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Louis Durr print collection

Call Number

PR 142

Date

1513–1835, undated (bulk, 1660s), inclusive

Creator

Durr, Louis, 1821-1880

Extent

252 item(s) in 3 boxes and 3 oversize folders.

Language of Materials

The languages used throughout the collection are English, French, Italian, and Latin.

Abstract

A collection of European engravings, over half of which consists of leaves disbound from the catalog Theatrum Pictorium, compiled in the 1660s by the painter David Teniers, which depicts paintings from the collection of his patron, Leopold Wilhelm, Archduke of Austria. Most of the paintings represented are Italian, by the artists Titian, Giorgione, Polidoro da Lanciano, Tintoretto, Veronese, Andrea Schiavone, Francesco Bassano, Francesco Bassano the Younger, Palma il Giovane, Palma il Vecchio, and Domenico Fetti. Engravers include Coryn Boel, Nikolaus van Hoy, Theodor van Kessel, Pieter van Lisebetten, Jan van Ossenbeeck, Lucas Vorsterman II, and Johannes Popels. The collection includes an additional 94 European engravings from other sources, mostly after religious or allegorical works by Leonardo da Vinci, Raphael, Rembrandt, Sir Joshua Reynolds, Rubens, Titian, and Anthony Van Dyck. Three prints show sculptures by Antonio Canova. There are also two works by Albrecht Dürer. Engravers include Francesco Bartolozzi, Pietro Fontana, Domenico Marchetti, Raffaello Morghen, and Lucas Vorsterman.

Biographical note

Louis Durr was born in Germany in 1821. His father was a jeweler; the young Durr first learned about art from his father and his wealthy clients. In 1848 Durr moved to the United States with his brother. He worked in Brooklyn and at a gold smeltery in Newark, New Jersey before starting his own business as a gold and silver refiner and assayer in New York City. Durr remained interested in art, and used his growing wealth to build a formidable collection of European paintings, which was particularly strong in the Dutch school. In 1863 he purchased a house on Fourth Street in Manhattan in which to store and display his artwork. It was Durr's intention to leave his collection to the City of New York, but its bulk proved difficult in the quest to secure a willing repository. After his death in 1880, several works of art, including engravings, were auctioned. The majority of the remainder of Durr's art collection was then given to the New-York Historical Society.

Arrangement

The collection is organized in two series:

Series I.
Leaves from the Theatrum Pictorium, 1660s
Series II.
Other engravings, 1513–1835, undated

In the container list below, the numbers preceding each print were assigned by New-York Historical Society staff when the collection was accessioned. Titles in quotes and attributions were transcribed directly from the prints. Brief descriptions in [square brackets] were supplied for those prints without titles in the plate.

Scope and Contents

The Louis Durr Print Collection spans the period 1513 to 1835 and contains European engravings.

Series I. Leaves from the Theatrum Pictorium, 1660s contains 158 disbound leaves from the book of that name (alternately titled Le theatre des peintures, or Amphitheatrum picturarum) compiled in the 1660s by the painter David Teniers. A second edition with page numbers was published in 1673. The paintings depicted in the book are from the art collection of Leopold Wilhelm, the Archduke of Austria (1614–1662), Teniers' patron. Most of the painters represented are Italian, and include Titian (circa 1488–1576), Giorgione (1477 or 1478–1510), Polidoro da Lanciano (?–1565), Tintoretto (1518–1594), Paolo Veronese (1528–1588), Andrea Schiavone (circa 1500–1563), Francesco Bassano (circa 1470–circa 1539), Palma il Giovane (1544–1628), Palma il Vecchio (1480?–1528), and Domenico Fetti (circa 1589–1623). Teniers himself made small copies of these paintings from which the engravings were executed. The book includes many different engravers, such as Coryn Boel (1620–1668), Nikolaus van Hoy (1631–1679), Jan van Kessel (1641–1680), Peter van Lisebetten (1630–1678), Jan van Ossenbeeck (1624?–1674), Lucas Vorsterman (1624–circa 1666), and Johannes Popels (1590–1663). The engravings in the Theatrum pictorium were grouped roughly chronologically by painter; the New-York Historical Society numbers assigned to these engravings follow a loosely alphabetical organization by engraver. A separate listing of the engravings by plate number has been created as well. The complete book contains 246 leaves. The missing leaves may have been sold at the auction of Durr's estate. A few leaves have two small engravings on one page; several other engravings are double leaves.

Series II. Other engravings, 1513–1835, undated encompasses 94 diverse European prints. Most of these engravings are religious or allegorical works after Peter Paul Rubens (1577–1640), Titian (circa 1488–1576), Sir Joshua Reynolds (1723–1792), Raphael (1483–1520), Rembrandt (1606–1669), Anthony Van Dyck (1599–1641), and Leonardo da Vinci (1452–1519). Three prints show sculptures by Antonio Canova (1757–1822). Two works by Albrecht Dürer (1471–1528) are included. Engravers highly represented include Lucas Vorsterman (1624–circa 1666), Francesco Bartolozzi (1727–1815), Pietro Fontana (1762–1837), Raffaelo Morghen (1761–1833), and Domenico Marchetti (1780–1844).

Access Restrictions

Open to qualified researchers by appointment only. To schedule an appointment, contact the Print Room Librarian at printroom@nyhistory.org.

Use Restrictions

Photocopying undertaken by staff only. Limited to 20 exposures of stable, unbound material per day. Application to use images from this collection for publication should be made in writing to: Department of Rights and Reproductions, The New-York Historical Society, 170 Central Park West, New York, NY 10024-5194, rightsandrepro@nyhistory.org. Phone: (212) 873-3400 ext. 282.

Copyrights and other proprietary rights may subsist in individuals and entities other than the New-York Historical Society, in which case the patron is responsible for securing permission from those parties. For fuller information about rights and reproductions from N-YHS visit: https://www.nyhistory.org/about/rights-reproductions

Preferred Citation

The collection should be cited as: Louis Durr Print Collection, PR 142, Department of Prints, Photographs, and Architectural Collections, New-York Historical Society.

Immediate Source of Acquisition

Twenty-two engravings were purchased, 1882. The remaining prints were a gift of the Durr estate, 1882.

Related Materials

The Louis Durr Print Collection is similar in scope to the Bryan Gallery of Christian Art Print Collection (PR-143).

The New-York Historical Society's Museum holds a number of paintings from Louis Durr's Collection.

Collection processed by

Jenny Gotwals (2002); updated and migrated to ArchivesSpace by Joseph Ditta (2020).

About this Guide

This finding aid was produced using ArchivesSpace on 2023-08-21 15:46:28 -0400.
Using Describing Archives: A Content Standard
Language: English

Processing Information

This collection was removed from the Graphic Arts File (PR 022) and inventoried by Jenny Gotwals in May 2002. Joseph Ditta updated and migrated her WORD document finding aid to ArchivesSpace in May-June 2020.

Repository

New-York Historical Society

Series I. Leaves from the Theatrum Pictorium, 1660s, inclusive

Arrangement

In Series I, the numbers in [square brackets] preceding each print were assigned by New-York Historical Society staff when the collection was accessioned. This numbering system is organized alphabetically by engraver, except for where two plates printed on the same sheet (indicated by "a" and "b") break the alphabetical run.

The N-YHS numbering system bears no relation to the accepted ordering of the 246 images in the complete Theatrum Pictorium. Where known, these latter numbers have been supplied in {curly brackets} following title, artist, and engraver information. Interested researchers should consult https://en.wikipedia.org/wiki/Theatrum_Pictorium.

