Jaime Davidovich Collection
Call Number
Date
Creator
Extent
Language of Materials
Abstract
The Jaime Davidovich Collection contains materials pertaining to his career as a visual artist, public access television producer, activist, and non-profit organizer. The collection contains documentation of Davidovich's career. Materials include: correspondence, clippings, drawings and sketches, exhibition catalogs, videotapes, and objects and artifacts such as Fluxus multiples, television-shaped objects, and a Sony color Portapak. Materials are in English and Spanish.
Biographical note
Jaime Davidovich is known as an artist whose innovative and multi-dimensional artworks and art-making activities produced several distinct professional reputations including painter, installation artist, video artist, public access television producer, activist, and non-profit organizer. Like his artwork, Davidovich's career challenges the boundaries of any one professional identity. His professional career demonstrates a desire to expand the formal boundaries of art practice and the public forums for art exhibition.
Jaime Davidovich was born in Buenos Aires, Argentina in 1936. Educated at the National College in Buenos Aires, Argentina; the University of Uruguay; and the School of Visual Arts in New York, Jaime Davidovich has exhibited widely at museums in New York, Ohio, and Iowa, and internationally in Iran, Spain, Brazil, Cuba, Argentina, Colombia, Belgium, Italy, France, and Germany. Jaime Davidovich currently resides in New York.
Davidovich began exhibiting his paintings professionally in 1958 in Argentina, Brazil, and the United States. Interested in space and texture, he experimented with the boundaries of visual artworks first by dissolving the structure of the painting's frame by affixing canvas to walls and then by installing works directly on walls, floors, stairways, and sidewalks. Adhesive tape came to figure prominently in Davidovich's work, initially as a means to affix canvas to walls and subsequently as an artistic medium itself.
The emergence of portable video equipment in the late 1960s dovetailed with Davidovich's existing interest in minimalism and the aesthetics of line. Davidovich's single channel video works "Road" in 1972 and "3 Mercer Street" in 1975 are some of his earliest video art explorations. These works are noteworthy because of their institutional backing; "Road" was produced with the assistance of the Akron Art Institute in Ohio and "3 Mercer Street" was made possible by a grant from the Creative Arts Public Service (CAPS) program. Davidovich then went on to create video installations, including his "Evita" works that developed between 1984-1992 and "Inside and Between" a 1996 work shown at the Museo del Barrio in New York City.
When cable television emerged in the mid-1970's, Jaime Davidovich was one of the first artists to recognize its potential for the contemporary arts. In 1976 he helped establish Cable SoHo. A year later he established the Artists Television Network, a nonprofit organization established to explore the artistic potential of broadcast television and encourage the dissemination of video art through a commercial broadcast medium. The organization produced television programming under the name SoHo Television, a Project of the Artists Television Network, and broadcast on Manhattan Public Access Cable. Programming included video art, early music videos, performances and interviews with artists including Laurie Anderson, John Cage, and Richard Foreman among many others. The organization produced programming until 1984.
Davidovich is perhaps best known for his work on The Live! Show, a weekly public access television program with a variety show format that appropriated the formal norms of television along with avant-garde performances, artwork, political satire, and social commentary. Davidovich developed the character Dr. Videovich, a psychologist and specialist in television addiction. The show also featured commercials for Videokitsch, commercially produced items and art multiples made by Davidovich and others. In 1991 the American Museum of the Moving Image presented a retrospective of The Live! Show. In 2007 the Museo Nacional Centro de Arte Reina Sofia in Spain added The Live! Show to its collection of video art.
Selected Exhibitions
1971
"Jaime Davidovich's 'Carroll Wall Project'", John Carroll University, Cleveland, Ohio
"Experiments in Art and Technology", B.K. Smith Gallery, Lake Erie College, Painesville, Ohio
"Iberamerican Celebration", Drake University, Des Moines, Iowa
"11 From E.A.T.", John Carroll University, Cleveland, Ohio
1972
"Six Artists", Akron Art Institute, Akron, Ohio
"Master Drawings and Works on Paper", The New Gallery, Cleveland, Ohio
"Five Artists", The New Gallery, Cleveland, Ohio
"Hacia un Perfil del Arte Latino Americano", Pamplona, Spain
"Arte de Sistemas", Museo de Arte Moderno, Buenes Aires; Museo de Bellas Artes, Santiago, Chile
1973
"Railroad Bridge Project", The New Gallery, Cleveland, Ohio
Biennial Exhibition", Whitney Museum of American Art, New York
Bykert Gallery, New York
1974
"Open Circuit" Video Show, Museum of Modern Art, New York
"Kunst Systemen in America - Centrum", Antwerpen, Belgium
"Latin American Week in London", Institute of Contemporary Arts, London
Museum of Fine Arts, Brussels, Belgium
Museum of Modern Art, Antwerp, Belgium
1975
"Art of the Seventies", Museum of Modern Art, Buenos Aires, Argentina
"Fourth International Open Encounter on Video", CAYC, Buenos Aires, Argentina
"Encounter of Video Tape", Museum of Art, Ferrara, Italy
"Art Today USA", Teheran, Iran
"International Encounter of Video Tapes", Espace, Pierre Cardin, Paris
Video Performance, 3 Mercer Street Store, New York
"Video Tapes", New Gallery, Cleveland, Ohio
1976
"Jaime Davidovich: Video Tapes", Anthology Film Archives, New York
"Jaime Davidovich Video VII", Museum of Modern Art, New York
"New York - Downtown Manhattan - Soho - Academie de Kunst", Berlin
"The New American Filmmakers Series", Whitney Museum of American Art, New York
"Baseboard", The Kitchen, New York
Arnot Museum, Elmira, New York
1977
"Artists Make Television", Anthology Film Archives, New York
"Soho Television", The Kitchen, New York
"Adhesive Tape/Video Installation", Everson Museum of Art, Syracuse, New York
"Outdoor Environmental Art", The New Gallery, Cleveland, Ohio
"Art of the Seventies", Fundacion Miro, Barcelona
"New York Artists", Louisiana Museum, Denmark
"8th International Video Art Festival", Continental Gallery, Lima, Peru
1978
"Jaime Davidovich 'Art Turns on Television'", Coroborree, New York
"Soho Television", The Kitchen, New York
"Video - Entre L'Art ila Comunicacio - Series Informatives 1", Col-legi D'Arquitectes de Catalunya, Institut Alemany de Barcelona, Barcelona
1979
"Intermedia", Corroboree Gallery, Iowa State University, Iowa City (Catalogue)
"Soho TV Presents", Long Beach Museum of Art
1980
"Shock Opera", Youthinasia, Hurrah, New York
"Visual Arts Conference", University of Northern Iowa, Cedar Falls
"Video - Informative Series 2", Collegi D'Arquitectes de Catalunya, Institut Alemany de Barcelona, Barcelona
"Jaime Davidovich", Stichting Agora, Nederland
Agora Studio, Maastrich, Holland
1981
"Video/Behavior/Art", Institut D'Estudis Nord-Americans, Barcelona (Catalogue)
Long Beach Museum of Art, Los Angeles
"Video", University Art Museum, Berkley, California
"Alternatives in Retrospect", The New Museum, New York (Catalogue)
1982
"The Artist and Television", The University of Iowa School of Art and Art History, UCLA College of Fine Arts, Long Beach Museum of Art, NYU College of Arts
"The Live! Show", MCTV, New York
Chicago Editing Center, Chicago
"Athens International Film/Video Festival", Athens Center for Film and Video, Ohio University College of Fine Arts (Catalogue)
"Videodagen", Fodor, Amsterdam (Catalogue)
Video and Television Festival, Maastrich, Holland
"Festival de Video", Center for Media Art, American Center, Paris
"Kijkschrift een Uitgave Van Het Kijkhuis", Kijkhuis World Wide Video Festival, Nederland (Catalogue)
"New Images/New Languages", Toulouse, France
1983
"Video/ Jaime Davidovich", Hallways, Buffalo, New York
"Television!", Group Installation at the Windows at 62 White Street, New York
"Watching Television - A Video Event", School of Art and Design, University of Illinois at Urbana-Champaign
"Wake Up", Artists in Residence Series of the Chicago Editing Center
"Video/Culture", Harbourfront
"17 Bienal de Sao Paulo", Brazil (Catalogue)
"TV USA 1983", Institute of American Studies, Barcelona, Spain (Catalogue)
1984
"Cleveland Revisited", The New Gallery of Contemporary Art, Cleveland, Ohio (Catalogue)
"TV on TV", Texas Tech University
"Global Village 10th Annual Documentary Festival", New York (Catalogue)
"So There, Orwell - 1984 - A Video Review", The Louisiana World Exposition (Catalogue)
"Video: A Retrospective", Long Beach Museum of Art
"World Wide Video Festival 84", Kijkhuis, Nederland (Catalogue)
"From TV to Video", l'immagine elettronica, Bologna (Catalogue)
"1 Bienal de la Habana", Pabellon Cuba Museo Nacional, La Habana, Cuba (Catalogue)
"Salso Film and TV Festival", Assessorato Alla Cultura del Comune di Parma, Parma
1985
"Artists Talk Back to the Media", Holland
"Utah Arts Festival 1985", Triad Center, Salt Lake City, Utah (Catalogue)
"Famous for 30 Seconds - Artists in the Media", Artists Space, New York (Catalogue)
1986
"Television's Impact on Contemporary Art", The Queens Museum, New York
"Artists' Television Project", The University of Iowa, Iowa City
"Transcultural/Transmedia", Exit Art, New York
"Computer Culture Days Linz", ORF - Videonale/New Images for a New Age, ARS Electronica, Austria
1988
"Jaime Davidovich", Diane Brown Gallery, New York (Catalogue)
"Crossing Over: Video, Criticism, Theory", The Corroboree + Multimedia Studios, School of Art and Art History, The University of Iowa, Iowa City
"1988 National Latino Film and Video Festival", El Museo del Barrio, New York
"San Antonio Film and Video Festival", San Antonio
1989
"Image World - Art and Media Culture", Whitney Museum of American Art, New York (Catalogue)
"Pervasive Symbiosis - Ten Argentine-New York Artists", La Agencia, New York
1989-90
"The Live! Show Retrospective", American Museum of the Moving Image, New York (Catalogue)
"The Latin American Spirit: Art and Artists in the United States, 1920- 1970", The Bronx Museum of the Arts, New York (Catalogue)
1990
"Jaime Davidovich - Contexto Transcultural Video-Instalaciones", ICI de Buenos Aires, Argentina
"Ideas and Images from Argentina", The Bronx Museum of the Arts, New York
"Video Arte Internacional", Museo Nacional de Bellas Artes, Asociacion Argentina de Criticos de Arte, Instituto de Cooperacion Ibero Americana, Buenos Aires, Argentina (Catalogue)
"Image World: Metamedia", Whitney Museum of American Art, New York
"The Decade Show - Frameworks of Identity in the 1980's", Museum of Contemporary Hispanic Art; The New Museum of Contemporary Art; The Studio Museum in Harlem, New York (Catalogue)
1991
"Forces/Farces", Exit Art, New York
1992
"Los Pueblos Quieren Saber de que se Trata", Video Installation, Fundacion Banco Patricios, Buenos Aires, Argentina
"Americas", Monasterio de Santa Clara, Moguer (Huelva) (Catalogue)
"Uncommon Ground", College Art Gallery, SUNY New Paltz, New York (Catalogue)
"Democracy in Communication", International Media Resource Exchange (Catalogue)
1993
"Buenos Aires Video", ICI de Buenos Aires, Argentina. (Catalogue)
"Festival on tactical television", Paradiso Amsterdam (Next 5 Minutes Video Catalogue)
1994
"Lo Falso, Lo Virtual, Lo Real", ICI de Buenos Aires, Argentina
"Scars, Pleasure + Sacrifice", Argentina, Colombia Video Creation, Colombian Center and Consulate General of Argentina, New York
"Ver Y Estimar", Museo Nacional de Bellas Artes, Buenes Aires, Argentina (Catalogue)
"Recordando el Futuro", Colombian Mission, New York
1995
"The Promised Land", Installation, ICI de Buenos Aires, Argentina
"El Museo del Barrio Twenty-fifth Anniversary Exhibition- Part III- Reaffirming Spirituality", El Museo del Barrio, New York
1997
"Legacy/Legado", The Old State House, Hartford, Connecticut (Catalogue)
1998
"Zocalo" 1975-1998, Museum of Modern Art, Buenos Aires,Argentina
1999
"Paintings in Real Time", Lehman College Art Gallery, New York
2000
"The End" An 18-year history of Exit Art",Exit Art, New York
2002
"EXO" Kleinert Arts Center, Woodstock, New York
2003
"View from Above" Deep Listening Center, Kingston, New York
"Paintings in Real Time" Museo de Arte Moderno Buenos Aires, Argentina
2004
"Jaime Davidovich Video Works 1970-2000" The Phatory Gallery, New York (Catalogue)
"Imaging the River" The Hudson River Museum, New York
"Ultravideoform" Mitchell Algus Gallery, New York
2005
"Odd Lots" Revisiting Gordon Matta Clark's Fake Estates. White Columns/ Queens Museum of Art". New York
Pioneros de video arte "Peter Campus-Jaime Davidovich" Galeria Senda. Barcelona. Spain
"Jaime Davidovich" VanGuardia, Bilbao, Spain
2006
"Primera Generacion. Arte e Imagen en Movimiento" Museo Nacional Centro De Arte Reina Sofia. Madrid. Spain
"The studio visit". Exit Art. New York
2007
Monografia. Stand By TV. La Caixa. Barcelona. Spain
Arrangement
Series I: Jaime Davidovich Artist Files This series contains materials related to Jaime Davidovich's professional art career. The series is divided into eleven subseries.
