO su tavola cuspidata a tempera e pastiglia: Madonna col Bambino e i santi Nicola, Giovanni, Michele e Dionigi: stemmi a pastiglia nella cornice.
h. 95 l. 210,5
Maestro di San Remigio, seconda metà del XIII secolo.
Detail of the Madonna and Child.
XXXI. C.7.-9., undated, inclusive
General note
DIPINTO su tavola cuspidata a tempera e pastiglia: Madonna col Bambino e i santi Nicola, Giovanni, Michele e Dionigi: stemmi a pastiglia nella cornice.
h. 95 l. 210,5
Maestro di San Remigio, seconda metà del XIII secolo.
Detail of the Madonna and Child.
XXXI. C.7.-10., undated, inclusive
General note
DIPINTO su tavola cuspidata a tempera e pastiglia: Madonna col Bambino e i santi Nicola, Giovanni, Michele e Dionigi: stemmi a pastiglia nella cornice.
h. 95 l. 210,5
Maestro di San Remigio, seconda metà del XIII secolo.
Detail of the Madonna and Child.
XXXI. C.7.-11., undated, inclusive
General note
DIPINTO su tavola cuspidata a tempera e pastiglia: Madonna col Bambino e i santi Nicola, Giovanni, Michele e Dionigi: stemmi a pastiglia nella cornice.
h. 95 l. 210,5
Maestro di San Remigio, seconda metà del XIII secolo
Detail of the Madonna and Child.
Photo Reali, Firenze (numbered 210. on the verso).
XXXI. C.7.-12., undated, inclusive
General note
DIPINTO su tavola cuspidata a tempera e pastiglia: Madonna col Bambino e i santi Nicola, Giovanni, Michele e Dionigi: stemmi a pastiglia nella cornice.
h. 95 l. 210,5
Maestro di San Remigio, seconda metà del XIII secolo.
Oversize, II.B.1.XXXI.C.7.-12. folder 191a.
XXXI. C.8.-1., undated, inclusive
General note
RILIEVO a tondo in stucco dipinto: Madonna col Bambino.
d. 88,5 ca.
Da Francesco di Simone Ferrucci (copia dell'esemplare marmoreo nel monumento Tartagni in S. Domenico di Bologna) ultimo quarto del XV secolo.
XXXI. C.8.-2., undated, inclusive
General note
RILIEVO a tondo in stucco dipinto: Madonna col Bambino.
d. 88,5 ca.
Da Francesco di Simone Ferrucci (copia dell'esemplare marmoreo nel monumento Tartagni in S. Domenico di Bologna) ultimo quarto del XV secolo.
Photo Reali, Firenze (numbered 79 on the verso).
On the verso the label of "Apollo" magazine.
XXXI. C.9.-1., undated, inclusive
General note
MENSOLE (coppia) in legno scolpito, dipinto e dorato con putti reggistemma.
h. 09:55.2
Bottega lombarda del XVI secolo.
XXXI. C.9.-1a., undated, inclusive
General note
MENSOLE (coppia) in legno scolpito, dipinto e dorato con putti reggistemma.
h. 09:55.2
Bottega lombarda del XVI secolo.
Neg.
XXXI. C.9.-2., undated, inclusive
General note
MENSOLE (coppia) in legno scolpito, dipinto e dorato con putti reggistemma.
h. 09:55.2
Bottega lombarda del XVI secolo.
XXXI. C.9.-2a., undated, inclusive
General note
MENSOLE (coppia) in legno scolpito, dipinto e dorato con putti reggistemma.
h. 09:55.2
Bottega lombarda del XVI secolo.
Neg.
No image available for inspection, undated, inclusive
XXXI. C.10.-2., undated, inclusive
General note
DIPINTO a olio su tavola in cornice lignea intagliata, dipinta e dorata: Madonna col Bambino iscrizione: "Ave Maria Gratia Plena D. T.".
Pittore fiorentino del XV secolo.
Photo Reali, Firenze.
XXXI. D.1.-1., undated, inclusive
General note
DIPINTO a tempera su tavola sagomata e parzialmente dorata: Crocifissione con S. Francesco ai piedi della croce e iscrizione in alto: "IHS Nazarenus Rex Iudeorum" e in basso: "S. Franciscus "(si tratta, della croce dipinta, proveniente da Londra, ricordata in un "Inventory" del maggio 1931, p. 10, ritrovato nella credenza della Camera Blu-LXV).
h. 234 l. 161,5
Maestro di San Francesco, fine del XIII secolo.
Annotated on the recto and verso, indicating the separate fields to be photographed.
XXXI. D.1.-2., undated, inclusive
General note
DIPINTO a tempera su tavola sagomata e parzialmente dorata: Crocifissione con S. Francesco ai piedi della croce e iscrizione in alto: "IHS Nazarenus Rex Iudeorum" e in basso: "S. Franciscus" (si tratta, della croce dipinta, proveniente da Londra, ricordata in un "Inventory" del maggio 1931, p. 10, ritrovato nella credenza della Camera Blu-LXV).
h. 234 l. 161,5
Maestro di San Francesco, fine del XIII secolo.
Detail of the head of Christ.
XXXI. D.1.-3., undated, inclusive
General note
DIPINTO a tempera su tavola sagomata e parzialmente dorata: Crocifissione con S. Francesco ai piedi della croce e iscrizione in alto: "IHS Nazarenus Rex Iudeorum" e in basso: "S. Franciscus" (si tratta, della croce dipinta, proveniente da Londra, ricordata in un "Inventory" del maggio 1931, p. 10, ritrovato nella credenza della Camera Blu-LXV).
h. 234 l. 161,5
Maestro di San Francesco, fine del XIII secolo.
Detail of San Francesco at the foot of the Cross.
XXXI. D.1.-4., undated, inclusive
General note
DIPINTO a tempera su tavola sagomata e parzialmente dorata: Crocifissione con S. Francesco ai piedi della croce e iscrizione in alto: "IHS Nazarenus Rex Iudeorum" e in basso: "S. Franciscus" (si tratta, della croce dipinta, proveniente da Londra, ricordata in un "Inventory" del maggio 1931, p. 10, ritrovato nella credenza della Camera Blu-LXV).
h. 234 l. 161,5
Maestro di San Francesco, fine del XIII secolo.
Oversize, II.B.1.XXXI. D.1.-4. folder 192.
XXXI. D.1.-5., undated, inclusive
General note
DIPINTO a tempera su tavola sagomata e parzialmente dorata: Crocifissione con S. Francesco ai piedi della croce e iscrizione in alto: "IHS Nazarenus Rex Iudeorum" e in basso: "S. Franciscus" (si tratta, della croce dipinta, proveniente da Londra, ricordata in un "Inventory" del maggio 1931, p. 10, ritrovato nella credenza della Camera Blu-LXV).
h. 234 l. 161,5
Maestro di San Francesco, fine del XIII secolo.
Detail of the head of Christ.
Oversize, II.B.1.XXXI. D.1.-5. folder 192.
XXXI. D.1.-6., undated, inclusive
General note
DIPINTO a tempera su tavola sagomata e parzialmente dorata: Crocifissione con S. Francesco ai piedi della croce e iscrizione in alto: "IHS Nazarenus Rex Iudeorum" e in basso: "S. Franciscus" (si tratta, della croce dipinta, proveniente da Londra, ricordata in un "Inventory" del maggio 1931, p. 10, ritrovato nella credenza della Camera Blu-LXV).
h. 234 l. 161,5
Maestro di San Francesco, fine del XIII secolo.
Detail of San Francesco at the foot of the Cross.
Oversize, II.B.1.XXXI. D.1.-6. folder 192.
XXXI. D.2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata e cornice intagliata, dipinta e dorata con decorazioni a pastiglia: Madonna col Bambino in piedi.
h. 110,5 l. 62,3
Mariotto di Nardo, inizi del XV secolo.
Photo Reali, Firenze (numbered 218. on the verso).
XXXI. D.3.-1., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata e cornice intagliata, dipinta e dorata: Madonna col Bambino e iscrizione: "Ave Maria Gratia Plena (...)".
h. 110,5 l. 63,5
Pittore fiorentino del XV secolo.
Oversize, II.B.1.XXXI.D.3.-1. folder 193.
XXXI. D.3.-2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata e cornice intagliata, dipinta e dorata: Madonna col Bambino e iscrizione: "Ave Maria Gratia Plena (...)".
h. 110,5 l. 63,5
Pittore fiorentino del XV secolo.
Photo Reali, Firenze (numbered 219. on the verso).
XXXI. D.9.-1., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata e cornice modanata, dipinta e dorata: S. Onofrio e donatore. Nella Base iscrizione: "Questa: Tavola: Afata: Fare: Nicholo Di/ Pici: Perimedio: delanima: Sua: Anni: MCCC:LXXX".
Scuola dell'Orcagna (Giovanni del Biondo?), XIV secolo (datato 1380).
XXXI. D.9.-2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata e cornice modanata, dipinta e dorata: S. Onofrio e donatore. Nella Base iscrizione: "Questa: Tavola: Afata: Fare: Nicholo Di/ Pici: Perimedio: delanima: Sua: Anni: MCCC:LXXX".
Scuola dell'Orcagna (Giovanni del Biondo?), XIV secolo (datato 1380).
Photo Reali, Firenze (numbered 216. on the verso).
XXXI. D.11., undated, inclusive
General note
STATUETTA in alabastro scolpito: Angelo portacero base squadrata.
h. 48,5 base: h. 13,5
Scultore siciliano del XVI secolo.
Photo Reali, Firenze (numbered 103. on the verso).
XXXII. Sala da Pranzo
XXXII.-1. general view, undated, inclusive
XXXII.-2. general view, undated, inclusive
XXXII.-3. general view, undated, inclusive
General note
Annotated on the verso "Sala Pranzo molti anni fa".
XXXII.-4. general view, undated, inclusive
XXXII.-5. general view, undated, inclusive
XXXII.-6. general view, undated, inclusive
General note
Oversize, II.B.1. XXXII.-6. folder 194.
XXXII.-7. general view, undated, inclusive
General note
Oversize, II.B.1. XXXII.-7. folder 194.
XXXII.-8. general view, undated, inclusive
XXXII.-9. general view, undated, inclusive
General note
Photo by Brogi.
XXXII.-10. general view, undated, inclusive
General note
Photo by Brogi.
XXXII.-11. general view, undated, inclusive
XXXII.-12. general view, undated, inclusive
XXXII.-13. general view, undated, inclusive
XXXII.-14. general view, undated, inclusive
XXXII.-15. general view, undated, inclusive
XXXII.-16. general view, undated, inclusive
XXXII.-17. general view, undated, inclusive
XXXII.-18. general view, undated, inclusive
XXXII.-19. general view, ca. 1960s, inclusive
General note
Neg. by Barsotti.
XXXII.-20. general view, ca. 1960s, inclusive
General note
Neg. by Barsotti.
XXXII.-21. general view, ca. 1960s, inclusive
General note
Neg. by Barsotti.
XXXII.-22. general view, ca. 1960s, inclusive
General note
Neg. by Barsotti.
XXXII.-23. the dining table laid for dinner, ca. 1960s, inclusive
General note
Neg. by Barsotti.
XXXII. A.1., undated, inclusive
General note
RILIEVO in stucco dipinto entro tabernacolo ligneo intagliato e dipinto: Madonna col Bambino in alto iscrizione: "Ave regina celorum" in basso: "Ave Domina Angelorum".
h. 129,5 l. 74
Bottega di Desiderio da Settignano, XV secolo.
Photo Reali, Firenze (numbered 82. on the verso).
XXXII. A.9., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna (è stata spostata dalla Sala del Caminetto-XXI, C.4.).
h. 120
Artista umbro del XV secolo.
Photo Reali, Firenze (numbered 72. on the verso).
See also II.B.2.
XXXII. A.10., undated, inclusive
General note
RILIEVO in marmo scolpito: bocca di fonte con Putti alati su sfondo architettonico.
h. 58,5 l. 54,5
Bottega lombarda (?) del XV XVI secolo.
Photo Reali, Firenze (numbered 122. on the verso).
XXXII. A.11.-1., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata con decorazioni a pastiglia: Incoronazione della Vergine.
h. 147 l. 71
Mariotto di Nardo (?), fine del XIV secolo.
Oversize, II.B.1.XXXII.A.11.-1. folder 195.
XXXII. A.11.-2., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata con decorazioni a pastiglia: Incoronazione della Vergine.
h. 147 l. 71
Mariotto di Nardo (?), fine del XIV secolo.
Photo Reali, Firenze.
On the verso the label of "Apollo" magazine.
XXXII. A.13.-1., undated, inclusive
General note
RILIEVO in stucco con tracce di policromia: Madonna che adora il Bambino, in tabernacolo ligneo intagliato, dipinto e dorato.
h. 130 l. 121,5
Bottega di Donatello della metà del XV secolo.
XXXII. A.13.-2., undated, inclusive
General note
RILIEVO in stucco con tracce di policromia: Madonna che adora il Bambino, in tabernacolo ligneo intagliato, dipinto e dorato.
h. 130 l. 121,5
Bottega di Donatello della metà del XV secolo.
Photo Reali, Firenze.
XXXII. A.13.-3., undated, inclusive
General note
RILIEVO in stucco con tracce di policromia: Madonna che adora il Bambino, in tabernacolo ligneo intagliato, dipinto e dorato.
h. 130 l. 121,5
Bottega di Donatello della metà del XV secolo.
Photo Reali, Firenze.
XXXII. A.16.-1., undated, inclusive
General note
BUSTO in terracotta modellata a tutto tondo e patinata con interventi di colore su base lignea dipinta.
h. 36,5 base: h. 9 l. 44,5
Modellatore del XV (?), XIX secolo.
Photo Reali, Firenze.
XXXII. A.16.-2., undated, inclusive
General note
BUSTO in terracotta modellata a tutto tondo e patinata con interventi di colore su base lignea dipinta.
h. 36,5 base: h. 9 l. 44,5
Modellatore del XV (?), XIX secolo.
Detail of the head
XXXII. A.16.-3., undated, inclusive
General note
BUSTO in terracotta modellata a tutto tondo e patinata con interventi di colore su base lignea dipinta.
h. 36,5 base: h. 9 l. 44,5
Modellatore del XV (?), XIX secolo.
XXXII. A.18.-1., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Crocifissione con le Marie e S. Giovanni Evangelista. Iscrizione in basso: "Factus Obediensusque ad Mortem: Mortem A. Crucis".
h. 129,5 l. 71,5
Maestro di San Lucchese, fine del XIV secolo.
XXXII. A.18.-2., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Crocifissione con le Marie e S. Giovanni Evangelista. Iscrizione in basso: "Factus Obediensusque ad Mortem: Mortem A. Crucis".
h. 129,5 l. 71,5
Maestro di San Lucchese, fine del XIV secolo.
Photo Reali, Firenze.
XXXII. A.19.-1., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Madonna in trono col Bambino e angeli Il Redentore nella cuspide. In basso iscrizione: "(Anno) Domini MCCCLXXXV di XX (...) d'Agosto Que[sta] (Tavola) [Fec]e Andrea Nesi Far[e]".
h. 169 l. 90
Maestro di S. Martino a Mensola, ultimo quarto del XIV secolo (1385 datato).
Annotated on the verso "Mariotto di Nardo". Photo by Brogi.
XXXII. A.19.-2., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Madonna in trono col Bambino e angeli Il Redentore nella cuspide. In basso iscrizione: "(Anno) Domini MCCCLXXXV di XX (...) d'Agosto Que[sta] (Tavola) [Fec]e Andrea Nesi Far[e]".
h. 169 l. 90
Maestro di S. Martino a Mensola, ultimo quarto del XIV secolo (1385 datato).
Photo by Brogi.
XXXII. A.19.-3., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Madonna in trono col Bambino e angeli Il Redentore nella cuspide. In basso iscrizione: "(Anno) Domini MCCCLXXXV di XX (...) d'Agosto Que[sta] (Tavola) [Fec]e Andrea Nesi Far[e]".
h. 169 l. 90
Maestro di S. Martino a Mensola, ultimo quarto del XIV secolo (1385 datato).
XXXII. A.19.-4., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Madonna in trono col Bambino e angeli Il Redentore nella cuspide. In basso iscrizione: "(Anno) Domini MCCCLXXXV di XX (...) d'Agosto Que[sta] (Tavola) [Fec]e Andrea Nesi Far[e]".
h. 169 l. 90
Maestro di S. Martino a Mensola, ultimo quarto del XIV secolo (1385 datato).
XXXII. A.19.-5., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Madonna in trono col Bambino e angeli Il Redentore nella cuspide. In basso iscrizione: "(Anno) Domini MCCCLXXXV di XX (...) d'Agosto Que[sta] (Tavola) [Fec]e Andrea Nesi Far[e]".
h. 169 l. 90
Maestro di S. Martino a Mensola, ultimo quarto del XIV secolo (1385 datato).
Photo Reali, Firenze.
XXXII. A.25., undated, inclusive
General note
RILIEVI (due pannelli) in terracotta dipinta con tracce di doratura in cornice lignea intagliata e dorata: S. Giovanni Battista e S. Francesco.
h. 143 l. 77,5
Scultore padovano della metà XVI secolo.
Photo Reali, Firenze (numbered 77. on the verso).
XXXII. B.1., undated, inclusive
General note
DIPINTO a olio su tela in cornice lignea dipinta e dorata: Ultima Cena.
h. 137 l. 306
Scuola umbra degli inizi del XVI secolo.
Annotated on the verso "Last Supper height 3ft 6.5 inches, length 9 feet, on canvas".
XXXII. C.1.-1., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna Dolente ai piedi di una Crocifissione (con C.18.).
h. 172
Scultore laziale del XIII secolo.
Oversize, II.B.1.XXXII.C.1.-1. folder 196.
XXXII. C.1.-2., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna Dolente ai piedi di una Crocifissione (con C.18.).
h. 172
Scultore laziale del XIII secolo.
Oversize, II.B.1.XXXII.C.1.-2. folder 196.
XXXII. C.1.-3., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna Dolente ai piedi di una Crocifissione (con C.18.).
h. 172
Scultore laziale del XIII secolo.
Oversize, II.B.1.XXXII.C.1.-3.,folder 196.
XXXII. C.1.-4., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna Dolente ai piedi di una Crocifissione (con C.18.).
h. 172
Scultore laziale del XIII secolo.
XXXII. C.1.-5., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna Dolente ai piedi di una Crocifissione (con C.18.).
h. 172
Scultore laziale del XIII secolo.
Detail, photo by Brogi.
XXXII. C.1.-6., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna Dolente ai piedi di una Crocifissione (con C.18.).
h. 172
Scultore laziale del XIII secolo.
Photo Reali, Firenze.
XXXII. C.1.-7., 1973, inclusive
General note
SCULTURA in legno dipinto: Madonna Dolente ai piedi di una Crocifissione (con C.18.).
h. 172
Scultore laziale del XIII secolo.
Color print, 1973
XXXII. C.2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata in cornice lignea dipinta: San Michele Arcangelo e il drago.
h. 131
Jacopo del Casentino, XIV secolo.
Photo Reali, Firenze (numbered 15. on the verso).
XXXII. C.5., undated, inclusive
General note
STATUETTE (coppia) di Angeli suonatori d'arpa in legno scolpito, dipinto e dorato. iscrizione sull'orlo dell'abito: "Sor Virginia Sabbati" e "(...)Ra Vincentia Paulini".
h. 68,5
Bottega toscna dell'inizio del XVII secolo.
Photo Reali, Firenze (numbered 98. on the verso).
XXXII. C.9., undated, inclusive
General note
STATUETTE (coppia) di Angeli portacero, genuflessi, in legno scolpito e dipinto, su base lignea dorata (come gli esemplari di terracotta invetriata di Luca della Robbia, per l'altare del Sacramento nel Duomo di Firenze
h. 76,5
Bottega fiorentina, della metà del XV secolo.
Photo Reali, Firenze (numbered 97. on the verso).
XXXII. C.11.-1., undated, inclusive
General note
RILIEVO in terracotta (?) modellata e dipinta su base di legno dipinto e dorato: Madonna col Bambino.
h. 88 base: h. 16 l. 73
Scultore toscano del primo quarto del quattrocento (Jacopo della Quercia- Ghiberti
XXXII. C.11.-2., undated, inclusive
General note
RILIEVO in terracotta (?) modellata e dipinta su base di legno dipinto e dorato: Madonna col Bambino.
h. 88 base: h. 16 l. 73
Scultore toscano del primo quarto del quattrocento (Jacopo della Quercia- Ghiberti
Photo Reali, Firenze (numbered 73. on the verso).
Annotated on the verso "Acton Collection. Lorenzo Ghiberti. Madonna in terracotta". With the "Apollo" magazine label.
XXXII. C.11.-3., undated, inclusive
General note
RILIEVO in terracotta (?) modellata e dipinta su base di legno dipinto e dorato: Madonna col Bambino.
h. 88 base: h. 16 l. 73
Scultore toscano del primo quarto del quattrocento (Jacopo della Quercia- Ghiberti).
XXXII. C.11.-4., undated, inclusive
General note
RILIEVO in terracotta (?) modellata e dipinta su base di legno dipinto e dorato: Madonna col Bambino.
h. 88 base: h. 16 l. 73
Scultore toscano del primo quarto del quattrocento (Jacopo della Quercia- Ghiberti).
Photo by Brogi.
XXXII. C.11.-5., undated, inclusive
General note
RILIEVO in terracotta (?) modellata e dipinta su base di legno dipinto e dorato: Madonna col Bambino.
h. 88 base: h. 16 l. 73
Scultore toscano del primo quarto del quattrocento (Jacopo della Quercia- Ghiberti).
In a tabernacle, photo by Brogi.
XXXII. C.17., undated, inclusive
General note
STATUETTE (coppia) in legno scolpito, dipinto e dorato: Angeli con cornucopia reggicandelabro.
h. 65
Bottega senese del XV secolo.
Photo Reali, Firenze (numbered 100. on the verso).
XXXII. C.18.-1., undated, inclusive
General note
SCULTURA in legno dipinto: San Giovanni Evangelista ai piedi di una Crocifissione (con C.1.).
h. 170
Scultore laziale del XIII secolo.
Oversize, II.B.1.XXXII.C.18.-1. folder 197.
XXXII. C.18.-2., undated, inclusive
General note
SCULTURA in legno dipinto: San Giovanni Evangelista ai piedi di una Crocifissione (con C.1.).
h. 170
Scultore laziale del XIII secolo.
Oversize, II.B.1.XXXII.C.18.-2. folder 197.
XXXII. C.18.-3., undated, inclusive
General note
SCULTURA in legno dipinto: San Giovanni Evangelista ai piedi di una Crocifissione (con C.1.).
h. 170
Scultore laziale del XIII secolo.
Oversize, II.B.1.XXXII.C.18.-3. folder 197.
XXXII. C.18.-4., undated, inclusive
General note
SCULTURA in legno dipinto: San Giovanni Evangelista ai piedi di una Crocifissione (con C.1.).
h. 170
Scultore laziale del XIII secolo.
Photo by Brogi.
XXXII. C.18.-5., undated, inclusive
General note
SCULTURA in legno dipinto: San Giovanni Evangelista ai piedi di una Crocifissione (con C.1.
h. 170
Scultore laziale del XIII secolo.
Photo by Brogi.
XXXII. C.18.-6., undated, inclusive
General note
SCULTURA in legno dipinto: San Giovanni Evangelista ai piedi di una Crocifissione (con C.1.).
h. 170
Scultore laziale del XIII secolo.
Detail, photo by Brogi.
XXXII. C.18.-7., undated, inclusive
General note
SCULTURA in legno dipinto: San Giovanni Evangelista ai piedi di una Crocifissione (con C.1.).
h. 170
Scultore laziale del XIII secolo
Photo Reali, Firenze.
XXXII. C.20., undated, inclusive
General note
RILIEVO in stucco policromo e dorato con cornice lignea dipinta e dorata: Madonna col Bambino. Iscrizione: "Ave Maria Gratia Plena".
h. 105 l. 88,5
Bottega di Antonio Rossellino della seconda metà del XV secolo.
Photo Reali, Firenze (numbered 81. on the verso).
XXXII. D.1.-1., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna in trono col Bambino.
h. 114
Scultore italiano del XIII secolo.
Photo by Brogi.
XXXII. D.1.-2., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna in trono col Bambino.
h. 114
Scultore italiano del XIII secolo.
Photo Reali, Firenze (numbered 76. on the verso).
XXXII. D.2.-1., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna in trono col Bambino giglioforo e due angeli.
h. 132,5 l. 77,5
Pittore fiorentino della seconda metà del XIII secolo.
XXXII. D.2.-2., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna in trono col Bambino giglioforo e due angeli.
h. 132,5 l. 77,5
Pittore fiorentino della seconda metà del XIII secolo.
Oversize, II.B.1.XXXII.D.2.-2. folder 198.
XXXII. D.2.-3., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna in trono col Bambino giglioforo e due angeli.
h. 132,5 l. 77,5
Pittore fiorentino della seconda metà del XIII secolo.
Oversize, II.B.1.XXXII.D.2.-3. folder 198.
XXXII. D.2.-4., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna in trono col Bambino giglioforo e due angeli.
h. 132,5 l. 77,5
Pittore fiorentino della seconda metà del XIII secolo.
XXXII. D.2.-5., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna in trono col Bambino giglioforo e due angeli.
h. 132,5 l. 77,5
Pittore fiorentino della seconda metà del XIII secolo.
XXXII. D.2.-6., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna in trono col Bambino giglioforo e due angeli.
h. 132,5 l. 77,5
Pittore fiorentino della seconda metà del XIII secolo.
Photo Reali, Firenze.
XXXII. D.2.-7., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna in trono col Bambino giglioforo e due angeli.
h. 132,5 l. 77,5
Pittore fiorentino della seconda metà del XIII secolo.
Oversize, II.B.1.XXXII.D.2.-7. folder 198.
XXXII. D.5.-1., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna in trono col Bambino (e uccellino).
h. 123
Scultore fiorentino (?) del XIII secolo.
XXXII. D.5.-2., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna in trono col Bambino (e uccellino).
h. 123
Scultore fiorentino (?) del XIII secolo.
Photo by Brogi.
XXXII. D.5.-3., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna in trono col Bambino (e uccellino).
h. 123
Scultore fiorentino (?) del XIII secolo.
XXXII. D.5.-4., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna in trono col Bambino (e uccellino).
h. 123
Scultore fiorentino (?) del XIII secolo.
Photo Reali, Firenze (numbered 66. on the verso).
XXXII. D.5.-5., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna in trono col Bambino (e uccellino).
h. 123
Scultore fiorentino (?) del XIII secolo.
Oversize, II.B.1.XXXII.D.5.-5. folder 198a.
XXXII. D.5.-6., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna in trono col Bambino (e uccellino)
h. 123
Scultore fiorentino (?) del XIII secolo.
Oversize, II.B.1.XXXII.D.5.-6. folder 198b.
XXXII. D.7.-1., undated, inclusive
General note
DIPINTO (polittico d'altare) a tempera su tavola, con cornice lignea scolpita e dorata: Madonna in trono col Bambino e i santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate nelle cuspidi: Madonna della Misericordia, l'Annunciazione e santa Margherita.
h. 171
Pittore fiorentino della fine del XIV secolo.
Oversize, II.B.1.XXXII.D.7.-1. folder 199.
XXXII. D.7.-2., undated, inclusive
General note
DIPINTO (polittico d'altare) a tempera su tavola, con cornice lignea scolpita e dorata: Madonna in trono col Bambino e i santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate nelle cuspidi: Madonna della Misericordia, l'Annunciazione e santa Margherita.
h. 171
Pittore fiorentino della fine del XIV secolo.
Detail of the Madonna della Misericordia.
XXXII. D.7.-3., undated, inclusive
General note
DIPINTO (polittico d'altare) a tempera su tavola, con cornice lignea scolpita e dorata: Madonna in trono col Bambino e i santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate nelle cuspidi: Madonna della Misericordia, l'Annunciazione e santa Margherita.
h. 171
Pittore fiorentino della fine del XIV secolo.
Detail of the Madonna della Misericordia.
Oversize, II.B.1.XXXII.D.7.-3. folder 200.
XXXII. D.7.-4., undated, inclusive
General note
DIPINTO (polittico d'altare) a tempera su tavola, con cornice lignea scolpita e dorata: Madonna in trono col Bambino e i santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate nelle cuspidi: Madonna della Misericordia, l'Annunciazione e santa Margherita.
h. 171
Pittore fiorentino della fine del XIV secolo.
Detail of the angel on the right playing a musical instrument.
XXXII. D.7.-5., undated, inclusive
General note
DIPINTO (polittico d'altare) a tempera su tavola, con cornice lignea scolpita e dorata: Madonna in trono col Bambino e i santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate nelle cuspidi: Madonna della Misericordia, l'Annunciazione e santa Margherita.
h. 171
Pittore fiorentino della fine del XIV secolo.
Detail of the angel on the left playing a musical instrument.
XXXII. D.7.-6., undated, inclusive
General note
DIPINTO (polittico d'altare) a tempera su tavola, con cornice lignea scolpita e dorata: Madonna in trono col Bambino e i santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate nelle cuspidi: Madonna della Misericordia, l'Annunciazione e santa Margherita.
h. 171
Pittore fiorentino della fine del XIV secolo.
XXXII. D.7.-7., undated, inclusive
General note
DIPINTO (polittico d'altare) a tempera su tavola, con cornice lignea scolpita e dorata: Madonna in trono col Bambino e i santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate nelle cuspidi: Madonna della Misericordia, l'Annunciazione e santa Margherita.
h. 171
Pittore fiorentino della fine del XIV secolo.
Photo Reali, Firenze.
XXXII. D.10., undated, inclusive
General note
STATUETTA in terracotta modellata a tutto tondo e dipinta: San Sebastiano.
h. 66,5
Artista fiorentino della prima metà del XVI secolo.
XXXII. D.13., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata e dorata: Sant'Ansano con iscrizione: "S.C.S. Sanus Martir".
h. 131 l. 63
Artista senese inizi del XV secolo.
Photo Reali, Firenze.
XXXII. E.4., undated, inclusive
General note
TAVOLO (PIEDISTALLO) in marmo scolpito con colonna tortile al centro e tre paraste con zampe leonine, motivi decorativi vegetali, mascheroni.
h. 109,5 d. 77
Bottega romana del XIX secolo.
Cabinet card photo by Luigi Cattani Firenze, annotated on the verso "1.10 x 0.75 [diametre]".
XXXII. E.8., undated, inclusive
General note
TAVOLO da centro in legno di noce scolpito, zampe leonine con protomi di ariete sotto il piano fregio con delfini ed elementi vegetali.
h. 83 d. 119
Bottega veneta (?) del XVII-XVIII secolo.
XLII. Corridoio
XLII. D.1., undated, inclusive
General note
DIPINTO a olio su tela in cornice lignea intagliata e dorata: Ritratto virile.
h. 90 l. 74,5
Pittore bolognese o cerchia di Andrea Sacchi (Vossilla) del XVII secolo.
Photo Reali, Firenze (numbered 217. on the verso).
XLII. D.4.-1., undated, inclusive
General note
DIPINTO a olio su tela in cornice lignea intagliata a motivi di ovoli ed elementi vegetali, e dorata: San Giovanni Battista.
h. 78 l. 68,5
Pittore napoletano del XVII secolo.
Annotated on the verso "about life size - Guido Reni".
XLII. D.4.-2., undated, inclusive
General note
DIPINTO a olio su tela in cornice lignea intagliata a motivi di ovoli ed elementi vegetali, e dorata: San Giovanni Battista.
h. 78 l. 68,5
Pittore napoletano del XVII secolo.
XLII. D.12., undated, inclusive
General note
AFFRESCO trasportato su tela: La Carità in Gloria cartiglio con scritta "Giovanni" vicino ad un putto (da villa Colletta).
h. 317 l. 131
Pittore toscano, XVII secolo (Giovanni da San Giovanni.
XLIV. Ufficio
XLIV. B.3., undated, inclusive
General note
INCISIONE in cornice di legno modanato: Figure intorno ad una sfera armillare? In basso: I Boydell. Exc.t. A sinistra: Jos.h Wright pinxit a destra: W.m. Pether fecit 1768. Stemma in basso sorretto da un cervo e da un cane.
h. 56 l. 67
J. Wright (pittore) W. Pether (incisore), XVIII secolo (datata 1768).
The subject is "A philosopher lecturing on the Orrery" (a planatery device). The original painting (exhibited in 1766) by Wright of Derby for this print is in the Derby Museum and Art Gallery, GB.
Photo by Reali. Annotated on the verso: cm. 63 x 52, and numbered 211.
Oversize, II.B.1.XLIV. B.3. folder 200a.
XLIV. B.9., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno modanato e dorato: Ritratto di Arthur Acton.
h. 74 l. 60
William Merritt Chase (inizio del XX secolo
Con iscrizione: "To my friend Acton, Wm. M. Chase"
Photo by Reali.
XLIV. D.7., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Adorazione dei Magi.
h. 49 l. 218,5
Pittore lombardo del XVIII secolo.
Photo Reali, Firenze.
Oversize, II.B.1.XLIV. D.7. folder 201.
XLVI. Bagno Camera Giallo
XLVI. B.1., undated, inclusive
General note
PANNELLI decorativi (quattro) con incisioni acquarellate montate su tela e listello di legno: Cineserie con scene familiari o scene di genere e scritta "A' Paris ches Daumont" (cfr. pp. LXII. B.3.).
h. 152 l. 58
Incisore francese del XVIII secolo.
XLVII. Camera Giallo
XLVII. C.1.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Fuga da Sodoma: Lot e le figlie.
h. 164 l. 168,5
Paolo De Matteis.
Oversize, II.B.1.XLVII.C.1.-1. folder 202.
XLVII. A.3., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata e dorata: Scena in un giardino: Cineseria.
h. 79 l. 64
Pittore veneto del XVIII secolo.
XLVII. C.1.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Fuga da Sodoma: Lot e le figlie.
h. 164 l. 168,5
Paolo De Matteis
Photo Reali, Firenze (numbered 165. on the verso).
XLVII. D.1.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Festa in maschera a Venezia (Il Ridotto.
h. 111 l. 140,5
Scuola veneziana del XVIII secolo.
Oversize, II.B.1.XLVII.D.1.-1. folder 203.
XLVII. D.1.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Festa in maschera a Venezia (Il Ridotto.
h. 111 l. 140,5
Scuola veneziana del XVIII secolo.
XLVII. D.1.-3., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Festa in maschera a Venezia (Il Ridotto.
h. 111 l. 140,5
Scuola veneziana del XVIII secolo.
XLVIII. Camera dei Genitori
XLVIII.-1. general view, ca. 1903, inclusive
General note
Annotated on the verso by HMA "Our bedroom".
XLVIII.-1a. general view, ca. 1903, inclusive
General note
Neg.
XLVIII.-2. general view, ca. 1903, inclusive
XLVIII.-2a. general view, ca. 1903, inclusive
General note
Neg.
XLVIII.-3. general view, undated, inclusive
XLVIII.-4. general view, undated, inclusive
XLVIII.-5. general view, undated, inclusive
XLVIII.-5a. and 5b. general view, 1916, inclusive
General note
Neg and print.
XLVIII.-6. general view, undated, inclusive
XLVIII.-7. general view, undated, inclusive
XLVIII.-8. general view, undated, inclusive
XLVIII.-9. general view, undated, inclusive
XLVIII.-10. general view, undated, inclusive
XLVIII.-11. general view, undated, inclusive
XLVIII.-12. general view, undated, inclusive
XLVIII.-13. general view, undated, inclusive
XLVIII.-14. general view, undated, inclusive
XLVIII.-15. general view (with A.17.,A.18.,and A.19.), undated, inclusive
General note
Photo Reali, Firenze (numbered 199. on the verso).
XLVIII.-16. general view (with D.20 and D.23), undated, inclusive
General note
Photo Reali, Firenze (numbered 200. on the verso).
XLVIII. A.2.-1., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea intagliata, dipinta e dorata: Madonna che adora il Bambino con melagrana e arancia. Stemmi nella parte inferiore della cornice e scritta: "Ave Maria Gratia plena Dominus T."
h. 123 l. 92,5
Francesco Pesellino.
Annotated on the verso "Fra Diamante?, contemporary Filippo Lippi".
XLVIII. A.2.-2., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea intagliata, dipinta e dorata: Madonna che adora il Bambino con melagrana e arancia. Stemmi nella parte inferiore della cornice e scritta: "Ave Maria Gratia plena Dominus T."
h. 123 l. 92,5
Francesco Pesellino.
XLVIII. A.2.-3., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea intagliata, dipinta e dorata: Madonna che adora il Bambino con melagrana e arancia. Stemmi nella parte inferiore della cornice e scritta: "Ave Maria Gratia plena Dominus T."
h. 123 l. 92,5
Francesco Pesellino.
XLVIII. A.2.-4., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea intagliata, dipinta e dorata: Madonna che adora il Bambino con melagrana e arancia. Stemmi nella parte inferiore della cornice e scritta: "Ave Maria Gratia plena Dominus T."
h. 123 l. 92,5
Francesco Pesellino.
Photo Reali, Firenze
Annotated on the verso "Acton Collection: Madonna by the 'Master of the Castello Nativity'", with the "Apollo" magazine label.
XLVIII. A.2.-5., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea intagliata, dipinta e dorata: Madonna che adora il Bambino con melagrana e arancia. Stemmi nella parte inferiore della cornice e scritta: "Ave Maria Gratia plena Dominus T."
h. 123 l. 92,5
Francesco Pesellino.
Oversize, II.B.1.XLVIII.A.2.-5. folder 204.
XLVIII. A.2.-6., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea intagliata, dipinta e dorata: Madonna che adora il Bambino con melagrana e arancia. Stemmi nella parte inferiore della cornice e scritta: "Ave Maria Gratia plena Dominus T."
h. 123 l. 92,5
Francesco Pesellino.
Oversize, II.B.1.XLVIII.A.2.-6. folder 204.
XLVIII. A.5.a and A.5.b., undated, inclusive
General note
DIPINTI (due) a tempera su tavola in cornice a tabernacolo modanata e dorata: Profeti.
h. 35 l. 26
Andrea di Bartolo (?).
Photo Reali, Firenze (numbered 133. on the verso).
XLVIII. A.10., undated, inclusive
General note
STATUETTA in cartapesta e legno dipinti in policromia, entro teca di vetro: San Michele.
h. 46 l. 25,5 p. 18
Bottega napoletana del XVII secolo.
Photo Reali, Firenze (numbered 194. on the verso).
XLVIII. A.11.-1., undated, inclusive
General note
DIPINTO a tempera su tavola: trittico con la Crocifissione e due santi, Annunciazione nelle cuspidi.
h. 44,5 l. 43,5
Pittore senese del XV secolo.
XLVIII. A.11.-2., undated, inclusive
General note
DIPINTO a tempera su tavola: trittico con la Crocifissione e due santi, Annunciazione nelle cuspidi.
h. 44,5 l. 43,5
Pittore senese del XV secolo.
Annotated on the verso "Acton Collection: Bonifacio Bembo (Longhi attribution)".
Oversize, II.B.1.XLVIII.A.11.-2. folder 205.
XLVIII. A.11.-3., undated, inclusive
General note
DIPINTO a tempera su tavola: trittico con la Crocifissione e due santi, Annunciazione nelle cuspidi.
h. 44,5 l. 43,5
Pittore senese del XV secolo.
Neg. by Barsotti., Firenze.
XLVIII. A.17., undated, inclusive
General note
STATUETTA in terracotta modellata a tuttotondo: San Giovanni Battista.
h. 34
Bottega fiorentina del XV (?) secolo.
Photo Reali, Firenze (numbered 191. on the verso).
XLVIII. A.18.-1., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea centinata con stemma alla base, dipinta e dorata: Madonna col Bambino. Iscrizione sull'aureola della Madonna: "Ave Maria Gratia Plen." su quella del Bambino: "Jesus Lux" e alla base: "In sole posuit tabernaculum. Suum".
h. 76 l. 48,5
Pittore senese del XIV secolo.
Annotated on the verso "Sano di Pietro. Bedroom - 12.5 x 17.5 inches".
XLVIII. A.18.-2., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea centinata con stemma alla base, dipinta e dorata: Madonna col Bambino. Iscrizione sull'aureola della Madonna: "Ave Maria Gratia Plen." su quella del Bambino: "Jesus Lux" e alla base: "In sole posuit tabernaculum. Suum".
h. 76 l. 48,5
Pittore senese del XIV secolo.
Photo Reali, Firenze (numbered 129. on the verso).
XLVIII. A.19., undated, inclusive
General note
RILIEVO in stucco policromo entro cornice lignea intagliata, dipinta e dorata: Madonna col Bambino (cfr. pt. XXI. A.1.
h. 158 l. 136,5
Bottega veneziana del XV secolo (Jacopo Sansovino).
Photo by Brogi.
XLVIII. A.19.-2., undated, inclusive
General note
RILIEVO in stucco policromo entro cornice lignea intagliata, dipinta e dorata: Madonna col Bambino (cfr. pt. XXI. A.1.
h. 158 l. 136,5
Bottega veneziana del XV secolo (Jacopo Sansovino).
Photo by Brogi.
Oversize, II.B.1.XLVIII.A.19.-2. folder 205a.
XLVIII. B.1.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata, dipinta e dorata con protomi umane e girali fioriti che si dipartono da un vaso: Scena mitologica: L'Età dell'Oro.
h. 222,5 l. 322
Pittore veneto dell'ultimo quarto del XVI secolo.
Oversize, II.B.1.XLVIII.B.1.-1. folder 206.
Photo by Brogi.
XLVIII. B.1.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata, dipinta e dorata con protomi umane e girali fioriti che si dipartono da un vaso: Scena mitologica: L'Età dell'Oro.
h. 222,5 l. 322
Pittore veneto dell'ultimo quarto del XVI secolo.
Photo Reali, Firenze (numbered 198. on the verso).
XLVIII. B.7., undated, inclusive
General note
STATUETTE in fusione di bronzo e dorate: Santa Martire (?) e Madonna Dolente (?).
h. 23,5
Scultore italiano del XVIII secolo.
XLVIII. B.8., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea modanata, dorata e dipinta: Madonna in trono col Bambino, S. Antonio Abate, S. Caterina d'Alessandria e due angeli reggicortina.
h. 34,5 l 26,5
Allegretto Nuzzi (?) XIV secolo.
Photo Reali, Firenze (numbered 131. on the verso).
XLVIII. B.10., undated, inclusive
General note
DIPINTO a tempera su tavola entro teca: Madonna col Bambino (esposto a Firenze alla mostra giottesca del 1937 col n. 211
h. 62,5 l. 53
Maestro toscano della metà del XIII secolo.
Photo Reali, Firenze (numbered 127. on the verso).
Annotated on the verso "Acton Collection: Pisan or Florentine 1265-1275", with the "Apollo" magazine label.
XLVIII. B.11.-1., undated, inclusive
General note
DIPINTO a tempera su tavola entro teca: Crocifissione con la Madonna e San Giovanni Evangelista.
h. 29 h. 23,5 teca: h. 34 l. 28
Pittore pisano del XIII secolo.
XLVIII. B.11.-2., undated, inclusive
General note
DIPINTO a tempera su tavola entro teca: Crocifissione con la Madonna e San Giovanni Evangelista.
h. 29 h. 23,5 teca: h. 34 l. 28
Pittore pisano del XIII secolo.
XLVIII. B.11.-3., undated, inclusive
General note
DIPINTO a tempera su tavola entro teca: Crocifissione con la Madonna e San Giovanni Evangelista.
h. 29 h. 23,5 teca: h. 34 l. 28
Pittore pisano del XIII secolo.