Engraved by Coryn Boel (1620–1668)

[001] [Old Age in Search of Youth] after Corregio (circa 1489–1534) {031}, 1660s, inclusive

Box: 1, Folder: 1 (Material Type: Graphic Materials)

[002] [Seduction and landscape] after Giorgione (1477–1510) {017}, 1660s, inclusive

Box: 1, Folder: 1 (Material Type: Graphic Materials)

[003] [Calling of the Sons of Zebedee] after Marco Basaiti (circa 1470–1530) {010}, 1660s, inclusive

Box: 1, Folder: 1 (Material Type: Graphic Materials)

[004] [Hercules, Deianira and the Centaur Nessus] after Paolo Veronese (1528–1588) {115}, 1660s, inclusive

Box: 1, Folder: 1 (Material Type: Graphic Materials)

[005a] [St. Nicholas] after Tintoretto / Paolo Veronese (1528–1588), engraved by Pieter van Lisebetten (1630–1678) {111}, 1660s, inclusive

Box: 1, Folder: 1 (Material Type: Graphic Materials)

[005b] [Saint John Agnus Dei] after Paolo Veronese (1528–1588) {112}, 1660s, inclusive

Box: 1, Folder: 1 (Material Type: Graphic Materials)

[006] [Carrying the Cross] after Giovanni Cariani (circa 1485–after 1547) {166}, 1660s, inclusive

Box: 1, Folder: 1 (Material Type: Graphic Materials)

[007] [St. Hieronymous] after Dosso Dossi (circa 1489–1542) {232}, 1660s, inclusive

Box: 1, Folder: 1 (Material Type: Graphic Materials)

[008] [Angel tied up] after Domenico Fetti (circa 1589–1623) {221}, 1660s, inclusive

Box: 1, Folder: 1 (Material Type: Graphic Materials)

[009] [Perseus freeing Andromeda] after Domenico Fetti (circa 1589–1623) {219}, 1660s, inclusive

Box: 1, Folder: 1 (Material Type: Graphic Materials)

[010] [Galatea and Polyphem] after Domenico Fetti (circa 1589–1623) {220}, 1660s, inclusive

Box: 1, Folder: 1 (Material Type: Graphic Materials)

[011] [Tobit and Tobias burying the dead Israelite] after Domenico Fetti (circa 1589–1623) {216}, 1660s, inclusive

Box: 1, Folder: 2 (Material Type: Graphic Materials)

[012] [Blind leading the Blind] after Domenico Fetti (circa 1589–1623) {215}, 1660s, inclusive

Box: 1, Folder: 2 (Material Type: Graphic Materials)

[013] [Tobit and the Dead Israelite] after Domenico Fetti (circa 1589–1623) {214}, 1660s, inclusive

Box: 1, Folder: 2 (Material Type: Graphic Materials)

[014] [Lazarus] after Palma il Vecchio (circa 1480–1528) {188}, 1660s, inclusive

Box: 1, Folder: 2 (Material Type: Graphic Materials)

[015] [Saint Jerome] after Palma il Giovane (circa 1548–1628) {170}, 1660s, inclusive

Box: 1, Folder: 2 (Material Type: Graphic Materials)

[016] [Shepherds in a pasture] after Francesco Bassano (circa 1470–1539) {151}, 1660s, inclusive

Box: 1, Folder: 2 (Material Type: Graphic Materials)

[017] [The Good Samaritan] after Francesco Bassano (circa 1470–1539) {152}, 1660s, inclusive

Box: 1, Folder: 2 (Material Type: Graphic Materials)

[018] [Building a Tower / Tower of Babel] after Leandro Bassano (1557–1622) {154}, 1660s, inclusive

Box: 1, Folder: 2 (Material Type: Graphic Materials)

[019] [Adoration of the Shepherds] after Andrea Schiavone (circa 1510–1563) {134}, 1660s, inclusive

Box: 1, Folder: 2 (Material Type: Graphic Materials)

[020] "Aeneas called away from Dido," after Andrea Schiavone (circa 1510–1563) {137}, 1660s, inclusive

Box: 1, Folder: 2 (Material Type: Graphic Materials)

[021] [Marius Curius Dentatus] after Andrea Schiavone (circa 1510–1563) {136}, 1660s, inclusive

Box: 1, Folder: 3 (Material Type: Graphic Materials)

[022] [Scipio Africanus] after Andrea Schiavone (circa 1510–1563) {138}, 1660s, inclusive

Box: 1, Folder: 3 (Material Type: Graphic Materials)

[023] [Adam and Eve] after Alessandro Padovanino (1588–1648) {036}, 1660s, inclusive

Box: 1, Folder: 3 (Material Type: Graphic Materials)

[024] [Virgin and Child accompanied by St. John and an Angel] after Giulio Cesare Procaccini (1574–1625) {033}, 1660s, inclusive

Box: 1, Folder: 3 (Material Type: Graphic Materials)

Engraved by Remoldus Eynhoudts (1613–1679 or 1680)

[025] [Christ Resurrected] after Palma il Vecchio (circa 1480–1528) {174}, 1660s, inclusive

Box: 1, Folder: 3 (Material Type: Graphic Materials)

[026] [Christ mourned by Angels] after Palma il Giovane (circa 1548–1628) {198}, 1660s, inclusive

Box: 1, Folder: 3 (Material Type: Graphic Materials)

Engraved by Nikolaus van Hoy (1631–1679)

[027] [Holy Family] after Federico Barocci (circa 1535–1612) {034}, 1660s, inclusive

Box: 1, Folder: 3 (Material Type: Graphic Materials)

[028] [Judith with the Head of Holofernes] after Paolo Veronese (1528–1588) {113}, 1660s, inclusive

Box: 1, Folder: 3 (Material Type: Graphic Materials)

[029] [Lamentation] after Domenico Fetti (circa 1589–1623) {218}, 1660s, inclusive

Box: 1, Folder: 3 (Material Type: Graphic Materials)

[030a] [Portrait of man] after Titian (circa 1488–1576) {050}, 1660s, inclusive

Box: 1, Folder: 3 (Material Type: Graphic Materials)

Engraved by Lucas Vorsterman II (1624–circa 1666)

[030b] [Salome with the Head of John the Baptist] after Titian (circa 1488–1576) {051}, 1660s, inclusive

Box: 1, Folder: 3 (Material Type: Graphic Materials)

Engraved by Wenceslaus Hollar (1607–1677)

[031] "Esther before Ahasureus," after Paolo Veronese (1528–1588) {125}, 1660s, inclusive

Box: 1, Folder: 4 (Material Type: Graphic Materials)

Engraved by Theodor van Kessel (1620–1696)

[032] [Toilet of Venus] after Corregio (circa 1489–1534) {030}, 1660s, inclusive

Box: 1, Folder: 4 (Material Type: Graphic Materials)

[033] [Ascension of Christ] after Giorgione (1477–1510) {022}, 1660s, inclusive

Box: 1, Folder: 4 (Material Type: Graphic Materials)

[034] [Rape of Europa] after Giorgione (1477–1510) {018}, 1660s, inclusive

Box: 1, Folder: 4 (Material Type: Graphic Materials)

[035] [The Holy Family in a Landscape with John the Baptist] after Paris Bordone (1500–1571) {210}, 1660s, inclusive

Box: 1, Folder: 4 (Material Type: Graphic Materials)

[036] [Saint Sebastian] after Paolo Veronese (1528–1588) {114}, 1660s, inclusive

Box: 1, Folder: 4 (Material Type: Graphic Materials)

[037] [Venus and Adonis] after Paolo Veronese (1528–1588) {116}, 1660s, inclusive

Box: 1, Folder: 4 (Material Type: Graphic Materials)

[038] [Christ and the Adulteress] after Annibale Carracci (1560–1609) {043}, 1660s, inclusive

Box: 1, Folder: 4 (Material Type: Graphic Materials)

[039] [Christ and the Woman from Samaria] after Annibale Carracci (1560–1609) {042}, 1660s, inclusive

Box: 1, Folder: 4 (Material Type: Graphic Materials)