Subseries A: Project Proposals includes descriptions, abstracts, and proposals for artworks.
Subseries B: Production Materials contains notes, preliminary research on sites, photo-documentation of finished projects.
Subseries C: Works on Paper incorporates completed works on paper by Jaime Davidovich.
Subseries D: Exhibition catalogues and Press includes catalogues, press releases, publicity, and press for exhibitions featuring Jaime Davidovich's work.
Subseries E: Correspondence consists of letters, faxes, emails, and telegrams from and to Jaime Davidovich.
Subseries F: Publications written by Jaime Davidovich includes essays as well as published visual works.
Subseries G: Publications designed by Jaime Davidovich contains mockups and design proofs for magazines, books, and publicity materials.
Subseries H: Teaching and Presentations includes photographs, notes, and other materials connected to teaching, conferences, and other public presentations.
Subseries I: Photographs of Jaime Davidovich includes artist portraits, video stills, and candid photography.
Subseries J: Press, Interviews, and Essays about Jaime Davidovich contains writing that is not connected to a particular exhibit.
Series II: Artists' TV Network contains materials realting to the organization and programming of the network and is divided into five subseries.
Subseries A: ATN publicity includes promotional materials such as posters and brochures, and press.
Subseries B: Documentation of Organizational Activity includes materials such as photographs, distribution catalogues, and conference proceedings.
Subseries C: TV Magazine includes materials related to the production of the magazine such as mock-ups.
Subseries D: Correspondence includes collected correspondence organized alphabetically by organization, event, or recipient.
Subseries E: Organizational Materials includes contracts, grant materials, and other documents relevant to the organization's functioning.
Subseries F: Financial Materials includes bank statements, ledgers, and tax information concerning the Artists Television Network.
Series III: The Live! Show includes materials relating to the production, promotion, and exhibition of The Live! Show. It is divided into six subseries.
Subseries A: Production Materials includes notes, sketches and other materials connected to the production of the Live! Show.
Subseries B: Design includes promotional materials for the Live! Show designed by Jaime Davidovich.
Subseries C: Photographs contains photographic documentation of The Live! Show.
Subseries D: Press and Publicity contains posters, invitations, and press materials related to The Live! Show.
Subseries E: Exhibition and Distribution Catalogs includes materials connected to museum exhibitions and commercial distribution of The Live! Show.
Subseries F: Correspondence includes letters and written inquries.
Series IV: Video recordings includes DVD access copies of the original videorecordings acquired as part of the collection.
Series V: Artifacts and Objectsincludes material artifacts collected by Jaime Davidovich. It is divided into four subseries.
Subseries A: Fluxus contains a number of artifacts designed by Fluxus artists including boxes, wall paper, and stationery.
Subseries B: Television Collection includes television shaped or themed artifacts including clothing, children's toys, and novelty items.
Subseries C: ATN and The Live! Show includes objects connected to the production or administration of these media projects including Dr. Videovich's lab coat, an ATN seal paper embosser.
Subseries D: Portapak includes Jaime Davidovich's Sony color portapak camera, deck, battery charger, and operating manual.
Series VI: Administrative Materials includes administrative materials such as grant information and resumes that relate to Jaime Davidovich's professional career. The series is divided into six subseries.
Subseries A: Resumes includes drafts and updated resumes and CVs.
Subseries B: Contacts includes addressbooks, mailing lists and other contact information.
Subseries C: Professional Organizations and Opportunities includes publicity information and membership information regarding professional art organizations and professional opportunities including grants and residencies.
Subseries D: Grants contains grant applications and supporting materials.
Subseries E: Loans consists of loan requests, agreements, contracts, and receipts.
Subseries F: Equipment and Manuals contains directions and owner's manuals for appliances, tools, and audio-visiual equipment.
Series VII: Other Artists contains works, exhibition information, and press pertaining to other artists. It is divided into two subseries.
Series A: Mail Art Album includes items including postcards removed from a binder. Items are organized to reflect the binder's organization.
Subseries B: Announcements and Works includes materials organized by artist name.
Whenever possible, the Jaime Davidovich collection is organized chronologically.
- Series I: Jaime Davidovich Art Files
- Series II: Artists TV Network
- Series III: The Live! Show
- Series IV: Video Recordings
- Series V: Artifacts and Objects
- Series VI: Administrative Materials
- Series VII: Other Artists
- Series VII: Source Material
- Series IX: Family Related
- Series X: Video Submasters - CLOSED
- Series XI: Video Preservation Masters - CLOSED
- Series XII: Video Originals - CLOSED
- Oversize Materials
Scope and Contents
The Jaime Davidovich Collection contains materials pertaining to his career as a visual artist, public access television producer, activist, and non-profit organizer. Materials include: correspondence, clippings, drawings and sketches, exhibition catalogs, videotapes, and objects and artifacts such as Fluxus multiples, television-shaped objects, and a Sony color Portapak. The collection is organized into seven series. Series and subseries reflect Davidovich's areas of interest. Materials are in English and in Spanish.
Subjects
Organizations
Genres
Topics
Conditions Governing Access
Materials are open without restrictions.
Conditions Governing Use
Copyright (or related rights to publicity and privacy) for materials in this collection was not transferred to New York University. Permission to use materials must be secured from the copyright holder.
Preferred Citation
Identification of item, date; Jaime Davidovich Collection; MSS 155; box number; folder number or item identifier; Fales Library and Special Collections, New York University.
Location of Materials
Immediate Source of Acquisition
The Fales Library and Special Collections purchased the Jaime Davidovich Collection from Jaime Davidovich in 2004. The accession number associated with this purchase is 2004.155.
Furthur material was donated by the Jaime Davidovich Estate in August 2022. The accession number associated with this accretion is 2023.016.
Physical Characteristics and Technical Requirements
Access copies for some materials are available by appointment for reading room viewing and listening only. Please contact fales.library@nyu.edu, 212-998-2596.
Separated Materials
The following published materials from the Jaime Davidovich Papers have been individually catalogued into the Fales' Print and Periodicals Collection. Call numbers for these items can be located through Bobcat, NYU's online catalog.
- Alive: The New Performance Magazine v. 1 n.2 (1982).
- Anderson, Alexandra and B.J. Archer. Anderson and Archer's SoHo. Simon and Schuster: 1979.
- Art ComEd. Carl E. Loeffler.n. 15 (1981), n. 16 (1982), v.5 n.18 (1982), v. 5 n. 19 (1982), v. 5 n.20 (1983), v. 6 n.21 (1983), v.6 n. 22 (1983), v. 6 n. 23 (1984), n.24 (1984).
- Avalanche.Eds. Liza Bear and Willoughby Sharp. n.1 (Fall 1970), n. 2 (Winter 1971), n. 3 (Fall 1971), n. 4 (Spring 1972), n. 5 (Summer 1972), n.6 (Fall 1972), n. 7 (Winter/Spring 1973), n. 8 (Summer/Fall 1973).
- Block, Rene. SoHo: Downtown Manhattan.Akademie der Kunste Berliner Festwochen, 1976.
- Jaime Davidovich: Video Works 1970-2000.Eds. Mario Valledor and Alicia Di Stasio. Latinografica S.R.L., 2004.
- Jaime Davidovich: The Live! ShowThe American Museum of the Moving Image, 1989.
- The Decade Show: Frameworks of Identity in the 1980s.Museum of Contemporary Hispanis Art, The New Museum of Contemporary Art, and the Studio Museum in Harlem. 1990 [includes Davidovich work, "Evita: a Video Scrapbook"]
- FILEv.3 n.4 (Fall 1977), v. 4 n.1 (Summer 1978), v.4 n.2 (Fall 1979).
- Fluxus Etc.ed. Jon Hendricks. Cranbrook Academy of Art Museum, 1981.
- Fluxus Etc, Addenda 1. ed. Jon Hendricks. Inc [amprisand], 1983.
- Gaylem, Margot and Edmund V. Gillon Jr. Cast-Iron Architecture in New York.Dover Publications, Inc., 1974.
- Image World: Art and Media Culture.Curated by Marvin Heiferman, Lisa Phillips, and John G. Hanhardt. Whitney Museum of American Art, 1989.
- Kacunko, Slavko. Closed Circuit Videoinstallationen.Berlin: Logos, 2004.
- The New Television: A Public/Private Art.ed. Douglas Davis and Allison Simmons. Cambridge MA: MIT Press, 1979.
- Paik, Nam June. Art for 25 Million People/Bounjour Mr. Orwell/ Art and Satellite.1984.
- Real Life Magazine. New York. n.9 (Winter 1982/1983), n.16 (1986) [Context-Come Together Textere- To Weave" by J. Davidovich], n.20 (1990) ["Manifesto for the last decade of this century" by J. Davidovich].
- SOHO: A Guide, A Documentary.ed. Roland Hagenberg. Egret PUblications, 1986.
- Simpson, Charles R. SOHO: the Artist in the CityUniversity of Chicago Press, 1981.
- Stratton, Jim. Pioneering in the Urban Wilderness. Urizen Books, 1977.
- TV MagazineEd. Robin F. White. Published by Artists Television Network. New York. Pilot issue, v.1 n.1 (1983).
- 3 Mercer Street.Davidovich, Jaime. 1975. Limited Edition # 6/10 (in booklet) #7/10 (on DVD).
About this Guide
Processing Information
In August 2017, one item was prepared to be moved to offsite art storage in September 2017. In 2023, material from an accretion was placed in manuscript boxes.
Revisions to this Guide
Repository
Series I: Jaime Davidovich Art Files
Scope and Contents note
Series I: Jaime Davidovich Art Files contains materials related to Jaime Davidovich's career as a visual artist. The series is divided into eleven subseries:
Subseries A: Project Proposals includes descriptions, abstracts, and proposals for artworks.
Subseries B: Production contains notes, preliminary research on sites, photo-documentation of finished projects.
Subseries C: Works on Paper incorporates completed works on paper by Jaime Davidovich.
Subseries D: Exhibition Catalogues and Press includes catalogues, press releases, publicity, and press for exhibitions featuring Jaime Davidovich's work.
Subseries E: Correspondence, incorporates letters, faxes, emails, and telegrams from and to Jaime Davidovich.
Subseries F: Publications written by Jaime Davidovich includes essays as well as published visual works.
Subseries G: Publications designed by Jaime Davidovich contains mockups and design proofs for magazines, books, and publicity materials.
Subseries H: Teaching and Presentations includes photographs, notes, and other materials connected to teaching, conferences, and other public presentations.
Subseries I: Photographs of Jaime Davidovich includes artist portraits, video stills, and candid photography.
Subseries J: Press, Interviews, and Essays about Jaime Davidovich contains writing that is not connected to a particular exhibit.
