Louis Durr print collection
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Creator
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Language of Materials
Abstract
A collection of European engravings, over half of which consists of leaves disbound from the catalog Theatrum Pictorium, compiled in the 1660s by the painter David Teniers, which depicts paintings from the collection of his patron, Leopold Wilhelm, Archduke of Austria. Most of the paintings represented are Italian, by the artists Titian, Giorgione, Polidoro da Lanciano, Tintoretto, Veronese, Andrea Schiavone, Francesco Bassano, Francesco Bassano the Younger, Palma il Giovane, Palma il Vecchio, and Domenico Fetti. Engravers include Coryn Boel, Nikolaus van Hoy, Theodor van Kessel, Pieter van Lisebetten, Jan van Ossenbeeck, Lucas Vorsterman II, and Johannes Popels. The collection includes an additional 94 European engravings from other sources, mostly after religious or allegorical works by Leonardo da Vinci, Raphael, Rembrandt, Sir Joshua Reynolds, Rubens, Titian, and Anthony Van Dyck. Three prints show sculptures by Antonio Canova. There are also two works by Albrecht Dürer. Engravers include Francesco Bartolozzi, Pietro Fontana, Domenico Marchetti, Raffaello Morghen, and Lucas Vorsterman.
Biographical note
Louis Durr was born in Germany in 1821. His father was a jeweler; the young Durr first learned about art from his father and his wealthy clients. In 1848 Durr moved to the United States with his brother. He worked in Brooklyn and at a gold smeltery in Newark, New Jersey before starting his own business as a gold and silver refiner and assayer in New York City. Durr remained interested in art, and used his growing wealth to build a formidable collection of European paintings, which was particularly strong in the Dutch school. In 1863 he purchased a house on Fourth Street in Manhattan in which to store and display his artwork. It was Durr's intention to leave his collection to the City of New York, but its bulk proved difficult in the quest to secure a willing repository. After his death in 1880, several works of art, including engravings, were auctioned. The majority of the remainder of Durr's art collection was then given to the New-York Historical Society.
Arrangement
The collection is organized in two series:
- Series I.
- Leaves from the Theatrum Pictorium, 1660s
- Series II.
- Other engravings, 1513–1835, undated
In the container list below, the numbers preceding each print were assigned by New-York Historical Society staff when the collection was accessioned. Titles in quotes and attributions were transcribed directly from the prints. Brief descriptions in [square brackets] were supplied for those prints without titles in the plate.
Scope and Contents
The Louis Durr Print Collection spans the period 1513 to 1835 and contains European engravings.
Series I. Leaves from the Theatrum Pictorium, 1660s contains 158 disbound leaves from the book of that name (alternately titled Le theatre des peintures, or Amphitheatrum picturarum) compiled in the 1660s by the painter David Teniers. A second edition with page numbers was published in 1673. The paintings depicted in the book are from the art collection of Leopold Wilhelm, the Archduke of Austria (1614–1662), Teniers' patron. Most of the painters represented are Italian, and include Titian (circa 1488–1576), Giorgione (1477 or 1478–1510), Polidoro da Lanciano (?–1565), Tintoretto (1518–1594), Paolo Veronese (1528–1588), Andrea Schiavone (circa 1500–1563), Francesco Bassano (circa 1470–circa 1539), Palma il Giovane (1544–1628), Palma il Vecchio (1480?–1528), and Domenico Fetti (circa 1589–1623). Teniers himself made small copies of these paintings from which the engravings were executed. The book includes many different engravers, such as Coryn Boel (1620–1668), Nikolaus van Hoy (1631–1679), Jan van Kessel (1641–1680), Peter van Lisebetten (1630–1678), Jan van Ossenbeeck (1624?–1674), Lucas Vorsterman (1624–circa 1666), and Johannes Popels (1590–1663). The engravings in the Theatrum pictorium were grouped roughly chronologically by painter; the New-York Historical Society numbers assigned to these engravings follow a loosely alphabetical organization by engraver. A separate listing of the engravings by plate number has been created as well. The complete book contains 246 leaves. The missing leaves may have been sold at the auction of Durr's estate. A few leaves have two small engravings on one page; several other engravings are double leaves.
Series II. Other engravings, 1513–1835, undated encompasses 94 diverse European prints. Most of these engravings are religious or allegorical works after Peter Paul Rubens (1577–1640), Titian (circa 1488–1576), Sir Joshua Reynolds (1723–1792), Raphael (1483–1520), Rembrandt (1606–1669), Anthony Van Dyck (1599–1641), and Leonardo da Vinci (1452–1519). Three prints show sculptures by Antonio Canova (1757–1822). Two works by Albrecht Dürer (1471–1528) are included. Engravers highly represented include Lucas Vorsterman (1624–circa 1666), Francesco Bartolozzi (1727–1815), Pietro Fontana (1762–1837), Raffaelo Morghen (1761–1833), and Domenico Marchetti (1780–1844).
Subjects
Genres
People
Access Restrictions
Open to qualified researchers by appointment only. To schedule an appointment, contact the Print Room Librarian at printroom@nyhistory.org.
Use Restrictions
Photocopying undertaken by staff only. Limited to 20 exposures of stable, unbound material per day. Application to use images from this collection for publication should be made in writing to: Department of Rights and Reproductions, The New-York Historical Society, 170 Central Park West, New York, NY 10024-5194, rightsandrepro@nyhistory.org. Phone: (212) 873-3400 ext. 282.