[040] "Apollo and Marsyas," after Palma il Giovane (circa 1548–1628) {201}, 1660s, inclusive

Box: 1, Folder: 4 (Material Type: Graphic Materials)

[041] [Adoration of the Shepherds] after Francesco Bassano the Younger (1549–1592) {161}, 1660s, inclusive

Box: 1, Folder: 5 (Material Type: Graphic Materials)

[042] [Christ carrying cross] after Jacopo Bassano (circa 1510–1592) {156}, 1660s, inclusive

Box: 1, Folder: 5 (Material Type: Graphic Materials)

[043] [Adoration of the Magi] after Jacopo Bassano (circa 1510–1592) {153}, 1660s, inclusive

Box: 1, Folder: 5 (Material Type: Graphic Materials)

[044] [Resurrection] after Francesco Bassano the Younger (1549–1592) {147}, 1660s, inclusive

Box: 1, Folder: 5 (Material Type: Graphic Materials)

[045] [Susanna, partly naked and stepping out of a fountain with two elders at left, one of them pulling at her garment] after Guido Reni (1575–1642) {227}, 1660s, inclusive

Box: 1, Folder: 5 (Material Type: Graphic Materials)

[046] [Birth of Jupiter] after Andrea Schiavone (circa 1510–1563) {132}, 1660s, inclusive

Box: 1, Folder: 5 (Material Type: Graphic Materials)

[047] [Apollo and Eros] after Andrea Schiavone (circa 1510–1563) {126}, 1660s, inclusive

Box: 1, Folder: 5 (Material Type: Graphic Materials)

[048] [Apollo and Daphne] after Andrea Schiavone (circa 1510–1563) {129}, 1660s, inclusive

Box: 1, Folder: 5 (Material Type: Graphic Materials)

[049] [Jupiter nurtured by Amalthea] after Andrea Schiavone (circa 1510–1563) {128}, 1660s, inclusive

Box: 1, Folder: 5 (Material Type: Graphic Materials)

[050] [Pastoral] after Tintoretto (1518–1594) {105}, 1660s, inclusive

Box: 1, Folder: 5 (Material Type: Graphic Materials)

[051] [Diana and Callisto] after Titian (circa 1488–1576) {096}, 1660s, inclusive

Box: 1, Folder: 6 (Material Type: Graphic Materials)

[052] [Adoration of the Magi] after Titian (circa 1488–1576) {077}, 1660s, inclusive

Box: 1, Folder: 6 (Material Type: Graphic Materials)

Engraved by Conrad Lauwers (circa 1632–circa 1685)

[053] [Holy Family] after Andrea Schiavone (circa 1510–1563) {130}, 1660s, inclusive

Box: 1, Folder: 6 (Material Type: Graphic Materials)

[054] [Aeneas Fleeing Troy] after Andrea Schiavone (circa 1510–1563) {131}, 1660s, inclusive

Box: 1, Folder: 6 (Material Type: Graphic Materials)

Engraved by Pieter van Lisebetten (1630–1678)

[055] [Pala di San Cassiano Madonna and Child] after Giovanni Bellini (circa 1430–1516) {005}, 1660s, inclusive

Box: 1, Folder: 6 (Material Type: Graphic Materials)

[056] [Venus and Amor] after Paris Bordone (1500–1571) {211}, 1660s, inclusive

Box: 1, Folder: 6 (Material Type: Graphic Materials)

[057] [Adam and Eve] after Paris Bordone (1500–1571) {209}, 1660s, inclusive

Box: 1, Folder: 6 (Material Type: Graphic Materials)

[058] "Venus and Mars with Cupid," after Paris Bordone (1500–1571) {212}, 1660s, inclusive

Box: 1, Folder: 6 (Material Type: Graphic Materials)

[059] [Sacrifice of Isaac] after Paolo Veronese (1528–1588) {119}, 1660s, inclusive

Box: 1, Folder: 6 (Material Type: Graphic Materials)

[060] [Mystic Marriage of St. Catherine] after Paolo Veronese (1528–1588) {120}, 1660s, inclusive

Box: 1, Folder: 6 (Material Type: Graphic Materials)

[061] [Ascension of Christ] after Paolo Veronese (1528–1588) {117}, 1660s, inclusive

Box: 1, Folder: 7 (Material Type: Graphic Materials)

[062] "Lamentation of Christ" [Pieta], after Aniballe Carracci (1560–1609) {040}, 1660s, inclusive

Box: 1, Folder: 7 (Material Type: Graphic Materials)

[063] [Virgin and Child with Mystical Betrothal of St. Catherine with Saints Dominic and Peter] after Domenico Fetti (circa 1589–1623) {222}, 1660s, inclusive

Box: 1, Folder: 7 (Material Type: Graphic Materials)

[064] [Arrest of Christ] after Bartolomeo Manfredi (circa 1582–1622) {234}, 1660s, inclusive

Box: 1, Folder: 7 (Material Type: Graphic Materials)

[065] "Madonna and Child with Sts," after Palma il Vecchio (circa 1480–1528) {203}, 1660s, inclusive

Box: 1, Folder: 7 (Material Type: Graphic Materials)

[066] [Visitation] after Palma il Vecchio (circa 1480–1528) {208}, 1660s, inclusive

Box: 1, Folder: 7 (Material Type: Graphic Materials)

[067] [Saint Mary of Egypt in the Desert] after Palma il Giovane (circa 1548–1628) {173}, 1660s, inclusive

Box: 1, Folder: 7 (Material Type: Graphic Materials)

[068] [Cain and Abel] after Palma il Giovane (circa 1548–1628) {178}, 1660s, inclusive

Box: 1, Folder: 7 (Material Type: Graphic Materials)

[069] [Cain and Abel] after Palma il Giovane (circa 1548–1628) {202}, 1660s, inclusive

Box: 1, Folder: 7 (Material Type: Graphic Materials)

[070] "Madonna and Child with John the Baptist," after Palma il Giovane (circa 1548–1628) {177}, 1660s, inclusive

Box: 1, Folder: 7 (Material Type: Graphic Materials)

[071] "Apollo and Marsyas" [Apollo punished Marsyas], after Palma il Giovane (circa 1548–1628) {200}, 1660s, inclusive

Box: 2, Folder: 8 (Material Type: Graphic Materials)

[072] [Lamentation] after Palma il Giovane (circa 1548–1628) {204}, 1660s, inclusive

Box: 2, Folder: 8 (Material Type: Graphic Materials)

[073] [Holy Family], after Polidoro da Lanciano (circa 1515–1565) {046}, 1660s, inclusive

Box: 2, Folder: 8 (Material Type: Graphic Materials)

[074] [Holy Family] after Polidoro da Lanciano (circa 1515–1565) {047}, 1660s, inclusive

Box: 2, Folder: 8 (Material Type: Graphic Materials)

[075] [Madonna and Child with St. John] after Polidoro da Lanciano (circa 1515–1565) {048}, 1660s, inclusive

Box: 2, Folder: 8 (Material Type: Graphic Materials)

[076] [Holy Family], after Polidoro da Lanciano (circa 1515–1565) {045}, 1660s, inclusive

Box: 2, Folder: 8 (Material Type: Graphic Materials)

[077] [Moses tapping the rock] after Francesco Primaticcio (1504–1570) {038}, 1660s, inclusive

Box: 2, Folder: 8 (Material Type: Graphic Materials)

[078] [Susanna and the Elders], after Guido Reni (1575–1642) {233}, 1660s, inclusive

Box: 2, Folder: 8 (Material Type: Graphic Materials)

[079] [Holy Family with little John the Baptist and a saint] after Andrea Schiavone (circa 1510–1563) {140}, 1660s, inclusive

Box: 2, Folder: 8 (Material Type: Graphic Materials)

[080] [Jesus with shepherd?] after Tintoretto (1518–1594) {100}, 1660s, inclusive

