Series II: Andrea Callard Artist Files
Scope and Contents note
This series contains materials related to Andrea Callard's art career. The series is divided into seven subseries. Time and place figure strongly in the organization of this series because they were organizing principles in Callard's organization of her papers.
Subseries A includes materials dated before 1973 such as items relating to her undergraduate work at San Francisco Art Institute. Subseries B reflects Callard's early years in New York city at 150 Chambers St. Artists Daisy Youngblood, Joe Haske, Robert Israel and Cara Perlman also lived in this building. Materials with specific years appear at the beginning of this subseries in chronological order. Materials designated "150 Chambers St" or "1973-1976" but without a specific date are grouped at the end of the subseries. Subseries C includes art works from Callard's first three years in her loft on the top floor of 40 Lispenard Street. Callard, Cara Perlman and Bernice Rubin secured a net lease for the top three floors of this guilding in 1976 and renovated the building. This subseries also includes work related to Callard's 1978 residency at the Cummington, Massachusetts Community for the Arts, her Ailanthus project, as well as her contributions to Colab's Dog Show and the Batman show. Subseries D includes materials relating to Callard's art career such as her contributions to the Custom and Culture II show, Colab's Animals Living in the City and the Times' Square Show as well as Callard's work with Bonnie O'Neill at Site, Cite, Sight in San Francisco. Subseries E again contains art files related to Andrea Callard's professional career including her contribution in the NYC Wildlife Museum, Inside/out garden signs at the Bronx River Art Center and Colab's Talk is Cheap street posters. Subseries F includes materials relating to Callard's art career particularly her collaboration with Sam Sue on the installation "The Tenement: Place of Survival, Object of Reform." This work appeared at the Chinatown History Project in 1988 and as part of the DIA Art Foundation "If you lived here" exhibition. Subseries G contains materials relating to Callard's art career. Most notably, the series includes work relating to her "Home Turf" window at Art in General and her storefront exhibit at Art and Architecture. The subseries also includes black and white contact sheets and negatives as well as materials relating to collaborative works during this timeperiod. Subseries H contains materials relating to Callard's work as an art teacher such as student letters, photographs and press clippings from artist in residency programs as well as teaching opportunities in New York City. Subseries I includes undated materials. Contact sheets and negatives taken by Andrea Callard compose the majority of this subseries.
Subseries A: 1950-1973
Color slides, 1966-1973, 1966-1973
Color slides, 1966-1973, 1966-1973
Color slides, 1966-1973, 1973
Color slides, 1966-1973, 1966-1973
Color slides, 1966-1973, 1966-1973
Color slides, 1966-1973, 1966-1973
Color slides, 1966-1973, 1966-1973
BFA diploma, San Francisco Art Institute, 1972
Subseries B: 1973-1976, 150 Chambers St.
Color snapshots. Mac Becket's headshave, 150 Chambers St. Used in "Remnants of Lateral Drift", 1973
Rat sculpture, black and white photograph., ca. 1973
Paper instructions to image response game. Correlates responses to their artists or author. Participants include Carol Williams, Reese Williams, Baylor Trapnell, Dede Knox, Lawrence Jacobs, Back Becket, Susan Davis, Robin Winters, Dennis Sappetelli and Bonnie O'Neill., ca. 1973-1974
Image Response Game related papers., 1973-1974
Image response game cards and responses., ca. 1973-1974
Indy 500, black and white contact sheets, photographs and negatives., 1974
150 Chambers St. Activity photo performances and friends. Black and white contact sheets and photographs., 1973-1974
"Various texts 1974-77. Some relate to film and performance others are expressive, reflectiive etc. few are dated." Grouped by Andrea Callard., 1974-1977
Color snapshots, documentation of umbrella sculpture, 1974