Copyrights and other proprietary rights may subsist in individuals and entities other than the New-York Historical Society, in which case the patron is responsible for securing permission from those parties. For fuller information about rights and reproductions from N-YHS visit: https://www.nyhistory.org/about/rights-reproductions
Preferred Citation
The collection should be cited as: Louis Durr Print Collection, PR 142, Department of Prints, Photographs, and Architectural Collections, New-York Historical Society.
Immediate Source of Acquisition
Twenty-two engravings were purchased, 1882. The remaining prints were a gift of the Durr estate, 1882.
About this Guide
Processing Information
This collection was removed from the Graphic Arts File (PR 022) and inventoried by Jenny Gotwals in May 2002. Joseph Ditta updated and migrated her WORD document finding aid to ArchivesSpace in May-June 2020.
Repository
Series I. Leaves from the Theatrum Pictorium, 1660s, inclusive
Arrangement
In Series I, the numbers in [square brackets] preceding each print were assigned by New-York Historical Society staff when the collection was accessioned. This numbering system is organized alphabetically by engraver, except for where two plates printed on the same sheet (indicated by "a" and "b") break the alphabetical run.
The N-YHS numbering system bears no relation to the accepted ordering of the 246 images in the complete Theatrum Pictorium. Where known, these latter numbers have been supplied in {curly brackets} following title, artist, and engraver information. Interested researchers should consult https://en.wikipedia.org/wiki/Theatrum_Pictorium.
Engraved by Coryn Boel (1620–1668)
[001] [Old Age in Search of Youth] after Corregio (circa 1489–1534) {031}, 1660s, inclusive
[002] [Seduction and landscape] after Giorgione (1477–1510) {017}, 1660s, inclusive
[003] [Calling of the Sons of Zebedee] after Marco Basaiti (circa 1470–1530) {010}, 1660s, inclusive
[004] [Hercules, Deianira and the Centaur Nessus] after Paolo Veronese (1528–1588) {115}, 1660s, inclusive
[005a] [St. Nicholas] after Tintoretto / Paolo Veronese (1528–1588), engraved by Pieter van Lisebetten (1630–1678) {111}, 1660s, inclusive
[005b] [Saint John Agnus Dei] after Paolo Veronese (1528–1588) {112}, 1660s, inclusive
[006] [Carrying the Cross] after Giovanni Cariani (circa 1485–after 1547) {166}, 1660s, inclusive
[007] [St. Hieronymous] after Dosso Dossi (circa 1489–1542) {232}, 1660s, inclusive
[008] [Angel tied up] after Domenico Fetti (circa 1589–1623) {221}, 1660s, inclusive
[009] [Perseus freeing Andromeda] after Domenico Fetti (circa 1589–1623) {219}, 1660s, inclusive
[010] [Galatea and Polyphem] after Domenico Fetti (circa 1589–1623) {220}, 1660s, inclusive
[011] [Tobit and Tobias burying the dead Israelite] after Domenico Fetti (circa 1589–1623) {216}, 1660s, inclusive
[012] [Blind leading the Blind] after Domenico Fetti (circa 1589–1623) {215}, 1660s, inclusive
[013] [Tobit and the Dead Israelite] after Domenico Fetti (circa 1589–1623) {214}, 1660s, inclusive
[014] [Lazarus] after Palma il Vecchio (circa 1480–1528) {188}, 1660s, inclusive
[015] [Saint Jerome] after Palma il Giovane (circa 1548–1628) {170}, 1660s, inclusive
[016] [Shepherds in a pasture] after Francesco Bassano (circa 1470–1539) {151}, 1660s, inclusive
[017] [The Good Samaritan] after Francesco Bassano (circa 1470–1539) {152}, 1660s, inclusive
[018] [Building a Tower / Tower of Babel] after Leandro Bassano (1557–1622) {154}, 1660s, inclusive
[019] [Adoration of the Shepherds] after Andrea Schiavone (circa 1510–1563) {134}, 1660s, inclusive
[020] "Aeneas called away from Dido," after Andrea Schiavone (circa 1510–1563) {137}, 1660s, inclusive
[021] [Marius Curius Dentatus] after Andrea Schiavone (circa 1510–1563) {136}, 1660s, inclusive
[022] [Scipio Africanus] after Andrea Schiavone (circa 1510–1563) {138}, 1660s, inclusive
[023] [Adam and Eve] after Alessandro Padovanino (1588–1648) {036}, 1660s, inclusive
[024] [Virgin and Child accompanied by St. John and an Angel] after Giulio Cesare Procaccini (1574–1625) {033}, 1660s, inclusive
Engraved by Remoldus Eynhoudts (1613–1679 or 1680)
[025] [Christ Resurrected] after Palma il Vecchio (circa 1480–1528) {174}, 1660s, inclusive
[026] [Christ mourned by Angels] after Palma il Giovane (circa 1548–1628) {198}, 1660s, inclusive
Engraved by Nikolaus van Hoy (1631–1679)