Box: 2, Folder: 8 (Material Type: Graphic Materials)

[081] [Christ on the Mount of Olives] after Tintoretto (1518–1594) {099}, 1660s, inclusive

Box: 2, Folder: 9 (Material Type: Graphic Materials)

[082] "Descent from the Cross," after Tintoretto (1518–1594) {109}, 1660s, inclusive

Box: 2, Folder: 9 (Material Type: Graphic Materials)

[083] [Horned Moses and the Tablets of the Law] after Valentin de Boulogne (1591–1632) {240}, 1660s, inclusive

Box: 2, Folder: 9 (Material Type: Graphic Materials)

[084] [Little Tambourine Player] after Titian (circa 1488–1576) {080}, 1660s, inclusive

Box: 2, Folder: 9 (Material Type: Graphic Materials)

[085] [Christ at Emmaus] after Titian (circa 1488–1576) {072}, 1660s, inclusive

Box: 2, Folder: 9 (Material Type: Graphic Materials)

[086] [Death of Actaeon] after Titian (circa 1488–1576) {073}, 1660s, inclusive

Box: 2, Folder: 9 (Material Type: Graphic Materials)

[087] [Adoration of the Magi] after Titian (circa 1488–1576) {068}, 1660s, inclusive

Box: 2, Folder: 9 (Material Type: Graphic Materials)

[088] [Madonna and Child with St. Dorothy] after Titian (circa 1488–1576) {065}, 1660s, inclusive

Box: 2, Folder: 9 (Material Type: Graphic Materials)

[089] [Danae receiving the Shower of Gold] after Titian (circa 1488–1576) {074}, 1660s, inclusive

Box: 2, Folder: 9 (Material Type: Graphic Materials)

[090] "Nymph and Shepherd," after Titian (circa 1488–1576) {060}, 1660s, inclusive

Box: 2, Folder: 9 (Material Type: Graphic Materials)

Engraved by Jan van Ossenbeeck (1623–1674)

[091] [Diana taking revenge on Niobe for the death of her children] after Palma il Vecchio (circa 1480–1528), drawn by Nikolaus van Hoy (1631–1679) {189}, 1660s, inclusive

Box: 2, Folder: 10 (Material Type: Graphic Materials)

[092] [Man and woman in forest] after Polidoro da Lanciano (circa 1515–1565), drawn by Nikolaus van Hoy (1631–1679) {035}, 1660s, inclusive

Box: 2, Folder: 10 (Material Type: Graphic Materials)

[093] [Orpheus Charming the Animals] after Francesco Bassano the Younger (1549–1592), drawn by Nikolaus van Hoy (1631–1679) {155}, 1660s, inclusive

Box: 2, Folder: 10 (Material Type: Graphic Materials)

[094] [Winter?] [Holy Family with manger] after Bassano, drawn by Nikolaus van Hoy (1631–1679) {160}, 1660s, inclusive

Box: 2, Folder: 10 (Material Type: Graphic Materials)

[095] "Summer" [Summer with the Sacrifice of Isaac] after Francesco Bassano the Younger (1549–1592), drawn by Nikolaus van Hoy (1631–1679) {159}, 1660s, inclusive

Box: 2, Folder: 10 (Material Type: Graphic Materials)

[096] [Spring and Banishment from Paradise] after Francesco Bassano the Younger (1549–1592), drawn by Nikolaus van Hoy (1631–1679) {157}, 1660s, inclusive

Box: 2, Folder: 10 (Material Type: Graphic Materials)

[097] [Autumn with Moses and 10 Commandments] after Francesco Bassano the Younger (1549–1592), drawn by Nikolaus van Hoy (1631–1679) {158}, 1660s, inclusive

Box: 2, Folder: 10 (Material Type: Graphic Materials)

[098] [St. Sebastian] after Bassano, drawn by Nikolaus van Hoy (1631–1679) {143}, 1660s, inclusive

Box: 2, Folder: 10 (Material Type: Graphic Materials)

[099] [Gathering of Manna] after Tintoretto (1518–1594), drawn by Nikolaus van Hoy (1631–1679) {107}, 1660s, inclusive

Box: 2, Folder: 10 (Material Type: Graphic Materials)

[100] [Flight into Egypt] after Tintoretto (1518–1594), drawn by Nikolaus van Hoy (1631–1679) {108}, 1660s, inclusive

Box: 2, Folder: 10 (Material Type: Graphic Materials)

Engraved by Johannes Popels (1590–1663)

[101] "Young Woman at Her Toilette" [Giovane donna nuda allo specchio] after Giovanni Bellini (circa 1430–1516) {007}, 1660s, inclusive

Box: 2, Folder: 11 (Material Type: Graphic Materials)

[102a] [St. Sebastian] after Palma il Vecchio (circa 1480–1528) {167}, 1660s, inclusive

Box: 2, Folder: 11 (Material Type: Graphic Materials)

[102b] [Saint John the Baptist] after Palma il Vecchio (circa 1480–1528) {168}, 1660s, inclusive

Box: 2, Folder: 11 (Material Type: Graphic Materials)

[103] [Nursing Madonna with Sts Catherine and John the Baptist] after Palma il Giovane (circa 1548–1628) {199}, 1660s, inclusive

Box: 2, Folder: 11 (Material Type: Graphic Materials)

[104] "Christ supported by an Angel" [Dead Christ Supported by an Angel] after Palma il Giovane (circa 1548–1628) {179}, 1660s, inclusive

Box: 2, Folder: 11 (Material Type: Graphic Materials)

[105] [Dead Christ supported by Angels] after Andrea Schiavone (circa 1510–1563) {133}, 1660s, inclusive

Box: 2, Folder: 11 (Material Type: Graphic Materials)

Engraved by Franciscus van der Steen (circa 1625–1672)

[106] [Dream of Life] after Michelangelo (1475–1564), drawn by Nikolaus van Hoy (1631–1679) {012}, 1660s, inclusive

Box: 2, Folder: 11 (Material Type: Graphic Materials)

[107] "View of Archduke's Stallberg gallery" [View into the picture gallery of the Archduke Leopold] after David Teniers the Younger (1610–1690), drawn by Nikolaus van Hoy (1631–1679) {245}, 1660s, inclusive

Box: 2, Folder: 11 (Material Type: Graphic Materials)

[108] [Soldiers Playing Cards] after Bartolomeo Manfredi (1582–1622), drawn by Nikolaus van Hoy (1631–1679) {235}, 1660s, inclusive

Box: 2, Folder: 11 (Material Type: Graphic Materials)

[109] [Holy Family] after Andrea del Sarto (1486–1530), drawn by Nikolaus van Hoy (1631–1679) {032}, 1660s, inclusive

Box: 2, Folder: 11 (Material Type: Graphic Materials)

[110] [Christ and the Woman Taken in Adultery] after Alessandro Leone Varotari (Il Padovanino) (1588–1649), drawn by Nikolaus van Hoy (1631–1679) {237}, 1660s, inclusive

Box: 2, Folder: 11 (Material Type: Graphic Materials)

[111a] [The Madonna and Child with the Infant Saint John the Baptist and Saint Anthony Abbot] after Titian (circa 1488–1576), drawn by Nikolaus van Hoy (1631–1679) {061}, 1660s, inclusive

Box: 2, Folder: 12 (Material Type: Graphic Materials)

Engraved by Lucas Vorsterman II (1624–circa 1666)

[111b] [Holy Family and John the Baptist] after Titian (circa 1488–1576) {062}, 1660s, inclusive

Box: 2, Folder: 12 (Material Type: Graphic Materials)

Engraved by Franciscus van der Steen (circa 1625–1672)

[112] [The Madonna and Child with the Infant Saint John the Baptist and Saint Anthony Abbot] after Titian (circa 1488–1576), drawn by Nikolaus van Hoy (1631–1679) {071}, 1660s, inclusive

