Andrea Callard Papers
Call Number
Date
Creator
Extent
Language of Materials
Abstract
The Andrea Callard Papers include materials relating to the downtown New York art scene in the late 1970s and 1980s. The collection contains a particularly rich series on Collaborative Projects, Inc. (Colab), a non-profit arts group which Andrea Callard helped create. Additionally, the collection includes research, drawing, painting, and photography related to Andrea Callard's professional art career. Finally, the collection contains a great deal of information on art education residencies throughout New York.
Biographical Note
Andrea Callard was born in Chicago in 1950 and grew up in Muncie, Indiana. She graduated from highschool at Hingswood School Cranbrook in 1968 and continued her education (1968-1970)at Washington University's School of Fine Arts in St. Louis and graduated from San Francisco Art Institute with a BFA in painting in 1972. In San Francisco, Callard found a rich artistic community including Jim Vincent, Bonnie O'Neill, Baylor Trapnell, Mac Becket, Carol Williams, Reese Williams, and Robin Winters.
In 1973 Andrea Callard moved to New York City and into an apartment at 150 Chambers St. Again, Callard found a community of artists including Daisy Youngblood, Joe Haske, Robert Israel and Cara Perlman who lived in the same building and Bernice Rubin who lived in the neighborhood. In 1976 Callard moved to the top floor of 40 Lispenard St. She, Cara Perlman, and Bernice Rubin acquired a net lease for the upper three floors and renovated the building.
Andrea Callard's involvement in creating the artist group Collaborative Projects Inc. was one of Callard's strongest contributions to the New York art community. The organization mimiced corporate structure in an attempt to garner large grants that the organization then redistributed among its members or used for collaborative projects such as television programs. In addition, Colab created art opportunities by organizing a wealth of art shows in the late 1970s and early 1980s. Finally, Colab actively sought to collaborate with other fringe art groups, most notably Fashion Moda in the South Bronx, resulting in what Lucy Lippard calls unprecedented and "fragile cross-class, cross cultural alliances". Colab embodied a rough and highly political art scene that deviated from contemporary art spaces and production practices. Andrea Callard served as Secretary to the group from 1978-1980.
Andrea Callard's professional career also took off during this time period. In addition to numerous contributions to Colab shows, Andrea Callard created a great deal of individual artworks including photography, drawings, and watercolors. Her artwork centered on issues of environmentalism, which is particularly evident in her Ailanthus series. Additionally, her work attended to issues of cultural change evident in her contribution to the 1979 Custom and Culture II show at the NYC Customs House. In 1977 the National Endowment for the Arts, (NEA) awarded her an Individual Artist's Fellowship for Drawing. She also participated in several art residencies beginning in 1978 at the Cummington Community for the Arts in Cummington, Massachusetts. Finally, Andrea Callard became very involved in the LINE organization, a group focused on re-granting monies for artists' books.
In the 1980s Callard gradually separated from Colab but continued to look for opportunities to collaborate with other artists. This desire manifests in her 1980 Site, Cite, Sight show with Bonnie O'Neill in San Francisco, her collaboration with Kathy High on a street poster for Colab, her contributions to Steve Ning's film "Freckled Rice" and her work with Sam Sue on "The Tenement: Place for Survival, Object of Reform" in 1988. These projects are notable but represent only a portion of Callard's collaborations throughout the 1980s. Additionally, Callard participated in several art education residencies including one in Malone, New York, at the Hecksher Museum, at the Huntington Public Library, at Carthage Central Schools in Black River New York, at Studio in the Schools, at Rockland Center for the Arts and at the Baldwinsville Schools.
The 1990 and early 2000s continued to be productive years for Andrea Callard. She contributed to a number of group shows and held some solo shows including an exhibition at the Storefront for Art and Architecture entitled "The Waste Stream:" and a display of master printer's portfolios titled "Multiple Connections" at the Bronx River Art Center. She also participated in several residencies and visiting artist positions including one at the American Academy in Rome, Italy. Finally, she took on leadership roles as Art Coordinator for the National Council of Jewish Women, Director of Arts and Crafts at Brnat Lake Camp, and Project Arts Coordinator at the New York City Board of Education.
Andrea Callard continues to live and work in New York City.
Arrangement
The original order of the collection has been preserved as much as possible. The Andrea Callard Papers are arranged chronologically by time period and physical location. These chronological periods are connected to locations where Callard resided. For example, the period between 1973-1976 appears as a unit because it represents Callard's residence at 150 Chambers St. in New York City.
Missing Title
- Series I: Collaborative Projects, Inc. (Colab)
- Series II: Andrea Callard Artist Files
- Series III: Administrative
- Series IV: Other Artist Files
- Series V: Correspondence
- Series VI: Biographical
- Series VII: Printed Materials
- Series VIII: Artifacts
- Series IX: Video recordings
- Series X: Sound recordings
- Series XI: Film
- Oversize
- Mapcase
Scope and Content Note
The Andrea Callard Papers contain materials relating to Callard's career as an artist and art educator as well as her involvement in the artist organizations, most notably Colab. Material types include art works, such as drawings and paintings; media, such as audiocassettes, super 8mm film, and vinyl records; publicity materials, including posters and event post-cards; as well as journals, correspondence and financial administrative files. The bulk of the materials fall within the years 1973-1990 however dates range from 1968-2000.
Series I: Colab contains materials relating to Collaborative Projects, Inc (Colab). The group initially took the name the Green Corporation but soon changed to Collaborative Projects, Inc. The organization emerged out of a dual desire to use group activity as a means of creating energized art works and a dynamic art community. Secondly, the organization attempted to mimic the structure of a corporation in an attempt to gain credibility and obtain state and federal funding for redistribution among members. Members of the organization included Coleen Fitzgibbon, Charlie Ahearn, John Ahearn, Robin Winters, Tom Otterness, Fred Krughoff, Alan Moore, Ulli Rimius, and Jane Dickson among many others. Andrea Callard served as Secretary of the organization from 1978-1980.
Subseries A: Administrative materials includes Andrea Callard's secretarial notebook, materials relating to the group's conception, organization and functioning, meeting notes and announcements as well as financial information. Colab's grant application materials for the National Endowment for the Arts (NEA) and New York State Councilon the Arts (NYSCA) appear in this subseries. Materials are organized with Callard's secretarial notebook first followed by all other administrative materials in chronological order. Undated materials appear at the end of the subseries.Subseries B: Colab Shows and Events contains photographs, publicity materials, and slides relating to Colab shows. This series includes materials relating to the following Colab exhibitions:The Manifesto ShowThe Batman Show The Income and Wealth Show The Murder, Suicide and Junk ShowThe Doctors and Dentists Show The Dog Show The Real Estate ShowThe Times Square ShowAnimals Living in Cities ShowThe Mural America ShowThe Williamsburg Bridge Sculpture ShowColab Hits the Ritz show
Additionally, the subseries in Series I contain documentation of other projects including Colab's television programs such as Potato Wolf, as well as A. More Store, Colab's 1982 summer institute, the Talk Is Cheap street poster projectand the photo postcard project. Notable artists include Kiki Smith, Jenny Holzer, Jane Dickson, Tom Otterness, Charlie Ahearn, John Ahearn, Robin Winters, Coleen Fitzgibbon, SAMO, and Keith Haring as well as Andrea Callard. Additionally, this series includes materials relating to Colab's use of QWIP technology for collaborative art projects. The QWIP was an early type of closed-network fax machine that utilized carbon paper. Exxon developed QWIP technology and Liza Bear procured the machines for Colab's use. The subseries contains original QWIPs created by the group.
Series II: Andrea Callard Artist Files contain materials related to Callard's art career. The material covers the time period 1950-2000, and is organized into seven subseries. Time and place figure prominently in the organization of this series because Callard grouped her files chronogically and according to where she was living at different periods of her life.
Subseries A: 1950-1973 includes materials dated before 1973 such as items relating to her undergraduate work at the San Francisco Art Institute.Subseries B: 1973-1976, 150 Chambers St. reflect Callard's early years in New York City at 150 Chambers St. Artists Daisy Youngblood, Joe Haske, Robert Israel and Cara Perlman also lived in this building. Projects associated with this time period include the Queen of Siberia 10 cent cookbook, Red Anger Association, "A Dressing Wall" works, and a large quantity of black and white photography. Materials with specific years appear at the beginning of this subseries in chronological order. Materials designated "150 Chambers St" or "1973-1976" but without a specific date are grouped at the end of the subseries.Subseries C: 1976-1978, 40 Lispenard St. includes art works from Callard's first three years in her loft on the top floor of 40 Lispenard Street. Callard, Cara Perlman and Bernice Rubin secured a net lease for the upper three floors of this building in 1976 and renovated the building. The series contains work related to Callard's "City Canoe Trip", Transportation Incidents postcard multiples, Continental Drift, the film "Standard Adult Wheelchair". This subseries also includes work related to Callard's 1978 residency at the Cummington, Massachusetts Community for the Arts, the Ailanthus project, as well as her contributions to Colab's Dog Show and the Batman show.Subseries D: 1979-1981, 40 Lispenard St. includes materials relating to Callard's art career such as her contributions to the Custom and Culture II show, Colab's Animals Living in the City and the Times Square Show as well as Callard's work with Bonnie O'Neill at Site, Cite, Sight in San Francisco. This series also includes work from Callard's ongoing Ailanthus project.Subseries E: 1982-1986, 40 Lispenard St. again contains art files related to Andrea Callard's professional career including her contribution in the NYC Wildlife Museum, Inside/Out garden signs at the Bronx River Art Center as well as Colab's Talk is Cheap street posters and photo postcard project. Additionally, the series contains materials relating to her film "Pus Factory" and her work on "Freckled Rice" by Steve Ning, and "Everglades City" by Matthew Geller.Subseries F: 1987-1989, 40 Lispenard St. this subseries includes materials relating to Callard's art career particularly her collaboration with Sam Sue on the installation "The Tenement: Place of Survival, Object of Reform." This work appeared at the Chinatown History Project in 1988 and as part of the DIA Art Foundation "If you lived here" exhibition in 1989.Subseries G: 1990-2000, 40 Lispenard St. contains materials relating to Callard's art career. Most notably, the series includes work relating to her "Home Turf" window at Art in General and her exhibition at the Storefront for Art and Architecture. The subseries also includes black and white contact sheets and negatives as well as materials relating to collaborative works during this timeperiod.Subseries H: Art Education contains materials relating to Callard's work as an art teacher such as student letters, photographs and press clippings from artist in residency programs in as well as teaching opportunities in New York City.Subseries I: Miscellaneous includes undated materials. Contact sheets and negatives taken by Andrea Callard compose the majority of this subseries, however the subseries also contains journals, planning notes, drawings and small projects.