[027] [Holy Family] after Federico Barocci (circa 1535–1612) {034}, 1660s, inclusive
[028] [Judith with the Head of Holofernes] after Paolo Veronese (1528–1588) {113}, 1660s, inclusive
[029] [Lamentation] after Domenico Fetti (circa 1589–1623) {218}, 1660s, inclusive
[030a] [Portrait of man] after Titian (circa 1488–1576) {050}, 1660s, inclusive
Engraved by Lucas Vorsterman II (1624–circa 1666)
[030b] [Salome with the Head of John the Baptist] after Titian (circa 1488–1576) {051}, 1660s, inclusive
Engraved by Wenceslaus Hollar (1607–1677)
[031] "Esther before Ahasureus," after Paolo Veronese (1528–1588) {125}, 1660s, inclusive
Engraved by Theodor van Kessel (1620–1696)
[032] [Toilet of Venus] after Corregio (circa 1489–1534) {030}, 1660s, inclusive
[033] [Ascension of Christ] after Giorgione (1477–1510) {022}, 1660s, inclusive
[034] [Rape of Europa] after Giorgione (1477–1510) {018}, 1660s, inclusive
[035] [The Holy Family in a Landscape with John the Baptist] after Paris Bordone (1500–1571) {210}, 1660s, inclusive
[036] [Saint Sebastian] after Paolo Veronese (1528–1588) {114}, 1660s, inclusive
[037] [Venus and Adonis] after Paolo Veronese (1528–1588) {116}, 1660s, inclusive
[038] [Christ and the Adulteress] after Annibale Carracci (1560–1609) {043}, 1660s, inclusive
[039] [Christ and the Woman from Samaria] after Annibale Carracci (1560–1609) {042}, 1660s, inclusive
[040] "Apollo and Marsyas," after Palma il Giovane (circa 1548–1628) {201}, 1660s, inclusive
[041] [Adoration of the Shepherds] after Francesco Bassano the Younger (1549–1592) {161}, 1660s, inclusive
[042] [Christ carrying cross] after Jacopo Bassano (circa 1510–1592) {156}, 1660s, inclusive
[043] [Adoration of the Magi] after Jacopo Bassano (circa 1510–1592) {153}, 1660s, inclusive
[044] [Resurrection] after Francesco Bassano the Younger (1549–1592) {147}, 1660s, inclusive
[045] [Susanna, partly naked and stepping out of a fountain with two elders at left, one of them pulling at her garment] after Guido Reni (1575–1642) {227}, 1660s, inclusive
[046] [Birth of Jupiter] after Andrea Schiavone (circa 1510–1563) {132}, 1660s, inclusive
[047] [Apollo and Eros] after Andrea Schiavone (circa 1510–1563) {126}, 1660s, inclusive
[048] [Apollo and Daphne] after Andrea Schiavone (circa 1510–1563) {129}, 1660s, inclusive
[049] [Jupiter nurtured by Amalthea] after Andrea Schiavone (circa 1510–1563) {128}, 1660s, inclusive
[050] [Pastoral] after Tintoretto (1518–1594) {105}, 1660s, inclusive
[051] [Diana and Callisto] after Titian (circa 1488–1576) {096}, 1660s, inclusive
[052] [Adoration of the Magi] after Titian (circa 1488–1576) {077}, 1660s, inclusive
Engraved by Conrad Lauwers (circa 1632–circa 1685)
[053] [Holy Family] after Andrea Schiavone (circa 1510–1563) {130}, 1660s, inclusive
[054] [Aeneas Fleeing Troy] after Andrea Schiavone (circa 1510–1563) {131}, 1660s, inclusive
Engraved by Pieter van Lisebetten (1630–1678)
[055] [Pala di San Cassiano Madonna and Child] after Giovanni Bellini (circa 1430–1516) {005}, 1660s, inclusive
[056] [Venus and Amor] after Paris Bordone (1500–1571) {211}, 1660s, inclusive
[057] [Adam and Eve] after Paris Bordone (1500–1571) {209}, 1660s, inclusive
[058] "Venus and Mars with Cupid," after Paris Bordone (1500–1571) {212}, 1660s, inclusive
[059] [Sacrifice of Isaac] after Paolo Veronese (1528–1588) {119}, 1660s, inclusive
[060] [Mystic Marriage of St. Catherine] after Paolo Veronese (1528–1588) {120}, 1660s, inclusive
[061] [Ascension of Christ] after Paolo Veronese (1528–1588) {117}, 1660s, inclusive
[062] "Lamentation of Christ" [Pieta], after Aniballe Carracci (1560–1609) {040}, 1660s, inclusive
[063] [Virgin and Child with Mystical Betrothal of St. Catherine with Saints Dominic and Peter] after Domenico Fetti (circa 1589–1623) {222}, 1660s, inclusive
[064] [Arrest of Christ] after Bartolomeo Manfredi (circa 1582–1622) {234}, 1660s, inclusive
[065] "Madonna and Child with Sts," after Palma il Vecchio (circa 1480–1528) {203}, 1660s, inclusive
[066] [Visitation] after Palma il Vecchio (circa 1480–1528) {208}, 1660s, inclusive
[067] [Saint Mary of Egypt in the Desert] after Palma il Giovane (circa 1548–1628) {173}, 1660s, inclusive
[068] [Cain and Abel] after Palma il Giovane (circa 1548–1628) {178}, 1660s, inclusive
[069] [Cain and Abel] after Palma il Giovane (circa 1548–1628) {202}, 1660s, inclusive
