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Jacki Apple Papers

Call Number

MSS.173

Date

1969-2023, inclusive

Creator

Apple, Jacki

Extent

26.5 Linear Feet in 6 record cartons, 20 manuscript boxes, 2 half manuscript boxes, 5 tall manuscript boxes, 5 small flat boxes, 1 oversize flat box, and 11 media boxes
21.2 Gigabytes
1 websites in 1 archived website.

Language of Materials

Materials are in English.

Abstract

Jacki Apple was a professor at Art Center College of Design in Pasadena, California. Her career has spanned a range of visual and media arts. Her radio show Soundings, of which she was the host and producer, was on KPFK-FM Los Angeles Public Radio from 1981-1995. The Jacki Apple Papers includes correspondence with artists and listeners, promotional material from artists and record labels, memos and letters pertatining to KPFK Los Angeles Public Radio business, cue sheets, and recordings of music, audio art, and interviews that were featured on the show. The collection also includes grant applications, publications, original writings, and audio recordings of proposed and completed artistic endeavors Apple pursued as an individual artist, with collaborators, and through the non-profit Cactus Foundation she was a co-founder of. The projects documented in the collection illustrate the breadth of Apple's artistic output, including public arts commissions, multimedia installations,

Biographical Note

Jacki Apple (1941-2022) was a visual, performance and media artist, writer, producer, and a professor at Art Center College of Design in Pasadena, California. Her career spanned a range of the visual and media arts. She wrote, directed, and produced interdisciplinary performance works, worked in costume design, composed and produced soundtracks, created multimedia installations, and worked with mediums of photography, audio, radio, film, site specific works, public art, and beyond.

Raised and educated in New York, Apple relocated to Los Angeles in 1981 where she continued to develop as an artist. An innovator in radio art, she was the host and producer of Soundings, her one hour weekly live radio show on KPFK-FM Los Angeles Public Radio from 1981-1995. Additionally, she co-produced the annual Earjam avant-garde music festival 2000-2004, and was a contributing editor to High Performance magazine. She wrote for numerous other art publications, and taught at both the Art Center College of Design and the University of California, San Diego. In New York City she was a co-founder and first curator of Franklin Furnace 1976-1980. Apple's output of solo exhibitions, performance pieces, radio works, and installations appeared domestically and internationally. On June 8, 2022, Apple died in Culver City, CA.

Arrangement

This collection is arranged into eleven series as follows:

Series I: KFPK Soundings
Series II: Record Label/Studios
Series III: Press/Promo/Catalogues
Series IV: Soundings- Radio Works/Spoken Word/Sound
Series V: Soundings- Music Tapes
Series VI: Radio Tapes with Jacki Apple/Audio Networks
Series VII: Radio Tapes with Jacki Apple/Soundings
Series VII: Artist Tapes
Series VIII: Soundings Miscellaneous
Series IX: Business Correspondence
Series X. Critical Writing on the Arts
Series XI. Media Works
Series XII. Archived Website

Series I-VIII are arranged alpahbetically; Series IX-XI have not been arranged by an archivist and appear in the rough alphabetical order in which they were received.

Scope and Contents

The Jacki Apple Papers (dated 1976-2012) consist of materials created and collected by Apple documenting her career as an artist, producer, and eductor. The collection includes correspondence with artists and listeners, promotional material from artists and record labels, memos and letters pertatining to KPFK Los Angeles Public Radio buisness, cue sheets, and recordings of music, audio art, and interviews that were featured on the show. Materials in this collection also include grant applications, publications, original writings, and audio recordings of proposed and completed artistic endeavors Apple pursued as an individual artist, with collaborators, and through the non-profit Cactus Foundation she was a co-founder of. The projects documented in the collection illustrate the breadth of Apple's artistic output, including public arts commissions, multimedia installations, interdisciplinary performances, and recorded sound, with her EARJAM music festival and radio art series Redefining Democracy in America particularly well-represented. The collection also documents Apple's career as a critic and theorist through her original, published writings on various aspects of modern art and performance art in the late 20th century.

Conditions Governing Access

Materials are open without restrictions.

Conditions Governing Use

Copyright (or related rights to publicity and privacy) for materials in this collection, created by Jacki Apple, was not transferred to New York University. Permission to use materials must be secured from the copyright holder.

Preferred Citation

Published citations should take the following form: Identification of item, date (if known); Jacki Apple Papers; MSS 173; box number; folder number; Fales Library and Special Collections, New York University Libraries.

To cite the archived website in this collection: Identification of item, date; Jacki Apple Papers; MSS 173; Wayback URL; Fales Library and Special Collections, New York University.

Immediate Source of Acquisition

The Jacki Apple Papers were donated by Jacki Apple in 2005, 2017, and 2021. The accession numbers associated with these gifts are 2005.173, 2018.075, and 2021.012.

https://jackiapple.com/ was selected by curators and captured through the use of Archive-It. Archive-It uses web crawling technology to capture websites at a scheduled time and displays only an archived copy, from the resulting WARC file, of the website. The accession number associated with this website is 2023.054.

Audiovisual Access Policies and Procedures

Access to audiovisual materials in this collection is available through digitized access copies. Researchers may view an item's original container, but the media themselves are not available for playback because of preservation concerns. Materials that have already been digitized are noted in the collection's finding aid and can be requested in our reading room.

Take Down Policy

Archived websites are made accessible for purposes of education and research. NYU Libraries have given attribution to rights holders when possible; however, due to the nature of archival collections, we are not always able to identify this information.

If you hold the rights to materials in our archived websites that are unattributed, please let us know so that we may maintain accurate information about these materials.

If you are a rights holder and are concerned that you have found material on this website for which you have not granted permission (or is not covered by a copyright exception under US copyright laws), you may request the removal of the material from our site by submitting a notice, with the elements described below, to the special.collections@nyu.edu.

Please include the following in your notice: Identification of the material that you believe to be infringing and information sufficient to permit us to locate the material; your contact information, such as an address, telephone number, and email address; a statement that you are the owner, or authorized to act on behalf of the owner, of an exclusive right that is allegedly infringed and that you have a good-faith belief that use of the material in the manner complained of is not authorized by the copyright owner, its agent, or the law; a statement that the information in the notification is accurate and made under penalty of perjury; and your physical or electronic signature. Upon receiving a notice that includes the details listed above, we will remove the allegedly infringing material from public view while we assess the issues identified in your notice.

Collection processed by

Abigail Rubin

About this Guide

This finding aid was produced using ArchivesSpace on 2024-01-03 13:08:47 -0500.
Language: Finding aid written in English

Processing Information

Decisions concerning the arrangement, description, and physical interventions taken on this collection prior to 2018 have not yet been recorded. In 2018, an accretion of materials transferred from the Archives of American Art to the Fales Library and Special Collections was accessioned and intellectually incorporated into the collection as Series IX-XI (boxes 5-20) in accordance with the existing arrangement structure and to maintain the order of materials. A further accretion received in April 2021 was rehoused in archival boxes and folders, maintaining Apple's original order. These materials were intellectually added to the collection as Series XII, and physically as Boxes 21-49.

In 2023, the archived website was added as Series XII and description was updated to reflect the death of Jacki Apple. The 2021 accession was changed to Series XIII from Series XII.

Revisions to this Guide

May 2018: Record updated by Rachel Searcy to reflect 2017 accretion
May 2021: Record updated by Rachel Searcy to reflect 2021 accretion
September 2023: Updated by Olivija Liepa to state that audio materials have been digitized and are accessible to patrons.
October 2023: Updated by Nicole Greenhouse to reflect the addition of the archived website and editing of administrative and biographical information

Repository

Fales Library and Special Collections

Series I: KPFK Soundings

Artist Correspondence, 1987, 1989, 1990-1995, Undated

Box: 1, Folder: 1 (Material Type: Mixed Materials)

Artist Letters and Distribution Letters, 1981-1983, 1985-1988

Box: 1, Folder: 2 (Material Type: Mixed Materials)

Correspondence/Business, 1979, 1986-1989, 1992-1995

Box: 1, Folder: 3 (Material Type: Mixed Materials)

KPFK Cue Sheets 1 of 3, 1989-1995, Undated

Box: 1, Folder: 4 (Material Type: Mixed Materials)

KPFK Cue Sheets 2 of 3, 1985-1989, Undated

Box: 1, Folder: 5 (Material Type: Mixed Materials)

KPFK Cue Sheets 3 of 3, 1981-1984, Undated

Box: 1, Folder: 6 (Material Type: Mixed Materials)