Series III: Administrative Materials contains items related to the business and day to day functioning of Andrea Callard's professional art career. The series is divided into seven subseries. Subseries are arranged chronologically where possible, alphabetically in other instances.
Subseries A: Grants includes grant proposals, calls for proposals, resumes and other materials relating to obtaining professional appointments and work.Subseries B: Artwork Loans includes paperwork regarding artworks loaned by Andrea Callard.Subseries C: Finances includes financial information such as receipts and taxes.Subseries D: Organizational Participation contains information regarding Andrea Callard's participation in organizations, for example her work with LINE.Subseries E: Interns contains employment information for student interns who worked with Andrea Callard.Subseries F: Notes and Research Copies includes paperwork relating to Andrea Callard's day to day work as an artist such as notes, lists and research copies.Subseries G: Artist Photographs includes professional portraits of Andrea Callard such as contact sheets of Peter Bellamy's portrait of Andrea Callard used in his book The Artist Project.
Series IV: Other Artist Files includes individual and group artist files arranged alphabetically. The series is divided into three subseries:
Subseries A: Individual artist files includes artist files relating to particular individual's art careers. Files contain a range of materials including publicity information or works of art. Files are arranged alphabetically by last name.Subseries B: Collaborative and Group Shows includes materials related to group projects. Again, the contents of these files range from works of art to publicity information regarding exhibitions. Materials are arranged chronologically.Subseries C: Miscellaneous and Unknown Artists unlabeled art materials.
Series V: Correspondence includes Andrea Callard's personal and administrative correspondence organized alphabetically by sender. The series is divided into four subseries.
Subseries A: Last Name, First Name contains correspondence from senders with known first and last names arranged alphabetically by last name.Subseries B: First Name includes correspondence from senders with known first names or first initials organized alphbetically.Subseries C: From Andrea Callard contains correspondence from Andrea Callard organized alphabetically by addressee.Subseries D: Miscellaneous and Illegible includes unlabeled or illegible correspondence.
Series VI: Biographical contains materials related to Andrea Callard's childhood, personal photographs and snapshots as well as personal reflective writing such as dream journals. Materials are arranged in chronological order with undated materials at the end of the series.
Series VII: Printed Material includes printed items such as books, pamphlets or maps arranaged in alphabetical order by author's last name.
Series VIII: Artifacts includes objects such as Andrea Callard's red pill-box hat, Super-8mm film supplies and the black and white mirror letter "A"s among other artifacts.
Series IX: Video Recordings includes video documentation of events and media elements which were used in artworks and media productions. Materials are divided into subseries for researcher access copies and original archival materials. There may not be access copies for all material. Please check with a Fales Archivist.
Series X: Audio Recordings includes audio documentation of events and media elements which were used in artworks and media productions. Materials are divided into subseries for researcher access copies and original archival materials. There may not be access copies for all material. Please check with a Fales Archivist.
Series XI: Film includes original film productions, film elements and film documentation of events. Materials are divided into subseries for researcher access copies and original archival materials. There may not be access copies for all material. Please check with a Fales Archivist.
Subjects
Organizations
Genres
People
Topics
Places
Access Restrictions
Materials are open to researchers. Please contact the Fales Library and Special Collections, fales.library@nyu.edu, 212-998-2596.
Use Restrictions
Copyright (or related rights to publicity and privacy) for materials in this collection was not transferred to New York University. Permission to use materials must be secured from the copyright holder. Please contact the Fales Library and Special Collections, fales.library@nyu.edu, 212-998-2596.
Preferred Citation
Published citations should take the following form:
Identification of item, date (if known); Andrea Callard Papers; MSS 156; box number; folder number; Fales Library and Special Collections, New York University.
Provenance
The Fales Library purchased this collection from Andrea Callard in 2004.
Audiovisual Access Policies and Procedures
Access to some audiovisual materials in this collection is available through digitized access copies. Researchers may view an item's original container, but the media themselves are not available for playback because of preservation concerns. Materials that have already been digitized are noted in the collection's finding aid and can be requested in our reading room. To request an access copy, or if you are unsure if an item has been digitized, please contact special.collections@nyu.edu with the collection name, collection number, and a description of the item(s) requested. A staff member will respond to you with further information.
Separated Material
These materials have been catalogued into the Downtown and Special Collections book holdings.
Andre, Carl. 144 Blocks and Stones.Portland: Center for the visual arts, 1973.
Anti-Illusion: Procedures/Materials.New York: Whitney Museum of American Art, 1969.
Applebroog, Ida. A Performance. Blue Books, 1981.
Applebroog, Ida. I CAN'T, a performance. Blue Books, 1981.
Applebroog, Ida. I MEAN IT, a performance. Blue Books, 1981.
Applebroog, Ida. IT'S VERY SIMPLE, a performance.Blue Books, 1981.
Applebroog, Ida. STOP CRYING, a performance.Blue Books, 1981.
Apt Art: Moscow Vanguard in the '80s.New York: New Museum, 1986
Avalanche.(December 1974).
Avery, Milton. Milton Avery: Mexico.New York: Grace Borgenicht Gallery, 1983.
Baldessari, John. Brutus Killed Caesar.Akron: Emily H. Davis Art Gallery, n.d.
Baranik, Steven. Burning Horses.New York: The Ram Press, 1982.
Bellamy, Peter. The Artist Project: Portraits of the Real Art World/New York Artists 1981-1990.New York: IN Publishing, 1991. [includes A. Callard]
Berlin-New York.New York: Collaborative Projects, 1987. [Colab project]
Blane, Marc. Grounds/Greens, Graves, Ruins, Mines.1980.
Bochner, Mel. Mel Bochner: 1973-1985.Pittsburgh: Carnegie-Mellon University Press, 1985.
Breder, Hans and Barbara Welch. Portrait of Rosa.Chicago Books, 1983.
Brown, Gary. Distance Fool.1975
Brown, Gary. Only Words.n.d.
Brown, Gary. Pieces of the Part.1975.
Brown, Gary. Pieces of the Part, poems and songs from 1972-1974.n.d.
Brown, Gary. Talking Spanish Trash.1977
Brown, Gary. White Fright.1978
Burford, Byron. And the Lord knows what.Chicago Books, 1988.
Caldwell, Catherine. Habits and Facts.Creative Arts Printing, 1980.Caldwell, Catherine. Line O' Pine.Emeryville, CA: King Display, 1980.
Carl Andre, Robert Barry, Daniel Buren, Jan Dibbets, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Richard Long, N.E. Thing Co. LTD, Robert Smithson, Lawrence Weiner.New York: Seth Siegelaub, 1969.
Celmins, Vija. Drawings.New York: Whitney Museum of American Art, 1973.
Chast, Roz. Three Small Books.New York: Chicago Books, 1982.
Collins, James. James Collins.London: ICA, 1978.
Conde, Carole and Karl Beveridge. …It's Still Privileged Art.Toronto: The Art Gallery of Ontario, 1976.
Conde, Carole and Karl Beveridge. Maybe Wendy's Right.Toronto.
Corber, Mitch. Knit Wit.1977
Deleuze, Gilles and Felix Guattari. On the Line.trans. John Johnston. New York: Semiotext(e), 1983.
Dimensions Variable.New York: The New Museum, 1979.
Douglas, Helen and Telfer Stokes. Chinese Whispers.London: Weproductions, n.d.
Four and Seven: 26 Artists/26 Days.San Francisco: Art Institute, 1977.
From Receiver to Remote Control: The TV Set.Organized by Matthew Geller. New York: The New Museum of Contemporary Art, 1990.
Geller, Matthew. Difficulty Swallowing: a Medical Chronicle.New York: Works Press, 1981.
Geller, Matthew. 1981 Engagements.New York, 1980.
Geller, Matthew. 1983 Engagements, "Post" headlines.New York, Works Press, 1982.
Geller, Matthew. Hidden Away in a Musty Chamber.New York: Wedge Press, Inc., 1983.