Subseries A: Project Proposals
"Road". Description of project created with Akron Art Institute, 1972
State Building, proposal for main sculpture lobby., 1974
"New York Project" proposal to WNET-TV, Channel 13., 1975
"Interior" description of videotape produced at Synapse Video Center., 1977
"Taped Room Project" at MoMA Project Room, 1972-1974
"Taped and Live" Video art installation proposal, Whitney Biennial, 1980
"The Gap", submission to Ithaca Video Festival, 1982
Evita project description, 1984
Proposed contribution to The New Museum's anthology of artists' writing, 1985
Entry form for Festival Internacional de Video y Artes Electronicas in Buenos Aires., 1996
Proposal for "Cross" installation at the Museo Latino., 1997
Video paintings description, edited by Janet Heit., 1998
"Mixed Blessings" Installation proposal, Bronx Museum, 1999
"La Tierra Prometida" ICI exhibit description., undated
"Torn Identity" project abstract., undated
Video Installations promotape abstract., undated
Whitney Museum Taped Project proposal, undated
Black and white contact and prints of proposed installation at the Cleveland Museum of Art., undated
Subseries B: Production Materials
Black and white photographs of paintings. No photographer designated., 1953-1973
Black and white photographs of paintings, Argentina. Photographs by Nanny Roitman, 1954-1955
Black and white photograph of oil painting. Photograph by Diego Forero., 1959
Black and white photographs of oil paintings. [inc. labels "Painting 1960"], 1960-1962
Black and white photographs and negative of painting with string., 1962
Black and white painting and photograph collage, negative, and photograph., 1963
Color slides of Jaime Davidovich's work, paintings and documentation of exhibitions., 1967-1973
Black and white photographs documentating, tape, drape, and line artwork at various venues throughout the 1970s, 1970s
Black and white photographs documenting the Taped Projects., 1970-1974
Black and white photographs of planning collages for J. Carroll show., 1971
Black and white photographs of Jaime Davidovich installing the J. Carroll show., 1971
Black and white negatives and photographs documenting the J. Carroll Show., 1971
Black and white negatives and photographs documenting the J. Carroll Show., 1971
Lake Erie "Wall Project", part of the Experiments in Art and Technology show. Technical data., 1971
Black and white negatives and photographs documenting the Lake Erie "Wall Project", 1971
Black and white negatives and phtoographs documenting the EAT show at Lake Erie Colelge., 1971
Drake University Iberamerican Celebration., 1971
Black and white negatives and prints, study for Cleveland Taped Sidewalk Project., 1972
Black and white negatives, contact sheet, and print for Cleveland Taped Sidewalk Project., 1972
Black and white negatives. Documentation of Cleveland Taped Sidewalk Project., 1972
Black and white negatives and prints, documentation of Cleveland Taped Sidewalk Project., 1972
Black and white negatives and contact sheets, documentation of Cleveland Taped Sidewalk Project., 1972
Black and white negatives. Documentation of Cleveland Taped Sidewalk Project., 1972
ACLU Benefit II, notes on Jaime Davidovich's contribution to the show., 1972
Large format black and white negatives and prints. Preparation for Whitney Museum "Taped Wall Project", 1972
Black and white photographs, labeled "Studio", 1972-1973
Documentatioin of artworks, 1973. Includes clippings and images., 1973
Akron Invitational, black and white negatives and photo-documentation., 1973
Bykert Gallery, "Ceiling Project" artist's notes and black and white photographs., 1973
Euclid Ave. Bridge Project notes and black and white photographs., 1973
Governor's Mansion, artist's notes and black and white photographs., 1973
6 Artists show at the New Gallery in Cleveland. Black and white negatives, prints, and notes., 1973
Whitney Bienial, "Taped Wall Project" black and white photographs., 1973
Documentation of artworks, 1974. Includes announcments, photographs and descriptions., 1973
"Arte de Systemas en Latnioamerica" Black and white photographs of exhibit in Belgium., 1974
State Building, preparatory materials including diagrams and photographs., 1974
Video Photos, 1974. Black and white negatives and contact sheet., 1974
Video Photos, 1974. Black and white negatives and transparency contact sheet., 1974
Video Photos, 1974. collected photographs and negatives., 1974
Video Photos, 1974, color stills, 1974
"Art Today: USA" in Tehran and Lorain County College black and white negatives, photographs, and copies of contact sheets., 1974
No Folder
"Road" black and white photographic video still prints, black and white contact sheets, color snapshots dated 1975, and promotional invite for Lorain County communicty college exhibition., 1975
"Baseboard" black and white still from color video With Diane Brown Gallery identification on reverse., 1975
3 Mercer Street, black and white contact sheets. Videotape of Stuart Sherman's 5th Spectacle., 1975
3 Mercer St. Black and white negatives, contact sheets and photographs. Videotape of Stuart Sherman's 5th Spectacle., 1975
3 Mercer St. videotape of Stuart Sherman's 5th Spectacle. Black and white negatives and photographs- some photographs have portions cut out., 1975
3 Mercer St. Videotape of Stuart Sherman's 5th Spectacle. Notes and publicity materials., 1975
3 Mercer St. videotape of Stuart Sherman's 5the Spectacle. Black and white negatives and photographs- some photogrpahs have portions cut out., 1975
USIA Program, color negatives., 1975
USIA Program, color snapshots., 1975
"Interior" black and white negatives., 1976
"Interior" video stills: black and white negatives and contact sheets., 1976
"Interior Windows" two large format negatives of video stills., 1976
"Two Windows" black and white video stills and annotated project abstract., 1976
Everson Museum, artist notes including drafts of a news release, an invitation, and a project conceptualization., 1977
Everson Museum, installation and production materials and notes., 1977
Everson Museum black and white negatives and photographs., 1977
Everson Musuem black and white negatives, contact sheet, and photographs., 1977
Everson Museum, black and white negatives and photograph., 1977
Everson Museum. Black and white negatives, contact sheet, and photograph., 1977
Everson Museum, photocopies of contact sheets and prints., 1977
Video in SITV performance piece called "Taping- Video and Adhesive Tape Activity" performance directions, photocopies of photographs, transparency., 1977
Lines Project, Black and white contact sheets and prints. Materials include source materials, documentation of spaces, and documentation of art works, some candid and family photographs., 1977-1978
Artist's Postcards submission includes instructions, existing postcards, watercolor template, color photographs., 1978
University of Iowa installation at Corroboree Gallery, photo documentation of site and work. Materials include notes, photographs, contact sheets and negatives, 1979
Qube Project, artists notes, articles, contact sheets, prints, and mock ups., 1979
Black and white photographs documenting video and television artwork including the"Live!" show, Video and adhesive tape projects, and the television collection among others, ca. 1980x
"The Gap" black and white contact sheet, black and white prints, color photocopies and project description., 1981
"Evita: A Video Scrapbook" project description, black and white photographs, contact sheets, and negatives., 1983-1984
"From the Home to the Street, TV Art in New York" black and white snapshots of television graffiti, 1984
"From the Home to the Street" photo essay by Jaime Davidovich., 1984
"Evita" source material, 1984-1992
"Evita" notes, 1984-1992
"Evita" black and white negatives, contact sheets,and photographs documenting installation., 1984-1992
Color slides of Jaime Davidovich's works ca 1986-1991., 1986-1991
"Welcome to Videoland". Black and white photograph documentation of work at Diane Brown Gallery. Photogrpah by D. James Dee., 1986
"Covering the Landscape" black and white photograph documenting the work at the Diane Brown Gallery. Photograph by D. James Dee., 1987
"Covering the Landscape" black and white photographs and negatives., 1987
"Debt/Deaf" installation, artist's notes and sketches., 1988
"Debt/Deaf" installation, production materials including decals, paper samples etc.q, 1988
"Debt/Deaf" installation. Photocopies of Argentine Pesos., 1988
"Debt/Deaf" installation. Black and white negatives, contact sheets, and photographs documenting the work., 1988
"Debt/Deaf" installation. Black and white photograph documenting the finished installation., 1988
"La Isla de Tesoro" [Treasure Island] artist's notes., 1989
"La Isla de Tesoro" [Treasure Island] production materials: yellow tissue paper., 1989
"La Isla de Tesoro" [Treasure Island] black and white negatives, contact sheet, and prints. Work part of the "Pervasive Symbiosis" exhibition at Carla Stellweg Gallery., 1989
"La Isla de Tesoro" [Treasure Island] black and white photo documentation., 1989
"Torn Identity" production materials: Argentine peso., 1990-1992
"Torn Identity" photograph of installation diagram., 1990-1992
"Torn Identity" black and white negatives, contact sheets, and prints of video stills., 1990-1992
"Forces/Farces" at Exit Art. Artist's notes, 1991
"Forces/Fraces" at Exit Art. Production materials: articles, 1991
"Forces/Farces" at Exit Art. Slides, negatives, and prints documenting the exhibition.`, 1991
"Forces/Farces" at Exit Art. Inventory., 1991
"Forces/Farces" at Exit Art. Slides and credit line tags., 1991
"Forces/Farces" at Exit Art. Black and white negative and prints documenting the video installation. Photograph by Larry Lane., 1991
"Forces/Fraces" at Exit Art. Folder including black and white photographic documentation of the exhibit as well as publicity materials., 1991
"Forces/Farces" at Exit Art. Question guide and responses., 1991
"Forces/Farces" at Exit Art. Copy of guestbook., 1991
Fundacion Banco Patricios, floorplan, 1991-1992
Fundacion Banco Patricios, artist's notes., 1991-1992
Fundacion Banco Patricios, polaroid panaramic collage documenting the installation., 1991-1992
Fundacion Banco Patricios, black and white negatives and photographs of diaramas., 1992
Fundacion Banco Patricios, black and white contact sheets and prints, color prints. Photodocumentation of "Los Pueblos" installation. [contact sheets are video still from "3 Mercer St", 1992
Fundacion Banco Patricios, black and white pirnt of "Los Pueblos" installation., 1992
"Torn Identity" Production Materials: color snapshots., 1992
"Torn Identity" black and white video still large format negative and photograph., 1992
Fundacion Antorchas, production file including floor plans and notes., 1994
"Point of Contact" photographs, negatives, transcript of interview with Borges, planning sketches., 1994
"Red, Blue, Yellow" Photodocumentation of Museo de Bellas Artes, Buenos Aires. Archive of Video Art and Experimental Film., 1994
Scars, Pleasure, Sacrifice at Colombia Center, artist's notes., 1994
Scars, Pleasure, Sacrifice at Colombia Center, Maxell 3.75 inch floppy. Labeled "2 sketches Colombia" Other titles crossed out including "Eye With Painting" and "AR Dollar Distorted"., ca 1994
Scars, Pleasure, Sacrifice at Colombia Center. Production materials: Color photographs, negatives, and diagrams, 1994
Scars, Pleasure, Sacrifice at Colombia Center. Photograph of Jaime Davidovich's contribution, "Recordando el Futuro", 1994
Scars, Pleasure, Sacrifice at Colombia Center. Photograph and mock-up for "Recordando el Futuro", 1994
Color negatives and photographs of studio space, 1994
Color negatives and photographs of studio space, 1994
ICI Buenos Aires, black and white print of Jaime Davidovich's piece., 1994-1995
Photographic documentation of exhibitions at Colombia Center, Museo Del Barrio, and ICI., 1994-1995
ICI Buenos Aires, slices, color negatives, and photographs of gallery space., 1995
ICI floorplans, 1995
"Yo Errancia" at ICI, black and white photographic documentation of work., 1995
""La Tierra Prometida" at ICI reference for figurines, notes, black and white photograph, and photocopies., 1995
ICI, "La Tierra Prometida" production materials: adhesive paper, some printed with internet forum table of contents, paint chips, directions for printing., 1995
No Folder
"La Tierra Prometida" at ICI, color photo documentation., 1995
"La Tierra Prometida" black and white large format netatives and black and white prints., 1995
Museo del Barrio "Artists Talk Back" exhibition. Includes artist's notes, drawings, paint chips and other planning materials., 1995
Museo del Barrio "Artists Talk Back" exhibition. Includes black and white negatives, contact sheet, and photographs documenting the installation., 1995
Isis Conceptual Laboratory group show, "Looking for the Pieces". Includes source material and color photographs documenting the exhibit., 1996-1997
"Zocalo" VHS sleeve. Lists the titles and production years of video art included: "Taped Project" 1970, "Road" 1972, "Bath" 1976, "Video Paintins" 1998., 1998
Black and white photograph of video still, labeled "Retirement Communties", used in "Zocalo", 1998
"Video Paintings" sketches and black and white photographs., 1998
"Zocalo" at Museo de Arte Moderno in Buenos Aires. Color negatives and photographs., 1998
"USIA 98" notes and drafts., 1998
Video Painting. Labels, negative, and black and white prints., 1999
Exit Art, "The End" color negatives and photographs documenting the installation, 2000
MALBA, photographs, slides, and notes.., 2003
Notes about adhesive tape work., undated
"Jaime Davidovich Art on Tape, Tape as Art" logo, undated
"TV Set Art on Tape" color negatives and black and white negatives., undated
Museo de Arte Moderna, notes., undated
Carpet both ways, black and white photographs., undated
"Forces" black and white contact sheet and negatives of video stills., undated
"The Gap" black and white video still photograph., undated
Garbage street, color negatives., undated
"Road to Nowhere, Globalism" color negatives.,, undated