Listener Letters, 1986-1987, 1989, 1991-1994, Undated

Box: 1, Folder: 7 (Material Type: Mixed Materials)

Promo Sheets/PR/Bios, 1986-1987, Undated

Box: 1, Folder: 8 (Material Type: Mixed Materials)

Series II: Record Labels/Studios

Cuneiform Records (USA)/Rer Recommended (London), 1991, 1996-1999

Box: 1, Folder: 9 (Material Type: Mixed Materials)

Experimental Sound Studios/Lou Mallozi, 1987-1991, 1997, Undated

Box: 1, Folder: 10 (Material Type: Mixed Materials)

Lipp Service, 1994-1997

Box: 1, Folder: 11 (Material Type: Mixed Materials)

No Problem, 1994-1997, Undated

Box: 1, Folder: 12 (Material Type: Mixed Materials)

Series III: Press/Promo/Catalogues

Catalogues-Distribution CDs/Records/Tapes, 1990, 1992-1997, 1999, Undated

Box: 1, Folder: 13 (Material Type: Mixed Materials)

Correspondence, 1994-1996, Undated

Box: 1, Folder: 14 (Material Type: Mixed Materials)

Johnny Coleman, 1994

Box: 1, Folder: 15 (Material Type: Mixed Materials)

Lynn Book Press Kit, 1992-1994

Box: 1, Folder: 16 (Material Type: Mixed Materials)

Misc- Press/Flyers/PR/Bios 1 of 2, 1987-1989, 1991-1992, 1993-1995, 1997-1998

Box: 1, Folder: 17 (Material Type: Mixed Materials)

Misc- Press/Flyers/PR/Bios 2 of 2, 1989, 1993-1997

Box: 1, Folder: 18 (Material Type: Mixed Materials)

Press Kits, 1989, 1990, 1993, 1994

Box: 1, Folder: 19 (Material Type: Mixed Materials)

Press Releases/Promotional Material, 1991-1996, 2000, Undated

Box: 1, Folder: 20 (Material Type: Mixed Materials)

Press Releases/Promotional Material, 1992-1996, 1999, Undated

Box: 1, Folder: 21 (Material Type: Mixed Materials)

Reviews, 1990, 1991, 1994, Undated

Box: 1, Folder: 22 (Material Type: Mixed Materials)

Series IV: Sound recordings - Radio Works/Spoken Word/Sound, 1985-1995

Mix Parade Vol.1 - Tom Skelly, 1987-1988, inclusive

Box: 2, audiocassette: ID: 173.0001 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 91 minutes

Audio

Mix Parade Vol.1 - Tom Skelly

Mix Parade - Tom Skelly/Frank Ridenour, 1987-1988, inclusive

Box: 2, audiocassette: ID: 173.0002 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 40 minutes

Audio

Mix Parade - Tom Skelly/Frank Ridenour

Mix Parade #2 - Tom Skelly/Frank Ridenour, 1987-1988, inclusive

Box: 2, audiocassette: ID: 173.0003 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 16 minutes

Audio

Mix Parade #2 - Tom Skelly/Frank Ridenour

This Is America - Terra Infirma, 1988, inclusive

Box: 2, audiocassette: ID: 173.0004 (Material Type: Audio)

Audio

This Is America - Terra Infirma

The Campaign Game - E Productions 1. The Campaign Game 2. Situation Room, undated

Box: 2, audiocassette: ID: 173.0005 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 54 minutes

Video

The Campaign Game - E Productions 1. The Campaign Game 2. Situation Room

RadioArcade - E Productions 1. Episode III- The American Dream 2. Episode IV - The Deep End, 1986, inclusive

Box: 2, audiocassette: ID: 173.0006 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 55 minutes

Audio

RadioArcade - E Productions 1. Episode III- The American Dream 2. Episode IV - The Deep End

War, Peace & Poetry: Guatemala - Weaving Rainbows From Black Sacks of Silence- Andrew Leslie Phillips, 1989, inclusive

Box: 2, audiocassette: ID: 173.0007 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 64 minutes

Audio

War, Peace & Poetry: Guatemala - Weaving Rainbows From Black Sacks of Silence- Andrew Leslie Phillips

Untitled #1 Essex Hemphill & Wayson Jones, undated

Box: 2, audiocassette: ID: 173.0008 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 11 minutes

Audio

Untitled #1 Essex Hemphill & Wayson Jones

Untitled #2 Essex Hemphill & Wayson Jones, undated

Box: 2, audiocassette: ID: 173.0009 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 11 minutes

Audio

Untitled #2 Essex Hemphill & Wayson Jones

Sound Pieces - Patsy Rahn, undated

Box: 2, audiocassette: ID: 173.0010 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 30 minutes

Audio

Sound Pieces - Patsy Rahn

Speak To Me - Paul Voudouris, undated

Box: 2, audiocassette: ID: 173.0011 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 39 minutes

Audio

Speak To Me - Paul Voudouris

Untitled - Arleen Sclhoss, 1984, inclusive

Box: 2, audiocassette: ID: 173.0012 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 29 minutes

Audio

Untitled - Arleen Sclhoss

Power of The Dreamer - Jimmy Townes/Trance Band, 1985, inclusive

Box: 2, audiocassette: ID: 173.0013 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 47 minutes

Audio

Power of The Dreamer - Jimmy Townes/Trance Band

It's All in the Wrist - Lisa Kucharski, 1995, inclusive

Box: 2, audiocassette: ID: 173.0014 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 50 minutes

Audio

It's All in the Wrist - Lisa Kucharski

Kir Madiannand & Other Plays - Alison Lune, 1994-1995, inclusive

Box: 2, audiocassette: ID: 173.0015 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 90 minutes

Audio

Kir Madiannand & Other Plays - Alison Lune

A Change of Heart - Nicholas Smith, undated

Box: 2, audiocassette: ID: 173.0016 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 23 minutes

Audio

A Change of Heart - Nicholas Smith

Pressing the Flesh - The Manic Kingdom, 1992, inclusive

Box: 2, audiocassette: ID: 173.0017 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 32 minutes

Audio

Pressing the Flesh - The Manic Kingdom

Sounds Familiar - Neville, Crotty & Sparling, undated

Box: 2, audiocassette: ID: 173.0018 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 31 minutes

Audio

Sounds Familiar - Neville, Crotty & Sparling

Series V: Audio: Soundings- Music Tapes, 1985-1995

Damaged - Alan Sondheim, 1986, inclusive

Box: 2, audiocassette: ID: 173.0019 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 62 minutes

Audio

Damaged - Alan Sondheim

Damaged #2- (A). Square Dance the Rich (B) 1.Dallas Concert Live 2.Cricket 8/86 With Cricket - Alan Sondheim, undated; February 3,1986; August 1986, inclusive

Box: 2, audiocassette: ID: 173.0020 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 31 minutes

Audio

Damaged #2- (A). Square Dance the Rich (B) 1.Dallas Concert Live 2.Cricket 8/86 With Cricket - Alan Sondheim

Rotated Guitar - Mark Wheaton, 1987, inclusive

Box: 2, audiocassette: ID: 173.0021 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 29 minutes

Audio

Rotated Guitar - Mark Wheaton

de/signer- For String Quartet - David Dramm, 1988, inclusive

Box: 2, audiocassette: ID: 173.0022 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 12 minutes

Audio

de/signer- For String Quartet - David Dramm

by - For Two Flutes - David Dramm, 1987, inclusive

Box: 2, audiocassette: ID: 173.0023 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 12 minutes

Audio

by - For Two Flutes - David Dramm

Temple of Collage - Michael Avery Bell, 1989, inclusive

Box: 3, audiocassette: ID: 173.0024 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 23 minutes

Audio

Temple of Collage - Michael Avery Bell

Being There - Michael Avery Bell, 1989, inclusive

Box: 2, audiocassette: ID: 173.0025 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 65 minutes

Audio

Being There - Michael Avery Bell

Untitled- Non Credo, 1987, inclusive

Box: 2, audiocassette: ID: 173.0026 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 18 minutes

Audio

Untitled- Non Credo

Siren Song- Nigel Helyer, 1992, inclusive

Box: 2, audiocassette: ID: 173.0027 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 31 minutes

Audio

Siren Song- Nigel Helyer

Technical Tape - Science, 1986, inclusive

Box: 2, audiocassette: ID: 173.0028 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 32 minutes

Audio

Technical Tape - Science

Breaded- Steaming Coils/Brad Laner, 1989, inclusive

Box: 2, audiocassette: ID: 173.0029 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 46 minutes