[070] "Madonna and Child with John the Baptist," after Palma il Giovane (circa 1548–1628) {177}, 1660s, inclusive
[071] "Apollo and Marsyas" [Apollo punished Marsyas], after Palma il Giovane (circa 1548–1628) {200}, 1660s, inclusive
[072] [Lamentation] after Palma il Giovane (circa 1548–1628) {204}, 1660s, inclusive
[073] [Holy Family], after Polidoro da Lanciano (circa 1515–1565) {046}, 1660s, inclusive
[074] [Holy Family] after Polidoro da Lanciano (circa 1515–1565) {047}, 1660s, inclusive
[075] [Madonna and Child with St. John] after Polidoro da Lanciano (circa 1515–1565) {048}, 1660s, inclusive
[076] [Holy Family], after Polidoro da Lanciano (circa 1515–1565) {045}, 1660s, inclusive
[077] [Moses tapping the rock] after Francesco Primaticcio (1504–1570) {038}, 1660s, inclusive
[078] [Susanna and the Elders], after Guido Reni (1575–1642) {233}, 1660s, inclusive
[079] [Holy Family with little John the Baptist and a saint] after Andrea Schiavone (circa 1510–1563) {140}, 1660s, inclusive
[080] [Jesus with shepherd?] after Tintoretto (1518–1594) {100}, 1660s, inclusive
[081] [Christ on the Mount of Olives] after Tintoretto (1518–1594) {099}, 1660s, inclusive
[082] "Descent from the Cross," after Tintoretto (1518–1594) {109}, 1660s, inclusive
[083] [Horned Moses and the Tablets of the Law] after Valentin de Boulogne (1591–1632) {240}, 1660s, inclusive
[084] [Little Tambourine Player] after Titian (circa 1488–1576) {080}, 1660s, inclusive
[085] [Christ at Emmaus] after Titian (circa 1488–1576) {072}, 1660s, inclusive
[086] [Death of Actaeon] after Titian (circa 1488–1576) {073}, 1660s, inclusive
[087] [Adoration of the Magi] after Titian (circa 1488–1576) {068}, 1660s, inclusive
[088] [Madonna and Child with St. Dorothy] after Titian (circa 1488–1576) {065}, 1660s, inclusive
[089] [Danae receiving the Shower of Gold] after Titian (circa 1488–1576) {074}, 1660s, inclusive
[090] "Nymph and Shepherd," after Titian (circa 1488–1576) {060}, 1660s, inclusive
Engraved by Jan van Ossenbeeck (1623–1674)
[091] [Diana taking revenge on Niobe for the death of her children] after Palma il Vecchio (circa 1480–1528), drawn by Nikolaus van Hoy (1631–1679) {189}, 1660s, inclusive
[092] [Man and woman in forest] after Polidoro da Lanciano (circa 1515–1565), drawn by Nikolaus van Hoy (1631–1679) {035}, 1660s, inclusive
[093] [Orpheus Charming the Animals] after Francesco Bassano the Younger (1549–1592), drawn by Nikolaus van Hoy (1631–1679) {155}, 1660s, inclusive
[094] [Winter?] [Holy Family with manger] after Bassano, drawn by Nikolaus van Hoy (1631–1679) {160}, 1660s, inclusive
[095] "Summer" [Summer with the Sacrifice of Isaac] after Francesco Bassano the Younger (1549–1592), drawn by Nikolaus van Hoy (1631–1679) {159}, 1660s, inclusive
[096] [Spring and Banishment from Paradise] after Francesco Bassano the Younger (1549–1592), drawn by Nikolaus van Hoy (1631–1679) {157}, 1660s, inclusive
[097] [Autumn with Moses and 10 Commandments] after Francesco Bassano the Younger (1549–1592), drawn by Nikolaus van Hoy (1631–1679) {158}, 1660s, inclusive
[098] [St. Sebastian] after Bassano, drawn by Nikolaus van Hoy (1631–1679) {143}, 1660s, inclusive
[099] [Gathering of Manna] after Tintoretto (1518–1594), drawn by Nikolaus van Hoy (1631–1679) {107}, 1660s, inclusive
[100] [Flight into Egypt] after Tintoretto (1518–1594), drawn by Nikolaus van Hoy (1631–1679) {108}, 1660s, inclusive
Engraved by Johannes Popels (1590–1663)
[101] "Young Woman at Her Toilette" [Giovane donna nuda allo specchio] after Giovanni Bellini (circa 1430–1516) {007}, 1660s, inclusive
[102a] [St. Sebastian] after Palma il Vecchio (circa 1480–1528) {167}, 1660s, inclusive
[102b] [Saint John the Baptist] after Palma il Vecchio (circa 1480–1528) {168}, 1660s, inclusive
[103] [Nursing Madonna with Sts Catherine and John the Baptist] after Palma il Giovane (circa 1548–1628) {199}, 1660s, inclusive
[104] "Christ supported by an Angel" [Dead Christ Supported by an Angel] after Palma il Giovane (circa 1548–1628) {179}, 1660s, inclusive
[105] [Dead Christ supported by Angels] after Andrea Schiavone (circa 1510–1563) {133}, 1660s, inclusive
Engraved by Franciscus van der Steen (circa 1625–1672)
[106] [Dream of Life] after Michelangelo (1475–1564), drawn by Nikolaus van Hoy (1631–1679) {012}, 1660s, inclusive