Gianakos, Cristos. 16 Views.New York: Cristos Gianakos, 1976.
Graves, Nancy. Sculpture/Drawings Films 1969-1971.
Heinecken, Robert. He:/She:.Chicago: Chicago Book, 1980.
Henes, Donna. Dressing Our Wounds in Warm Clothes: Ward's Island Energy Trance Mission.Los Angeles: Astro Artz, 1982.
Hesse, Eva. Eva Hesse: A Memorial Exhibition.New York: Guggenheim Museum, 1972.
If You Lived Here: The city in art, theory and social activism.Ed. Brian Wallis. Seattle, Bay Press, 1991. [Chinatown history project, A. Callard and Sam Sue.]
In Honor of Theresa Hak Kyung Cha.Undated.
Issue: a journal for artists.No. 1 (n.d.)
Johnson, Ray. "Postcard Action." New York, 1983 [?]
Jonas, Joan. View.Oakland, Crown Point Press, 1979.
Kelpra Studio: Artists' Prints 1961-1980.London: Tate Gallery, 1980.
Lanyon, Ellen. Transformations II (endangered).New York: Chicago Books, 1982.
Levine, Les. Media: The Bio-tech rehearsal for leaving the Body.Alberta, Canada: Alberta College of Art Gallery, 1979
LeWitt, Sol. Books, 1966-1990.1990
LeWitt, Sol. Complex Forms.1990
LeWitt, Sol. Geometric Figures and Color.New York: Harry N. Abrams, Inc., 1979.
LeWitt, Sol. Lines and Color.1975.
Linn, Nancy. Madonna + Child.New York: A. Whilte Publishing Company, 1984.
Lipton, Lenny. The Super 8 Book.San Francisco: Straight Arrow books, 1975.
Logemann, Jane. Abstracts Book III.1979
Martin, Agnes. Agnes Martin. Kunstraum: Munchen, 1973.
Martin, Agnes. Agnes Martin: 1976 Reprinting of the 1973 exhibition catalogue.Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1976.
The Mental Picture.New York: AIGA, 1972.
Moore, Claire. Half and half.Nd.
Moore, Claire. Napoleon is a brother, Napoleon is a sister.Chicago Books, 1982.
Moved.New York, n.d.
Nadin, Peter. Still Life.New York: Tanam Press, 1983.
The New Sculpture 1965-75: Between Geometry and Gesture.Ed. Richard Armstrong and Richard Marshall. New York: Whitney Museum of American Art, 1990. [page 164-165 marked with paper "Andrea from Genie Ross"]
New York City Cultural Council. New York City Resources for the Arts and Artists.New York: Cultural Council Foundation, 1973.
Oldenburg, Claes. Notes in Hand.New York: E.P. Dutton and Co. 1971.
On Site.No. 4 (n.d.) New York.
Ono, Yoko. Grapefruit.New York: Simon and Schuster, 1971.
Otterness, Tom. Tom Otterness.Appearances Press, 1981.
Parker, Kingsley. Starting with Flags: Forty-three Drawings.New York, 1976.
Peters, Robert. Gold and Silver Do No Spoil.Chicago Books, 1988.
Polidori, Robert. D/isolation, Work in Progress, Genetic Codes.New York: Anthology Film Archives, 1975.
Profile.3:5 (September 1983).
Public Art Fund, Inc. Ten Years of Public Art 1972-1982.New York: Public Art Fund, 1982.
Rinehart, Benjamin D. Fairy-Mones.Brooklyn: Benjamin Rinehart, 2002.
Romeu, Joost A. Art After Philosophy.1973
Romeu, Joost A. On the Essence of Truth.1973
Rubini, Gail. Forever Yours.New York: Chicago Books, 1980.
Rubini, Gail and Conrad Gleber. The Future of the Book of the Future: Thoughts and images on the form of the book of the future presented in a series of "work in progress" exhibitions and publications until the year 2000.1994.
Rubini, Gail. Sweet Junk.Chicago: Chicago Books, 1977.
Ruiz, Raul. Works for and about French TV.New York: Exit Art, 1987.
Ruscha, Edward. Various Small Fires and Milk.Los Angeles: Anderson, Ritchie and Simon, 1970.
Serra, Richard. Richard Serra: Interviews, Etc 1970-1980.New York: The Hudson River Museum, 1980
Sherry, Jane M. Sun Worship.1980.
Sherry, Jane M. Above us…1979
Simonds, Charles. Three Peoples.New York: Samanedizioni, 1975.
Site, Cite, Sight.New York: Site, Cite, Sight, Inc. 1982.
Smith, Michael. The Big Relay Race.Chicago Books, 1981.
Smithson, Robert. Robert Smithson: Drawings.New York: The New York Cultural Center, 1974.
Smithson, Robert. The Writings of Robert Smithson: Essays with Illustrations.Ed. Nancy Holt. New York: New York University Press, 1979.
Snow, Michael. Cover to Cover.New York: New York University Press, 1975
Stevens, May. Ordinary, Extraordinary. A Summation 1977-1984.Boston: Boston University Art Gallery, 1984.
Stevens, May. Ordinary, Extraordinary.n.d.
Tellus: the audiocassette magazine. n.1, 1983.
Transmission: Theory and Practice for a new Television Aesthetics.Ed. Peter D'Agostino. New York: Tanam Press, 1985.
University of Alaska Anchorage. The Future of the book of the Future Alaska.1994.
Unwinding the Vietnam War from War into Peace.Ed. Reese Williams. Seattle: The Real Comet Press, 1987.
Vicuña, Cecilia. Precario/Precarious.New York: Tanam Press, 1983.
Wedge. The Imperialism of Representation, the Representation of Imperialism.No. 7/8 (Winter/Spring 1985)
Weinhardt, Seth. 51 Black and White Photographs, 51 Color Drawings.New York: Chicago Books, 1985.
WhiteWalls: A Magazine of Writings by Artists.No. 5 (Winter 1981).
Williams, Reese. Clocks.1974.
Williams, Reese. Figure-Eight, a fable.New York, Tanam Press, 1981.
Williams, Reese. A Pair of Eyes.New York: Tanam Press, 1983.
Williams, Reese. Past Trial Nearer.New York, 1978.
Winters, Robin. Consultation.n.d.
Winters, Robin. 82.1985.
Zybert, Richard. Notebook on Time.San Francisco: Marginal Press, 1981.
About this Guide
Revisions to this Guide
Repository
Series I: Collaborative Projects, Inc. (Colab)
Scope and Contents note
This series contains materials relating to Collaborative Projects, Inc (Colab). Andrea Callard was the Secretary of the organization from 1978-1980. Subseries A: Administrative materials includes Callard's secretarial notebook, materials relating to the group's conception, organization and functioning, grant proposals, meeting notes and announcements as well as financial information. The subseries is organized with Callard's secretarial notebook first followed by all other administrative materials in chronological order. Undated materials appear at the end of the subseries.