"Legacy/Legado" exhibition, notes and photographs of "Inside and between", undated
Color negatives and photographs documenting the Lehman Art Gallery space., undated
"Lo Falso" at ICI Buenos Aires, color photographs and artist's notes., undated
Not in New York Gallery Show, diagram., undated
Oil paintings, black and white photographs. Photographs by Jorge Roiger and Ivan Sani, undated
Oil Paintings, color negatives., undated
"Road" videotape installation.diagrams, negatives, and photographs., undated
SoHo Wants to Know. Original photographs and negatives., undated
"SoHo, So What?" Artist notes, snapshots., undated
"SoHo, So What?"source material., undated
"SoHo, So What?" Bibliogrpahy, formatted photographs., undated
"Still Life" black and white negatives and contact sheet., undated
"3 Level" black and white negatives and contact sheet., undated
Whitney Prepartory #1, black and white negatives, undated
Whitney Prepartory #2, black and white negatives, undated
Color slides, mixture of ATN, SoHo TV, the Live! Show, Jaime Davidovich's work and candid., undated
Collected documentation of Jaime Davidovich's work: Videotape catalogue, Corroboree advertising postcard, black and white photographs, two art objects on paper., undated
Black and white contact sheets from a variety of projects including "Road", "Baseboard" Interior"., undated
Black and white photograph of gallery installation model., undated
Glossy red paper, undated
Large format negatives, "Poverty", "Consumerism", and "Ecology", undated
Color negatives and prints of video stills, undated
"Desire newspaper cartoons" color negatives, undated
Color Copies of television images., undated
No Folder, undated
Subseries C: Works on Paper
TV photograph collage., 1973
"Tape as Art", 1974
Art on Tape/ Tape as Art Blue taped screen on paper., 1976
"Buy Lies" story board, 1979
Time Magazine cover with two pencil drawings of Ronald Regan, one on either side of the cover. Magazine dated 1983., ca 1983
"Hiding Inside Television" Jaime Davidovich 1955, recreated February 2000., 2000
Art sign. Color video still on heavy paper, undated
"Opinion" sign, oil on canvas., undated
Subseries D: Exhibition Catalogs, Publicity, and Press
Catalog, "5 Pinturas de Jaime Davidovich" at Galeria von Riel, Buenos Aires., 1958
Program, "Exposicion Jaime Davidovich, Pinturas y Dibujos" at Museu Nacional de Belas Artes, Rio de Janeiro., 1958
Program, Davidovich exhibit at la Biblioteca Bernardino Rivadavia, Buenos Aires., 1961
Program, "Jaime Davidovich and Delia Puzzovio Pinturas de 16 Al 31 de Mayo de 1962" at Nueva-Galeria de arte, Buenos Aires, Argentina., 1962
Exhibition program, "Premio de Honor Ver y Estimar" at the Museo Nacional de Bellas Artes. Includes a Jaime Davidovich painting., 1962
Davidovich show of paintings at the Canton Art Institute. Press and program., 1963
Drake University Iberamerican Celebration program., 1971
John Carroll, University, "Carroll Wall Project" program and photocopies., 1971
Carroll Wall Project press, Fine Arts v. 18 n. 867. Original issue and photocopy of article., 1971
Carroll Wall Project press, photocopy of "Art and Artists" column from Cleveland's The Plain Dealer., 1971
Lake Erie Wall Project, program, 1971
May Show at the Cleveland Museum of Art, press., 1971
Akron Art Institute, Regional Invitational Exhibitions, press., 1972
American Civil Liberties Union Benefit II, programs, publicity, and press., 1972
Cleveland Museum of Art and The New Gallery. "The Sidewalk Project" publicity., 1972
Master Drawings and Works on Paper at the New Gallery in Cleveland, announcement., 1972
Lake Erie College Microfoam Tape Proejct, publicity., 1972
Six Artists Show at Akron Art Institute, catalog., 1972
Bykert Gallery, exhibit announcement., 1973
Rail Bridge Project press, 1973
6 Shows, exhibition at New Gallery, publicity materials., 1973
Whitney Biennial Catalog, 1973
Whitney Biennial press, "Indeed an Honor" in Plain Dealer about Jaime Davidovich meeting Salvador Dali., 1973
Institute of Contemporary Arts and Communication (ICA and CAYC), London. Press and Publicity., 1974
Art Today USA catalog, 1974
3 Mercer Store, advertisements and press reviews.l, 1975-1977
Anthology Film Archives, Video Showw by Jaime Davidovich, publicity and press release., 1976
"Baseboard" screening at The Kitchen, description, promotional stills, and press release., 1976
New American Filmmaker series at the Whitney, press release., 1976
New American Filmmaker series at the Whitney, artist bios., 1976
New American Filmmaker series at the Whitney, press., 1976
Technological Art Invitational exhibition at Towson State College Art Gallery, catalog., 1976
Video VII screening at the Museum of Modern Art, publicity postcard., 1976
Everson Museum of Art in Syracuse NY, Jaime Davidovich Show. Materials include publicity and programs., 1977
University of Iowa, installation and lecture at Corroboree Gallery. Materials include publicity postcards, fliers, and press., 1979
"TV finds its place among fine Arts" in The Plain Dealer, about Jaime Davidovich and Qube project, 1980
Video screening in Holland, press., 1980
Mudd Video 4, four hour marathon screening, press., 1981
Alternatives in Retrosepct, an Historical Overview at the New Museum. Jaime Davidovich's collaboration with Stuart Sherman appears as part of 3 Mercer St. catalog and press release., 1981
Athens Internation Film and Video Festival catalog, 1982
International Media Meeting Catalog, 1982
World Wide Video Festival, 1982
"Fandangos" magazine, advertisement to order an International Media Meeting catalog, 1983
International Impact Art Festival, Kyoto Municipal Museum of Art, Seoul National Museum of Art, 1983
Watching Television, a video event at the Universityy of Illinois at Urbana-Champaign, 1983
Bienal de la Habana, catalog, 1984
Bienal de la Habana, catalog apendice, 1984
Cleveland Revisited exhibition featuring April Gornik, Jaime Davidovich, Michael Vessa, cataloges and publicity mailing., 1984
"Evita" press, 1984-1991
Video: A Retrospective 1974-1984 at Long Beach Museum of Art, catalog and program, 1984
Global Village National Documentary Tour, includes "Evita". Press release, publicity, and catalog., 1985-1986
Collected reviews about Jaime Davidovich, grouped together by artist., 1985-1991
Televisions Impact on Contemporary Art at The Queens Museum, catalog., 1986
Unconventional Constitutional Convention, press and publicity., 1986
Transculture Transmedia at Exit Art. Includes "Evita", exhibition announcement, press release, program schedule., 1986
The Latin American Spirit, Art and Artists in the United States, 1920-1970 T Bronx Museum of the Arts. Press pack., 1988
Diane Brown Gallery, Jaime Davidovich showing. Exhibition catalog and announcement., 1988
The Debt exhibit at Exit Art, promotional mailing., 1988
The Debt exhibit, press release, 1988
Museo del Barrio, National Latino Film and Video Festival, program., 1988
Pervasive Symbiosis, Ten Argentine-New York Artists at Carla Stellweg. Publicity mateirals and press release., 1989
Stationary Show, Wooster Enterprises 1977-1978. Program, 1989
"Contexto Transcultural" at ICI, screening of Jaime Davidovich work, promotional card., 1990
ICI, press, 1990
ICI, videoteca forms., 1990
The Charade of Mastery at the Whitney Museum, Downtown. Programs and Invites., 1990
The Decade Show, programs, publicity and press, 1990
Video Art Internacional at the Museo de Bellas Artes, Argentina, 1990
"Forces/Farces" at Exit Art, publicity announcements., 1991
"Forces/Fraces" at Exit Art, exhibit handout, program notes and artist resume., 1991
"Forces/Farces" at Exit Art, press release, 1991
Forces/Farces at Exit Art, press, 1991
"Los pueblos quieren saber de que se trata" video installation at Fundacion Banco Patricios. Publicity announcement., 1991-1992
"Los pueblos queiren saber de que se trata" at Fundacion Banco Patricios, Artist Bio, 1992
"Lo Falso, Lo Virtual, Lo Real" exhibition at ICI, press review., 1994
"Lo Falso, Lo Virtual, Lo Real" exhibition at ICI, additional press., 1994
"Scars, Pleasure, Sacrifice" exhibit at Colombian Center, NYC. A collaboration between the Permanent Mission of Colombia to the UN and the Consulate General of Argentina. Exhibition catalog., 1994
"Scars, Pleasure, Sacrifice" exhibit at Colombian Center, New York City. Promotional materials and programs., 1994
"La Tierra Prometida" at ICI Buenos Aires, exhibit publicity., 1995
"La Tierra Prometida" at ICI Buenos Aires, press review., 1995
"La Tierra Prometida" at ICI Buenos Aires. Additional press., 1995
El Museo del Barrio 25th Anniversary Exhibition. Publicity postcards and exhibition synopsis., 1995
First exhibition of Euro-American video art, in Buenos Aires. November 11 -17, 1996. Program, 1996
Festival Internacional de video y Artes Electronicas (FIV) in Buenos Aires, Argentina; program, 1996
FIV press, 1996
"Legacy/Legado" exhibition at the Old State House in Hartford, CT; publicity announcements., 1996
"Legacy/Legado" exhibition, press., 1996
Isis conceptual Laboratory "Looking for the Pieces" publicity, 1997
3rd exhibition of Euroamerican digital and video art in Buenos Aires, Argentina,program., 1998
Zocalo (1975-1998) exhibition at the Museo de Arte Moderno in Buenos Aires. Publicity brochure, invitation, and contact sheet., 1998
University of Iowa, show curated over the internet. Essay and Daviovich work downloaded from the University of Iowa website 31 January 1999., 1999
Anthology Film Archives, screening of Davidovich video art works, "Interior" and "Two Windows" Publicity flier and press release., undated
Colaborative Latino/Latino Collaborative. Brochure features Jaime Davidovich's work., undated
The Kitchen, "Baseboard" screening, publicity postcard., undated
Long Beach Museum of Art, "Shared Realities, A Cultural Arts cable series". Publicity and programmining information, undated
La Television Interactivity, screening event in honor of Jaime Davidovich sponsored by Taller, Imagen, y Sonido in Buenos Aires, Argentina; press release., undated
Subseries E: Correspondence
Akron Art Institute, correspondence regarding the Regional Invitational, 1972-1973
Alonso, Rodrigo. Professor at the University of Buenos Aires., 1996-1998
Alonso, Rodrigo. Correspondence regarding "Zocalo" exhibition., 1998
American Civil Liberties Union Benefit II, 1972
Arts Cable Exchange Conference in Minneapolis, Correspondence, 1981
Basso, Carlota Alvarez of theReina Sofia Museo Nacional Centro de Arte., 1999
Buccellato, Laura of the Museo de Arte Moderno in Buenos Aires., undated
Bykert Gallery, correspondence regarding the Ceiling Project., 1973
Cal Arts, correspondence regarding the visiting artist program, 1991-1993
Camitzer, Luis., 1998
Chong, Celia of Global Village video and television documentary festival, 1985
Contemporary Arts Center, Cincinnati, Ohio., undated
Clerk, Pierre of the SoHo Community Council, 1997
Cuperman, Lila, undated
The Decade Show, sponsored by the Museum of Contemporary Hispanic Art, The New Museum, The Studio Museum in Harlem., 1990
Edwards, Susan. Curator of the Hunter College Galleries., 1995
Esperanto Internet Services, LLC correspondence regarding the Legacy/Legado exhibit at the Connecticut State House., 1996
correspondence regarding the Euclid Avenue Bridge., 1993
Everson Museum, 1977
Exit Art, correspondence regarding "The End", 2000
Friedman, Martin of the Walker Art Center., 1982
Fundacion Antorchas, 1994
Fundacion Patricios, 1991-1992
Gagnon, Jean of the National Gallery in Ontario Canada., 1996
Galloway, David. Correspondence regarding Loraine College and Art Today: Tehran., 1974-1975
Glusberg, Jorge., 1994-1997
Godoy, Lilian of the Bienal de la Habana., 1984
Hall, David, undated
Handy, Ellen of the International Center of Photography, 1997
Heitt, Janet regarding translation and proof reading., 1998
Heiss, Alanna of P.S.1 Contemporary Art Center., 1997
Helft, Jorge., 1990
Helft, Marion., 1995-1996
Henning, Edward of the Cleveland Museum of Art., 1973
Ingberman, Jeanette of Exit Art regarding "debt" exhibition., 1988
Instituto de Cooperacion Iberoamericana and Centro de Arte y Comunicacion correspondence regarding exhibit in Brussels, 1974
Instituto de Cooperacion Iberoamericana., 1990
Instituto de Cooperacion Iberoamericana regarding "Lo Falso, Lo Virtual, Lo Real" exhibit., 1994
Instituto de Cooperacion Iberoamericana regarding "Ver y Estimar"., 1994
Instituto de Cooperacion Iberoamericana regarding"La Tierra Prometida", 1995
Isis conceptual laboratory regarding "Looking for the Pieces", 1997
Jackie., 1971
Jeanjean, Stephanie of Le Consortium in Dijon France., 1997
John., undated
Jones, Philip Mallory of the Ithaca Video Festival., 1976
Kite, Laddy. Jaime Davidovich inquiring about a Visual Studies Workshop., undated
Krause, H.B. Jaime Davidovich to Krause at Syracuse University., 1997
LaFerla, Jorge., 1995-1997
Lassallette, Carlos regarding"Recordando el Futuro", 1994
Leavitt, Thomas regarding H.Johnson Museum., 1979
Lippard, Lucy., 1971
Loeffler, Carl of ArtCom, 1984
Mack, Daniel regarding EAT show at Lake Erie, 1972
MIT Press regarding "Open Circuits", 1974
Mediapolis., 1997
Museo del Barrio regarding "Artists Talk Back, Visual Conversations with El Museo", 1995
Museo del Barrio, 1997
Museo Nacional d Bellas Artes, Buenos Aires regarding an archive of video art and experimental film., 1998
Museum of Modern Art, New York regarding Davidovich's 1999 donation., 1999-2000
NBC regarding Late Night with David Letterman., 1982
New Museum, regarding Celebration III, 1981
Ohio State University., 1974
Point of Contact., 1994
Puzzovio, Delila. Part 1 of 2, 1999
Puzzovio, Delila. Part 2 of 2, 1999
Puzzovio, Delila. Part 1 of 2, undated
Puzzovio, Dlilia, Part 2 of 2., undated
Rabinovich, Raquel. Letter of recommendation by Jaime Davidovich., 1999
Ramirez, Mari Carmen., 1998
Rappaport, Herman., undated
Rodriguez, Geno of the Alternative Museum., 1995
Sanjines, Jose regarding Jaime Davidovich's Borges work for Point of Contact., undated
Seltzer, Phyllis regarding EAT Exhibit at Lake Erie., 1972
Sharp, Willoughby, undated
Simpson, Charles regarding "SoHo So What" interview, 1983
Slavin, Sara of the John Weber Gallery. Correspondence regarding Buenos Aires exhibition., 1973