XLVIII. B.11.-4., undated, inclusive
General note
DIPINTO a tempera su tavola entro teca: Crocifissione con la Madonna e San Giovanni Evangelista.
h. 29 h. 23,5 teca: h. 34 l. 28
Pittore pisano del XIII secolo.
Photo Reali, Firenze (numbered 134. on the verso).
XLVIII. B.12.-1., undated, inclusive
General note
POLTRONA da parata in legno di noce scolpito con finali a stemmi anepigrafi dorati, sostegni dei braccioli e gambe anteriori a foglie di acanto dorate e piedi a zampe leonine. Tappezzeria di velluto rosso con applicazioni nello schienale di passamaneria con stemma.
h. 161 l. 75
Bottega fiorentina del XVII secolo.
XLVIII. B.12.-2., undated, inclusive
General note
POLTRONA da parata in legno di noce scolpito con finali a stemmi anepigrafi dorati, sostegni dei braccioli e gambe anteriori a foglie di acanto dorate e piedi a zampe leonine. Tappezzeria di velluto rosso con applicazioni nello schienale di passamaneria con stemma.
h. 161 l. 75
Bottega fiorentina del XVII secolo.
No image available for inspection, undated, inclusive
XLVIII. B.13.-2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata con iscrizione alla base: "Ave Maria Gratia Plena": Madonna col Bambino e committente Cherubino nella cuspide.
h. 131 l. 52
Niccolò di Tommaso.
Photo by Brogi.
Oversize, II.B.1.XLVIII.B.13.-2. folder 207.
XLVIII. B.13.-3., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata con iscrizione alla base: "Ave Maria Gratia Plena": Madonna col Bambino e committente Cherubino nella cuspide.
h. 131 l. 52
Niccolò di Tommaso.
Photo by Brogi.
XLVIII. B.13.-4., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata con iscrizione alla base: "Ave Maria Gratia Plena": Madonna col Bambino e committente Cherubino nella cuspide.
h. 131 l. 52
Niccolò di Tommaso.
Photo Reali, Firenze (numbered 136. on the verso).
XLVIII. B.19.-1., undated, inclusive
General note
DIPINTO ad olio su tela: La sacra famiglia in cornice lignea scolpita e dorata, con motivi di tipo classico, mascheroni e specchi dipinti a monocromo con le Virtù e figure allegoriche.
h. 192 l. 170 ca.
Giorgio Vasari, seconda metà del XVI secolo.
The painting is now in the Sala da Pranzo (XXXII).
XLVIII. B.19.-2., undated, inclusive
General note
DIPINTO ad olio su tela: La sacra famiglia in cornice lignea scolpita e dorata, con motivi di tipo classico, mascheroni e specchi dipinti a monocromo con le Virtù e figure allegoriche.
h. 192 l. 170 ca.
Giorgio Vasari, seconda metà del XVI secolo.
Photo Reali, Firenze (numbered 151. on the verso).
The painting is now in the Sala da Pranzo (XXXII).
XLVIII. B.20.-1., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: San Nicola di Bari.
h. 96 l. 51,5
Pittore senese del XIV-XV secolo.
Photo by Brogi, Annotated on the verso "Senese - Taddeo di Bartolo".
Oversize, II.B.1.XLVIII.B.20.-1. folder 208.
XLVIII. B.20.-2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: San Nicola di Bari.
h. 96 l. 51,5
Pittore senese del XIV-XV secolo.
Photo Reali, Firenze (numbered 123. on the verso).
XLVIII. B.21., undated, inclusive
General note
STATUETTA di legno scolpito con tracce di pittura e doratura: Cavallo alato (Pegaso) con base di legno dipinta di nero.
h. 39
Bottega toscana del XVI secolo (?).
Photo Reali, Firenze (numbered 190. on the verso).
XLVIII. B.22.-1., undated, inclusive
General note
DIPINTI (tre) a tempera su tavola entro tabernacolo ligneo cuspidato intagliato e dorato con figure di Apostoli e iscrizione alla base: S. Johannes. Ev:, Scs. Thomas, Scs. Jacobus.
h. 49 l. 18,5
Pittore senese del XV secolo (Bruno Santi: Taddeo di Bartolo).
XLVIII. B.22.-2., undated, inclusive
General note
DIPINTI (tre) a tempera su tavola entro tabernacolo ligneo cuspidato intagliato e dorato con figure di Apostoli e iscrizione alla base: S. Johannes. Ev:, Scs. Thomas, Scs. Jacobus.
h. 49 l. 18,5
Pittore senese del XV secolo (Bruno Santi: Taddeo di Bartolo
Photo Reali, Firenze (numbered 144. on the verso).
XLVIII. B.22.-3., undated, inclusive
General note
DIPINTI (tre) a tempera su tavola entro tabernacolo ligneo cuspidato intagliato e dorato con figure di Apostoli e iscrizione alla base: S. Johannes. Ev:, Scs. Thomas, Scs. Jacobus.
h. 49 l. 18,5
Pittore senese del XV secolo (Bruno Santi: Taddeo di Bartolo).
Oversize, II.B.1.XLVIII.B.22.-3. folder 209.
XLVIII. B.22.-4., ca. 1960s, inclusive
General note
DIPINTI (tre) a tempera su tavola entro tabernacolo ligneo cuspidato intagliato e dorato con figure di Apostoli e iscrizione alla base: S. Johannes. Ev:, Scs. Thomas, Scs. Jacobus.
h. 49 l. 18,5
Pittore senese del XV secolo (Bruno Santi: Taddeo di Bartolo).
Neg. by Barsotti.
XLVIII. B.23.-1., undated, inclusive
General note
TONDO ad olio su tela in cornice lignea modanata e dorata: Scena di banchetto.
d. 143 ca.
Pittore veneto della seconda metà XVI secolo (Vossilla: Domenico Tintoretto).
XLVIII. B.23.-2., undated, inclusive
General note
TONDO ad olio su tela in cornice lignea modanata e dorata: Scena di banchetto.
d. 143 ca.
Pittore veneto della seconda metà XVI secolo (Vossilla: Domenico Tintoretto).
Photo Reali, Firenze (numbered 154. on the verso).
XLVIII. B.23.-3., undated, inclusive
General note
TONDO ad olio su tela in cornice lignea modanata e dorata: Scena di banchetto.
d. 143 ca.
Pittore veneto della seconda metà XVI secolo (Vossilla: Domenico Tintoretto).
Oversize, II.B.1.XLVIII.B.23.-3. folder 209a.
XLVIII. B.27.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato a motivi vegetali e dorato: Ritratto di gentiluomo in abito rosso.
h. 163,5 l. 130
Pittore veneto del XVI secolo.
XLVIII. B.27.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato a motivi vegetali e dorato: Ritratto di gentiluomo in abito rosso.
h. 163,5 l. 130
Pittore veneto del XVI secolo.
Photo Reali, Firenze (numbered 159. on the verso).
XLVIII. B.27.-3., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato a motivi vegetali e dorato: Ritratto di gentiluomo in abito rosso.
h. 163,5 l. 130
Pittore veneto del XVI secolo.
Oversize, II.B.1.XLVIII.B.27.-3. folder 210.
XLVIII. B.28., undated, inclusive
General note
STATUETTA in legno scolpito e dorato: Aquila.
h. 40
Photo Reali, Firenze (numbered 192. on the verso).
XLVIII. C.1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato a motivi vegetali e dorato: Ritratto del Granduca Cosimo II e sua moglie Maria Maddalena d'Austria.
h. 175 l. 145 ca.
Scuola del Sustermans (Suttermans) (?) XVII secolo.
Photo Reali, Firenze (numbered 164. on the verso).
XLVIII. C.4., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice di legno intagliato, dipinto e dorato: Annunciazione. L'angelo pronuncia: "Ave Maria Gratia Plena Ben. Tui Muliers.". Iscrizione sulla base della cornice: "Ecce Ancilla Domini Fiat Mihi Secundum Verbum Tuum".
h. 47 l. 52,5
Marco Zoppo (?), XV secolo.
Photo Reali, Firenze (numbered 145. on the verso).
XLVIII. C.10.-1., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Madonna col Bambino. Iscrizione alla base della cornice: "Ave Maris Stella Dei Mat. Alma".
h. 73 l. 55,5
Sano di Pietro.
XLVIII. C.10.-2., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Madonna col Bambino. Iscrizione alla base della cornice: "Ave Maris Stella Dei Mat. Alma".
h. 73 l. 55,5
Sano di Pietro.
XLVIII. C.10.-3., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Madonna col Bambino. Iscrizione alla base della cornice: "Ave Maris Stella Dei Mat. Alma".
h. 73 l. 55,5
Sano di Pietro.
XLVIII. C.10.-4., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Madonna col Bambino. Iscrizione alla base della cornice: "Ave Maris Stella Dei Mat. Alma".
h. 73 l. 55,5
Sano di Pietro.
XLVIII. C.10.-5., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Madonna col Bambino. Iscrizione alla base della cornice: "Ave Maris Stella Dei Mat. Alma".
h. 73 l. 55,5
Sano di Pietro.
Photo Reali, Firenze (numbered 130. on the verso).
XLVIII. C.10.-6., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Madonna col Bambino. Iscrizione alla base della cornice: "Ave Maris Stella Dei Mat. Alma".
h. 73 l. 55,5
Sano di Pietro.
Oversize, II.B.1.XLVIII.C.10.-6. folder 210a.
XLVIII. C.12.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Ritratto di filosofo con libri. Segnato e datato: Bartolus Baldus 1630.
h. 136 l. 110
Pittore fiorentino del XVII secolo.
XLVIII. C.12.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Ritratto di filosofo con libri. Segnato e datato: Bartolus Baldus 1630.
h. 136 l. 110
Pittore fiorentino del XVII secolo.
Photo Reali, Firenze (numbered 158. on the verso).
XLVIII. D.10.-1., undated, inclusive
General note
DIPINTO a tempera su tavola entro teca: Madonna in trono col Bambino tra due santi e due angeli (dietro la teca cartellino: Mostra Giottesca 1937 n. 213
h. 43 l. 37,5
Maestro della Maddalena (attribuita dall'Offner) ultimo quarto del XIII secolo (1275 ca. ). Photo by Brogi.
Oversize, II.B.1.XLVIII. D.10.-1. folder 211.)
XLVIII. D.10.-2., undated, inclusive
General note
DIPINTO a tempera su tavola entro teca: Madonna in trono col Bambino tra due santi e due angeli (dietro la teca cartellino: Mostra Giottesca 1937 n. 213).
h. 43 l. 37,5
Maestro della Maddalena (attribuita dall'Offner) ultimo quarto del XIII secolo (1275 ca.).
Photo Reali, Firenze (numbered 139. on the verso).
XLVIII. D.14.-1., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice di legno modanato e dorato con punzonature: Adorazione dei pastori. Sul retro tondi punzonati.
h. 34,5 l. 30,5
Scuola fiorentina del XIV secolo.
XLVIII. D.14.-2., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice di legno modanato e dorato con punzonature: Adorazione dei pastori. Sul retro tondi punzonati.
h. 34,5 l. 30,5
Scuola fiorentina del XIV secolo.
Photo Reali, Firenze (numbered 138. on the verso).
XLVIII. D.15., undated, inclusive
General note
DIPINTO a olio su tavola in cornice lignea modanata, intagliata, dipinta e dorata: Santa Scolastica e committente.
h. 44 l. 28
Scuola senese del XV secolo (Vossilla: vicino a Bernardino Fungai
Photo Reali, Firenze (numbered 148. on the verso).
XLVIII. D.20.-1., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea modanata, dipinta e dorata: Madonna col Bambino.
h. 78 l. 68,5
Maestro senese (Segni di Bonaventura ?), XIII secolo
Photo by Brogi.
XLVIII. D.20.-2., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea modanata, dipinta e dorata: Madonna col Bambino.
h. 78 l. 68,5
Maestro senese (Segni di Bonaventura ?), XIII secolo.
XLVIII. D.20.-3., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea modanata, dipinta e dorata: Madonna col Bambino.
h. 78 l. 68,5
Maestro senese (Segni di Bonaventura ?), XIII secolo
Photo Reali, Firenze (numbered 124. on the verso).
XLVIII. D.23., undated, inclusive
General note
DIPINTI a tempera (due) su tavola in cornice lignea intagliata, dipinta e dorata: Storie di S. Benedetto: Fuga di S. Benedetto, S. Benedetto in preghiera.
h. 40 43,5 l. 44,5 48,5
Giovanni del Biondo, XV secolo. (San Benedetto in preghiera).
Photo Reali, Firenze (numbered 140. on the verso).
XLVIII. D.39., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea modanata: San Giuliano trasporta sul fiume un pellegrino.
h. 33 l. 53
Ambrogio di Baldese.
Photo Reali, Firenze (numbered 137. on the verso).
XLVIII. E.28., undated, inclusive
General note
TAVOLINO esagonale in legno di noce con cassetto e tre piedi a zampa di capra (?).
h. 78 l. 92 p. 80,5
Bottega fiorentina del XVI secolo.
XLVIII. E.29., undated, inclusive
General note
SCULTURA, rilievo in marmo bianco scolpito con Cavalli e cavalieri firmato con il monogramma L.K.
h. 26 l. 32,5
Ludwig Krug.
Photo Reali, Firenze.
L. Bagno Camera dei Genitori
L. A.8.-1., undated, inclusive
General note
PANNELLI decorativi (sei) con incisioni acquarellate montate su tela in cornice di legno dorato: Cineserie con scene familiari o scene di genere (cfr. Saletta, antecamera Sala da Ballo-LXII B.3.).
h. 156,5 l. 62
Incisore francese (?) del XVIII secolo.
L. A.8.-2., undated, inclusive
General note
PANNELLI decorativi (sei) con incisioni acquarellate montate su tela in cornice di legno dorato: Cineserie con scene familiari o scene di genere (cfr. Saletta, antecamera Sala da Ballo-LXII B.3.).
h. 156,5 l. 62
Incisore francese (?) del XVIII secolo.
L. A.8.-3., undated, inclusive
General note
PANNELLI decorativi (sei) con incisioni acquarellate montate su tela in cornice di legno dorato: Cineserie con scene familiari o scene di genere (cfr. Saletta, antecamera Sala da Ballo-LXII B.3.).
h. 156,5 l. 62
Incisore francese (?) del XVIII secolo.
L. A.8.-4., undated, inclusive
General note
PANNELLI decorativi (sei) con incisioni acquarellate montate su tela in cornice di legno dorato: Cineserie con scene familiari o scene di genere (cfr. Saletta, antecamera Sala da Ballo-LXII B.3.).
h. 156,5 l. 62
Incisore francese (?) del XVIII secolo.
L. B.2., undated, inclusive
General note
VASI (coppia) di forma cilindrica, con bocca svasata, in porcellana dipinta in policromia con Scene di caccia (pendant di B.3.).
h. 56,5
Manifattura cinese del XVIII secolo.
L. B.3./B.4., undated, inclusive
General note
POTICHES (tre) in porcellana dipinta in policromia con Scene di caccia (pendant di B.2.).
h. 62
Manifattura cinese del XVIII secolo.
L. E.4.-1., undated, inclusive
General note
PARAVENTO a quattro ante in tela dipinta a tempera, con Volatili, farfalle, e cagnolino. Telaio in legno dipinto (cfr. A.10).
h. 165 l. 200
Manifattura del XIX-XX secolo
Photo by Brogi.
L. E.4.-2., undated, inclusive
General note
PARAVENTO a quattro ante in tela dipinta a tempera, con Volatili, farfalle, e cagnolino. Telaio in legno dipinto (cfr. A.10).
h. 165 l. 200
Manifattura del XIX-XX secolo
Photo by Brogi.
LIII. Camera di Sir Harold (Camera del Barone)
LIII.-1. general view, undated, inclusive
General note
Photo by Brogi.
LIII. -2 general view, undated, inclusive
General note
Photo Reali, Firenze (numbered 205. on the verso).
LIII.-3. general view, undated, inclusive
General note
Photo Reali, Firenze (numbered 203. on the verso).
LIII.-4. general view, undated, inclusive
General note
Photo Reali, Firenze (numbered 204. on the verso).
LIII.-5. general view, undated, inclusive
LIII.-6. general view, undated, inclusive
LIII.-7. general view, undated, inclusive
LIII.-8. general view, 1951, inclusive
General note
Color print.
LIII. A.2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliata e dorata: Ritratto di quattro fanciulli.
h. 70 l. 80
Pittore dell'Europa settentrionale del XVIII secolo.
Photo Reali, Firenze (numbered 171. on the verso).
LIII. A.3.-1., undated, inclusive
General note
DIPINTO ad olio su tela ovale in cornice di legno modanata, intagliata e dorata: Riposo durante la fuga in Egitto.
h. 118 l. 138
Pittore napoletano del XVIII secolo.
LIII. A.3.-2., undated, inclusive
General note
DIPINTO ad olio su tela ovale in cornice di legno modanata, intagliata e dorata: Riposo durante la fuga in Egitto.
h. 118 l. 138
Pittore napoletano del XVIII secolo.
Photo Reali, Firenze (numbered 220. on the verso).
LIII. A.5., undated, inclusive
General note
DIPINTO (tondo) ad olio su tavola con cornice lignea modanata e dorata: Venere e Amore. Sul verso scritta: "Pittore Bernardino Galliari 1707-1794"(spostato dalla Camera blu-LXV
d. 37
Photo Reali, Firenze (numbered 153. on the verso).
LIII. A.27., undated, inclusive
General note
STATUETTA in legno scolpito e dipinto in policromia: Accattone.
h. 50
Intagliatore francese del XVIII secolo.
LIII. A.30., undated, inclusive
General note
PANNELLI (coppia) ad olio su tela dipinti in policromia a "trompe l'oeil" in cornice lignea modanata e dorata: Palchetti con vasellame.
h. 192 l. 85,5
Pittore italiano del XVIII (?) secolo.
Photo by Brogi.
LIII. A.57., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata e dorata: Scena agreste sulle rive di un fiume (pendant di A.62.).
h. 102,5 l. 72
Pittore italiano del XVIII secolo.
LIII. A.62., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata e dorata: Mendicanti in un bosco (pendant di A.57.).
h. 102,5 l. 71
Pittore italiano del XVIII secolo.
No image available for inspection, undated, inclusive
LIII. B.24., undated, inclusive
General note
DIPINTO ad olio su tela ovale in cornice rettangolare di legno intagliato a motivi vegetali a traforo e dorato, con specchi: Ritratto di fanciulla con fiori. In alto sulla cornice: A M intrecciata sotto corona ducale e lettere tra due serti: "E D L O S A F L I// G I D O S"
h. 129,5 l. 108,5
Photo Reali, Firenze (numbered 187. on the verso).
LIII. B.27c.-1., undated, inclusive
General note
MEDAGLIA in bronzo con ritratto di Carlo III di Borbone nel recto e iscrizione: "Carolus III Borbonius Rex Catholicus". Firmata Prieto E. Nel verso gruppo di persone su uno spalto con una bandiea e la scritta: "Acclamatio Augusta// Matriti III Idus Septembreis MDCCLVIIII".
d. mm. 55
LIII. B.27c.-2., undated, inclusive
General note
MEDAGLIA in bronzo con ritratto di Carlo III di Borbone nel recto e iscrizione: "Carolus III Borbonius Rex Catholicus". Firmata Prieto E. Nel verso gruppo di persone su uno spalto con una bandiea e la scritta: "Acclamatio Augusta// Matriti III Idus Septembreis MDCCLVIIII".
d. mm. 55
LIII. B.27d., undated, inclusive
General note
MEDAGLIA in bronzo con ritratto di Gian Gastone de' Medici, nel recto, e la scritta: "Io. Gasto. Ab. Aetruria. Princeps. Aet. Suae. A. XIV". Firmata M. Sold. B.
d. mm. 93
Massimiliano Soldani Benzi: ultimo quarto del XVII secolo.
LIII. B.27g.-1., undated, inclusive
General note
MEDAGLIA in bronzo con ritratto di Gian Gastone de' Medici, nel recto, e iscrizione: "Ioa. Gasto. Ma. D. Etr. VII" e data 1724. Nel verso Figura Femminile con una palma e la scritta: "Securitas Publica".
d. mm. 70
Scultore del XVIII (datato 1724).
LIII. B.27g.-2., undated, inclusive
General note
MEDAGLIA in bronzo con ritratto di Gian Gastone de' Medici, nel recto, e iscrizione: "Ioa. Gasto. Ma. D. Etr. VII" e data 1724. Nel verso Figura Femminile con una palma e la scritta: "Securitas Publica".
d. mm. 70
Scultore del XVIII (datato 1724).
LIII. A.59.-1., undated, inclusive
General note
BUREAU CABINET a due ante superiori e cinque cassetti, in legno laccato di nero, dipinto con cineserie e lumeggiato d'oro.
h. 224 l. 101 p. 60
Bottega romana (?) inglese (?) della prima metà XVIII secolo.
Photographed in Lancaster Gate, London.
LIII. A.59.-2., undated, inclusive
General note
BUREAU CABINET a due ante superiori e cinque cassetti, in legno laccato di nero, dipinto con cineserie e lumeggiato d'oro.
h. 224 l. 101 p. 60
Bottega romana (?) inglese (?) della prima metà XVIII secolo.
Photographed in Lancaster Gate, London.
LIII. A.59.-3., undated, inclusive
General note
BUREAU CABINET a due ante superiori e cinque cassetti, in legno laccato di nero, dipinto con cineserie e lumeggiato d'oro.
h. 224 l. 101 p. 60
Bottega romana (?) inglese (?) della prima metà XVIII secolo.
Photographed in Lancaster Gate, London.
LIII. A. 59.-4., undated, inclusive
General note
BUREAU CABINET a due ante superiori e cinque cassetti, in legno laccato di nero, dipinto con cineserie e lumeggiato d'oro.
h. 224 l. 101 p. 60
Bottega romana (?) inglese (?) della prima metà XVIII secolo.
Photographed in Lancaster Gate, London.
LIII. A.59.-5., undated, inclusive
General note
BUREAU CABINET a due ante superiori e cinque cassetti, in legno laccato di nero, dipinto con cineserie e lumeggiato d'oro.
h. 224 l. 101 p. 60
Bottega romana (?) inglese (?) della prima metà XVIII secolo.
Photographed in Lancaster Gate, London.
LIII. A.59.-6., undated, inclusive
General note
BUREAU CABINET a due ante superiori e cinque cassetti, in legno laccato di nero, dipinto con cineserie e lumeggiato d'oro.
h. 224 l. 101 p. 60
Bottega romana (?) inglese (?) della prima metà XVIII secolo.
Photographed in Lancaster Gate, London.
Annotated on the verso "have sent this desk and the two small pieces beside it".
LIII. C.31., undated, inclusive
General note
CASSETTONE a tre cassetti in legno sagomato intagliato, dipinto in policromia con motivi floreali e zoomorfi e dorato. Maniglie in bronzo.
h. 89 l. 131 p. 55
Bottega ligure della metà del XVIII secolo.
Photo by Brogi.
LIII. D.3.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata e dorata: Veduta del Palazzo Ducale a Venezia.
h. 86,5 l. 108
Zuccarelli (?) XVIII secolo.
Photo Reali, Firenze (numbered 222. on the verso).
LIII. D.3.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata e dorata: Veduta del Palazzo Ducale a Venezia.
h. 86,5 l. 108
Zuccarelli (?) XVIII secolo.
Photographed with D.15.
LIII. D.4., undated, inclusive
General note
COMO' a due cassetti in legno sagomato e dipinto di beige con decorazioni vegetali ad intaglio, e dorate maniglie in bronzo lavorato. Piano a finto marmo.
h. 86,5 l. 105 p.54,5
Bottega veneziana dell'ultimo quarto del XVIII secolo.
Photo by Brogi.
LIII. D.11.-1., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea dorata: Madonna col Bambino.
h. 23,5 l. 18,5
Pittore senese del XIV secolo
Oversize, II.B.1.LIII.D.11.-1. folder 212.
LIII. D.11.-2., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea dorata: Madonna col Bambino.
h. 23,5 l. 18,5
Pittore senese del XIV secolo
Photo Reali, Firenze (numbered 135. on the verso).
LIII. D.15., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata e dorata: Veduta di Piazza S. Marco a Venezia con la basilica di San Marco.
h. 89 l. 110,5.
Zuccarelli (?) XVIII secolo.
Photo Reali, Firenze (numbered 221. on the verso).
LVI. Sala da Studio (Antecamera del Barone)
LVI.-1. general view, undated, inclusive
LVI.-2. general view, undated, inclusive
LVI.-3. general view, undated, inclusive
LVI.-4. general view, undated, inclusive
LVI.-5. general view, undated, inclusive
LVI.-6. general view, undated, inclusive
LVI.-7. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-8. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-9. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-10. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-11. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-12. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-13. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-14. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-15. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-16. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-17. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-18. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-19. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-20. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-21. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-22. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI.-23. general view, 1915, inclusive
General note
When used as a day nursery.
Neg.
LVI. A.1., undated, inclusive
General note
SCULTURA - pannello decorativo in legno intagliato e dipinto a motivi di volute e grottesche.
h. 128 l. 100,5
Manifattura inglese (?) del XVIII (?) secolo.
LVI. A.3a.-1., undated, inclusive
General note
DIPINTI (due) a tempera grassa su tela in cornice sagomata, modanata e dorata: Paesaggio con scene mitologiche: Enea e Acate; Enea e Venere.
h. 205 l. 177 ca.
Scuola bolognese della metà XVIII secolo.
LVI. A.3a.-2., undated, inclusive
General note
DIPINTI (due) a tempera grassa su tela in cornice sagomata, modanata e dorata: Paesaggio con scene mitologiche: Enea e Acate; Enea e Venere.
h. 205 l. 177 ca.
Scuola bolognese della metà XVIII secolo.
Photo Reali, Firenze (numbered 178. on the verso).
LVI. A.3b.-1., undated, inclusive
General note
DIPINTI (due) a tempera grassa su tela in cornice sagomata, modanata e dorata: Paesaggio con scene mitologiche: Enea e Acate; Enea e Venere.
h. 205 l. 177 ca.
Scuola bolognese della metà XVIII secolo.
LVI. A.3b.-2., undated, inclusive
General note
DIPINTI (due) a tempera grassa su tela in cornice sagomata, modanata e dorata: Paesaggio con scene mitologiche: Enea e Acate; Enea e Venere.
h. 205 l. 177 ca.
Scuola bolognese della metà XVIII secolo.
Photo Reali, Firenze (numbered 179. on the verso).
LVI. B.1., undated, inclusive
General note
ARAZZO tessuto in lana e seta a "feuilles des choux" con balconata, uccelli esotici, frutta e fiori.
h. 270 l. 393
Manifattura fiamminga del XVI secolo.
Photo by Brogi.
No image available for inspection, undated, inclusive
No image available for inspection, undated, inclusive
LVI. C.1.-1., undated, inclusive
General note
DIPINTO a tempera grassa su tela in cornice di legno intagliato e dorato: Scena in un giardino con dame e cavalieri firmato sulla sinistra Vincenzo Martini (cfr. XLIV-Studio, B.1.).
h. 236 l. 186
Vincenzo Martini (Scuola piemontese), XVIII secolo.
Photo by Brogi.
LVI. C.1.-2., undated, inclusive
General note
DIPINTO a tempera grassa su tela in cornice di legno intagliato e dorato: Scena in un giardino con dame e cavalieri firmato sulla sinistra Vincenzo Martini (cfr. XLIV-Studio, B.1.).
h. 236 l. 186
Vincenzo Martini (Scuola piemontese), XVIII secolo.
Photo Reali, Firenze (numbered 177. on the verso).
LVI. C.8., undated, inclusive
General note
POLTRONE (coppia) in legno di noce intagliato con tappezzeria di seta gialla.
h. 88,5 l. 63 p. 51
Manifattura veneta del XVIII secolo.
Photo by Brogi.
LVI. D.2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata e dorata: Fanciulla con fiori e cagnolino.
h. 158,5 l. 122
Pittore piemontese del XVIII secolo.
Photo Reali, Firenze (numbered 186. on the verso).
LVII. Saletta (Antecamera Sala da Studio)
LVII. A.2., undated, inclusive
General note
PANNELLI (sei) decorativi ad olio su tela entro cornice di legno sagomato e dipinto: Scene di genere.
h. 178,5 l. 65
Pittore francese del XVIII secolo.
Photo by Brogi.
LVII. A.2., undated, inclusive
General note
PANNELLI (sei) decorativi ad olio su tela entro cornice di legno sagomato e dipinto: Scene di genere.
h. 178,5 l. 65
Pittore francese del XVIII secolo.
Photo by Brogi.
LVII. A.2., undated, inclusive
General note
PANNELLI (sei) decorativi ad olio su tela entro cornice di legno sagomato e dipinto: Scene di genere.
h. 178,5 l. 65
Pittore francese del XVIII secolo.
Photo by Brogi.
LX. Camera Verde
LX.-1. general view, undated, inclusive
LX.-2. general view, undated, inclusive
LX.-3. general view, undated, inclusive
LX.-4. general view, undated, inclusive
LX. A.4.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Scena di taverna.
h. 52 l. 43
Pittore romano bambocciante (?).
Annotated on the verso "Magnasco"
Photo by Brogi.
LX. A.4.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Scena di taverna.
h. 52 l. 43
Pittore romano bambocciante (?).
Photo Reali, Firenze (numbered 174. on the verso).
LX. A.10.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Tentazioni di S. Antonio Abate.
h. 203 l. 152
Alessandro Magnasco.
Photo by Brogi.
LX. A.10.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Tentazioni di S. Antonio Abate.
h. 203 l. 152
Alessandro Magnasco.
Detail.
Photo by Brogi.
LX. A.11.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Sogno di Giuseppe.
h. 69 l. 93,5
Pittore veneto del XVI secolo.
Annotated on the recto "durante la pulitura".
LX. A.11.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Sogno di Giuseppe.
h. 69 l. 93,5
Pittore veneto del XVI secolo.
Annotated on the recto "dopo il Restauro".
LX. A.12.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Rovine classiche con personaggi.
h. 86 l. 109
Alessandro Magnasco.
Photo by Brogi.
LX. A.12.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Rovine classiche con personaggi.
h. 86 l. 109
Alessandro Magnasco.
Photo Reali, Firenze (numbered 173. on the verso).
LX. A.13., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Satiro.
h. 54 l. 44
Pittore del XVII secolo.
No image available for inspection, undated, inclusive
LX. B.13.-2., undated, inclusive
General note
RILIEVO in legno intagliato e dipinto: Santa Maria Maddalena iscrizione entro un cartiglio: "VIVIT IN ME XP· Gal C. R.".
h. 89 l. 152,5
Scultore spagnolo della prima metà del XVI secolo.
Photo Reali, Firenze (numbered 195. on the verso).
LX. C.1a., undated, inclusive
General note
DIPINTI (due) ad olio su tavola in cornice lignea modanata, dipinta e dorata: Putti nella fontana di Amore.
h. 110 l. 71,5.
Pittore (senese ? Bartolomeo Neroni detto il Riccio) del XVI secolo.
Photo Reali, Firenze (numbered 150. on the verso).
LX. C.1b., undated, inclusive
General note
DIPINTI (due) ad olio su tavola in cornice lignea modanata, dipinta e dorata: Putti nella fontana di Amore.
h. 110 l. 71,5.
Pittore (senese ? Bartolomeo Neroni detto il Riccio) del XVI secolo.
Photo Reali, Firenze (numbered 149. on the verso).
LX. C.6., undated, inclusive
General note
STATUETTE (coppia) in terracotta dipinta in policromia: Guerrieri.
h. 47
Modellatore del XVI (?) (XIX ?) secolo.
LX. C.11., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato con motivi vegetali e due puttini, dipinto e dorato: Betsabea al bagno.
h. 96 l. 166
Pittore del XVIII secolo.
Photo Reali, Firenze (numbered 180. on the verso).
LX. D.1.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Venere e Marte.
h. 87 l. 69
Pittore del XIX secolo.
Photo by Brogi.
LX. D.1.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Venere e Marte.
h. 87 l. 69
Pittore del XIX secolo.
Photo Reali, Firenze (numbered 209. on the verso).
LX. D.3., undated, inclusive
General note
OROLOGIO a forma di cetra in bronzo dorato con base a parallelepipedo decorata con motivi vegetali e due corone di alloro con strumento musicale.
h. 50
Bottega francese del XIX secolo.
LXI. Sala da Ballo
LXI-1. general view, undated, inclusive
General note
Decorated with an altar and garlands and flowers [possibly for the Dillingham wedding in 1910]
LXI.-2. general view with a display of Madonna reliefs and other objects from the collection, undated, inclusive
LXI.-2a. general view with a display of Madonna reliefs and other objects from the collection, undated, inclusive
LXI.-3. general view with a gramaphone and a bench, undated, inclusive
LXI.-4. general view with a gramaphone and a bench, undated, inclusive
General note
See n. 26 above
LXI.-5. general view with a bench, undated, inclusive
LXI.-6. general view with a table, undated, inclusive
LXI.-7. general view with a table, undated, inclusive
General note
See n. 29 above
LXI.-8. general view, ca. 1935, inclusive
LXI.-8a. general view, ca. 1935, inclusive
LXI.-9. general view, ca. 1935, inclusive
LXI.-10. general view, ca. 1935, inclusive
LXI.-11. general view, ca. 1935, inclusive
LXI.-12. general view, ca. 1935, inclusive
LXI.-13. general view, ca. 1935, inclusive
LXI.-14. general view, ca. 1935, inclusive
LXI. A.3., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Ritratto di Vittorio Amedeo II di Savoia re di Sardegna (o Carlo Emanuele III?).
h. 231 l. 133
Maria Clementi (?) metà del XVIII secolo.
Photo Reali, Firenze (numbered 160. on the verso).
LXI. A.12.-1., undated, inclusive
General note
BUSTO in marmo bianco scolpito: Figura muliebre a seno scoperto (Virtù?) su base di legno modanato e dorato.
h. 95 ca
Scultore lombardo (o francese ?) del XVII secolo.
LXI. A.12.-2., undated, inclusive
General note
BUSTO in marmo bianco scolpito: Figura muliebre a seno scoperto (Virtù?) su base di legno modanato e dorato.
h. 95 ca
Scultore lombardo (o francese ?) del XVII secolo.
Photo by Brogi.
LXI. A.12.-3., undated, inclusive
General note
BUSTO in marmo bianco scolpito: Figura muliebre a seno scoperto (Virtù?) su base di legno modanato e dorato.
h. 95 ca
Scultore lombardo (o francese ?) del XVII secolo.
Oversize, II.B.1. LXI. A.12.-3. folder 212a.
LXI. A.12.-4., undated, inclusive
General note
BUSTO in marmo bianco scolpito: Figura muliebre a seno scoperto (Virtù?) su base di legno modanato e dorato.
h. 95 ca
Scultore lombardo (o francese ?) del XVII secolo.
LXI. A.15., ca., inclusive
General note
DIPINTO ad olio su tela in cornice di legno sagomata, intagliata e dorata: Ritratto di cacciatore.
h. 200 ca. l. 165 ca.
Giacomo Ceruti prima metà del XVIII secolo.
Photo Reali, Firenze (numbered 168. on the verso).
LXI. B.1., undated, inclusive
General note
STATUA in cartapesta e legno policroma: Nudo di donna su base di legno dipinto.
h. 184
Scultore toscano (Siena?) del XVI secolo.
Photographed inside a shell in a cupboard.
LXI. B.2.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato dipinto e dorato: Ritratto di gentiluomo a caccia.
h. 340 ca l. 253
Giacomo Ceruti metà del XVIII secolo (M. Gregori: intorno al 1743
Photo Reali, Firenze (numbered 161. on the verso).
LXI. B.2.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato dipinto e dorato: Ritratto di gentiluomo a caccia.
h. 340 ca l. 253
Giacomo Ceruti metà del XVIII secolo (M. Gregori: intorno al 1743).
LXI. B.2.-3., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato dipinto e dorato: Ritratto di gentiluomo a caccia.
h. 340 ca l. 253
Giacomo Ceruti metà del XVIII secolo (M. Gregori: intorno al 1743).
Oversize, II.B.1.LXI.B.2.-3. folder 213.
LXI. B.8.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato con protomi angeliche agli angoli: Ritratto di fanciullo con giocattolo.
h. 160 ca l. 136
Pittore spagnolo del XVII secolo.
LXI. B.8.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato con protomi angeliche agli angoli: Ritratto di fanciullo con giocattolo.
h. 160 ca l. 136
Pittore spagnolo del XVII secolo.
Photo Reali, Firenze (numbered 169. on the verso).
LXI. C.1., undated, inclusive
General note
SCULTURE statue (coppia) di legno scolpito, dipinto in policromia e dorato: Fanciulle more con grande cesto di frutta sul capo su base a forma di stemma.
h. 233
Manifattura italiana XVIII-XIX secolo.
One of the pair, Annotated on the verso "m.240".
LXI. C.3.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato dipinto e dorato con motivi di rocailles: Gentiluomo a cavallo (Ritratto di un Savoia
h. 340 ca l. 254,5
Giacomo Ceruti, metà del XVIII secolo (M. Gregori: intorno al 1743).
Photo Reali, Firenze (numbered 162. on the verso).
LXI. C.3.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato dipinto e dorato con motivi di rocailles: Gentiluomo a cavallo (Ritratto di un Savoia
h. 340 ca l. 254,5
Giacomo Ceruti, metà del XVIII secolo (M. Gregori: intorno al 1743).
LXI. C.3.-3., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato dipinto e dorato con motivi di rocailles: Gentiluomo a cavallo (Ritratto di un Savoia
h. 340 ca l. 254,5
Giacomo Ceruti, metà del XVIII secolo (M. Gregori: intorno al 1743).
Oversize, II.B.1.LXI.C.3.-3. folder 214.
LXI. D.2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Ritratto di gentiluomo.
h. 150 l. 132
Pittore del XVIII secolo.
Photo Reali, Firenze (numbered 167. on the verso).
LXI. E.3., undated, inclusive
General note
POLTRONE (quattordici) in legno intagliato, dipinto e lumeggiato d'oro con un medaglione
sullo schienale a imitazione delle placchette Wedgwood.
h. 106 l. 62 p. 47,5
Bottega del Nord Italia della fine del XVIII secolo.
Photographed in XXVII. Saletta con vedute.
Color transparency.
LXI. E.6., undated, inclusive
General note
SGABELLO in legno intagliato e dorato con traverse a voluta, incrociate e riunite da finale a bocciuolo di forma conica. Tappezzeria Gobelin con motivi floreali.
h. 52 l. 56 p. 47
Manifattura dell'Italia del Nord del primo quarto del XVIII secolo.
LXI. E.8., undated, inclusive
General note
SGABELLO in legno intagliato e dorato con traverse a voluta incrociate. Tappezzeria di seta avorio con motivi floreali.
h. 50 l. 80 p. 59,5
Manifattura inglese del primo quarto del XVIII secolo.
LXII. Saletta (Antecamera Sala da Ballo)
No image available for inspection, undated, inclusive
LXIV. Corridoio (Atrio di sopra)
LXIV.-1. general view, undated, inclusive
LXIV.-2. general view, undated, inclusive
LXIV. B.12a.-1., undated, inclusive
General note
CAPPELLI (tre) in nastro di raso intrecciato, fiori di perline e pietre dure applicati su manichini di cartapesta dipinta.
Manifattura europea, primo quarto del XX secolo.
LXIV. B.12a.-2., undated, inclusive
General note
CAPPELLI (tre) in nastro di raso intrecciato, fiori di perline e pietre dure applicati su manichini di cartapesta dipinta.
Manifattura europea, primo quarto del XX secolo.
LXIV. B.12a.-3., undated, inclusive
General note
CAPPELLI (tre) in nastro di raso intrecciato, fiori di perline e pietre dure applicati su manichini di cartapesta dipinta.
Manifattura europea, primo quarto del XX secolo.
LXIV. B.12a.-4., undated, inclusive
General note
CAPPELLI (tre) in nastro di raso intrecciato, fiori di perline e pietre dure applicati su manichini di cartapesta dipinta.
Manifattura europea, primo quarto del XX secolo.
LXIV. C.2., undated, inclusive
General note
SPECCHIERE (coppia) in legno intagliato e dorato vetro argentato a mercurio e appliques alla base in lamiera ritagliata e battuta.
h. 92 l. 55
Manifattura italiana del XVIII secolo.
Photo by Brogi.
LXV. Camera Blu
LXV.-1. general view, undated, inclusive
General note
with LXV. A.11.
Photo Reali, Firenze (numbered 206. on the verso).
LXV.- 2. general view, undated, inclusive
General note
with LXV. B.6.
Photo Reali, Firenze (numbered 202. on the verso).
LXV.-3. general view, undated, inclusive
LXV.-4. general view, undated, inclusive
General note
See also II.B.1.XXXI. A.37.-4.16.-13.
LXV.-4a. general view, undated, inclusive
General note
See also II.B.1.XXXI. A.37.-4.16.-13.
LXV.-5. general view, undated, inclusive
LXV.-6. general view, undated, inclusive
LXV.-7. general view, undated, inclusive
LXV.-8. general view, undated, inclusive
LXV.-9. general view, undated, inclusive
LXV.-10. general view, undated, inclusive
LXV.-11. general view, undated, inclusive
LXV. A.1.-1., undated, inclusive
General note
DIPINTI (coppia) ad olio su tela in cornice di legno intagliato e dorato: Veduta di villa con giardino e Veduta di villa con chiesa e giardini (Villa d'Este a Tivoli e Villa Mattei
h. 117 l. 207
Pittore romano della fine del XVII secolo.
Villa Mattei
Annotated on the verso "sec. XVII. .Scuola Romana o fiamminga, Villa Celimontana".
LXV. A.1.-2., undated, inclusive
General note
DIPINTI (coppia) ad olio su tela in cornice di legno intagliato e dorato: Veduta di villa con giardino e Veduta di villa con chiesa e giardini (Villa d'Este a Tivoli e Villa Mattei).
h. 117 l. 207
Pittore romano della fine del XVII secolo.
Villa d'Este.
Annotated on the verso "sec. XVII. Scuola Romana o fiamminga - Villa d'Este".
LXV. A.1.-3., undated, inclusive
General note
DIPINTI (coppia) ad olio su tela in cornice di legno intagliato e dorato: Veduta di villa con giardino e Veduta di villa con chiesa e giardini (Villa d'Este a Tivoli e Villa Mattei).
h. 117 l. 207
Pittore romano della fine del XVII secolo.
Photo by Anna Marx, Scandicci, Firenze
Villa d'Este.
LXV. A.1.-4., undated, inclusive
General note
DIPINTI (coppia) ad olio su tela in cornice di legno intagliato e dorato: Veduta di villa con giardino e Veduta di villa con chiesa e giardini (Villa d'Este a Tivoli e Villa Mattei).
h. 117 l. 207
Pittore romano della fine del XVII secolo.
Photo Reali, Firenze (numbered 181. on the verso.
Annotated on the verso "Acton Collection, Florence. Villa d'Este, Tivoli. 17th century Roman painter".
LXV. A.1.-5., undated, inclusive
General note
DIPINTI (coppia) ad olio su tela in cornice di legno intagliato e dorato: Veduta di villa con giardino e Veduta di villa con chiesa e giardini (Villa d'Este a Tivoli e Villa Mattei).
h. 117 l. 207
Pittore romano della fine del XVII secolo.
Villa Mattei.
Photo by Brogi.
Oversize, II.B.1.LXV.A.1.-5. folder 214a.