Color snapshots and negatives. "150 Chambers St. Umbrellas shifted to tent sculpture". Used in "Remnants of Lateral Drift", 1974
Color snapshots and negatives. "Youngblood Haaske (at 7 years?) 150 Chambers St in Callard Hat" Images of umbrella sculpture., 1974
"Invisible Performances". Black and white negatives and contact sheets., ca. 1974
"Anonymous Person" vacuume cleaner chistening., 1974
"Anonymous Person" vacuum cleaner chistening., 1974
Color contact sheet of object photographs: shoes, stones, crude hammer, six mousetraps., ca. 1974
Mouse measurement project. color photographs, ca. 1974
Miscellaneous drawing., ca. 1974
Poetry by AC, 1974
Gary Brown. black and white contact sheet and negatives, 1974
"Remnants of Lateral Drift", 1974-1975
"Remnants of Lateral Drift. Booklet from larger file [see folder 105 above], 1974-1975
Physical Characteristics and Technical Requirements note
Preservation concerns include glue, acidic paper, paper in brittle plastic sleeves
Notes and drawings. Includes notes on past and future artworks, also photographs and contact sheets. Grouped by AC., 1974-1975
Color negatives and snapshots. "Scenes of pigment drawings. Made in NYC, Telluride CO, Ogunquit ME 1975?", 1975
Color snapshots. Telluride CO, 1975
Ball State Drawing and Small Sculpture Show. AC's "Red Silk Dressing Gown (in dog bite sized Pieces)" won a prize., 1975
Dismembered News and Comment., 1975
"this really is your stomach" AC color photograph of Fred Krughoff's stomach affixed to heavy cardboard with masking tape., 1975
Color slides of A. Callard's work, watercolor, pencil., 1975
Drawing Notebook 1975. Part I, 1975
Drawing Notebook 1975. Part II, 1975
Scribbling: a record of hand activity, 1975
Henry Kissenger Multiple Choice Dictionary, ca. 1975
Notebook. Diagrams, writing, drawings., 1975
Notes and writing regarding AC's work, ca. 1975
Color film stills from "Florescent Azalia", 1976
black and white contact sheets. images of AC doing "A Dressing Wall" work., ca. 1973-1976
"A Dressing Wall" black and white contact sheets., ca. 1973-1976
"A Dressing Wall" color photographs, ca. 1973-1976
"A Dressing Wall" color photographs on heavy cardboard., ca. 1973-1976
Paper included with "A Dressing Wall" photographs on heavy cardboard, 1973-1976
"A Dressing Wall" Wallet scale photographs, diagram, Tokyo subway map. grouped by AC., 1973-1976
Red Anger Association. Collage, Kodak advertisement and polaroid photograph. Cut out screen opens to reveal AC polaroid., 1973-1976
Red Anger Association. text., 1973-1976
"Loft and Environs" 150 Chambers St. 69 Color slides., 1973-1976
Black and white negatives, contact sheets and photographs. Beatrice Rubin with dustmasks at 150 Chambers St., 1973-1976
Black and white contact sheet. Robin Winters, Baylor Trapnel in Maine., 1973-1976
Black and white negatives and contact sheet. Film shoot at a bar, invisible performances, Beatrice Rubin. Perhaps 1974., 1973-1976
Queen of Siberia 10 cent Cookbook. mail project, responses., 1973-1976
Queen of Siberia 10 cent letterhead., 1973-1976
Sketch notebook. Includes materials relating to "Siberia", "A Dressing Wall" and "mice" works., 1973-1976
Copies of drawings. Grouped in a folder by Andrea Callard., 1973-1976
Color negatives and contact sheet documenting Callard's tent sculpture. Color snapsots of texture., 1973-1976
Color snapshots and negatives of textures and patterns., 1973-1976
Color snapshots and negatives. "A. Callard 150 Chambers studio. 1973-1976". Images used in "Experiences Vacuum", 1973-1976
150 Chambers Artworks. 96 color slides on six pages., 1973-1976
150 Chambers Artworks. 88 color slides on seven pages., 1973-1976
150 Chambers Artworks. 97 color slides on seven pages, 1973-1976
Artworks 1973-1975. 52 color slides on three pages., 1973-1975
Artworks 1973-1975. 34 color slides on three pages., 1973-1975
Artworks 1973-1975. Fourteen color slides on two pages., 1973-1975
New York. 47 color slides on three pages., ca. 1973-1981
New York. 53 color slides on three pages., ca. 1973-1981
New York. 59 color slides on three pages., ca. 1973-1981
Subseries C: 1976-1978 40 Lispenard St.