Box: 2, Folder: 12 (Material Type: Graphic Materials)

Engraved by Jan van Troyen (1610–1670)

[113] [Penitent Mary Magdalene] after Corregio (circa 1489–1534) {029}, 1660s, inclusive

Box: 2, Folder: 12 (Material Type: Graphic Materials)

[114] "Three Philosophers" after Giorgione (1477–1510) {020}, 1660s, inclusive

Box: 2, Folder: 12 (Material Type: Graphic Materials)

[115] [Glorification of a Saint with Angels / The assumption of St. Catherine of Alexandria] after Giovanni Baglione (1566–1643) {236}, 1660s, inclusive

Box: 2, Folder: 12 (Material Type: Graphic Materials)

[116] [Madonna and Child with Saints Lucy and Catherine and 2 Nuns] after Paolo Veronese (1528–1588) {121}, 1660s, inclusive

Box: 2, Folder: 12 (Material Type: Graphic Materials)

[117] "Raising of the Youth of Nain" [Raising the Young Man of Nain] after Paolo Veronese (1528–1588) {124}, 1660s, inclusive

Box: 2, Folder: 12 (Material Type: Graphic Materials)

[118] [Cupid overcoming Pan] after Aniballe Carracci (1560–1609) {041}, 1660s, inclusive

Box: 2, Folder: 12 (Material Type: Graphic Materials)

[119] [Lazarus] after Il Pordenone (circa 1484–1539) {110}, 1660s, inclusive

Box: 2, Folder: 12 (Material Type: Graphic Materials)

[120] [Martha rebukes her vain sister Mary Magdalene] after Francesco Lupicini (1590–1656) {241}, 1660s, inclusive

Box: 2, Folder: 12 (Material Type: Graphic Materials)

[121] [Lamentation] after Lorenzo Lotto (circa 1480–1556/57) {244}, 1660s, inclusive

Box: 2, Folder: 13 (Material Type: Graphic Materials)

[122] [Veil of Veronica] after F. Mantua {044}, 1660s, inclusive

Box: 2, Folder: 13 (Material Type: Graphic Materials)

[123] [St. Sebastian] after Andrea Mantegna (circa 1431–1506) {028}, 1660s, inclusive

Box: 2, Folder: 13 (Material Type: Graphic Materials)

[124] [Holy Family with St. John] after Palma il Vecchio (circa 1480–1528) {205}, 1660s, inclusive

Box: 2, Folder: 13 (Material Type: Graphic Materials)

[125] [John the Baptist] after Palma il Giovane (circa 1548–1628) {176}, 1660s, inclusive

Box: 2, Folder: 13 (Material Type: Graphic Materials)

[126] [Lucretia] after Palma il Giovane (circa 1548–1628) [or after Titian (circa 1488–1576)] {187}, 1660s, inclusive

Box: 2, Folder: 13 (Material Type: Graphic Materials)

[127] [John the Baptist] after Palma il Giovane (circa 1548–1628) {172}, 1660s, inclusive

Box: 2, Folder: 13 (Material Type: Graphic Materials)

[128] [Christ] after Palma il Giovane (circa 1548–1628) {180}, 1660s, inclusive

Box: 2, Folder: 13 (Material Type: Graphic Materials)

[129] [Daniel in the lions' den] after Palma il Giovane (circa 1548–1628) {175}, 1660s, inclusive

Box: 2, Folder: 13 (Material Type: Graphic Materials)

[130] [Madonna and Child] after Palma il Giovane (circa 1548–1628) {183}, 1660s, inclusive

Box: 2, Folder: 13 (Material Type: Graphic Materials)

[131a] [Portrait of a Premonstratensian] after Leandro Bassano (1557–1622) {149}, 1660s, inclusive

Box: 2, Folder: 14 (Material Type: Graphic Materials)

[131b] [Boy with a flute] after Francesco Bassano the Younger (1549–1592) {150}, 1660s, inclusive

Box: 2, Folder: 14 (Material Type: Graphic Materials)

[132] [Ascension of Christ] after Jacopo Bassano (circa 1510–1592) {148}, 1660s, inclusive

Box: 2, Folder: 14 (Material Type: Graphic Materials)

[133] [Saint Margaret and the Dragon] after Raphael (1483–1520) {002}, 1660s, inclusive

Box: 2, Folder: 14 (Material Type: Graphic Materials)

[134] [Jesus among the Doctors] after Jusepe de Ribera (Lo Spagnoletto) (circa 1591–1652) {141}, 1660s, inclusive

Box: 2, Folder: 14 (Material Type: Graphic Materials)

[135] [Pluto in his Chariot] after Giulio Romano (circa 1499–1546) {026}, 1660s, inclusive

Box: 2, Folder: 14 (Material Type: Graphic Materials)

[136] [Salome] after Giovanni Contarini (1549–1605) {039}, 1660s, inclusive

Box: 2, Folder: 14 (Material Type: Graphic Materials)

[137] [Arrest of Christ / Christ before Pilate] after Andrea Schiavone (circa 1510–1563) {139}, 1660s, inclusive

Box: 2, Folder: 14 (Material Type: Graphic Materials)

[138] [Frontispiece for the Theatrum Pictorium, a catalog of 246 paintings in the collection of Archduke Leopold Wilhelm of Austria] after David Teniers (1582–1649) {001}, 1660s, inclusive

Box: 2, Folder: 14 (Material Type: Graphic Materials)

[139] "Christ Crowned with Thorns" [Ecce Homo] after Titian (circa 1488–1576) {078}, 1660s, inclusive

Box: 2, Folder: 14 (Material Type: Graphic Materials)

[140] [Saint with Arrows / Son of the Orator Francesco Filetto] after Titian (circa 1488–1576) {081}, 1660s, inclusive

Box: 2, Folder: 14 (Material Type: Graphic Materials)

[141] [Lucretia] after Titian (circa 1488–1576) {084}, 1660s, inclusive

Box: 3, Folder: 15 (Material Type: Graphic Materials)

[142] [Salome with the Head of John the Baptist] after Leonardo da Vinci (1452–1519) {027}, 1660s, inclusive

Box: 3, Folder: 15 (Material Type: Graphic Materials)

[143] [Man of Sorrows / Ecce Homo] after Alessandro Leone Varotari (Il Padovanino) (1588–1649) {238}, 1660s, inclusive

Box: 3, Folder: 15 (Material Type: Graphic Materials)

Engraved by Lucas Vorsterman II (1624–circa 1666)

[144] [Judith] after Giorgione (1477–1510) {025}, 1660s, inclusive

Box: 3, Folder: 15 (Material Type: Graphic Materials)

[145a] [Bacchus / Portrait of a man wearing a wreath in a moonlit landscape holding a violin] after Giorgione (1477–1510) {015}, 1660s, inclusive

Box: 3, Folder: 15 (Material Type: Graphic Materials)

[145b] [St John the Evangelist] after Giorgione (1477–1510) {016}, 1660s, inclusive

Box: 3, Folder: 15 (Material Type: Graphic Materials)

[146] [Pala di San Cassiano St. Nicholas] after Giovanni Bellini (circa 1430–1516) {004}, 1660s, inclusive

Box: 3, Folder: 15 (Material Type: Graphic Materials)

[147] [St. Sebastian] after Giovanni Bellini (circa 1430–1516) {009}, 1660s, inclusive

Box: 3, Folder: 15 (Material Type: Graphic Materials)

[148] [Portrait of a man with a book] after Vincenzo Catena (circa 1480–1531) {242}, 1660s, inclusive

Box: 3, Folder: 15 (Material Type: Graphic Materials)

[149a] [Angel] after Palma il Vecchio (circa 1480–1528) {192}, 1660s, inclusive

Box: 3, Folder: 15 (Material Type: Graphic Materials)