Audio

Breaded- Steaming Coils/Brad Laner

Limpopo (Self-titled), 1991, inclusive

Box: 2, audiocassette: ID: 173.0030 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 61 minutes

Audio

Limpopo (Self-titled)

Omaggio a Futi - Motor Totemist Guild, 1988, inclusive

Box: 2, audiocassette: ID: 173.0031 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 45 minutes

Audio

Omaggio a Futi - Motor Totemist Guild

Untitled - Hisaso Shinagawa, 1992, inclusive

Box: 2, audiocassette: ID: 173.0032 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 17 minutes

Audio

Untitled - Hisaso Shinagawa

Untitled - Tom Guralnick/David Moss, 1988, inclusive

Box: 2, audiocassette: ID: 173.0033 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 10 minutes

Audio

Untitled - Tom Guralnick/David Moss

Sonistruction - Tom Guralnick, 1988, inclusive

Box: 2, audiocassette: ID: 173.0034 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 36 minutes

Audio

Sonistruction - Tom Guralnick

The Other Woman - Jill Fido, 1992, inclusive

Box: 2, audiocassette: ID: 173.0035 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 12 minutes

Audio

The Other Woman - Jill Fido

Music From Performances - Yura Adams, undated

Box: 2, audiocassette: ID: 173.0036 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 43 minutes

Audio

Music From Performances - Yura Adams

Red Bird - Trevor Wishart, undated

Box: 2, audiocassette: ID: 173.0037 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 48 minutes

Audio

Red Bird - Trevor Wishart

Suburban Bird Calls - D. Scott Hessels, undated

Box: 2, audiocassette: ID: 173.0038 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 3 minutes

Audio

Suburban Bird Calls - D. Scott Hessels

CNLF Radio Sampler, undated

Box: 2, audiocassette: ID: 173.0039 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 64 minutes

Audio

CNLF Radio Sampler

Mindsight - Steve Nelson Rainey, undated

Box: 2, audiocassette: ID: 173.0040 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 32 minutes

Audio

Mindsight - Steve Nelson Rainey

The Blue Night/Lives of Saints - Fredrick Moore, undated

Box: 2, audiocassette: ID: 173.0041 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 18 minutes

Audio

The Blue Night/Lives of Saints - Fredrick Moore

While All Slept - YSC, 1993, inclusive

Box: 2, audiocassette: ID: 173.0042 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 24 minutes

Audio

While All Slept - YSC

The Voices of Kwahn - Max Bilt, 1993, inclusive

Box: 2, audiocassette: ID: 173.0043 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 21 minutes

Audio

The Voices of Kwahn - Max Bilt

Once Despised : Thine Eyes, undated

Box: 2, audiocassette: ID: 173.0044 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 31 minutes

Audio

Once Despised : Thine Eyes

Living Inside Design - Mikel Rouse, undated

Box: 2, audiocassette: ID: 173.0045 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 54 minutes

Audio

Living Inside Design - Mikel Rouse

Smut - Dave Soldier, undated

Box: 2, audiocassette: ID: 173.0046 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 32 minutes

Audio

Smut - Dave Soldier

Talking Drum - Chris Brown, 1995, inclusive

Box: 2, audiocassette: ID: 173.0047 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 34 minutes

Audio

Talking Drum - Chris Brown

Private Boundaries- Silent Tongues, 1992, inclusive

Box: 2, audiocassette: ID: 173.0048 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 95 minutes

Audio

Private Boundaries- Silent Tongues

Let the Dead Bury the Living - Steve Gibson, 1993, inclusive

Box: 2, audiocassette: ID: 173.0049 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 67 minutes

Audio

Let the Dead Bury the Living - Steve Gibson

Story Teller (fades in slowly) -- Coleman, 1993

Box: 3, audiocassette: 173.0088 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 5 minutes

Audio

Story Teller (fades in slowly) -- Coleman

Ruminations: Blue Broom; (excerpt from installation) -- Coleman, circa 1993

Box: 3, audiocassette: 173.0089 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 4 minutes

Audio

Ruminations: Blue Broom; (excerpt from installation) -- Coleman

Crossroads: Remix -- Peas & Rice Press, 1994

Box: 3, audiocassette: 173.0090 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 20 minutes

Audio

Crossroads: Remix -- Peas & Rice Press

Feed Ink #1 - green - Audio Magazine from gamma Knife- Errant Bodies Productions, undated

Box: 2, audiocassette: ID: 173.0050 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 33 minutes

Audio

Feed Ink #1 - green - Audio Magazine from gamma Knife- Errant Bodies Productions

Feed Ink #2- silver- Audio Magazine from gamma KNife- Errant Bodies Productions, undated

Box: 2, audiocassette: ID: 173.0051 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 65 minutes

Audio

Feed Ink #2- silver- Audio Magazine from gamma KNife- Errant Bodies Productions

Feed Ink #3 - gold - Audio Magazine from Gamma Knife - Errant Bodies Productions, undated

Box: 2, audiocassette: ID: 173.0052 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 65 minutes

Audio

Feed Ink #3 - gold - Audio Magazine from Gamma Knife - Errant Bodies Productions

Series VI: Audio: Radio Tapes with Jacki Apple/Audio Networks, 1982-1985

Scope and Content

Interviews & Live Performances with Jacki Apple

A. Audio Networks Zone 23 - Rosenthal B. Rosenthal Interview -- Rachel Rosenthal, 1982, inclusive

Box: 3, audiocassette: ID: 173.0053 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 52 minutes

Audio

A. Audio Networks Zone 23 - Rosenthal B. Rosenthal Interview -- Rachel Rosenthal

A. Audio Networks:Zone 23 Burroughs/Anderson B. Gierno/Kroser -- William Burroughs, Laurie Anderson, 1982, inclusive

Box: 3, audiocassette: ID: 173.0054 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 64 minutes

Audio

A. Audio Networks:Zone 23 Burroughs/Anderson B. Gierno/Kroser -- William Burroughs, Laurie Anderson

A. Jill Kroesen - Audio Networks: Zone 23 (1 of 2), 1982, inclusive

Box: 3, audiocassette: ID: 173.0055 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 65 minutes

Audio

A. Jill Kroesen - Audio Networks: Zone 23 (1 of 2)

A. Jill Kroesen - Audio Networks: Zone 23 (2 of 2), 1982, inclusive

Box: 3, audiocassette: ID: 173.0056 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 59 minutes

Audio

A. Jill Kroesen - Audio Networks: Zone 23 (2 of 2)

A. Jacki Apple, Robert Raposo, Bruce Tovsky Talk for One Hour, 1982, inclusive

Box: 3, audiocassette: ID: 173.0057 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 68 minutes

Audio

A. Jacki Apple, Robert Raposo, Bruce Tovsky Talk for One Hour

A. Audio Networks - Garrett List A-1 Band "Fire & Ice", 1982, inclusive

Box: 3, audiocassette: ID: 173.0058 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 41 minutes

Audio

A. Audio Networks - Garrett List A-1 Band "Fire & Ice"

A. Audio Networks Zone 23 - KPFK Los Angeles - Henry Korn, 1982, inclusive

Box: 3, audiocassette: ID: 173.0059 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 64 minutes

Audio

A. Audio Networks Zone 23 - KPFK Los Angeles - Henry Korn

A. Gina Wendkos Interview, 1985, inclusive

Box: 3, audiocassette: ID: 173.0060 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 43 minutes

Audio

A. Gina Wendkos Interview

A. Harold Budd- KFPK Auido Networks B. New Music America Artists, October 14, 1985; undated, inclusive

Box: 3, audiocassette: ID: 173.0061 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 60 minutes

Audio

A. Harold Budd- KFPK Auido Networks B. New Music America Artists

A. Interview- Lee Breuer, Bob Telson, Jacki Apple, 1985, inclusive

Box: 3, audiocassette: ID: 173.0062 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 44 minutes

Audio

A. Interview- Lee Breuer, Bob Telson, Jacki Apple

Notes: On Performance - Tony Abatemarco, Jan Munroe, David Schweizer, Susan Falcon, 1985, inclusive

Box: 3, audiocassette: ID: 173.0063 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 57 minutes

Audio

Notes: On Performance - Tony Abatemarco, Jan Munroe, David Schweizer, Susan Falcon

Series VII: Audio: Radio Tapes with Jacki Apple/Soundings, 1986-1995

A. Poets- Doug Messerli, 1986, inclusive

Box: 3, audiocassette: ID: 173.0064 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 59 minutes

Audio

A. Poets- Doug Messerli

A. Bob & Bob Retro, 1986, inclusive

Box: 3, audiocassette: ID: 173.0065 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 61 minutes