Solway Gallery and Dayton Art Institute regarding the All-Ohio Invitational, 1973
Solway, Carl regarding "Not In New York" gallery show., 1974
State Office Building project, 1974-1975
Stoney, George, 1984
Suarez, Sandra Antelo. Jaime Davidovich letter regarding Diaspora website., 1996
Synapse Video Center, undated
Troncoso, Joe of CalArts, 1993
United States Information Agency (USIA), 1998
University of Iowa, 1978
University of Iowa, 1980
University of Iowa regarding visiting scholars program., 1992-1993
Univeristy of Iowa, 1994-1995
Varrian, John of Finch College Museum of Art regarding Jaime Davidovich's gift of "Draped Tape Project", 1973
Video Cuba, 1994
Video Culture Symposium, 1983
Whitney Biennial, 1972
Whitney Museum, 1978
Whitney Museum, Downtown regarding video program, 1990
Wong, Ernest of Angel Art '93 regarding "Remember the Past", 1993
Printing bids for Diane Brown Gallery Catalogue, 1988
Correspondence regarding arranging an retrospective of Jaime Davidovich's work, 1998
Letters of introduction from Jaime Davidovich to museum curators., 1998
Subseries F: Publication of Jaime Davidovich's Work
"Video Art Out to Lunch"Jaime Davidovich interviews Les Brown, ArtCome v. 6 n.2, 1983
Real Life Magazine #16, "Context-Come Together Textere-To weave" by Jaime Davidovich., 1986
Photocopies of Manifestos written by Jaime Davidovich, published in multiple sources., 1986-1987
Photocopies of assorted published works., 1986-1991
"Poster-Chicago Editing Center 1982" folder includes pubications of Jaime Davidovich's storyboards including one with TeeVee. Also a discussion of Jaime Davidovich's Qube projecct., 1982
Real Life Magazine, invitation to create a piece for publication in the magazine and the artist's production materials including photographs, notes, and negatives., 1989
"Self Potrait by Jaime Davidovich" in the New Yorker [page 13], 1991
Point of Contact, v.4 n,2 includes work "A Video Promenade with Jorge Louis Borges" by Jaime Davidovich, 1995
Arte Audiovisual: Tecnologias y discursos. Conceptulized and compiled by Jore La Ferla. "Marketing hoareno de videoarte" by Jaime Davidovich., 1998
photocopies of Avalanche Advertisement, " Jaime Davidovich, Available for Projects Anywhere in the World"., undated
photocopy of ArtCom article by Jaime Davidovich about the future of art., undated
Subseries G: Publications Designed or Printed by Jaime Davidovich
Cleveland Museum "Taped Sidewalk" flier design, production materials., 1972
Video VII at MoMA, publicity flier mock up,, 1976
"Baseboard" screening at the Kitchen, publicity flier mock up, 1976
From Cover to Uncover catalog, content and design by Jaime Davidovich, printed by Wooster Enterprises., 1977
"All in the TV Family" postcard by Jaime Davidovich, printed by Wooster Enterprises., 1982
Diane Brown Gallery Catalog, negatives, contact sheets, and prints., 1988
Diane Brown Gallery Catalog, essay by Susan Morgan, "Theme Music for Jaime Davidovich", 1988
Diane Brown Gallery Catalog, annotated draft., 1988
Diane Brown Gallery Catalog, notes, 1988
Diane Brown Gallery Catalog, page proofs, 1988
Diane Brown Gallery Catalog, 1988
photocopy of the Diane brown Gallery Catalog, 1988
Anthology Film Archive letterhead, undated
Letterhead including "Watching the World" and "Live! Show", undated
Book design, notes., undated
Flux Stationery by George Maciunas, mock ups for Wooster Enterprises printing., undated
Pozo, la Bienal de Venecia. Booklet produced by Davidovich, Cubero, Renzo, Link, Mercanti, and Noain
Subseries H: Teaching and Presentations
Instituteo Torcuato Di Tella, The First two and a half years. Davidovich was the representative to the United States for the Art Center of the DiTella Foundation in Buenos Aires, Argentina n 1965., 1960-1962
Photographs of Jaime Davidovicht teaching at the School of Visual Arts, Bahia Blanca., 1962
Art education for International Understanding in Montral. Jaime Davidovich participated in a panel about Art Education and Mass Communication. Black and white photographs and program., 1963
Chicago Editing Center, "Wake Up" presentation notes., 1974
International Video Art Symposium at Agnes Etherington Art Center, Kingston Ontario, Canada. Transcript, bulletin., 1977
Arts Cable Exchange Conference in Minneapolis. Programming and registration materials., 1981
Perspectives on the Avant-Garde at University of Iowa. Publicity materials, notes, script, contact infomration, black and white negatives and photographs., 1981
The Artist and Television, teleconference at the University of Iowa., 1982
"Video/Culture an International Audio-Video Festival" program information, 1983
"Video/Culture" symposium promotional materials., 1983
Video/Culture Symposium press, 1983
University of Iowa community and department information, 1986
Symposium: Video, Performance, Theory at University of Iowa. Announcement and Schedule., 1987
Crossing Over: Video, Criticism, Theory symposium at University of Iowa. Publicity flier with schedule., 1988
CalArts workshop Project, course description and campus maps., 1992
University of Iowa visiting scholars program., 1993
Monologue notes., 1998
Syracuse International Film and Video Festival. Dossier., 2004
"Home marketing of Video Art" by Jaime Davidovich., undated
"Art turns on TV" by Jaime Davidovich, undated
Notecards, "Escuela Bellas Artes", "MoMA", "Mesa Redonda". English and Spanish, grouped by Jaime Davidovich., undated
Subseries I: Photographs of Jaime Davidovich
Group photograph including Jaime Davidovich. Black and white negative, original, and larger print., ca. 1964
Jaime Davidovich and Salvador Dali at Whitney Biennial. Black and white photograph and its reprinting and newspapers., 1973
Portraits of Jaime Davidovich by Babette Mangolte. Black and white prints., 1979
Cutout photograph of Jaime Davidovich. Black and white photograph by Babett Mangolte., 1979
Photographs of Jaime Davidovich by Pamela Duffy. Black and white large format negatives and prints., 1982
Photographs of Jaime Davidovich by Babette Mangolte. Black and white contact sheet., undated
Jaime Davidovich with porta-pack. Black and white negatives and contzct sheets., undated
Photographs of Jaime Davidovich. Black and white negatives, contacts, and prints., undated
Photographs of Jaime Davidovich by Nanny Roitman., undated
Two small black and white portraits of Jaime Davidovich., undated
Family photographs, black and white contact sheet and prints., undated
Jaime Davidovich and Borges, black and white negative and prints., undated
Jaime Davidovich with Borges, color photograph., undated
Jaime Davidovich with TV collection. Black and white print., undated
Black and white contact sheet and print, color print of miscellaneous TVs. Grouped by Jaime Davidovich., undated
Black and white photographs of Jaime Davidovich's TV collection., undated
Subseries J: Press, Interviews, and Essays about Jaime Davidovich.
Cleveland Guide, "A Trip Into Space" article about Jaime Davidovich., 1973
Akron Beacon, "New Gallery Goes Under Despite Good Performance", 1973
Photocopy of Art Forum article, "Jaime Davidovich" by Carolyn Kinder Carr., 1974
John Matturi essay "Jaime Davidovich". With annotations., 1979
John Matturi essay, "Jaime Davidovich" in plastic binder., 1979
Video Magazine, "Home is Where the Art Is", 1980
"Miscellaneous Articles 1982" Includes photographs and photocopies of articles relating to Jaime Davidovich's work., 1982
Cahiers du Cinema, made in USA. Center for Media Art Festival de Video, Paris., 1982
Ryuko-Tsushin, profile of Jaime Davidovich., 1983
The Art of Video, Spanish series includes an interview with Jaime Davidovich., 1989
"Tape as Art and Art on Tape" interview of Jaime Davidovich by J.R. Blevins. Transcript and black and white photographs., undated
"Artistas Argentinos en el Exterior" questions and Jaime Davidovich's responses., undated
Interview, Jaime Davidovich and J. Handham., undated
Series II: Artists TV Network
Scope and Contents note
Subseries A: ATN publicity includes promotional materials such as posters and brochures, and press. Subseries B: Documentation of Organizational Activity includes materials such as photographs, distribution catalogues, and conference proceedings. Subseries C: TV Magazine includes materials related to the production of the magazine such as mock-ups. Subseries D: Correspondence includes collected correspondence organized alphabetically by organization, event, or recipient. Subseries E: Organizational Materials includes contracts, grant materials, and other documents relevant to the organization's functioning. Subseries F: Financial Materials includes bank statements, ledgers, and tax information concerning the Artists Television Network.
Subseries A: Artists TV Network Publicity
deo-Art, a TV infant, Is shooting for Prime Time", International Herald Tribune., 1978
"TV: 'SoHo' programs on video art", New York Times, 1979
"Cable Picks" Soho news, 1980-1981
Collected Artists TV press, 1981-1983
Artists Television Network, program schedule., 1983
New York Culture Map, includes Artists TV Network. Japanese., 1983
Press, Sao Paulo Bienal. Mentions ATN., 1983
Conference hosted by the Institute of American Studies, Barcelona, Press., 1983
SoHo TV brochure., undated
Subseries B: Documentation of Organizational Activity
Qube Project, "Artists Television Network Qube Project Report., 1979
Back and white stills, some with descriptions, ca. 1980
Perspectives on the Avant-Garde, black and white photographs and tape description., 1981
Institute of American Studies, Barcelona, USA TV exhibit and conference schedule, programming information, notes, and essays., 1983
Institute of American Studies, Barcelona, USA TV exhibit and conference. Photographs., 1983
From TV to Video, Bologna. Exhibition catalogue., 1984
Video Tape Review, Video Data Bank., 1986
TV Graffiti and SoHo TV" color slides in binder., undated
"SoHo, SoHo TV, Live! Show" color slides in binder., undated
Scrap Book including Artists Television Network, SoHo TV, and the Live! Show., undated
Black and white negatives, contat sheet, and prints. TV stills, including Marshall Efron with the Fluxus Mask., undated
Black and white negatives and contact sheet. TV Stills., undated
Black and white negatives, contact sheet, and prints. TV stills, includes photos of Laurie Anderson with her violin., undated
Black and white negatives, contact sheet, and prints. Photographs of Jaime Davidovich, labeled "Artists TV" on reverse., undated
Black and white photographic video stills, "SoHo Television" and "Welcome to Videoland", undated
Black and white negatives, contact sheet, and prints. Includes video stills of Jaime Davidovich and Richard Foreman, among others., undated
Black and white large format negative and print. Stamped, "The Artists Television Network", undated
Black and white large format negatives and prints., undated
Artists Television Network programming catalog., undated
Artists Television Project at Univeristy of Iowa. Publicity brochure., undated
Video Art on Qube, proposal., undated
Subseries C: TV Magazine.
Cover art, black and white photograph with measuring annotations., undated
Reverand Deacon B. Peachy, notes and graphic., undated
John Wilcock, notes, graphic., 1983
Potato Wolf, graphic and notes., 1983
Nick Yanni, graphic, notes, photocipies., undated
Black and white photographs with annotations, used in TV magazine., undated
TV magazine, volume 1, number 1., 1983
Subseries D: Correspondence
"Films on Art" Rotterdam festival correspondence., 1984
Institute of American Studies, Barcelona. Correspondence regarding the TV-USA-Spain conference., 1983
The Kitchen Cable Review Lounge, 1984
NEA correspondence, 1978-1979
Jaime Davidovich to Nam June Paik., 1984
"Personal, Artists Television Network". Correspondence between members regardingIngrid Wiegand incident., 1978-1979
Qube Project correspondence., 1979
State of New York, Department of State. Correspondence regarding fiscal year 1987,, 1987
Taxes, 1986. Correspondence with Art institutions., 1987
TV Magazine, 1980
University of Iowa, 1979
University of Iowa, 1985
University of Iowa, 1986
University of Iowa, 1988
University of Iowa, 1997
Subseries E: Organizational Materials
ATN Research and Development Project, final report by Leandra Strobing for NEA., 1978
SoHo TV Contract between ATN and Jaime Davidovich., 1979
Agreement for Channel use between Manhattan Cable and ATN, 1982
Manhattan Cable TV community programming handbook, 1982
ATN Introduction and Supplementary Material., undated
ATN Introduction and Supplementary Material., undated
University of Iowa, miscellaneous materials., undated
Miscellaneous works on paper, SoHo TV., undated
Subseries F: Financial materials
IRS Exemption Paperwork, Artists Television Network., 1976-1982
ATN Tax returns, 1978
ATN laminated tax exempt certificate, 1978
ATN tax returns, 1979
ATN Ledger., 1980-1985
ATN Tax returns, 1983
ATN Banking, 1983
ATN taxes and CPA materials, 1983-1986
Forms regarding withholding tax from employees and disability insurance., 1983-1987
ATN taxes, 1984
ATN Citibank statements and cancelled checks., 1984
ATN Citibank statements and cancelled checks., 1985
ATN income tax., 1985
ATN Citibank statements and cancelled checks. Removed from account book in folder 573., 1985-1987
ATN account and check book. Includes paperwork from 1986., 1986
ATN income tax., 1986
ATN Citibank statements, 1986
ATN Citibank statements., 1987
Series III: The Live! Show
Scope and Contents note
Series III includes materials relating to the production, promotion, and exhibition of The Live! Show. Subseries A: Production Materials includes notes, sketches and other materials connected to the production of the Live! Show. Subseries B: Design, includes promotional materials for the Live! Show designed by Jaime Davidovich. Subseries C: Photographs contains photographic documentation of The Live! Show. Subseries D: Press and Publicity contains posters, invitations, and press materials related to The Live! Show. Subseries E: Exhibition and Distribution Catalogs includes materials connected to museum exhibitions and commercial distribution of The Live! Show. Subseries F: Correspondence includes letters and written inquries.