[149b] [Angel] after Palma il Vecchio (circa 1480–1528) {193}, 1660s, inclusive

Box: 3, Folder: 15 (Material Type: Graphic Materials)

[150] [Man with book] after Palma il Giovane (circa 1548–1628) {182}, 1660s, inclusive

Box: 3, Folder: 15 (Material Type: Graphic Materials)

[151] [Saint Peter] after Palma il Giovane (circa 1548–1628) {181}, 1660s, inclusive

Box: 3, Folder: 16 (Material Type: Graphic Materials)

[152] [Christ carrying the cross meets Veronica] after Jacopo Bassano (circa 1510–1592) {144}, 1660s, inclusive

Box: 3, Folder: 16 (Material Type: Graphic Materials)

[153a] [The Young David] after Guido Reni (1575–1642) {225}, 1660s, inclusive

Box: 3, Folder: 16 (Material Type: Graphic Materials)

[153b] [Old Man looking Up] after Guido Reni (1575–1642) {226}, 1660s, inclusive

Box: 3, Folder: 16 (Material Type: Graphic Materials)

[154] [Penitent St. Peter] after Jusepe de Ribera (Lo Spagnoletto) (circa 1591–1652) {142}, 1660s, inclusive

Box: 3, Folder: 16 (Material Type: Graphic Materials)

[155] [Madonna and Child with St Louis of Toulouse] after Titian (circa 1488–1576) {066}, 1660s, inclusive

Box: 3, Folder: 16 (Material Type: Graphic Materials)

[156] [Woman with dog and arrow] after Titian (circa 1488–1576) {087}, 1660s, inclusive

Box: 3, Folder: 16 (Material Type: Graphic Materials)

[157] [Seated Venus and her mirror held by Cupid] after Titian (circa 1488–1576) {093}, 1660s, inclusive

Box: 3, Folder: 16 (Material Type: Graphic Materials)

[158] [Portrait of the Orator Francesco Filetto] after Titian (circa 1488–1576) {085}, 1660s, inclusive

Box: 3, Folder: 16 (Material Type: Graphic Materials)

Series II. Other engravings, 1513–1835, undated, inclusive

Arrangement

In Series II, the numbers in [square brackets] preceding each print were assigned by New-York Historical Society staff when the collection was accessioned.

[159] "Telemachus Strangling the Lion," after Edward Francis Burney (1760–1848), by William Bromley (1769–1842), 1792, undated, inclusive

Box: 3, Folder: 16 (Material Type: Graphic Materials)

[160] [Nursing Madonna?] after Titian (circa 1488–1576), by Valentin Lefebvre (circa 1641–circa 1680), undated, inclusive

Box: 3, Folder: 16 (Material Type: Graphic Materials)

[161] "Portrait de Warin," after Sebastien Bourdon (1616–1671), by Louis Michel Halbou (1730–circa 1809), undated, inclusive

drawer: FF-E, Folder: 21 (oversize) (Material Type: Graphic Materials)

[162] "Philip IV of Austria," after Peter Paul Rubens (1577–1640), by G. Hendriex, undated, inclusive

drawer: FF-E, Folder: 21 (oversize) (Material Type: Graphic Materials)

[163] [Men with guns on horseback] by Pieter de Jode (1570–1634), undated, inclusive

Box: 3, Folder: 17 (Material Type: Graphic Materials)

[164] "Decollazione di S. Giovanni Battista" after H. Stanwick, drawn by Donato Cellesi, engraved by Lorenzo Ruggi (1802–1877?), undated, inclusive

drawer: FF-E, Folder: 21 (oversize) (Material Type: Graphic Materials)

[165] "Christine, Queen of Sweden," after Sebastien Bourdon (1616–1671), drawn by Vandenburg, engraved by Pierre Alexandre Tardieu (1756–1844), undated, inclusive

drawer: FF-E, Folder: 21 (oversize) (Material Type: Graphic Materials)

[166] "Ferdin: Paer Parmigiano," after Francois Gerard (1770–1837), by Paolo Toschi (1788–1854) and Antonio Isac (1788–1828), undated, inclusive

drawer: FF-E, Folder: 21 (oversize) (Material Type: Graphic Materials)

[167] [Man being held over fire] after Peter Paul Rubens (1577–1640), by Lucas Vorsterman II (1624–1667), undated, inclusive

Box: 3, Folder: 17 (Material Type: Graphic Materials)

[168] "Franciscus Franck", undated, inclusive

Box: 3, Folder: 17 (Material Type: Graphic Materials)

[169] [Madonna and child with infant John the Baptist], undated, inclusive

drawer: FF-E, Folder: 21 (oversize) (Material Type: Graphic Materials)

[170] [Jesus walking on water] by Marcantonio Raimondi, undated, inclusive

Box: 3, Folder: 17 (Material Type: Graphic Materials)

[171] [French royalty and clergy], undated, inclusive

Box: 3, Folder: 17 (Material Type: Graphic Materials)

[172] [Madonna and child] by Francesco Albani (1578–1660), undated, inclusive

Box: 3, Folder: 17 (Material Type: Graphic Materials)

[173] [Woman with long hair holding cross] after Corregio (circa 1489–1534), drawn by Giovita Garavaglia (1790–1835), engraved by Faustino Anderloni (1766–1847), undated, inclusive

Box: 3, Folder: 17 (Material Type: Graphic Materials)

[174] [Male profile] by Raffaelo Morghen (1761–1833), undated, inclusive

Box: 3, Folder: 17 (Material Type: Graphic Materials)

[175] "Edward Lord Thurlow, Lord High Chancellor of Great Britain" after Joshua Reynolds (1723–1792), by Francesco Bartolozzi (1727–1815), 1782, inclusive

drawer: FF-E, Folder: 21 (oversize) (Material Type: Graphic Materials)

[176] [Animals] by Nicolaes Berchem (1620–1683), undated, inclusive

Box: 3, Folder: 17 (Material Type: Graphic Materials)

[177] [Madonna and child] after Raphael (1483–1520), by Pietro Bettelini (1763–1829), undated, inclusive

drawer: FF-E, Folder: 21 (oversize) (Material Type: Graphic Materials)

[178] "Giorgio Washington," after Antonio Canova (1757–1822), drawn by Giovanni Tognolli (1786–1862), engraved by Angelo Bertini, undated, inclusive

drawer: FF-E, Folder: 21 (oversize) (Material Type: Graphic Materials)

Related Materials

Same as number 214.

[179] "Raffaelo Sanzio," after Raphael (1483–1520), by Vincenzo Biondi, 1826, inclusive

Box: 3, Folder: 17 (Material Type: Graphic Materials)

[180] [Salome] after Peter Paul Rubens (1577–1640), by Schelte Bolswert (1586–1659), undated, inclusive

Box: 3, Folder: 18 (Material Type: Graphic Materials)

[181] [Holy Family] by Simone Cantarini (1612–1648), undated, inclusive

Box: 3, Folder: 18 (Material Type: Graphic Materials)

[182] "St. Martin dividing his cloak," after Anthony van Dyck (1599–1640), drawn by Richard Earlom (1743–1822), engraved by Thomas Chambars (circa 1724–1789), 1766, inclusive

drawer: FF-E, Folder: 21 (oversize) (Material Type: Graphic Materials)

[183] "Galileo Galilei," by Justus Suttermans (1597–1681), by Galgano Cipriani (1775–1857), under Raffaelo Morghen (1761–1833), undated, inclusive

Box: 3, Folder: 18 (Material Type: Graphic Materials)

[184] [Battle scene] by Cornelis Cort (1533–1578), undated, inclusive

drawer: FF-E, Folder: 21 (oversize) (Material Type: Graphic Materials)