Subseries A: Administrative materials
Callard's secretarial notebook: Announcements. Includes information on Colab film and video projects, the Colab summer house, art opportunities and shows., ca. 1978-1982
Callard's secretarial notebook: Meetings, News Notes, undated
Callard's secretarial notebook: Colab Minutes, loose., 1979
Callard's secretarial notebook: Colab Minutes, loose., 1980
Callard's secretarian notebok: Andrea Callard's meeting notes, loose., undated
Callard's secretarial notebook: Colab Media Group, undated
Callard's secretarial notebook: Miscellaneous fragements, loose, undated
Green Corporation [early name for the organization], ca. 1977
Money disbursement and budget, 1977-1980
NEA application, Andrea Callard, Coleen Fitzgibbon and Ulli Rimius. Colab's first grant application to the NEA., 1978
NEA grant application supporting materials. Portfolio of member and group work., 1978
Colab meeting announcements, 1978
NYSCA grant control, 1978-1979
Colab meeting announcements, 1979
NEA grant award letter, 1979
Media Alliance, 1979
Colab meeting announcements, 1980
Budget, 3 March 1980, 1980
Funding request, Spanner/NYC, 25 April 1980, 1980
Letter regarding the structure and functioning of Colab. anonymous., 1980
"Colab country house on the North Fork of Long Island, Summer 1982" AC's notation and grouping. Includes Colab Daily Purge [28 June 1982], notes, advertisements and directions., 1982
Colab Daily Purge newsletter. 1:2 and 1:3, 1982
Talking points re: future of Colab. unknown author., 1983
Andrea Callard's "Colab 1984" file, 1984
Questionnaire drafts, 1985
Questionnaire masters, 1985
Questionnaire responses, 1985
Cultural Council Foundation, 1985
Budget, 1985
Meeting announcements, undated
Membership lists, undated
Mailing labels, undated
Colab facility, request for input from members, undated
Cooperative Sales Company proposal and budget, Alan Moore, undated
"Shot dog incident" [AC's notation and grouping] Notes, announcements and materials relating to T. Otterness's "Shot Dog Piece.", undated
Just Another Assholecall for submissions. addressed to AC [found in the box of Colab materials], undated
Andrea Callard notes re: Colab. Inc. rough timeline of materials, undated
Subseries B: Colab Shows and Events
Doctors and Dentists Show advertisements. Org. Robin Winters. The show opened 3 February 1977 at 591 Broadway., 1977
Note from AC to unknown recipient regarding an ambient office noise cassette used in the Doctors and Dentists show. Found in Media box 5., 1977
Income and Wealth Show advertisements. Organized by Coleen Fitzgibbon. The show opened 3 February 1977 at 5 Bleecker St., 1977
Press, Doctors and Dentists Show and Income and Wealth Show, 1977
Dog Show advertisement. Opened 24 March 1977 at 591 Broadway., 1977
Dog Show related materials, 1977
Qwips, introductory materials such as machine use and persons involved, 1978
Qwips, original, paper sent materials, 1978
Qwip carbon paper received originals, part one, 1978
Qwip carbon paper received originals, part two, 1978
Qwip photocopies with AC annotations on reverse, 1978
Batman show invitation. Organized by Diego Cortez. Show opened January 6 at 591 Broadway., 1979
Colab Exhibition Project, ca. 1979
Manifesto Show advertisement. Organized by Jenny Holzer. 5-28 April at 5 Bleeker St., ca. 1979-1980
Real Estate Show advertisements. January 1980 at 123 Delancy St., 1980
Times Square Show advertisements. 1 June 1980- 30 June 1980 at 7th Avenue and 41st St.Includes schedule of events., 1980
Times Square Show narrative of process and context. Unknown author., 1980
Times Square Show invitation to private reception. 24 June 1980 at 201-205 West 41st St. at 7th Ave., 1980
Times Square Show, ticket to premiere screening of Matthew Geller and Judy Rifka's "True Cross Fire" on Thurs 26 June 1980., 1980
Times Square Show maps and layout., 1980
Times Square Show photographs on paper., 1980
Times Square Show slide, one image without frame, 1980
Times Square Show press release, 1980
Times Square Show press, 1980
Times Square Show. Four 35mm color slides. Numbered sequentially 192-195, 1980
Times Square Show Lobby. 34 35mm color slides., 1980
Times Square Show slides from stairway in lobby., 1980
Times Square Show Money, Love and Death Room. 31 35mm color slides, 1980
Times Square Show "Willie's passage to portrait gallery". [AC's notation] 9 35mm color slides, 1980
Time's Square Show Portrait Gallery 1. 5 35mm color slides., 1980
Times Square Show Portrait Gallery 2. 25 35mm color slides., 1980
Times Square Show Fashion Lounge 2nd floor. 10 35mm color slides., 1980
Times Square Show 3rd Floor. 15 35mm color slides., 1980
Times Square Show 4th Floor. 15 35mm color slides.
Brooke Alexander, Inc. Colab benefit exhibition. 6-31 December 1980 at 20 West 57th St. Announcement, 1980
Animals Living in Cities at ABC NO RIO. Posters, exhibit program and 32 color 35mm slides., 1980
Murder, Suicide and Show at ABC NO RIO. Six 35mm color slides taken by unknown photographer. With annotations.
Colab Press, General, 1980
Mural America Show, 28 March -23 April 1983, New Harmony Indiana. Announcement postcards and 21 32mm color slides. AC grouping and organization., 1982
Colab Summer institute. 28 35mm color slides., 1982
"Ritz 83" AC's file on collaborative show "The Ritz" in Washington DC., 1983
Williamsburg Bridge Sculpture show. 31 35mm color slides with annotations, two black and white contact sheets, 13 black and white snapshots., 1983
Public Art Fund Inc. Newsletter. Spring 1983. Colab included in the listing of New York art programs., 1983
Announcement, Colab's A. More Store and ABC No RIO's Island of Negative Utopia drawings. 13 December 1983- 7 January 1984 at Jack Tilton Gallery., 1983-1984
Colab photo postcard project "Greetings from NYC", 1985
Announcement: A More Store at Jack Tilton Gallery and at Printed Matter., undated
Proposed Amendment to New York Law re: NYSCA. [perhaps related to the Manifesto Show?] anonymous and undated., undated
Series II: Andrea Callard Artist Files
Scope and Contents note
This series contains materials related to Andrea Callard's art career. The series is divided into seven subseries. Time and place figure strongly in the organization of this series because they were organizing principles in Callard's organization of her papers.
Subseries A includes materials dated before 1973 such as items relating to her undergraduate work at San Francisco Art Institute. Subseries B reflects Callard's early years in New York city at 150 Chambers St. Artists Daisy Youngblood, Joe Haske, Robert Israel and Cara Perlman also lived in this building. Materials with specific years appear at the beginning of this subseries in chronological order. Materials designated "150 Chambers St" or "1973-1976" but without a specific date are grouped at the end of the subseries. Subseries C includes art works from Callard's first three years in her loft on the top floor of 40 Lispenard Street. Callard, Cara Perlman and Bernice Rubin secured a net lease for the top three floors of this guilding in 1976 and renovated the building. This subseries also includes work related to Callard's 1978 residency at the Cummington, Massachusetts Community for the Arts, her Ailanthus project, as well as her contributions to Colab's Dog Show and the Batman show. Subseries D includes materials relating to Callard's art career such as her contributions to the Custom and Culture II show, Colab's Animals Living in the City and the Times' Square Show as well as Callard's work with Bonnie O'Neill at Site, Cite, Sight in San Francisco. Subseries E again contains art files related to Andrea Callard's professional career including her contribution in the NYC Wildlife Museum, Inside/out garden signs at the Bronx River Art Center and Colab's Talk is Cheap street posters. Subseries F includes materials relating to Callard's art career particularly her collaboration with Sam Sue on the installation "The Tenement: Place of Survival, Object of Reform." This work appeared at the Chinatown History Project in 1988 and as part of the DIA Art Foundation "If you lived here" exhibition. Subseries G contains materials relating to Callard's art career. Most notably, the series includes work relating to her "Home Turf" window at Art in General and her storefront exhibit at Art and Architecture. The subseries also includes black and white contact sheets and negatives as well as materials relating to collaborative works during this timeperiod. Subseries H contains materials relating to Callard's work as an art teacher such as student letters, photographs and press clippings from artist in residency programs as well as teaching opportunities in New York City. Subseries I includes undated materials. Contact sheets and negatives taken by Andrea Callard compose the majority of this subseries.
Subseries A: 1950-1973
Color slides, 1966-1973, 1966-1973
Color slides, 1966-1973, 1966-1973
Color slides, 1966-1973, 1973
Color slides, 1966-1973, 1966-1973
Color slides, 1966-1973, 1966-1973
Color slides, 1966-1973, 1966-1973
Color slides, 1966-1973, 1966-1973
BFA diploma, San Francisco Art Institute, 1972
Subseries B: 1973-1976, 150 Chambers St.
Color snapshots. Mac Becket's headshave, 150 Chambers St. Used in "Remnants of Lateral Drift", 1973
Rat sculpture, black and white photograph., ca. 1973
Paper instructions to image response game. Correlates responses to their artists or author. Participants include Carol Williams, Reese Williams, Baylor Trapnell, Dede Knox, Lawrence Jacobs, Back Becket, Susan Davis, Robin Winters, Dennis Sappetelli and Bonnie O'Neill., ca. 1973-1974
Image Response Game related papers., 1973-1974
Image response game cards and responses., ca. 1973-1974
Indy 500, black and white contact sheets, photographs and negatives., 1974
150 Chambers St. Activity photo performances and friends. Black and white contact sheets and photographs., 1973-1974
"Various texts 1974-77. Some relate to film and performance others are expressive, reflectiive etc. few are dated." Grouped by Andrea Callard., 1974-1977
Color snapshots, documentation of umbrella sculpture, 1974
Color snapshots and negatives. "150 Chambers St. Umbrellas shifted to tent sculpture". Used in "Remnants of Lateral Drift", 1974
Color snapshots and negatives. "Youngblood Haaske (at 7 years?) 150 Chambers St in Callard Hat" Images of umbrella sculpture., 1974
"Invisible Performances". Black and white negatives and contact sheets., ca. 1974
"Anonymous Person" vacuume cleaner chistening., 1974
"Anonymous Person" vacuum cleaner chistening., 1974
Color contact sheet of object photographs: shoes, stones, crude hammer, six mousetraps., ca. 1974
Mouse measurement project. color photographs, ca. 1974
Miscellaneous drawing., ca. 1974
Poetry by AC, 1974
Gary Brown. black and white contact sheet and negatives, 1974
"Remnants of Lateral Drift", 1974-1975
"Remnants of Lateral Drift. Booklet from larger file [see folder 105 above], 1974-1975
Physical Characteristics and Technical Requirements note
Preservation concerns include glue, acidic paper, paper in brittle plastic sleeves
Notes and drawings. Includes notes on past and future artworks, also photographs and contact sheets. Grouped by AC., 1974-1975
Color negatives and snapshots. "Scenes of pigment drawings. Made in NYC, Telluride CO, Ogunquit ME 1975?", 1975
Color snapshots. Telluride CO, 1975
Ball State Drawing and Small Sculpture Show. AC's "Red Silk Dressing Gown (in dog bite sized Pieces)" won a prize., 1975
Dismembered News and Comment., 1975
"this really is your stomach" AC color photograph of Fred Krughoff's stomach affixed to heavy cardboard with masking tape., 1975
Color slides of A. Callard's work, watercolor, pencil., 1975
Drawing Notebook 1975. Part I, 1975
Drawing Notebook 1975. Part II, 1975
Scribbling: a record of hand activity, 1975
Henry Kissenger Multiple Choice Dictionary, ca. 1975
Notebook. Diagrams, writing, drawings., 1975
Notes and writing regarding AC's work, ca. 1975
Color film stills from "Florescent Azalia", 1976
black and white contact sheets. images of AC doing "A Dressing Wall" work., ca. 1973-1976
"A Dressing Wall" black and white contact sheets., ca. 1973-1976
"A Dressing Wall" color photographs, ca. 1973-1976
"A Dressing Wall" color photographs on heavy cardboard., ca. 1973-1976
Paper included with "A Dressing Wall" photographs on heavy cardboard, 1973-1976
"A Dressing Wall" Wallet scale photographs, diagram, Tokyo subway map. grouped by AC., 1973-1976
Red Anger Association. Collage, Kodak advertisement and polaroid photograph. Cut out screen opens to reveal AC polaroid., 1973-1976
Red Anger Association. text., 1973-1976
"Loft and Environs" 150 Chambers St. 69 Color slides., 1973-1976
Black and white negatives, contact sheets and photographs. Beatrice Rubin with dustmasks at 150 Chambers St., 1973-1976
Black and white contact sheet. Robin Winters, Baylor Trapnel in Maine., 1973-1976
Black and white negatives and contact sheet. Film shoot at a bar, invisible performances, Beatrice Rubin. Perhaps 1974., 1973-1976
Queen of Siberia 10 cent Cookbook. mail project, responses., 1973-1976
Queen of Siberia 10 cent letterhead., 1973-1976
Sketch notebook. Includes materials relating to "Siberia", "A Dressing Wall" and "mice" works., 1973-1976
Copies of drawings. Grouped in a folder by Andrea Callard., 1973-1976
Color negatives and contact sheet documenting Callard's tent sculpture. Color snapsots of texture., 1973-1976
Color snapshots and negatives of textures and patterns., 1973-1976
Color snapshots and negatives. "A. Callard 150 Chambers studio. 1973-1976". Images used in "Experiences Vacuum", 1973-1976
150 Chambers Artworks. 96 color slides on six pages., 1973-1976
150 Chambers Artworks. 88 color slides on seven pages., 1973-1976
150 Chambers Artworks. 97 color slides on seven pages, 1973-1976
Artworks 1973-1975. 52 color slides on three pages., 1973-1975
Artworks 1973-1975. 34 color slides on three pages., 1973-1975
Artworks 1973-1975. Fourteen color slides on two pages., 1973-1975
New York. 47 color slides on three pages., ca. 1973-1981
New York. 53 color slides on three pages., ca. 1973-1981
New York. 59 color slides on three pages., ca. 1973-1981
Subseries C: 1976-1978 40 Lispenard St.