Subseries A: production and presentation materials
Live Show Script, Saludos Amigos and Dr. Videovich call in., 1982
Live Show Format, May 21 1982., 1982
Live! Show format, Mayt 28 1982, 1982
Live! Show format, January 14 1983., 1983
Live Show Format,January 28, 1983, 1983
Live! Show format, January 21 1983, 1983
Sao Paulo Bienal, notes and manuscripts., 1983
Live! Show agenda and format for program at Cleveland Contemporary Art Center., 1984
Hardcover book with notes, photographs, diagrams and other elements in preparation for American Museum of the Moving Image Exhibition., 1989
"Dr. Videovich Real World Workshop" notes and agenda., 1993
The Live! Show production notebook., undated
Contents of the Live! Show production binder. Includes photographs, program descriptions, show format scripts, and mailing list among other items., undated
Live! Show format script,August 13, undated
Live! Show format script, September 24, undated
Program descriptions and model release forms, undated
Subseries B: Design
Live! Show letterhead, undated
AMMI Live! Show retrospective, black and white photographs and production snapshots annotated with scale., undated
Masters for AMMI The Live! Show retrospective catalog., undated
AMMI Live! Show retrospective, catalog mock up., undated
AMMI Live! Show retrospective, program notes mock up, undated
Subseries C: Photographs
Black and white photograph, TV still of art lesson., undated
Black and white photograph, TV still of Dr. Videovich, "Call Now", undated
Black and white photograph, TeeVee, undated
Black and white photograph, video still, "Tel Aviv", undated
Collected black and white photographs of Jaime Davidovich's work, including Live! Show, Evita, Welcome to Videoland, and Video Painting., undated
Black and white photographs, still of The Live! Show., undated
Black and white photographs, Dr. Videovich in TV costume and Jaime Davidovich with TV collection., undated
Black and white photographs. Images labeled "Jaime Davidovich, The Live! Show" folder labeled "Live! Show AMMI", undated
Black and white photographs of Dr. Videovich., undated
Black and white negatives and photographs. Collected stills from the Live! Show. Grouped by Jaime Davidovich, divided into two parts. Part 1 of 2., undated
Black and white negatives and photographs. Collected stills from the Live! Show. Grouped by Jaime Davidovich, divided into two parts. Part 2 of 2., undated
Three black and white photographs and one color photograph of Dr. Videovich and foam televisions., undated
Three black and white video stills of the Live! Show and one color photograph of small foam Sony Television sculpture., ca. 1982.
Black and white video still of the Live! Show with Dr. Videovich and C.A Klonarides. Removed from frame by Fales Library., undated
2 black and white video stills of The Live! Show, 1 black and white image of Jaime Davidovich watching TV., undated
Black and white negatives, contact sheet, and print. Dr. Videovich, undated
Black and white negatives, contact sheet, and print. The Live! Show., undated
Color photographs, undated
Subseries D: Press and Publicity Materials
Live! Show Advertisement, undated
Live! Show Advertisement, undated
Live! Show press release, undated
On Cable magazine, October 1982, Includes Manhattan Cable Television Schedule: Live! Show on Channel J., 1982
Collected Live! Show press and blank storyboard., 1982-1983
Live! Show press, 1983
Sao Paulo Bienal, press, 1983
Two copies, Mensajes y Medios n. 10, includes article "Jaime Davidovich: El Humor como Arma de Reflexion", 1990
Subseries E: Exhibition and Distribution Catalogs.
Bienal de Sao Paulo, Catalogo Geral [Live! Show on p. 129], 1983
Beinal de Sao Paulo,, 1983
Bienal de Sao Paulo, "New Metaphors/Six Alternatives". Includes program, press releases, and other programmatic materials., 1983
Cleveland Contemporary Art Center, "Cleveland Revisited", 1984
1984 A Video Review, "So There, Orwell" Catalog and schedule., 1984
Word-Wide Video Festival. Dr. Videovich tape and Evita Tape., 1984
ArtCom, Utah Arts Festival "Video Environments" includes Schedule, catalog, press release among other programmatic materials., 1985
"On Arts and Artists", Video Data Bank. Distribution catalog., 1985
Art Com Media Distribution Catalog, number 1., 1988
The Live! Show Retrospective at AMMI, programs, 1989
The Live! Show retrospective at AMMI, catalog., 1989-1990
The Live Show, exhibit at AMMI, program and 5 color slides labeled "Digital Diaspora". Grouped by Jaime Davidovich., 1990
"Kill Win", Art Metropole video archive catalogue., 1991
"Next Five Minutes Video Catalog" Festival on Tactical Television. Includes "Saludos Amigos", 1993
Famous for 30 Seconds: Artists in the Media at Artists Space. Inlcudes "SoHo TV presents: The Live! Show", undated
Subseries F: Correspondence
The Live! Show and Manhattan Cable, TV. NY State cable commission hearings. Includes correspondence and some paperwork., 1983
Bienal de Sao Paulo, 1983
Cleveland Contemporary Art Center, 1984
Universidada Campinas, Brazil regarding using "Dr Videovich" and "Videokitsch" works in a multimedia archive., 1996
Jaime Davidovich to Kim Smith. File labeled "Saludos Ameigos '85, N.J. Paik.", 1986
Email correspondence with J.P. Herzberg. Subject line "Herzberg Draft", with annotations., 2000
Series IV: Video recordings
Scope and Contents note
This series includes video art created by Jaime Davidovich, and videotapes created in collaboration with others as part of Artists TV Network and The !Live Show. This series also includes video documentation of events and artworks shot by Davidovich, in particular the original footage Davidovich shot of Gordon Matta-Clark's "Fake Estates" project, entitled "Queens 1975". All original videotapes acquired as part of the Jaime Davidovich Collection have been preserved.
Conditions Governing Access
Access copies for some materials are available by appointment for reading room viewing and listening only. Please contact fales.library@nyu.edu, 212-998-2596.
Title: Bath, 1970's, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:36 minutes
Original format:1/2" Open Reel
Title: Surveillance, 1970's, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available until duplication occurs.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Silent, color,
Duration:33 minutes
Original format:1/2" Open Reel
Title: 1. Sidewalk With Stuart Sherman 2. Frame, 1970's, inclusive
Conditions Governing Access
DVD access copy available.
Conditions Governing Access
Currently available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, black and white,
Duration: 22 minutes
Original format:1/2" Open Reel
Title: Entrances - Final, 1970's, inclusive
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Currently available.
Existence and Location of Copies
DVD access copy available
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, black and white,
Duration:22 minutes
Original format:1/2" Open Reel
Title: Road / Jaime Davidovich, 1972, inclusive
Conditions Governing Access
DVD access copy available.
Conditions Governing Access
Currently available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, black and white,
Duration:20 minutes
Original format:1/2" Open Reel
Title: 1. Jaime Davidovich "Road" 2. Jaime Davidovich "Blue/ Red/ Yellow", 1972; 1974, inclusive
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Currently available.
Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color, black and white
Duration:53 minutes
Original format:3/4" Umatic
Title: 1. "Two Windows" by Jaime Davidovich 2. Excerpts From Videotapes 1972-1976 ("Road, 1972"; Blue-Red-Yellow, 1974"), 1976; 1974, inclusive
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Currently available.
Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Silent, color,
Duration:48 minutes
Original format:1/2" Open Reel
Title: New York Project I Panel, 1975, inclusive
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Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Silent, black and white,
Duration:28 minutes
Original format:1/2" Open Reel
Title: 3 Mercer Street, 1975, inclusive
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Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, black and white,
Duration:29 minutes
Original format:1/2" Open Reel
Title: Billboards; Jaime Davidovich, 1975, inclusive
Conditions Governing Access
Currently available.
Conditions Governing Access
DVD access copy available until duplication occurs.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, black and white,
Duration:27 minutes
Original format:1/2" Open Reel
Title: 1. NY Project 1 2. 3 Level Dichotomy, 1975, inclusive
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DVD access copy available.
Conditions Governing Access
Currently available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, black and white,
Duration:25 minutes
Original format:1/2" Open Reel
Title: 1. Open Show 112 Greene Street 2. TV Wall 1975, 1975, inclusive
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Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color, black and white
Duration:23 minutes
Original format:3/4" Umatic
Title: Baseboard, 1975, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available until duplication occurs.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Silent, color,
Duration:14 minutes
Original format:3/4" Umatic
Title: Gordon Matta-Clark, Land Queens (1974 as per Jane Crawford, Matta-Clark's widow), 1975, inclusive
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Currently available.
Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, black and white, black and white
Duration:14 minutes
Original format:1/2" Open Reel
Title: Interior, 1976, inclusive
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DVD access copy available.
Conditions Governing Access
Currently available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Silent, color,
Duration:33 minutes
Original format:1/2" Open Reel
Title: Clocktower, 1976, inclusive
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Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, black and white,
Duration:30 minutes
Original format:1/2" Open Reel
Title: Sidewalk, 1976, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Silent, black and white,
Duration:11 minutes
Original format:1/2" Open Reel
Title: SoHo Television Presents: A Composite Tape, 1977, inclusive
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Currently available.
Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color, black and white
Duration:21 minutes
Original format:3/4" Umatic
Title: 1. " Conscious Knocks Unconscious" 2. "Les Levine Interviewed by Steven Poser" 3. "Instant This Instant That" 4. Kipper Kids 5. "The Loner", 1977 - 1980, inclusive
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Currently available.
Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:1 hour 55 minutes
Original format:VHS
Title: Tomorrow's Television Tonight, 1978, inclusive
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Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color, black and white
Duration: 58 minutes
Original format:3/4" Umatic
Title: Interview with George Maciunas by Larry Miller, 1978, inclusive
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Currently available.
Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, black and white, black and white
Duration: 1hour 2 minutes
Original format:3/4" Umatic
Title: SoHo Television Presents: John Cage Reads From 36 Mesostics Re and Not Re Duchamp, 1978, inclusive
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Currently available.
Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:27 minutes
Original format:3/4" Umatic
Title: The Initiation of a New Composition for the Third Time/ By John Cage in Dialogue with Richard Kostelanetz, 1978, inclusive
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Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:28 minutes
Original format:3/4" Umatic
Title: Out Reach: The Changing Role of the Art Museum, 1978, inclusive
Conditions Governing Access
Currently unavailable.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:27 minutes
Original format:3/4" Umatic
Title: Artists Cable Project Promo Tape / The Center For Non-Broadcast Television, 1979, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:9 minutes
Orignial format:3/4" Umatic
Title: The Live! Show, 1979, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color, black and white
Duration:22 minutes
Original format:3/4" Umatic
Title: Jaime Davidovich Promo Tape For Artist Television Network, 1979, inclusive
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Currently available.
Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color, black and white
Duration:8 minutes
Original format:3/4" Umatic
Title: The Live! Show 1. 12/21/1979 2. 5/28/1982, December 21, 1979; May 28, 1982, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:55 minutes
Original format:3/4" Umatic
Title: SoHo Television Presents: 1. " I Remember Beverly Hills" Ilene Segalove 2. "Bound Feet" Winston Tong, 1980; 1979, inclusive
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Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:54 minutes
Original format:VHS
Title: The Ugly George Hour: Truth, Sex, and Violence, 1980, inclusive
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Currently available.
Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:30 minutes
Original format:3/4" Umatic
Title: SoHo Wants to Know - Part I, 1980, inclusive
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Currently available.
Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:1 hour 2 minutes
Original format:3/4" Umatic
Title: SoHo Wants to Know - Part II, 1980, inclusive
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Currently available.
Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:19 minutes
Original format:3/4" Umatic
Title: 1. Video Kitsch Commercial 2. Don Foresta On French Video Art (excerpt) 3. Still photographs, 1980's, inclusive
Conditions Governing Access
Currently available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:21 minutes
Original format:3/4" Umatic
Title: Artists and Television Compilation Tape - Access Choices, 1980's, inclusive
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Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:48 minutes
Original format:3/4" Umatic
Title: Dr. V. Tape 2, 1980's, inclusive
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Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:41 minutes
Original format:VHS
Title: 1. Video Shop Collage 2. Opinion: Switching Channels; Public TV; Networks, 1980's, inclusive
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:11 minutes
Original format:VHS
Title: Video Views from Iowa City #3, 1980's, inclusive
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Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:22 minutes
Origianal format:3/4" Umatic
Title: Access Choices #1, 1980's, inclusive
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Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:58 minutes
Original format:3/4" Umatic
Title: Access Choices #2, 1980's, inclusive
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Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color, black and white
Duration:34 minutes
Original format:3/4" Umatic
Title: The Live! Show Goes International, 1980's, inclusive
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Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:25 minutes
Original format:3/4" Umatic
Title: 1. Laurie Anderson: Conversations 2. Vito Acconci: Conversations 3. "Ursonate 1986"; "Anti-City"; My TV Dictionary: The Ball" by Hans Breder, 1980- 1986, inclusive
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Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:1 hour 56 minutes
Original format:VHS
Title: Adventures of the Avant-Garde, 1981, inclusive
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Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color, black and white
Duration:10 minutes
Original format:3/4" Umatic
Title: The Gap: Video Art By Jaime Davidovich And The Station, 1981, inclusive
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:16 minutes
Original format:3/4" Umatic
Title: Raw Video: A Tribute To The Rock And Roll Trio, 1981, inclusive
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:27 minutes
Original format:3/4" Umatic
Title: The Live! Show 1. 6/4/1982 2. 6/25/1982, June 4, 1982; June 25, 1982, inclusive
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Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:55 minutes
Original format:3/4" Umatic
Title: Portrait of the Best Artist, 1982, inclusive
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:6 minutes
Original format:3/4" Umatic
Title: All Channels Cable in NYC, February 1982, inclusive
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:1 hour 2 minutes
Original format:3/4" Umatic
Title: The Artist and Television, 1982, inclusive
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color, black and white
Duration:22 minutes
Original format:3/4" Umatic
Title: The Live! Show 1. 9/17/1982 2. 1/14/1983, September 17, 1982; January 14, 1983, inclusive
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:56 minutes
Original format:3/4" Umatic
Title: 1. Dr. Videovich Selected Works 2. (Fragment) The Live! Show, 1982; September 17, 1983, inclusive
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:48 minutes
Original format:3/4" Umatic
Title: Public Access Choices Part 1, 1982, inclusive
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color, black and white
Duration:2 hours 4 minutes
Original format:VHS
Title: Public Access Choices Part 2, 1982-1983, inclusive
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Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:2 hours 4 minutes
Original format:VHS
Title: Public Access Choices Part 3, undated
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Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:1 hour 4 minutes
Original format:VHS
Title: The Live! Show Compilation Tape, 1982-1983, inclusive
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:15 minutes
Original format:3/4" Umatic
Title: The Live! Show - Selections, 1982-March 18, 1983, inclusive
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color, black and white
Duration:59 minutes
Original format:3/4" Umatic
Title: 1. Dr. Videovich Number One Art Lessons 2. Dr. Videovich Number Two Art Lessons 3. Dr. Videovich Number Three Art Lessons, 1983, inclusive
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:22 minutes
Original format:3/4" Umatic
Title: The Live! Show 1. 1/21/1983 2. 1/28/1983, January 21, 1983; January 28, 1983, inclusive
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:58 minutes
Original format:3/4" Umatic
Title: The Live! Show 1. 2/4/1983 2. 2/11/1983, February 4, 1983; February 11, 1983, inclusive
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Existence and Location of Copies
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Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:56 minutes
Original format:3/4" Umatic
Title: The Live! Show 1. 2/18/1983 2. 3/11/1983, February 18, 1983; March 11, 1983, inclusive
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Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:56 minutes
Original format:3/4" Umatic
Title: The Live! Show 1. 3/18/1983 2. 3/25/1983, March 18, 1983; March 25, 1983, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:57 minutes
Original format:3/4" Umatic
Title: The Live! Show 1. 4/1/1983 2. 4/29/1983, April 1, 1983; April 29, 1983, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:56 minutes
Original format:3/4" Umatic
Title: The Live! Show, May 20, 1983, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:28 minutes
Original format:3/4" Umatic
Title: The New York Art Parade Promo, September 27, 1983, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:9 minutes
Original format:3/4" Umatic
Title: "Buffalo Arts Profile" Presents "The Live! Show", 1983, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:30 minutes
Original format:3/4" Umatic
Title: Broadcast Coverage Art Parade, September 27, 1983, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:22 minutes
Original format:3/4" Umatic
Title: Special Presentation for the São Paulo Biennial, 1983, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:47 minutes
Original format:3/4" Umatic
Title: Videoville, 1983, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:31 minutes
Original format:3/4" Umatic
Title: Metro Access Christmas Party, 1983, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:2 hours 4 minutes
Original format:VHS
Title: Evita: A Video Scrapbook, 1984, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color, black and white
Duration:14 minutes
Original format:3/4" Umatic
Title: The Live! Show - Cleveland, January 18, 1984, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:37 minutes
Original format:3/4" Umatic
Title: TV On TV; Television Art For The 1980s Presents Saludos Amigos: Dr. Videovich Goes To Texas, 1984, inclusive
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Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:20 minutes
Original format:3/4" Umatic
Title: SoHo Television Presents: Artists Call Against U.S. Intervention In Central America, 1984, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:29 minutes
Original format:VHS
Title: Study Corner Studio to 860, undated
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Silent, black and white,
Duration:8 minutes
Original format:1/2" Open Reel
Title: 1. Dean and Deluca 2. John Sanborn 3. Punk Art Opening, undated
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:29 minutes
Original format:3/4" Umatic
Title: Charles Simpson Interview About SoHo, undated
Conditions Governing Access
Currently unavailable.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements note
Videodisc DVD, 4 3/4 in.; Sound, color,
Duration:59 minutes
Original format:3/4" Umatic
Series V: Artifacts and Objects
Scope and Contents note
This series includes material artifacts collected by Jaime Davidovich. Subseries A: Fluxus contains a number of artifacts designed by Fluxus artists including boxes, wall paper, and stationery. Subseries B: Television Collection includes television shaped or themed artifacts including clothing, children's toys, and novelty items. Subseries C: ATN and The Live! Show includes objects connected to the production or administration of these media projects including Dr. Videovich's lab coat, an ATN seal paper embosser.
Subseries A: Fluxus
Partitioned box made of clear plastic containing, matches, rope, an electrical plug, a fishing hook, a glass shard, a pin, an x-acto blade, a bullet, and a ball bearing. Label fetaures an anatomically designed head, reads "a flux suicide kit by ben." Made by Ben Vautier., undated
Flux Stationery, Hand in Glove. Shirk wrapped package of stationery, paper features a hand, palm up. Envelope features a black glove. Designed by George Maciunas., undated
Flux Stationery, Hand in Glove. Shirk wrapped package of stationery, paper features a hand, palm up. Envelope features a black glove. Designed by George Maciunas., undated
Flux Stationery, Foot in Shoe. Plastic shrink wrap enclosed stationery featuring a photograph of a foot. Envelope shows a shoe. Designed by George Maciunas., undated
Flux Stationery, Torso in Fur Coat. Stationery set in skrink wrap plastic packaging. Photograph of a nude woman's body on paper, fur coat on envelope. Designed by George Maciunas., undated
Flux Music Box. Plastic box containing two music box mechanisms. Two metal keys outside the box. Gear design label with object title on outside. Made by Joe Jones., undated
Picnic Garbage Placemat. Placemat with black and white image of picnic remnants including banana peel, plate, crumpled napkin, watermelon rinds etc. Designed by Geoffrey Hendricks., undated
Stomach Anatomy Apron. Designed by George Maciunas., undated
Venus de Milo Apron. Designed by George Maciunas., undated
Flux Text, Revealing Fact. Flat plastic box with label reading "Revealing fact….hold finger on nipple one minute** then open box and read, a Flux-Test by Jock Reinolds". Thermometer affixed to inside lid, label reads "good person" and "bad person", undated
Smoke Fluxkit. Clear platic box with partitions containing purple, pink, and yellow incense cones, two sticks of incense, leather, burlap, rope, dried orange peel, wood, cork, flexible plastic. Label features a black and white photographic image of a smelling machine used by a woman and a man. Designed by Yoshimasa Wada., undated
Fluxgame Deck. White plastic box labeled "Deck by George Brecht a fluxgame" 64 cards, each with a different black and white design, hair photograph on reverse., undated
Face Anatomy Mask. Square paper mask with eyeholes. Anatomy drawing with part of the face numbered and lettered. Designed by George Maciunas., undated
Grotesque Face Mask. Square paper mask with eyeholes. Photograph of person's face with hands pulling the lips away from teeth to reveal very swollen gums. The Fluxus Codex indicates that the image comes from a book on dentistry and nutritional disorders. Designed by George Maciunas., undated
Photograph of model in Stomach Anatomy Apron. Black and white photograph on cardstock. Image of Pamela Kraft modeling the long version of George Maciunas' Stomach Anatomy Apron. [Identified Pamela Kraft using the Fluxus Codex although this photogrpah is not in the book.], undated
Cluttered Desk Table Top. Square black and white photographic image of laminated photographic table top on cardstock. Table depicts a messy desk: telephone, notebook stapler, newspaper fragments, papers. Designed by Robert Watts and Peter Moore., undated
Crossed nude legs tabletop. Square black and white photographic image of laminated photographic table top on cardstock. Photographed by Robert Watts., undated
Giant Stamp Imprint Envelope. 9 paper envelopes with New York, NY postal meter mark on reverse. Designed by Robert Watts., undated
Meal Variation no. 7, eaten by Ferro. Black and white promotional photocard of laminated photographic table top. Image features an empty plate, two spoons, two forks, three knives, three glasses, cigarettes, matches, stamps, newspaper clippings, a photographs, and other odds and ends. Designed by Daniel Spoerri., undated
Assholes Wallpaper. Black and white phtoographs of [Yoko Ono's] butt. Same image printed twice. Designed by Ben Vautier., undated
Subseries B: Television Collection
Green ceramic television container. Top lifts off, screen displays multicolored flowers and hearts. Made by Jaime Davidovich., 1978
Green plastic television with clear screen on black pedestal. Pedestal turns, rotating the two plastic figures inside the object. One is a girl wearing a red skirt, one is a man in a ablue suit. Price tag on the bottom indicates $1.50., undated
Sweatshirt with television design. Red, short-sleeved sweatshirt with multi-colored telvision designs. Size small, $15.00. Designned by Good Vibrations Inc., undated
Television set shaped alarm clock radio. Cat, bird and bomb design around digital clock face. Made by Tratron., undated
Television shaped snow-globe with soap opera theme. Clear plastic cube designed to look like a TV. Inside, male and female figures with thought bubbles. Hers, "Oh, John, I can Never be yours!" His: "I thought you were mine…Forever!" Pink, heart-shaped snow. Made by Enesco., undated
Musical Pocket TV. Red plastic TV with movign paper under the screen. Made by Sankyo Seiki Mfg Ltd., 1980
TV fun-glasses. Plastic sunglasses shaped like televisions with green lenses. Made by Cathay., undated
Blue T-shirt. Reverse reads, "Don't Bother me…while I'm watching the game.", undated
Ceramic television shaped clock. Made by Axis., undated
T.V. Star. Detachable plastic microphone attached to a TV shaped radio with strap. Made by Crown., undated
Metal television shaped savings bank with removable lid. Made by Wagner's TV and Appliance., undated
Walking wind-up TV. Plastic TV-shaped figure with smiling face, arms, yellow shoes and mobile antenna. Walks when wound up., undated
Family in front of the television snow globe., undated
Smurf Musicale color TV. Television shaped toy with wind-up music mechanism. Images move as the song plays. Made by Ohio Art Company, 1982
Television sunglasses with green lenses. In original packaging with Urban Outfitters pricetag, $3.00. Made by Accoutrements., undated
Clear, plastic clip on tie swen with blue thread. The tie contains paper pictures of televisions and plastic miniatures of a coke bottle and a hungry-man TV dinner., undated
White, short slevved T-shirt with design of televisions, pink trashcans, downward pointing arrows, and a black bar-shaped graphic., undated
Pink ceramic TV coin bank. Mirror screen, blue flower design over screen.Made by Vandor., 1981
Plastic TV salt and pepper shaker. Shakers slide out of the television-shaped holder. The "on" dial elevates the shakers., undated
Brown ceramic television shaped salt and pepper shakers. Top monitor is salt, base is pepper., undated
Dollhouse furniture: Lounge Suite. Original packaging. 5 pieces, miniature sofa, two chairs, coffee table and a television., undated
TV Time play puzzle. Plastic television shaped puzzle. Screen comes apart in six pieces. Depicts a bear driving a car. TV has moveable antenna, a button that beeps, and a dial that clicks. Still in original box and plastic fillm., undated
Television Christmas tree ornament multiple. Three paper ornaments. TV screen shows a burning yule log behind a plastic screen. Designed by Jaime Davidovich., undated
Dukes of hazzard TV tray. Child's size blue TV tray with photo of the Duke sof Hazzard and Daisy with a guitar. "Carla" etched into th epaint on the bottom edge of the tray. Made by Warner Bros. Inc., 1981
Watch Highclass. Two watches mounted on a cardboard display that is printed to look like a televisioin showing a baseball game., undated
"Don't Watch TV at the table!" placemat. Laminated placemat displaying images of historical televisions. Made by Paper Tales, Ltd., 1991
Winky Dink and You. Winky Dink set, still sealed in original packaging. Made by Standard ToyKraft Products., undated
Subseries C: ATN and the Live! Show
TeeVee rubber stamp. Red, wooden handle., undated.
Foam TV costume, undated
"The Live! Show" rubber stamp, red wooden base, black wooden handle., undated.
Hand held paper emobosser with Artists' Television Network Inc. Corporate Seal., ca 1976
Kaleidoscope. Two parts. Black box with paper label. Square hole in the bottom of the box secured with tape. Inside, a black cardboard cylinder with a black label, round hole in the top. Inside the cylinder is white with mirror at back. Made by Stefan Eins., 1976
"The Live! Show" t-shirt. Blue short sleeved t-shirt with silk screened image of television shaped object with a "Live! Show" button on its screen. The TV object is part of the collection, object I.D. 155.2.0035., undated.
Dr. Videovich lab coat. Long sleeved, white lab coat with three pockets. Multicolored "The Live! Show" buttons pepper the front of the costume. "Dr Videovich" in black paint on the reverse. TV sunglasses in one of the pockets. Made by Jaime Davidovich., undated.
The Live! Show backdrop, Undated, inclusive
Extent
Physical Facet
Subjects
Topics
Subseries D: Portapak
Sony AV-3400 Video Camera.
Sony AC-1000 power/Battery Charger
Sony Av-8400S Color Portable Video System. Second generation 1/2 inc EIAJ portapak
Operating Instructions, Sony AV-8400S
Series VI: Administrative Materials
Scope and Contents note
This series includes administrative materials such as grant information and resumes that relate to Jaime Davidovich's professional career. The series is divided into six subseries. Subseries A: Resumes includes drafts and updated resumes and CVs. Subseries B: Contacts includes addressbooks, mailing lists and other contact information. Subseries C: Professional Organizations and Opportunities includes publicity information and membership information regarding professional art organizations and professional opportunities including grants and residencies. Subseries D: Grants contains grant applications and supporting materials. Subseries E: Loans consists of loan requests, agreements, contracts, and receipts. Subseries F: Equipment and Manuals contains directions and owner's manuals for appliances, tools, and audio-visiual equipment.