Audio

A. Bob & Bob Retro

A. KFPK- Dark Bob, June 30, 1987, inclusive

Box: 3, audiocassette: ID: 173.0066 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 28 minutes

Audio

A. KFPK- Dark Bob

A. John Malpede - LAPD, August 1986, inclusive

Box: 3, audiocassette: ID: 173.0067 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 65 minutes

Audio

A. John Malpede - LAPD

A. Rachel Rosenthal- Interview, September 1, 1987, inclusive

Box: 3, audiocassette: ID: 173.0068 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 60 minutes

Audio

A. Rachel Rosenthal- Interview

A Barry Yourgraw, December 8, 1987, inclusive

Box: 3, audiocassette: ID: 173.0069 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 59 minutes

Audio

A Barry Yourgraw

A. Remy Charlip/Steve Arnold/Car/Stone/Kedric Wolfe etc, February 16, 1988, inclusive

Box: 3, audiocassette: ID: 173.0070 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duarion: 28 minutes

Audio

A. Remy Charlip/Steve Arnold/Car/Stone/Kedric Wolfe etc

A. Irie!- British Dance Co., March 19. 1988, inclusive

Box: 3, audiocassette: ID: 173.0071 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 59 minutes

Audio

A. Irie!- British Dance Co.

A. Elisha Shapiro - Nihilist Party Political Convention, 1988, inclusive

Box: 3, audiocassette: ID: 173.0072 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 62 minutes

Audio

A. Elisha Shapiro - Nihilist Party Political Convention

A. LAPD (Los Angeles Poverty Dept Theater) - Frank, George, John, 1980s, inclusive

Box: 3, audiocassette: ID: 173.0073 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 51 minutes

Audio

A. LAPD (Los Angeles Poverty Dept Theater) - Frank, George, John

A. Belief - Elisha Shapiro, August 7, 1990, inclusive

Box: 3, audiocassette: ID: 173.0074 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 62 minutes

Audio

A. Belief - Elisha Shapiro

A. Elisha Shapiro/Beth Lapides Live, 1992, inclusive

Box: 3, audiocassette: ID: 173.0075 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 59 minutes

Audio

A. Elisha Shapiro/Beth Lapides Live

A. Terry Sweeney/Nancy Regan Performance, 1990's, inclusive

Box: 3, audiocassette: ID: 173.0076 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 61 minutes

Audio

A. Terry Sweeney/Nancy Regan Performance

A. Spalding Gray Live, April 19, 1994, inclusive

Box: 3, audiocassette: ID: 173.0077 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 53 minutes

Audio

A. Spalding Gray Live

A. Larry Miller & William de Ridder Live- Fluxus, August 23, 1994, inclusive

Box: 3, audiocassette: ID: 173.0078 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 60 minutes

Audio

A. Larry Miller & William de Ridder Live- Fluxus

A. Women Vocalists (recorded), May 26, 1995, inclusive

Box: 3, audiocassette: ID: 173.0079 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 61 minutes

Audio

A. Women Vocalists (recorded)

Series VII: Audio: Artists Tapes, 1990-1996

A. Anna Holmer & Geert Waegman - Blue Flame Blue, undated

Box: 3, audiocassette: ID: 173.0080 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 14 minutes

Audio

A. Anna Holmer & Geert Waegman - Blue Flame Blue

Untitled - Anna Holmer/Rod Poole, 1993, inclusive

Box: 3, audiocassette: ID: 173.0081 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 26 minutes

Audio

Untitled - Anna Holmer/Rod Poole

A. Tim Rowe- Six Broken Lines - Rowe, Miano, Onserud, Miles, Kono, Siwula, 1996, inclusive

Box: 3, audiocassette: ID: 173.0082 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 28 minutes

Audio

A. Tim Rowe- Six Broken Lines - Rowe, Miano, Onserud, Miles, Kono, Siwula

A. Audio Portraits - Tom Skelly, undated

Box: 3, audiocassette: ID: 173.0083 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Preservation note: Side 2 is blank; Experimental use of layering and multiple track; Duration: 30 minutes

Audio

A. Audio Portraits - Tom Skelly

A. Port Menteau: Overlooking the Insignia B. X's Malingering/Forefinger Ajar - Sue Fishbein, undated

Box: 3, audiocassette: ID: 173.0084 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Preservation note Experimental audio (sounds like multiple radio signals); Duration: 62 minutes

Audio

A. Port Menteau: Overlooking the Insignia B. X's Malingering/Forefinger Ajar - Sue Fishbein

A. Quiver - Dean Terry, 1994, inclusive

Box: 3, DAT: ID: 173.0085 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 13 minutes

Audio

A. Quiver - Dean Terry

A. Curled Wire - Tim Boroian, 1990, inclusive

Box: 3, audiocassette: ID: 173.0086 (Material Type: Audio)

Physical Characteristics and Technical Requirements

Duration: 32 minutes

Audio

A. Curled Wire - Tim Boroian

Series VIII: Audio: Soundings Miscellaneous

Beat Town - Peter Beckman, undated

Box: Shared Fales 104, Quarter_Inch_Audio_Reel: 173.0087 (Material Type: Audio)

General

Live Mix-Master

Physical Characteristics and Technical Requirements

Durartion: 41 minutes

Audio

Beat Town - Peter Beckman

Series IX. Business Correspondence

A Space Toronto, 1979-1985, inclusive

Box: 5 (Material Type: Mixed Materials)

Action/Image Journal, 1976-1985, inclusive

Box: 5 (Material Type: Mixed Materials)

AGORA Foundation (Netherlands), 1979, inclusive

Box: 5 (Material Type: Mixed Materials)

And/Or (Seattle), 1979, inclusive

Box: 5 (Material Type: Mixed Materials)

Archive of Women in Architecture (Susana Torre), 1976, inclusive

Box: 5 (Material Type: Mixed Materials)

Audio Arts (London), 1979-1982, inclusive

Box: 5 (Material Type: Mixed Materials)

80 Langston Street, San Francisco (Kathy O'Dell), 1978, inclusive

Box: 5 (Material Type: Mixed Materials)

Experimental Art Foundation (Adelaide, Australia), 1977-1980, inclusive

Box: 5 (Material Type: Mixed Materials)

Franklin Furnace (New York City), 1977, inclusive

Box: 5 (Material Type: Mixed Materials)

Foundation for Today's Art/Bookworks (Philadelphia), 1982, inclusive

Box: 5 (Material Type: Mixed Materials)

Independent Curators, Inc. (New York City), 1982-1985, inclusive

Box: 5 (Material Type: Mixed Materials)

International Center for Photography (New York City), 1982, inclusive

Box: 5 (Material Type: Mixed Materials)

The Kitchen (New York City), 1978, inclusive

Box: 5 (Material Type: Mixed Materials)

LAAT (Los Angeles), 1984, inclusive

Box: 5 (Material Type: Mixed Materials)

LACE (Los Angeles), 1980-1981, inclusive

Box: 5 (Material Type: Mixed Materials)

LACPS (Los Angeles), 1985, inclusive

Box: 5 (Material Type: Mixed Materials)

LAICA (Los Angeles), 1979-1980, inclusive

Box: 5 (Material Type: Mixed Materials)

La Mamelle (San Francisco), 1978-1981, inclusive

Box: 5 (Material Type: Mixed Materials)

N.A.M.E. Gallery/Landfall (Chicago), 1979-1981, inclusive

Box: 5 (Material Type: Mixed Materials)

112 Greene Street (New York City), 1977-1978, inclusive

Box: 5 (Material Type: Mixed Materials)

On the Boards (Seattle), 1982-1983, inclusive

Box: 5 (Material Type: Mixed Materials)

Performance Projects (Tuscon, Arizona), 1984, inclusive

Box: 5 (Material Type: Mixed Materials)

Poets and Writers (New York City), 1979, inclusive

Box: 5 (Material Type: Mixed Materials)

Portland Center for Visual Arts, 1978-1979, inclusive

Box: 5 (Material Type: Mixed Materials)

Powerhouse Gallery and Cinema Parallelle (Montreal), 1979, inclusive

Box: 5 (Material Type: Mixed Materials)

Printed Matter (New York City), 1976-1983, inclusive

Box: 5 (Material Type: Mixed Materials)

P.S.1 (New York City), 1977, inclusive

Box: 5 (Material Type: Mixed Materials)

Real Art Ways (Hartford, Connecticut), 1978-1981, inclusive

Box: 5 (Material Type: Mixed Materials)