No image available for inspection, undated, inclusive
LXV. A.4., undated, inclusive
General note
DIPINTO ad olio su tavola in cornice di legno modanata, dipinta e dorata con stemma: Madonna col Bambino in piedi, San Giovannino e San Francesco.
h. 90 l. 60
Pierfrancesco Fiorentino.
Photo Reali, Firenze (numbered 146. on the verso).
LXV. A.11.-1., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo.
h. 102 l. 129
Lippo di Benivieni XIV secolo.
Oversize, II.B.1.LXV.A.11.-1. folder 215.
LXV. A.11.-2., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo.
h. 102 l. 129
Lippo di Benivieni XIV secolo.
LXV. A.11.-3., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo.
h. 102 l. 129
Lippo di Benivieni XIV secolo.
Photo Reali, Firenze (numbered 125. on the verso).
On the verso the "Apollo" magazine label.
LXV. A.11.-4., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo.
h. 102 l. 129
Lippo di Benivieni XIV secolo.
Detail of the Madonna and Child.
LXV. A.11.-5., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo.
h. 102 l. 129
Lippo di Benivieni XIV secolo.
Detail of the Madonna and Child.
Oversize, II.B.1.LXV.A.11.-5. folder 215a.
LXV. A.20., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice di legno modanata dipinta e dorata: S. Girolamo penitente.
h. 46 l. 34,5
Pittore fiorentino del XV secolo.
Photo Reali, Firenze (numbered 147. on the verso).
LXV. A.21., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliata e dorata: Festino tra le rovine.
h. 108,5 l. 145
Viviano Codazzi e Pierre Mignard.
Photo Reali, Firenze (numbered 172. on the verso).
LXV. B.6., undated, inclusive
General note
RILIEVO in stucco policromo: Madonna col Bambino.
h. 81
Bottega ghibertiana del primo quarto del XV secolo.
Photo by Brogi.
LXV. B.11., undated, inclusive
General note
DIPINTO ad olio su tavola in cornice di legno modanato, dipinto e lumeggiato d'oro: La Fede (?).
h. 56,5 l. 36
Pittore tedesco (?) del XVI secolo.
Photo Reali, Firenze (numbered 152. on the verso).
LXV. B.12.-1., undated, inclusive
General note
SCULTURA in alabastro: Madonna seduta col Bambino.
h. 38
Scultore siciliano del XVI secolo.
Photo Reali, Firenze (numbered 193. on the verso).
LXV. B.12.-2., undated, inclusive
General note
SCULTURA in alabastro: Madonna seduta col Bambino.
h. 38
Scultore siciliano del XVI secolo.
LXV. D.2., undated, inclusive
General note
RILIEVO in stucco policromo: Madonna col Bambino entro tabernacolo centinato in legno intagliato, dipinto tracce di doratura.
h. 75 l. 50
Bottega fiorentina del primo quarto del XV secolo (Nanni di Bartolo?).
Photo Reali, Firenze (numbered 197. on the verso).
LXV. D.12.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliata e dorata: Cleopatra.
h. 112 l. 98,5
Orazio Fidani
Photo by Brogi.
LXV. D.12.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliata e dorata: Cleopatra.
h. 112 l. 98,5
Orazio Fidani
Photo Reali, Firenze (numbered 155. on the verso).
LXV. E.5., undated, inclusive
General note
TAVOLO in legno di noce intagliato, con due cassetti ed un tiretto goggiolatoio a dentelli gambe e traverse lisce.
h. 88,5 l. 172,5 p. 80
Bottega toscana del XVII secolo.
LXVI. Scalone
LXVI.-1. general view, undated, inclusive
LXVI.-2. general view, undated, inclusive
LXVI.-3. general view, undated, inclusive
LXVI.-4. general view, undated, inclusive
LXVI.-5. general view, undated, inclusive
LXVI.-6. general view, undated, inclusive
LXVI.-7. general view, undated, inclusive
LXVI.-8. general view, undated, inclusive
LXVI.-9. general view, undated, inclusive
LXVI.-9a. general view, undated, inclusive
LXVI.-10. general view, undated, inclusive
LXXVI.-LXXVII. Biblioteca
LXXVI-LXXVII. A.10., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato, dipinto e lumeggiato d'oro: La Cena in Emmaus (pendant di D.3.).
h. 113 l. 142
Pittore veneto del XVI secolo.
Photo Reali, Firenze (numbered 156. on the verso).
LXXVI-LXXVII. B.2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice sagomata, centinata, modanata e dorata: Natura morta con fiori.
h. 146 l. 111
Pittore italiano del XVIII secolo.
LXXVI-LXXVII. C.2.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Venere e Marte.
h. 152,5 l. 215 ca.
Pittore el XVII secolo.
Photo by Brogi.
LXXVI-LXXVII. C.2.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Venere e Marte.
h. 152,5 l. 215 ca.
Pittore del XVII secolo.
Photo by Brogi.
LXXVI-LXXVII. C.5., undated, inclusive
General note
PANNELLO ad olio su tela con motivi di grottesche.
h. 244,5 l. 104,5
Bottega del XVI secolo.
Photo by Brogi.
LXXVI-LXXVII. D.3.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato, dipinto e lumeggiato d'oro: La Cena in Emmaus (pendant di A.10).
h. 136,5 l. 173,5
Pittore veneto del XVI secolo.
Photo by Brogi.
LXXVI-LXXVII. D.3.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato, dipinto e lumeggiato d'oro: La Cena in Emmaus (pendant di A.10).
h. 136,5 l. 173,5
Pittore veneto del XVI secolo.
Photo Reali, Firenze.
Oversize, II.B.1.LXXVI-LXXVII.D.3.-2. folder 216.
1a. works without Conti inventory numbers
No image available for inspection, undated, inclusive
Painted panels in Chinese style, undated, inclusive
General note
Some at present displayed in the attic of Villa La Pietra. Photos by Brogi.
Busts of the Four Seasons, undated, inclusive
General note
Stone copies are now on the exterior of the Limonaia in the Pomario in the gardens of Villa La Pietra, and casts are housed inside Villa La Pietra.
No image available for inspection, undated, inclusive
Painting of a landscape with a river scene and a villa, undated, inclusive
General note
At present displayed in Villa La Pietra, Room XXXIX. Photo by Brogi.
Painted panel in grisaille with an allegorical female figure., undated, inclusive
General note
One of a series of seven: see XXXIX. A.6. and XCII. C.3. Formerly in Villa Natalia. Then in LXXIV, this panel is now stored in LXXVI. numbered 408.
2 Works of art from the collection in previous displays
Sculpture in painted wood of the Madonna and a pair of angels holding candlesticks (statuettes in wood) with a wall hanging behind, undated, inclusive
General note
The Madonna (A.9.) now in Room XXXII, the angels (C.17.) now in Room XXXII. Annotated on the verso "Sala Pranzo".
Sculpture in painted wood of the Madonna and a pair of angels holding candlesticks (statuettes in wood) with a wall hanging behind, undated, inclusive
General note
The Madonna (A.9.) now in Room XXXII, the angels (C.17.) now in Room XXXII.
Oversize, II.B.2. folder 216a.
Sculpture in painted wood of the Madonna between a pair of kneeling angels (statuettes in wood), undated, inclusive
General note
The angels (C.9.) are in Room XXXII.
Oversize, II.B.2. folder 216b.
Pair of white marble putti displayed on a sarcophagus resting on a table, undated, inclusive
General note
The two putti (C.3.) now in Room X.
Three large candlesticks, undated, inclusive
General note
The candlestick on the right (A.4.) now in Room IX.
Three large candlesticks, undated, inclusive
General note
The candlestick in the centre (C.4.) now in Room XXXI.
Display case of majolica with a cupboard below, undated, inclusive
General note
The jug in the centre (A.28.) now in Room XXXI.
Majolica jug between two majolica vases, undated, inclusive
General note
The jug (A.28.) is now in Room XXXI.
Three majolica jugs, undated, inclusive
General note
The one on the left (A.14.) is now in Room XXXI.
Four large majolica oil jars photographed on the steps of the main entrance of Villa La Pietra, undated, inclusive
General note
The one on the right (A.10.) is now in Room XXI.
Three large Impruneta oil jars photographed on the steps of the main entrance of Villa La Pietra, undated, inclusive
General note
The one on the right (C.11.) is now in Room XXVIII.
Seven oil jars photographed outside with fragments of fabrics as a backcloth, undated, inclusive
General note
The one in the centre (A.7.) is now in Room XII.
Four wrought iron andirons and stands for fireplaces, undated, inclusive
General note
The andirons in the centre (C.13.) are now in Room XXXII. Annotated with measurements on the recto.
Group of objects including a lamp, candle, fan, Chinese robe, vases, and small sculptures, undated, inclusive
General note
The alabaster bowl with glass fruits (C.22.) is now in Room IX.
Interior with a chest, two chairs, a cushion, a sculpture of the Madonna and Child, and candlesticks, undated, inclusive
General note
The chest (B.8.) is now in Room XXI.
Table with two chairs, two statuettes, a ewer and [Chinese] vessels, undated, inclusive
General note
The table (E.6.) is now in Room LXI.
3 Works of art formerly part of the collection but whereabouts at present unknown
Painting of the Madonna and Child, undated, inclusive
General note
Attributed to Domenico di Michelino. Annotated with measurements on the verso.
Painting of the Madonna enthroned with Saints, undated, inclusive
General note
Attributed to Cola di Petrucciola, formerly in Room XXX. Annotated on the verso with measurements
Painting of the Coronation of the Virgin, undated, inclusive
General note
Including two details of the head of Christ. One annotated on the verso "Florentine follower of Agnolo Gaddi". Attributed by Miklos Boscovits ( "Pittura Fiorentina alla vigilia del Rinascimento", 1975) to Antonio Veneziano, with provenance as 'formerly New York, Collezione Hurd'.
Painting of the Coronation of the Virgin with Saints and angels, undated, inclusive
General note
Attributed to the Maestro di Calenzano. Annotated on the verso. Stolen in February 1978 (information from Historic Album 1, number 213. attributed by Miklos Boscovits). "Pittura Fiorentina alla vigilia del Rinascimento", 1975) to the 'Maestro dell'Incoronazione di Christ Church', with provenance as 'formerly in a private collection in Florence'.
Painting of the Coronation of the Virgin with Saints and angels, undated, inclusive
General note
Attributed to the Maestro di Calenzano. Stolen in February 1978 (information from Historic Album 1, number 213).
Oversize, II.B.3. folder 216c.
Painting of the Nativity, undated, inclusive
Painting of two harlequins, undated, inclusive
Portrait of HMA in the gardens of Villa La Pietra, undated, inclusive
General note
Signed by James Montgomery Flagg. See I.A.6.2.-148.
Statuette of a river god, undated, inclusive
Painting of [Venus], undated, inclusive
General note
attributed to Paolo Veronese, annotated on the verso with measurements. Stolen 28/29 September 1983.
Photo Reali, Firenze (numbered 163. on the verso).
Painting of a child with a crown, undated, inclusive
General note
Annotated on the verso "Principe polacco" with measurements. Stolen 28/29 September 1983.
Photo Reali, Firenze (numbered 166. on the verso).
Painting of a landscape with a river, cascades, Roman ruins and pastoral scenes., undated, inclusive
General note
Annotated on the verso "Orazio Vernet" with measurements. Stolen 28/29 September 1983.
Photo Reali, Firenze (numbered 176. on the verso).
Painting of a landscape with pastoral scene., undated, inclusive
General note
Annotated on the verso "paesaggio francese. Zuccarelli". Stolen 28/29 September 1983.
Portrait of King Ferdinand I and IV of the Two Sicilies in an oval frame, undated, inclusive
General note
Annotated on the verso. Stolen 28/29 September 1983.
Photo Reali, Firenze (numbered 170. on the verso).
Tempera panel, undated, inclusive
General note
Color transparency by Barsotti, Firenze.
Tempera panel, undated, inclusive
General note
Color transparency by Barsotti, Firenze.
No image available for inspection, undated, inclusive
Statue of Diana and the stag, undated, inclusive
General note
Formerly in Room XII. See II.B.1.XII.-2., photographed on a pedestal in Room XII.
Statue of Diana and the stag, undated, inclusive
General note
Formerly in Room XII. See II.B.1.XII.-2.
Pedestal of the Statue of Diana and the stag, undated, inclusive
General note
Formerly in Room XII. See II.B.1.XII.-2.
Sculpture: bust of the Redeemer, undated, inclusive
General note
See II.B.1.LXI.-2.
Statuette of a winged figure, undated, inclusive
General note
Annotated on the verso "La Pietra Cucina".
Statuette of a pair of putti sirens, undated, inclusive
General note
See II.B.1.XII.-1.12.-57.
Table, undated, inclusive
Cupboard with open shelves, undated, inclusive
Detail of the signature of a painter with the date 1734., undated, inclusive
Four jars photographed on the steps of the entrance to Villa La Pietra (Antingresso), undated, inclusive
General note
Numbered 1.-4. on the recto.
Three jars photographed on the steps of the entrance to Villa La Pietra (Antingresso), undated, inclusive
General note
Numbered 11. and 12. on the recto.
4 Collection related interiors (furniture), paintings and sculpture
Interiors, featuring tables, some annotated on the verso with measurements, undated, inclusive
Interior, featuring a table, undated, inclusive
General note
Annotated on the verso: "Libreria dorata già Natalia".
Interiors, featuring tables, some annotated on the verso with measurements, undated, inclusive
Interiors, featuring cupboards, undated, inclusive
Interior, featuring a chair, undated, inclusive
Interiors, featuring beds, undated, inclusive
Interior, featuring a sculpture of a cupid, undated, inclusive
Interior, with a female statue, a chair, and a tabernacle with a relief of the Madonna and Child, undated, inclusive
Interior with a table and chairs, undated, inclusive
Interior featuring a table, undated, inclusive
Interior with a painted chest of drawers and oriental style vases, undated, inclusive
General note
Found in an envelope labelled "Villa Monte Gufoni". Villa Montegufoni was owned by the Sitwells.
Interior with painted panels, undated, inclusive
Interior, with vases, candlesticks and a large tray, undated, inclusive
Interior, with a fireplace, undated, inclusive
Interior with a carved doorway and three plates in the background, undated, inclusive
General note
Now D.1. in Room XXI.
Interior with a Gobelin tapestry, undated, inclusive
General note
Annotated on the verso with measurements and a detailed description of the subject matter
Interiors with tables, chairs, and objets d'art, undated, inclusive
No image available for inspection, undated, inclusive
No image available for inspection, undated, inclusive
Interior with numerous paintings and works of art, undated, inclusive
Interior with a carved doorway, a staircase, and elaborate vases on pedestals, undated, inclusive
Interior, ca. 1900, inclusive
General note
Annotated on the verso by AA: "Palazzo Canigiani - Mrs. Helen Maclean's apartment in Palazzo Canigiani, Via dei Bardi, 1900-1903". Mounted on board and labelled "Giacomo Brogi - Firenze" on the recto.
Oversize, II.B.4. folder 217.
Interior with an elaborately carved fireplace, undated, inclusive
General note
Damaged print.
Oversize, II.B.4. folder 218.
Interior with chandeliers and wall paintings, undated, inclusive
General note
On the verso the rubber stamp of: "Galerie E. Imbert, 38 Rue Monte Napoleone, Milano".
Oversize, II.B.4. folder 219.
No image available for inspection, undated, inclusive
Painting: Madonna and Child with two Saints and angels [Sano di Pietro], undated, inclusive
General note
See XX.A.31.
Painting: Madonna of the Misericordia, undated, inclusive
General note
See XXXI. C.1.
Oversize, II.B.4. folder 220.
Painting: St Jerome, undated, inclusive
General note
See LX. A.3. Photo by Alinari with the caption on the recto: n. 27420. Roma, Galleria Nazionale - già Corsini. San Girolamo. Marco Palmezzano.
Painting: St John the Evangelist by Lippo di Benivieni, undated, inclusive
General note
See LXV. A.11. Photo from the National Gallery of Canada, Ottawa, with details on the verso (sent to HA with a letter dated 22 October 1968.
Painting: Moses providing water in the desert by Leandro Bassano, undated, inclusive
General note
See LXXVI-LXXVII. A.10 and D.3. Photo by Alinari with the caption on the recto: n. 38868. Venezia Raccolta Privata Mosè fa scaturire le acque (Leandro Bassano).
Painting: Moses providing water in the desert by Leandro Bassano, undated, inclusive
General note
See LXXVI-LXXVII. A.10 and D.3. Annotated on the verso with measurements and price.
Painting: Return of the Prodigal Son [school of Bassano], undated, inclusive
General note
See LXXVI-LXXVII. A.10 and D.3.
Painting: Return of the Prodigal Son [school of Bassano], undated, inclusive
General note
See LXXVI-LXXVII. A.10 and D.3.
Painting: Return of the Prodigal Son [school of Bassano], undated, inclusive
General note
See LXXVI-LXXVII. A.10 and D.3.
Oversize, II.B.4. folder 220a.
No image available for inspection, undated, inclusive
Painting: Venus and Cupid [by Giorgio Vasari], undated, inclusive
General note
See XLVIII. B.19.
Painting: Venus and Cupid by Giorgio Vasari, undated, inclusive
General note
See XLVIII. B.19.
Painting: a Venetian interior, undated, inclusive
General note
See XLVII. D.1. Printed on the verso: Venezia, Ca' Rezzonico: Maniera del Longhi - Al Ridotto. Photo by Fiorentini, Venezia.
No image available for inspection, undated, inclusive
No image available for inspection, undated, inclusive
No image available for inspection, undated, inclusive
Paintings: Two landscapes with genre scenes, undated, inclusive
Painting: Landscape with three figures in an elaborate frame, undated, inclusive
General note
Photo by Brogi.
No image available for inspection, undated, inclusive
Fresco of Orpheus and Euydice by Giovanni da San Giovanni, undated, inclusive
General note
See XLII. D.12. Photo by the Fogg Museum of Art, Cambridge, Massachusetts (who acquired the fresco in 1937), sent with a letter to AA in 1940.
Fresco, undated, inclusive
General note
See II.B.4.25.-27. above, see XLII. D.12. Annotated on the verso "by Giovanni Francesco Barbiere (Il Guercino), Diana with Apollo", also with measurements
Oversize, II.B.4. folder 221.
Sculpture: Relief of the Madonna and Child, undated, inclusive
General note
See XXX. A.1.
Sculpture: Relief of the Madonna and Child, undated, inclusive
General note
See XXVIII. D.4.
No image available for inspection, undated, inclusive
Sculpture: Relief of the Madonna and Child [by Donatello], undated, inclusive
General note
Loosely connected to XXXII. A.13.-2.
Sculpture: Relief of the Madonna and Child [by Donatello], undated, inclusive
General note
See II.B.4.25.32.-35.,above. Loosely connected to XXXII. A.13.-2.
Oversize, II.B.4. folder 222.
Sculpture: Relief [fragment] of the Madonna in Adoration with St Joseph, undated, inclusive
General note
See XXXI. A.1.
No image available for inspection, undated, inclusive
No image available for inspection, undated, inclusive
Sculpture: Relief of the Madonna and Child, with candelabra, undated, inclusive
General note
See IX.A.19 and XXXII.C.20.
Sculpture: Relief of the Madonna and Child, with candelabra, undated, inclusive
General note
See IX.A.19 and XXXII.C.20.
Sculpture: Relief of the Madonna and Child, undated, inclusive
General note
See XLVIII. A.19. Photo by Alinari captioned on the recto: "n. 38921
Venezia, Museo Correr, Vergine col figlio. Stucco policromo (Jacopo Sansovino)".
Sculpture: Relief in papier machè and stucco of the Madonna and Child by Jacopo Sansovino, undated, inclusive
General note
See XLVIII. A.19. Photo owned by the National Gallery of Art (labelled on the verso with details.
Sculpture: statues in wood: the Madonna and St John the Evangelist in mourning at the foot of the Cross, undated, inclusive
General note
See XXXII. C.1. and C. 18.
Oversize, II.B.4. folder 223.
Sculpture: [terracotta] statuette of Mary Magdalene, undated, inclusive
General note
See XIX. B.2.
Sculpture: relief of St Jerome in the desert, undated, inclusive
General note
See XLVIII.A.17.
Sculpture: relief of St Jerome, undated, inclusive
General note
See XLVIII.A.17.
Sculpture: classical female head, undated, inclusive
General note
See IX. A.21. One annotated on the verso "Corridoio".
Sculpture: classical torso, undated, inclusive
General note
See IV. A.4. Photo by Brogi.
Sculpture: bronze statuette of Hercules and the bull, undated, inclusive
General note
See XLII. D.14. Annotated on the verso "Hercules fighting the Cretan bull".
Sculpture: statuette of a nude youth, undated, inclusive
General note
See XXXII. D.10.
Sculpture: wooden high relief of the Madonna and Child, undated, inclusive
General note
See XXXII. D.1. Annotated on the verso with the height.
Sculpture: wooden high relief of the Madonna and Child, undated, inclusive
General note
See XXXII. D.1. Annotated on the verso with the height.
Sculpture: wooden statue of the Madonna and Child enthroned, undated, inclusive
General note
See XXXI. A.37.
Sculpture: [plaster casts] of putti, undated, inclusive
General note
See XX. A.11.
Sculpture: putti representing the Four Seasons, undated, inclusive
General note
See XII.A.12.
Sculpture: mannequins, undated, inclusive
General note
See LXI. B.1.
Oversize, II.B.4. folder 224.
Decorative sculpture: a relief, undated, inclusive
General note
See XXXII. A.10.
Decorative sculpture: a marble vase, undated, inclusive
General note
See the vase in IX. on A.26.
Decorative sculpture: displays of miscellaneous pieces, undated, inclusive
General note
Numbered by hand on the recto, including reliefs, architectural fragments, candelabra, statuettes, busts, statues, columns, vases, coats of arms, brackets, plaques, masques, etc. Some of the prints include pieces from the collection, or formerly in it, or related to it.
Decorative sculpture: statuettes of a mermaid and a merman, undated, inclusive
General note
These also appear in II.B.4.25.-71. One annotated on the verso with measurements.
Decorative sculpture: a lantern, undated, inclusive
General note
See XXVIII. F.1.
Furniture: a cupboard, undated, inclusive
General note
See XXI. B.8. Photo by Alinari, captioned on the recto: "n.. 20343
Fiesole, chiesa di S. Maria Primerana. Sagrestia. Armadio scolpito e intarsiato (XV secolo).".
5 Historic Albums mostly of the interior and works of art at present in the Collection or probably formerly once belonging to it.
Scope and Contents note
This is one of a series of canvas-bound albums with photographs pasted on to the pages and numbered as follows:
Folder 1. Album labelled "1. Collezione Acton"
Duplicate of II.B.1.XXX. A.10.-3.15.-16., undated, inclusive
General note
Also in Historic Album II.
Near duplicate of II.B.1.XXX. B.4.-1.15.-27., undated, inclusive
Duplicate of II.B.1. XXX. A.10.-2.15.-15., undated, inclusive
General note
Also in Historic Album II.
Duplicate of a seated wooden statue of the Madonna and Child in IV.A.4.8.20.-1.-4., undated, inclusive
General note
Also in Historic Album I. The label with the number 203. is countersigned 'no'.
Duplicate of II.B.1.IX. C.4.-2.12.-40., undated, inclusive
General note
Also in Historic Album I. Photo by Brogi.
Duplicate of II.B.4.25.-49., undated, inclusive
General note
Also in Historic Album I. The label with the number 205. is not countersigned with a 'tick'.
Duplicate of II.B.1.XXXII. D.5.-2.17.-77., undated, inclusive
General note
Photo by Brogi.
Near duplicate of II.B.3.23.-2., undated, inclusive
Duplicate of II.B.1.XLVIII. B.11.-3.18.-53., undated, inclusive
General note
Also in Historic Album II.
Near duplicate of II.B.1. XLVIII. B.23.-1.18.-70., undated, inclusive
General note
Also in Historic Album VII.
Near duplicate of II.B.1. XLVIII. A.11.-1.18.-40., undated, inclusive
General note
Also in Historic Album II.
Near duplicate of II.B.1. XLVIII. B.22.-1.18.-66., undated, inclusive
General note
Also in Historic Album II.
Duplicate of painted Crucifix in IV.A.1.2.15.-1.-3., undated, inclusive
General note
The numbered label is not countersigned with a 'tick'.
Photo missing, undated, inclusive
General note
Page annotated: "Maestro di Calenzano, Incoronazione, rubato febbraio '78", and the numbered label countersigned with 'no'. See II.B.3.23.-10.
Duplicate of II.B.1. XXXII. D.5.-3.17.-78, undated, inclusive
General note
Also in Historic Album I.
Near duplicate of II.B.1. XLVIII. D.14.-1.18.-87, undated, inclusive
General note
Also in Historic Album II.
Duplicate of a painting of the Madonna 'del latte' in IV.A.1.1.29.-1.-2., undated, inclusive
General note
Also in Historic Album II. Photo by Brogi. The numbered label is not countersigned with a 'tick'.
Near duplicate of II.B.1. XXXI. D.9.-1.16.-56., undated, inclusive
General note
Also in Historic Album II.
Duplicate of II.B.1. LXV. A.1.-1.21.-15., undated, inclusive
General note
Also in Historic Album II.
Duplicate of II.B.1.LXV. A.1.-2.21.-16., undated, inclusive
General note
Also in Historic Album II.
IX. D.2., undated, inclusive
General note
DIPINTO olio su tela: San Girolamo con il sasso della penitenza e il libro delle Scritture. Cornice lignea intagliata e dorata. h. 101 l. 82,5 Attribuito a Giuseppe Antonio Petrini. Photo by Brogi. See also oversize, II.B.1.IX.D.2. folder 161.
Duplicate of a detail of a frescoed female head in oversize IV.A.3.7. folder 271.-5., undated, inclusive
General note
The label with the number 221. is countersigned 'no'.
Duplicate of II.B.3.23.-8., undated, inclusive
General note
The label with the number 222. is countersigned 'no'.
Near duplicate of II.B.1.LII. A.62.19.-24., undated, inclusive
Duplicate of II.B.1.XXX. D.1.-4.15.-53., undated, inclusive
General note
Also in Historic Album II.
Near duplicate of II.B.3.23.-14., undated, inclusive
General note
The label with the number 225. is not countersigned with a 'tick'.
Duplicate of II.B.1.XXX. C.1.-4.15.-44., undated, inclusive
LIII. D.11.-2., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea dorata: Madonna col Bambino. h. 23,5 l. 18,5 Pittore senese del XIV secolo See also II.B.1.LIII. D.11.-2.19.-43.
Duplicate of II.B.1.XXVIII. A.3.-3.14.-76., undated, inclusive
General note
With the number 228. on the recto.
Duplicate of II.B.1.XXVIII. C.6.-1.14.-92., undated, inclusive
General note
With the number 229. on the recto.
Duplicate of II.B.1.XXXI. D.1.-3.16.-49., undated, inclusive
General note
With the number 230. on the recto, also in Historic Album II.
Near duplicate of II.B.1.LIII. A.57.19.-23., undated, inclusive
Duplicate of II.B.1.XXXII. D.7.-2.17.-81., undated, inclusive
Duplicate of a detail of a frescoed female head in oversize IV.A.3.7. folder 271.-7., undated, inclusive
General note
The label with the number 233. is countersigned 'no'.
Duplicate of a detail of a frescoed female head in oversize IV.A.3.7. folder 271.-16., undated, inclusive
General note
The label with the number 234. is countersigned 'no'.
Near duplicate of II.B.1.XXXI. C.7.-1.16.-28., undated, inclusive
General note
But including a chest in the foreground and a wall hanging in the background, also in Historic Album II.
Near duplicate of II.B.1.XX. A.20.13.-77., undated, inclusive
General note
Photo by Brogi, also in Historic Album I.
Crucifix, undated, inclusive
General note
The label with the number 237. is not countersigned with a 'tick'.
XLVIII. D.39., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea modanata: San Giuliano trasporta sul fiume un pellegrino.
h. 33 l. 53
Ambrogio di Baldese.
See also II.B.1.XLVIII. D.39.18.-94.
Duplicate of II.B.1.XXI. A.4.-4.14.-15., undated, inclusive
Duplicate of II.B.1.XXI. A.4.-6.14.-17., undated, inclusive
LXV. A.11.-3., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo.
h. 102 l. 129
Lippo di Benivieni XIV secolo.
See also II.B.1.LXV. A.11.-3.21.-23.
Duplicate of II.B.1.XLVIII. B.19.-1.18.-61., undated, inclusive
General note
Also in Historic Album II.
Duplicate of II.B.1.LXI. A.12.-7.20.-39., undated, inclusive
Duplicate of II.B.1.XXVIII. A.14.-2.14.-82., undated, inclusive
General note
With the number 244. on the recto. Photo by Brogi.
Duplicate of a majolica vase with the Medici heraldic device in IV.A.8.12.8.-1.-4., undated, inclusive
General note
The label with the number 245. is not countersigned with a 'tick'.
Duplicate of II.B.1.XXXI. C.7.-8.16.-35., undated, inclusive
Near duplicate of II.B.1.XXXII. D.2.-4.17.-73., undated, inclusive
General note
With the number 247. on the recto. Also in Historic Album II and III.
Near duplicate of II.B.1.XXVIII. C.5.14.-91., undated, inclusive
General note
Photo by Brogi.
Near duplicate of II.B.1.LXV. A.11.-4.21.-24., undated, inclusive
General note
With the number 249. on the recto. also in Historic Album II.
Duplicate of Crucifix in IV.A.1.2.29.-1., undated, inclusive
General note
The label with the number 250. is not countersigned with a 'tick'.
Duplicate of II.B.1.XXI. E.5.-3.14.-57., undated, inclusive
General note
Photo by Brogi.
Duplicate of II.B.1.IX. B.1.-1.12.-36., undated, inclusive
General note
Also in Historic Album I.
Duplicate of II.B.1.XII. A.10.-1.12.-91., undated, inclusive
General note
Also in Historic Album I.
Duplicate of II.B.4.25.-47., undated, inclusive
General note
With the number 254. on the recto. Photo by Brogi. The label with the number 254 is not countersigned with a 'tick'.
Near duplicate of II.B.1.XXX. B.4.-2.15.-28., undated, inclusive
General note
With the number 255. on the recto, but on the verso 'Brogi 201'.
XXVIII. A.6., undated, inclusive
General note
DIPINTO a olio su tela con cornice lignea intagliata e dorata: Flora con putto. h. 138 l. 112,5 Pittore fiammingo del XVII secolo See also II.B.1.XXVIII. A.6.14.-79.
XLVIII. B.1.-2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata, dipinta e dorata con protomi umane e girali fioriti che si dipartono da un vaso: Scena mitologica: L'Età dell'Oro. h. 222,5 l. 322 Pittore veneto dell'ultimo quarto del XVI secolo. See also II.B.1.XLVIII. B.1.-2.18.-47.
Duplicate of II.B.1.XII. A.3.-1.12.-86., undated, inclusive
Duplicate of II.B.1.XII. A.13.-1.12.-93., undated, inclusive
General note
With the number 259. on the recto. Photo by Brogi. Also in Historic Album I.
Duplicate of II.B.1.XII. A.13.-3.12.-95., undated, inclusive
General note
Photo by Brogi. Also in Historic Album I.
Duplicate of II.B.1.X. C.7.-2.12.-55., undated, inclusive
General note
With the number 261. on the recto. Photo by Brogi. Also in Historic Album I.
Near duplicate of II.B.1.LXI. B.8.-1.20.-46., undated, inclusive
General note
With the (erroneous) number 280. Also in Historic Album I.
Duplicate of II.B.1.Ibis. C.8.-2.12,-8., undated, inclusive
General note
With the number 263. on the recto, also in Album II but numbered 203.
XXX. B.5.-2., undated, inclusive
General note
DIPINTO a tempera su tavola con cornice lignea dorata e dipinta: Madonna col Bambino, i santi Pietro e Paolo e angeli. Nell'aureola della Madonna : "Ave Gratia Plena..." e nell'aureola del Bambino: "Ego Sum...".
h. 125 l. 90
Siena, Sano di Pietro.
See also oversize, II.B.1.XXX. B.5.-2. folder 185.
Photo by Brogi.
Duplicate of II.B.1.XXXII. D.7.-4.17.-83., undated, inclusive
General note
With the number 265. on the recto. Also in Historic Album II.
Duplicate of II.B.1.XXXII. D.7.-5.17.-84., undated, inclusive
General note
With the number 266. on the recto. Also in Historic Album II.
Duplicate of a detail of a painted Crucifix in IV.A.1.2.17.-1., undated, inclusive
General note
The label numbered 267. is not countersigned with a 'tick'.
Photo missing., undated, inclusive
General note
The label numbered 268. is not countersigned with a 'tick'.
Duplicate of II.B.1.XLVIII. C.10.-3.18.-80., undated, inclusive
XLVIII. A.2.-1., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea intagliata, dipinta e dorata: Madonna che adora il Bambino con melagrana e arancia. Stemmi nella parte inferiore della cornice e scritta: "Ave Maria Gratia plena Dominus T." h. 123 l. 92,5 Francesco Pesellino. See also II.B.1.XLVIII. A.2.-1.18.-32.
Duplicate of II.B.1.XX. A.31.-5.13.-86., undated, inclusive
XXX. A.5., undated, inclusive
General note
DIPINTO a tempera su tavola: Il Beato Davino d'Armenia. Iscrizione: "Hic Iacet Corpus Sancti Davini De Arminea". Cornice sagomata e dorata. h. 73 l. 204 Maestro lucchese (?) del XV secolo. See also oversize, II.B.1.XXX. A.5. folder 182. Photo by Brogi.
Near duplicate of II.B.1.Ibis. A.3.12.-5., undated, inclusive
XXXII. D.7., undated, inclusive
General note
DIPINTO (polittico d'altare) a tempera su tavola, con cornice lignea scolpita e dorata: Madonna in trono col Bambino e i santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate nelle cuspidi: Madonna della Misericordia, l'Annunciazione e santa Margherita. h. 171 Pittore fiorentino della fine del XIV secolo. Detail of the Madonna in trono col Bambino See also II.B.1.XXXII. D.7.-7.17.-86.
Duplicate of II.B.1.XX. A.10.-1.13.-74., undated, inclusive
Duplicate of a battle scene in IV.A.1.3.22.-1., undated, inclusive
General note
Photo by Brogi. The label with the number 276. is not countersigned with a 'tick'.
Duplicate of II.B.1.XLVII. D.1.-3.18.-12., undated, inclusive
General note
Also in Historic Album IV.
Duplicate of II.B.1.X. C.4.12.-53., undated, inclusive
General note
Numbered 278. on the recto. Also in Historic Album IX. The label with the number 278. is not countersigned with a 'tick'.
Duplicate of II.B.1.XX. A.11.13.-76., undated, inclusive
General note
Photo by Brogi.
XX. D.1., undated, inclusive
General note
TONDO a bassorilievo in terracotta parzialmente invetriata con putto su delfino entro ghirlanda di frutti e foglie. d. 85 ca. Bottega robbiana (?) del XVI secolo (?).
XXXII. A.13., undated, inclusive
General note
RILIEVO in stucco con tracce di policromia: Madonna che adora il Bambino, in tabernacolo ligneo intagliato, dipinto e dorato. h. 130 l. 121,5 Bottega di Donatello della metà del XV secolo. See also II.B.1.XXXII. A.13.17.-29.
Duplicate of II.B.1.XXI. B.6.-3.14.-29., undated, inclusive
General note
Also in Historic Album I.
Duplicate of II.B.1.XXI. B.6.-1.14.-27., undated, inclusive
General note
Also in Historic Album I.
Duplicate of II.B.1.XXI. B.6.-4.14.-30., undated, inclusive
General note
Also in Historic Album I.
IX. A.8., undated, inclusive
General note
DIPINTO olio su tela con cornice lignea intagliata e dorata a mecca: Dama con cagnolino. h. 158 l. 127 Paris Bordone (?), metà del XVI secolo. See also II.B.1.IX. A.8.12.-20.
XLVIII. D.10.-2., undated, inclusive
General note
DIPINTO a tempera su tavola entro teca: Madonna in trono col Bambino tra due santi e due angeli (dietro la teca cartellino: Mostra Giottesca 1937 n. 213 h. 43 l. 37,5 Maestro della Maddalena (attribuita dall'Offner) ultimo quarto del XIII secolo (1275 ca.). See also II.B.1.XLVIII. D.10.-2.18.-86.
Duplicate of II.B.1.XIX. B.6.13.-27., undated, inclusive
General note
Photo by Brogi. Also in Historic Album I.
Photo missing, 1925, inclusive
General note
Replaced by a photocopy of a drawing of HA signed by Pruna and dated 1925, Paris. See I.C.11.8.-92. The label with the number 288. is not countersigned with a 'tick'.
XXXII. D.2.-5., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna in trono col Bambino giglioforo e due angeli. h. 132,5 l. 77,5 Pittore fiorentino della seconda metà del XIII secolo. See also II.B.1.XXXII. D.2.-5.17.-74. Photographed on an easel with a relief of the Madonna and Child and a bust of the Redeemer in the background.
XXX. A.10.-1., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna in trono e angeli. h. 120 l. 59 Maestro del Bigallo (?), metà del XIII secolo. See also II.B.1.XXX. A.10.-1.15.-14. Photographed on an easel with a relief of the Madonna and Child and a bust of the Redeemer in the background.
Near duplicate of II.B.1.LXV. D.12.-1.21.-31., undated, inclusive
Duplicate of II.B.1.LX. D.1.-1.20.-20., undated, inclusive
General note
Photo by Brogi.
Duplicate of II.B.1.XLVIII. A.19.18.-45., undated, inclusive
Duplicate of II.B.1.XXI. C.10.-2.14.-52., undated, inclusive
General note
Also in Historic Album II.
Near duplicate of II.B.1.LVI. B.1.19.-73., undated, inclusive
General note
Photo by Brogi. Also in Historic Album II.
Duplicate of II.B.1.XXX.-1.15.-1., undated, inclusive
General note
Photo by Brogi.
Duplicate of II.B.1.XXXII.-9.17.-9., undated, inclusive
General note
Photo by Brogi. Also in Historic Album I.
Duplicate of II.B.1.XXXII.-10.17.-10., undated, inclusive
General note
Photo by Brogi. Also in Historic Album I.
Duplicate of II.B.1.XII.-21.12.-79., undated, inclusive
General note
Photo by Brogi.
Folder 2. Album labelled "2. Collezione Acton"
Scope and Contents note
This is one of a series of canvas-bound albums with photographs pasted on to the pages and numbered as follows:
Near duplicate of II.B.1.LXV. B.6.21.-26., undated, inclusive
Near duplicate of II.B.1.XXXII. C.11.-4.17.-57. (but with a capital in the background), undated, inclusive
Duplicate of II.B.1.XII. A.42.-1.12.-108., undated, inclusive
Duplicate of II.B.1.IX. C.15.12.-44., undated, inclusive
General note
Also in Historic Album I.
Duplicate of II.B.1.IX. C.1.12.-38., undated, inclusive
General note
Also in Historic Album I.
Duplicate of II.B.1.LVI. C.1.-1.19.-76., undated, inclusive
Duplicate of II.B.1.XXXII. C.1.-4.17.-47., undated, inclusive
Duplicate of II.B.1.XXXII. C.1.-5.17.-48., undated, inclusive
Duplicate of II.B.1.XXXII. C.18.-5.17.-64., undated, inclusive
Duplicate of II.B.1.XXXII. C.18.-6.17.-65., undated, inclusive
Near duplicate of II.B.1.LX. A.10.-1.20.-7., undated, inclusive
Duplicate of II.B.1.LX. A.10.-2.20.-8., undated, inclusive
Duplicate of II.B.1.XLVIII. D.20.-2.18.-91., undated, inclusive
General note
With the caption: "attribuita a Bonaventura Segna allievo di Duccio di Boninsegna".
XXX. B.16., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino. h. 61,5 l. 39 Bernardo Daddi metà del XIV secolo. Annotated on the album page: "Pubblicato Vedi Tavola [1]93 Novembre 1935". See also II.B.1.XXX. B.16.-2.15.-36.
XXX. A.9., undated, inclusive
General note
DIPINTO a olio (?) su tavola: Madonna che adora il Bambino e un angelo. Nella cornice iscrizione: "Ave Maria Gratia Plena Dominus teco" e due stemmi: a tre gigli e rastrello nella parte superiore, sotto vaio rosso in campo blu tripartito con scacchiera, tre cerchi d'oro in campo rosso e fasce verticali blu e oro. h. 74 l. 63,5 Iacopo del Sellaio, seconda metà del XV secolo. See also II.B.1.XXX. A.9.15.-13.
Duplicate of II.B.1.LXXVI. D.3.-1.21.-49., undated, inclusive
General note
Also in Historic Album II. The label numbered 315. not countersigned with a 'tick'.
Photos missing, replaced at an unknown date by photocopies of (duplicate) prints of the gardens of Villa La Pietra., undated, inclusive
Crucifix, undated, inclusive
General note
Detail, n. 349, is in IV.A.1.2.13.-1. The label numbered 348. not countersigned with a 'tick'.
Duplicate of a Crucifix - detail of the torso of Christ in IV.A.1.2.13.-1., undated, inclusive
V. A.1., undated, inclusive
General note
DIPINTO a olio su tela con Martirio di S. Sebastiano, in cornice lignea scolpita e dorata (da villa Sassetti. h. 203 l. 137 Pittore veneto del XVII secolo.
Duplicate of II.B.4.25.-22., undated, inclusive
General note
The label numbered 351. not countersigned with a 'tick'.
Duplicate of II.B.1.XXXII. A.19.-1.17.-37., undated, inclusive
Duplicate of II.B.1.XXXII. D.1.-1.17.-68., undated, inclusive
Duplicate of II.B.1.XXXII. D.10.17.-87., undated, inclusive
Duplicate of II.B.1.XIX. E.8.-3.13.-32., undated, inclusive
Duplicate of a garden gate in IV.A.7.11.39.-1.-2., undated, inclusive
General note
The label numbered 356. not countersigned with a 'tick'.
Duplicate of a garden gate in IV.A.7. 11.39.-3.-4., undated, inclusive
General note
The label numbered 357. not countersigned with a 'tick'.
Duplicate of a garden gate in IV.A.7. 11.39.-5.-6., undated, inclusive
General note
The label numbered 358. not countersigned with a 'tick'.
Duplicate of II.B.1.XXXII. A.19.-4.17.-40., undated, inclusive
Duplicate of a fresco in Villa Natalia, II.C.3. 34.-121., undated, inclusive
General note
The label numbered 360. not countersigned with a 'tick'.
Duplicate of a fresco in Villa Natalia, II.C.3. 34.-122., undated, inclusive
General note
The label numbered 361. not countersigned with a 'tick'.
Duplicate of II.B.1.LXXVI. C.2.-2.21.-47., undated, inclusive
Near duplicate of II.B.1.a.22.-26., undated, inclusive
Duplicate of a landscape in IV.A.1., undated, inclusive
General note
In the same series as no. 363. The label numbered 364. not countersigned with a 'tick'.
Duplicate of a landscape in IV.A.1., undated, inclusive
General note
In the same series as no. 363. The label numbered 365. not countersigned with a 'tick'.
Duplicate of a chair in IV.A.10., undated, inclusive
General note
The label numbered 366. not countersigned with a 'tick'.
Duplicate of II.B.1.LVI. C.8.19.-78., undated, inclusive
General note
The label numbered 367. not countersigned with a 'tick'.
Duplicate of chairs in IV.A.10. 13.11.-1.-2., undated, inclusive
General note
The label numbered 368. not countersigned with a 'tick'.
Duplicate of painted panel with birds in IV. A.2.6-10.-1.-2., undated, inclusive
General note
The label numbered 369. not countersigned with a 'tick'.
Duplicate of painted panel with birds in IV. A.2.6.11.-1.-3., undated, inclusive
General note
The label numbered 370. not countersigned with a 'tick'.