[107] "View of Archduke's Stallberg gallery" [View into the picture gallery of the Archduke Leopold] after David Teniers the Younger (1610–1690), drawn by Nikolaus van Hoy (1631–1679) {245}, 1660s, inclusive
[108] [Soldiers Playing Cards] after Bartolomeo Manfredi (1582–1622), drawn by Nikolaus van Hoy (1631–1679) {235}, 1660s, inclusive
[109] [Holy Family] after Andrea del Sarto (1486–1530), drawn by Nikolaus van Hoy (1631–1679) {032}, 1660s, inclusive
[110] [Christ and the Woman Taken in Adultery] after Alessandro Leone Varotari (Il Padovanino) (1588–1649), drawn by Nikolaus van Hoy (1631–1679) {237}, 1660s, inclusive
[111a] [The Madonna and Child with the Infant Saint John the Baptist and Saint Anthony Abbot] after Titian (circa 1488–1576), drawn by Nikolaus van Hoy (1631–1679) {061}, 1660s, inclusive
Engraved by Lucas Vorsterman II (1624–circa 1666)
[111b] [Holy Family and John the Baptist] after Titian (circa 1488–1576) {062}, 1660s, inclusive
Engraved by Franciscus van der Steen (circa 1625–1672)
[112] [The Madonna and Child with the Infant Saint John the Baptist and Saint Anthony Abbot] after Titian (circa 1488–1576), drawn by Nikolaus van Hoy (1631–1679) {071}, 1660s, inclusive
Engraved by Jan van Troyen (1610–1670)
[113] [Penitent Mary Magdalene] after Corregio (circa 1489–1534) {029}, 1660s, inclusive
[114] "Three Philosophers" after Giorgione (1477–1510) {020}, 1660s, inclusive
[115] [Glorification of a Saint with Angels / The assumption of St. Catherine of Alexandria] after Giovanni Baglione (1566–1643) {236}, 1660s, inclusive
[116] [Madonna and Child with Saints Lucy and Catherine and 2 Nuns] after Paolo Veronese (1528–1588) {121}, 1660s, inclusive
[117] "Raising of the Youth of Nain" [Raising the Young Man of Nain] after Paolo Veronese (1528–1588) {124}, 1660s, inclusive
[118] [Cupid overcoming Pan] after Aniballe Carracci (1560–1609) {041}, 1660s, inclusive
[119] [Lazarus] after Il Pordenone (circa 1484–1539) {110}, 1660s, inclusive
[120] [Martha rebukes her vain sister Mary Magdalene] after Francesco Lupicini (1590–1656) {241}, 1660s, inclusive
[121] [Lamentation] after Lorenzo Lotto (circa 1480–1556/57) {244}, 1660s, inclusive
[122] [Veil of Veronica] after F. Mantua {044}, 1660s, inclusive
[123] [St. Sebastian] after Andrea Mantegna (circa 1431–1506) {028}, 1660s, inclusive
[124] [Holy Family with St. John] after Palma il Vecchio (circa 1480–1528) {205}, 1660s, inclusive
[125] [John the Baptist] after Palma il Giovane (circa 1548–1628) {176}, 1660s, inclusive
[126] [Lucretia] after Palma il Giovane (circa 1548–1628) [or after Titian (circa 1488–1576)] {187}, 1660s, inclusive
[127] [John the Baptist] after Palma il Giovane (circa 1548–1628) {172}, 1660s, inclusive
[128] [Christ] after Palma il Giovane (circa 1548–1628) {180}, 1660s, inclusive
[129] [Daniel in the lions' den] after Palma il Giovane (circa 1548–1628) {175}, 1660s, inclusive
[130] [Madonna and Child] after Palma il Giovane (circa 1548–1628) {183}, 1660s, inclusive
[131a] [Portrait of a Premonstratensian] after Leandro Bassano (1557–1622) {149}, 1660s, inclusive
[131b] [Boy with a flute] after Francesco Bassano the Younger (1549–1592) {150}, 1660s, inclusive
[132] [Ascension of Christ] after Jacopo Bassano (circa 1510–1592) {148}, 1660s, inclusive
[133] [Saint Margaret and the Dragon] after Raphael (1483–1520) {002}, 1660s, inclusive
[134] [Jesus among the Doctors] after Jusepe de Ribera (Lo Spagnoletto) (circa 1591–1652) {141}, 1660s, inclusive
[135] [Pluto in his Chariot] after Giulio Romano (circa 1499–1546) {026}, 1660s, inclusive
[136] [Salome] after Giovanni Contarini (1549–1605) {039}, 1660s, inclusive
[137] [Arrest of Christ / Christ before Pilate] after Andrea Schiavone (circa 1510–1563) {139}, 1660s, inclusive
[138] [Frontispiece for the Theatrum Pictorium, a catalog of 246 paintings in the collection of Archduke Leopold Wilhelm of Austria] after David Teniers (1582–1649) {001}, 1660s, inclusive
[139] "Christ Crowned with Thorns" [Ecce Homo] after Titian (circa 1488–1576) {078}, 1660s, inclusive
[140] [Saint with Arrows / Son of the Orator Francesco Filetto] after Titian (circa 1488–1576) {081}, 1660s, inclusive
[141] [Lucretia] after Titian (circa 1488–1576) {084}, 1660s, inclusive
[142] [Salome with the Head of John the Baptist] after Leonardo da Vinci (1452–1519) {027}, 1660s, inclusive
[143] [Man of Sorrows / Ecce Homo] after Alessandro Leone Varotari (Il Padovanino) (1588–1649) {238}, 1660s, inclusive