"Puzzer" for Lost Shoe Blues song., 1976
Cara Perlman on the beach., 1976
Black and white contact sheet and negatives. Milkweed, windows, debris at 40 Lispenard., 1976
Black and white negatives and contact sheet. 40 Lispenard St., 1976-1977
40 Lispenard St. Loft and Environs. 47 color slides on three pages., 1976-1982
40 Lispenard St. Loft and Environs. 35 color slides on three pages., 1976-1982
40 Lispenard St. Loft and Environs. 46 color slides on three pages., 1976-1982
40 Lispenard St. Loft and Environs. 49 color slides on three pages., 1976-1982
Canoe trip information packets AC sent to participants., 1977
Canoe trip, black and white contact images, not entire sheets., 1977
Canoe trip texts and Ailanthus tress. Black and white negatives and contact sheets., 1977
Black and white contact sheets and negatives. Ailanthus trees, Jeff Callard and AC's grandparents, 1977
Black and White contact sheet, partial. Ailanthus images, includes Cara Perlman at beach and one of the images used in AC's Ailanthus postcards., 1977
Bat Pamphlet multiples. AC's contribution to Colab's Batman show. Red ink on paper, multiple., 1977
Narrative Drawings, NEA 1976-1977. 12 color slides., 1977
Black and white negatives and contact sheet. Fred Krughoff, Cara Perlman, Alan Saret's place., 1977
News and Comment. Black and white photographs used, original altered newspapers and multiple copies., 1977
Transportation incidents postcard samples., 1977
Continental Drift at la Mama. Film by Paula Longendyke. Sets by Andrea Callard and Lizbeth Mararo. Black and white contact sheet and negatives, paper diagram, 60 color slides., 1977
"Love and wrongdoings and retaliation" related to Continental Drift. Index cards wtih text and black and white contact sheet images., 1977-1978
Artists Space: Artists Super 8 Film Exposition. Includes Andrea Callard's Film "Standard Adult Wheelchair", 1977
Color snapshots. "AC Hand photos. Connect to finger print drawings", 1977
Ailanthus and Cynthia 1977-1984. 36 color snapsots., 1977-1984
Black and white negatives. Used for LINE Poster, May 1978, 1978
Black and white contact sheets and negatives from AC's time in the Cummington Community for the Arts, Cummington MA., 1978
Black and white contact sheet and negatives, Cummington, MA. Fred Krughoff, life in the community, the building structure., 1978
Black and white contact sheet and negatives. Cummington, MA: building structure and outdoors., 1978
Black and white contact sheets and negatives. Cummington MA: building interior, 1978
Black and white contact sheet and negatives. Cummington, MA: Kids, outdoors, Andrea Callard and Brick., 1978
Black and white contact sheet. Cummington, MA: building interior.
Black and white contact sheet and negatives. Cummington, MA: building interior., 1978
Black and white contact sheet and negatives. Cummington, MA: Fred Krughoff and Andrea Callard in AC's living space., 1978
Black and white contact sheet. Cummington MA: Andrea Callard, shoes, building interior., 1978
Black and white contact sheet and negatives. Cummington, MA: Snowey graveyard, windows., 1978
Black and white contact sheet and negatives. Cummington, MA: windows, Andrea Callard, Fred Krughoff, winter., 1978
Black and white contact sheets and negatives. Cummington, MA: Winter, trees., 1978
Black and white contact sheets and negaties. Andrea Callard and Fred Krughoff, used in mind/heart collages., 1978
Black and white negatives and contact sheets. Customs House, Reese and Carol Williams, Andrea Callard at 40 Lispenard, Wall St. Vicinity, Fred Krugoff, Chuck Callard., 1978
Black and white contact sheets and negatives. Andrea Callard and A. McCall at Ed Chaplin's 14 Harrison St. Loft. Fred Krughoff's loft at 242 Water St., 1978
Six Postcards about Ailanthus Trees. Includes explanation, cards and receipts from friends., 1978
Black and white photographs of drug smuggling paraphenalia on display at the World Trade Center.late 1970s., 1977-1979
Ailanthus drawings and collages. Paper and color photography., 1977-1984
Cynthia moth sketch, part of Ailanthus works., 1977-1984
Black and white Ailanthus photographs, misc., 1977-1984
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Negatives, three pages., 1978-1982
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Negatives, three pages., 1978-1982
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation] Negatives, three pages., 1978-1982
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Negatives, three pages., 1978-1982
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Negatives, three pages. Contact sheet, one page., 1978-1982
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]WPA/Citi Wildlife Museum, 1983 negatives and contact sheet., 1978-1982
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Contact sheet fragments, seven pages., 1978-1982
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Contact sheet and negatives, two pages., 1978-1982
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Contact sheet and negatives, two pages., 1978-1982
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Contact sheet and negatives, two pages., 1978-1982
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation] Contact sheets, four pages., 1978-1982
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Fried eggs and leaves, contact sheet and negatives. Used in "News and Nutrition" work, 1980., 1978-1982
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Contact sheets, two pages., 1978-1982
Ailanthus Landscape, color slides ca. 1978-1982 [Callard's notation]57 color slides on three pages., 1978-1982
Ailanthus Landscape, color slides ca. 1978-1982 [Callard's notation] 19 color slides on tho pages., 1978-1982
Ailanthus Landscape, color slides ca. 1978-1982 [Callard's notation] "Ailanthus trees and burned car in field in Staten Is." 47 color slides on three pages., 1978-1982
Ailanthus Landscape, color slides ca. 1978-1982 [Callard's notation] 32 color slides on three pages., 1978-1982
Ailanthus Landscape, color slides ca. 1978-1982 [Callard's notation]34 color slides on three pages., 1978-1982
Ailanthus Landscape, color slides ca. 1978-1982 [Callard's notation] 45 color slides on four pages., 1978-1982
Subseries D: 1979-1981 40 Lispenard St.