Riverside Studios (London), 1979-1980, inclusive

Box: 5 (Material Type: Mixed Materials)

Soho Television, 1981, inclusive

Box: 5 (Material Type: Mixed Materials)

South Hill Park Arts Centre (Bracknell, England), 1980-1981, inclusive

Box: 5 (Material Type: Mixed Materials)

Time-Based Arts (Amsterdam, Netherlands), 1986, inclusive

Box: 6 (Material Type: Mixed Materials)

Vanguard Gallery (Los Angeles), 1978-1979, inclusive

Box: 6 (Material Type: Mixed Materials)

Washington Project for the Arts (Washington, D.C.), 1980-1982, inclusive

Box: 6 (Material Type: Mixed Materials)

Women in Art: Working Papers, 1977, inclusive

Box: 6 (Material Type: Mixed Materials)

The Womens Building (Los Angeles), 1978-1981, inclusive

Box: 6 (Material Type: Mixed Materials)

Women and Their Work (Austin, Texas), 1981-1982, inclusive

Box: 6 (Material Type: Mixed Materials)

Woodworks, Inc. (San Jose, California), 1978, inclusive

Box: 6 (Material Type: Mixed Materials)

ZBS Foundation (New York), 1980-1983, inclusive

Box: 6 (Material Type: Mixed Materials)

Contemporary Art Museum (Houston, Texas), 1977-1979, inclusive

Box: 6 (Material Type: Mixed Materials)

C SPACE (New York City), 1977-1978, inclusive

Box: 6 (Material Type: Mixed Materials)

Detroit Institute of the Arts (Mary Jane Jacob), 1979-1980, inclusive

Box: 6 (Material Type: Mixed Materials)

Elise Meyer Gallery (New York City), 1980-1983, inclusive

Box: 6 (Material Type: Mixed Materials)

ICA London, 1979-1986, inclusive

Box: 6 (Material Type: Mixed Materials)

Long Beach Museum of Art (California), 1978-1990, inclusive

Box: 6 (Material Type: Mixed Materials)

Laguna Gloria Museum of Art (Austin, Texas), 1981-1983, inclusive

Box: 6 (Material Type: Mixed Materials)

Museo de Arte Contemporarana (Sao Paulo, Brazil), 1977-1978, inclusive

Box: 6 (Material Type: Mixed Materials)

Museum of Modern Art (MoMA, New York City), 1978-1985, inclusive

Box: 6 (Material Type: Mixed Materials)

Museum Moderna Kunst (Vienna), 1983-1985, inclusive

Box: 6 (Material Type: Mixed Materials)

National Art Gallery (Wellington, New Zealand), 1978-1987, inclusive

Box: 6 (Material Type: Mixed Materials)

National Gallery of Canada (Ottowa), 1979, inclusive

Box: 6 (Material Type: Mixed Materials)

Poland Exhibition Invitations, 1979, inclusive

Box: 6 (Material Type: Mixed Materials)

Queens Museum (New York City), 1981, inclusive

Box: 6 (Material Type: Mixed Materials)

Richard De Marco Gallery (Edinburgh), 1976, inclusive

Box: 6 (Material Type: Mixed Materials)

Rimini Museum (Italy), 1981-1982, inclusive

Box: 6 (Material Type: Mixed Materials)

Robert Newman Gallery (Boulder, Colorado), 1979, inclusive

Box: 6 (Material Type: Mixed Materials)

San Francisco Museum of Modern Art, 1980, inclusive

Box: 6 (Material Type: Mixed Materials)

Stedelijk Museum (Amsterdam), 1979-1982, inclusive

Box: 6 (Material Type: Mixed Materials)

University Art Museum, University of California-Berkeley, 1978, inclusive

Box: 6 (Material Type: Mixed Materials)

Art Institute of Chicago, 1979-1980, inclusive

Box: 6 (Material Type: Mixed Materials)

California Insitute of the Arts, 1979-1981, inclusive

Box: 6 (Material Type: Mixed Materials)

Cal Arts, 1990s, inclusive

Box: 6 (Material Type: Mixed Materials)

California State University, Chico (Gayle Kimball), 1978, inclusive

Box: 6 (Material Type: Mixed Materials)

Cal Tech (Baxter Gallery), 1981, inclusive

Box: 6 (Material Type: Mixed Materials)

Claremont Colleges (California), 1981-1982, inclusive

Box: 6 (Material Type: Mixed Materials)

Concordia University (Montreal), 1979-1980, inclusive

Box: 6 (Material Type: Mixed Materials)

Cranbrook and Wayne State University (Michigan), 1980-1981, inclusive

Box: 6 (Material Type: Mixed Materials)

Kansas City Art Institute (Sherry Lacy), 1978, inclusive

Box: 6 (Material Type: Mixed Materials)

Mass College of Art, 1978, inclusive

Box: 6 (Material Type: Mixed Materials)

Melbourne University (Ewing and George Patton Gallery), 1977, inclusive

Box: 6 (Material Type: Mixed Materials)

RE:PAGES Exhibition (Rhode Island), 1980-1981, inclusive

Box: 6 (Material Type: Mixed Materials)

San Jose State University (California), 1978, inclusive

Box: 6 (Material Type: Mixed Materials)

San Francisco Art Institute (Jim Pomeroy), 1978, inclusive

Box: 6 (Material Type: Mixed Materials)

Texas Tour: Houseon, Rice University, NASA, G. Barnstone), 1980-1981, inclusive

Box: 6 (Material Type: Mixed Materials)

U.S. Information Agency, 1976, inclusive

Box: 6 (Material Type: Mixed Materials)

University of Arizona, Tucson, 1985, inclusive

Box: 6 (Material Type: Mixed Materials)

University of California, Irvine, 1978-1980, inclusive

Box: 6 (Material Type: Mixed Materials)

University of California, San Diego, 1978-1982, inclusive

Box: 7 (Material Type: Mixed Materials)

University of California, Santa Barbara, 1978-1981, inclusive

Box: 7 (Material Type: Mixed Materials)

University of Colorado (Lamia Dumato), 1978-1979, inclusive

Box: 7 (Material Type: Mixed Materials)

University of Pennsylvania, Philadelphia ("Fresh Fish"), 1983, inclusive

Box: 7 (Material Type: Mixed Materials)

University of Texas, Austin, 1977, inclusive

Box: 7 (Material Type: Mixed Materials)

University of Wisconsin, Madison and Milwaukee, 1981-1987, inclusive

Box: 7 (Material Type: Mixed Materials)

Utica College/Ithaca College (New York), 1976-1980, inclusive

Box: 7 (Material Type: Mixed Materials)

Virginia Commonwealth University, 1980-1990, inclusive

Box: 7 (Material Type: Mixed Materials)

Women Artists Archive (SUNY, Oswego; New York), 1990, inclusive

Box: 7 (Material Type: Mixed Materials)

Neil Bartlett (London), 1982, inclusive

Box: 7 (Material Type: Mixed Materials)

H. Besacier (Lyon, France), 1978, inclusive

Box: 7 (Material Type: Mixed Materials)

Nancy Buchanan (New York, Los Angeles), 1980, inclusive

Box: 7 (Material Type: Mixed Materials)

California Tour: J. Simonian, SSB Susan Martin, 1979, inclusive

Box: 7 (Material Type: Mixed Materials)

Alvin Curran, 1977, inclusive

Box: 7 (Material Type: Mixed Materials)

Peter Hamilton (Melbourne, Australia), 1980, inclusive

Box: 7 (Material Type: Mixed Materials)

Ian Hunter (National Gallery; Wellington, New Zealand), 1979-1982, inclusive

Box: 7 (Material Type: Mixed Materials)

Jeff Gordon, 1982-1983, inclusive

Box: 7 (Material Type: Mixed Materials)

Michael Kaspar, 1981, inclusive

Box: 7 (Material Type: Mixed Materials)

Jane Kent and Anne Marsh (Perth, Australia), 1982, inclusive

Box: 7 (Material Type: Mixed Materials)

Henry Korn (New York City), 1981-1982, inclusive

Box: 7 (Material Type: Mixed Materials)

Italian Curators and Writers, 1976-1980, inclusive

Box: 7 (Material Type: Mixed Materials)

John Lethbridge (Sydney, Australia), 1978, inclusive

Box: 7 (Material Type: Mixed Materials)

Peter Meyer (Stockholm, Sweden), 1983-1985, inclusive

Box: 7 (Material Type: Mixed Materials)

Jill Scott (Australia), 1978, inclusive

Box: 7 (Material Type: Mixed Materials)