Engraved by Lucas Vorsterman II (1624–circa 1666)
[144] [Judith] after Giorgione (1477–1510) {025}, 1660s, inclusive
[145a] [Bacchus / Portrait of a man wearing a wreath in a moonlit landscape holding a violin] after Giorgione (1477–1510) {015}, 1660s, inclusive
[145b] [St John the Evangelist] after Giorgione (1477–1510) {016}, 1660s, inclusive
[146] [Pala di San Cassiano St. Nicholas] after Giovanni Bellini (circa 1430–1516) {004}, 1660s, inclusive
[147] [St. Sebastian] after Giovanni Bellini (circa 1430–1516) {009}, 1660s, inclusive
[148] [Portrait of a man with a book] after Vincenzo Catena (circa 1480–1531) {242}, 1660s, inclusive
[149a] [Angel] after Palma il Vecchio (circa 1480–1528) {192}, 1660s, inclusive
[149b] [Angel] after Palma il Vecchio (circa 1480–1528) {193}, 1660s, inclusive
[150] [Man with book] after Palma il Giovane (circa 1548–1628) {182}, 1660s, inclusive
[151] [Saint Peter] after Palma il Giovane (circa 1548–1628) {181}, 1660s, inclusive
[152] [Christ carrying the cross meets Veronica] after Jacopo Bassano (circa 1510–1592) {144}, 1660s, inclusive
[153a] [The Young David] after Guido Reni (1575–1642) {225}, 1660s, inclusive
[153b] [Old Man looking Up] after Guido Reni (1575–1642) {226}, 1660s, inclusive
[154] [Penitent St. Peter] after Jusepe de Ribera (Lo Spagnoletto) (circa 1591–1652) {142}, 1660s, inclusive
[155] [Madonna and Child with St Louis of Toulouse] after Titian (circa 1488–1576) {066}, 1660s, inclusive
[156] [Woman with dog and arrow] after Titian (circa 1488–1576) {087}, 1660s, inclusive
[157] [Seated Venus and her mirror held by Cupid] after Titian (circa 1488–1576) {093}, 1660s, inclusive
[158] [Portrait of the Orator Francesco Filetto] after Titian (circa 1488–1576) {085}, 1660s, inclusive
Series II. Other engravings, 1513–1835, undated, inclusive
Arrangement
In Series II, the numbers in [square brackets] preceding each print were assigned by New-York Historical Society staff when the collection was accessioned.
[159] "Telemachus Strangling the Lion," after Edward Francis Burney (1760–1848), by William Bromley (1769–1842), 1792, undated, inclusive
[160] [Nursing Madonna?] after Titian (circa 1488–1576), by Valentin Lefebvre (circa 1641–circa 1680), undated, inclusive
[161] "Portrait de Warin," after Sebastien Bourdon (1616–1671), by Louis Michel Halbou (1730–circa 1809), undated, inclusive
[162] "Philip IV of Austria," after Peter Paul Rubens (1577–1640), by G. Hendriex, undated, inclusive
[163] [Men with guns on horseback] by Pieter de Jode (1570–1634), undated, inclusive
[164] "Decollazione di S. Giovanni Battista" after H. Stanwick, drawn by Donato Cellesi, engraved by Lorenzo Ruggi (1802–1877?), undated, inclusive
[165] "Christine, Queen of Sweden," after Sebastien Bourdon (1616–1671), drawn by Vandenburg, engraved by Pierre Alexandre Tardieu (1756–1844), undated, inclusive
[166] "Ferdin: Paer Parmigiano," after Francois Gerard (1770–1837), by Paolo Toschi (1788–1854) and Antonio Isac (1788–1828), undated, inclusive
[167] [Man being held over fire] after Peter Paul Rubens (1577–1640), by Lucas Vorsterman II (1624–1667), undated, inclusive
[168] "Franciscus Franck", undated, inclusive
[169] [Madonna and child with infant John the Baptist], undated, inclusive
[170] [Jesus walking on water] by Marcantonio Raimondi, undated, inclusive
[171] [French royalty and clergy], undated, inclusive
[172] [Madonna and child] by Francesco Albani (1578–1660), undated, inclusive
[173] [Woman with long hair holding cross] after Corregio (circa 1489–1534), drawn by Giovita Garavaglia (1790–1835), engraved by Faustino Anderloni (1766–1847), undated, inclusive
[174] [Male profile] by Raffaelo Morghen (1761–1833), undated, inclusive
[175] "Edward Lord Thurlow, Lord High Chancellor of Great Britain" after Joshua Reynolds (1723–1792), by Francesco Bartolozzi (1727–1815), 1782, inclusive
[176] [Animals] by Nicolaes Berchem (1620–1683), undated, inclusive
[177] [Madonna and child] after Raphael (1483–1520), by Pietro Bettelini (1763–1829), undated, inclusive
[178] "Giorgio Washington," after Antonio Canova (1757–1822), drawn by Giovanni Tognolli (1786–1862), engraved by Angelo Bertini, undated, inclusive
[179] "Raffaelo Sanzio," after Raphael (1483–1520), by Vincenzo Biondi, 1826, inclusive
[180] [Salome] after Peter Paul Rubens (1577–1640), by Schelte Bolswert (1586–1659), undated, inclusive