"Puzzer" for Lost Shoe Blues song., 1976
Cara Perlman on the beach., 1976
Black and white contact sheet and negatives. Milkweed, windows, debris at 40 Lispenard., 1976
Black and white negatives and contact sheet. 40 Lispenard St., 1976-1977
40 Lispenard St. Loft and Environs. 47 color slides on three pages., 1976-1982
40 Lispenard St. Loft and Environs. 35 color slides on three pages., 1976-1982
40 Lispenard St. Loft and Environs. 46 color slides on three pages., 1976-1982
40 Lispenard St. Loft and Environs. 49 color slides on three pages., 1976-1982
Canoe trip information packets AC sent to participants., 1977
Canoe trip, black and white contact images, not entire sheets., 1977
Canoe trip texts and Ailanthus tress. Black and white negatives and contact sheets., 1977
Black and white contact sheets and negatives. Ailanthus trees, Jeff Callard and AC's grandparents, 1977
Black and White contact sheet, partial. Ailanthus images, includes Cara Perlman at beach and one of the images used in AC's Ailanthus postcards., 1977
Bat Pamphlet multiples. AC's contribution to Colab's Batman show. Red ink on paper, multiple., 1977
Narrative Drawings, NEA 1976-1977. 12 color slides., 1977
Black and white negatives and contact sheet. Fred Krughoff, Cara Perlman, Alan Saret's place., 1977
News and Comment. Black and white photographs used, original altered newspapers and multiple copies., 1977
Transportation incidents postcard samples., 1977
Continental Drift at la Mama. Film by Paula Longendyke. Sets by Andrea Callard and Lizbeth Mararo. Black and white contact sheet and negatives, paper diagram, 60 color slides., 1977
"Love and wrongdoings and retaliation" related to Continental Drift. Index cards wtih text and black and white contact sheet images., 1977-1978
Artists Space: Artists Super 8 Film Exposition. Includes Andrea Callard's Film "Standard Adult Wheelchair", 1977
Color snapshots. "AC Hand photos. Connect to finger print drawings", 1977
Ailanthus and Cynthia 1977-1984. 36 color snapsots., 1977-1984
Black and white negatives. Used for LINE Poster, May 1978, 1978
Black and white contact sheets and negatives from AC's time in the Cummington Community for the Arts, Cummington MA., 1978
Black and white contact sheet and negatives, Cummington, MA. Fred Krughoff, life in the community, the building structure., 1978
Black and white contact sheet and negatives. Cummington, MA: building structure and outdoors., 1978
Black and white contact sheets and negatives. Cummington MA: building interior, 1978
Black and white contact sheet and negatives. Cummington, MA: Kids, outdoors, Andrea Callard and Brick., 1978
Black and white contact sheet. Cummington, MA: building interior.
Black and white contact sheet and negatives. Cummington, MA: building interior., 1978
Black and white contact sheet and negatives. Cummington, MA: Fred Krughoff and Andrea Callard in AC's living space., 1978
Black and white contact sheet. Cummington MA: Andrea Callard, shoes, building interior., 1978
Black and white contact sheet and negatives. Cummington, MA: Snowey graveyard, windows., 1978
Black and white contact sheet and negatives. Cummington, MA: windows, Andrea Callard, Fred Krughoff, winter., 1978
Black and white contact sheets and negatives. Cummington, MA: Winter, trees., 1978
Black and white contact sheets and negaties. Andrea Callard and Fred Krughoff, used in mind/heart collages., 1978
Black and white negatives and contact sheets. Customs House, Reese and Carol Williams, Andrea Callard at 40 Lispenard, Wall St. Vicinity, Fred Krugoff, Chuck Callard., 1978
Black and white contact sheets and negatives. Andrea Callard and A. McCall at Ed Chaplin's 14 Harrison St. Loft. Fred Krughoff's loft at 242 Water St., 1978
Six Postcards about Ailanthus Trees. Includes explanation, cards and receipts from friends., 1978
Black and white photographs of drug smuggling paraphenalia on display at the World Trade Center.late 1970s., 1977-1979
Ailanthus drawings and collages. Paper and color photography., 1977-1984
Cynthia moth sketch, part of Ailanthus works., 1977-1984
Black and white Ailanthus photographs, misc., 1977-1984
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Negatives, three pages., 1978-1982
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Negatives, three pages., 1978-1982
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation] Negatives, three pages., 1978-1982
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Negatives, three pages., 1978-1982
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Negatives, three pages. Contact sheet, one page., 1978-1982
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]WPA/Citi Wildlife Museum, 1983 negatives and contact sheet., 1978-1982
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Contact sheet fragments, seven pages., 1978-1982
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Contact sheet and negatives, two pages., 1978-1982
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Contact sheet and negatives, two pages., 1978-1982
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Contact sheet and negatives, two pages., 1978-1982
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation] Contact sheets, four pages., 1978-1982
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Fried eggs and leaves, contact sheet and negatives. Used in "News and Nutrition" work, 1980., 1978-1982
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Contact sheets, two pages., 1978-1982
Ailanthus Landscape, color slides ca. 1978-1982 [Callard's notation]57 color slides on three pages., 1978-1982
Ailanthus Landscape, color slides ca. 1978-1982 [Callard's notation] 19 color slides on tho pages., 1978-1982
Ailanthus Landscape, color slides ca. 1978-1982 [Callard's notation] "Ailanthus trees and burned car in field in Staten Is." 47 color slides on three pages., 1978-1982
Ailanthus Landscape, color slides ca. 1978-1982 [Callard's notation] 32 color slides on three pages., 1978-1982
Ailanthus Landscape, color slides ca. 1978-1982 [Callard's notation]34 color slides on three pages., 1978-1982
Ailanthus Landscape, color slides ca. 1978-1982 [Callard's notation] 45 color slides on four pages., 1978-1982
Subseries D: 1979-1981 40 Lispenard St.