[185] "Surge velociter. Et ceciderunt catene de manibus euis," after Domenichino (Domenico Zampieri) (1581–1641), by Domenico Cunego (1726–1803), 1779, inclusive

drawer: FF-E, Folder: 21 (oversize) (Material Type: Graphic Materials)

[186] "Richard Grenville Temple Earl Temple, Viscount and Baron Cobham" after Joshua Reynolds (1723–1792), by William Dickinson (1746–1823), 1778, inclusive

drawer: FF-E, Folder: 21 (oversize) (Material Type: Graphic Materials)

[187] "Gustave Wasa. Dedie a S. M. le Roi des Francais," after Louis Hersent (1777–1860), by H. Dupont, 1831, inclusive

drawer: FF-E, Folder: 23 (oversize) (Material Type: Graphic Materials)

[188] [Madonna and child] by Albrecht Dürer (1471–1528), 1513, inclusive

Box: 3, Folder: 18 (Material Type: Graphic Materials)

[189] [Ecce Homo] by Albrecht Durer (1471–1528), undated, inclusive

drawer: FF-E, Folder: 21 (oversize) (Material Type: Graphic Materials)

[190] "Martinus Vanden Baugart" (Martin Desjardins), after Hyacinthe Rigaud (1659–1743), by Gerard Edelinck (1640–1707), undated, inclusive

drawer: FF-E, Folder: 21 (oversize) (Material Type: Graphic Materials)

[191] "Zacherias," after Michelangelo Buonarroti, (1475–1564), drawn by Jacob Conca, engraved by A. Fabri (?1593?), undated, inclusive

drawer: FF-E, Folder: 23 (oversize) (Material Type: Graphic Materials)

[192] "Sagra Famiglia," after Benvenuto Tisi da Garofalo (1481–1559), by Lodovico Ferretti, undated, inclusive

drawer: FF-E, Folder: 23 (oversize) (Material Type: Graphic Materials)

[193] [Pan] after Pordenone (circa 1483–1539), by Odoardo Fialetti (1573–1638), undated, inclusive

Box: 3, Folder: 18 (Material Type: Graphic Materials)

[194] [Jesus heals the sick] after Annibale Caracci (1560–1609), by Giovanni Folo (1764–1836), undated, inclusive

drawer: FF-E, Folder: 23 (oversize) (Material Type: Graphic Materials)

[195] "Salus Infirmorum," after Sassoferrato (1609–1685), drawn by G. B. Borani, engraved by Pietro Folo (1790–1867), undated, inclusive

drawer: FF-E, Folder: 21 (oversize) (Material Type: Graphic Materials)

[196] [Jesus healing a cripple] after Lodovico Carracci (1555–1619), by Pietro Fontana (1762–1837), undated, inclusive

drawer: FF-E, Folder: 23 (oversize) (Material Type: Graphic Materials)

[197] "Sagra Famiglia," after Raphael (1483–1520), by Pietro Fontana (1762–1837), undated, inclusive

drawer: FF-E, Folder: 21 (oversize) (Material Type: Graphic Materials)

[198] "Sibylla Cumaea," after Domenichino (Domenico Zampieri) (1581–1641), drawn by Stefano Tofanelli (1752–1812), engraved by P. F. Venetus, 1797, inclusive

drawer: FF-E, Folder: 21 (oversize) (Material Type: Graphic Materials)

[199] "La Maittresse du Titien," after Titian (circa 1488–1576), by Francois Forster (1790–1872), undated, inclusive

drawer: FF-E, Folder: 21 (oversize) (Material Type: Graphic Materials)

[200] [Holy Family?] by Baptista Fratico Veneto, undated, inclusive

Box: 3, Folder: 18 (Material Type: Graphic Materials)

[201] "Topbie et sa famille prosternes," after Rembrandt van Rijn (1606–1669), by Johannes Pieter de Frey (1770–1834), undated, inclusive

Box: 3, Folder: 18 (Material Type: Graphic Materials)

[202] [Salome] after Peter Paul Rubens (1577–1640), by Cornelis Galle (1576–1650), undated, inclusive

Box: 3, Folder: 18 (Material Type: Graphic Materials)

[203] "Il Temporale del Pussino," after Nicolas Poussin (circa 1594–1665), by Wilhelm Friedrich Gmelin (1760–1820), 1813, inclusive

drawer: FF-E, Folder: 23 (oversize) (Material Type: Graphic Materials)

[204] "Dr. Herschel," after Frederich Rehberg (1758–1835), by James Godby (before 1790–1820), 1814, inclusive

Box: 3, Folder: 18 (Material Type: Graphic Materials)

[205] [Two women] after Peter Paul Rubens (1577–1640), by Cl. Goirand, published by T. Valet, undated, inclusive

Box: 3, Folder: 18 (Material Type: Graphic Materials)

[206] [The Boy Jesus in the Temple?] after Gerrit van Honthorst (1590–1656), by Carl Hess (1755–1828), undated, inclusive

drawer: FF-E, Folder: 22 (oversize) (Material Type: Graphic Materials)

[207] [Women, child, lamb] after Leonardo da Vinci (1452–1519), by Auguste Laugier (1816–after 1880), 1831, inclusive

drawer: FF-E, Folder: 23 (oversize) (Material Type: Graphic Materials)

[208] "N. Poussin" (self-portrait), after Nicolas Poussin (1594?–1665), by Etienne Frederic Lignon (1779–1833), 1824, inclusive

drawer: FF-E, Folder: 22 (oversize) (Material Type: Graphic Materials)

[209] "Paulus de Vos," after Anthony van Dyck (1599–1641), by Adriaen Lommelin (1637–1673), undated, inclusive

Box: 3, Folder: 18 (Material Type: Graphic Materials)

[210] [Cattle] by Francesco Londonio (1720–1783), 1763, inclusive

Box: 3, Folder: 19 (Material Type: Graphic Materials)

[211] [Landscape] by Claude Lorrain (1600–1682), 1651, inclusive

Box: 3, Folder: 19 (Material Type: Graphic Materials)

[212] "A view of the Ponte–Mole near Rome," after Claude Lorrain (1600–1682), by Thomas Major (1714–1799), 1753, inclusive

drawer: FF-E, Folder: 22 (oversize) (Material Type: Graphic Materials)

[213] "Evrosine, Aglaia, Talia," after Antonio Canova (1757–1822), drawn by Giovanni Tognolli (1786–1862), engraved by Domenico Marchetti (1780–1844), undated, inclusive

drawer: FF-E, Folder: 22 (oversize) (Material Type: Graphic Materials)

[214] "Giorgio Washington," after Antonio Canova (1757–1822), drawn by Giovanni Tognolli (1786–1862), engraved by Domenico Marchetti (1780–1844), undated, inclusive

drawer: FF-E, Folder: 22 (oversize) (Material Type: Graphic Materials)

Related Materials

Same as no. 178.

[215] [Baptism of child] by Carlo Moratti (1625–1713), undated, inclusive

Box: 3, Folder: 19 (Material Type: Graphic Materials)

[216] [Roys Auguste], after Nicholas Mignard (1606–1668), by Antoine Masson (1636–1700), undated, inclusive

drawer: FF-E, Folder: 23 (oversize) (Material Type: Graphic Materials)

Scope and Contents

L'Honneur quil s'est acquis est sy grand et sy just
Et l'on aura pour luy tant d'estime et d'Amour
Que comme les grands Roys prenent le nom d'Auguste
Les plus fameux heros prendront celuy d'harcour.