"All Animals Need Water to Survive" AC's Contribution to Colab's Animals Living int eh City show. photocopy., 1979
Miscellaneous drawings, 1979
Ailanthus stencil on edit room. two color slides., 1979
Posters advertising Andrea Callard's show "Work from studying Ailanthus" at PS1., 1979
Notes and plans for Seed Machine and Tree Banding, both project part of "Work from Studying Ailanthus" Show at PS1, 1979
Ailanthus project, Seed machine information messages, 1979
Ailanthus: Augmented pamphlet regarding tree planting on streets of Denver, 1979
Custom and Culture II, Announcement., 1979
Custom and Culture II Event program, 1979
Description of Andrea Callard's Custom and Culture II piece., 1979
Sketched floorplan of Customs House, 1979
Ten color slides from AC's Custom and Culture II work., 1979
"Custom Photo Combinations" Custom and Culture II slide show images, color copies., 1979
Custom and Culture II: Press, 1979
Custom and Culture II: Black and white negatives and contact sheeet. Images of stairs, windows, lighting, ornaments, eagle., 1979
Custom and Culture II: Black and white negatives and contact sheets. Images of light fixtures, floors, drawers, windows., 1979
Custom and Culture II: Black and white negatives and contact sheets. Images of building exteriors, statues., 1979
Custom and Culture II: Black and white negatives and contact sheets. Images of archways and windows., 1979
Custom and Culture II: Black and White negatives and contact sheets. Images of windows and stairs., 1979
Custom and Culture II: Black and White negatives and contact sheets. Images of entry area, trash cans, exterior building ornaments., 1979
Custom and Culture II: Black and white negatives and contact sheets. Images of exhibit, fountain, trash., 1979
Custom and Culture II: Black and white negatives and contact sheets. Images of ornamentation, baerial images of building exterior, doorways., 1979
Custom and Culture II: Black and white negatives and contact sheet. Images of exhibit and doors., 1979
Custom and Culture II: Black and white negatives. Image of building exteriors, area surrounding customs house. See folder 228 for corresponding contact sheets., 1979
Custom and Culture II: Black and white negatives. Images of windows, doors, mismatched contact sheet fragment of ironwork., 1979
Custom and Culture II: black and white negatives and contact sheet. Images of sinks, drawers, counters., 1979
Custom and Culture II: black and white negatives and contact sheet. Images of building exterior, Jim Vincent at Andrea Callard's home., 1979
Custom and Culture II: black and white contact sheet and negatives. Images of stairs, brickwork, Andrea Callard and Jim Vincent., 1979
Custom and Culture II: Black and white contact sheet and negatives. Images of corners, domes, arches and floors., 1979
Custom and Culture II: black and white negatives and contact sheets. Images of buildings, stairs, buses., 1979
Custom and Culture II: black and white negatives and contact sheets. Images of exterior ornamentation, interiors, pigeons., 1979
Custom and Culture II: Black and white negatives and contact sheets. Images of trash cans, stairs, lighting fixtures, ironwork., 1979
Custom and Culture II: Black and white contact sheet. Annotated. Images of fixtures, grates and doorways., 1979
Custom and Culture II: Black and white contact sheet and negatives. Images of fixtures, grates and doorways., 1979
Custom and Culture II: Black and white negatives and contact sheet. Images of books and windows., 1979
Color snapshots and negatives. "Photo in pond by Customs House base of B'way. Photo for slide show. Shown at Fashion Moda" Images part of AC's "Animals Living in Cities" contribution., 1979
Andrea Callard and Mac Beckett in Milan. Color snapshots grouped in grey metal file box with two audiocassettes. Audiocassettes have been removed to Series ZZZZ: Media., 1979
Andrea Callard and Bonnie O'Neill's show at Site, Cite, Sight Inc. in San Francisco. Andrea Callard's file on her work "Commuting from Point to Point" a continuous slide show., 1980
"Commuting from Point to Point" slideshow images., 1980
Color slides of Site, Cite, Sight exhibition space, location of Bonnie O'Neill and Andrea Callard show., 1980
Blue binder containing notecards, photographs and annotations. Used in Andrea Callard and Bonnie O'Neill's Site, Cite, Sight Inc. show., 1980