"All Animals Need Water to Survive" AC's Contribution to Colab's Animals Living int eh City show. photocopy., 1979
Miscellaneous drawings, 1979
Ailanthus stencil on edit room. two color slides., 1979
Posters advertising Andrea Callard's show "Work from studying Ailanthus" at PS1., 1979
Notes and plans for Seed Machine and Tree Banding, both project part of "Work from Studying Ailanthus" Show at PS1, 1979
Ailanthus project, Seed machine information messages, 1979
Ailanthus: Augmented pamphlet regarding tree planting on streets of Denver, 1979
Custom and Culture II, Announcement., 1979
Custom and Culture II Event program, 1979
Description of Andrea Callard's Custom and Culture II piece., 1979
Sketched floorplan of Customs House, 1979
Ten color slides from AC's Custom and Culture II work., 1979
"Custom Photo Combinations" Custom and Culture II slide show images, color copies., 1979
Custom and Culture II: Press, 1979
Custom and Culture II: Black and white negatives and contact sheeet. Images of stairs, windows, lighting, ornaments, eagle., 1979
Custom and Culture II: Black and white negatives and contact sheets. Images of light fixtures, floors, drawers, windows., 1979
Custom and Culture II: Black and white negatives and contact sheets. Images of building exteriors, statues., 1979
Custom and Culture II: Black and white negatives and contact sheets. Images of archways and windows., 1979
Custom and Culture II: Black and White negatives and contact sheets. Images of windows and stairs., 1979
Custom and Culture II: Black and White negatives and contact sheets. Images of entry area, trash cans, exterior building ornaments., 1979
Custom and Culture II: Black and white negatives and contact sheets. Images of exhibit, fountain, trash., 1979
Custom and Culture II: Black and white negatives and contact sheets. Images of ornamentation, baerial images of building exterior, doorways., 1979
Custom and Culture II: Black and white negatives and contact sheet. Images of exhibit and doors., 1979
Custom and Culture II: Black and white negatives. Image of building exteriors, area surrounding customs house. See folder 228 for corresponding contact sheets., 1979
Custom and Culture II: Black and white negatives. Images of windows, doors, mismatched contact sheet fragment of ironwork., 1979
Custom and Culture II: black and white negatives and contact sheet. Images of sinks, drawers, counters., 1979
Custom and Culture II: black and white negatives and contact sheet. Images of building exterior, Jim Vincent at Andrea Callard's home., 1979
Custom and Culture II: black and white contact sheet and negatives. Images of stairs, brickwork, Andrea Callard and Jim Vincent., 1979
Custom and Culture II: Black and white contact sheet and negatives. Images of corners, domes, arches and floors., 1979
Custom and Culture II: black and white negatives and contact sheets. Images of buildings, stairs, buses., 1979
Custom and Culture II: black and white negatives and contact sheets. Images of exterior ornamentation, interiors, pigeons., 1979
Custom and Culture II: Black and white negatives and contact sheets. Images of trash cans, stairs, lighting fixtures, ironwork., 1979
Custom and Culture II: Black and white contact sheet. Annotated. Images of fixtures, grates and doorways., 1979
Custom and Culture II: Black and white contact sheet and negatives. Images of fixtures, grates and doorways., 1979
Custom and Culture II: Black and white negatives and contact sheet. Images of books and windows., 1979
Color snapshots and negatives. "Photo in pond by Customs House base of B'way. Photo for slide show. Shown at Fashion Moda" Images part of AC's "Animals Living in Cities" contribution., 1979
Andrea Callard and Mac Beckett in Milan. Color snapshots grouped in grey metal file box with two audiocassettes. Audiocassettes have been removed to Series ZZZZ: Media., 1979
Andrea Callard and Bonnie O'Neill's show at Site, Cite, Sight Inc. in San Francisco. Andrea Callard's file on her work "Commuting from Point to Point" a continuous slide show., 1980
"Commuting from Point to Point" slideshow images., 1980
Color slides of Site, Cite, Sight exhibition space, location of Bonnie O'Neill and Andrea Callard show., 1980
Blue binder containing notecards, photographs and annotations. Used in Andrea Callard and Bonnie O'Neill's Site, Cite, Sight Inc. show., 1980
Loose papers and photographs from the cover of blue binder, folder 243., 1980
Matted color photographs from folder labeled "San Francisco". work from Site, Cite, Sight show., 1980
Tanam Press publicitiy invitation for book release of "Hotel" and "Boiling Coffee" designed by Andrea Callard, 1980
Flier used in an "effort to querry artists about [sewer?] conflict organized by White Columns", 1980
Andrea Callard Show "Drawings in Series" at Ball State University in Muncie Indiana. Exhibition of pencil drawings AC made during the winter of 1973-1974., 1980
Brooke Alexander Colab Benefit. Announcement and color slide of Andrea Callard's contribution., 1980
Black and white photographs of fried eggs and plant leaves. Used in News and Nutrition work., 1980
Andrea Callard Press, 1980
Black and white negatives. Images of trash, Jeff Callard and Matthew Geller on the West Side highway at Chambers. Corresponding contact sheet in folder 260., 1980
Black and white contact sheet. Images of Roberta Callard, Theresa Cha, Reese and Carol Williams., 1980
Notebook, 1980-1981
Color slides, 1980-1984. 21 slides on three pages., 1980-1984
Color slides 1980-1984. 36 slides on three pages., 1980-1984
Color slides 1980-1984. 45 slides on four pages., 1980-1984
Color slides of show at White Columns. February 1981. 77 color slides., 1981
"Whole more than two" Richard Miller and Andrea Callard Show at White Columns. 38 color slides, color negatives, publicity postcards, polaroids and notes., 1981
White Columns Record Covers for Show. March 1981. 9 black and white slides, event announcements, Andrea Callard's exhibit contract and release form., 1981
Black and white contact sheets. Images of recycling center in Western Massachusetts and the Cummington Community for the Arts., 1981
Black and white negatives. Images of Cummington Community for the arts, Andrea Callard, Marjorie Cohen, Matthew Geller. Contact sheet in folder 269., 1981
Black and white negatives. Images of Cummington Community for the Arts. Corresponding contact sheet in folder 271., 1981
Black and white negatives. Images of Cummington Community for the Arts. Corresponding contact sheet in folder 273., 1981
Color slides, Andrea Callard and Matthew Geller help move John Chamberlain from NYC to Florida. This trip was the inspiration for film ideas and watercolor paintings., 1981
Index card notes, plans for film of trip to Florida with M. Geller., 1981
Black and White contact sheet images of New York, Lispenard St, Carol and Reese Williams and Theresa Cha., 1981
Black and white negatives. Indiana Farm. Includes negative used for AC's Colab Postcard "Braham Bull", 1981
Black and white contact sheet and large print. Indiana Farm. Images of bulls., 1981
Color Slides. Images of farm in Gaston Indiana.116 color slides, postcards, large black and white prints., 1981
Folder labeled "Animals--Rupp" includes chicken sketches and a draft of a letter to the enditor written from Gaston Indiana., 1981
Subseries E: 1982-1986
Art Works on Paper 1982-1991. 39 color slides on three pages, 1982-1991
Art Works on Paper 1982-1991. 41 color slides on three pages., 1982-1991
Art Works on Paper 1982-1991. 45 color slides on three pages, 1982-1991
Art Works on Paper 1982-1991. 58 color slids on four pages., 1982-1991
Bronx River Art Center "Inside/Out". Curated by Anne Philbin., 1983
"Solid Signs of Geometry" sponsored by Creative Time. Performance piece., 1983
Malone NY Residencey. 95 color slides: "Part of the time in Malone it was 14 belos. I saw amazing things and made lots of watercolors and drawings."0, 1983
Chicago Books Picture Window announcement, 1983
"Freckled Rice" Film directed by Stephen C. Ning, set design by Andrea Callard., 1983
"Animal Life: Contemporary Representations" Benefit for the Animal Medical Center at Ericson Gallery., 1983
Notebook. "Washington DC 200/ NYC", 1983
Andrea Callard Press., 1983
New American Landscape., 1983-1985
Watercolor painted kimonos, 24 color slides, Color snapshots and polaroids., 1984
Notebook. "Everglades", 1984
Notebook "Black River/Buzzards/Etc.", 1984
"Everglades City" by Matthew Geller. Editorial and Production consulting by Andrea Callard. Folder includes publicity and screening program., 1984
Postcard of Andrea Callard's watercolor "Everglades City TV", 1984
"Pus Factory" film file., 1984
Physical Characteristics and Technical Requirements note
Includes three eight inch floppy disks
Black and white negatives. Images of Ailanthus trees and an anti-nuclear demonstration. Corresponding contact sheets in folder 304., 1984
Black and white negatives. Documentation of watercolors., 1984
Andrea Callard Press., 1984
Artworks on Paper 1984-1987. Catskill, Black River, Water, Iciles, Ice Dam. 35 color slides on three pages., 1984-1987
Artworks on Paper 1984-1987. Catskill, Black River, Water, Iciles, Ice Dam. 41 color slides on three pages., 1984-1987
Artworks on Paper 1984-1987. Catskill, Black River, Water, Iciles, Ice Dam. 30 color slides on three pages., 1984-1987
Artworks on Paper 1984-1987. Catskill, Black River, Water, Iciles, Ice Dam. 61 color slides on four pages., 1984-1987
Women in Jazz Downtown Poster. Rough layout., 1985
New Prints from the Lexington Wake Up Printshop at Art Awareness. Works on paper and fabric. Includes Andrea Callard's work., 1985
P.S. 1 Winter Opening. Includes Andrea Callard and Reese Williams's collaboration in the "Synaesthetics" portion. Postcard announcements, black and white negatives and contact sheets., 1985