Patricia Tavener (Oakland, California), 1978, inclusive

Box: 7 (Material Type: Mixed Materials)

Geraldine Waxkovsky (Boulder, Colorado), 1979, inclusive

Box: 7 (Material Type: Mixed Materials)

Faith Wilding and Everett Frost (Los Angeles), 1980-1981, inclusive

Box: 7 (Material Type: Mixed Materials)

Eva Yuen (Hong Kong), 1981, inclusive

Box: 7 (Material Type: Mixed Materials)

A.I.R. (New York City), 1982, inclusive

Box: 7 (Material Type: Mixed Materials)

Executive Arts Consultation Proposal, 1978-1979, inclusive

Box: 7 (Material Type: Mixed Materials)

Harvestworks, Tellus (New York City), 1985-1995, inclusive

Box: 7 (Material Type: Mixed Materials)

Franklin Furnace (New York City), 1982, inclusive

Box: 7 (Material Type: Mixed Materials)

Irvine Fine Arts Center (California): "Maps, Charts, and Routes" Exhibition, 1996, inclusive

Box: 7 (Material Type: Mixed Materials)

Mercer Union (Toronot): "Love Gasoline" Exhibition, 1996, inclusive

Box: 7 (Material Type: Mixed Materials)

N23 Correspondence, 1981, inclusive

Box: 7 (Material Type: Mixed Materials)

N23 Proposals, 1981, inclusive

Box: 7 (Material Type: Mixed Materials)

NASA, 1981, inclusive

Box: 7 (Material Type: Mixed Materials)

Nexus Contemporary Arts Center (Atlanta), 1986, inclusive

Box: 7 (Material Type: Mixed Materials)

One Ten Records (New York City), 1977-1980, inclusive

Box: 7 (Material Type: Mixed Materials)

San Francisco Cameraworks, 1985, inclusive

Box: 8 (Material Type: Mixed Materials)

Western Front (Vancouver), 1988-1989, inclusive

Box: 8 (Material Type: Mixed Materials)

Fireworks (Los Angeles), 1999, inclusive

Box: 8 (Material Type: Mixed Materials)

Fresno Arts Center and Museum (California), 1986-1987, inclusive

Box: 8 (Material Type: Mixed Materials)

Half a Dozen Rose Gallery (Los Angeles), 1996, inclusive

Box: 8 (Material Type: Mixed Materials)

Mary Delahoyd Gallery (New York City), 1985, inclusive

Box: 8 (Material Type: Mixed Materials)

MOCA (Los Angeles), 1998-2005, inclusive

Box: 8 (Material Type: Mixed Materials)

Museum of Contemporary Hispanic Art (New York City), 1986, inclusive

Box: 8 (Material Type: Mixed Materials)

Newport Harbor Museum, 1988-1990, inclusive

Box: 8 (Material Type: Mixed Materials)

Santa Monica Museum of Art Proposal, 1988, inclusive

Box: 8 (Material Type: Mixed Materials)

Rhode Island School of Design (RISD), 1991, inclusive

Box: 8 (Material Type: Mixed Materials)

San Jose State University (California), 1982, inclusive

Box: 8 (Material Type: Mixed Materials)

Rutgers University (Mark Berger), 1980, inclusive

Box: 8 (Material Type: Mixed Materials)

Scripts College and Claremont Colleges, 1994, inclusive

Box: 8 (Material Type: Mixed Materials)

Simon Fraser University (Vancouver), 1979, inclusive

Box: 8 (Material Type: Mixed Materials)

After Image (Publication, 1983-1985, inclusive

Box: 8 (Material Type: Mixed Materials)

University of Kansas, 1997, inclusive

Box: 8 (Material Type: Mixed Materials)

Mindy Affirme, 1980, inclusive

Box: 8 (Material Type: Mixed Materials)

Dena Hawes, 1995-1997, inclusive

Box: 8 (Material Type: Mixed Materials)

Lynn Hershman, 1978, inclusive

Box: 8 (Material Type: Mixed Materials)

Beryl Spector (PBS), 1980, inclusive

Box: 8 (Material Type: Mixed Materials)

Blue Gene Tyranny (Mills College; Oakland, California), 1978, inclusive

Box: 8 (Material Type: Mixed Materials)

Brody Arts Fund (Los Angeles), 1986-1988, inclusive

Box: 8 (Material Type: Mixed Materials)

California Community Foundation, 1996-2001, inclusive

Box: 8 (Material Type: Mixed Materials)

Durfee Foundation, 2003-2007, inclusive

Box: 8 (Material Type: Mixed Materials)

Flintridge Foundation (Pasadena, California), 2000-2005, inclusive

Box: 8 (Material Type: Mixed Materials)

J. Paul Getty Trust Fund for the Arts, 1989, inclusive

Box: 8 (Material Type: Mixed Materials)

Guggenheim Foundation Fellowships, 1982-2000, inclusive

Box: 8 (Material Type: Mixed Materials)

LACE Project Grants, 1986-1990, inclusive

Box: 8 (Material Type: Mixed Materials)

MacArthur Foundation, 1992-2000, inclusive

Box: 8 (Material Type: Mixed Materials)

McKnight Foundation (Minneapolis, Minnesota), 1999, inclusive

Box: 8 (Material Type: Mixed Materials)

The Artists Foundation (Massachusetts Arts Council), 1988, inclusive

Box: 8 (Material Type: Mixed Materials)

California Arts Council, 1987, inclusive

Box: 8 (Material Type: Mixed Materials)

CAPS (Creative Artists Program Services)/NYSCA, 1978-1983, inclusive

Box: 9 (Material Type: Mixed Materials)

CPB (Corporation for Public Broadcasting)/NPR Radio Production Grant, 1986, inclusive

Box: 9 (Material Type: Mixed Materials)

Cultural Affairs Department, City of Los Angeles -- Individual Artists, 1996-2000, inclusive

Box: 9 (Material Type: Mixed Materials)

Cultural Affairs Department, City of Los Angeles -- Public Arts Division, 2000-2006, inclusive

Box: 9 (Material Type: Mixed Materials)

Cultural Affairs Department, City of Los Angeles -- Regional Arts, 2000, inclusive

Box: 9 (Material Type: Mixed Materials)

Illinois Arts Council, 1996, inclusive

Box: 9 (Material Type: Mixed Materials)

Los Angeles County Music and Performing Arts Commission, 1988, inclusive

Box: 9 (Material Type: Mixed Materials)

Los Angeles Endowment for the Arts, 1989-1990, inclusive

Box: 9 (Material Type: Mixed Materials)

Massachusetts Arts Council Radio Panel, 1989, inclusive

Box: 9 (Material Type: Mixed Materials)

METRO Arts, Los Angeles, 2000-2003, inclusive

Box: 9 (Material Type: Mixed Materials)

National Endowment for the Arts (NEA) - Services to the Field, 1980-1981, inclusive

Box: 9 (Material Type: Mixed Materials)

National Endowment for the Arts (NEA) - Visual Arts Fellowship, 1979-1981, inclusive

Box: 9 (Material Type: Mixed Materials)

National Endowment for the Arts (NEA) - Visual Arts New Genres, 1978-1995, inclusive

Box: 9 (Material Type: Mixed Materials)

National Endowment for the Arts (NEA) - Inter-Arts Collaborations, 1984, inclusive

Box: 9 (Material Type: Mixed Materials)

National Endowment for the Arts (NEA) - Inter-Arts (Cactus), 1989-1993, inclusive

Box: 9 (Material Type: Mixed Materials)

National Endowment for the Arts (NEA) - Media Arts/Radio, 1985-1993, inclusive

Box: 10 (Material Type: Mixed Materials)

National/State/County Partnership Grants (Cactus Foundation), 1987-1989, inclusive

Box: 10 (Material Type: Mixed Materials)

Santa Monica Arts Commission - Cactus Performances, 1988-1989, inclusive

Box: 10 (Material Type: Mixed Materials)

Santa Monica Arts Commission - Public Art Proposal, 1988-2004, inclusive

Box: 10 (Material Type: Mixed Materials)

Seattle Arts Commission (Panelist), 1991, inclusive

Box: 10 (Material Type: Mixed Materials)

Western States Arts Federation (Regional NEA), 1996, inclusive

Box: 10 (Material Type: Mixed Materials)

Martin Luther King Community Center Public Art Project, 2002-2003, inclusive

Box: 10 (Material Type: Mixed Materials)

Queen Anne Community Center Public Art Project, 2001-2004, inclusive

Box: 10 (Material Type: Mixed Materials)