[217] [Woman with three children] after Corregio (circa 1489–1534), engraved by Raffaelo Morghen (1761–1833), undated, inclusive

Box: 3, Folder: 19 (Material Type: Graphic Materials)

[218] "Johannes Vulpatus," after Angelica Kauffman (1741–1807), drawn by Stefano Tofanelli (1752–1812), engraved by Raffaelo Morghen (1761–1833), undated, inclusive

Box: 3, Folder: 19 (Material Type: Graphic Materials)

[219] "Justitia," after Raphael (1483–1520), drawn by Bernardino Nocchi (1741–1812), engraved by Raffaelo Morghen (1761–1833), under Giovanni Volpato (1735–1803), undated, inclusive

drawer: FF-E, Folder: 22 (oversize) (Material Type: Graphic Materials)

[220] "Philosophia," after Raphael (1483–1520), drawn by Bernardino Nocchi (1741–1812), engraved by Raffaelo Morghen (1761–1833), under Giovanni Volpato (1735–1803), undated, inclusive

drawer: FF-E, Folder: 22 (oversize) (Material Type: Graphic Materials)

[221] "Poesis," after Raphael (1483–1520), drawn by Bernardino Nocchi (1741–1812), engraved by Raffaelo Morghen (1761–1833), under Giovanni Volpato (1735–1803), undated, inclusive

drawer: FF-E, Folder: 22 (oversize) (Material Type: Graphic Materials)

[222] "Theologia," after Raphael (1483–1520), drawn by Bernardino Nocchi (1741–1812), engraved by Raffaelo Morghen (1761–1833), under Giovanni Volpato (1735–1803), undated, inclusive

drawer: FF-E, Folder: 22 (oversize) (Material Type: Graphic Materials)

[223] "Ego Dormio et cor meum vigilat," after Peter Paul Rubens (1577–1640), drawn by Pietro Angeletti (active 1758–1786), engraved by Raffaelo Morghen (1761–1833), undated, inclusive

drawer: FF-E, Folder: 22 (oversize) (Material Type: Graphic Materials)

[224] [Man holding sheet of paper] after Anthony van Dyck (1599–1641), by Robert van Vorst (1597–circa 1635), undated, inclusive

Box: 3, Folder: 19 (Material Type: Graphic Materials)

[225] "Animus Illabere Nostris," after Peter Paul Rubens (1577–1640), by Paulus Pontius (1603–1658), 1627, inclusive

drawer: FF-E, Folder: 23 (oversize) (Material Type: Graphic Materials)

[226] "Theodorus Vanlonius," after Anthony van Dyck (1599–1641), by Paulus Pontius (1603–1658), undated, inclusive

Box: 3, Folder: 19 (Material Type: Graphic Materials)

[227] "Simon de Vos," after Anthony van Dyck (1599–1641), by Paulus Pontius (1603–1658), undated, inclusive

Box: 3, Folder: 19 (Material Type: Graphic Materials)

[228] [Nativity scene] after Corregio (circa 1489–1534), by Carl Heinrich Rahl (1779–1843), undated, inclusive

drawer: FF-E, Folder: 23 (oversize) (Material Type: Graphic Materials)

[229] [Popes], undated, inclusive

Box: 3, Folder: 19 (Material Type: Graphic Materials)

[230] [Saints], undated, inclusive

Box: 3, Folder: 19 (Material Type: Graphic Materials)

[231] [Greek philosophers], undated, inclusive

Box: 3, Folder: 20 (Material Type: Graphic Materials)

[232] [Pope and Roman emperors], undated, inclusive

Box: 3, Folder: 20 (Material Type: Graphic Materials)

[233] [Man in hat] after Rembrandt van Rijn (1606–1669), undated, inclusive

Box: 3, Folder: 20 (Material Type: Graphic Materials)

[234] [Castle] by Thomas Wyck (1616–1677), undated, inclusive

Box: 3, Folder: 20 (Material Type: Graphic Materials)

[235] [Landscape], undated, inclusive

Box: 3, Folder: 20 (Material Type: Graphic Materials)

[236] "Henri IV et ses Enfants," after Jean–Auguste–Dominique Ingres (1780–1867), by Theodore Richomme (1785–1849), 1835, inclusive

drawer: FF-E, Folder: 23 (oversize) (Material Type: Graphic Materials)

[237] [Carrying the cross] after Albrecht Dürer (1471–1528), by Aegidius Sadeler II (circa 1570–1629), undated, inclusive

drawer: FF-E, Folder: 22 (oversize) (Material Type: Graphic Materials)

[238] "Helena Forman, Rubens's Second Wife" after Anthony van Dyck (1599–1640), drawn by George Farington (1752–1788), engraved by Louis Sailliar (1748–circa 1795), 1783, inclusive

drawer: FF-E, Folder: 23 (oversize) (Material Type: Graphic Materials)

[239] "Mucius Scaevola before Porsenna," after Peter Paul Rubens (1577–1640), by Jakob Matthias Schmutzer (1733–1811), undated, inclusive

drawer: FF-E, Folder: 23 (oversize) (Material Type: Graphic Materials)

[240] "Celebrated Madonna of Coreggio, with the Magdalen, St. Jerom [sic], &c," after Corregio (circa 1489–1534), drawn by Parma, engraved by Robert Strange (1721–1792), 1771, inclusive

drawer: FF-E, Folder: 22 (oversize) (Material Type: Graphic Materials)

[241] [Landscape] by Herman van Swanevelt (1600–1665), undated, inclusive

Box: 3, Folder: 20 (Material Type: Graphic Materials)

[242] [Pan and angel] after Agostino Carracci (1557–1602), by Flaminio Torri (1621–1661), undated, inclusive

Box: 3, Folder: 20 (Material Type: Graphic Materials)

[243] [Man with book] after Anthony van Dyck (1599–1641), by Robert van Vorst (1597–circa 1635), undated, inclusive

Box: 3, Folder: 20 (Material Type: Graphic Materials)

[244] "Nox," after Francesco Barbieri (1623–1698), drawn by Stefano Tofanelli (1752–1812), engraved by Giovanni Volpato (1735–1803), undated, inclusive

drawer: FF-E, Folder: 22 (oversize) (Material Type: Graphic Materials)

[245] "Lucifer," after Francesco Barbieri (1623–1698), drawn by Stefano Tofanelli (1752–1812), engraved by Giovanni Volpato (1735–1803), undated, inclusive

drawer: FF-E, Folder: 22 (oversize) (Material Type: Graphic Materials)

[246] "Semper Paupers habetis vobiscum me autem non semper habetis," after Paolo Veronese (1528–1588), by Giovanni Volpato (1735–1803), undated, inclusive

drawer: FF-E, Folder: 22 (oversize) (Material Type: Graphic Materials)

[247] [Landscape illustrating quote from Virgil] after Claude Lorrain (1604–1682), drawn by Stefano Tofanelli (1752–1812), engraved by Giovanni Volpato (1735–1803), undated, inclusive

drawer: FF-E, Folder: 23 (oversize) (Material Type: Graphic Materials)

Scope and Contents

IUNIPERI GRAVIS UMBRA. NOCENT ET FRUGIBUS UMBRAE
ITE DOMUM SATURAE VENIT HESPERUS ITE CAPELLAE

[248] [Woman with flowers in bosom] after Joshua Reynolds (1723–1792), by Thomas Watson (1748–1781), undated, inclusive

Box: 3, Folder: 20 (Material Type: Graphic Materials)

[249] [The Honourable Mrs. Bou], undated, inclusive

drawer: FF-E, Folder: 23 (oversize) (Material Type: Graphic Materials)

[250] "Louis Phelypeaux Comte de Saint Florentin," after Louis Tocque (1696–1772), by Johann Georg Wille (1715–1808), 1751, inclusive

drawer: FF-E, Folder: 22 (oversize) (Material Type: Graphic Materials)

[251] "Colbert," by Paolo Toschi (1788–1854), 1811, inclusive

Box: 3, Folder: 20 (Material Type: Graphic Materials)

[252] "Nicolo Machiavelli," by Santi di Tito (1536–1603), by Paolo Toschi (1788–1854) and Antonio Isac (1788–1828), undated, inclusive

Box: 3, Folder: 20 (Material Type: Graphic Materials)
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