"Braham Bull" postcard. Andrea Callard's photograph contribution to "Greetings from NYC" Colab project., 1985
"Today's Art in an Overpopulated Ctiy" at Exit Art. Includes Andrea Callard's work., 1986
Andrea Callard Press, 1986, 1986
Subseries F: 1987-1989
The Wake Up Printshop. press release, 1987
Callard Press, 1987., 1987
Chinatown History Project Tenement installation: Exhibition planning committee notes, 1987
Chinatown Tenement installation: proposal description, ca. 1987
Chinatown History Project Tenement Installation: Notes between Sam Sue and Andrea Callard., 1987-1988
"The Tenement: Place for Survival, Object of Reform" publicity postcard. Installation curated by Sam Sue and Andrea Callard at the New York Chinatown History Project., 1988
New York Chinatown History Project brochure, 1988
Chinatown History Project walking tour., 1988
Tenement Research, 1988
Chinese and English wall calendar., 1988
Tenement Project general schedual, 1988
Tenement Installation: working drawings and lists., 1988
Tenement Installation: exhibit floorplan., 1988
Tenement Installation: Andrea Callard's notes, 1988
Tenement installation: descriptive note, 1988
Tenement Installation: exhibition script, 1988
Tenement Installation: program fragments, 1988
Tenement Installation: essay, 1988
Chintown Tenement Installation: historical photographs, 1988
Chinatown tenement installation: black and white contact sheets documenting exhibition, 1988
Chinatown tenement installation: black and white photographs documenting exhibition, 1988
Chinatown tenement installation: Certificate of Appreciation from Chinatown History Project to Andrea Callard., 1988
Chinatown tenement installation: press release, 1988
Chinatown Tenement installation: press, 1988
Prospect Park Boathouse Exhibit. Features Andrea Callar'ds "Branches", 1988
Art Awareness Gallery. Group show featuring paintings by Andrea Callard, Installations by Susan Crowe, Elka Gould and Heidi Schlatter., 1988
"Split Britches" produced and directed by Matthew Geller. Production, set and audio design by Andrea Callard., 1988
Publicity postcards for DIA Art Foundation "If you lived here" exhibition organized by Martha Rosler. Features Andrea Callard and Sam Sue's "The Tenement: Place for Survival, Object of Reform" installation., 1989
Publicity postcards for DIA "If you lived here" exhibition, altered in black marker to emphasize AC and SS's "The Tenement: Place for Survival, Object of Reform" installation.., 1989
DIA "The Tenement" show, visitor register, 1989
Notes and plans for DIA "The Tenement" installation, 1989
DIA "The Tenement" installation program draft., 1989
DIA "The Tenement" installation program, 1989
DIA "The Tenement" borrowed material list, 1989
DIA "The Tenement" installation paint chips, 1989
DIA "The Tenement" installation slides., 1989
DIA "The Tenement" installation black and white negatives, 1989
DIA "If you livedhere" press release, includes statement on Andrea Callard and Sam Sue's "The Tenement", 1989
Real Life Magazinearticle on DIA installation of "The Tenement: Place for Survival, Object of Reform", 1989
Art in General "Abstract Places" group show., 1989
Black and white contact sheets and negatives. Images of candid shots of kids, friends and tennis., 1989
Subseries G: 1990-2000
Art in General window installation Andrea Callard's "Home Turf", 1990
"Waste Stream Show" copies of photographs., 1990
Earth Day Show at the Food Stamp Gallery. Includes work by Andrea Callard., 1990
"From Receiver to Remote Control" at the New Museum of Contemporary Art. Curated by Matthew Geller, consulting by Andrea Callard. Invitation to a special reception., 1990
Black and white contact sheet and negatives. images of landfill., 1990
Black and white negatives and contact sheet. Images of landfill., 1990
Black and White contact sheet and negatives. Images of kids in costume., 1990
Black and white contact sheet and negatives. Images of building demotition., 1990
"The Return of the Cadavre Exquis" at the Drawing Center. Group show, includes Andrea Callard's work., 1993
"Inside/Out" exhibit announcement. Bronx River Restoration project. Group show featuring Andrea Callard's work., 2000
Subseries H: Art Education
Whistle Stop Daycare. Black and white contat sheets and negatives, 1976
Whistle Stop Daycare. Color copy of photograph., ca. 1975-1976
Bronx Museum of Arts. Eight color slides, event program and letter of recommendation., 1978
Teaching-Malone file. includes letters from students, 53 color slides [grouped by AC], 1983
Teaching-Malone file. 29 color slides and a Christmas card. [grouped by AC], 1983
Hecksher. Letter and 12 color slides., 1983
Black River file. Includes student letters, sketchbook, press clippings. [grouped by AC], 1983-1984
"Black River Residency" file. Press and 138 color slides., 1984 [grouped by AC]
Rockland Center for the Arts. File contans press, contact information, school mailings, notes, planning letters etc., 1986-1987
Rockland Center for the Arts Student Letters, 1986-1987
Student "Love Letters" from Rockland students. Part 1, 1986-1987
"Love Letters" from Rockland students. Part 2, 1986-1987
Rockland Arts-in-Education Showcase. April 1, 1989, 1989
New York State Summer School of the Arts. FIle includes black and white photographs, contact sheets and negatives as well as notes, contact information and promotional materials., 1990
Paper-making workshop for Studio in a School., 1990
Black and white contact sheet. Images of Andrea Callard with students., undated
Lower East Side Printshop. Andrea Callard screenprinting materals demonstration., undated
Notes and printed materials relating to pedagogical techniques., undated
Subseries I: Miscellaneous materials
Notebook. includes sketches, lists, dreams and other writing., undated
Notebook. Includes drawings, sketches and text., undated
Notebook. Includes text and ink printing., undated
Notebook. Includes text, inserts and sketches., undated
Notebook. Includes text and sketches, undated
Notebook. Includes text, sketches, letters., undated
Notebook. Planning notes, some references to Colab. Includes inserts., undated
Notebook. Includes drawings and stampings., undated
Notebook. Includes ideas, lists, drawings and planning sketches., undated
Notebook. Includes lists of expenses, pencil drawings and some text., undated
Notebook. Includes sketches, watercolor and writing., undated
Notebook. Notes,lists and planning sketches., undated
Miscellaneous Press, undated
Film Idea fragments, undated
Video planning. informal "Video Proposal" outline., undated
"Irrevocable Time", undated
Life Spacing: An exercise. Notes and planning., undated
Concentration Booth. Installation collaboration between Andrea Callard, Reese Williams and Winifred Carroll., undated
"Fuck You Fashions", undated
Household bug paintings., undated
Doodlings and Balderdash notes. grouped by AC., undated
Crayon and paint on white paper., undated
Color printed pages. Includes "Musical Yellow Taxi", undated
"Vidi View" diagram, undated
Notecards. writing, pencil drawing, watercolor, collage, pen drawing. Grouped by AC., undated
Filebox containing notecards. Content on cards includes writing, lists, drawings, collage and photographs. Miscellaneous dates. Grouped by AC., undated
Drawings, grouped in envelope and labeled "Drawings", undated
Rubbings, undated
Broken toe print, undated
"A Bridge from Memory, A Channel for Love", undated
Label: "This green ladder functions...", undated
Stickers of alphabet and numbers, undated
"Double Lunar Dogs" written and directed by Joan Jonas. Sets and control panel by Andrea Callard., undated
Andrea Callard drawing fo Spanner Paper Suit, undated
Miscellaneous prints on paper., undated
Black and white negatives. Images of a woman posing., undated
Black and white negatives and contact sheets. Images of building exteriors and a mason jar., undated
Black and white negatives and contact sheet. "Statue" Reese Williams and Corine Stachner, undated
Black and white negatives and contact sheets. Ed Chaplin "Confusciors", undated
Black and white contact sheet. Images of rural and industrial buildings, trees., undated
Black and white negatives and contact frame. Image of man at desk, shell and Clark buildings., undated
Black and white negatives and contact sheet. Images of building demolition., undated
Black and white contact sheet. Andrea Callard and Fred Krughoff., undated
Black and white negatives and contact sheets. Images of Chicago and Andrea Callard's Father's second family., undated
Black and white negatives and contact sheets. Images of Andrea Callard and Gary Brown., undated
Black and white contact sheet and negatives. Images of Andrea Callard, Gary Brown and Berta Callard, undated
Black and white negatives. Images of trees, Andrea Callard and friends, newspapers., undated
Black and white cpntact sheet. Images of Andrea Callard's loft at 40 Lispenard and Fred Krughoff's loft on Water St. Undated but post 1976., undated
Black and white contact sheet and negatives. Images of Joshua Tree and 29 Palms with Baylor Trapnell., undated
Black and white contact sheets and negatives. Images of kids and parking meters., undated
Black and white negatives and contact sheets. Images of kids, pets, newspaper., undated
Color photograph printed on white paper. Image of messy desk., undated
Black and white negatives. Images of roots and kids., undated
Black and white contact sheet and negatives. Images of Andrea Callard and young boy, probably her son., undated
Black and white contact sheet and negatives. Images of kids, trees, chain and brickwork., undated
Black and white negatives of New York., undated
Black and white photographs, miscellaneous images., undated
Black and white negative. Images of trees., undated
Black and white negatives and contact sheets. Images of hands and feet., undated
Black and white negatives and contact sheets. Images of Bangles and a woman standing., undated