Oakwood-Venice Public Art -- Concepts and Visual Docs, 1999-2003, inclusive

Box: 10 (Material Type: Mixed Materials)

Oakwood-Venice Public Art -- Research, Oral History, Interviews, and Notes, 1999-2003, inclusive

Box: 10 (Material Type: Mixed Materials)

Oakwood-Venice Public Art -- Contracts, Receipts, Legal, Ledtters, 1999-2003, inclusive

Box: 10 (Material Type: Mixed Materials)

Aliso Pico Public Art Project -- Concept, Design, Production with Eric Mar, 1998-1999, inclusive

Box: 10 (Material Type: Mixed Materials)

Aliso Pico Public Art Project -- Announcement, Public Relations, 1998-1999, inclusive

Box: 10 (Material Type: Mixed Materials)

Aliso Pico Public Art Project -- Contracts, Legal, 1998-1999, inclusive

Box: 10 (Material Type: Mixed Materials)

Little Tokyo Public Library (Los Angeles) -- City Correspondence, Design Concepts, 2001-2005, inclusive

Box: 11 (Material Type: Mixed Materials)

Little Tokyo Public Library (Los Angeles) -- Research and Receipts, 2001-2005, inclusive

Box: 11 (Material Type: Mixed Materials)

Little Tokyo Public Library (Los Angeles) -- Contracts, 2002-2005, inclusive

Box: 11 (Material Type: Mixed Materials)

Center for Cultural Innovation, Investing in Artists Grants, 2007-2008, inclusive

Box: 11 (Material Type: Mixed Materials)

Patrick Tofts (English) -- Art Director Friend (Persona), 1978-1989, inclusive

Box: 11 (Material Type: Mixed Materials)

Alice Hutchinson (Art Historian, Curator, Friend), 1990s, inclusive

Box: 11 (Material Type: Mixed Materials)

Heike Strelow (Frankfurt, Germany), 1997, inclusive

Box: 11 (Material Type: Mixed Materials)

Bruce Odland, 1990s, inclusive

Box: 11 (Material Type: Mixed Materials)

Lou Mallozzi -- Recommendations, 1992-1993, inclusive

Box: 11 (Material Type: Mixed Materials)

Kathie Rae Huffman -- Projects, Russia, High Performance, World Art, 1994-1996, inclusive

Box: 11 (Material Type: Mixed Materials)

The New Museum of Contemporary Art (New York City), 1984-1986, inclusive

Box: 11 (Material Type: Mixed Materials)

AART (Audio Art Transmissions); Irish Museum of Modern Art (Dublin), 1990-1994, inclusive

Box: 11 (Material Type: Mixed Materials)

Sveska Gallery (Prague), 1997-1998, inclusive

Box: 11 (Material Type: Mixed Materials)

Next Monet (Online Gallery), 1999, inclusive

Box: 11 (Material Type: Mixed Materials)

CDs -- Audio Works -- Press Releases, 1991, inclusive

Box: 11 (Material Type: Mixed Materials)

Exhibition, Etc. Announcement, 1990s, inclusive

Box: 11 (Material Type: Mixed Materials)

Christ of Migone (Radio Montreal), 1992, inclusive

Box: 11 (Material Type: Mixed Materials)

Cleveland Center for Contemporary Art (Exhibition/Performance Advisory Committee), 1992-1993, inclusive

Box: 11 (Material Type: Mixed Materials)

Cleveland Performance Art Festival, 1989-1995, inclusive

Box: 11 (Material Type: Mixed Materials)

Sound Culture -- The Performance Space (Australia), 1990-1991, inclusive

Box: 12 (Material Type: Mixed Materials)

Artspace (Auckland, New Zealand) -- Performance Correspondence, Soundwatch, 1993-1994, inclusive

Box: 12 (Material Type: Mixed Materials)

Arroyo Arts -- River Vision Project, 2000, inclusive

Box: 12 (Material Type: Mixed Materials)

Arroyo Arts -- "Without Alarm" Exhibition Sanctuary Piece, 1996, inclusive

Box: 12 (Material Type: Mixed Materials)

Huntington Beach Art Center -- "Are We Touched?" Group Show, 1997, inclusive

Box: 12 (Material Type: Mixed Materials)

ATHE (Association for Theater in Higher Ed) -- Laurie Beth Clark Conference, 1995, inclusive

Box: 12 (Material Type: Mixed Materials)

College Art Association Conference -- Panel on Place of Performance Art in Higher Ed, 1995, inclusive

Box: 12 (Material Type: Mixed Materials)

School of Art Institute of Chicago -- Experiemental Sound Studio, 1993, inclusive

Box: 12 (Material Type: Mixed Materials)

Skidmore College, 1998, inclusive

Box: 12 (Material Type: Mixed Materials)

Cal State University, Los Angeles, 1997, inclusive

Box: 12 (Material Type: Mixed Materials)

Cal State, Long Beach -- Dance Department Teaching, 1983, inclusive

Box: 12 (Material Type: Mixed Materials)

Cal State, Long Beach -- Inter-Arts Panel and Advisory Council, 1988-1989, inclusive

Box: 12 (Material Type: Mixed Materials)

Cal State, Monterey Bay -- Radio Workshop, 2003, inclusive

Box: 12 (Material Type: Mixed Materials)

Art Center -- Performance Class Posters, Syllabi, Programs, 1991-2012, inclusive

Box: 12 (Material Type: Mixed Materials)

EARJAM IV -- Tech Scripts and Staging, 2004, inclusive

Box: 12 (Material Type: Mixed Materials)

EARJAM IV -- Production Notes/Artists Lists, 2004, inclusive

Box: 12 (Material Type: Mixed Materials)

EARJAM III -- Press Releases, 2002, inclusive

Box: 12 (Material Type: Mixed Materials)

EARJAM II -- Grant Proposal, Production Notes, 2001, inclusive

Box: 12 (Material Type: Mixed Materials)

EARJAM I -- Artists Lists, Production Notes, 2000, inclusive

Box: 12 (Material Type: Mixed Materials)

EARJAM I-IV -- Programs, Press, 2000-2004, inclusive

Box: 12 (Material Type: Mixed Materials)

ArtCenter -- Collaborative Course Proposal, 2002-2003, inclusive

Box: 12 (Material Type: Mixed Materials)

ArtCenter -- Film Classes, Chinese Cinema, Women Directors, 1995-2001, inclusive

Box: 13 (Material Type: Mixed Materials)

ArtCenter -- Dramatic Structures Class, 2002, inclusive

Box: 13 (Material Type: Mixed Materials)

ArtCenter -- 1960s Cultural History Class -- Postes, 2005, inclusive

Box: 13 (Material Type: Mixed Materials)

ArtCenter -- Modernism Syllabi, 1990-2014, inclusive

Box: 13 (Material Type: Mixed Materials)

ArtCenter -- Various Courses, 1983-1993, inclusive

Box: 13 (Material Type: Mixed Materials)

Flyers, 1990s-2000s, inclusive

Box: 13 (Material Type: Mixed Materials)

Series X. Critical Writing on the Arts

Art of Spectacle Catalog (UCLA/LACE), 1984-1985, inclusive

Box: 13 (Material Type: Mixed Materials)

Art and Auction Magazine, 1984, inclusive

Box: 13 (Material Type: Mixed Materials)

Art Center College of Design Magazine (Feature Essay), undated, inclusive

Box: 13 (Material Type: Mixed Materials)

Art Scene, 1984, inclusive

Box: 13 (Material Type: Mixed Materials)

Artweek, 1982-1990, inclusive

Box: 13 (Material Type: Mixed Materials)

Artweek (Published), 1983-1990, inclusive

Box: 13 (Material Type: Mixed Materials)

Astro Arts/Fringe Festvial, 1990, inclusive

Box: 14 (Material Type: Mixed Materials)

BAM (Brooklyn Academy of Music), 1984, inclusive

Box: 14 (Material Type: Mixed Materials)

Cal Arts Magazine, 1984, inclusive

Box: 14 (Material Type: Mixed Materials)

Guggenheim Gallery, Chapman University Exhibition Catalog Essay, 1994, inclusive

Box: 14 (Material Type: Mixed Materials)

EAR Magazine, 1984, inclusive

Box: 14 (Material Type: Mixed Materials)

Forecast: Public Art Review, 1994-1995, inclusive

Box: 14 (Material Type: Mixed Materials)

High Performance -- Features, 1984-1994, inclusive

Box: 14 (Material Type: Mixed Materials)

High Performance -- Reviews, 1987-1989, inclusive

Box: 14 (Material Type: Mixed Materials)