Loose papers and photographs from the cover of blue binder, folder 243., 1980
Matted color photographs from folder labeled "San Francisco". work from Site, Cite, Sight show., 1980
Tanam Press publicitiy invitation for book release of "Hotel" and "Boiling Coffee" designed by Andrea Callard, 1980
Flier used in an "effort to querry artists about [sewer?] conflict organized by White Columns", 1980
Andrea Callard Show "Drawings in Series" at Ball State University in Muncie Indiana. Exhibition of pencil drawings AC made during the winter of 1973-1974., 1980
Brooke Alexander Colab Benefit. Announcement and color slide of Andrea Callard's contribution., 1980
Black and white photographs of fried eggs and plant leaves. Used in News and Nutrition work., 1980
Andrea Callard Press, 1980
Black and white negatives. Images of trash, Jeff Callard and Matthew Geller on the West Side highway at Chambers. Corresponding contact sheet in folder 260., 1980
Black and white contact sheet. Images of Roberta Callard, Theresa Cha, Reese and Carol Williams., 1980
Notebook, 1980-1981
Color slides, 1980-1984. 21 slides on three pages., 1980-1984
Color slides 1980-1984. 36 slides on three pages., 1980-1984
Color slides 1980-1984. 45 slides on four pages., 1980-1984
Color slides of show at White Columns. February 1981. 77 color slides., 1981
"Whole more than two" Richard Miller and Andrea Callard Show at White Columns. 38 color slides, color negatives, publicity postcards, polaroids and notes., 1981
White Columns Record Covers for Show. March 1981. 9 black and white slides, event announcements, Andrea Callard's exhibit contract and release form., 1981
Black and white contact sheets. Images of recycling center in Western Massachusetts and the Cummington Community for the Arts., 1981
Black and white negatives. Images of Cummington Community for the arts, Andrea Callard, Marjorie Cohen, Matthew Geller. Contact sheet in folder 269., 1981
Black and white negatives. Images of Cummington Community for the Arts. Corresponding contact sheet in folder 271., 1981
Black and white negatives. Images of Cummington Community for the Arts. Corresponding contact sheet in folder 273., 1981
Color slides, Andrea Callard and Matthew Geller help move John Chamberlain from NYC to Florida. This trip was the inspiration for film ideas and watercolor paintings., 1981
Index card notes, plans for film of trip to Florida with M. Geller., 1981
Black and White contact sheet images of New York, Lispenard St, Carol and Reese Williams and Theresa Cha., 1981
Black and white negatives. Indiana Farm. Includes negative used for AC's Colab Postcard "Braham Bull", 1981
Black and white contact sheet and large print. Indiana Farm. Images of bulls., 1981
Color Slides. Images of farm in Gaston Indiana.116 color slides, postcards, large black and white prints., 1981
Folder labeled "Animals--Rupp" includes chicken sketches and a draft of a letter to the enditor written from Gaston Indiana., 1981
Subseries E: 1982-1986
Art Works on Paper 1982-1991. 39 color slides on three pages, 1982-1991
Art Works on Paper 1982-1991. 41 color slides on three pages., 1982-1991
Art Works on Paper 1982-1991. 45 color slides on three pages, 1982-1991
Art Works on Paper 1982-1991. 58 color slids on four pages., 1982-1991
Bronx River Art Center "Inside/Out". Curated by Anne Philbin., 1983
"Solid Signs of Geometry" sponsored by Creative Time. Performance piece., 1983
Malone NY Residencey. 95 color slides: "Part of the time in Malone it was 14 belos. I saw amazing things and made lots of watercolors and drawings."0, 1983
Chicago Books Picture Window announcement, 1983
"Freckled Rice" Film directed by Stephen C. Ning, set design by Andrea Callard., 1983
"Animal Life: Contemporary Representations" Benefit for the Animal Medical Center at Ericson Gallery., 1983
Notebook. "Washington DC 200/ NYC", 1983
Andrea Callard Press., 1983
New American Landscape., 1983-1985
Watercolor painted kimonos, 24 color slides, Color snapshots and polaroids., 1984
Notebook. "Everglades", 1984
Notebook "Black River/Buzzards/Etc.", 1984
"Everglades City" by Matthew Geller. Editorial and Production consulting by Andrea Callard. Folder includes publicity and screening program., 1984
Postcard of Andrea Callard's watercolor "Everglades City TV", 1984
"Pus Factory" film file., 1984
Physical Characteristics and Technical Requirements note
Includes three eight inch floppy disks