[181] [Holy Family] by Simone Cantarini (1612–1648), undated, inclusive
[182] "St. Martin dividing his cloak," after Anthony van Dyck (1599–1640), drawn by Richard Earlom (1743–1822), engraved by Thomas Chambars (circa 1724–1789), 1766, inclusive
[183] "Galileo Galilei," by Justus Suttermans (1597–1681), by Galgano Cipriani (1775–1857), under Raffaelo Morghen (1761–1833), undated, inclusive
[184] [Battle scene] by Cornelis Cort (1533–1578), undated, inclusive
[185] "Surge velociter. Et ceciderunt catene de manibus euis," after Domenichino (Domenico Zampieri) (1581–1641), by Domenico Cunego (1726–1803), 1779, inclusive
[186] "Richard Grenville Temple Earl Temple, Viscount and Baron Cobham" after Joshua Reynolds (1723–1792), by William Dickinson (1746–1823), 1778, inclusive
[187] "Gustave Wasa. Dedie a S. M. le Roi des Francais," after Louis Hersent (1777–1860), by H. Dupont, 1831, inclusive
[188] [Madonna and child] by Albrecht Dürer (1471–1528), 1513, inclusive
[189] [Ecce Homo] by Albrecht Durer (1471–1528), undated, inclusive
[190] "Martinus Vanden Baugart" (Martin Desjardins), after Hyacinthe Rigaud (1659–1743), by Gerard Edelinck (1640–1707), undated, inclusive
[191] "Zacherias," after Michelangelo Buonarroti, (1475–1564), drawn by Jacob Conca, engraved by A. Fabri (?1593?), undated, inclusive
[192] "Sagra Famiglia," after Benvenuto Tisi da Garofalo (1481–1559), by Lodovico Ferretti, undated, inclusive
[193] [Pan] after Pordenone (circa 1483–1539), by Odoardo Fialetti (1573–1638), undated, inclusive
[194] [Jesus heals the sick] after Annibale Caracci (1560–1609), by Giovanni Folo (1764–1836), undated, inclusive
[195] "Salus Infirmorum," after Sassoferrato (1609–1685), drawn by G. B. Borani, engraved by Pietro Folo (1790–1867), undated, inclusive
[196] [Jesus healing a cripple] after Lodovico Carracci (1555–1619), by Pietro Fontana (1762–1837), undated, inclusive
[197] "Sagra Famiglia," after Raphael (1483–1520), by Pietro Fontana (1762–1837), undated, inclusive
[198] "Sibylla Cumaea," after Domenichino (Domenico Zampieri) (1581–1641), drawn by Stefano Tofanelli (1752–1812), engraved by P. F. Venetus, 1797, inclusive
[199] "La Maittresse du Titien," after Titian (circa 1488–1576), by Francois Forster (1790–1872), undated, inclusive
[200] [Holy Family?] by Baptista Fratico Veneto, undated, inclusive
[201] "Topbie et sa famille prosternes," after Rembrandt van Rijn (1606–1669), by Johannes Pieter de Frey (1770–1834), undated, inclusive
[202] [Salome] after Peter Paul Rubens (1577–1640), by Cornelis Galle (1576–1650), undated, inclusive
[203] "Il Temporale del Pussino," after Nicolas Poussin (circa 1594–1665), by Wilhelm Friedrich Gmelin (1760–1820), 1813, inclusive
[204] "Dr. Herschel," after Frederich Rehberg (1758–1835), by James Godby (before 1790–1820), 1814, inclusive
[205] [Two women] after Peter Paul Rubens (1577–1640), by Cl. Goirand, published by T. Valet, undated, inclusive
[206] [The Boy Jesus in the Temple?] after Gerrit van Honthorst (1590–1656), by Carl Hess (1755–1828), undated, inclusive
[207] [Women, child, lamb] after Leonardo da Vinci (1452–1519), by Auguste Laugier (1816–after 1880), 1831, inclusive
[208] "N. Poussin" (self-portrait), after Nicolas Poussin (1594?–1665), by Etienne Frederic Lignon (1779–1833), 1824, inclusive
[209] "Paulus de Vos," after Anthony van Dyck (1599–1641), by Adriaen Lommelin (1637–1673), undated, inclusive
[210] [Cattle] by Francesco Londonio (1720–1783), 1763, inclusive
[211] [Landscape] by Claude Lorrain (1600–1682), 1651, inclusive
[212] "A view of the Ponte–Mole near Rome," after Claude Lorrain (1600–1682), by Thomas Major (1714–1799), 1753, inclusive
[213] "Evrosine, Aglaia, Talia," after Antonio Canova (1757–1822), drawn by Giovanni Tognolli (1786–1862), engraved by Domenico Marchetti (1780–1844), undated, inclusive
[214] "Giorgio Washington," after Antonio Canova (1757–1822), drawn by Giovanni Tognolli (1786–1862), engraved by Domenico Marchetti (1780–1844), undated, inclusive
[215] [Baptism of child] by Carlo Moratti (1625–1713), undated, inclusive
[216] [Roys Auguste], after Nicholas Mignard (1606–1668), by Antoine Masson (1636–1700), undated, inclusive
Scope and Contents
L'Honneur quil s'est acquis est sy grand et sy just
Et l'on aura pour luy tant d'estime et d'Amour
Que comme les grands Roys prenent le nom d'Auguste
Les plus fameux heros prendront celuy d'harcour.