Subseries A: Resumes
Informal artist profile portfolio including press, resume, black and white prints, and color slides. Grouped by J.D., 1971-1984
Jaime Davidovich, videotapes Catalog, 1972-1976
Videography, 1972-1980
Resume, original, 1990
Resumes, drafts., 1995
Resume, 1997
Resume, draft, ca 1997
Resume, 1998
Teaching Resume, undated
Resume and Avalance advertisement, undated
Subseries B: Contacts
Address book, Argentina, undated
Address book, Argentina, undated
Argentine Mailing List, undated
Argentine contacts, undated
Consulate General of Argentina Mailing list., undated
Contacts, undated
ICI Notes and business card., undated
Scars, pleasure, sacrifice exhibit mailing list., 1994
Subseries C: Professional Organizations and Opportunities
"Video Tape 1975" includes multiple video organizations in US, 1975
Participate Public Access Report, 1985-1986
ArtCom Television., 1986
Alternative Museum Membership, 1996
Residency Programs and Grants, 1996-1997
Mid-Career Latino Artists. Inc. minutes and memo., 1997
National Video Resources., 1997
Residency Programs and Grants, 1997-1998
Lower Manhattan Cultural Council, "World Views" artists in residence program, 1998
Thunder Gulch, press and PR packet., 1998
FVA membership, undated
Subseries D: Grants
NEA Fellowship, 1978-1979
Torn Identity, supplementary material booklet., 1979
NEA applications, 1981
NEA, 1983-1984
Torn Identity videotape project, NYSCA application forms, 1988-1989
Audience 1990 Description, 1990
Rockefeller Proposal, Inside/Outside Installation, 1993
USIA blakc forms and instructions, 1998
United States Information Agency, Official Grant Packet, including Grant Authorization and voucher, 1998
National Endowment for the Arts, visual Artists fellowship archive, 1999
Subseries E: Loan agreements, receipts, release forms
Akron Art Institute Invitational, 1972-1973
MoMA Video VII, "3 Mercer St" loan contract, receipt, publicity materials., 1976
Model release for "Best Artist" interview at Whitney Downtown., 1982
Model release, Charles Simpson for "SoHo So What?", 1983
Consent forms, "Evita", 1983
Loan agreements, "From receiver to remote control: The TV Set", 1980
London Video Access, royalty payment for John Cage Tape., 1994
Sotheby's and Christy's, inquiries into auctioning Jack Berthot painting, "Egypt", 1995
Storage Space, 1995
Legacy/Legado, 1996
Talas Archival invoices, 1996-1997
Press pass- Mediapolis Magazine., 1997
United States Information Agency, receipts, 1998
Lux, distribution of royalties for "The Gap" videotape., 1999
Copyright releases, master form, undated
Subseries F:Equipment and manuals
"Editing with the Sony EV-320F" directions, undated
Instruction and Care manuals: includes power tools and video equipment., undated
Media Alliance, Magnetic media Preservation Sourcebook, edited by Mona Jimenez and Liss Platt., 1998
Video Walls, undated
Series VII: Other Artists
Scope and Contents note
This series contains works, exhibition information, and press pertaining to other artists. Series A: Mail Art Album includes items including postcards removed from a binder. Items are organized to reflect the binder's organization. Subseries B: Announcements and Works includes materials organized by artist name.
Subseries A: Mail Art Album
Inserts in Postcards binder, undated
Page 1, four items. John Taylor, Beach Blacket Bingo; Dieter Rot; Leonhard Frank Duch; Joan Crawford Mother's Day Celebration., undated
Page 2, six items. Marcel Just, Shigeko, Alan Platt x 3, [illegible], undated
Page 3, five items. Martha Wilson, Raul, Nam June Paik, Jill Kroesen, unknown., undated
Page 4, four tiems. Mel, Committee for Visual Arts, Robert Kushner, Paul McMahon., undated
Page 5, four items. R.M. Fischer, Richard Prince, Susan King, Marja Samsom., undated
Page 6, seven items. Guglielmo Achille Cavellini postcard and stickers, Kit Fitzgerald and John Sanbormn, Peter Downsbrough, undated
Page 7, four items. Peter Grass, Carla Davidovich, Pierre Ducordeau, Jonathan Willilams, undated
Page 9, five items. Marroquin-Verhoeven, Investigation department card, Ilene Segalove x 2, Dieter, undated
Page 10, four items. Bill Indigo, Stuart Sherman, Michael Morris, Centre de Documentacio d'art actual, Barcelona., 1979
Page 11, four items. J. Davidovich, Liliana Porter, Doug Smith and Tom Bagg, "The Answer Wasn't Here", undated
Page 12, four items.Shigeko, Tom Baggs, Mitchell Kriegman, Ken Graves, 1980
Page 13, twelve items. Raul Marroquin, Nikolaus Urban, Myrel Chernick, Reudi Schill., undated
Page 14, four items. Yves de Smet, Nikolaus Urban, Johan, Jac and Marion., 1976-1980
Page 15, ten items. Raul Marroquin, Ruedi Schill x6, Tony Morgan, Kazuo Katase., undated
Page 16, four items. Linda Blumberg, SoHo TV at The Kitchen, Anthony McCall, Beth Anderson with Paul Cotton., undated
Page 174 items. Shigeko Kubota, Stefan Eins, Raul Marroquin, Muntadas/Serran-Pagan., undated
Page 18, five items. Brian Lane [two little books], Kitasono Katue, Helena Kontova, John Gordon., undated
Page 19, six items. Live from San Francisco, Ken Feingold, unknown sender of Wooster Inc. Envelope card, Donald, R.m. Fischer, Beyond Novelty and Boredom., undated
Page 20, six items. Bonnie and Clyde Stuff, Invite to reception with Dr. Carlos Menem, Barbara Kruger matchbooks, Jeanette, You connect the dots., undated
Page 21, five items. Steve Lawrence and Sergei Miroshnichenko, Guillermo Kuitra, Bound and Unbound Wooster Enterprises, Jeanette, Stuart., 1989, 1991
Page 22, twenty items. Points of view stereograph postcards x6, Joe Brainard's "Twelve Postcards", Donald Baechler, Kesa., undated
Page 23, four items. Ben Mark Holzberg, Pierre Ducordeau, Susan Hilton, Willyum Rowe., undated
Page 24, six items. Raul Morroquin, Hans Eykelboom, Marroquin and Young Tchong, Kazuo Katase x3, undated
Page 25, four items. Carroll Dunham, Ger Van Dijck, Raul Marroquin, Tom Rubnitz., undated
Page 26, four items. Nam June Paik, Eva and Juan Peron cards., undated
Page 27, nine items. Nam June Paik x2, Pieter L. Mol, Matlin and McConnell, Architecture Sequences exhibit, Reudi Schill series "landschaftsgeschichte", undated
Page 28, six items. Silvia Kolbowski, Eileen Hickey, Anthology of Film Archives Series Courthouse Building x5, Univeristy Community Video., undated
Page 29, four items. Justine of Colette is Dead Co.; Camillo, Mel Andrainga and John Herbert; Dieter Frosse x2., undated
Page 30, five items. E.F. Higgins III x2, Dieter Froese x2, Art TV., undated
Page 31, 4 items. Fernando de Filippi, Eric Bogosian, Nicole Gravier, Dieter Froese., 1979
Subseries B: Announcements and Works
Cal Arts, "8 Faces", undated
Filomia, Carlos., undated
Fontana, TV Manifesto., undated
Goldman, Ilene. Book proposal: Wandering the Nation., 1996
Group Ojo, "el ojo en NY" color negatives and photographs of street art., undated
Howell, Sue. Black and white photographs of Sue Howell with TV, photographs by Otway Chalkley., 1981
Ingberg, Pablo., undated
"Mighty Mogul"
Paksa, Margarita., undated
Puzzovio, Dalila., undated
Wentscher, Herbert. Cartoons of TVs, undated
Yahlovith, Nina, undated
Series VIII: Source Material
Scope and Contents note
This series contains source materials. Subseries A: Scrap Books includes images of televisions and other source materials that were grouped into three binders labeled here as A, B, and C. Materials retain the order in which they appeared in the original books. Subseries B: Subject Files includes paper files organized alphabetically by publication, project, or theme. Materials include maps, periodicals, brochures and other paperwork.
Subseries A: Scrap Books
TVs Binder A,inserts. Large color photograph and line drawing., undated
TVsBinder A, page 1. Bunch of Artists postcard, advertisement for Selfmaker folding tray-tables., undated
TVs Binder A, page 2. TV greeting cards, undated
TVs Binder A, page 3. 5 color photographs of foam Sony TV sculpture and postcard., undated
TVs Binder A, page 4. 2 large black and white video stills and a color magazine image., undated
TVs Binder A, page 5. 4 color photographs of Jaime Davidovich with foam Sony TV., undated
TVs Binder A, page 6. TV birthday card and two large black and white video stills., undated
TVs Binder A, page 7. 1 large black and white video still, one color photograph of TV window display., undated
TVs Binder A, page 8. SoHo TV postcard, Liza Bear opening postcard, TV themed greeting card, and color snapshot of a TV in a car., undated
TVs Binder A, page 9. 2 postcards, 2 color snapshots., undated
TVs Binder A, page10. 11 color postcards., undated
TVs Binder A, page 11. 2 copies of 2 television themed greeting cards., undated
TVs Binder A, page 12. 3 television themed greeting cards, 2 different styles., undated
TVs Binder A, page 13. 3 television themed greeting cards, two styles., undated
TVs Binder A, page 14. 2 television themed greeting cards., undated
TVs Binder A, page 15. 2 television themed greeting cards., undated
TVs Binder A, page 16. 3 color snapshots and 3 postcards., undated
TVs Binder B, page 1-3. 8 color snapsots., undated
TVs Binder B, page 4-7. 16 "I Love Lucy" postcards., undated
TVs Binder B, page 8-10. 3 postcards, 6 color snapshots and 1 black and white photograph., undated
TVs Binder B, page 11-12. 3 carsds, 7 color snapshots., undated
TVs Binder B, page 16-19. magazine advertisements, black and white photographs of objects from TV collection, 4 postcard invitations, 1 color photograph.,, undated
TVs Binder B, page 20-22. 2 black and white photographs, 2 color photographs, 1 annotated envelope., undated
TVs Binder C, page 1-4. 5 postcarsds, advertisement for Children's Room Shelving, 5 color photographys, photographic image of TV grafitti on paper., undated
TVs Binder C, page 5-7. 3 large photographic images printed on paper, TV themed birthday card, photocopy of political cartoon., undated
TVs Binder C, page 8-11. 2 color photographs and numerous paper images of TVs., undated
TVs Binder C, page 12-14. "The Flintstones: The Birthday Cake" spiral bound book, two color photographs and 3 postcards., undated
TVs Binder C, page 15-18. 7 photographs., undated
TVs Binder C, page 19-22. 6 large photographs and a small painting of the "Today" show set., undated
TVs Binder C, page 6 photographs and 7 printed images of TVs, undated
TVs Binder C, page 25-28 9 color photographs. 3 paper images., undated
TVs Binder C, page 29-31. 3 photographs, one greeting card and two papers., undated
TVs Binder C, page 32-35. 3 greeting cards, one ET trading card and one color photograph of Dr. Videovich in foam TV costume.
Subseries B: Subject Files
Argentina, includes maps, press, brochures., undated
Argentina, advertisements, 1998
Argentine restaurant in Germany, menu., undated
Arts Magazine., 1991
Fundacion Banco Patricos, 1991-1992
Latin American Film and TV, 1994
Marketing, Advertising, and Cultural Production., 1996
Mediapolis, vol.4 n.6, 1999
Menem, Carlos., 1995
New China Restaurant Menu, Kingston New York., undated
New York Magazine,"SoHo: The Most Exciting Place to Live in the City" May 20, 1974, 1974
New York Magazine, parts cut out on page 3 and page 62, 1977
New York Magazine, " After SoHo, creating new neighborhoods…" April 17, 1978, 1978
New York Magazine, December 16. 1985, 1985
Peppermint Lounge Fliers, "VJ meets DJ"
Point of Contact, 1993
Representations of television sets in print media., undated
Representations of video in print media, undated
Seibel, Beatriz. "El Cantar del Payador", 1991
Sisley magazine, cover feature: "Argentina te quiero!", 1988
SoHo community organizing newsletters. Used for SoHo, So What?, undated
SoHo neighborhood development., 1996
Symbol Magazine no. 1, Spring, 1987
Symbol Magazine no. 4, Winter, 1988
TV shaped objects, 6 color snapshots and two black and white photographs., undated
TV images, not photographic, undated
Torn Identity source material: National Lampoon March 1991, The Atlantic December 1990., 1990-1991
Miscellaneous Source material, undated
Series IX: Family Related
Scope and Contents note
This series contains materials related to Jaime Davidovich's family including correspondence, photographs, and objects belonging to his children. The series is divided into two subseries by material type. Subseries A: Photographs contains family snapshots and portraits. Subseries B: Paper Documents includes correspondence, coloring books, and legal documents.