Duplicate of painted panel in Villa Emilia II.C.2.34.-58., undated, inclusive
General note
The label numbered 371. not countersigned with a 'tick'.
Duplicate of painted panel in Villa Emilia II.C.2.34.-61., undated, inclusive
General note
The label numbered 372. not countersigned with a 'tick'.
Duplicate of painted panel in Villa Emilia II.C.2. 34.-60., undated, inclusive
General note
The label numbered 373. not countersigned with a 'tick'.
Duplicate of II.B.1.a.22.-10., undated, inclusive
General note
Also in Historic Album IX.
The label numbered 374. not countersigned with a 'tick'.
Duplicate of II.B.1.a.22.-9., undated, inclusive
General note
Also in Historic Album IX.
The label numbered 375. not countersigned with a 'tick'.
Duplicate of II.B.1.a.22.-12., undated, inclusive
General note
Also in Historic Album IX.
The label numbered 376. not countersigned with a 'tick'.
Duplicate of II.B.1.a.22.-8., undated, inclusive
General note
Also in Historic Album IX.
The label numbered 377. not countersigned with a 'tick'.
Duplicate of II.B.1.a.22.-11., undated, inclusive
General note
Also in Historic Album IX.
The label numbered 378. not countersigned with a 'tick'.
Duplicate of painted panel with birds in IV.A.2.6.12.-1.-3., undated, inclusive
General note
The label numbered 379. not countersigned with a 'tick'.
Duplicate of painted panel with birds in IV.A.2. 6.13.-1.-2., undated, inclusive
General note
The label numbered 380. not countersigned with a 'tick'.
Duplicate of painted panel with birds in IV.A.2.6.14.-1., undated, inclusive
Duplicate of II.B.1.LIII. A.30.19.-22., undated, inclusive
Near duplicate of II.B.1.LXII. A.2.20.-55., undated, inclusive
General note
The label numbered 383. not countersigned with a 'tick'.
Duplicate of painted panel with birds in IV.A.2.7.38.-1.-3., undated, inclusive
General note
The label numbered 384. not countersigned with a 'tick'.
Duplicate of painted panel with birds in IV.A.2.7.37.-1.-4., undated, inclusive
General note
The label numbered 385. not countersigned with a 'tick'.
Duplicate of II.B.1.LXIV. C.2.21.-7., undated, inclusive
General note
Also in Historic Album IX.
Duplicate of painted panel with mythological scenes in IV.A.2.6.32.-2., undated, inclusive
General note
The label numbered 387. not countersigned with a 'tick'.
Duplicate of painted panel with mythological scenes in IV.A.2.6.32.-6., undated, inclusive
General note
The label numbered 388. not countersigned with a 'tick'.
Duplicate of painted panel with mythological scenes in IV.A.2.6.32.-1., undated, inclusive
General note
The label numbered 389. not countersigned with a 'tick'.
Duplicate of painted panel with mythological scenes in IV.A.2.32.-3., undated, inclusive
General note
The label numbered 390. not countersigned with a 'tick'.
Duplicate of painted panel with mythological scenes in IV.A.2.32.-7., undated, inclusive
General note
The label numbered 391. not countersigned with a 'tick'.
Duplicate of painted panel with mythological scenes in IV.A.2.32.-5., undated, inclusive
General note
The label numbered 392. not countersigned with a 'tick'.
Duplicate of an oval painted panel with birds in IV.A.2.6.16.-1.-3., undated, inclusive
General note
The label numbered 393. not countersigned with a 'tick'.
Duplicate of an oval painted panel with birds in IV.A.2.6.15.-1.-3., undated, inclusive
General note
The label numbered 394. not countersigned with a 'tick'.
Duplicate of a painted panel with birds in IV.A.2.6.17.-1.-3., undated, inclusive
General note
The label numbered 395. not countersigned with a 'tick'.
Duplicate of a painted panel with birds in IV.A.2. 6.18.-1., undated, inclusive
Duplicate of a painted panel with mythological scenes in IV.A.2.6.34.-1.-2., undated, inclusive
General note
The label numbered 397. not countersigned with a 'tick'.
Duplicate of a painted panel with mythological scenes in IV.A.2.6.33.-1.-2., undated, inclusive
General note
The label numbered 398. not countersigned with a 'tick'.
Duplicate of a painted screen (cupboard doors) in IV.A.2.7.20.-1.-9., undated, inclusive
General note
The label numbered 399. not countersigned with a 'tick'.
Folder 3. Album labelled "3. Collezione Acton"
Scope and Contents note
This is one of a series of canvas-bound albums with photographs pasted on to the pages and numbered as follows:
Duplicate of a painted screen (cupboard doors) in IV.A.2.7.20.-1.-9., undated, inclusive
General note
The label numbered 400. not countersigned with a 'tick'.
Duplicate of a painted screen (cupboard doors) in IV.A.2.7.20.-1.-9., undated, inclusive
General note
The label numbered 401. not countersigned with a 'tick'.
Duplicate of a painted panel in IV.A.2.7.6.-1. with architectural elements and genre scenes, undated, inclusive
Duplicate of a painted panel in IV.A.2.7.6.-2. with architectural elements and genre scenes, undated, inclusive
Duplicate of a painted panel in IV.A.2.7.6.-3. with architectural elements and genre scenes, undated, inclusive
Duplicate of a painted panel in IV.A.2.7.6.-4. with architectural elements and genre scenes, undated, inclusive
General note
The label numbered 405. not countersigned with a 'tick'.
Duplicate of a painted panel with architectural ruins in II.C.4.34.-182. (now in Villa Colletta), undated, inclusive
General note
The label numbered 406. not countersigned with a 'tick'.
Duplicate of a painted panel with architectural ruins in II.C.4.34.-181. (now in Villa Colletta), undated, inclusive
General note
The label numbered 407. not countersigned with a 'tick'.
Duplicate of II.B.1.a.22.-26.a., undated, inclusive
Duplicate of II.B.1.XXXII. A.19.-4.17.-39., undated, inclusive
Duplicate of II.B.1.LX. A.4.-1.20.-5., undated, inclusive
Duplicate of II.B.1.LX. A.12.-1.20.-11., undated, inclusive
General note
Also in Historic Album II.
Duplicate of II.B.1.LIII. C.31.19.-38., undated, inclusive
General note
Also in Historic Album IX.
Duplicate of II.B.1.a.22.-25., undated, inclusive
General note
The label numbered 413. not countersigned with a 'tick'.
Duplicate of II.B.1.a.22.-24., undated, inclusive
General note
The label numbered 414. not countersigned with a 'tick'.
Duplicate of a painted panel with birds in IV.A.2.6.19.-1.-4., undated, inclusive
General note
The label numbered 415. not countersigned with a 'tick'.
Duplicate of a painted panel with birds in IV.A.2.6.20.-1.-4., undated, inclusive
General note
The label numbered 416. is not countersigned with a 'tick'.
Duplicate of a painted panel with birds in IV.A.2.6.21.-1.-4., undated, inclusive
General note
The label numbered 417. is not countersigned with a 'tick'.
Duplicate of a painted panel with birds in IV.A.2.6.22.-1.-3., undated, inclusive
General note
The label numbered 418. is not countersigned with a 'tick'.
Duplicate of a painted panel with birds in II.C.4.34.-179. (now in Villa Colletta), undated, inclusive
General note
The label numbered 419. is not countersigned with a 'tick'.
Duplicate of a painted panel with birds in II.C.4.34.-178. (now in Villa Colletta), undated, inclusive
General note
The label numbered 420. is not countersigned with a 'tick'.
Duplicate of a painted panel with birds in IV.A.2.6.23.-1.-5., undated, inclusive
General note
The label numbered 421. is not countersigned with a 'tick'.
Duplicate of a painted panel with 'Chinoiserie' in II.C.4.34.-176. (now in Villa Colletta), undated, inclusive
General note
The label numbered 422. is not countersigned with a 'tick'.
Duplicate of II.B.1.L. A.8.-2.19.-2., undated, inclusive
Duplicate of II.B.1.L. A.8.-1.19.-1., undated, inclusive
Duplicate of II.B.1.XLVI. B.1.18.-7., undated, inclusive
Duplicate of II.B.1.LVI. B.3.19.-75., undated, inclusive
General note
Also in Historic Album I.
Duplicate of a painted bedhead in IV.A.10. 13.36.-1.-2., undated, inclusive
Painted bedhead, undated, inclusive
Duplicate of II.B.1.XX. B.2.-1.13.-92., undated, inclusive
General note
The label numbered 429. is not countersigned with a 'tick'.
Duplicate of a still life in II.C.5.35.-130. (Villa Sassetti), undated, inclusive
Duplicate of a still life in II.C.5.35.-128. (Villa Sassetti), undated, inclusive
General note
The label numbered 431. is not countersigned with a 'tick'.
Duplicate of a still life in II.C.5.35.-129. (Villa Sassetti), undated, inclusive
General note
The label numbered 432. is not countersigned with a 'tick'.
Duplicate of a still life in II.C.5.35.-131. (Villa Sassetti), undated, inclusive
General note
The label numbered 433. is not countersigned with a 'tick'.
Duplicate of II.B.4.25.-25., undated, inclusive
General note
The label numbered 434. is not countersigned with a 'tick'.
Duplicate of II.B.4.25.-26., undated, inclusive
General note
The label numbered 435. is not countersigned with a 'tick'.
Duplicate of II.B.4.25.-24., undated, inclusive
General note
The label numbered 436. is not countersigned with a 'tick'.
Duplicate of II.B.4.25.-23., undated, inclusive
General note
The label numbered 437. is not countersigned with a 'tick'.
Duplicate of II.B.1.LXXVI. C.5.21.-48., undated, inclusive
General note
Also in Historic Album II.
Duplicate of a painted panel in II.C.5.35.-150. (Villa Sassetti), undated, inclusive
Duplicate of a painted panel in II.C.5.35.-151. (Villa Sassetti), undated, inclusive
Duplicate of II.B.1.a.22.-3., undated, inclusive
General note
The label numbered 441. is not countersigned with a 'tick'.
Duplicate of II.B.1.a.22.-1., undated, inclusive
General note
Also in Historic Album II.
Duplicate of II.B.1.a.22.-2., undated, inclusive
General note
Also in Historic Album II.
Duplicate of II.B.1.a.22.-5., undated, inclusive
General note
Also in Historic Album II.
Duplicate of II.B.1.a.22.-7., undated, inclusive
General note
Also in Historic Album II.
Duplicate of II.B.1.a.22.-6., undated, inclusive
Duplicate of II.B.1.a.22.-4., undated, inclusive
General note
Also in Historic Album II.
Duplicate of II.B.1.L. E.4.-2.19.-8., undated, inclusive
Duplicate of II.B.1.L. E.4.-1.19.-7., undated, inclusive
Duplicate of painted screen in IV.A.2.7.17.-1.-3., undated, inclusive
Duplicate of II.B.1.LIII. D.4.19.-41., undated, inclusive
General note
Also in Historic Album II.
Duplicate of II.B.1.LIII.-1.19.-9., undated, inclusive
Duplicate photo of Villa La Pietra gardens missing and replaced at an unknown period by a photocopy, undated, inclusive
loose photo (possibly not originally here) of a duplicate of a painted panel with birds in IV.A.2.6.24.-1.-4., undated, inclusive
Duplicate of a painted panel with birds in IV.A.2.6.25.-1.-4., undated, inclusive
General note
The label numbered 455. is not countersigned with a 'tick'.
Duplicate of two painted panels with birds in IV.A.2.6.26.-1.-4., undated, inclusive
General note
The label numbered 456. is not countersigned with a 'tick'.
Duplicate of a painted panel in Chinese style in IV.A.2.7.21.-1.-3., undated, inclusive
General note
The label numbered 457. is not countersigned with a 'tick'.
Duplicate of a painted panel in Chinese style in IV.A.2.7.22.-1.-3. (Villa Natalia?), undated, inclusive
General note
The label numbered 458. is not countersigned with a 'tick'.
Duplicate of II.B.1.LVII. A.2.19.-81., undated, inclusive
Duplicate of II.B.1.LVII. A.2.19-80., undated, inclusive
Duplicate of II.B.1.LVII. A.2.19.-82., undated, inclusive
Duplicate of a piece of painted furniture in oversize, IV.A.10. folder 286.-1., undated, inclusive
General note
The label numbered 462. is not countersigned with a 'tick'.
Duplicate of a detail of a piece of painted furniture in oversize, IV.A.2.7. folder 463., undated, inclusive
General note
The label numbered 463. is not countersigned with a 'tick'.
Duplicate of a piece of painted furniture in IV.A.10.13.38.-1.-2., undated, inclusive
General note
The label numbered 464. is not countersigned with a 'tick'.
Duplicate of a painted panel in Chinese style in IV.A.2.7.23.-1.-3., undated, inclusive
General note
The label numbered 465. is not countersigned with a 'tick'.
Duplicate of a painted panel in Chinese style in IV.A.2.7.23.-4.-6., undated, inclusive
General note
The label numbered 466. is not countersigned with a 'tick'.
Duplicate of a painted panel in Chinese style in IV.A.2. 7.24.-1.-3., undated, inclusive
General note
The label numbered 467. is not countersigned with a 'tick'.
Duplicate of a painted panel (with flowers) in IV.A.2.7.35.-1.-3., undated, inclusive
General note
The label numbered 468. is not countersigned with a 'tick'.
Duplicate of a painted panel (with flowers) in IV.A.2.7.36.-1.-3., undated, inclusive
General note
The label numbered 469. is not countersigned with a 'tick'.
Painted panel with genre scenes in the same series as 471., undated, inclusive
General note
The label numbered 470. is not countersigned with a 'tick'.
Duplicate of a painted panel with genre scenes [in the same series as 470. above] in IV.A.1.3.24.-1., undated, inclusive
General note
The label numbered 471. is not countersigned with a 'tick'.
Duplicate photos of Villa La Pietra gardens missing and replaced at an unknown date by photocopies, undated, inclusive
Duplicate of II.B.1.XLII. D.12.18.-4., undated, inclusive
Photos missing, undated, inclusive
Folder 1. Album labelled "I."
Scope and Contents note
This is one of a series of canvas-bound albums where most of the photographs were not pasted on to the pages, numbered (not sequentially) on labels pasted on to the page. Those of Villa La Pietra gardens were replaced at an unknown time by photocopies: all of the originals are in the archive and the photocopies here have been given their Finding Aid number, since the originals do not bear the provenance and Historic Album number. Those of the interior and collection of Villa La Pietra were removed to the Archive in 2004 (noting on the original the provenance and Historic Album number) and replaced here with Color photocopies of the recto and verso. These have been listed below, but not identified, giving only their number on the label pasted onto the page or any annotations made on the pages. Unless otherwise indicated all the numbered labels or pages are annotated with a 'tick'. For easy reference the album pages have been numbered by the archivist in pencil on the top right-hand corner. The only photographs remaining in this album are those on page 1 and on the last page 102.
Inside front cover, undated, inclusive
General note
XXXII. D.10. STATUETTA in terracotta modellata a tutto tondo e dipinta: San Sebastiano. h. 66,5 Artista fiorentino della prima metà del XVI secolo. See also II.B.1.XXXII. D.10.17.-87.
Inside front cover, undated, inclusive
General note
XXXII. D.10. STATUETTA in terracotta modellata a tutto tondo e dipinta: San Sebastiano. h. 66,5 Artista fiorentino della prima metà del XVI secolo. See also II.B.1.XXXII. D.10.17.-87.
XIX. E.8., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto in policromia: Buddha seduto. h. 84 Cina, Dinastia Sung (?). See also II.B.1.XIX. E.8.-3.13.-32.
Photo missing, undated, inclusive
General note
Numbered 316., and the page annotated "Bigallo Crucifix master" without a 'tick'.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 343. See II.A.3.iii.3.-8.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 317. See II.A.5.i.6.-10.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 344. See II.A.3.iii.3.-1.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 25814. See II.A.3.ii.2.-72. Not countersigned with a 'tick'.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 345. See II.A.3.ii.2.-56.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 318. See II.A.2.i.1.-54.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 347. See II.A.3.i.1.-110.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 328. See II.A.3.iii.3.-38.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 323. See II.A.3.ii.2.-52.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 346. See II.A.3.i.1.-108.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 319. See II.A.2.i.1.-50.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 25819. See II.A.3.iv.4.-22. Not countersigned with a 'tick'.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 25818. See II.A.3.ii.2.-67. Not countersigned with a 'tick'.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 321. See II.A.3.i.1.-112.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 25824. See II.A.3.iv.4.-19. Not countersigned with a 'tick'.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 325bis. See II.A.3.iii.3.-23.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 326. See II.A.3.iv.4.-11.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 325. See II.A.3.iii.3.-22.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 322. See II.A.3.iii.3.-5.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 25825. See II.A.3.iv.4.-23. Not countersigned with a 'tick'.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 329. See II.A.3.iii.3.-26.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 331. See II.A.3.iii.3.-35.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 332. See II.A.3.111.3.-30.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 334. See II.A.3.iii.3.-15.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 333. See II.A.3.iii.3.-14.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 336. See II.A.3.v.4.-82.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 335. See II.A.3.v.4.-81.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 327. See II.A.3.iii.3.-18.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 25817. See II.A.5.i.5.-135. Not countersigned with a 'tick'.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 25823. See II.A.3.ii.2.-71. Not countersigned with a 'tick'.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 25822. See II.A.3.ii.2.-69. Not countersigned with a 'tick'.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 25816. See II.A.5.i.6.-16. Not countersigned with a 'tick'.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 324. See II.A.6.iii.8.-11.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 341-2-. See II.A.4.ii.5.-1.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 358. See II.A.4.ii.5.-6.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 473. See II.A.5.iii.6.-56.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 472. See II.A.5.iii.6.-59.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 340. See II.A.4.ii.5.-90.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 453. See II.A.5.ii.6.-8.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 339. See II.A.5.v.6.-131.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 337. See II.A.5.v.6.-108.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 338. See II.A.5.v.6.-111.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 25820. See II.A.4.ii.5.-11. Not countersigned with a 'tick'.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 25821. See II.A.4.ii.5.-15. Not countersigned with a 'tick'.
Photocopy of a print of the garden of Villa La Pietra, undated, inclusive
General note
Numbered 25815. See II.A.4.ii.5.-13. Not countersigned with a 'tick'.
Photocopy of a print of a garden vase of Villa La Pietra, undated, inclusive
General note
Numbered 351. See II.A.9.9.-96. Not countersigned with a 'tick'.
Photocopy of a print of a garden vase of Villa La Pietra, undated, inclusive
General note
Numbered 299. See II.A.9.9.-97. Not countersigned with a 'tick'.
Photocopy of a print of a garden vase of Villa La Pietra, undated, inclusive
General note
Numbered 356. See II.A.9.9.-98. Not countersigned with a 'tick'.
Photo missing, undated, inclusive
General note
Numbered 357.
Photocopy of a print of the interior of Villa La Pietra, undated, inclusive
General note
Numbered 452. See II.B.1.LIII.-1.19.-9.
Photocopy of a print of the interior of Villa La Pietra, undated, inclusive
General note
Numbered 296. See II.B.1.XXX.-1.15.-1.
Photocopy made in 2004 of a print of the interior of Villa La Pietra, undated, inclusive
General note
Numbered 297.
Photocopy made in 2004 of a print of the interior of Villa La Pietra, undated, inclusive
General note
Numbered 298.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 251A.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 251.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 300.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 301.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 308.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 309.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 306.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 307.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 236.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 203. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 214.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 353.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 204.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 252.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 303.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 253.
Photo missing, undated, inclusive
General note
Numbered 254. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 258.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 259.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 260.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 304.
Photocopy of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 279. See II.B.1.XX. A.11.13.-76.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 261. Annotated on the page in AA's hand: "Pal Rinnuccini grotto".
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 205. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 243. Annotated on the page in AA's hand: "Alessandro Vittorio".
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 302. Annotated on the page in AA's hand: "Tribolo".
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 354.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 243.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 280.
Photo missing, undated, inclusive
General note
Numbered 281. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 282.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 283.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 284.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 293. Annotated on the page in AA's hand "Sansovino".
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 287. Annotated on the page in AA's hand "Tribolo".
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 287.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 204.
Photo missing, un-numbered, but annotated "Giardino", undated, inclusive
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 426.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
un-numbered but annotated "Salone".
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 214.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 426. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Annotated A.
Photo missing, undated, inclusive
General note
Numbered 212. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 246.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 240.
XXI. A.1., undated, inclusive
General note
RILIEVO in stucco policromo con cornice lignea modanata: Madonna col Bambino (come altro esemplare in pp. XLVIII-Camera dei Genitori, A.19. h. 110 l. 115 Bottega veneziana del XV secolo.
Relief [from a chimneypiece] of two putti holding a garlanded heraldic device., undated, inclusive
Folder 2. Album labelled "II."
Scope and Contents note
This is one of a series of canvas-bound albums where most of the photographs were not pasted on to the pages, numbered (not sequentially) on labels pasted on to the page. The photographs of works of art in the Collection of Villa La Pietra or in villas on the Estate (or once formerly part of the collection) were removed to the Archive in 2004 (noting on the original the provenance and Historic Album number) and replaced here with photocopies of the recto (and verso when this had annotations). These have been listed below, but not identified, giving only their number on the label pasted onto the page or any annotations made on the pages. Unless otherwise indicated all the numbered labels or pages are annotated with a 'tick'. For easy reference the album pages have been numbered by the archivist in pencil on the top right-hand corner. The only photographs remaining in this album are on pages 1, 38, 103, and 104.
Bench in front of a tapestry beside a bust (IX. A.21. see II.B.1.IX.-4.12.-19). Probably photographed on the ground floor of the interior of Villa La Pietra., undated, inclusive
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 235.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 349.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 348.
Photocopy made in 2004 of a fresco in Villa Natalia, undated, inclusive
General note
Numbered 361. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 230.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 202.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 200.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 201.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 208.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 247.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 289.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 255.
Photo missing, undated, inclusive
General note
Numbered 267. Annotated "Crocifisso, busto".
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 266.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 265.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 232. Not countersigned with a 'tick'.
Photo missing, undated, inclusive
General note
Numbered 274. Not countersigned with a 'tick'.
Photo missing, undated, inclusive
General note
Numbered 272. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 249.
Photo missing, undated, inclusive
General note
Numbered 250. Not countersigned with a 'tick'.
Photo missing, undated, inclusive
General note
Numbered 241. Not countersigned with a 'tick'.
Photo missing, un-numbered, annotated S. Benedetto., undated, inclusive
Photo missing, un-numbered, annotated S. Benedetto., undated, inclusive
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 294.
Photo missing, undated, inclusive
General note
Numbered 270. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 271.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 269.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 264.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 226.
Photocopy made in 2004 of a painting of the Madonna del Latte in IV.A.1.1.29.-1.-2., undated, inclusive
General note
Numbered 216. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 215.
Photocopy made in 2004 of a Coronation of the Virgin by the "Maestro di Calenzano", undated, inclusive
General note
Stolen in February 1978. Numbered 213. Not countersigned with a 'tick'.
See II.B.3.23.-10.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 269.
Photo missing, undated, inclusive
General note
Numbered 312.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 312.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 236. Not countersigned with a 'tick'.
Near duplicate of oversize II.B.1.LIII. D.11.-1. folder 212., undated, inclusive
General note
Also in Historic Album 1. Numbered 227.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 210.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 217.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 224.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 352.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 211.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 409.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 359.
Photo missing, undated, inclusive
General note
Numbered 238. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art formerly part of the collection of Villa La Pietra, but whereabouts at present unknown, undated, inclusive
General note
Numbered 207.
See II.B.3.23.-2
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 411.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 410.
Photocopy made in 2004 of a painted panel with architectural ruins in II.C.4.34.-181. (now in Villa Colletta), undated, inclusive
General note
Numbered 407. Not countersigned with a 'tick'.
Photocopy made in 2004 of a painted panel in IV.A.2.7.6.-4.with architectural elements and genre scenes, undated, inclusive
General note
Numbered 405.
Photocopy made in 2004 of a painted panel with architectural ruins in II.C.4.34.-182. (now in Villa Colletta), undated, inclusive
General note
Numbered 406. Not countersigned with a 'tick'.
Photo missing, undated, inclusive
General note
Numbered 209. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 242.
Photo missing, undated, inclusive
General note
Numbered 248. Not countersigned with a 'tick'.
Photo missing, undated, inclusive
General note
Numbered 257. Not countersigned with a 'tick'.
Photo missing, undated, inclusive
General note
Numbered 262. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 263.
Photo missing, undated, inclusive
General note
Numbered 273. Not countersigned with a 'tick'.
Photo missing, undated, inclusive
General note
Numbered 291. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 295.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 295.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 295.
Photocopy made in 2004 of a painted panel in IV.A.2.7.6.-1. with architectural elements and genre scenes, undated, inclusive
General note
Numbered 402.
Photocopy made in 2004 of a painted panel in IV.A.2.7.6.-2. with architectural elements and genre scenes, undated, inclusive
General note
Numbered 403.
Photocopy made in 2004 of a painted panel in IV.A.2.7.6.-3. with architectural elements and genre scenes, undated, inclusive
General note
Numbered 404.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 758.
Photocopy made in 2004 of a still life in II.C.5.35.-131. (Villa Sassetti), undated, inclusive
General note
Numbered 433. Not countersigned with a 'tick'.
Photocopy made in 2004 of a still life in II.C.5.35.-129. (Villa Sassetti), undated, inclusive
General note
Numbered 432. Annotated "Sassetti".
Photocopy made in 2004 of a still life in II.C.5.35.-128. (Villa Sassetti), undated, inclusive
General note
Numbered 431. Not countersigned with a 'tick'.
Photocopy made in 2004 of a still life in II.C.5.35.-130. (Villa Sassetti), undated, inclusive
General note
Numbered 430. With an illegible annotation: "P.P. Gr-….".
Photocopy made in 2004 of II.B.1.a.22.-24., undated, inclusive
General note
Numbered 414. Not countersigned with a 'tick'.
Photocopy made in 2004 of II.B.1.a.22.-25., undated, inclusive
General note
Numbered 413. Not countersigned with a 'tick'.
Photocopy of a painted panel with an allegorical female figure., undated, inclusive
General note
The label numbered 408 is marked 'Natalia' .
One of a series of seven: see XXXIX. A.6. and XCII. C.3., but this panel is now in LXXVI [formerly in LXXIV].
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 758.
Photo missing, undated, inclusive
General note
Numbered 231. Not countersigned with a 'tick'.
Photo missing, undated, inclusive
General note
Numbered 223. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 219.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 218.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 229.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 305.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 310.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 311.
Photo, un-numbered, missing, undated, inclusive
Photocopy made in 2004 of II.B.4.25.-22., undated, inclusive
General note
Numbered 351. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 315.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 362.
Photocopy of II.B.1.a.22.-26., undated, inclusive
General note
Numbered 363. and annotated "Sassetti".
Photocopy of a landscape in IV.A.1. in the same series as no. 363, undated, inclusive
General note
The label numbered 364. not countersigned with a 'tick'.
Photocopy of a landscape in IV.A.1. in the same series as no. 363, undated, inclusive
General note
The label numbered 365. not countersigned with a 'tick'.
Photo, un-numbered, missing, undated, inclusive
Photo, un-numbered, missing, undated, inclusive
Photo, un-numbered, missing, undated, inclusive
Photocopy of II.B.1.a.22.-1., undated, inclusive
General note
Numbered 442.
Photocopy of II.B.1.a.22.-2., undated, inclusive
General note
Numbered 443.
Photocopy of II.B.1.a.22.-5., undated, inclusive
General note
Numbered 444.
Photocopy of II.B.1.a.22.-7., undated, inclusive
General note
Numbered 445.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 451.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 429. Not countersigned with a 'tick'.
Photocopy made in 2004 of a work of art in the interior of Villa La Pietra, undated, inclusive
General note
Numbered 438.
Photocopy of II.B.1.a.22.-4., undated, inclusive
General note
Numbered 447.
Photocopy of II.B.1.a.22.-6., undated, inclusive
General note
Numbered 446.
Duplicate of II.B.1.a.22.-6., undated, inclusive
General note
Numbered 446.
Duplicate of II.B.1.a.22.-4., undated, inclusive
General note
Numbered 447.
Folder 3. Album labelled "III."
Scope and Contents note
This is one of a series of canvas-bound albums with most of the photographs pasted on to the page. The pages are not numbered but many of the photographs are numbered on the page. For easy reference the album pages have been numbered by the archivist in pencil on the top right-hand corner.
Inside cover. XLVIII. A.2., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea intagliata, dipinta e dorata: Madonna che adora il Bambino con melagrana e arancia. Stemmi nella parte inferiore della cornice e scritta: "Ave Maria Graia plena Dominus T." h. 123 l. 92,5 Francesco Pesellino. Numbered 270. See also II.B.1.XLVIII. A.2.-1.18.-32.
Loose album page. Near duplicate of oversize II.B.1.XXI.C.1. folder 176., undated, inclusive
General note
On the verso "Pier Francesco Fiorentino 'Madonna and Child', panel, Size 46 by 28 inches"
Numbered 49489.
XLVIII. A.2., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea intagliata, dipinta e dorata: Madonna che adora il Bambino con melagrana e arancia. Stemmi nella parte inferiore della cornice e scritta: "Ave Maria Gratia plena Dominus T."
h. 123 l. 92,5
Francesco Pesellino.
Numbered 270. See also II.B.1.XLVIII. A.2.-1.18.-32.
XXVIII. D.2., undated, inclusive
General note
DIPINTO a tempera su tavola a fondo oro: S. Chiara con S. Bartolomeo (nella cuspide
h. 116 l. 40.
Date and artist missing from the Conti inventory.
Numbered 13.
See also II.B.1.XXVIII. D.2.-1.14.-98.
Painting of a Madonna and Child (holding a pomegranate), attributed to a 19th century painter, undated, inclusive
General note
Numbered 65.
Stolen 13 February 1978.
Duplicate of II.B.1.LX. D.1.-1.20.-20., undated, inclusive
General note
Numbered 292.
Painting of a Madonna and Child enthroned with two female Saints, undated, inclusive
General note
Numbered 19. in pencil.
Pasted upside down on the page.
Painted panel with flowers, undated, inclusive
Duplicate of II.B.1.LX. D.3.20.-22., undated, inclusive
General note
Numbered 25350
Painting of a Madonna and Child enthroned with five Saints, undated, inclusive
XXX. C.18., undated, inclusive
General note
DIPINTO a olio (?) su tavola: Madonna col Bambino e S. Giovannino. h. 36 l. 57,5 Maestro dell'Epifania di Fiesole. Rientrato nel Luglio del 1995 dal furto del febbraio 1978. Numbered 42. See also II.B.1.XXX. C.18.15.-49.
XLVIII. D.13., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea modanata e dorata: Madonna col Bambino. h. 60,5 l. 45,5 Scuola umbra del XV secolo. Numbered 50.
LXI. C.1., undated, inclusive
General note
SCULTURE statue (coppia) di legno scolpito, dipinto in policromia e dorato: Fanciulle more con grande cesto di frutta sul capo su base a forma di stemma. h. 233 Manifattura italiana XVIII-XIX secolo. One of the pair (the other half of II.B.1.LXI. C.1.20.-48.).
Duplicate of II.B.1.XLVIII. B.19.-1.18.-61., undated, inclusive
General note
Numbered 242.
LXI. B.2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato dipinto e dorato: Ritratto di gentiluomo a caccia. h. 340 ca l. 253 Giacomo Ceruti metà del XVIII secolo (M. Gregori: intorno al 1743). See also II.B.1.LXI. B.2.-1.20.-43.
Frescoed lunette by Rosso Fiorentino in Firenze, Villa Fossi (Via di Marignolle and Via delle Campora), undated, inclusive
General note
Labelled 'No'.
Duplicate of IV.B.3.17.24.-22.-23.
Duplicate of II.B.1.XX. A.10.-1.13.-74., undated, inclusive
General note
Numbered 275.
Frescoed lunette by Rosso Fiorentino in Firenze, Villa Fossi (Via di Marignolle and Via delle Campora), undated, inclusive
General note
Labelled 'No'.
Duplicate of IV.B.3.17.24.-24.-25.
Duplicate of II.B.1.XX.-2.13.-36., undated, inclusive
Frescoed lunette by Rosso Fiorentino in Firenze, Villa Fossi (Via di Marignolle and Via delle Campora), undated, inclusive
General note
Labelled 'No'.
Duplicate of IV.B.3.17.24.-18.-19.
II.B.1.XX. Salone - general view, undated, inclusive
Frescoed lunette by Rosso Fiorentino in Firenze, Villa Fossi (Via di Marignolle and Via delle Campora), undated, inclusive
General note
Labelled 'No'. Duplicate of IV.B.3.17.24.-12.-14.
LXI. C.3., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato dipinto e dorato con motivi di rocailles: Gentiluomo a cavallo (Ritratto di un Savoia h. 340 ca l. 254,5 Giacomo Ceruti, metà del XVIII secolo (M. Gregori: intorno al 1743). See also II.B.1.LXI. C.3.-1.20.-49.
Frescoed lunette by Rosso Fiorentino in Firenze, Villa Fossi (Via di Marignolle and Via delle Campora), undated, inclusive
General note
Labelled 'No'.
Duplicate of IV.B.3.17.24.-5.-8.
LXI. B.8.-1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato con protomi angeliche agli angoli: Ritratto di fanciullo con giocattolo. h. 160 ca l. 136 Pittore spagnolo del XVII secolo. Numbered 262. See also II.B.1.LXI. B.8.-1.20.-46.
Frescoed lunette by Rosso Fiorentino in Firenze, Villa Fossi (Via di Marignolle and Via delle Campora), undated, inclusive
General note
Labelled 'No'.
Duplicate of IV.B.3.17.24.-1.-4.
XX. A.18., undated, inclusive
General note
STATUETTA in terracotta modellata a tutto tondo: figura allegorica, Estate o Abbondanza base di legno modanato e dorato con iscrizione: "S./Philip/pus/Nerius". h. 49 base: h. 20 l. 23 l. 23 Scultore romano del XVIII secolo. Numbered 197.
Frescoed lunette by Rosso Fiorentino in Firenze, Villa Fossi (Via di Marignolle and Via delle Campora), undated, inclusive
General note
Labelled 'No'.
Duplicate of IV.B.3.17.24.-9.-11.
XX. A.18., undated, inclusive
General note
STATUETTA in terracotta modellata a tutto tondo: figura allegorica, Estate o Abbondanza base di legno modanato e dorato con iscrizione: "S./Philip/pus/Nerius". h. 49 base: h. 20 l. 23 l. 23 Scultore romano del XVIII secolo. Two prints.
Frescoed lunette by Rosso Fiorentino in Firenze, Villa Fossi (Via di Marignolle and Via delle Campora), undated, inclusive
General note
Labelled 'No'.
Duplicate of IV.B.3.17.24.-26.-27.
Near duplicate of II.B.1.LXV. B.6.21.-26., undated, inclusive
General note
Numbered 300.
Near duplicate of II.B.1.XXXI. A.39.16.-14., undated, inclusive
General note
Labelled on the recto 'Santi di Tito'.
Numbered 68.
Near duplicate of II.B.1.LXV. B.6.21.-26., undated, inclusive
General note
Numbered 300.
Near duplicate of II.B.1.XXVIII. C.3.-3.14.-90., undated, inclusive
General note
Numbered 757.
Duplicate of II.B.2.22.-34., undated, inclusive
Painting of the Adoration of the Child (a duplicate print in IV.A.1.1.38.-1.), undated, inclusive
Duplicate of II.B.1.XXXI. C.8.-1.16.-39., undated, inclusive
General note
Numbered 60.
XXXI. A.1., undated, inclusive
General note
RILIEVO a colmo in stucco dipinto con cornice lignea: Natività. h. 84,5 l. 83 Bottega di Donatello della metà del XV secolo. Numbered 67. See also II.B.1.XXXI. A.1.16.-9.
XXXI. E.5., undated, inclusive
General note
BUSTO in terracotta dipinta su base lignea intagliata e dipinta: Santo. h. 45 Artista bolognese del XVII secolo. Restauri, incrinature. Numbered 78.
X. D.2., undated, inclusive
General note
SCULTURE (coppia) di Cinese e Turco in legno, dipinto e dorato (cfr. la coppia di mori B.2.). h. 125 l. 36,5 p.36,5 Bottega veneta del XVIII secolo. Annotated on the recto: "Altezza m. 1,25" Numbered 84.-85.
X. B.2., undated, inclusive
General note
SCULTURE (coppia) di Mori portacandeliere in legno, dipinto e dorato (cfr. la coppia X. D.2.). h. 122 l. 37 p. 37 Bottega veneta del XVIII secolo. Annotated on the recto "m. 1,25" Numbered 87-86. See also II.B.1.X. B.2.12.-52.
Duplicate of II.B.1.XXXI. B.7.-1.16.-22., undated, inclusive
General note
Numbered 65.
XXVII. A.7., undated, inclusive
General note
OROLOGIO in bronzo a fusione e dorato, sorretto da due mori e sormontato da due giovani e cani. La base ha pianta ellissoidale e decorazioni di scene pastorali. h. 53,5 Manifattura francese del XIX secolo. Numbered 127.
Painting of the Madonna and Child (with rose bushes in the background), undated, inclusive
General note
Numbered 46.
XXXI. C.10., undated, inclusive
General note
DIPINTO a olio su tavola in cornice lignea intagliata, dipinta e dorata: Madonna col Bambino iscrizione: "Ave Maria Gratia Plena D. T.". Pittore fiorentino del XV secolo. Numbered 48-5. See also II.B.1.XXXI. C.10.-1.16.-45.
XXXI. C.10., undated, inclusive
General note
DIPINTO a olio su tavola in cornice lignea intagliata, dipinta e dorata: Madonna col Bambino iscrizione: "Ave Maria Gratia Plena D. T.". Pittore fiorentino del XV secolo. Numbered 48-5. See also II.B.1.XXXI. C.10.-1.16.-45.
XXIX. C.1., undated, inclusive
General note
STATUE (due) in legno scolpito, dipinto e dorato: Moro e Valletto. h. 130 ca. Bottega veneziana del XVIII secolo. Numbered 162-163.
Sculpture: Relief of the Madonna and Child [by Donatello], loosely connected to XXXII. A.13.-2., undated, inclusive
General note
Numbered 158.
See also II.B.4.25.-32.
Photo missing, undated, inclusive
Photo missing, undated, inclusive
XXXII. A.25., undated, inclusive
General note
RILIEVI (due pannelli) in terracotta dipinta con tracce di doratura in cornice lignea intagliata e dorata: S. Giovanni Battista e S. Francesco. h. 143 l. 77,5 Scultore padovano della metà XVI secolo. Numbered 21. See also II.B.1.XXXII. A.25.17.-42.
XXXII. A.16., undated, inclusive
General note
BUSTO in terracotta modellata a tutto tondo e patinata con interventi di colore su base lignea dipinta. h. 36,5 base: h. 9 l. 44,5 Modellatore del XV (?), XIX secolo. Numbered 139. See also II.B.1.XXXII. A.16.-3.17.-34.
XXX. C.9., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: S. Lucia tra Santo Martire e Antonio Abate. h. 135,5 l. 95,5 Bicci di Lorenzo, fine del XIV secolo. Numbered 143. See also II.B.1.XXX. C.9.-1.15.-45.
XXXII. A.13., undated, inclusive
General note
RILIEVO in stucco con tracce di policromia: Madonna che adora il Bambino, in tabernacolo ligneo intagliato, dipinto e dorato. h. 130 l. 121,5 Bottega di Donatello della metà del XV secolo. Numbered 281. See also II.B.1.XXXII. A.13.-3.17.-31.
XXXII. D.7., undated, inclusive
General note
DIPINTO (polittico d'altare) a tempera su tavola, con cornice lignea scolpita e dorata: Madonna in trono col Bambino e i santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate nelle cuspidi: Madonna della Misericordia, l'Annunciazione e santa Margherita. h. 171 Pittore fiorentino della fine del XIV secolo. Detail of the Madonna in trono col Bambino. Numbered 274. See also II.B.1.XXXII. D.7.-7.17.-86.
XXXII. D.13., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata e dorata: Sant'Ansano con iscrizione: "S.C.S. Sanus Martir". h. 131 l. 63 Artista senese inizi del XV secolo. Numbered 217. See also II.B.1.XXXII. D.13.17.-88.
XXXII. A.11., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata con decorazioni a pastiglia: Incoronazione della Vergine. h. 147 l. 71 Mariotto di Nardo (?), fine del XIV secolo. Numbered 150. See also II.B.1.XXXII. A.11.-2.17.-28.
XXXII. D.2., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna in trono col Bambino giglioforo e due angeli. h. 132,5 l. 77,5 Pittore fiorentino della seconda metà del XIII secolo. Detail of the head of the Madonna.
Near duplicate of II.B.1.XXXII. A.13.-1.17.-29., undated, inclusive
General note
Numbered 281.
Near duplicate of II.B.1.XXXII. A.18.-1.17.-35., undated, inclusive
General note
Numbered 148.
Duplicate of II.B.2.22.-27. The Madonna (A.8.) and the angels (C.17.) are now in the Sala da Pranzo, undated, inclusive
Duplicate of II.B.1.XXXII. C.11.-4.17.-37., undated, inclusive
General note
Numbered 301.
Duplicate of a lantern in IV.A.8.12.14.-1., undated, inclusive
General note
Numbered 74.
XX. A.18., undated, inclusive
General note
STATUETTA in terracotta modellata a tutto tondo: figura allegorica, Estate o Abbondanza base di legno modanato e dorato con iscrizione: "S./Philip/pus/Nerius". h. 49 base: h. 20 l. 23 l. 23 Scultore romano del XVIII secolo. Numbered 197.
Near duplicate of II.B.1.XXXI. C.1.-1.16.-24., undated, inclusive
General note
Numbered 44.
Near duplicate of II.B.1.XXXI. D.9.-1.16.-56., undated, inclusive
General note
Numbered 217.
XXXI. A.46, undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: Madonna in trono col Bambino e due angeli Il Redentore Benedicente nella cuspide. Alla base iscrizione: "ANO DNI MCCCCXXII" "Ave Maria Gratia Plena Dominus Teco B.Tus". h. 198 l. 86 Attribuito a Mariotto di Nardo, 1422 (datato). Numbered 73. See also oversize, II.B.1.XXXI.A.46.-1. folder 188.
XXXI. D.2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata e cornice intagliata, dipinta e dorata con decorazioni a pastiglia: Madonna col Bambino in piedi. h. 110,5 l. 62,3 Mariotto di Nardo, inizi del XV secolo. Numbered 6. See also II.B.1.XXXI. D.2.16.-53.
XXXI. D.2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata e cornice intagliata, dipinta e dorata con decorazioni a pastiglia: Madonna col Bambino in piedi. h. 110,5 l. 62,3 Mariotto di Nardo, inizi del XV secolo. Numbered 283. See also II.B.1.XXXI. D.2.16.-53.
Duplicate of II.B.1.XXIX. A.1.-2.14.-106., undated, inclusive
General note
Numbered 160.-161.
Duplicate of II.B.1.XXIX. A.1.-1.14.-105., undated, inclusive
General note
Numbered 160.-161.
XX. B.7., undated, inclusive
General note
CONSOLLE (coppia con pt. X-Atrio C.6.) in legno scolpito e dorato con puttini, sirene e monstra. Piano di legno (moderno) macchiato. h. 99 l. 169 Bottega romana del primo quarto del XVIII secolo. (Un-numbered) loose print: duplicate of II.B.1.XX. B.7.13.-94.