[217] [Woman with three children] after Corregio (circa 1489–1534), engraved by Raffaelo Morghen (1761–1833), undated, inclusive
[218] "Johannes Vulpatus," after Angelica Kauffman (1741–1807), drawn by Stefano Tofanelli (1752–1812), engraved by Raffaelo Morghen (1761–1833), undated, inclusive
[219] "Justitia," after Raphael (1483–1520), drawn by Bernardino Nocchi (1741–1812), engraved by Raffaelo Morghen (1761–1833), under Giovanni Volpato (1735–1803), undated, inclusive
[220] "Philosophia," after Raphael (1483–1520), drawn by Bernardino Nocchi (1741–1812), engraved by Raffaelo Morghen (1761–1833), under Giovanni Volpato (1735–1803), undated, inclusive
[221] "Poesis," after Raphael (1483–1520), drawn by Bernardino Nocchi (1741–1812), engraved by Raffaelo Morghen (1761–1833), under Giovanni Volpato (1735–1803), undated, inclusive
[222] "Theologia," after Raphael (1483–1520), drawn by Bernardino Nocchi (1741–1812), engraved by Raffaelo Morghen (1761–1833), under Giovanni Volpato (1735–1803), undated, inclusive
[223] "Ego Dormio et cor meum vigilat," after Peter Paul Rubens (1577–1640), drawn by Pietro Angeletti (active 1758–1786), engraved by Raffaelo Morghen (1761–1833), undated, inclusive
[224] [Man holding sheet of paper] after Anthony van Dyck (1599–1641), by Robert van Vorst (1597–circa 1635), undated, inclusive
[225] "Animus Illabere Nostris," after Peter Paul Rubens (1577–1640), by Paulus Pontius (1603–1658), 1627, inclusive
[226] "Theodorus Vanlonius," after Anthony van Dyck (1599–1641), by Paulus Pontius (1603–1658), undated, inclusive
[227] "Simon de Vos," after Anthony van Dyck (1599–1641), by Paulus Pontius (1603–1658), undated, inclusive
[228] [Nativity scene] after Corregio (circa 1489–1534), by Carl Heinrich Rahl (1779–1843), undated, inclusive
[229] [Popes], undated, inclusive
[230] [Saints], undated, inclusive
[231] [Greek philosophers], undated, inclusive
[232] [Pope and Roman emperors], undated, inclusive
[233] [Man in hat] after Rembrandt van Rijn (1606–1669), undated, inclusive
[234] [Castle] by Thomas Wyck (1616–1677), undated, inclusive
[235] [Landscape], undated, inclusive
[236] "Henri IV et ses Enfants," after Jean–Auguste–Dominique Ingres (1780–1867), by Theodore Richomme (1785–1849), 1835, inclusive
[237] [Carrying the cross] after Albrecht Dürer (1471–1528), by Aegidius Sadeler II (circa 1570–1629), undated, inclusive
[238] "Helena Forman, Rubens's Second Wife" after Anthony van Dyck (1599–1640), drawn by George Farington (1752–1788), engraved by Louis Sailliar (1748–circa 1795), 1783, inclusive
[239] "Mucius Scaevola before Porsenna," after Peter Paul Rubens (1577–1640), by Jakob Matthias Schmutzer (1733–1811), undated, inclusive
[240] "Celebrated Madonna of Coreggio, with the Magdalen, St. Jerom [sic], &c," after Corregio (circa 1489–1534), drawn by Parma, engraved by Robert Strange (1721–1792), 1771, inclusive
[241] [Landscape] by Herman van Swanevelt (1600–1665), undated, inclusive
[242] [Pan and angel] after Agostino Carracci (1557–1602), by Flaminio Torri (1621–1661), undated, inclusive
[243] [Man with book] after Anthony van Dyck (1599–1641), by Robert van Vorst (1597–circa 1635), undated, inclusive
[244] "Nox," after Francesco Barbieri (1623–1698), drawn by Stefano Tofanelli (1752–1812), engraved by Giovanni Volpato (1735–1803), undated, inclusive
[245] "Lucifer," after Francesco Barbieri (1623–1698), drawn by Stefano Tofanelli (1752–1812), engraved by Giovanni Volpato (1735–1803), undated, inclusive
[246] "Semper Paupers habetis vobiscum me autem non semper habetis," after Paolo Veronese (1528–1588), by Giovanni Volpato (1735–1803), undated, inclusive
[247] [Landscape illustrating quote from Virgil] after Claude Lorrain (1604–1682), drawn by Stefano Tofanelli (1752–1812), engraved by Giovanni Volpato (1735–1803), undated, inclusive
Scope and Contents
IUNIPERI GRAVIS UMBRA. NOCENT ET FRUGIBUS UMBRAE
ITE DOMUM SATURAE VENIT HESPERUS ITE CAPELLAE