High Performance -- Sound Columns, 1990-1994, inclusive

Box: 14 (Material Type: Mixed Materials)

High Performance -- Writers Correspondence and Rejects, 1994, inclusive

Box: 14 (Material Type: Mixed Materials)

High Performance -- Media Arts Editor, 1994-1995, inclusive

Box: 14 (Material Type: Mixed Materials)

High Performance -- Submission, RDA and Meditation, 1990, inclusive

Box: 14 (Material Type: Mixed Materials)

Images and Issues Magazine, 1982, inclusive

Box: 14 (Material Type: Mixed Materials)

L.A. Weekly -- General, 1980s, inclusive

Box: 14 (Material Type: Mixed Materials)

L.A. Weekly -- Short Pieces, 1980s, inclusive

Box: 15 (Material Type: Mixed Materials)

LAICA Journal, 1979, inclusive

Box: 15 (Material Type: Mixed Materials)

Media Arts, 1983-1989, inclusive

Box: 15 (Material Type: Mixed Materials)

New Womens Times, 1979, inclusive

Box: 15 (Material Type: Mixed Materials)

P-Form Magazine, 1996-1998, inclusive

Box: 15 (Material Type: Mixed Materials)

Performance Research Journal, 1995, inclusive

Box: 15 (Material Type: Mixed Materials)

Performing Arts Journal (PAJ), 1995, inclusive

Box: 15 (Material Type: Mixed Materials)

Preview NYC, 1976, inclusive

Box: 15 (Material Type: Mixed Materials)

Theater L.A., 1983, inclusive

Box: 15 (Material Type: Mixed Materials)

TDR - The Drama Review, 1991, inclusive

Box: 15 (Material Type: Mixed Materials)

Track 16 Press -- Tatti Wattles Book Essay, 1996, inclusive

Box: 15 (Material Type: Mixed Materials)

Visions Magazine (Los Angeles), 1992-1995, inclusive

Box: 15 (Material Type: Mixed Materials)

World Art, 1995, inclusive

Box: 15 (Material Type: Mixed Materials)

Martin Luther King Community Center Public Art Project, 2002-2003, inclusive

Box: 15 (Material Type: Mixed Materials)

Queen Anne Community Center Public Art Project, 2001-2004, inclusive

Box: 15 (Material Type: Mixed Materials)

Fabrik, 2010-2016, inclusive

Box: 16 (Material Type: Mixed Materials)

THE, 2008-2009, inclusive

Box: 20 (Material Type: Mixed Materials)

Series XI. Media Works

Redefining Democracy in America (RDA) -- Part 6, A Leap of Faith Original Scripts and Score, 1992, inclusive

Box: 16 (Material Type: Mixed Materials)

Redefining Democracy in America (RDA) -- Part 6, A Leap of Faith -- General, 1992, inclusive

Box: 16 (Material Type: Mixed Materials)

Redefining Democracy in America (RDA) -- Part 6, A Leap of Faith -- Video and Work Notes, 1992, inclusive

Box: 16 (Material Type: Mixed Materials)

Redefining Democracy in America (RDA) -- Part 4, Voices of America, 1992, inclusive

Box: 16 (Material Type: Mixed Materials)

Redefining Democracy in America (RDA) -- Part 1, 2, 3, Episodes in Black and White -- Original Scripts and Recordings Score, 1991, inclusive

Box: 16 (Material Type: Mixed Materials)

Redefining Democracy in America (RDA) -- Part 1, 2, 3, Episodes in Black and White -- Original Workbook, 1991, inclusive

Box: 16 (Material Type: Mixed Materials)

Redefining Democracy in America (RDA) -- Part 1, 2, 3, Episodes in Black and White -- Layouts, 1991, inclusive

Box: 20 (Material Type: Mixed Materials)

Redefining Democracy in America (RDA) -- CD from TELLUS, 1991, inclusive

Box: 16 (Material Type: Mixed Materials)

Redefining Democracy in America (RDA) -- Contracts, 1990-1991, inclusive

Box: 16 (Material Type: Mixed Materials)

Redefining Democracy in America (RDA) -- Part 1, 2, 3, Episodes in Black and White -- General, 1991, inclusive

Box: 16 (Material Type: Mixed Materials)

Redefining Democracy in America (RDA) -- Parts 7, 8 -- LA Cultural Affairs Grant, 1992, inclusive

Box: 16 (Material Type: Mixed Materials)

Redefining Democracy in America (RDA) -- Parts 7, 8 -- LACE Artists Project Grant, 1991-1993, inclusive

Box: 16 (Material Type: Mixed Materials)

Redefining Democracy in America (RDA) -- NEA Grant, 1991-1992, inclusive

Box: 17 (Material Type: Mixed Materials)

Frenzy in the Night -- Scripts, 1990, inclusive

Box: 17 (Material Type: Mixed Materials)

Frenzy in the Night -- Contracts, 1990, inclusive

Box: 17 (Material Type: Mixed Materials)

Redefining Democracy in America Recordings -- Parts 1, 2, 3: Episodes in Black and White -- Broadcast Call-ins (KPFK-FM, Los Angeles), 1991, inclusive

Box: 18 (Material Type: Mixed Materials)

Redefining Democracy in America Recordings -- Parts 1, 2, 3: Episodes in Black and White -- Part 1, 1991, inclusive

Box: 18 (Material Type: Mixed Materials)

Redefining Democracy in America Recordings -- Parts 1, 2, 3: Episodes in Black and White -- Part 1 Final Program, 1991, inclusive

Box: 18 (Material Type: Mixed Materials)

Redefining Democracy in America Recordings -- Parts 1, 2, 3: Episodes in Black and White -- Part 3 Final Program, 1991, inclusive

Box: 18 (Material Type: Mixed Materials)

Redefining Democracy in America Recordings -- Parts 1, 2, 3: Episodes in Black and White -- Part 1 Compilation for CD Anthology, 1991, inclusive

Box: 18 (Material Type: Mixed Materials)

Redefining Democracy in America Recordings -- Parts 4, 5: Voices of America -- Live Call-in Broadcasts with Different Hosts (KPFK-FM), 1992, inclusive

Box: 18 (Material Type: Mixed Materials)

Redefining Democracy in America Recordings -- Parts 4, 5: Voices of America -- Final Program, 1992, inclusive

Box: 18 (Material Type: Mixed Materials)

Redefining Democracy in America Recordings -- Parts 4, 5: Voices of America -- Production DAT Tapes, 1992, inclusive

Box: 19 (Material Type: Mixed Materials)

Redefining Democracy in America Recordings -- Part 6: A Leap of Faith -- Dialog, 1992, inclusive

Box: 19 (Material Type: Mixed Materials)

Redefining Democracy in America Recordings -- Part 6: A Leap of Faith -- Dialog, 1992, inclusive

Box: 19 (Material Type: Mixed Materials)

Redefining Democracy in America Recordings -- Part 6: A Leap of Faith -- Final, 1992, inclusive

Box: 19 (Material Type: Mixed Materials)

Redefining Democracy in America Recordings -- Part 6: A Leap of Faith -- Production DAT Tapes of Unrehearsed Conversation between Jacki Apple and Keith Antar Mason, 1992, inclusive

Box: 19 (Material Type: Mixed Materials)

Series XII. Archived Website

Extent

1 websites in 1 archived website.

Scope and Contents

Jacki Apple was a visual, performance, and media artist based out of Pasadena, California. Her radio show Soundings, of which she was the host and producer, was on KPFK-FM Los Angeles Public Radio from 1981-1995. Her website, which she designed, provides a retrospective of her career. It contains images of her photography, drawings, and installations; listings of her scripts and scores; her discography; song lyrics and band members; gallery installation descriptions and images; information on "The Culture of Disappearance" project; writings on sound and radio; select images from her artist books; and other critical writings. Sections of her website, such as teaching, proposals, and professional activities, list out subcategories, but are not browseable.

Appraisal

Crawl was limited to domains and subdomains of jackiapple.com in order to remain within the collection scope and data constraints.

Physical Characteristics and Technical Requirements

Due to technical or privacy issues, archived websites may not be exact copies of the original website at the time of the web crawl. Certain file types will not be captured dependent on how they are embedded in the site. Other parts of websites that the crawler has difficulty capturing includes Javascript, streaming content, database-driven content, and highly interactive content. Full-Text searches of archived websites are available at https://archive-it.org/organizations/567.

Fales Library and Special Collections
Elmer Holmes Bobst Library
70 Washington Square South
2nd Floor
New York, NY 10012