XXXII. C.4., undated, inclusive
General note
CASSONE in legno di noce scolpito e intarsiato con motivi decorativi a girali, sfingi, tarsie "a toppo" a motivi geometrici. h. 100 l. 206 p. 76 Bottega dei Del Tasso, XVI secolo. Photographed in the Rotonda near one of the twisted columns. On top are two candle-bearing kneeling angels and a statuette of a female Saint (in IV.A.4.8.27.-1.-2.
XII. A.30., undated, inclusive
General note
STATUA in marmo bianco scolpito: Venere che brucia le frecce d'Amore. Firmata e datata sulla base: "Io. Fr. Susini. Flor. Fa. MDCXXXVII". h. 160 l. 42 p. 31 Gian Francesco Susini, 1637. See also II.B.1.XII. A.30.12.-104.
XII. A.18., undated, inclusive
General note
ARAZZO con stemma Medici-Austria sorretto da angeli. h. 260 l. 208 Manifattura fiorentina del XVII secolo. Foderatura di lino usure, numerosi e piccoli strappi restauri.
Duplicate of II.B.1.XII. A.7.12.-90., undated, inclusive
XXVIII. C.13., undated, inclusive
General note
PANCA in legno di noce scolpito, modanato e tornito ha schienale a balaustro, braccioli a voluta, scanalatura centrale e gambe sagomate come i braccioli e terminanti a zampa di leone. h. 122 l. 281,5 p. 43,5 Bottega toscana della prima metà del XVII secolo. See also II.B.1.XXVIII. C.13.14.-97.
Duplicate of II.B.1.XXVIII. C.13.14.-97., undated, inclusive
Duplicate of II.B.1.XII.-21.12.-79., undated, inclusive
General note
Numbered 299
XII. one of the detached frescoes before restoration and installation, undated, inclusive
Duplicate of II.B.4.25.-77., undated, inclusive
XII. General view of the upper walls, undated, inclusive
The frescoes of villas on the walls of the Office (VIII.), undated, inclusive
General note
Numbered 11788., 11787., 11790., 11791.
Bench (with empty frames on the walls) [the base of the bench, formerly in Villa Sassetti, is now in the top floor corridor of Villa La Pietra], undated, inclusive
Chest (with masques), undated, inclusive
Duplicate of II.B.1.XXI. B.15.-2.14.-45., undated, inclusive
Duplicate of II.B.1.XXI. C.13.-2.14.-54., undated, inclusive
General note
Numbered 1215.
Duplicate of II.B.1.XXI. C.8.14.-50., undated, inclusive
XXI. B.13., undated, inclusive
General note
SCULTURA in legno dipinto in policromia: Madonna col Bambino. h. 42,5 Scultore veneto della seconda metà del XIV secolo. See also II.B.1.XXI. B.13.-1.14.-42.
XXI. E.5., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna col Bambino. h. 90 l. 31 Scultore abruzzese (?) del XIII (?) secolo. See also II.B.1.XXI. E.5.-3.14.-57.
XXI. B.13., undated, inclusive
General note
SCULTURA in legno dipinto in policromia: Madonna col Bambino. h. 42,5 Scultore veneto della seconda metà del XIV secolo. See also II.B.1.XXI. B.13.-1.14.-42.
XXI. B.6., undated, inclusive
General note
BOZZETTO di Torso virile in terracotta modellata su base di marmo intarsiato. h. 33 base: h. 17 Artista italiano del XVI secolo. See also II.B.1.XXI. B.6.-2.14.-28.
XXI. C.8., undated, inclusive
General note
SCULTURA in terracotta modellata a tutto tondo: S. Girolamo penitente. h. 33 Bottega toscana del XVI secolo. See also II.B.1.XXI. C.8.14.-50.
Duplicate of II.B.1.XXI. C.10.-2.14.-52., undated, inclusive
General note
Numbered 393.
IX. D.2., undated, inclusive
General note
DIPINTO olio su tela: San Girolamo con il sasso della penitenza e il libro delle Scritture. Cornice lignea intagliata e dorata. h. 101 l. 82,5 Attribuito a Giuseppe Antonio Petrini. Numbered 220. See also II.B.1.IX. D.2.12.161.-45.
Near duplicate of II.B.1.IX. A.8.12.-20., undated, inclusive
General note
Numbered 285.
Near duplicate of II.B.1.IX. D.2.12.161.-45., undated, inclusive
General note
Numbered 220.
IX. D.2., undated, inclusive
General note
DIPINTO olio su tela: San Girolamo con il sasso della penitenza e il libro delle Scritture. Cornice lignea intagliata e dorata. h. 101 l. 82,5 Attribuito a Giuseppe Antonio Petrini. Numbered 220.
Duplicate of II.B.1.XX. A.22.13.-78., undated, inclusive
General note
Numbered 159.
Near duplicate of II.B.1.XX. A.22.13.-78., undated, inclusive
General note
Numbered 159.
Folder 1. Album labelled "IV"
Scope and Contents note
This is one of a series of canvas-bound albums with most of the photographs pasted on to the page. The pages are not numbered but many of the photographs are numbered on the page. For easy reference the album pages have been numbered by the archivist in pencil on the top right-hand corner.
Photo missing, undated, inclusive
General note
Cut out from the page, numbered 247.
Photo missing, undated, inclusive
XXXI. D.1.-1., undated, inclusive
General note
DIPINTO a tempera su tavola sagomata e parzialmente dorata: Crocifissione con S. Francesco ai piedi della croce e iscrizione in alto: "IHS Nazarenus Rex Iudeorum" e in basso: "S. Franciscus"(si tratta, della croce dipinta, proveniente da Londra, ricordata in un "Inventory" del maggio 1931, p. 10, ritrovato nella credenza della Camera Blu-LXV). h. 234 l. 161,5 Maestro di San Francesco, fine del XIII secolo. See also II.B.1.XXXI. D.1.-1.16.-47.
Duplicate of II.B.1.LX. A.13.20.-13., undated, inclusive
XXXI. D.1.-1., undated, inclusive
General note
DIPINTO a tempera su tavola sagomata e parzialmente dorata: Crocifissione con S. Francesco ai piedi della croce e iscrizione in alto: "IHS Nazarenus Rex Iudeorum" e in basso: "S. Franciscus"(si tratta, della croce dipinta, proveniente da Londra, ricordata in un "Inventory" del maggio 1931, p. 10, ritrovato nella credenza della Camera Blu-LXV). h. 234 l. 161,5 Maestro di San Francesco, fine del XIII secolo. See also II.B.1.XXXI. D.1.-1.16.-47.
Duplicate of II.B.1.XLVII. A.3.18.-8a., undated, inclusive
Duplicate of II.B.1.XXXI. D.1.-3.16.-49., undated, inclusive
General note
Numbered 230.
Duplicate of oversize II.B.1.XLVII. C.1.-1. folder 202., undated, inclusive
General note
Numbered 80611.
Near duplicate of II.B.1.XXX. A.10.-7.15.-20., undated, inclusive
General note
Numbered 290.
Duplicate of II.B.1.LVII. A.2.19.-80., undated, inclusive
General note
Numbered 461.
Duplicate of II.B.1.XXX. A.10.-3.15.-16., undated, inclusive
General note
Numbered 200.
Duplicate of II.B.1.LVII. A.2.19.-82., undated, inclusive
General note
Numbered 461.
LVII. A.2., undated, inclusive
General note
PANNELLI (sei) decorativi ad olio su tela entro cornice di legno sagomato e dipinto: Scene di genere. h. 178,5 l. 65 Pittore francese del XVIII secolo. Numbered 460. See also II.B.1.LVII. A.2.19.-80.
LVII. A.2., undated, inclusive
General note
PANNELLI (sei) decorativi ad olio su tela entro cornice di legno sagomato e dipinto: Scene di genere. h. 178,5 l. 65 Pittore francese del XVIII secolo. Numbered 460. See also II.B.1.LVII. A.2.19.-80.
Duplicate of II.B.1.XXI. A.4.-6.14.-17., undated, inclusive
General note
Numbered 240.
Duplicate of II.B.1.LVII. A.2.19.-81., undated, inclusive
General note
Numbered 459.
Near duplicate of II.B.1.XXI. A.4.-2.14.-13., undated, inclusive
General note
Numbered 239.
LVII. A.2., undated, inclusive
General note
PANNELLI (sei) decorativi ad olio su tela entro cornice di legno sagomato e dipinto: Scene di genere. h. 178,5 l. 65 Pittore francese del XVIII secolo. See also II.B.1.LVII. A.2.19.-80
Near duplicate of II.B.1.XXXI. C.7.-2.16.-29., undated, inclusive
General note
Numbered 235. Pasted on to the page upside down.
Near duplicate of II.B.1.LXIV. C.2.21.-7., undated, inclusive
General note
Numbered 386.
Near duplicate of II.B.1.XXXI. C.7.-10.16.-37., undated, inclusive
General note
Numbered 246.
LIII. D.13., undated, inclusive
General note
COLONNE di letto in legno intagliato e dorato a motivi vegetali, con mascheroni, sezioni a tortiglione e finali ad anfora biansata. h. 198 Bottega romana (?) del XVIII secolo. Photographed when the bed still had its baldacchino.
Duplicate of II.B.1.XLVII. D.1.-3.18.-12., undated, inclusive
General note
Numbered 277.
Duplicate of II.B.1.LIII. D.4.19.-41., undated, inclusive
General note
Numbered 451.
Duplicate of II.B.1.XXX. B.4.-2.15.-28., undated, inclusive
General note
Numbered 255.
Duplicate of II.B.1.LIII. D.4.19.-41., undated, inclusive
General note
Numbered 451.
XLVIII. B.10., 1937, inclusive
General note
DIPINTO a tempera su tavola entro teca: Madonna col Bambino (esposto a Firenze alla mostra giottesca del 1937 col n. 211 h. 62,5 l. 53 Maestro toscano della metà del XIII secolo. Numbered 35. See also II:B.1.XLVIII. B.10.18.-50.
LIII. D.11., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea dorata: Madonna col Bambino. h. 23,5 l. 18,5 Pittore senese del XIV secolo. Numbered 227. See also oversize, II.B.1.LIII. D.11.-1.19.-43. folder 212.
XXX. A.9., undated, inclusive
General note
DIPINTO a olio (?) su tavola: Madonna che adora il Bambino e un angelo. Nella cornice iscrizione: "Ave Maria Gratia Plena Dominus teco" e due stemmi: a tre gigli e rastrello nella parte superiore, sotto vaio rosso in campo blu tripartito con scacchiera, tre cerchi d'oro in campo rosso e fasce verticali blu e oro. h. 74 l. 63,5 Iacopo del Sellaio, seconda metà del XV secolo. Numbered 314. See also II.B.1.XXX. A.9.15.-13.
Duplicate of II.B.1.a.22.-2., undated, inclusive
General note
Numbered 443.
Duplicate of II.B.1.a.22.-7., undated, inclusive
General note
Numbered 445.
Duplicate of II.B.1.a.22.-1., undated, inclusive
General note
Numbered 442.
Duplicate of II.B.1.a.22-5., undated, inclusive
General note
Numbered 444.
LIII. D.11., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea dorata: Madonna col Bambino. h. 23,5 l. 18,5 Pittore senese del XIV secolo. Numbered 227. See also oversize, II.B.1.LIII. D.11.-1.19.-43. folder 212.
Duplicate of II.B.1.LIII. C.31.19.-38., undated, inclusive
General note
Numbered 412.
Duplicate of II.B.1.LIII. A.30.19.-22., undated, inclusive
General note
Numbered 382.
Duplicate of a painted panel with birds in IV.A.2.6.18.-1., undated, inclusive
General note
Numbered 396.
Duplicate of a painted panel with birds in IV.A.2.6.18.-1., undated, inclusive
General note
Numbered 396.
Photo missing, undated, inclusive
Duplicate of II.B.1.XLVIII.-4.18.-18., undated, inclusive
Near duplicate of II.B.1.XLVIII. B.19.-1.18.-61., undated, inclusive
General note
Numbered 242.
XLVIII. B.19., undated, inclusive
General note
DIPINTO ad olio su tela: La sacra famiglia in cornice lignea scolpita e dorata, con motivi di tipo classico, mascheroni e specchi dipinti a monocromo con le Virtù e figure allegoriche. h. 192 l. 170 ca. Giorgio Vasari, seconda metà del XVI secolo. See also II.B.1.XLVIII. B.19.-1.18.-61.
Duplicate of II.B.1.XLVIII. E.28.18.-95., undated, inclusive
XLVI. B.1., undated, inclusive
General note
PANNELLI decorativi (quattro) con incisioni acquarellate montate su tela e listello di legno: Cineserie con scene familiari o scene di genere e scritta "A' Paris ches Daumont" (cfr. pp. LXII. B.3. h. 152 l. 58 Incisore francese del XVIII secolo. Left panel is a duplicate of II.B.1.L. A.8.-1.19.-1
XLVI. B.1., undated, inclusive
General note
PANNELLI decorativi (quattro) con incisioni acquarellate montate su tela e listello di legno: Cineserie con scene familiari o scene di genere e scritta "A' Paris ches Daumont" (cfr. pp. LXII. B.3. h. 152 l. 58 Incisore francese del XVIII secolo. Numbered 424.
Duplicate of II.B.1.L. A.8.-2.19.-2., undated, inclusive
General note
Numbered 423.
Duplicate of II.B.1.XLVI. B.1.18.-7., undated, inclusive
General note
Numbered 425.
XXX. C.1., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea cuspidata, intagliata, decorata a pastiglia e dorata: Madonna col Bambino lattante. Sul basamento due stemmi: giglio blu e fasce alternate in blu/oro. h. 115,5 l. 62,5 Pittore toscano della fine del XIV secolo. Detail of the Christ Child. See also II.B.1.XXX. C.1.-2.15.-42.
Duplicate of II.B.1.L. E.4.-2.19.-8., undated, inclusive
General note
Numbered 448.
XXXII. D.13., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata e dorata: Sant'Ansano con iscrizione: "S.C.S. Sanus Martir". h. 131 l. 63 Artista senese inizi del XV secolo. Numbered 217. See also II.B.1.XXXII. D.13.17.-88.
Duplicate of II.B.1.L. E.4.-2.19.-8., undated, inclusive
General note
Numbered 448.
Photo missing, undated, inclusive
LXV. A.11., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo. h. 102 l. 129 Lippo di Benivieni XIV secolo. Numbered 241. See also II.B.1.LXV. A.11.-2.21.-22.
Duplicate of II.B.3.23.-14., undated, inclusive
General note
Numbered 225.
LXV. A.11., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo. h. 102 l. 129 Lippo di Benivieni XIV secolo. Detail of the Madonna and Child.
Duplicate of a painted Crucifix in IV.A.1.2.19.-1., undated, inclusive
General note
Numbered 250.
LXV. A.11., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo. h. 102 l. 129 Lippo di Benivieni XIV secolo. Detail of St Peter.
Near duplicate of II.B.3.23.-2., undated, inclusive
General note
Numbered 207.
Near duplicate of II.B.1.XLVIII. A.2.-3.18.-34., undated, inclusive
General note
Numbered 270.
XLVIII. B.8., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea modanata, dorata e dipinta: Madonna in trono col Bambino, S. Antonio Abate, S. Caterina d'Alessandria e due angeli reggicortina. h. 34,5 l 26,5 Allegretto Nuzzi (?) XIV secolo. See also II.B.1.XLVIII. B.8.18.-49.
LXV. A.11., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo. h. 102 l. 129 Lippo di Benivieni XIV secolo. Detail of St Paul.
Near duplicate of a Madonna of Humility in IV.A.1.1.18.-1., undated, inclusive
XXXVIII. B.4., undated, inclusive
General note
ARMADIO in legno con specchio argentato a mercurio, colonnine ai lati con capitelli in metallo dorato come i motivi decorativi applicati. h. 178,5 l. 120,5 p. 52 Manifattura italiana dell' inizio del XIX secolo.
Duplicate of a Madonna and Child with two Saints and two angels in the style of Sano di Pietro in IV.A.1.1.46.-1., undated, inclusive
Near duplicate of II.B.1.XLVIII. A.18.-1.18.-43., undated, inclusive
Painting: Madonna and Child with angels [Sano di Pietro], undated, inclusive
General note
See also II.B.4.25.-1.
XX. A.31., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e i santi Girolamo, Bernardino, Ansano e Santa Dorotea (?). h. 69,5 l. 52,5 Siena, Sano di Pietro. Numbered 271. See also II.B.1.XX. A.31.-3.13.-84.
Duplicate of II.B.1.XX. A.31.-3.13.-84., undated, inclusive
Four-poster bed, undated, inclusive
Near duplicate of II.B.1.XLVIII. C.10.-4.18.-81., undated, inclusive
General note
Numbered 40.
Portrait of Vittorio Amedeo II di Savoia re di Sardegna (or Carlo Emaneule III), a companion piece to LXI. A.3., undated, inclusive
LXI. A.3., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Ritratto di Vittorio Amedeo II di Savoia re di Sardegna (o Carlo Emanuele III?). h. 231 l. 133 Maria Clementi (?) metà del XVIII secolo. See also II.B.1.LXI. A.3.20.-38.
Duplicate of II.B.1.XLVIII. C.10.-1.18.-78., undated, inclusive
General note
Numbered 269.
Duplicate of II.B.1.XIX. B.2.13.-26., undated, inclusive
General note
Numbered 391
Duplicate of a painted panel with birds in IV.A.2.6.14.-1., undated, inclusive
General note
Numbered 381.
XLVIII. B.20., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: San Nicola di Bari. h. 96 l. 51,5 Pittore senese del XIV-XV secolo. Numbered 7. See also II.B.1.XLVIII. B.20.-2.18.-64.
XLVIII. A.5.a and A.5.b., undated, inclusive
General note
DIPINTI (due) a tempera su tavola in cornice a tabernacolo modanata e dorata: Profeti. h. 35 l. 26 Andrea di Bartolo (?). Numbered 24. See also II.B.1.XLVIII. A.5.a.A.5.b.18.-38.
XLVIII. A.5.a and A.5.b., undated, inclusive
General note
DIPINTI (due) a tempera su tavola in cornice a tabernacolo modanata e dorata: Profeti. h. 35 l. 26 Andrea di Bartolo (?). Numbered 24. See also II.B.1.XLVIII. A.5.a.A.5.b.18.-38.
XXI. B.11., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e Cristo Benedicente con libro (Santo?) nella cuspide. h. 146 l. 70 Pietro di Giovanni Ambrosi, XV secolo. Numbered 380. See also II.B.1.XXI. B.11.-2.14.-40.
Duplicate of II.B.1.XXI. B.11.-2.14.-40., undated, inclusive
General note
Numbered 28.
Consolle with mirror on which are: LIII. C.18. and LXII. D.1., undated, inclusive
General note
LIII. C.18. VASO in legno scolpito con motivi di baccellature dipinto e dorato, con un grande mazzo di fiori di stoffa. h. 25 Bottega del XVIII secolo. LXII. D.1. LUMI (coppia) a vaso biansato su base lignea, in latta dipinta con figure di orientali e plinto decorato con motivi floreali. h. 53 Manifattura francese (?) del XIX secolo. Pasted upside down on the page.
Small sculpted group of Tobias and the angel (folk art), undated, inclusive
General note
Pasted upside down on the page.
Closely related to XXVI. B.2.
Near duplicate of II.B.1.XLVIII. A.11.-1.18.-40., undated, inclusive
General note
Numbered 210.
Small sculpted group of Tobias and the angel, undated, inclusive
Duplicate of a painting of the Madonna del Latte in IV.A.1.1.29.-1.-2., undated, inclusive
General note
Numbered 216.
Closely related to XXVI. B.2.
XLII. D.4., undated, inclusive
General note
DIPINTO a olio su tela in cornice lignea intagliata a motivi di ovoli ed elementi vegetali, e dorata: San Giovanni Battista. h. 78 l. 68,5 Pittore napoletano del XVII secolo. See also II.B.1.XLII. D.4.-1.18.-2.
Duplicate of II.B.1.XLII. D.4.-1.18.-2., undated, inclusive
Near duplicate of II.B.1.XXXII. D.2.-1.17.-70., undated, inclusive
General note
Numbered 247.
XXXII. D.2., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna in trono col Bambino giglioforo e due angeli. h. 132,5 l. 77,5 Pittore fiorentino della seconda metà del XIII secolo. Detail of the head of the Christ Child.
XXXII. D.7., undated, inclusive
General note
DIPINTO (polittico d'altare) a tempera su tavola, con cornice lignea scolpita e dorata: Madonna in trono col Bambino e i santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate nelle cuspidi: Madonna della Misericordia, l'Annunciazione e santa Margherita. h. 171 Pittore fiorentino della fine del XIV secolo. Detail of the Madonna della Misericordia. See also II.B.1.XXXII. D.7.-2.17.-81.
XX. A.27./ A.33.-1.and A.27./A.33.-2., undated, inclusive
General note
DIPINTI (due pannelli) con (quattro) Sante martiri, cornice lignea modanata e dorata. h. 128 l. 57,5 Scuola veronese del sec. XV. Numbered 499. and 498. See also oversize, II.B.1.XX.A.27/33.-1.and 2. folder 169.
XX. A.27./ A.33.-1. and A.27./A.33.-2., undated, inclusive
General note
DIPINTI (due pannelli) con (quattro) Sante martiri, cornice lignea modanata e dorata. h. 128 l. 57,5 Scuola veronese del sec. XV. See also oversize, II.B.1.XX.A.27/33.-1.and 2. folder 169.
XX. A.27./ A.33.-1 and A.27./A.33.-2., undated, inclusive
General note
DIPINTI (due pannelli) con (quattro) Sante martiri, cornice lignea modanata e dorata. h. 128 l. 57,5 Scuola veronese del sec. XV. Numbered 499. and 498. See also oversize, II.B.1.XX.A.27/33.-1. and 2. folder 169.
XXXII. A.18., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata: Crocifissione con le Marie e S. Giovanni Evangelista. Iscrizione in basso: "Factus Obediensusque ad Mortem: Mortem A. Crucis". h. 129,5 l. 71,5 Maestro di San Lucchese, fine del XIV secolo. Numbered 148. See also II.B.1.XXXII. A.18.-2.17.-36.
Duplicate of a painting with an elaborate classical building in IV.A.1.3.40.-1., undated, inclusive
XLVIII. B.8., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea modanata, dorata e dipinta: Madonna in trono col Bambino, S. Antonio Abate, S. Caterina d'Alessandria e due angeli reggicortina. h. 34,5 l 26,5 Allegretto Nuzzi (?) XIV secolo. See also II.B.1.XLVIII. B.8.18.-49.
Duplicate of II.B.1.XLVIII. B.23.-1.18.-70., undated, inclusive
General note
Numbered 209.
Duplicate of II.B.1.XXXII. D.7.-5.17.-84., undated, inclusive
General note
Numbered 265.
Near duplicate of II.B.1.XLVIII. B.23.-1.18.-70., undated, inclusive
General note
Numbered 209.
Near duplicate of II.B.1.XXXII. A.18.-1.17.-35., undated, inclusive
General note
Numbered 4.
Painting of a landscape with a river, cascades, Roman ruins and pastoral scenes., undated, inclusive
General note
Stolen 28/29 September 1983.
See also II.B.3.23.-25.
Duplicate of II.B.1.XXX. B.16.-2.15.-36., undated, inclusive
General note
Numbered 313.
Near duplicate of II.B.1.XLVIII. B.27.-1.18.-72., undated, inclusive
General note
Numbered 55.
XLVIII. B.1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata, dipinta e dorata con protomi umane e girali fioriti che si dipartono da un vaso: Scena mitologica: L'Età dell'Oro. h. 222,5 l. 322 Pittore veneto dell'ultimo quarto del XVI secolo. Numbered 257. and pasted upside down onto the page. See also II.B.1.XLVIII. B.1.-2.18.-47.
Folder 2. Album labelled "V"
Scope and Contents note
This is one of a series of canvas-bound albums with most of the photographs pasted on to the page. The pages are not numbered but many of the photographs are numbered on the page. For easy reference the album pages have been numbered by the archivist in pencil on the top right-hand corner.
Duplicate of II.B.3.23.-10., undated, inclusive
General note
Numbered 213.
LXV. A.11., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo. h. 102 l. 129 Lippo di Benivieni XIV secolo. Detail of the head of the Madonna Numbered 249. See also II.B.1.LXV. A.11.-3.21.-23.
XLVIII. B.8., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea modanata, dorata e dipinta: Madonna in trono col Bambino, S. Antonio Abate, S. Caterina d'Alessandria e due angeli reggicortina. h. 34,5 l 26,5 Allegretto Nuzzi (?) XIV secolo. See also II.B.1.XLVIII. B.8.18.-49.
LXV. A.11., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo. h. 102 l. 129 Lippo di Benivieni XIV secolo. Detail of the head of San Paolo Numbered 249. See also II.B.1.LXV. A.11.-3.21.-23.
Near duplicate of II.B.1.XXXII. A.18.-1.17.-35., undated, inclusive
General note
Numbered 148.
XXX. A.11., undated, inclusive
General note
DIPINTO a tempera su tavola (tagliata) con cornice lignea modanata e dorata: Madonna col Bambino. h. 65,5 l. 55,5 Pittore fiorentino del XIV secolo. Numbered 45. See also II.B.1.XXX. A.11.-2.15.-23.
XXX. A.11., undated, inclusive
General note
DIPINTO a tempera su tavola (tagliata) con cornice lignea modanata e dorata: Madonna col Bambino. h. 65,5 l. 55,5 Pittore fiorentino del XIV secolo. Numbered 45. See also II.B.1.XXX. A.11.-2.15.-23.
XXX. A.11., undated, inclusive
General note
DIPINTO a tempera su tavola (tagliata) con cornice lignea modanata e dorata: Madonna col Bambino. h. 65,5 l. 55,5 Pittore fiorentino del XIV secolo. See also II.B.1.XXX. A.11.-2.15.-23.
Duplicate of a painting of the Madonna and Child in IV.A.1.1.30.-1.-2., undated, inclusive
LXV. A.2., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice di legno modanato, dipinto e dorato, con stemma: Madonna col Bambino. h. 66,5 l. 43 Maestro della Natività di Castello. Numbered 1319. See also II.B.1.LXV. A.2.21.-19.
Near duplicate of II.B.1.XXX. D.7.-3.15.-59., undated, inclusive
General note
Numbered 151.
XLVIII. D.23., undated, inclusive
General note
DIPINTI a tempera (due) su tavola in cornice lignea intagliata, dipinta e dorata: Storie di S. Benedetto: Fuga di S. Benedetto, S. Benedetto in preghiera. h. 40 43,5 l. 44,5 48,5 Giovanni del Biondo, XV secolo. Fuga di S. Benedetto.
XX. A.19., undated, inclusive
General note
DIPINTO (scomparto di polittico) a tempera su tavola con cornice lignea dorata: S. Antonio Abate. h. 104,5 l. 40,5 Cerchia di Niccolò di Pietro Gerini. Numbered 14.
XX. A.19., undated, inclusive
General note
DIPINTO (scomparto di polittico) a tempera su tavola con cornice lignea dorata: S. Antonio Abate. h. 104,5 l. 40,5 Cerchia di Niccolò di Pietro Gerini. Numbered 396.
XXXI. D.9., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata e cornice modanata, dipinta e dorata: S. Onofrio e donatore. Nella Base iscrizione: "Questa: Tavola: Afata: Fare: Nicholo Di/ Pici: Perimedio: delanima: Sua: Anni: MCCC:LXXX". Scuola dell'Orcagna (Giovanni del Biondo?), XIV secolo (datato 1380). Numbered 217. See also II.B.1.XXXI. D.9.-1.16.-56.
Duplicate of II.B.1.XLVIII. D.14.-1.18.-87., undated, inclusive
General note
Numbered 215.
Duplicate of II.B.1.XLVIII. D.14.-1.18.-87., undated, inclusive
General note
Numbered 215.
Duplicate of II.B.1.XXI. C.2.-1.14.-47., undated, inclusive
XXI. C.2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: Annunciazione. h. 102 l. 73 Cenni di Francesco, XV secolo. Numbered 11. See also II.B.1.XXI. C.2.-1.14.-47.
Near duplicate of II.B.1.LXV. D.12.-1.21.-31., undated, inclusive
General note
Numbered 291. Loose photograph.
XXX. C.9., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: S. Lucia tra Santo Martire e Antonio Abate. h. 135,5 l. 95,5 Bicci di Lorenzo, fine del XIV secolo. Numbered 143. See also II.B.1.XXX. C.9.-1.15.-45.
Near duplicate of II.B.1.LXV. D.12.-1.21.-31., undated, inclusive
General note
Numbered 221.-291.
Painting of the Coronation of the Virgin with Saints and angels, 1975, inclusive
General note
Numbered 10.
Attributed by Miklos Boscovits in "Pittura Fiorentina alla vigilia del Rinascimento", 1975 to the Maestro della Madonna Lazzaroni, and provenance given as 'Firenze, Collezione Acton'
XLVIII. D.23., undated, inclusive
General note
DIPINTI a tempera (due) su tavola in cornice lignea intagliata, dipinta e dorata: Storie di S. Benedetto: Fuga di S. Benedetto, S. Benedetto in preghiera. h. 40 43,5 l. 44,5 48,5 Giovanni del Biondo, XV secolo. San Benedetto in preghiera. See also II.B.1.XLVIII. D.23.18.-93.
Near duplicate of II.B.1.XXI. B.1.-1.14.-19., undated, inclusive
Blank page, undated, inclusive
XXXII. A.11., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata con decorazioni a pastiglia: Incoronazione della Vergine. h. 147 l. 71 Mariotto di Nardo (?), fine del XIV secolo. Numbered 150. See also II.B.1.XXXII. A.11.-2.17.-28.
Blank page, undated, inclusive
XXXI. D.2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata e cornice intagliata, dipinta e dorata con decorazioni a pastiglia: Madonna col Bambino in piedi. h. 110,5 l. 62,3 Mariotto di Nardo, inizi del XV secolo. Numbered 6. See also II.B.1.XXXI. D.2.16.-53.
Blank page, undated, inclusive
Duplicate of a Madonna and Child with two Saints in IV. A.1.1.35.-1., undated, inclusive
Painting of St Lucy (loose photograph), undated, inclusive
Painting of St Lucy, undated, inclusive
XLVIII. B.13., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata con iscrizione alla base: "Ave Maria Gratia Plena": Madonna col Bambino e committente Cherubino nella cuspide. h. 131 l. 52 Niccolò di Tommaso. See also II.B.1.XLVIII. B.13.-4.18.-60.
XLVIII. B.13., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata con iscrizione alla base: "Ave Maria Gratia Plena": Madonna col Bambino e committente Cherubino nella cuspide. h. 131 l. 52 Niccolò di Tommaso. Numbered 32. See also II.B.1.XLVIII. B.13.-4.18.-60.
XLVIII. C.3., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea modanata,intagliata, dipinta e dorata: Storie di San Biagio: Santa Monaca che offre il cibo al Santo. h. 38,5 l. 38,5 Scuola fiorentina o senese del XV secolo. Numbered 63.-4.
XLVIII. C.3., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea modanata,intagliata, dipinta e dorata: Storie di San Biagio: Santa Monaca che offre il cibo al Santo. h. 38,5 l. 38,5 Scuola fiorentina o senese del XV secolo. Numbered 4.-63.
Blank page, undated, inclusive
XXVIII. D.2., undated, inclusive
General note
DIPINTO a tempera su tavola a fondo oro: S. Chiara con S. Bartolomeo (nella cuspide) h. 116 l. 40. Date and artist missing from the Conti inventory. Numbered 13. See also II.B.1.XXVIII. D.2.-1.14.-98.
Blank page, undated, inclusive
Duplicate of II.B.1.XXX. D.1.-4.15.-53., undated, inclusive
General note
Numbered 224
XLVIII. D.39., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea modanata: San Giuliano trasporta sul fiume un pellegrino. h. 33 l. 53 Ambrogio di Baldese. Numbered 238. See also II.B.1.XLVIII. D.39.18.-14.
XLVIII. D.39., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea modanata: San Giuliano trasporta sul fiume un pellegrino. h. 33 l. 53 Ambrogio di Baldese. Numbered 238. See also II.B.1.XLVIII. D.39.18.-14.
Blank page, undated, inclusive
LXV. A.11., undated, inclusive
General note
TRITTICO a tempera su tavola in cornice lignea dorata: Madonna col Bambino e i Santi Pietro e Paolo. h. 102 l. 129 Lippo di Benivieni XIV secolo. Numbered 241. See also II.B.1.LXV. A.11.-3.21.-23.
Duplicate of II.B.1.XXX. A.4.-3.15.-11., undated, inclusive
General note
Numbered 31
XXX. A.4., undated, inclusive
General note
DIPINTO a tempera su tavola (lunetta): Madonna col Bambino. h. 63 l. 88 Mariotto di Nardo. Numbered 31. See also II.B.1.XXX. A.4.-1.15.-9.
Blank page, undated, inclusive
XXXII. D.7., undated, inclusive
General note
DIPINTO (polittico d'altare) a tempera su tavola, con cornice lignea scolpita e dorata: Madonna in trono col Bambino e i santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate nelle cuspidi: Madonna della Misericordia, l'Annunciazione e santa Margherita. h. 171 Pittore fiorentino della fine del XIV secolo. Numbered 19. See also oversize, II.B.1.XXXII.D.7.-1. folder 199.
Blank page, undated, inclusive
XXXII. D.13., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata e dorata: Sant'Ansano con iscrizione: "S.C.S. Sanus Martir". h. 131 l. 63 Artista senese inizi del XV secolo. Numbered 217. See also II.B.1.XXXII. D.13.17.-88.
Blank page, undated, inclusive
Duplicate of II.B.1.XXXII. D.7.-2.17.-81., undated, inclusive
General note
Numbered 232.
Blank page, undated, inclusive
XXXII. D.7., undated, inclusive
General note
DIPINTO (polittico d'altare) a tempera su tavola, con cornice lignea scolpita e dorata: Madonna in trono col Bambino e i santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate nelle cuspidi: Madonna della Misericordia, l'Annunciazione e santa Margherita. h. 171 Pittore fiorentino della fine del XIV secolo. Detail of the Madonna. Numbered 274.
Blank page, undated, inclusive
Duplicate of II.B.1.XXXII. D.7.-4.17.-83., undated, inclusive
General note
Numbered 265.
Blank page, undated, inclusive
Duplicate of II.B.1.XXXII. D.7.-5.17.-84., undated, inclusive
General note
Numbered 266.
Blank page, undated, inclusive
Duplicate of a detail of a painted Crucifix in IV.A.1.2.17.-1., undated, inclusive
General note
Numbered 267.
XXX. C.1., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea cuspidata, intagliata, decorata a pastiglia e dorata: Madonna col Bambino lattante. Sul basamento due stemmi: giglio blu e fasce alternate in blu/oro. h. 115,5 l. 62,5 Pittore toscano della fine del XIV secolo. Detail of the head of the Madonna. Numbered 226.
Near duplicate of II.B.1.XXX. C.1.-2.15.-42., undated, inclusive
General note
Numbered 226.
Blank page, undated, inclusive
Near duplicate of II.B.1.LXV. A.11.-4.21.-24., undated, inclusive
General note
Numbered 249.
Blank page, undated, inclusive
Near duplicate of II.B.1.XXX. D.1.-2.15.-51., undated, inclusive
General note
Numbered 41.
Blank page, undated, inclusive
Duplicate of the Madonna and Child with two angels in IV.A.1.1.34.-1., undated, inclusive
Blank page, undated, inclusive
XXX.A.5., undated, inclusive
General note
DIPINTO a tempera su tavola: Il Beato Davino d'Armenia. Iscrizione: "Hic Iacet Corpus Sancti Davini De Arminea". Cornice sagomata e dorata. h. 73 l. 204 Maestro lucchese (?) del XV secolo. Numbered 272. See also oversize, II.B.1.XXX.A.5. folder 182.
Blank page, undated, inclusive
Painting of the Coronation of the Virgin (formerly part of the Collection but whereabouts at present unknown), undated, inclusive
General note
Numbered 28.
See also II.B.3.23.-6.
Blank page, undated, inclusive
Near duplicate of II.B.3.23.-9., undated, inclusive
General note
Numbered 222.
Blank page, undated, inclusive
XXXI. D.3., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata e cornice intagliata, dipinta e dorata: Madonna col Bambino e iscrizione: "Ave Maria Gratia Plena (...)". h. 110,5 l. 63,5 Pittore fiorentino del XV secolo. Numbered 29. See also II.B.1.XXXI. D.3.-2.16.-55.
Blank page, undated, inclusive
Painting of the Madonna and Child with two angels, undated, inclusive
Blank page, undated, inclusive
Near duplicate of II.B.1.XLVIII. B.22.-1.18.-66., undated, inclusive
General note
Numbered 211.
Blank page, undated, inclusive
XXX. D.7., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata, cornice lignea intagliata, dipinta e dorata: Madonna col Bambino. Alla base iscrizione: "Ave Maria Gratia Plena Dom." h. 103,5 l. 68,5 Pittore fiorentino dell'inizio del XV secolo. Numbered 151. See also II.B.1.XXX. D.7.-1.15.-57.
Blank page, undated, inclusive
I bis. A.3., undated, inclusive
General note
DIPINTO olio su tela, cornice intagliata e dorata: Ritratto di dama con bambino. h. 108,5 l. 94 Pittore fiorentino del primo '600. Numbered 273. See also II.B.1.I bis. A.3.12.-5.
Blank page, undated, inclusive
XXX. D.11., undated, inclusive
General note
DIPINTO a olio su tavola in cornice lignea modanata a colmo e dorata: Madonna in trono col Bambino e i santi Giovanni Evangelista e Davide. h. 113,5 l. 85 Pittore umbro (?) dell'inizio del XVI secolo. Numbered 45. See also II.B.1.XXX. D.11.15.-60.
XXX. E.10., undated, inclusive
General note
SCULTURA in terracotta modellata a tutto tondo: S. Giovannino nel deserto. h. 30 l. 40 Bottega fiorentina del XVI secolo. Numbered 47.
Near duplicate of II.B.1.XXX. B.5.-3.15.-32., undated, inclusive
General note
Numbered 264.
Blank page, undated, inclusive
XXX. D.12., undated, inclusive
General note
ALTORILIEVO in terracotta modellata e dipinta: S. Girolamo penitente. h. 44 l. 55 ca. Maestro fiorentino (Baccio da Montelupo? Maestro di San Giovannino o Pietro Torrigiano?) del XVI secolo. Numbered 300. (two photographs)
XLVIII. D.10., undated, inclusive
General note
DIPINTO a tempera su tavola entro teca: Madonna in trono col Bambino tra due santi e due angeli (dietro la teca cartellino: Mostra Giottesca 1937 n. 213 h. 43 l. 37,5 Maestro della Maddalena (attribuita dall'Offner) ultimo quarto del XIII secolo (1275 ca.) Numbered 286. See also II.B.1.XLVIII. D.10.-2.18.-86.
XLVIII. D.10., undated, inclusive
General note
DIPINTO a tempera su tavola entro teca: Madonna in trono col Bambino tra due santi e due angeli (dietro la teca cartellino: Mostra Giottesca 1937 n. 213. h. 43 l. 37,5 Maestro della Maddalena (attribuita dall'Offner) ultimo quarto del XIII secolo (1275 ca.). Numbered 286. See also II.B.1.XLVIII. D.10.-2.18.-86.
Blank page, undated, inclusive
Blank page, undated, inclusive
Blank page, undated, inclusive
Duplicate of II.B.1.XLVIII. B.22.-1.18.-66., undated, inclusive
General note
Loose page. Numbered 211.
Folder 3. Album labelled "VI"
Scope and Contents note
This is one of a series of canvas-bound albums with most of the photographs pasted on to the page. The pages are not numbered but many of the photographs are numbered on the page. For easy reference the album pages have been numbered by the archivist in pencil on the top right-hand corner.
Duplicate of II.B.1.XII. A.10.-1.12.-91., undated, inclusive
General note
Numbered 253.
Statuette of an angel [and Tobias], undated, inclusive
General note
Closely related to XXVI. B.2.
Duplicate of II.B.4.25.-47., undated, inclusive
General note
Numbered 254.
Blank page, undated, inclusive
Duplicate of II.B.1.XII. A.3.-1.12.-86., undated, inclusive
General note
Numbered 258.
Blank page, undated, inclusive
Duplicate of II.B.1.XXI. E.5.-3.14.-57., undated, inclusive
General note
Numbered 251.
Duplicate of II.B.1.XXVIII. A.14.-2.14.-82., undated, inclusive
General note
Numbered 244, (photo detached from the page).
Duplicate of II.B.1.XXVIII. A.14.-2.14.-82., undated, inclusive
General note
Numbered 244.
Blank page, undated, inclusive
Duplicate of II.B.1.XII. A.13.-1.12.-93., undated, inclusive
General note
Numbered 259.
Blank page, undated, inclusive
Duplicate of II.B.1.XII. A.13.-3.12.-95., undated, inclusive
General note
Numbered 260
Blank page, undated, inclusive
Duplicate of II.B.1.X. C.7.-2.12.-55., undated, inclusive
General note
Numbered 261
Blank page, undated, inclusive
Bas relief of Perseus and Andromeda, undated, inclusive
Blank page, undated, inclusive
Duplicate of II.B.1.IX. B.1.-1.12.-36., undated, inclusive
General note
Numbered 252.
Blank page, undated, inclusive
Near duplicate of II.B.1.XXXII. D.5.-3.17.-78., undated, inclusive
General note
Numbered 214.
Blank page, undated, inclusive
Duplicate of II.B.2.22.-27., undated, inclusive
General note
Numbered 6.
Blank page, undated, inclusive
Near duplicate of II.B.1.XII. A.16.-1.12.-98., undated, inclusive
General note
Numbered 58.
Near duplicate of II.B.1.IX. D.3.-1.12.-46., undated, inclusive
General note
Numbered 62.
IX. D.3., undated, inclusive
General note
RILIEVO in terracotta policroma: Madonna col Bambino. Iscrizione: "Ave Maria Gracia Plena D. Teco". h. 63,5 l. 48,5 Bottega fiorentina del XV secolo (cerchia di Desiderio da Settignano). Numbered 62. See also II.B.1.IX. D.3.-1.12.-46.
Blank page, undated, inclusive
XXXI. C.8., undated, inclusive
General note
RILIEVO a tondo in stucco dipinto: Madonna col Bambino. d. 88,5 ca. Da Francesco di Simone Ferrucci (copia dell'esemplare marmoreo nel monumento Tartagni in S. Domenico di Bologna) ultimo quarto del XV secolo. See also II.B.1.XXXI. C.8.-1.16.-39.
Blank page, undated, inclusive
Near duplicate of II.B.1.IX. C.5.12.-42., undated, inclusive
Blank page, undated, inclusive
XXXII. A.25., undated, inclusive
General note
RILIEVI (due pannelli) in terracotta dipinta con tracce di doratura in cornice lignea intagliata e dorata: S. Giovanni Battista e S. Francesco. h. 143 l. 77,5 Scultore padovano della metà XVI secolo. See also II.B.1.XXXII. A.25.17.-42.
Blank page, undated, inclusive
Duplicate of II.B.4.25.-49., undated, inclusive
General note
Numbered 205.
Blank page, undated, inclusive
Duplicate of a seated statue of the Madonna and Child in IV.A.4.8.20.-1.-4., undated, inclusive
General note
Numbered 203.
Blank page, undated, inclusive
Near duplicate of II.B.1.IX. C.4.-1.12.-39., undated, inclusive
General note
Numbered 204
Blank page, undated, inclusive
XII. A.30., undated, inclusive
General note
STATUA in marmo bianco scolpito: Venere che brucia le frecce d'Amore. Firmata e datata sulla base: "Io. Fr. Susini. Flor. Fa. MDCXXXVII". h. 160 l. 42 p. 31 Gian Francesco Susini, 1637. See also II.B.1.XII. A.30.12.-104.
Blank page, undated, inclusive
Duplicate of II.B.3.23.-31., undated, inclusive
Blank page, undated, inclusive
Duplicate of a bust of the Redeemer in IV.A.4.9.30.-1.-2., undated, inclusive
Blank page, undated, inclusive
Near duplicate of II.B.1.LXI. A.12.-1.20.-39., undated, inclusive
General note
Numbered 243.
Duplicate of II.B.1.LX. B.13.-1.20.-14., undated, inclusive
Duplicate of II.B.1.LX. B.13.-1.20.-14., undated, inclusive
Blank page, undated, inclusive
XXI. B.10., undated, inclusive
General note
SCULTURA in terracotta modellata a tutto tondo: Ritratto di gentiluomo con guanti. h. 66 Bottega emiliana (cerchia di Alfonso Lombardi) del XVI secolo. See also II.B.1.XXI. B.10.14.-38.
Blank page, undated, inclusive
Garden statue 7.5., undated, inclusive
General note
Before its installation in the garden of Villa La Pietra in the Vialone of the Boschetto (5.v.).
See also Series II.A.9.
Blank page, undated, inclusive
Garden statues, including 13.3. and 13.4., undated, inclusive
General note
Before their installation in the garden of Villa La Pietra in the Teatrino (4.ii.), see also II.A.9.9.-1. et seq.
Blank page, undated, inclusive
Garden statue 13.7., undated, inclusive
General note
Before its installation in the garden of Villa La Pietra in the Teatrino (4.ii.See also II.A.9.9.-1. et seq. Photo by Giacomelli, Venezia.
Garden statue 13.2., undated, inclusive
General note
Before its installation in the garden of Villa La Pietra in the Teatrino (4.ii.). See also II.A.9.9.-1. et seq. Photo by Giacomelli, Venezia.
Blank page, undated, inclusive
Garden statue 13.3., undated, inclusive
General note
Before its installation in the garden of Villa La Pietra in the Teatrino (4.ii.). See also II.A.9.9.-1. et seq.
Garden statue 13.4., undated, inclusive
General note
Before its installation in the garden of Villa La Pietra in the Teatrino (4.ii.). See also II.A.9.9.-1. et seq.
Blank page, undated, inclusive
Garden statue 7.6., undated, inclusive
General note
Before its installation in the garden of Villa La Pietra in the Vialone of the Boschetto (5.v.), see also Series II.A.9.
Photocopy made at an unknown time of the garden of Villa La Pietra, undated, inclusive
General note
For the original print see II.A.7.8.-77.
Photocopy made at an unknown time of the garden of Villa La Pietra, undated, inclusive
General note
For the original print see II.A.4.ii.5.-93.
Duplicate of II.B.1.XXX. B.3.15.-26., undated, inclusive
Unidentified interior, undated, inclusive
Bench in an interior, undated, inclusive
Blank page, undated, inclusive
Duplicate of a circular Roman altar with bucrania in IV.A.7., undated, inclusive
Blank page, undated, inclusive
Duplicate of II.B.1.XX. A.11.13.-76., undated, inclusive
General note
Numbered 279.
Blank page, undated, inclusive
XXXII. A.13., undated, inclusive
General note
RILIEVO in stucco con tracce di policromia: Madonna che adora il Bambino, in tabernacolo ligneo intagliato, dipinto e dorato. h. 130 l. 121,5 Bottega di Donatello della metà del XV secolo. Numbered 281. See also II.B.1.XXXII. A.13.-3.17.-31.
XX. D.1., undated, inclusive
General note
TONDO a bassorilievo in terracotta parzialmente invetriata con putto su delfino entro ghirlanda di frutti e foglie. d. 85 ca. Bottega robbiana (?) del XVI secolo (?). Numbered 493.
XX. D.1., undated, inclusive
General note
TONDO a bassorilievo in terracotta parzialmente invetriata con putto su delfino entro ghirlanda di frutti e foglie. d. 85 ca. Bottega robbiana (?) del XVI secolo (?). Numbered 280.
XX. D.1., undated, inclusive
General note
TONDO a bassorilievo in terracotta parzialmente invetriata con putto su delfino entro ghirlanda di frutti e foglie. d. 85 ca. Bottega robbiana (?) del XVI secolo (?). Numbered 280.
Duplicate of II.B.1.XXI. B.6.-3.14.-29., undated, inclusive
General note
Numbered 282.
Interior of the dining room of Villa Emilia. The wrought-iron candle stands are similar to those now in the top floor corridor of Villa La Pietra, undated, inclusive
Duplicate of II.B.1.XXI. B.6.-1.14.-27., undated, inclusive
General note
Numbered 283.
Photocopy made at an unknown time of the garden of Villa La Pietra (for the original print see II.A.3.iv.4.-17.), undated, inclusive
Photocopy made at an unknown time of the garden of Villa La Pietra, undated, inclusive
General note
For the original print see II.A.3.ii.2.-40.
Duplicate of II.B.1.XXI. B.6.-4.14.-30., undated, inclusive
General note
Numbered 284.
XXXII. Sala da Pranzo - general view, undated, inclusive
General note
See also II.B.1.XXXII.-8.17.-8.
Duplicate of a circular Roman altar with bucrania in IV.A.7., undated, inclusive
Four stone garden vases of fruits and flowers, undated, inclusive
General note
See also II.A.9.9.-85.
Duplicate of II.B.1.XXX. B.3.15.-26., undated, inclusive
Interior with a carved bench and a high relief of a Madonna and child in a tabernacle, undated, inclusive
Interior with a four-poster bed and tapestries, undated, inclusive
Interior with a large Chinese screen, undated, inclusive
Photocopy made at an unknown time of the garden of Villa La Pietra (for the original print see II.A.3.iv.3.-120.), undated, inclusive
Photocopy made at an unknown time of the garden of Villa La Pietra (for the original print see II.A.5.v.6.-104.), undated, inclusive
Photocopy made at an unknown time of the garden of Villa La Pietra (the original print is missing from the archives), undated, inclusive
Pair of highly elaborate pedestal tables with vases, undated, inclusive
Stone garden vases of fruits, undated, inclusive
General note
See also II.A.9.9.-85.
Stone garden vases of fruits, undated, inclusive
General note
See also II.A.9.9.-85.
Photocopy made at an unknown time of the garden of Villa La Pietra, undated, inclusive
General note
The original print is missing from the archives, but for the negative see II.A.7.8.-67.
Duplicate of II.B.1.L. E.4.-1.19.-7., undated, inclusive
Blank page, undated, inclusive
Blank page, undated, inclusive
Blank page, undated, inclusive
Blank page, undated, inclusive
Blank page, undated, inclusive
Blank page, undated, inclusive
Blank page, undated, inclusive
XXI. C.1., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna col Bambino, Angeli e Dio Padre. h. 115,5 l. 74 Pseudo Pier Francesco Fiorentino. Loose page. See also oversize, II.B.1.XXI. C.1. folder 176.
Duplicate of a Madonna del Latte in IV.A.1.1.29.-1.-2., undated, inclusive
General note
Loose page.
Folder 1. Album labelled "VII"
Scope and Contents note
This is one of a series of canvas-bound albums with most of the photographs pasted on to the page. The pages are not numbered but many of the photographs are numbered on the page. For easy reference the album pages have been numbered by the archivist in pencil on the top right-hand corner.
Near duplicate of II.B.1.LVI. A.3a.-1.19.-69., undated, inclusive
General note
Numbered 56.
Duplicate of II.B.1.LVI. A.1.19.-68., undated, inclusive
General note
Numbered 25349.
LVI. A.3b., undated, inclusive
General note
DIPINTI (due) a tempera grassa su tela in cornice sagomata, modanata e dorata: Paesaggio con scene mitologiche: Enea e Acate Enea e Venere. h. 205 l. 177 ca. Scuola bolognese della metà XVIII secolo. Enea e Venere. Numbered 57. See also II.B.1.LVI. A.3b.-1.19.-71.
LVI. A.3a., undated, inclusive
General note
DIPINTI (due) a tempera grassa su tela in cornice sagomata, modanata e dorata: Paesaggio con scene mitologiche: Enea e Acate Enea e Venere. h. 205 l. 177 ca. Scuola bolognese della metà XVIII secolo. Enea e Acate. Numbered 56. See also II.B.1.LVI. A.3a.-2.19.-70.
Duplicate of II.B.1.LVI. A.3b.-1.19.-71., undated, inclusive
General note
Numbered 57.
blank page, undated, inclusive
XLVIII. B.1., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata, dipinta e dorata con protomi umane e girali fioriti che si dipartono da un vaso: Scena mitologica: L'Età dell'Oro. h. 222,5 l. 322 Pittore veneto dell'ultimo quarto del XVI secolo. Numbered 257.
blank page, undated, inclusive
Near duplicate of II.B.1.XLVIII. C.12.-1.18.-83., undated, inclusive
General note
Numbered 452.
blank page, undated, inclusive
Photo missing, undated, inclusive
General note
Numbered 55.
blank page, undated, inclusive
Near duplicate of II.B.1.XLVIII. B.23.-1.18.-70., undated, inclusive
General note
Numbered 209.
Blank page, undated, inclusive
Duplicate of two Tiepolesque grisaille frescoes, undated, inclusive
General note
In oversize, IV.A.3.7. folder 272.-7. Countersigned with "no".
Blank page, undated, inclusive
Duplicate of two Tiepolesque grisaille frescoes, undated, inclusive
General note
In oversize, IV.A.3.7. folder 272.-3. Countersigned with "no".
Blank page, undated, inclusive
Duplicate of two grisaille trompe l'oeil frescoes of female statues, undated, inclusive
General note
In oversize, IV.A.3.7.271.-1. Countersigned with "no".
Blank page, undated, inclusive
Duplicate of grisaille trompe l'oeil frescoes of female statues, undated, inclusive
General note
In oversize, IV.A.3.7.271.-10. Countersigned with "no".
Blank page, undated, inclusive
Tondo of Tiepolesque fresco, undated, inclusive
General note
In oversize, IV.A.3.7. folder 272.-1. Numbered 152.
Blank page, undated, inclusive
Duplicate of two oval Tiepolesque frescoes in IV.A.3.7.272.-10., undated, inclusive
Blank page, undated, inclusive
Detail of a frescoed head of grisaille trompe l'oeil of a female statue See 19. above), undated, inclusive
General note
In oversize, IV.A.3.7. folder 271.-7. Countersigned with "no". Numbered 233.
Blank page, undated, inclusive
Detail of a frescoed head of grisaille trompe l'oeil of a female statue See 21. above), undated, inclusive
General note
In oversize, IV.A.3.7. folder 271.-16. Countersigned with "no". Numbered 234.
Blank page, undated, inclusive
Near duplicate of II.B.1.XXVIII. A.3.-1.14.-76., undated, inclusive
General note
Numbered 228.
Blank page, undated, inclusive
LXI. B.8., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato con protomi angeliche agli angoli: Ritratto di fanciullo con giocattolo. h. 160 ca l. 136 Pittore spagnolo del XVII secolo. Numbered 262. See also II.B.1.LXI. B.8.-1.20.-46.
Blank page, undated, inclusive
Photo missing, undated, inclusive
General note
Numbered 263.
Blank page, undated, inclusive
Near duplicate of II.B.1.XXVIII. C.5.14.-91., undated, inclusive
General note
Numbered 248.
Blank page, undated, inclusive
Duplicate of a battle scene in IV.A.1.3.22.-1.-2., undated, inclusive
General note
Numbered 276.
Blank page, undated, inclusive
Duplicate of II.B.1.XLII. D.4.-2.18.-3., undated, inclusive
Blank page, undated, inclusive
Near duplicate of II.B.1.LXV. A.1.-2.21.-16., undated, inclusive
General note
Numbered 219.
Blank page, undated, inclusive
Near duplicate of II.B.1.LXV. A.1.-1.21.-15., undated, inclusive
General note
Numbered 218.
Blank page, undated, inclusive
Near duplicate of II.B.1.LIII. A.57.19.-23., undated, inclusive
General note
Numbered 231.
Blank page, undated, inclusive
Near duplicate of II.B.1.LIII. A.62.19.-24., undated, inclusive
General note
Numbered 223.
Blank page, undated, inclusive
Duplicate of II.B.1.XXVIII. C.6.-1.14.-92., undated, inclusive
General note
Numbered 229.
Blank page, undated, inclusive
Photo missing numbered 220., undated, inclusive
Blank page, undated, inclusive
Detail of a frescoed head of a grisaille trompe l'oeil fresco of a female statue, undated, inclusive
General note
Numbered 221.
Countersigned with "no".
Duplicate in oversize, IV.A.3.7. folder 271.-5.See 19 above.
Blank page, undated, inclusive
Near duplicate of II.B.1.XXVIII. A.6.14.-79., undated, inclusive
General note
Numbered 256.
Photocopy made at an unknown time of a garden, undated, inclusive
General note
Folder 93. For the original print, see V.B.6.3.
Photocopy made at an unknown time of a garden, undated, inclusive
Blank page, undated, inclusive
Photo missing, undated, inclusive
General note
Numbered 277.
Blank page, undated, inclusive
Photo missing, undated, inclusive
General note
Numbered 285.
Blank pages, undated, inclusive
Folder 2. Album labelled "VIII Sculture"
Scope and Contents note
This is in the numbered series of albums, but is much smaller than the other eight and not canvas-bound. It bears the label of the Cartoleria Pistoj, Via Condotta, Firenze on the inside cover. All the photographs are pasted on to the page. The pages are not numbered but many of the photographs are numbered on the page. For easy reference the album pages have been numbered by the archivist in pencil on the top right-hand corner. Many of the sculptures were photographed in the same room (presumably the Sala da Pranzo) in the same position (with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background
Duplicate of II.B.1.LXV. B.12.-2.21.-29., undated, inclusive
Near duplicate of II.B.1.XXXII. D.10.17.-87., undated, inclusive
General note
Numbered 354.
LXV. B.12., undated, inclusive
General note
SCULTURA in alabastro: Madonna seduta col Bambino. h. 38 Scultore siciliano del XVI secolo. See also II.B.1.LXV. B.12.-1.21.-28.
Statuette [with Tobias and the Angel] (folk art), undated, inclusive
General note
Closely related to XXVI. B.2.
XX. C.9., undated, inclusive
General note
STATUETTE (coppia) di Europa e Africa in terracotta dipinta e policromata. Europa: corno dell'abbondanza, cavallo, tiara e simboli del potere temporale Africa: copricapo con elefante, serpenti, e fascio di spighe. h. 52 Mozzi, XVIII secolo. Africa. Annotated on the page: "Domenico Mazza, Venezia". See also II.B.1.XX. C.9.13.-95.
XXXI. E.5., undated, inclusive
General note
BUSTO in terracotta dipinta su base lignea intagliata e dipinta: Santo. h. 45 Artista bolognese del XVII secolo. Restauri, incrinature. Numbered 78. Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background.
LXV. B.12., undated, inclusive
General note
SCULTURA in alabastro: Madonna seduta col Bambino. h. 38 Scultore siciliano del XVI secolo. Annotated on the verso "Probably Bambaia - Milanese sculptor of small marble figures". See also II.B.1.LXV. B.12.-1.21.-28.
XXI. E.5., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna col Bambino. h. 90 l. 31 Scultore abruzzese (?) del XIII (?) secolo. Numbered 251. and annotated on the page "dugento" Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background. See also II.B.1.XXI. E.5.-3.14.-57.
XXI. B.13., undated, inclusive
General note
SCULTURA in legno dipinto in policromia: Madonna col Bambino. h. 42,5 Scultore veneto della seconda metà del XIV secolo. Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background. See also II.B.1.XXI. B.13.-1.14.-42.
XIX. E.8., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto in policromia: Buddha seduto. h. 84 Cina, Dinastia Sung (?). Numbered 758. Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background.
XX. C.9., undated, inclusive
General note
STATUETTE (coppia) di Europa e Africa in terracotta dipinta e policromata. Europa: corno dell'abbondanza, cavallo, tiara e simboli del potere temporale Africa: copricapo con elefante, serpenti, e fascio di spighe. h. 52 Mozzi, XVIII secolo. (Detail of Europa).
IX. A.9., undated, inclusive
General note
RILIEVO in terracotta policroma entro cornice centinata a tabernacolo: Madonna col Bambino. h. 83 l. 67 Bottega di Donatello, XV secolo. See also II.B.1.IX. A.9.-1.12.-21.
XX. C.9., undated, inclusive
General note
STATUETTE (coppia) di Europa e Africa in terracotta dipinta e policromata. Europa: corno dell'abbondanza, cavallo, tiara e simboli del potere temporale Africa: copricapo con elefante, serpenti, e fascio di spighe. h. 52 Mozzi, XVIII secolo. Detail of Africa. See also II.B.1.XX. C.9.13.-95.
Near duplicate of II.B.1.XX. C.9.13.-95., undated, inclusive
XV. A.1., undated, inclusive
General note
STATUETTA in terracotta dipinta di bruno su base lignea: Giovane con cestino di frutta. h. 46 Manifattura napoletana (?) del XVIII secolo. Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background. See also II.B.1.XV. A.1.-1.12.-117.
LIII. A.27., undated, inclusive
General note
STATUETTA in legno scolpito e dipinto in policromia: Accattone. h. 50 Intagliatore francese del XVIII secolo. Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background. See also II.B.1.LIII. A.27.19.-21.
XXXII. D.10., undated, inclusive
General note
STATUETTA in terracotta modellata a tutto tondo e dipinta: San Sebastiano. h. 66,5 Artista fiorentino della prima metà del XVI secolo. Numbered 354. Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background. See also II.B.1.XXXII. D.10.17.-87.
XX. C.9., undated, inclusive
General note
STATUETTE (coppia) di Europa e Africa in terracotta dipinta e policromata. Europa: corno dell'abbondanza, cavallo, tiara e simboli del potere temporale Africa: copricapo con elefante, serpenti, e fascio di spighe. h. 52 Mozzi, XVIII secolo. Only detail of Europa.
Statuette of (Tobias and the angel) (also in Historic Album VI, page 2). Closely related to XXVI. B.2., undated, inclusive
XXXI. E.5., undated, inclusive
General note
BUSTO in terracotta dipinta su base lignea intagliata e dipinta: Santo. h. 45 Artista bolognese del XVII secolo. Restauri, incrinature. Numbered 78. Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background.
LIII. A.27., undated, inclusive
General note
STATUETTA in legno scolpito e dipinto in policromia: Accattone. h. 50 Intagliatore francese del XVIII secolo. Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background. See also II.B.1.LIII. A.27.19.-21.
XXI. E.5., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna col Bambino. h. 90 l. 31 Scultore abruzzese (?) del XIII (?) secolo. Number 251. Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background. See also II.B.1.XXI. E.5.-3.14.-57.
XIX. E.8., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto in policromia: Buddha seduto. h. 84 Cina, Dinastia Sung (?). Numbered 758. Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background.
Near duplicate of II.B.1.IX. A.9.-1.12.-21., undated, inclusive
XXXII. A.16., undated, inclusive
General note
BUSTO in terracotta modellata a tutto tondo e patinata con interventi di colore su base lignea dipinta. h. 36,5 base: h. 9 l. 44,5 Modellatore del XV (?), XIX secolo. Numbered 139 and annotated on the page "Allievo Donatello - Nanni di Bartolo" Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background. See also II.B.1.XXXII. A.16.-3.17.-34.
XXI. B.6., undated, inclusive
General note
BOZZETTO di Torso virile in terracotta modellata su base di marmo intarsiato. h. 33 base: h. 17 Artista italiano del XVI secolo. Numbered 282. Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background.
XXX. E.10., undated, inclusive
General note
SCULTURA in terracotta modellata a tutto tondo: S. Giovannino nel deserto. h. 30 l. 40 Bottega fiorentina del XVI secolo. Numbered 47., and annotated on the recto "Florentine" Photographed presumably in the Sala da Pranzo with the painting of the Coronation of the Virgin, XXXII. A.11. visible in the background. Also in Historic Album V, page 88.
Folder 3. Album labelled "IX Doppione"
Scope and Contents note
This is canvas-bound album with photos almost all of painted panels and screens or furniture in the interior of Villa La Pietra (series II.B.1.), in one of the Villas (series II.C.) or a work of art illustrating the Actons' activity as collectors (series IV.A.). None of these were pasted on to the page and so they were all removed in 2004 and replaced by Color photocopies. A number of pages at the end of the album are un-numbered and without photos. The pages are not numbered but many of the photographs are numbered on the page on labels, and these have not been countersigned with a 'tick'. Some of the pages also bear initials and a second label, sometimes blank and sometimes with another number (but these appear to be of little interest and so have not all been noted below). For easy reference the album pages have been numbered by the archivist in pencil on the top right-hand corner.
Photocopy made in 2004 of a painted bedhead in IV.A.10., undated, inclusive
General note
Numbered 427. Also numbered 201. Initialled 'H'.
Photocopy made in 2004 of a piece of furniture in II.B.1., undated, inclusive
General note
Numbered 412.
Photocopy made in 2004 of a porcelain jar in II.B.1., undated, inclusive
General note
Numbered 278. Initialled 'H'.
Photocopy made in 2004 of a piece of furniture in IV.A.10., undated, inclusive
General note
Numbered 366. Initialled 'I'
Photocopy made in 2004 of furniture in IV.A.10., undated, inclusive
General note
Numbered 368.
Photocopy made in 2004 of furniture in II.B.1., undated, inclusive
General note
Numbered 367.
Photocopy made in 2004 of a frame in II.B.1., undated, inclusive
General note
Numbered 386.
Photocopy made in 2004 of a painted panel in IV.A.2., undated, inclusive
General note
Numbered 391.
Photocopy made in 2004 of a painted panel in IV.A.2., undated, inclusive
General note
Numbered 390. Initialled 'L'.
Photocopy made in 2004 of a painted panel in IV.A.2., undated, inclusive
General note
Numbered 392.
Photocopy made in 2004 of a painted panel in IV.A.2., undated, inclusive
General note
Numbered 389.
Photocopy made in 2004 of a painted panel in IV.A.2., undated, inclusive
General note
Numbered 388.
Photocopy made in 2004 of an oval painted panel with birds in IV.A.2., undated, inclusive
General note
Numbered 393.
Photocopy made in 2004 of an oval painted panel with birds in IV.A.2., undated, inclusive
General note
Numbered 394.
Photocopy made in 2004 of a painted screen in IV.A.2., undated, inclusive
General note
Numbered 385.
Photocopy made in 2004 of a painted screen in IV.A.2., undated, inclusive
General note
Numbered 384.
Photocopy made in 2004 of a painted panel in IV.A.2., undated, inclusive
General note
Numbered 379.
Photocopy made in 2004 of a painted panel in IV.A.2., undated, inclusive
General note
Numbered 380.
Photocopy made in 2004 of a painted panel in IV.A.2., undated, inclusive
General note
Numbered 370.
Photocopy made in 2004 of a painted panel in IV.A.2., undated, inclusive
General note
Numbered 381.
Photocopy made in 2004 of a painted panel in II.B.1., undated, inclusive
General note
Numbered 383.
Photocopy made in 2004 of a painted panel in II.B.1., undated, inclusive
General note
Numbered 382.
Photocopy made in 2004 of a painted panel with mythological scenes in IV.A.2., undated, inclusive
General note
Numbered 387.
Photocopy made in 2004 of a painted panel in II.B.1., undated, inclusive
General note
Numbered 459.
Photocopy made in 2004 of a painted panel in II.B.1., undated, inclusive
General note
Numbered 461.
Photocopy made in 2004 of a painted panel in II.B.1., undated, inclusive
General note
Numbered 460.
Photocopy made in 2004 of a painted screen (cupboard doors) in IV.A.2., undated, inclusive
General note
Numbered 399.
Photocopy made in 2004 of a painted screen (cupboard doors) in IV.A.2., undated, inclusive
General note
Numbered 400.
Photocopy made in 2004 of a painted screen (cupboard doors) in IV.A.2., undated, inclusive
General note
Numbered 401.
Photocopy made in 2004 of a painted screen in IV.A.2., undated, inclusive
General note
Numbered 405.
Photocopy made in 2004 of a painted screen in II.B.1., undated, inclusive
General note
Numbered 424.
Photocopy made in 2004 of a painted screen in II.B.1., undated, inclusive
General note
Numbered 423.
Photocopy made in 2004 of a painted panel with birds in IV.A.2., undated, inclusive
General note
Numbered 417.
Photocopy made in 2004 of a painted panel with birds in IV.A.2., undated, inclusive
General note
Numbered 415.
Photocopy made in 2004 of a painted panel with birds in IV.A.2., undated, inclusive
General note
Numbered 416. The page is annotated "Bess Adams" (HMA's half sister).
Photocopy made in 2004 of a painted panel in II.B.1.a., undated, inclusive
General note
Numbered 447.
Photocopy made in 2004 of a painted panel in II.B.1.a., undated, inclusive
General note
Numbered 446.
Photocopy made in 2004 of a painted panel in II.B.1.a., undated, inclusive
General note
Numbered 445.
Photocopy made in 2004 of a painted panel in II.B.1.a., undated, inclusive
General note
Numbered 444.
Photocopy made in 2004 of a painted panel in II.B.1.a., undated, inclusive
General note
Numbered 443.
Photocopy made in 2004 of a painted panel in II.B.1.a., undated, inclusive
General note
Numbered 442.
Photocopy made in 2004 of a painted panel in II.B.1.a., undated, inclusive
General note
Numbered 441.
Photocopy made in 2004 of a painted panel in II.C.5. (Villa Sassetti), undated, inclusive
General note
Numbered 439.
Photocopy made in 2004 of a painted panel in II.B.1., undated, inclusive
General note
Numbered 438.
Photocopy made in 2004 of a painted panel in II.C.5. (Villa Sassetti), undated, inclusive
General note
Numbered 440.
Photocopy made in 2004 of a painted panel in II.B.1.a., undated, inclusive
General note
Numbered 374.
Photocopy made in 2004 of a painted panel in II.B.1.a., undated, inclusive
General note
Numbered 378.
Photocopy made in 2004 of a painted panel in II.B.1.a., undated, inclusive
General note
Numbered 377.
Photocopy made in 2004 of a painted panel in II.B.1.a., undated, inclusive
General note
Numbered 376.
Photocopy made in 2004 of a painted panel in II.B.1.a., undated, inclusive
General note
Numbered 375.
Photocopy made in 2004 of a painted panel in Chinese style in IV.A.2. [Villa Natalia], undated, inclusive
General note
Numbered 458.
Photocopy made in 2004 of a painted panel in Chinese style in IV.A.2, undated, inclusive
General note
Numbered 457.
Photocopy made in 2004 of two painted panels with birds in IV.A.2., undated, inclusive
General note
Numbered 456.
Photocopy made in 2004 of a painted panel with birds in IV.A.2., undated, inclusive
General note
Numbered 455.
Photocopy made in 2004 of a painted panel with birds in IV.A.2., undated, inclusive
General note
Numbered 454.
Photocopy made in 2004 of a painted panel with birds in IV.A.2., undated, inclusive
General note
Numbered 421.
Photocopy made in 2004 of a painted panel with birds and 'Chinoiserie' in II.C.4. (now in Villa Colletta), undated, inclusive
General note
Numbered 420.
Photocopy made in 2004 of a painted panel with 'Chinoiserie' in IV.A.2., undated, inclusive
General note
Numbered 422.
Photocopy made in 2004 of a painted panel with birds and 'Chinoiserie' in II.C.4 (now in Villa Colletta), undated, inclusive
General note
Numbered 419.
Photocopy made in 2004 of a painted panel with birds in IV.A.2., undated, inclusive
General note
Numbered 418.
Photocopy made in 2004 of a painted panel with birds in IV.A.2., undated, inclusive
General note
Numbered 395.
Photocopy made in 2004 of a painted panel with birds in IV.A.2., undated, inclusive
General note
Numbered 396.
Photocopy made in 2004 of a painted panel with birds in IV.A.2., undated, inclusive
General note
Numbered 369.
Photocopy made in 2004 of a painted screen with birds in II.B.1., undated, inclusive
General note
Numbered 448.
Photocopy made in 2004 of a painted screen with birds in II.B.1., undated, inclusive
General note
Numbered 449.
Photocopy made in 2004 of a painted screen in IV.A.2., undated, inclusive
General note
Numbered 450.
Photo missing, undated, inclusive
General note
Numbered 470.
Photo missing, undated, inclusive
General note
Numbered 471.
Photocopy made in 2004 of a painted panel with mythological scenes, undated, inclusive
General note
Numbered 398.
Photocopy made in 2004 of a painted panel with mythological scenes, undated, inclusive
General note
Numbered 397.
Photocopy made in 2004 of a painted panel with flowers in II.B.4., undated, inclusive
General note
Numbered 437.
Photocopy made in 2004 of a painted panel with flowers in II.B.4., undated, inclusive
General note
Numbered 436.
Photocopy made in 2004 of a painted panel with flowers in II.B.4., undated, inclusive
General note
Numbered 435.
Photocopy made in 2004 of a painted panel with flowers in II.B.4., undated, inclusive
General note
Numbered 434.
Photocopy made in 2004 of a work of art in Villa La Pietra (XXVIII. A.14.), undated, inclusive
Photos missing, un-numbered, undated, inclusive
1. Oversize green canvas album (unlabelled) containing photographs numbered 1-98
Scope and Contents note
This is a canvas bound album made by the Ditta Barbieri, Firenze with HA's ex libris. The photos are inserted into corner slips on the recto of each page (not pasted on to the page) and there are usually two photographs on each page. They are annotated by HA, and he has numbered them more or less consecutively on the page and almost always given the measurements of each work beneath the photograph. Above the photograph he has in some cases supplied the name of the artist or given an attribution, and has also occasionally noted 'stolen'. Some of the photographs are missing. The numbers listed below are those given by HA and correspond to the Reali negative numbers (for their glass negatives, see Series X.
Photo missing. Page annotated "Bernardo Daddi, 1.37 x 0.76, stolen", undated, inclusive
Near duplicate of II.B.1.XXXII. D.2.-6.17.-75., undated, inclusive
General note
Annotated "Coppo di Marcovaldo, 73 x 1.03 -26.".
XXX. B.5., undated, inclusive
General note
DIPINTO a tempera su tavola con cornice lignea dorata e dipinta: Madonna col Bambino, i santi Pietro e Paolo e angeli. Nell'aureola della Madonna : "Ave Gratia Plena..." e nell'aureola del Bambino: "Ego Sum...". h. 125 l. 90 Siena, Sano di Pietro. Annotated "0.53 x 0,71 Stolen". See also II.B.1.XXX. B.5.-4.15.-33. A postcard has been kept here with the photograph of a similar painting by Sano di Pietro in the Martin A. Ryerson collection at The Art Institute of Chicago.
Near duplicate of II.B.1.XXX. A.10.-8.15.-21., undated, inclusive
General note
Annotated "0,59 x 1,20 Bigallo Master".
XXXII. A.11., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea intagliata, dipinta e dorata con decorazioni a pastiglia: Incoronazione della Vergine. h. 147 l. 71 Mariotto di Nardo (?), fine del XIV secolo. Annotated "0,67 x 1,49".
Near duplicate of II.B.1.XXXII. A.11.-2.17.-28., undated, inclusive
General note
Annotated "Mariotto di Nardo".
XXI. C.1., undated, inclusive
General note
DIPINTO a tempera su tavola centinata: Madonna col Bambino, Angeli e Dio Padre. h. 115,5 l. 74 Pseudo Pier Francesco Fiorentino. Annotated 0,49 x 0,91 [Photo Reali, Firenze] A postcard has been kept here with the photograph of a similar painting by Pier Francesco Fiorentino in the Musée Jacquemart-André. See also oversize, II.B.1.XXI.C.1. folder 176.
XXI. B.11., undated, inclusive
General note
DIPINTO a tempera su tavola: Madonna col Bambino e Cristo Benedicente con libro (Santo?) nella cuspide. h. 146 l. 70 Pietro di Giovanni Ambrosi, XV secolo. Annotated "0,56 x 0,83".
Duplicate of II.B.1.XXI. C.13.-1.14.-53., undated, inclusive
General note
Annotated "Dalmasio, 0,60 x 0,70".
Duplicate of II.B.1.XXI. A.4.-1.14.-12., undated, inclusive
General note
Annotated "Maestro di S. Martino, 0,60 x 1,05".
XXI. C.10., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: S. Michele e S. Pietro nella cuspide. h. 126 l. 63 Luca di Tommè, XIV secolo. Annotated "Lucca di Tommé, 0,51 x 0,70" [Photo Reali, Firenze].
Near duplicate of II.B.1.XXXII. A.18.-2.17.-36., undated, inclusive
General note
Annotated "1,30 x 0,715".
Duplicate of II.B.1.XXXII. A.19.-5.17.-41., undated, inclusive
General note
Annotated "S. Martino a Mensola 0,90 x 1,68".
XXI. B.7., undated, inclusive
General note
DIPINTO a olio su tavola con la Presa di Troia. h. 63 l. 181,5 Biagio d'Antonio, XVI secolo. Annotated "Biagio di Antonio?, 1,596 x 0,41" [Photo Reali, Firenze].
Photo missing, annotated "72 x 92 x 1,29", undated, inclusive
XXXII. B.1., undated, inclusive
General note
DIPINTO a olio su tela in cornice lignea dipinta e dorata: Ultima Cena. h. 137 l. 306 Scuola umbra degli inizi del XVI secolo. Annotated "1,06 x 2,74".
Photo missing, annotated "S. Francesco, 2,32 x 1,62", undated, inclusive
Duplicate of II.B.1.XXXII. D.4.-7.17.-86., undated, inclusive
General note
Annotated "Cristiani, 2,14 x 1,55 x 1,71".
Photo missing, undated, inclusive
General note
Page annotated "stolen, 0,43 x 0,59". A postcard has been kept here with the photograph presumably of a similar painting of the Madonna and Child with two saints and two angels by Sano di Pietro at the Ashmolean Museum, Oxford.
Near duplicate of II.B.1.XXX. A.4.-1.15.-9., undated, inclusive
General note
Annotated "0,81 x 0,55".
XXXI. D.1., undated, inclusive
General note
DIPINTO a tempera su tavola sagomata e parzialmente dorata: Crocifissione con S. Francesco ai piedi della croce e iscrizione in alto: "IHS Nazarenus Rex Iudeorum" e in basso: "S. Franciscus"(si tratta, della croce dipinta, proveniente da Londra, ricordata in un "Inventory" del maggio 1931, p. 10, ritrovato nella credenza della Camera Blu-LXV. h. 234 l. 161,5 Maestro di San Francesco, fine del XIII secolo. Annotated "0,43 x 0,58".
Photo missing, annotated "0,78 x 1,835", undated, inclusive
XXX. A.5., undated, inclusive
General note
DIPINTO a tempera su tavola: Il Beato Davino d'Armenia. Iscrizione: "Hic Iacet Corpus Sancti Davini De Arminea". Cornice sagomata e dorata. h. 73 l. 204 Maestro lucchese (?) del XV secolo. Annotated "1,89 x 0,57". See also oversize, II.B.1.XXX.A.5. folder 182.
XX. A.20., undated, inclusive
General note
DIPINTO (scomparto di predella) a tempera su tavola con cornice lignea modanata dipinta e dorata: Morte di S. Rocco. h. 30 l. 50 Bartolomeo della Gatta (?) seconda metà del XV secolo. Annotated "0,41 x 0,20".
Near duplicate of II.B.1.XXXI. C.10.-2.16.-46., undated, inclusive
General note
Annotated "0,43 x 0,635".
Near duplicate of II.B.1.XXI. B.15.-1.14.-44., undated, inclusive
General note
Annotated "0,485 x 0,69".
Photo missing, annotated "stolen, 0,38 x 0,55", undated, inclusive
Duplicate of II.B.1.XXX. A.11.-2.15.-23., undated, inclusive
General note
Annotated "0,42 x 0,55".
XXX. C.1., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea cuspidata, intagliata, decorata a pastiglia e dorata: Madonna col Bambino lattante. Sul basamento due stemmi: giglio blu e fasce alternate in blu/oro. h. 115,5 l. 62,5 Pittore toscano della fine del XIV secolo. Annotated "0,63 x 1,18".
Near duplicate of II.B.1.XXX. B.12.15.-34., undated, inclusive
General note
Annotated 0,68 x 0,57
XXXI. E.4., undated, inclusive
General note
GRUPPO in terracotta modellata a tutto tondo su base di legno con specchiature in marmo policromo: Ercole e Nesso. h. 61 base: h. 21 G. B. Foggini (Vossilla). Annotated "0,61 x 108".
Painting of Ercole e Nesso in the same pose as the sculpture group XXXI. E.4., undated, inclusive
General note
Photograph [supplied by the Soprintendenza] numbered 11554.
XLVIII. D.13., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice lignea modanata e dorata: Madonna col Bambino. h. 60,5 l. 45,5 Scuola umbra del XV secolo. Annotated "stolen, 0,32 x 0,50".
XXX. C.10., undated, inclusive
General note
DIPINTO a olio su tavola: Madonna in adorazione del Bambino col S. Giovannino. Iscrizione alla base: "Ave Maria Gratia Plena D." tra due stemmi. h. 88,5 l. 62 Pittore fiorentino della seconda metà del XV secolo. Annotated "0,62 x 0,89".
XXX. D.7., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata, cornice lignea intagliata, dipinta e dorata: Madonna col Bambino. Alla base iscrizione: "Ave Maria Gratia Plena Dom." h. 103,5 l. 68,5 Pittore fiorentino dell'inizio del XV secolo. Annotated "0,56 x 0,78".
Duplicate of II.B.1.XXX. B.4.-3.15.-29., undated, inclusive
General note
Annotated "0,44 x 0,56".
XXI. C.2., undated, inclusive
General note
DIPINTO a tempera su tavola cuspidata: Annunciazione. h. 102 l. 73 Cenni di Francesco, XV secolo. Annotated "Cenni di Francesco di Ser Cenni, 0,65 x 0,92". See also II.B.1.XXI. C.2.-2.14.-48.
Painting of the Coronation of the Virgin with Saints and Angels, annotated "stolen, 0,48 x 0,62"., undated, inclusive
General note
Attributed by Miklos Boscovits in "Pittura Fiorentina alla vigilia del Rinascimento,"1975 to the Maestro della Madonna Lazzaroni, and provenance given as 'Firenze, Collezione Acton'.
See also page 23 of Historic Album V.
Duplicate of II.B.1.XXXII. D.13.17.-88., undated, inclusive
General note
Annotated "Niccolò di Pietro Gerini, 0,53 x 1,31".
XX. A.19., undated, inclusive
General note
DIPINTO (scomparto di polittico) a tempera su tavola con cornice lignea dorata: S. Antonio Abate. h. 104,5 l. 40,5 Cerchia di Niccolò di Pietro Gerini. Annotated "0,33 x 0,97".
Photo missing, annotated on the page "stolen, 0,33 x 0,68", undated, inclusive
Photo missing, annotated on the page "S. Miniato - stolen - 0,37 x 0,59", undated, inclusive
XXX. D.11., undated, inclusive
General note
DIPINTO a olio su tavola in cornice lignea modanata a colmo e dorata: Madonna in trono col Bambino e i santi Giovanni Evangelista e Davide. h. 113,5 l. 85 Pittore umbro (?) dell'inizio del XVI secolo. Annotated 0,76 x 1,06
Duplicate of II.B.1.XXX. D.2.15.-54., undated, inclusive
General note
Annotated "Barnaba da Modena?, 0,435 x 0,645".
XX. A.27./ A.33., undated, inclusive
General note
DIPINTI (due pannelli) con (quattro) Sante martiri, cornice lignea modanata e dorata. h. 128 l. 57,5 Scuola veronese del sec. XV. See also oversize, II.B.1.XX.A.27/33. folder 169.
XX. A.27./ A.33., undated, inclusive
General note
DIPINTI (due pannelli) con (quattro) Sante martiri, cornice lignea modanata e dorata. h. 128 l. 57,5 Scuola veronese del sec. XV. Annotated "0,476 x 1,18". See also oversize, II.B.1.XX.A.27/33. folder 169.
Near duplicate of II.B.1.XXX. A.9.15.-13., undated, inclusive
General note
Annotated "Jacopo del Sellaio, 0,43 x 0,53".
Duplicate of II.B.1.XXVIII. C.3.-2.14.-89, undated, inclusive
General note
Annotated "Salimbeni,0,45 x 0,26".
Duplicate of II.B.1.XXVIII. C.3.-1.14.-88., undated, inclusive
General note
Annotated "0,45 x 0,26".
Near duplicate of II.B.1.XXI. B.2.14.-25., undated, inclusive
General note
Annotated "0,59 x 0,77".
XXXI. A.39., undated, inclusive
General note
DIPINTO a olio su tavola: Sacra Famiglia. Cornice in legno modanata, intagliata, dipinta e dorata. h. 108 l. 88 Artista fiammingo della fine del XVI secolo (Pietro Candido?). Annotated "Pietro Candido - De W[…], 0,63 x 0,79".
Near duplicate of II.B.1.IX. A.8.12.-20., undated, inclusive
General note
Annotated: "Paris Bordon, 1,02 x 1,33".
XLVII. A.2., undated, inclusive
General note
DIPINTO ad olio su tela in cornice lignea intagliata e dorata: Gentiluomo con sciabola. h. 137 l. 114 Pittore fiammingo del XVII secolo. Annotated "0,84 x 1,07".
XXVIII. C.5., undated, inclusive
General note
DIPINTO a olio su tela con cornice intagliata a rosette e dorata: Figura di magistrato. h. 109 l. 94 Fra' Galgario, XVII-XVIII secolo. Annotated "Ghislandi?, 0,66 x 0,84".
Duplicate of II.B.1.XXVIII. C.6.-3.14.-94., undated, inclusive
General note
Annotated: "Zuccarelli, 0,98 x 1,52".
Duplicate of II.B.1.XXXI.-1.16.-1., undated, inclusive
General note
Annotated: "Santo 0,60 x 1,37; polittico 2 x 0,51 x 0,82".
Duplicate of II.B.1.XXXI.-6.16.-6., undated, inclusive
Photo missing, page annotated "0,75 x 0,93 and 0,70 and 1,26", undated, inclusive
Duplicate of II.B.1.XII.-20.12.-78. (un-numbered) Photo missing, undated, inclusive
Duplicate of II.B.1.XXVII.-2.14.-65., undated, inclusive
Near duplicate of II.B.1.XXIX.-2.14.-104., undated, inclusive
Photo missing, annotated "Donatello, 0,74", undated, inclusive
XII. A.16., undated, inclusive
General note
SCULTURA in legno dipinto: Madonna col Bambino. h. 154 Scultore umbro del XIII secolo.
Near duplicate of II.B.1.XXXI. A.37.-1.16.-10., undated, inclusive
General note
Annotated "0,44 x 1,39".
Duplicate of II.B.1.XXXII. D.5.-4.17.-79., undated, inclusive
General note
Annotated "0,37 x 1,24".
XIX. A.2., undated, inclusive
General note
SCULTURA in legno scolpito e dipinto con base: Santa. h. 133 l. 42 p. 34 Bottega dell'Italia centrale del XV secolo.
Duplicate of II.B.1.XXXII. C.1.-6.17.-49., undated, inclusive
General note
Annotated "1,68 x 0,5".
Duplicate of II.B.1.XXXII. C.18.-7.17.-66., undated, inclusive
General note
Annotated "1,68 x 0,5".
Near duplicate of II.B.1.XXXI. B.7.-2.16.-23., undated, inclusive
General note
Annotated "0,48 x 1,74".
Duplicate of II.B.1.XXI. E.12.-1.14.-61., undated, inclusive
General note
Annotated "Francesco Valdambrino?, 1,48".
Duplicate of II.B.1.XXXII. A.9.17.-25., undated, inclusive
General note
Annotated "1,18".
Duplicate of II.B.1.XXXII. C.11.-3.17.-56., undated, inclusive
General note
Annotated "0,875 x 0,70".
Duplicate of II.B.1.XXX. C.11.15.-47., undated, inclusive
General note
Annotated "0,355 x 0,94".
Near duplicate of II.B.1.XXI E.5.-4.14.-38., undated, inclusive
General note
Annotated "0,78".
Duplicate of II.B.1.XXXII. D.1.-2.17.-69., undated, inclusive
General note
Annotated "1,14 + 1 base".
Duplicate of II.B.1.XXXII. A.25.17.-42., undated, inclusive
General note
Annotated "Min[aldo], 0,65 x 1,14".
Duplicate of II.B.1.XXXI. A.1.16.-9., undated, inclusive
General note
Annotated "Moana da Lor[iano], 0,77 x 0,76".
Near duplicate of II.B.1.XXXI. C.8.-2.16.-40., undated, inclusive
General note
Annotated "0,88".
Duplicate of II.B.1.V. B.4.12.-14., undated, inclusive
General note
Annotated "0,31 x 0,42".
Duplicate of II.B.1.XXXII. C.20.17.-67., undated, inclusive
General note
Annotated "0,57 x 0,76".
Duplicate of II.B.1.XXXII. A.1.17.-24., undated, inclusive
General note
Annotated "0,43 x 0,65 + frontone".
IX. A.9., undated, inclusive
General note
RILIEVO in terracotta policroma entro cornice centinata a tabernacolo: Madonna col Bambino. h. 83 l. 67 Bottega di Donatello, XV secolo. Annotated "Bottega Donatello, 0,67 x 0,82".
Near duplicate of II.B.1.IX. C.10.12.-43., undated, inclusive
General note
Annotated "0,35 x 0,45".
Duplicate of II.B.1.IX. A.19.-1.12.-25., undated, inclusive
General note
Annotated "Antonio Rossellino, 0,50 x 0,74".
Duplicate of II.B.1.XXX. A.1.15.-8., undated, inclusive
Duplicate of II.B.1.XXVIII. D.4.14.-100., undated, inclusive
General note
Annotated "0,38 x 0,55".
Duplicate of II.B.1.XIX. B.1.13.-25., undated, inclusive
Duplicate of II.B.1.XIX. D.3.13.-28., undated, inclusive
Duplicate of II.B.1.XVI. B.3.-2.13.-4., undated, inclusive
Duplicate of II.B.1.XVI. D.2.-2.13.-6., undated, inclusive
Duplicate of II.B.1.XXI. B.13.-1.14.-42., undated, inclusive
General note
Annotated "0,21 x 0,43".
Duplicate of II.B.1.IX. A.18.12.-24., undated, inclusive
General note
Annotated "0,725".
Duplicate of II.B.1.XXXII. A.16.-1.17.-32., undated, inclusive
General note
Annotated "0,36".
Duplicate of II.B.1.XXI. B.10.14.-38., undated, inclusive
General note
Annotated "0,64 x 0,67".
Duplicate of II.B.1.XXI. E.7.-2.14.-60., undated, inclusive
Duplicate of II.B.1.XXI. E.7.-1.14.-59., undated, inclusive
General note
Annotated "0,40".
Duplicate of II.B.1.XXXII. C.9.17.-53., undated, inclusive
Duplicate of II.B.1.XXXII. C.5.17.-52., undated, inclusive
General note
Annotated "0,69".
2. Oversize green canvas album (unlabelled) containing photographs numbered 99-200
Scope and Contents note
This is a canvas bound album made by the Ditta Barbieri, Firenze, identical to the one above. The photos are inserted into corner slips on the recto of each page (not pasted on to the page) and there are two photographs on each page. They are annotated by HA, and he has numbered them more or less consecutively on the page and almost always given the measurements of each work beneath the photograph. Above the photograph he has in some cases supplied the name of the artist or given an attribution. The numbers listed below are those given by HA and correspond to the Reali negative numbers (for their glass negatives, see Series X.
Duplicate of II.B.1.XX. C.14.13.-99., undated, inclusive
General note
Annotated "0,25 x 0,57".
Duplicate of II.B.1.XXXII. C.17.17.-59., undated, inclusive
General note
Annotated "0,65".
Duplicate of II.B.1.XXX. A.13.15.-24., undated, inclusive
General note
Annotated "0,24 x 0,54".
Duplicate of II.B.1.XXI. B.9.14.-37., undated, inclusive
General note
Annotated "0,75" (un-numbered). Duplicate of II.B.1.XXXI. D.11.16.-58.
Annotated "0,14 x 0,49".
Duplicate of II.B.1.XXVIII. A.14.-1.14.-81., undated, inclusive
General note
Annotated "Susini, 0,22 x 0,52".
XXXI. E.5., undated, inclusive
General note
BUSTO in terracotta dipinta su base lignea intagliata e dipinta: Santo. h. 45 Artista bolognese del XVII secolo. Restauri, incrinature. Annotated "Algardi?, 0,29 x 0,31".
Duplicate of II.B.1.XXI. B.5.14.-26., undated, inclusive
General note
Annotated "0,61 x 0,40".
Duplicate of II.B.1.XXI. B.6.-2.14.-28., undated, inclusive
General note
Annotated "0,34".
Photo missing, annotated "0,61", undated, inclusive
Duplicate of II.B.1.X. B.2.12.-52., undated, inclusive
General note
Annotated "1,19".
IX. C.4., undated, inclusive
General note
PANNELLO (paliotto) in marmo bianco scolpito a bassorilievo per papa Sisto IV (Francesco della Rovere), con angioli reggistemma, nastri, panoplie, scudi, trofei e iscrizione "Sub umbra tua". h. 80 l. 223 Scultore ligure della seconda metà del XV secolo. Annotated "Mino del R[eame?], 2,26 x 0,80". See also II.B.1.IX. C.4.-1.12.-39.
Duplicate of II.B.1.XXX. C.12.15.-48., undated, inclusive
General note
Annotated "0,35 x 0,49".
Duplicate of II.B.1.XXX. A.16.15.-25., undated, inclusive
General note
Annotated "0,78".
Duplicate of II.B.1.IX. A.12.12.-23., undated, inclusive
General note
Annotated "0,77".
Duplicate of II.B.1.XX. A.25.13.-79., undated, inclusive
General note
Annotated "1,14".
Duplicate of II.B.1.XX. A.1.13.-72., undated, inclusive
General note
Annotated "1,14".
Duplicate of II.B.1.XX. B.1.13.-91., undated, inclusive
General note
Annotated "Bonazza?, 1,21".
Duplicate of II.B.1.XII. A.10-2.12.-92., undated, inclusive
General note
Annotated "1,85".
Duplicate of II.B.1.XII. A.30.12.-104., undated, inclusive
General note
Annotated "Susini, 1,58".
Duplicate of II.B.1.XII. A.23.12.-100., undated, inclusive
General note
Annotated "fountain 1,30 cm, fauno 75cm, fauno 0,80".
Duplicate of II.B.1.XII. A.13.-5.12.-97., undated, inclusive
General note
Annotated "0,65".
Duplicate of II.B.1.XII. A.3.-2.12.-87., undated, inclusive
General note
Annotated "0,65".
Duplicate of II.B.1.XXXII. A.10.17.-26., undated, inclusive
Duplicate of II.B.1.XLVIII. B.20.-2.18.-64., undated, inclusive
General note
Annotated "0,41 x 0,73".
Duplicate of II.B.1.XLVIII. D.20.-3.18.-92., undated, inclusive
General note
Annotated "0,66 x 0,58".
Near duplicate of II.B.1.LXV. A.11.-3.21.-23., undated, inclusive
General note
Annotated "Lippi di Benivieni, 1,24 x 0,80 x 0,76" XXX. C.9. DIPINTO a tempera su tavola cuspidata: S. Lucia tra Santo Martire e Antonio Abate. h. 135,5 l. 95,5 Bicci di Lorenzo, fine del XIV secolo. Annotated "Lorenzo di Bicci, 0,88 x 1,30".
Duplicate of II.B.1.XLVIII. B.10.18.-50., undated, inclusive
General note
Annotated "0,35 x 0,48".
Duplicate of II.B.1.LXV. A.2.21.-19., undated, inclusive
General note
Annotated "0,33 x 0,40".
Duplicate of II.B.1.XLVIII. A.18.-2.18.-44., undated, inclusive
General note
Annotated "0,31 x 0,44".
Duplicate of II.B.1.XLVIII.-15.18.-30., undated, inclusive
General note
Annotated "1 x 1,20".
Duplicate of II.B.1.XLVIII. C.10.-5.18.-82., undated, inclusive
General note
Annotated "0,33 x 0,43".
Duplicate of II.B.1.XLVIII. B.8.18.-49., undated, inclusive
General note
Annotated "Niccolò di Tommaso, 0,175 x 0,235".
Duplicate of II.B.1.XLVIII. A.2.-4.18.-35., undated, inclusive
General note
Annotated "Master of Castello Nativity, 0,55 x 0,83".
Duplicate of II.B.1.XLVIII. A.5.a.A.5.b.18.-38., undated, inclusive
General note
Annotated "0,21 x 0,28".
Duplicate of II.B.1.XLVIII. B.11.-4.18.-54., undated, inclusive
General note
Annotated "0,19 x 0,26".
Duplicate of II.B.1.LIII. D.11.-2.19.-43., undated, inclusive
General note
Annotated "0,15 x 0,20".
Duplicate of II.B.1.XLVIII. B.13.-4.18.-60., undated, inclusive
General note
Annotated "Niccolò di Tommaso, 0,41 x 0,92".
Duplicate of II.B.1.XLVIII. D.39.18.-94., undated, inclusive
General note
Annotated "0,45 x 0,25".
Duplicate of II.B.1.XLVIII. D.14.-2.18.-88., undated, inclusive
General note
Annotated "0,23 x 0,27".
Duplicate of II.B.1.XLVIII. D.10.-2.18.-86., undated, inclusive
General note
Annotated "0,29 x 0,34".
Duplicate of II.B.1.XLVIII. D.23.18.-93., undated, inclusive
General note
Annotated "0,32 x 0,36".
XLVIII. D.23., undated, inclusive
General note
DIPINTI a tempera (due) su tavola in cornice lignea intagliata, dipinta e dorata: Storie di S. Benedetto: Fuga di S. Benedetto, S. Benedetto in preghiera. h. 40 43,5 l. 44,5 48,5 Giovanni del Biondo, XV secolo. (Fuga di San Benedetto). Annotated "0,32 x 0,28".
XLVIII. C.3., undated, inclusive
General note
DIPINTO a tempera su tavola entro cornice lignea modanata,intagliata, dipinta e dorata: Storie di San Biagio: Santa Monaca che offre il cibo al Santo. h. 38,5 l. 38,5 Scuola fiorentina o senese del XV secolo. Annotated "0,30 x 0,27".
LXV. A.19., undated, inclusive
General note
DIPINTO a tempera su tavola in cornice di legno intagliato, dipinto e dorato: S.Antonio e S. Dorotea. Iscrizione sulla base della cornice: "S. Antonius. S. Dorothea". h. 48,5 l. 38 Rossello di Iacopo Franchi (cerchia?). Annotated "0,28 x 0,36".
Duplicate of II.B.1.XLVIII. B.22.-2.18.-67., undated, inclusive
General note
Annotated "0,12 x 0,29".
Near duplicate of II.B.1.XLVIII. C.4.18.-77., undated, inclusive
General note
Annotated "0,44 x 0,32".
Duplicate of II.B.1.LXV. A.4.21.-20., undated, inclusive
General note
Annotated "0,41 x 0,60".
Duplicate of II.B.1.LXV. A.20.21.-25., undated, inclusive
General note
Annotated "0,27 x 0,28".
Duplicate of II.B.1.XLVIII. D.15.18.-89., undated, inclusive
General note
Annotated "0,17 x 0,33".
Duplicate of II.B.1.LX. C.1.b.20.-17., undated, inclusive
General note
Annotated "0,49 x 0,83".
Duplicate of II.B.1.LX. C.1.a.20.-16., undated, inclusive
Photo missing, annotated "Vasari, 0,89 x 1,09", undated, inclusive
Duplicate of II.B.1.LXV. B.11.21.-27., undated, inclusive
General note
Annotated "0,30 x 0,49".
Duplicate of II.B.1.LIII. A.5.19.-20., undated, inclusive
General note
Annotated "0,35".
Duplicate of II.B.1.XLVIII. B.23.-2.18.-71., undated, inclusive
General note
Annotated "1,25".
Duplicate of II.B.1.LXV. D.12.-2.21.-32., undated, inclusive
General note
Annotated "Furini, 0,70 x 0,85".
Duplicate of II.B.1.LXXVI-LXXVII. A.10.21.-44., undated, inclusive
General note
Annotated "1,17 x 0,86".
LXXVI-LXXVII. D.3., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato, dipinto e lumeggiato d'oro: La Cena in Emmaus (pendant di A.10). h. 136,5 l. 173,5 Pittore veneto del XVI secolo. Annotated "1,48 x".
Duplicate of II.B.1.XLVIII. C.12.-2.18.-84., undated, inclusive
General note
Annotated "0,82 x 1,11".
Duplicate of II.B.1.XLVIII. B.27.-2.18.-73., undated, inclusive
General note
Annotated "0,92 x 1,26".
Duplicate of II.B.1.LXI. A.3.20.-38., undated, inclusive
General note
Annotated "1,17 x 2,12".
Duplicate of II.B.1.LXI. C.3.-1.20.-49., undated, inclusive
General note
Annotated "2,13 x 3".
Duplicate of II.B.1.LXI. B.2.-1.20.-43., undated, inclusive
General note
Annotated "2,13 x 3".
Duplicate of II.B.3.23.-23., undated, inclusive
General note
Annotated "0,50 x 0,60".
Duplicate of II.B.1.XLVIII. C.1.18.-76., undated, inclusive
General note
Annotated "1,35 x 1,70".
Duplicate of II.B.1.XLVII. C.1.-2.18.-9., undated, inclusive
General note
Annotated "1,58 x 1,58".
Duplicate of II.B.3.23.-24., undated, inclusive
General note
Annotated "0,64 x 0,82".
Duplicate of II.B.1.LXI. D.2.20.-52., undated, inclusive
General note
Annotated "0,79 x 1".
Duplicate of II.B.1.LXI. A.15.20.-41., undated, inclusive
General note
Annotated "1,18 x 1,07".
Duplicate of II.B.1.LXI. B.8.-2.20.-47., undated, inclusive
General note
Annotated "0,64 x 0,82".
Duplicate of II.B.1.LIII. A.2.19.-17., undated, inclusive
General note
Annotated "0,64 x 0,54".
Duplicate of II.B.1.LXV. A.21.21.-25a., undated, inclusive
General note
Annotated "Codazzi, 1,30 x 0,97".
Near duplicate of II.B.1.LX. A.12.-2.20.-12., undated, inclusive
General note
Annotated "Magnasco, 0,96 x 0,73".
Duplicate of II.B.1.LX. A.4.-2.20.-6., undated, inclusive
General note
Annotated "Magnasco, 0,34 x 0,43".
LX. A.10., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Tentazioni di S. Antonio Abate. h. 203 l. 152 Alessandro Magnasco. Annotated "1,40 x 1,95".
Duplicate of II.B.3.23.-25., undated, inclusive
General note
Annotated "1,29 x 0,92
Duplicate of II.B.1.LVI. C.1.-2.19.-77., undated, inclusive
General note
Annotated "1,70 x 2,25".
Duplicate of II.B.1.LVI. A.3.a.-2.19.-70., undated, inclusive
General note
Annotated "1,70 x 1,95".
Duplicate of II.B.1.LVI. A.3.b.-2.19.-72., undated, inclusive
General note
Annotated "1,70 x 1,95".
Duplicate of II.B.1.LX. C.11.20.-19., undated, inclusive
General note
Annotated "1,41 x 0,74".
Duplicate of II.B.1.LXV.A.1.-4.21.-18., undated, inclusive
General note
Annotated "1,90 x 1,2
LXV. A.1., undated, inclusive
General note
DIPINTI (coppia) ad olio su tela in cornice di legno intagliato e dorato: Veduta di villa con giardino e Veduta di villa con chiesa e giardini (Villa d'Este a Tivoli e Villa Mattei). h. 117 l. 207 Pittore romano della fine del XVII secolo. Villa Mattei. Annotated "1,90 x 1,2".
LXV. B.14., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Veduta della villa e del giardino di Caprarola (?). h. 91 l. 113 Pittore romano del XVIII secolo. Annotated "0,90 x 0,65".
XXVIII. A.3., undated, inclusive
General note
DIPINTO a olio su tela con cornice intagliata e dorata: Natura morta. h. 90 l. 60 Carlo Magini, XVIII secolo. Annotated "0,81 x 0,55". See also II.B.1.XXVIII. A.3.-1.14.-76.
LX. A.13., undated, inclusive
General note
DIPINTO ad olio su tela in cornice di legno intagliato e dorato: Satiro. h. 54 l. 44 Pittore del XVII secolo. Annotated "Mola, 0,33 x 0,43".
Duplicate of II.B.1.LVI. D.2.19.-79., undated, inclusive
General note
Annotated "1 x 1,40".
Duplicate of II.B.1.LIII. B.24.19.-26., undated, inclusive
General note
Annotated "0,50 x 0,69".
Duplicate of II.B.1.XLVIII. E.29.18.-96., undated, inclusive
General note
Annotated "0,33 x 0,25".
Duplicate of II.B.1.XLVIII. B.21.18.-65., undated, inclusive
Duplicate of II.B.1.XLVIII. A.17.18.-42., undated, inclusive
Duplicate of II.B.1.XLVIII. B.28.18.-75., undated, inclusive
Duplicate of II.B.1.LXV. B.12.-1.21.-28., undated, inclusive
General note
Annotated "0,39".
Duplicate of II.B.1.XLVIII. A.10.18.-39., undated, inclusive
Duplicate of II.B.1.LX. B.13.-2.20.-15., undated, inclusive
Duplicate of II.B.1.XLVIII. B.7.18.-48., undated, inclusive
Duplicate of II.B.1.LXV. D.2.21.-30., undated, inclusive
General note
Annotated "0,33".
XLVIII - general view, undated, inclusive
Duplicate of II.B.1.XLVIII.-16.18.-31., undated, inclusive
5a. Album of Color prints of Villa la Pietra
Scope and Contents note
An album of 27 large Color prints of the interior of Villa La Pietra in Carbochrome. On the title page "La Pietra, tome II La Maison 1973". Two pages of introduction in French, mentioning "le très docte et très raffiné Harold Acton".
Album of Color prints of Villa la Pietra, 1973, inclusive
6. Interiors taken by Anna Marx, 1986
I. Antingresso with I. A.2. Pannello in mosaico, 1986, inclusive
I. Antingresso with I. C.2. Pannello in mosaico, 1986, inclusive
I bis. Ingresso with I bis. C.8. Dipinto (Ritratto del Cardinale Gian Carlo de' Medici), 1986, inclusive
I bis. Ingresso with I bis. A.11. Dipinto (Ninfa inseguito da satiro), 1986, inclusive
I bis. Ingresso with I bis. A.5. Pannello in mosaico, 1986, inclusive
I.bis. Ingresso with I bis. C.7. Dipinto (Dama con cagnolino), 1986, inclusive
I.bis. Ingresso with I bis. A.3. Dipinto (Ritratto di dama con bambino), 1986, inclusive
IX. Corridoio nord-est - general view, 1986, inclusive
IX. Corridoio nord-est - general view, 1986, inclusive
IX. Corridoio nord-est - general view, 1986, inclusive
IX. Corridoio nord-est - general view, 1986, inclusive
IX. Corridoio nord-est with IX. B.1. Altorilievo (Madonna col Bambino in terracotta in un tabernacolo di legno), 1986, inclusive
IX. Corridoio nord-est with IX. A.22. Rilievo in cartapesta e gesso (Madonna col Bambino), 1986, inclusive
IX. Corridoio nord-est with IX. A.2. Busto muliebre in marmo bianco and IX. A.6. Tondo in stucco (Madonna col Bambino), 1986, inclusive
IX. Corridoio nord-est with IX. D.2. (Dipinto: San Girolamo con il sasso della penitenza) and IX. A.2. Busto muliebre in marmo bianco, 1986, inclusive
IX. Corridoio nord-est with IX. D.4. Rilievo in terracotta policroma con cornice lignea: Madonna col Bambino., 1986, inclusive
X. Atrio with X. C.4. Vaso in porcellana X. C.3. Putti (coppia) in marmo bianco, and X. C.6. Consolle in legno scolpito, 1986, inclusive
X. Atrio with X. B.2. Statue (coppia) di Mori portacandeliere in legno, 1986, inclusive
X. Atrio with X. C.8. Scultura in marmo bianco: Venere con cupido e delfino, 1986, inclusive
X. Atrio with X. C.7. Scultura in marmo bianco: Figura allegorica [La Temperanza], 1986, inclusive
X. Atrio with X. D.2. Statue (coppia) di Cinese e Turco in legno, 1986, inclusive
X. Atrio with X. C.4. Vaso in porcellana and X.C.14./15./16./17. Statuette allegoriche in legno scolpito, 1986, inclusive
XII. Scalone, Rotonda - general view, 1986, inclusive
XII. Scalone, Rotonda - general view, 1986, inclusive
XII. Scalone, Rotonda - general view, 1986, inclusive
XII. Scalone, Rotonda - general view, 1986, inclusive
XII. Scalone, Rotonda - general view, 1986, inclusive
XII. Scalone, Rotonda with XII. A.34. Arazzo con stemma Medici and XII. A.35. Arazzo con Donna con canestro di frutta, 1986, inclusive
XII. Scalone, Rotonda with XII. A.32. Statua in legno: La Prudenza and XII. A.33. Arazzo con fondo bleu a motivi floreali, 1986, inclusive
XV. Salottino, Saletta con Grottesche (or Saletta delle Grottesche) - general view, 1986, inclusive
XV. Salottino, Saletta con Grottesche (or Saletta delle Grottesche) - general view, 1986, inclusive
XV. Salottino, Saletta con Grottesche (or Saletta della Grottesche) - general view, 1986, inclusive
XV. Salottino, Saletta con Grottesche (or Saletta delle Grottesche) - general view, 1986, inclusive
XV. Salottino, Saletta con Grottesche (or Saletta delle Grottesche) - general view, 1986, inclusive
XV. Salottino, Saletta con Grottesche (or Saletta delle Grottesche) - general view, 1986, inclusive
XV. Salottino, Saletta con Grottesche (or Saletta delle Grottesche) - general view, 1986, inclusive
XVI. Studio Biblioteca - general view, 1986, inclusive
XVI. Studio Biblioteca - general view, 1986, inclusive
XVI. Studio Biblioteca - general view, 1986, inclusive
XVI. Studio Biblioteca - general view, 1986, inclusive
XVI. Studio Biblioteca - general view, 1986, inclusive
XIX. Biblioteca - general view, 1986, inclusive
XIX. Biblioteca - general view, 1986, inclusive
XIX. Biblioteca - general view, 1986, inclusive
XIX. Biblioteca - general view, 1986, inclusive
XIX. Biblioteca - general view, 1986, inclusive
XIX. Biblioteca - general view, 1986, inclusive
XIX. Biblioteca - general view, 1986, inclusive
XX. Salone - with the fireplace XX. D.1. Tondo in terracotta con putto su delfino entro ghirlanda di frutti and XX. D.5. statuette (copia) di putti reggistemma in marmo bianco, 1986, inclusive
XX. Salone with XX. A.2. Pannello circolare dipinto con stemma Rondinelli-Carnesecchi and XX. A.6. Mobiletto a troumeau-secretaire con specchio inciso con Apollo e Arianna and XX. A.1. Scultura in marmo bianco: Figura femminile drappeggiata in mantello, 1986, inclusive
XX. Salone with XX. B.9. Pendola in marmi e bronzo and XX. C.9. Statuette (coppia) di Europa e Africa in terracotta, 1986, inclusive
XX. Salone with XX. C.13. Specchiera in legno intagliato, 1986, inclusive
XX. Salone with XX. A.30. Tondo in terracotta: Madonna col Bambino e angeli entro ghirlanda di fiori e frutta and XX. A.27./A.33. Dipinti (due pannelli) con quattro Sante martiri and XX. A.31. Dipinto: Madonna col Bambino e i santi Girolamo, Bernardino, Ansano e Santa Dorotea (?) and XX. A.32. Divano in legno di noce tornito con rivestimento in arazzo, 1986, inclusive
XX. Salone with XX. B.2. Specchiera in legno scolpito and XX. B.7. Consolle in legno scolpito e dorato con puttini, sirene e monstra, 1986, inclusive
XX. Salone with XX. B.20. Vaso con coperchio in vetro soffiato and XX. C.21. Statuetta in legno scolpito: Santa Barbara, 1986, inclusive
XX. Salone with XX. A.10. Dipinto: ritratto di Maria Teresa d'Austria and XX. A.9. Statue (coppia) di moretti reggicuscino in legno scolpito and XX. A11. Statuette (coppia) di puttini alati reggicornucopia in terracotta and XX. A.12. Busto di monaco in terracotta, 1986, inclusive
XX. Salone with XX. B.18. Portiere in seta e velluto rosso con motivo centrale, 1986, inclusive
XX. Salone with XX. D.8. Statuette (coppia) di angiolini volanti in legno scolpito XX. D.9. and Portiera in seta rossa ricamata and XX. D.2. Divano in legno sagomato con tappezzeria di arazzo, 1986, inclusive
XX. Salone with XX. C.3. Specchiera in legno scolpito and XX. C.12. Potica in porcellana dipinta in policromia (Famiglia verde), 1986, inclusive
XX. Salone with XX. A.25. Statua in marmo bianco: Allegoria della Prudenza and XX. A.19. Dipinto: Sant'Antonio Abate and XX. A.22. Leone in legno scolpito and XX. C.10. Poltrona in legno intagliato con tappezzeria Gobelin, 1986, inclusive
XX. Salone with XX. B.1. Statua in marmo bianco di giovane in costume della commedia dell'arte and XX. B.3. Angeli (coppia) portacero in legno scolpito and XX. B.14. Poltrona in legno intagliato con tappezzeria di arazzo, 1986, inclusive
XXI. Sala del Caminetto - general view, 1986, inclusive
XXI. Sala del Caminetto - general view, 1986, inclusive
XXI. Sala del Caminetto with XXI. E.12. Scultura in legno: San Giorgio (o San Michele senza ali), 1986, inclusive
XXI. Sala del Caminetto with XXI. C.1. Dipinto: Madonna col Bambino, Angeli e Dio Padre and XXI. C.10. Dipinto: San Michele e San Pietro nella cuspide, 1986, inclusive
XXI. Sala del Caminetto with XXI. C.2. Dipinto: Annunciazione and XXI. C.3. Portiera in damasco con applicazioni di ricami a figure di angeli, 1986, inclusive
XXI. Sala del Caminetto with XXI. and B.1. Dipinto con l'Incoronazione della Vergine, lo Spirito Santo e Angeli adoranti nella cuspide and XXI. B.4. Anfora (lekythos) in terracotta and XXI. B.5. Bassorilievo in terracotta con Scena di battaglia and XXI. B.6. Bozzetto di torso virile in terracotta, 1986, inclusive
XXI. Sala del Caminetto with XXI. B.11. Dipinto: Madonna col Bambino e Cristo Benedicente nella cuspide and XXI. B.13. Scultura in legno dipinto: Madonna col Bambino and XXI. B.15. Dipinto: Madonna col Bambino, 1986, inclusive
XXI. Sala del Caminetto with XXI. D.2. Panca in legno di noce intarsiato con postergale e pedana, 1986, inclusive
XXI. Sala del Caminetto with XXI. C.12. Rilievo in cartapesta: Madonna col Bambino in raggiera dorata and XXI. C.13. Dipinto: Crocefissione and XXI. C.14. Credenzina in legno di noce intagliato e modanato, 1986, inclusive
XXI. Sala del Caminetto with XXI. B.7. Dipinto con la Presa di Troia and XXI. B.10. Scultura in terracotta: Busto di gentiluomo con guanti and XXI. B.9. Statuette (due) in legno: Santa Barbara e Santa Margherita and XXI. B.8. Mobile a credenza: nelle ante: angelo annunciante, Battesimo di Cristo, Vergine Annunziata, 1986, inclusive
XXI. Sala del Caminetto with XXI. E.5. Scultura in legno dipinto: Madonna col Bambino and XXI. E.7. Statuetta in terracotta: Madonna Adorante, 1986, inclusive
XXVI. Bagno - general view, 1986, inclusive
XXVI. Bagno - general view, 1986, inclusive
XXVI. Bagno - general view, 1986, inclusive
XXVI. Bagno with XXVI. D.1. Pannelli decorativi in carta dipinta su tela (volatili tra fiori), 1986, inclusive
XXVIII. Corridoio sud-ovest - general view, 1986, inclusive
XXVIII. Corridoio sud-ovest - general view, 1986, inclusive
XXVIII. Corridoio sud-ovest with XXVIII. A.7. Dipinto: Natura Morta and XXVIII. A.14. Scultura in terracotta: La Virtù che vince il Vizio and XXVIII. A.13. Altorilievo in legno: testa di leone, 1986, inclusive
XXVIII. Corridoio sud-ovest with XXVIII. A.8. Dipinto: Ritratto di dama con ventaglio and XXVIII. A.16. Scultura in marmo: testa muliebre and XXVIII. A.11. Vaso in marmo giallo and XXVIII. A.15. Urna per coppia in marmo bianco, 1986, inclusive
XXVIII. Corridoio sud-ovest with XXVIII. A.6. Dipinto: Flora con putto and XXVIII. A.5. Urna in marmo bianco con teste di Giove Ammone and XXVIII. A.11. Vaso in marmo giallo, 1986, inclusive
XXVIII. Corridoio sud-ovest with XXVIII. D.3. Acquasantiera in marmo bianco, 1986, inclusive
XXVIII. Corridoio sud-ovest with XXVIII. A.3. Dipinto: Natura Morta, 1986, inclusive
XXVIII. Corridoio sud-ovest with statuettes in the wall cupboard (with XXVIII. A.19.-XXVIII. A.44.), 1986, inclusive
XXVIII. Corridoio sud-ovest with XXVIII. A.1. Dipinti: tondi con scenette mitologiche, 1986, inclusive
XXVIII. Corridoio sud-ovest with XXVIII. C.3. Dipinti (due): Presentazione e Visitazione and XXVIII. D.6. Pannello in broccato di seta ricamato: Madonna col Bambino e due angeli, 1986, inclusive
XXVIII. Corridoio sud-ovest with XXVIII. D.4. Altorilievo in stucco policromo: Madonna col Bambino, 1986, inclusive
XXVIII. Corridoio sud-ovest with XXVIII. A.45. Targa murale in terracotta a rilievo a stampo, maiolicata e dipinta: Madonna col Bambino, due angeli e S. Sebastiano, 1986, inclusive
XXVIII. Corridoio sud-ovest with XXVIII. C.4. Dipinto: Cesto di fiori, 1986, inclusive
XXVIII. Corridoio sud-ovest with the door open out to the garden, 1986, inclusive
XXIX. Saletta con rovine (Saletta delle rovine) - general view, 1986, inclusive
XXX. Sala Rossa - general view, 1986, inclusive
XXX. Sala Rossa - general view, 1986, inclusive
XXX. Sala Rossa - general view, 1986, inclusive
XXX. Sala Rossa - general view, 1986, inclusive
XXX. Sala Rossa - general view, 1986, inclusive
XXX. Sala Rossa - general view, 1986, inclusive
XXX. Sala Rossa - general view, 1986, inclusive
XXX. Sala Rossa - general view, 1986, inclusive
XXX. Sala Rossa - general view, 1986, inclusive
XXX. Sala Rossa - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXI. Sala del Crocifisso - general view, 1986, inclusive
XXXII. Sala da Pranzo - general view, 1986, inclusive
XXXII. Sala da Pranzo with XXXII. D.12. Pannello circolare dipinto con stemma Medici-Orleans, 1986, inclusive
XXXII. Sala da Pranzo - general view, 1986, inclusive
XXXII. Sala da Pranzo with XXXII. A.13. Bassorilievo in stucco: Madonna che adora il Bambino in tabernacolo ligneo, 1986, inclusive
XXXII. Sala da Pranzo - general view, 1986, inclusive
XXXII. Sala da Pranzo with XXXII. B.1. Dipinto: Ultima Cena, 1986, inclusive
XXXII. Sala da Pranzo - general view, 1986, inclusive
XXXII. Sala da Pranzo - general view, 1986, inclusive
XXXII. Sala da Pranzo - general view with the fireplace, 1986, inclusive
XXXII. Sala da Pranzo - general view, 1986, inclusive
XXXII. Sala da Pranzo - general view, 1986, inclusive
XXXII. Sala da Pranzo with XXXII. D.7. Dipinto (polittico): Madonna in trono col Bambino e i Santi Agostino, Iacopo Maggiore, Giovanni Battista, Antonio Abate: nelle cupside Madonna della Misericordia, Annunciazione e Santa Margherita, 1986, inclusive
XLIV. Ufficio (Stanza della Signora Malesci) - general view, 1986, inclusive
XLIV. Ufficio (Stanza della Signora Malesci) - general view, 1986, inclusive
XLIV. Ufficio (Stanza della Signora Malesci) - general view, 1986, inclusive
XLIV. Ufficio (Stanza della Signora Malesci) - general view, 1986, inclusive
XLIV. Ufficio (Stanza della Signora Malesci) - general view, 1986, inclusive
XLIV. Ufficio (Stanza della Signora Malesci) - general view with XLIV. B.9. Dipinto: Ritratto di Arthur Acton (by William Merritt Chase), 1986, inclusive
XLIV. Ufficio (Stanza della Signora Malesci) - general view with V. B.4. Rilievo: Madonna col Bambino in un tabernacolo, 1986, inclusive
XLIV. Ufficio (Stanza della Signora Malesci) - general view, 1986, inclusive
XLII. Corridoio with XLII. D.14. Statuetta in bronzo: Minatore, 1986, inclusive
XLII. Corridoio with XLII. D.11. Dipinto: Natura Morta con fiori e rovine architettoniche, 1986, inclusive
XLII. Corridoio - general view, 1986, inclusive
XLII. Corridoio - general view with XLII. D.2. Dipinto: architettura con statue prospiciente il mare e personaggi and XLII. D.6. Struttura architettonica a tempietto in legno, 1986, inclusive
XLII. Corridoio with XLII. D.1. Dipinto: ritratto virile and XLII. D.13. Statuetta in bronzo: operaio minatore, 1986, inclusive
XLII. Corridoio with XLII. D.23. Statue (coppia) in legno di mori and XLII. D.17. Specchi (coppia) in legno sagomato, 1986, inclusive
XLII. Corridoio with XLII. D.26. Statua in legno di moro reggifiaccola and XLII. D.37. Statuetta in bronzo di soldato sopra un mulo, 1986, inclusive
XLII. Corridoio - general view, 1986, inclusive
XLII. Corridoio - general view, 1986, inclusive
XLII. Corridoio with XLII. B.1. Statue (coppia) in legno di mori reggivassoio, 1986, inclusive
XLII. Corridoio - general view, 1986, inclusive
XLII. Corridoio - general view, 1986, inclusive
XLII. Corridoio - general view, 1986, inclusive
XLII. Corridoio - general view, 1986, inclusive
XLII. Corridoio - general view, 1986, inclusive
XLII. Corridoio - general view with XLII. B.7. Dipinto: Ritratto di giovane uomo con sigaretta, 1986, inclusive
XLVII. Camera Gialla - general view, 1986, inclusive
XLVII. Camera Gialla - general view, 1986, inclusive
XLVII. Camera Gialla - general view, 1986, inclusive
XLVII. Camera Gialla - general view, 1986, inclusive
XLVII. Camera Gialla - general view, 1986, inclusive
XLVII. Camera Gialla with XLVII. C.1. Dipinto: Fuga da Sodoma, Lot e le figlie, 1986, inclusive
XLVII. Camera Gialla with XLVII. A.2. Dipinto: Gentiluomo con sciabola, 1986, inclusive
XLVIII. Camera dei Genitori - general view, 1986, inclusive
XLVIII. Camera dei Genitori - general view, 1986, inclusive
XLVIII. Camera dei Genitori with the fireplace and XLVIII. B.19. Dipinto: la Sacra Famiglia, 1986, inclusive
XLVIII. Camera dei Genitori - general view, 1986, inclusive
XLVIII. Camera dei Genitori - general view, 1986, inclusive
XLVIII. Camera dei Genitori - general view, 1986, inclusive
XLVIII. Camera dei Genitori with XLVIII. E.29. Bassorilievo in marmo con cavalli e cavalieri and XLVIII. E.14. Statuetta in bronzo: nudo virile, 1986, inclusive
XLVIII. Camera dei Genitori with XLVIII. C.10. Dipinto: Madonna col Bambino (Sano di Pietro), 1986, inclusive
XLVIII. Camera dei Genitori with XLVIII. B.24. Armadio in legno a due ante and XLVIII. B.23. Tondo con scena di banchetto, 1986, inclusive
XLVIII. Camera dei Genitori with XLVIII. B.27. Dipinto: Ritratto di gentiluomo and XLVIII. B.28. Statuetta: aquila, 1986, inclusive
XLVIII. Camera dei Genitori with XLVIII. D.13. Dipinto: Madonna col Bambino and XLVIII. D.14. Dipinto: Adorazione dei Pastori and XLVIII. D.15. Dipinto: Santa Scolastica e committente, 1986, inclusive
XLVIII. Camera dei Genitori - general view with XLVIII. D.1. Dipinto: scena mitologica, 1986, inclusive
XLVIII. Camera dei Genitori - general view, 1986, inclusive
XLVIII. Camera dei Genitori - general view with XLVIII. A.2. Dipinto: Madonna che adora il Bambino (Francesco Pesellino), 1986, inclusive
XLVIII. Camera dei Genitori - general view with XLVIII. C.3. Dipinto: storie di San Biagio: Santa Monica che offre il cibo al Santo and XLVIII. C.4. Dipinto: Annunciazione, 1986, inclusive
XLVIII. Camera dei Genitori - general view, 1986, inclusive
XLVIII. Camera dei Genitori - general view with XLVIII. A.19. Rilievo in stucco policromo: Madonna col Bambino and XLVIII. A.18. Dipinto: Madonna col Bambino, 1986, inclusive
LIII. Camera di Sir Harold - general view with LIII. C.24. Armadio a due ante and LIII. C.41. Manichino in cartapesta: busto di fanciulla, 1986, inclusive
LIII. Camera di Sir Harold - general view, 1986, inclusive
LIII. Camera di Sir Harold - general view with LIII. B.24. Dipinto: Ritratto di fanciulla, 1986, inclusive
LIII. Camera di Sir Harold - general view with LIII. C.19. Bureau cabinet dipinto con cineserie, 1986, inclusive
LIII. Camera di Sir Harold - general view with LIII. C.8. Orologio in porcellana con statuette and LIII. C.10. Reliquari (coppia) ad obelisco in legno dipinto, 1986, inclusive
LIII. Camera di Sir Harold - general view, 1986, inclusive
LIII. Camera di Sir Harold - general view, 1986, inclusive
LIII. Camera di Sir Harold - general view, 1986, inclusive
LIII. Camera di Sir Harold - general view, 1986, inclusive
LIII. Camera di Sir Harold - general view, 1986, inclusive
LIII. Camera di Sir Harold - general view, 1986, inclusive
LIII. Camera di Sir Harold - general view, 1986, inclusive
LIII. Camera di Sir Harold - general view with LIII. D.10. Pannello di arazzo con motivi di grottesche, 1986, inclusive
LIII. Camera di Sir Harold - general view, 1986, inclusive
LVI. Sala da Studio (Antecamera del Barone) - general view with LVI. B.1. Arazzo a "feuilles des choux" con balconata, uccelli esotici, frutta e fiori, 1986, inclusive
LVI. Sala da Studio (Antecamera del Barone) - general view, 1986, inclusive
LVI. Sala da Studio (Antecamera del Barone) - general view, 1986, inclusive
LVI. Sala da Studio (Antecamera del Barone) - general view, 1986, inclusive
LVI. Sala da Studio (Antecamera del Barone) - general view, 1986, inclusive
LVI. Sala da Studio (Antecamera del Barone) - general view, 1986, inclusive
LVII. Saletta (Antecamera Sala Studio) - general view, 1986, inclusive
LVII. Saletta (Antecamera Sala Studio) - general view, 1986, inclusive
LVII. Saletta (Antecamera Sala Studio) - general view, 1986, inclusive
LVII. Saletta (Antecamera Sala Studio) - general view with LVII. D.6. Dipinto: Architetture con personaggi di genere, 1986, inclusive
LX. Camera Verde - general view, 1986, inclusive
LX. Camera Verde - general view, 1986, inclusive
LX. Camera Verde - general view, 1986, inclusive
LX. Camera Verde - general view, 1986, inclusive
LX. Camera Verde - general view, 1986, inclusive
LX. Camera Verde - general view, 1986, inclusive
LX. Camera Verde - general view, 1986, inclusive
LX. Camera Verde - general view with LX. B.1. Dipinto ovale: ritratto di gentiluomo (matematico), 1986, inclusive
LXI. Sala da Ballo - general view, 1986, inclusive
LXI. Sala da Ballo - general view, 1986, inclusive
LXI. Sala da Ballo - general view, 1986, inclusive
LXI. Sala da Ballo - general view, 1986, inclusive
LXI. Sala da Ballo - general view, 1986, inclusive
LXI. Sala da Ballo - general view, 1986, inclusive
LXII. Saletta (Antecamera Sala da Ballo) - general view, 1986, inclusive
LXII. Saletta (Antecamera Sala da Ballo) - general view, 1986, inclusive
LXII. Saletta (Antecamera Sala da Ballo) - general view, 1986, inclusive
LXIV. Corridoio (Atrio di Sopra) - general view, 1986, inclusive
LXIV. Corridoio (Atrio di Sopra) - general view, 1986, inclusive
LXIV. Corridoio (Atrio di Sopra) - general view, 1986, inclusive
LXIV. Corridoio (Atrio di Sopra) - general view, 1986, inclusive
LXIV. Corridoio (Atrio di Sopra) - general view, 1986, inclusive
LXIV. Corridoio (Atrio di Sopra) - general view, 1986, inclusive
LXIV. Corridoio (Atrio di Sopra) - general view, 1986, inclusive
LXV. Camera Blu - general view, 1986, inclusive
LXV. Camera Blu - general view, 1986, inclusive
LXV. Camera Blu - general view, 1986, inclusive
LXV. Camera Blu - general view, 1986, inclusive
LXV. Camera Blu - general view, 1986, inclusive
LXV. Camera Blu - general view, 1986, inclusive
LXV. Camera Blu - general view, 1986, inclusive
LXV. Camera Blu with LXV. B.1. Dipinto: Morte di Lucrezia Romana and LXV. B.2. Dipinto: Ritratto di fanciullo con busto muliebre, 1986, inclusive
LXV. Camera Blu - general view with the fireplace, 1986, inclusive
LXV. Camera Blu - general view, 1986, inclusive
LXV. Camera Blu with LXV. B.15. Dipinto: Madonna col Bambino and LXV. B.16. Dipinto: San Nicola and LXV. B.17. Dipinto: Madonna col Bambino in trono tra due angeli e due santi, 1986, inclusive
LXV. Camera Blu with LXV. D.2. Rilievo in stucco: Madonna col Bambino entro tabernacolo, 1986, inclusive
LXVI. Scalone with LXVI. A.2. statua in legno: moretto reggivassoio, 1986, inclusive
LXXVI-LXXVII. Biblioteca - general view, 1986, inclusive
LXXVI-LXXVII. Biblioteca - general view, 1986, inclusive
LXXVI-LXXVII. Biblioteca - general view, 1986, inclusive
LXXVI-LXXVII. Biblioteca - general view, 1986, inclusive
LXXVI-LXXVII. Biblioteca - general view, 1986, inclusive
LXXVI-LXXVII. Biblioteca - general view, 1986, inclusive
LXXVI-LXXVII. Biblioteca - general view, 1986, inclusive
Subseries C: The Estate
1 The Podere (including views from and of Villa La Pietra)
Villa La Pietra with the hills of Fiesole in the background., ca. 1905, inclusive
General note
Annotated on the verso "telescope lens".
View of the hills of Fiesole from Villa La Pietra, ca. 1905, inclusive
General note
Neg.
View of the hills of Fiesole from Villa La Pietra, ca. 1905, inclusive
Villa La Pietra with other villas nearby., 1907, inclusive
General note
Similar to a postcard (preserved in the paper archives) sent to HMA in Chicago [in 1907]: "Happy X-mas and please don't quite forget us.(your house done from our window. Yours truly, Ferdinand Lilien[eron]".
The retaining wall of the Viale with Villa La Pietra, June, 1908, inclusive
General note
Taken from the Podere. Neg.
The retaining wall of the Viale with Villa La Pietra, June, 1908, inclusive
General note
Taken from the Podere. Neg.
Villa La Pietra taken from the Podere, ca. 1908, inclusive
General note
Neg.
The Podere, 1908, inclusive
General note
Labelled by HMA: "Villa from podere Corsi villa wall, June 1908". Neg.
The Podere, ca. 1908, inclusive
General note
Neg.
View of the Podere and Villa La Pietra from Villa Colletta, ca. 1915, inclusive
General note
Labelled "View from Italy". Print and neg.
View of the Podere and Villa La Pietra from Villa Colletta, ca. 1915, inclusive
View of the Podere and Villa La Pietra from Villa Colletta, ca. 1915, inclusive
View of the Podere and Villa La Pietra taken from Villa Colletta, undated, inclusive
[View of the Podere], undated, inclusive
View of the Podere, undated, inclusive
View of the Podere looking towards Villa Natalia from Villa Ulivi, undated, inclusive
General note
Photo Locchi, Firenze.
View of the Podere looking towards Villa Natalia from Villa Ulivi, undated, inclusive
General note
Photo Locchi, Firenze.
Oversize, II.C.1. folder 225.
View of the Podere looking towards Villa Natalia from Villa Ulivi, undated, inclusive
General note
Photo Locchi, Firenze.
Oversize, II.C.1. folder 225.
View of the Podere looking towards Villa Natalia from Villa Ulivi, undated, inclusive
General note
Oversize, II.C.1. folder 226.
View of the Podere taken from a villa on Vicolo San Marco Vecchio, undated, inclusive
General note
Color print.
View of the Podere taken from a villa on Vicolo San Marco Vecchio, undated, inclusive
General note
Color print.
View of the Podere and Villa La Pietra taken from a villa on Vicolo San Marco Vecchio, undated, inclusive
General note
Color print (similar to a card with a note in French signed by M. et R.L. Bre[t]).
The pool in the Podere, 1950, inclusive
General note
Color slide by Kirker.
The Podere with Villa La Pietra, 1950, inclusive
General note
Color slide by Kirker.
The wall of the Estate on Via Bolognese between Villa Colletta and Villa Sassetti, ca. 1975, inclusive
General note
Probably taken in 1975 when the wall between nos. 114-120. was restored by Giuliano Torrini. Color print.
The wall of the Estate on Via Bolognese between Villa Colletta and Villa Sassetti, ca. 1975, inclusive
General note
Showing repair work. Probably taken in 1975 when the wall between nos. 114-120 was restored by Giuliano Torrini. Color print.
The wall of the Estate on Via Bolognese between Villa Colletta and Villa Sassetti, 1975, inclusive
General note
Probably taken in 1975 when the wall between nos. 114-120 was restored by Giuliano Torrini. Color print.
Aerial view of the Estate by the Istituto Geografico Militare, Firenze, 1935, inclusive
General note
The flight dated on the verso.
Oversize, II.C.1. folder 227.
Aerial view of the Estate by the Istituto Geografico Militare, Firenze, 1954, inclusive
General note
The flight dated on the verso.
Oversize, II.C.1. folder 227.
Aerial view of the Estate by the Istituto Geografico Militare, Firenze, 1986, inclusive
General note
The flight dated on the verso.
Oversize, II.C.1. folder 227.
Aerial view of the Estate by the Istituto Geografico Militare, Firenze, 1991, inclusive
General note
The flight dated on the verso.
Oversize, II.C.1. folder 227.
2 Villa Emilia
Exterior, undated, inclusive
[Exterior with a garden fountain], 1924, inclusive
[Exterior with a garden fountain], 1924, inclusive
Painted panel, undated, inclusive
General note
Photo by Dino Zani, Milano.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Dino Zani, Milano.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Dino Zani, Milano.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Annotated on the verso "Villa Emilia".
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Dino Zani, Milano.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Dino Zani, Milano.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Dino Zani, Milano.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Dino Zani, Milano.
Annotated on the recto "2,20 x 1,50" and on the verso "questo è la fotografia del paneaux che le ho mandato in più" [illegible signature].
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel, undated, inclusive
General note
Photo by Brogi.
Oversize, II.C.2. folder 228.
Painted panel with a hunting scene, undated, inclusive
Painted panel with a hunting scene, undated, inclusive
General note
Photo by Brogi.
Annotated on the verso with measurements.
Painted panel with a hunting scene, undated, inclusive
General note
Annotated on the verso with measurements.
Painted panel with a hunting scene, undated, inclusive
General note
Photo by Brogi.
3 Villa Natalia
Exterior, undated, inclusive
General note
Captioned on the recto: "Firenze - Veduta della 'Villa Natalia'" and on the verso: "Pensione Villa 'Natalia', Firenze," with a short description of its amenities in three languages.
Exterior, undated, inclusive
General note
Captioned on the recto: "Villa Natalia, Via Bolognese 106 (Firenze)", a postcard by Becocci, Firenze.
Exterior, undated, inclusive
Exterior with fountain, undated, inclusive
General note
Annotated on the verso "Villa Natalia - before the war".
Exterior with fountain and garden, undated, inclusive
Exteriors, undated, inclusive
General note
Photos by Locchi, Firenze.
Oversize, II.C.3. folder 229.
The garden showing the bunkers built during the Second World War, undated, inclusive
General note
Annotated on the verso by HA: "Ruined garden of the Villa Natalia. c.f. pre War photos of same Box-hedges-flower parterres etc. ruined - gravel on paths worn out by lorries etc."
Garden fountain, undated, inclusive
Detail of the façade on Via Bolognese with scaffolding, April, 1986, inclusive
General note
Dated on the verso, with annotations about the price and payments for building work.
Views of rooms in the interior taken by Barsotti, Firenze, 1970s, inclusive
General note
Neg.
View of a room in the interior taken by Barsotti, Firenze, 1970s, inclusive
General note
Print and neg.
View of a room in the interior taken by Barsotti, Firenze, 1970s, inclusive
General note
Print and neg.
View of a room in the interior taken by Barsotti, Firenze, 1970s, inclusive
Views of rooms in the interior taken by Barsotti, Firenze, 1970s, inclusive
General note
Neg.
View of a room in the interior taken by Locchi, Firenze, undated, inclusive
General note
Oversize, II.C.3. folder 230.
View of the dining room taken by Locchi, Firenze, undated, inclusive
General note
Oversize, II.C.3. folder 230.
View of the dining room with Olivetti staff at table, undated, inclusive
General note
Photo by Locchi, Firenze.
Oversize, II.C.3. folder 230.
an Empire-style bed, undated, inclusive
General note
Annotated on the verso "Baciocchi bed, Natalia".
Detail of the Empire-style bed, undated, inclusive
General note
Photo by Wallace Heaton, London. Annotated on the verso "Natalia".
Detail of the Empire-style bed, undated, inclusive
General note
Photo by Wallace Heaton, London, annotated on the verso "Natalia".
Painting, undated, inclusive
General note
Annotated on the verso "Natalia". Photo by Henry Dixon, London.
Oversize, II.C.3. folder 231.
Detail of a fragment of a fresco, undated, inclusive
General note
Annotated on the verso "Villa Natalia, frescoe under canvas in vaulted room, ground floor". Photo by Brogi, numbered 360.
Detail of a fragment of a fresco, undated, inclusive
General note
Annotated on the verso "Fresco decoration in the salon at Villa Natalia behind library, date about 1400-?", Photo by Brogi, numbered 361.
Detail of a fragment of a fresco, undated, inclusive
General note
Neg.
Detail of a fragment of a fresco, undated, inclusive
General note
Neg.
Detail of a fragment of a fresco, undated, inclusive
4 Villa Colletta
Exteriors, undated, inclusive
General note
One Annotated on the verso "Villa Colletta", and one with a farm worker. Prints and negs.
No image available for inspection, undated, inclusive
Painted panel with a Chinoiserie scene, undated, inclusive
No image available for inspection, undated, inclusive
No image available for inspection, undated, inclusive
Painted panel with a Chinoiserie scene, undated, inclusive
Painting with a port scene and architectural ruins, undated, inclusive
General note
Annotated on the verso "Capella. La Pietra Volt[..] appartamento Lung Arno Quartiere Grande". Photo by Brogi, numbered 407.
Painting with architectural ruins, undated, inclusive
General note
Photo by Brogi, numbered 406.
Limonaia at Villa Ulivi, undated, inclusive
General note
2 Color prints.
See also II.C.5.35.-153a-153b.
View of a room in the interior, ca. 1970, inclusive
General note
Photo by Barsotti, Firenze, annotated on the verso: "41 Colletta Salone 4". Neg and print.
View of a room in the interior taken by Barsotti, Firenze, ca. 1970, inclusive
General note
Annotated on the verso: "53 Colletta Salone Pranzo". Neg and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Neg.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "51 Colletta Salone Pranzo". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "44 Colletta Salone L". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Duplicate of 144.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "54 Colletta Salone Pranzo". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Duplicate of 146.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "45 Colletta ingresso". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "Colletta ingresso". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Duplicate of 149.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "39 Colletta prima salotto". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Duplicate of 150a.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Neg.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "40 Colletta primo Salone". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "46 Colletta ingresso". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "Colletta - Corridoio finestrone 2 piano". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "48 Ingresso scale Colletta". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "42 Colletta Salone". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Neg.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Neg.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Neg.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "57 Colletta P.P. Camera 26". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "65 Colletta P.P. Camera 30". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "64 Colletta P.P. Camera 30". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "72 Colletta 2 piano - camera 34". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "61 Colletta P.P. Camera 28". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "60 Colletta P.P. Camera 28". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "43 Colletta Salone L". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "71 Colletta Camera 34 [2 P]". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "59 Colletta P.P. Camera 27". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "58 Colletta P.P. Camera 27". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "63 Colletta P.P. Camera 29". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "62 Colletta P.P. Camera 29". Neg. and print.
View of a room in the interior (with four pictures) taken by Barsotti, Firenze, late 1970s, inclusive
General note
Neg.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "66 Colletta P.P. Corridoio interno a camere 27, 28, 29, 30 31". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "67 Colletta P.P. Corridoio interno a camere 27, 28, 29, 30 31". Neg. and print.
View of a room in the interior taken by Barsotti, Firenze, late 1970s, inclusive
General note
Annotated on the verso: "69 Colletta Corridoio 2 piano".
Painting with ruins and a river, late 1970s, inclusive
General note
Annotated on the verso: "Villa Coletta new wing". Neg. and print.
Painting of St. Sebastian, late 1970s, inclusive
General note
Annotated on the verso: "S. Sebastiano - Colletta".
Open cupboard resting on lions, late 1970s, inclusive
General note
Numbered "115." on the recto. Annotated on the verso: "Colletta" and "Gia V. Emilia ora Ulivi". Neg. and print.
Chimneypiece with two putti holding a coat of arms, late 1970s, inclusive
General note
Annotated on the verso: "Villa Colletta". See also IV.A.5.10.18-28.
Chimneypiece with two putti holding a coat of arms, late 1970s, inclusive
General note
Annotated on the verso: "Villa Colletta".
Chimneypiece with two putti holding a coat of arms, late 1970s, inclusive
Chimneypiece with two putti holding a coat of arms, late 1970s, inclusive
General note
Duplicate of 175g.
5 Villa Sassetti
Exterior with HMA, HA, and WA, ca. 1906, inclusive
General note
WA in his pram. Neg.
Exterior with HMA, HA, and WA, ca. 1906, inclusive
General note
WA in his pram. Neg.
Exterior, February, 1908, inclusive
General note
Print and neg.
Exterior, undated, inclusive
General note
Print and neg.
Exterior, undated, inclusive
General note
Print and neg.
Exterior, with a distant view of Villa La Pietra, undated, inclusive
General note
Print and neg.
Exteriors, undated, inclusive
General note
Prints and negs.
Exterior, with [HMA] and the dog Caesar, undated, inclusive
General note
Print and neg.
Exterior (with building work in progress), December 1, 1908, inclusive
General note
Print and neg.
Exteriors, undated, inclusive
General note
Prints and negs.
Exterior (detail of the façade), undated, inclusive
General note
Print and neg.
Exterior, undated, inclusive
Exterior (with building work in progress), undated, inclusive
Exterior (with building work in progress), undated, inclusive
Exterior, undated, inclusive
Exteriors, undated, inclusive
Exterior, undated, inclusive
General note
Neg.
The garden, undated, inclusive
Exteriors, with the garden, undated, inclusive
General note
Neg.
Interior, ca. 1915, inclusive
General note
Print and neg.
Interior, undated, inclusive
General note
Annotated on the verso "painting at Villa Sassetti".
Interiors, undated, inclusive
General note
63. Annotated on the verso "Villa Sassetti - Compare with Album before Greek royalties took Sassetti. These photos show the condition after they left without apologies". 68a. Annotated on the verso "condition of antique furniture. Villa Sassetti".
Interior, undated, inclusive
General note
Annotated on the verso "Foto danni Principi".
Interiors, undated, inclusive
Interior, undated, inclusive
General note
Annotated on the verso "Egeli riconsegnò così il mobilio".
Interior, undated, inclusive
Interior, 1970s, inclusive
General note
Annotated on the verso "75. Sassetti - Sala Ingresso". Photo by Barsotti, Firenze. Print and neg.
Interior, 1970s, inclusive
General note
Annotated on the verso "85. Sassetti - Salone". Photo by Barsotti, Firenze. Print and neg.
Interior, 1970s, inclusive
General note
Annotated on the verso "83. Sassetti - Sala Verde". Photo by Barsotti, Firenze. Print and neg.
Interior, 1970s, inclusive
General note
Annotated on the verso "74. Sassetti - Sala Ingresso". Photo by Barsotti, Firenze. Print and neg.
Interior, 1970s, inclusive
General note
Annotated on the verso "84. Sassetti - Sala Verde". Photo by Barsotti, Firenze. Print and neg.
Interior, 1970s, inclusive
General note
Annotated on the verso "101. Sassetti - P.P.[piano primo] Vestibolo". Photo by Barsotti, Firenze. Print and neg.
Interior, 1970s, inclusive
General note
Annotated on the verso "81. Sassetti - Prima sala destra". Photo by Barsotti, Firenze. Print and neg.
Interior, 1970s, inclusive
General note
Annotated on the verso "82. Sassetti - Sala verde". Photo by Barsotti, Firenze. Print and neg.
Interior, 1970s, inclusive
General note
Annotated on the verso "89. Sassetti - sotto scala". Photo by Barsotti, Firenze. Print and neg.
Interiors, 1970s, inclusive
General note
Negs. by Barsotti, Firenze.
Interior, 1970s, inclusive
General note
Annotated on the verso "102. Sassetti - P.P.[piano primo] Camera Contessa 67." Photo by Barsotti, Firenze. Print and neg.
Interior, 1970s, inclusive
General note
Annotated on the verso "104. Sassetti - P.P. [piano primo] Camera Conte 68.". Photo by Barsotti, Firenze. Print and neg.
Interiors, undated, inclusive
General note
Negs. by Barsotti, Firenze.
Still Life painting, undated, inclusive
General note
Annotated on the verso "one of a pair" with measurements and (coded) price. Photo by Brogi, numbered 431.
Still Life painting, undated, inclusive
General note
Annotated on the verso "a pair of these" with measurements and (coded) price. Photo by Brogi, numbered 432.
Still Life painting, undated, inclusive
General note
Photo by Brogi, numbered 430.
Still Life painting, undated, inclusive
General note
Annotated on the verso "Antique flower picture in antique frame 130 x 155, one pair - each" with (coded) price. Photo by Brogi numbered 433.
Carved wall bracket [candle-holder], undated, inclusive
General note
Now in the Sala Conferenza (ground floor).
Painted panels, May, 1966, inclusive
General note
Annotated on the verso with measurements, and some of them annotated "pannelli venduti dal Sig. Acton". Color prints dated on the recto.
Painted panel with grotteschi, undated, inclusive
General note
Annotated on the verso "Natalia". Photo by Brogi, numbered 439.
Painted panel with grotteschi, undated, inclusive
General note
Photo by Brogi Numbered 440.
Painted panels with grotteschi, undated, inclusive
General note
Annotated with measurements on the verso.
Exterior, undated, inclusive
General note
2 Color prints.
See also II.C.4.34.-183.-186.
6 Villa Ulivi
Exterior - the façade, undated, inclusive
General note
Annotated on the verso.
Exterior, with the garden, undated, inclusive
General note
Photo by Locchi, Firenze.
Exterior, with the garden, undated, inclusive
General note
Photo by Locchi, Firenze.
Exterior, with the garden, undated, inclusive
The garden, undated, inclusive
Exterior, with the garden, undated, inclusive
The garden, undated, inclusive
The garden, undated, inclusive
Tennis court, undated, inclusive
Pergola at Swimming pool, undated, inclusive
The garden, undated, inclusive
Swimming pool, undated, inclusive
Swimming pool with an (unidentified) bather, undated, inclusive
Swimming pool, undated, inclusive
General note
Color print.
Swimming pool, undated, inclusive
Villa Ulivi, piscina (negs.), undated, inclusive
Villa Ulivi, piscina (with Villa La Pietra on the skyline), undated, inclusive
Interior - the hall, undated, inclusive
General note
Annotated on the verso "Villa negli Ulivi".
Interior, undated, inclusive
General note
Annotated on the verso "Salone".
Interior, undated, inclusive
General note
Annotated on the verso "Salone Soggiorno".
Interior, undated, inclusive
General note
Annotated on the verso "Sala Pranzo".
Interior, undated, inclusive
General note
Annotated on the verso "Salottino p.p.".
Interiors, undated, inclusive
General note
Annotated on the verso "Salottino terreno".
Interiors - bedrooms, 1930s, inclusive
General note
Some with a young girl [daughter of Frederick Faust in the 1930s] and her toys and dog.
Interior, undated, inclusive
General note
Annotated on the verso "Salotto p.p.".
Interior, undated, inclusive
General note
Annotated on the verso "Biblioteca panoramica".
Interior, undated, inclusive
General note
Annotated on the verso "Salone".
Interiors, undated, inclusive
General note
Annotated on the verso "Biblioteca panoramica".
Interior, undated, inclusive
Interior, 1970s, inclusive
General note
Annotated on the verso "196. Ulivi. Direzione". Photo by Barsotti, Firenze. Print and neg.
Interior, 1970s, inclusive
General note
Annotated on the verso: "197. Ulivi. Direzione". Photo by Barsotti, Firenze. Print and neg.
Interiors [late 1970s], 1970s, inclusive
General note
Neg. by Barsotti, Firenze.
Roll of (36) negatives of interiors and exteriors of Villa Ulivi, undated, inclusive
7 unidentified
Maid in a garden, ca. 1915, inclusive
General note
Labelled by HMA "Villetta, 1915-1916" [Villa Colletta or Villa Sassetti]. Prints and negs.
Part of a garden with steps and a balustrade, undated, inclusive
General note
Print and neg.
Exterior of a villa, undated, inclusive
General note
Print and neg.
Masque of a wall fountain, undated, inclusive
General note
Print and neg.
Exterior of a villa, 1915, inclusive
General note
Neg.
Exterior of a villa, undated, inclusive
General note
Print and neg.
Gardens with a statue [Villa Natalia] and terracotta vases [a pomario], undated, inclusive
General note
Negs.
Garden with balustrade, fountain and flower beds, undated, inclusive
Interiors, with details of ceilings, undated, inclusive
General note
Found with an envelope labelled "Rifugio Natalia. D.G.".
Portal, undated, inclusive
General note
#1. Found in a financial ledger concerning Villa Emilia, and annotated on the verso "Porta di Pietra smontato all[..]go"
#2. annotated by AA with measurements and a sketch on the verso.
Oversize, II.C.7.35. folder 231a.
8 Albums of the villas
Villa Emilia A simply bound album labelled on the outside cover: "Villa 'Emilia', Via Bolognese [112] - Mitchell-Acton"., ca. 1920s, inclusive
General note
Contains 108 photographs, many of them pasted on to the page (others inserted into photo corners), standard size as well as very small prints. A few of the garden but most of them of the interior - the reception rooms and bedrooms. Apparently not all of the same date, but most of them probably taken in the 1920s or 1930s.
Villa Emilia A simply bound album labelled on the outside cover: "Villa Emilia bis"., ca. 1920s, inclusive
General note
Contains 84 photographs, many of them pasted on to the page (others inserted into photo corners) and others loose. Many of the pages of the album have also come loose. A few of the garden but most them of the interior - the reception rooms and bedrooms, mostly duplicates of those in Folder 1. Apparently not all of the same date, but most of them probably taken in the 1920s or 1930s.
Villa Natalia A simply bound album labelled on the outside cover: "Villa Natalia"., ca. 1920s, inclusive
General note
Contains 111 photographs, most of them pasted on to the page (others inserted into photo corners). Some of the pages of the album have come loose. Photos of the gardens and interior. Apparently not all of the same date, but most of them probably taken in the 1920s or 1930s.
Villa Natalia A simply bound album labelled on the outside cover: "Villa Natalia No. I"., ca. 1920s, inclusive
General note
Contains 112 photographs, most of them pasted on to the page (others inserted into photo corners), and including some very small format prints. Photos of the gardens and interior some of them duplicates of those in Folder 3. Apparently not all of the same date, but most of them probably taken in the 1920s or 1930s.
Villa Sassetti A simply bound album labelled on the outside cover: "Villa Sassetti - Via Bolognese 116"., ca. 1920s, inclusive
General note
Contains 93 photographs, most of them pasted on to the page (others inserted into photo corners), and including some very small format prints. Photos of the gardens and interior. Apparently not all of the same date, but most of them probably taken in the 1920s or 1930s.
Villa Sassetti A simply bound album labelled on the outside cover: "Villa Sassetti"., ca. 1920s, inclusive
General note
Contains 39 photographs, most of them pasted on to the page (others inserted into photo corners), many of them missing. Photos of the gardens and interior, some of them duplicates of those in Folder 5. Apparently not all of the same date, but most of them probably taken in the 1920s or 1930s.
Subseries D: Other Acton properties
1 Palazzo Guadagni, Porta al Prato, Firenze, see Series I.A.6.
2 Palazzo Lanfredini, 9 Lungarno Guicciardini, Firenze (now the premises of the British Institute Library)
Interior, undated, inclusive
General note
Annotated on the verso "Salone - Lungarno" . Also Annotated on the verso "Oil jar - decorated - missing". Includes a Still Life which is probably a pair to II.C.5.35.-131. Photo by Renato Salvini, Lungarno Guicciardini 7, Firenze.
Interior, undated, inclusive
General note
Annotated on the verso "Lungarno".
Interiors, undated, inclusive
General note
Some annotated on the verso "Lungarno".
Interior [or Villa Sassetti], undated, inclusive
3 108 Lancaster Gate, London (owned by the Actons [and/or Guy Mitchell] 1928-1932)
Interiors, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "Salon".
Interior with a painted panel with ruins, ca. 1928-1932, inclusive
General note
See also IV.A.1.3.40.-1.
Interior, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "a very good [Han] vase I got in Kyoto of [yo….]. A Ming bowl".
Interior with a painted panel with ruins, ca. 1928-1932, inclusive
General note
See also IV.A.1.3.40.-1.
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "This console would look better with the chairs than these XVII. cent. ones. These are nice but not my period. The [thin caladins] are good and above is a water Color by Marco Ricci.".
Interior with two photographs of 'Jennie' (Sarah) Mitchell née Jewett (HMA and Guy Mitchell's mother, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "Ask Acton what he thinks of this chair. I got two alike in London. The design of the back is in [Odon's] book. I think them very choice. This is in corner of my bedroom. The curtains are Chinese yellow satin. I had to pull down the shade to photograph".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "Everyone likes this chair. It might almost be English. Look for this variety. It is upholstered in old yellow silk, very strong. I use it as a desk chair.".
Interiors with a Chinese panel, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "These four chairs are superb. They are in the dining room with the green one something like them. [Regency], in old blue damask. The Claude Vernet [came out] pretty well." The painting of a landscape with a river, cascades, Roman ruins and pastoral scenes [Tivoli by Orazio Vernet] was stolen from Villa La Pietra on 28/29 September 1983.
See II.B.3.23.-25.
Interiors, with chairs and Chinese vases, ca. 1928-1932, inclusive
Interior, undated, inclusive
General note
Annotated on the verso by Guy Mitchell: "I am very fond of all these things and shall keep them. Each piece of furniture, painting, rug and vase, lamp etc. is choice. I am satisfied in this room".
Interior with an arrow indicating a chair on the recto, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "This chair is very good and most comfortable. A chair like this goes with any kind of old furniture. I like the yellow silk it is upholstered in".
Interiors, with furniture, Chinese paintings and vases, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "If you can find another very fine commode get it for me. A […] piece. I like this one particularly".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "Chinese painting on the wall".
Interiors with chairs, Chinese vases, and paintings, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the recto by Guy Mitchell: "both chairs are very good".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "2 Bardini chairs, lovely patina, done up in charming old silk of the period".
Interiors with Chinese vases, chairs, and Chinese paintings, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "Your lovely [hard …] chair and a very good portrait [Bl…tt…found…in Holland…of old China]. Blue and white vases".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "I like this chair so much. This is the type I want when possible".
Interiors, with chairs, a commode, and Chinese vases, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "These two commodes are nice, good color and shape, and I like them, but they are far too large for American apartments".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "These blue and whites are very beautiful. The two large ones are Chei[…Kagn…] with magnolias on a blue ground." Annotated on the recto by Guy Mitchell: "I love these commodes but they are too large for […] I want some smaller ones".
Interiors, with chairs, furniture and Chinese vases, ca. 1928-1932, inclusive
Interior, with a cabinet which is now in Villa La Pietra (XV. A.3.), ca. 1928-1932, inclusive
Interior, with a cabinet which is now in Villa La Pietra (XV. A.3.), ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "These pieces satisfy me perfectly - all of them. I have a bookcase with my case of jades etc. on it in this room and shall remove it some day if I find another very fine commode or console. The two big commodes are simple but good.".
Interior, with a cabinet which is now in Villa La Pietra (XV. A.3.), ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "everything in the room is good. I must take some good photos of all the chairs etc.".
Interior, with a cabinet which is now in Villa La Pietra (XV. A.3.), ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "I got two of these little chairs in London, £34 the pair. I had never seen this design but found it in O[don]'s book. They are very nice, small and graceful and lovely patina. I found this French velvet in London and like it immensely, green [will -golden], very small pattern. Had lots of trouble finding it. ".
Interior with furniture and two small Burmese bronze figures, ca. 1928-1932, inclusive
General note
See also oversize, IV. A.4.8. folder 275.-1.-2.
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: I took this from my dining room."Is it not good? These are the Burmese figures all inlaid with glass [g…]. The heads are studded with round mirrors and the robes are beautiful. I like this commode.".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "view from dining room of hall and door into Salon. My wonderful Burmese figures on commode and a Thibetan print […], yellow with small […] Buddhas framed, back of them.".
Interior, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "Here are the other two I like. I am very fond of the criss-cross one. I think it very unusual and the one in the hall is nice, much better in [….] you sent the photo of.".
Interiors, with furniture, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "The reflection in the mirror shows the 1st [pog…] chair you sent. It is nice. I shall have it upholstered some day, as the old striped stuff is rather worn and soiled and it needs [stu]ffing. I […two others and like----Wannamaker's ….]ask $500 for one. The curtains are a lovely rose red. I love the mirror.
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "[…] reflected in mirror by bathroom door.".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "This was difficult to take on account of the window beside it. The little mirror looks well above […gueridon]- The chest is good too.".
Interior, with chair and console, ca. 1928-1932, inclusive
Interior, with chair and console., ca. 1928-1932, inclusive
General note
Annotated on the recto by Guy Mitchell: "I love this [style]. You might get copies".
Interior, with chair and console, ca. 1928-1932, inclusive
Interior, with chair, ca. 1928-1932, inclusive
General note
Annotated on the recto by Guy Mitchell: "I love this - very comfortable".
Interior, with chair and console, ca. 1928-1932, inclusive
Interior, with chair and console, ca. 1928-1932, inclusive
General note
Annotated on the recto by Guy Mitchell: "This is most comfortable".
Interiors with chairs, furniture, and prints, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "my dining room. The jade vase is exquisite.".
Interiors, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "Mr [Min] admired the little bronze figure immensely. I had Ya[….] put a shade on it and it makes a lovely lamp".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the recto by Guy Mitchell: "This is nice covered in lovely green velvet . Copy of period velvet".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "This cabinet is too Dutch for me. There are 4 of these little chairs in blue silk. They were cheap and are nice. They are the sort of thing I should like to get more of. They would be lovely in those Venetian brocades and could be copied easily too".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "I am not fond of this room and would like to sell these three pieces you sent last year, and the cabinet, which is too Dutch and the little red lacquer piece, which is too English. They are lovely but do not appeal to me. I like all the chairs. The commode is ordinary, ugly handles etc".
Interior with a cabinet which is now in Villa La Pietra (LIII. A.59.), ca. 1928-1932, inclusive
General note
See also II.B.1.LIII. A.59.-1.19.-32.
Interior with a cabinet which is now in Villa La Pietra (LIII. A.59.), ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "These are miserable photos. I will take some more. I love this desk. It is my idea of a fine Italian XVIII. cent. desk. These chairs I got in London (£38 (thirty eight) the two). They are beauties. Always get me any like this. My rugs etc. very good".
See also II.B.1.LIII. A.59.-1.19.-32.
Interior with a cabinet which is now in Villa La Pietra (LIII. A.59.), ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "I cannot understand why you did not buy this the moment you saw it. It is the handsomest one I ever saw and 1000 times more attractive to me than the little red desk and Dutch cupboard combined. It is so absolutely genuine. I cannot open the glass door".
See also II.B.1.LIII. A.59.-1.19.-32.
Interior with a cabinet which is now in Villa La Pietra (LIII. A.59.), ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "These are two of the chairs I got in London. The Chinese painting you saw".
See also II.B.1.LIII. A.59.-1.19.-32.
Interior with a cabinet and two framed photos of HMA taken in Paris, ca. 1928-1932, inclusive
Interior with a cabinet, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "everyone admires this chair immensely and it was, I think, only $30. If you see any […order….] I like this desk too, always did, and it goes well with English things too. Looks like Queen Anne [o…] If you see any more get them for me…until later." Annotated on the recto: "These pieces are nice".
Interiors with a cabinet and chair, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "entrance hall".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "2 Portuguese chairs in red velvet".
Interior, ca. 1928-1932, inclusive
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "Blue covers […] white. You sent me 4 of these little chairs and they are nice.".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "This chair looks well in velvet. It is on [ground floor].".
Interior, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "This is a good chair. I had 4 […] in this lovely French velvet silk - […] pattern. Reproduction of Louis XVI. Green.".
Vase, ca. 1928-1932, inclusive
General note
Annotated on the recto by Guy Mitchell: "dark green like bronze. Han jar I got in Kyoto".
Interior with objects, ca. 1928-1932, inclusive
Vase, ca. 1928-1932, inclusive
General note
Annotated on the recto by Guy Mitchell: "lovely blue and white".
Vase, ca. 1928-1932, inclusive
General note
Annotated on the recto by Guy Mitchell: "[palace] piece [famille [T…]".
Vase, ca. 1928-1932, inclusive
General note
Annotated on the recto by Guy Mitchell: "blue and white".
Vase, ca. 1928-1932, inclusive
General note
Annotated on the recto by Guy Mitchell: "celadin, was in Ashmolean at Oxford".
Vase, ca. 1928-1932, inclusive
General note
Annotated on the recto by Guy Mitchell: "[clair de lune with…]".
Interiors, with furniture and statuettes, ca. 1928-1932, inclusive
Interiors, ca. 1928-1932, inclusive
General note
Prints and negs.
Interior, with chairs, ca. 1928-1932, inclusive
Interior, with a chair and mirror, ca. 1928-1932, inclusive
General note
Print and neg.
Interiors, with the statue of a Moro (blackamoor). Identical or very similar to the one now in Villa La Pietra (LXVI. A.2.), ca. 1928-1932, inclusive
General note
Prints and negs.
Interior with the statue of a Moro (blackamoor) and a stand (or small round table or font) supported by dolphins, ca. 1928-1932, inclusive
General note
Neg.
Interiors with furniture and Chinese style painted panels, ca. 1928-1932, inclusive
General note
See II.B.1.a. 22.
Interior with furniture and Chinese style painted panels, ca. 1928-1932, inclusive
General note
See II.B.1.a. 22. Print and neg.
Interior with furniture and Chinese style painted panels, ca. 1928-1932, inclusive
General note
See II.B.1.a. 22. Print and neg.
Interiors with furniture and Chinese style painted panels, ca. 1928-1932, inclusive
General note
See II.B.1.a. 22.
Interior with furniture and Chinese style painted panels, ca. 1928-1932, inclusive
General note
See II.B.1.a. 22. Print and neg.
Interiors with furniture and Chinese style painted panels, ca. 1928-1932, inclusive
General note
See II.B.1.a. 22.
Interiors with furniture and Chinese style painted panels, ca. 1928-1932, inclusive
General note
See II.B.1.a. 22. Print and neg.
Interiors with furniture and Chinese style painted panels, ca. 1928-1932, inclusive
General note
See II.B.1.a. 22. Prints and neg.
Interiors, ca. 1928-1932, inclusive
General note
Neg.
Interior with furniture and a painting of Venezia (one of a pair now in Villa La Pietra, LIII. D.3.), ca. 1928-1932, inclusive
Interior with furniture and a painting of Venezia (one of a pair now in Villa La Pietra, LIII. D.3.), ca. 1928-1932, inclusive
Interior, with furniture, ca. 1928-1932, inclusive
Interiors with painting in an oval frame (now in Villa La Pietra, XLIV. B.1.), ca. 1928-1932, inclusive
Interior, with a fireplace, clock, and painted panel, ca. 1928-1932, inclusive
Interior with a fireplace, clock, and painted panel, ca. 1928-1932, inclusive
General note
Print and neg.
Interiors with a fireplace, clock, and painted panel, ca. 1928-1932, inclusive
General note
Neg.
Interiors with a fireplace, clock, and painted panel, ca. 1928-1932, inclusive
Interior with a fireplace, clock, and painted panel, ca. 1928-1932, inclusive
General note
Print and neg.
Interior with a chair and console, ca. 1928-1932, inclusive
General note
Print and neg.
Interiors with consoles, mirrors and chairs, ca. 1928-1932, inclusive
Interior with furniture, ca. 1928-1932, inclusive
General note
Prints and negs.
Interiors with furniture, a clock and Chinese style painted panels, ca. 1928-1932, inclusive
Interior with furniture and Chinese style painted panels, ca. 1928-1932, inclusive
General note
See II.B.1.a. 22. Print and neg.
Interiors with furniture and Chinese style painted panels, ca. 1928-1932, inclusive
General note
See II.B.1.a. 22.
Interior with furniture and Chinese style painted panels, ca. 1928-1932, inclusive
General note
See II.B.1.a. 22. Print and neg.
Interior with furniture and Chinese style painted panels, ca. 1928-1932, inclusive
General note
See II.B.1.a. 22.
Interior with furniture and a painted panel, ca. 1928-1932, inclusive
Interior with furniture and a painted panel, ca. 1928-1932, inclusive
General note
Print and neg.
Interiors with furniture and chairs, ca. 1928-1932, inclusive
Interior with desk and chair, ca. 1928-1932, inclusive
General note
Print and neg.
Interior with furniture, a Madonna relief and two wall brackets supported by crouching figures, now in Villa La Pietra (XXXI. C.9.), ca. 1928-1932, inclusive
General note
Print and neg.
Interior with furniture and a mirror, and two wall brackets supported by crouching figures, now in Villa La Pietra (XXXI. C.9.), ca. 1928-1932, inclusive
General note
Print and neg.
Interior with furniture and a Portrait of a child with a crown [a Polish prince], 1983, inclusive
General note
Stolen from Villa La Pietra 28/29 September 1983. See II.B.3.23.-24.
Interior with furniture and prints, ca. 1928-1932, inclusive
Interior with furniture and prints, ca. 1928-1932, inclusive
Interior, with furniture and prints, ca. 1928-1932, inclusive
General note
Annotated on the verso by Guy Mitchell: "This is….very decorative. I like this particularly. The little tables are nice".
Interiors, with commode, Chinese figures, vases, and prints, ca. 1928-1932, inclusive
Interior with furniture and a painted screen with a port scene, ca. 1928-1932, inclusive
General note
Print and neg.
Interiors (bedrooms), with furniture, prints, chairs, ca. 1928-1932, inclusive
Interior with a painting of a Madonna and Child, ca. 1928-1932, inclusive
General note
Print and neg.
Interiors with furniture and paintings, ca. 1928-1932, inclusive
Interiors with furniture and paintings, ca. 1928-1932, inclusive
General note
Prints and negs.
Interior with furniture and a statuette of the Madonna and Child, ca. 1928-1932, inclusive
General note
Neg. and 2 prints
Rolls Royce with a chauffeur, ca. 1928-1932, inclusive
General note
Found with the Lancaster Gate photographs above.
Interior with a painting later in Villa Emilia on the estate of Villa La Pietra, ca. 1928-1932, inclusive
General note
See II.C.3.34.231.-120.
Interiors with furniture, paintings, and Burmese bronze kneeling figure, ca. 1928-1932, inclusive
General note
See also oversize, IV.A.4.8. folder 275.-1.-2.
Interiors with furniture, ca. 1928-1932, inclusive
General note
Neg.
Two chairs, 1930, inclusive
General note
Annotated on the verso "5 chairs Empire. Copies in cherrywood. Covered in chintz. 18 inches in front of seat. 32 inches high. £10 each. More could be made - a reduction would be made on a dozen - about £100 for 12." One of these chairs appears in 228. and 246. above. Photo by Wallace Heaton London, no. 25226.
Two chairs, 1930, inclusive
General note
Annotated on the verso "8 chairs modern copies in cherrywood (uncovered£10 each, £75 for the eight. 1ft 3" deep 1ft 6" wide 2ft 10" height at the back 1ft 4" height of seat. More could be made." These chairs appear in 199.-201. above. Photo by Wallace Heaton, London, no. 25224
Chair and table (the table is now in Villa La Pietra, XXVII. E.4.), 1930, inclusive
General note
Annotated on the verso "Small table, 2ft 4 inches high, 18.5 inches diameter. Gilt and Blackwood table. Price £40.top inlaid marble in diamond shaped sections. Date about 1810.
White painted wood chair (original paint) with old brass workand on [jual] cushion. Also shaped cushion for back. Price £15." One of these chairs appears in 141. and 160. above. Photo by Wallace Heaton, London, no. 25228
Subseries E: black-and-white negatives (in sheets and rolls), with their prints made in 2005
1 negatives
Black-and-white negatives, undated, inclusive
General note
For their prints, see II.E.2.,II.E.3.,II.E.4.
2 Villa La Pietra: the gardens
1 . Viale, undated, inclusive
2 . Piazzale, i. Corte, undated, inclusive
2 . Piazzale, ii. Parcheggio (with topiary border), undated, inclusive
3 . Vasche, i. Terrazza, undated, inclusive
General note
#1. taken from a window of Villa La Pietra.
3 . Vasche, ii. Prima Vasca, undated, inclusive
3 . Vasche, iii. Scalone, undated, inclusive
General note
#1.-3. looking towards Villa La Pietra.
#4.-11. looking towards the Peristilio della glicine.
3 . Vasche, iv. Seconda Vasca, undated, inclusive
3 . Vasche, v. Peristilio della glicine, undated, inclusive
4 . Tempietto and Teatrino, i. Tempietto, undated, inclusive
4 . Tempietto and Teatrino, ii. Teatrino, undated, inclusive
5 . Boschetto, i. Vista dell'Arco, undated, inclusive
5 . Boschetto, i. Vista dell'Arco, Statue 9.8., undated, inclusive
5 . Boschetto, iii. Prato ovale, garden urn, undated, inclusive
5 . Boschetto, iv. Vista del Colosso, undated, inclusive
5 . Boschetto, v. Vialone, undated, inclusive
6 . Giardino Topiario, iii. Prato del Cedro, undated, inclusive
7 . Pomario, undated, inclusive
General note
#6.-7. taken from a window of Villa La Pietra.
3 Villa La Pietra: the interior and the Collection
I bis. Ingresso, A.3., undated, inclusive
General note
DIPINTO olio su tela, cornice intagliata e dorata: Ritratto di dama con bambino. h. 108,5 l. 94 Pittore fiorentino del primo '600. Out of focus.
XII. Scalone, Rotonda, undated, inclusive
General note
Image #2. XII. A.42. SCULTURA in marmo bianco: Satiro con otre usata come getto di fontana (in XII. A.23.) h. 95 Bottega toscana del XVII secolo.
XV. Saletta con Grottesche, undated, inclusive
General note
Image #2. detail of the vault.
XIX. Biblioteca, undated, inclusive
XX. Salone, undated, inclusive
XX. Salone, A.10., undated, inclusive
General note
DIPINTO a olio su tela: Ritratto di Maria Teresa d'Austria con cornice ovale di legno intagliato e dorato. h. 120 Martin van Meytens il Giovane (?) XVIII secolo.
XXI. Sala del Caminetto, undated, inclusive
XXVII. Saletta con vedute, undated, inclusive
XXVIII. Corridoio Sud-est A.3., undated, inclusive
General note
DIPINTO a olio su tela con cornice intagliata e dorata: Natura morta. h. 90 l. 60 Carlo Magini, XVIII secolo.
XXXII. Sala da Pranzo, undated, inclusive
XLVIII. Camera dei Genitori, undated, inclusive
LVI. Sala da Studio, undated, inclusive
LXI. Sala da Ballo, undated, inclusive
General note
Images 3.-4. also with LXI. B.1. STATUA in cartapesta e legno policroma: Nudo di donna su base di legno dipinto. h. 184 Scultore toscano (Siena?) del XVI secolo. Partially robed. Image 6. LXI. A.12. BUSTO in marmo bianco scolpito: Figura muliebre a seno scoperto (Virtù?) su base di legno modanato e dorato. h. 95 ca Scultore lombardo (o francese ?) del XVII secolo.
Unidentified room [Villa Sassetti] used as a store for furniture, undated, inclusive
General note
Image 1. also with statue 2.17b. (now in the Giardino Segreto).
See also II.A.9.9.-76. and II.C.5.35.-76a.
Seated wooden statue of the Madonna and Child (perhaps formerly part of the Collection in Villa La Pietra), undated, inclusive
General note
See also II.B.5.26.1. and IV.A.4.8.20.-1.-4.
4 Villa La Pietra: the Estate
Villa Natalia: the gardens, undated, inclusive
General note
3. (double exposure).