Miscellaneous color slides, unlabeled, undated
Black and white negatives. Images of building exteriors and birds on a streetlight., undated
Black and white copntact sheet and negatives. Images of car on George Washington Bridge and in parking lot., undated
Black and white negatives and contact seets. Images of trees and buildings in winter., undated
Black and white negatives. Images of construction site., undated
Miscellaneous black and white photographs, undated
Black and white negatives and contact sheet. Images of an unknown woman talking., undated
Black and white negatives. Images of outside., undated
Black and white black and white negatives, undated
Black and white negatives. Images of satelite dish., undated
Black and white negatives and contact sheet. Images of a party., undated
Black and white negatives and contact sheet. Images of water, trees, trash., undated
Black and white contact sheet and negatives. Images of Halloween, supper, toys., undated
Misc. color negatives of horses and satelite dish, undated
Black and white negatives. Images of trees and a house., undated
Black and white negatives and contact sheet.Images of unknown woman at her computer., undated
Black and white negatives and contact sheet. Images of garbage, park with child, playground., undated
Black and white negatives. Images of trashcans., undated
Black and white negatives and contact sheet. Images of building ornaments, undated
Black and white negatives and contact sheet. Images of unknown man speaking., undated
Black and white negatives. Images of outdoors., undated
Color photo collage of roadtrip., undated
Black and white negatives and contact sheets "Bride on the Bridge" photo collboration between Corine Schactner and Andrea Callard, undated
Black and white contact sheet. Images of Bernice Rubin, Cara Perlman and Richard Friedman., undated
Black and white negatives and contact sheets. Images of trashcans, bagpipes and kids., undated
Black and white negatives. Images of trashcans and kids., undated
Miscellaneous color negatives, undated
Color negatives and snapshots. Documenting color and texture as, undated
Color negatives. unlabeled. undated, undated
Black and white negatives. unlabeled. undated., undated
Color photographs printed on paper., undated
Black and white negatives. Laurie Binder in Vermont., undated
Black and white negatives and contact sheets. Images of Reese Williams with Brick and Megan at 40 Lispenard. Undated, post 1976,, undated
Black and white contact sheets. Images of Andrea Callard, driving, snow and monuments., undated
Black and white negatives. Documentation of drawings., undated
Black and white negatives and contact sheets. Images of trees on Lispenard., undated
Black and white contact sheet. Images of sculpture with branches, dog and woman., undated
Black and white photograph of Dog [Brick?] outside black tent, indoors., undated
Drawing, photograph and instructions grouped together in folder., undated
Series III: Administrative
Scope and Contents note
Series III: Administrative is divided into seven subseries. Subseries A includes grant proposals, calls for proposals, resumes and other materials relating to obtaining professional appointments and work. Subseries B includes paperwork regarding artworks loaned by Andrea Callard. Subseries C includes financial information such as receipts and taxes. Subseries D contains information regarding Andrea Callard's participation in organizations, for example her work with LINE. Subseries E contains employment information for student interns who worked with Andrea Callard. Subseries F includes paperwork relating to Andrea Callard's day to day work as an artist such as notes, lists and research copies. Finally, Subseries G includes artist photographs. Subseries arranged chronologically where possible, alphabetically in other instances.
Subseries A: Grants
Application to Cummington Community of the Arts, 1976
Summary of Career Activity, 1976
Resume, ca. 1979
Public Art at the World Trade Center book, Call for submissions., 1980
Notes on documents supplied with grant application, 1981
New York Foundation for the Arts artist in residence program., 1982-1985
Application materials for unknown art opportunity, 1983
Public Art Fund, Bryant Park AIR residency application, 1983
Art Park residency, 1983
Virginia Commonwealth University file. Invitation to particiape in 1984-1985 Artist Forum., 1984-1985
Resume, ca 1985
Cover letter and CV drafts, 1985
Proposal for "Birds and Trowels" at the Anchorage, 1985
Cityarts Workshop, 1985
Art Matters, Inc. application for mural project., 1986
"Neighborhood Climate" Application to New York State Council on the Arts Visual Artists Sponsored Projects., 1986
Burchfield Art Center new works residency., 1986
New York Foundation for the Arts artist in residency planning and oreintation workshop packet. Andrea Callard's Rockland residency., 1986
Letter of inquiry to Rasnova/Laurie Yarotski Art Gallery, 1987
Garden Projects, application and proposal for Harlem Rehabilitation Center, Hopkinson R and L Block Association and Good Neighbor Block Association., 1987
Chicago Books, 1987
Documentation to Municipal Arts Society regarding "The Tenement" installation at Chinatown History Project and DIA., 1989
Anchor Foundation Incorporated application to Cultural Council FOundation., 1989
Proposal for Rutgers Archives Printo Commission by Andrea Callard and Rand Russell., 1989
Studio in a School Association, 1990
Brendan Gill Prize information, undated
Subseries B: Artwork loans
Insurance form, Custom and Culture part II, 1979
MoMA "Committed to Print" show, Andrea Callard loaned Kiki Smith, Charlie Ahearn and Jane Dickson's "Cause/Effect" from Colab's street posters., 1990
Subseries C: Finances
Income Tax audit, 1973
Motion Picture Laboratories Invoice, found in Media Box 4, 1976
Receipt: Standard Adult Wheelchair, 1977
"The Tenement" tax exempt paperwork, 1988
"The Tenement" receipts, 1988
"The Tenement" budget, 1988
"The Tenement" at DIA, receipts, 1989
Miscellaneous receipts, undated
Subseries D: Organizational Participation
LINE Request For Proposals. LINE was a "service organization of artists that assists other artists with small grants for publication projects.", 1979
Manhattan Decentralization panelist handbook, 1990
Manhattan Decentralization Program recipient list., 1990
Artists Call against US intervention in Central America, undated
Subseries E: Interns
Ning, Stephan C., 1980-1989
Rees, Sarah, 1987-1988
Subseries F: Notes and Research copies
Ailanthus research copies, 1980
Housing advocacy, 1989
Recycling research copies, 1990
Recycling research, 1990
Miscellaneous notes and lists, undated
Newspaper clipping "Wrist Camera Needs No Darkroom", undated
page 25-26 of Neil Postman's Amusing Ourselves to Death., undated
New Yorker cartoons, undated
"The 'Youth Protest' and the 'Age of Creativity'" Pinchas Noy, undated
Nature clippings, undated
Subseries G: Artist Photographs
Fred Krughoff photographs of Andrea Callard. Black and white negatives and contact sheets. Late 1970s, ca. 1978
Callard portraits by Teri Slotkin prior to Malone Residency. Black and white contact sheets, three color slides,, 1982
Peter Bellamy portraits of Andrea Callard. Used for her profile in "The Artist Book". Black and white contact sheets., 1983
Unknown photographer, portraits of Andrea Callard. Black and white negatives and contact sheet, undated
Fred Krughoof portraits of Andrea Callard. also includes images of Alan Saret. Black and white contact sheets and negatives. Taken post 1976, at Lispenard., undated
Series IV: Other Artist Files
Scope and Contents note
Series IV: Other Artist Files includes individual and group artist files arranged alphabetically. The series is divided into three suseries. Subseries A includes Individual artist files arranged alphabetically by last name. Subseries B includes group projects arranged chronologically. Subseries C includes miscellaneous and unknown materials.
Subseries A: Individual artist files
ABC NO RIO Cardboard Air Band., undated
Acconci, Vito, undated
Arai, Tomie, undated
Becket, Mack, undated
Bellamy, Peter, undated
Blane, Marc, undated
Brown, Barbara Miller, undated
Caldwell, Catherine [Randi], undated
Callan, Trissy, undated
Cardoso, Maria Fernand, undated
Carpi, Cioni, undated
Chadha, Gurinder, undated
Corber, Mitch, undated
Crowe, Susan Spencer, undated
Dickson, Jane, undated
Ernst, Max, undated
Fend, Peter, undated
Geller, Matthew, undated
Glier, Mike, undated
Haring, Keith, undated
Hodgkin, Howard, undated
Hurbide, Graciela, undated
Jones, Juan, undated
Kahane, Lisa, undated
Kohlhofer, Christof, undated
Korns, Stephen, undated
Krughoff, Fred, undated
Laub, Steven, undated
Lee, Jung Jin, undated
Linder, Alf, undated
Mayer, Rosemary, undated
Mock, Richard Basil. Access copies of New York Times artworks, undated
Naito, Jiro, undated
Nathan, Gail, undated
Nechvatal, Joseph, undated
Nichols, Alice W., undated
Otterness, Tom, undated
Perlman, Cara, undated
Roddy, Mike, undated
Rupp, Christy, undated
Saaar, Alison, undated
Saret, Alan, undated
Seltman, R.L., undated
Schaumburger, Ann, undated
Sidburney, Alex, undated
Smith, Martin, undated
Sussler, Betsy, undated
Takenaga, Barbara, undated
Trapnell, Baylor, undated
Turre, Michele, undated
Viner, Frank Lincoln, undated
Warren, Tom, undated
Waters, Jonathan, undated
Weitzman, Lee, undated
Williams, Reese, undated
Williamson, Philemona, undated
Winters, Robin, undated
Wirsum, Karl, undated
Youngblood, Daisy, undated
Subseries B: Collaborations and Group Shows
AICA invitation, undated
"Life Mixing" includes Reese Williams, Theresa Cha, Maxine Borenstein, Ed Harker and Brian Mealins, 1975
"Practical Esthetic Services" business card. Includes Fend, Fitzgibbon, Holzer, Nadin, Prince and Winters., undated
Miscellaneous collaborations and group shows., undated
Subseries C: Miscellaneous and Unknown Artists
Graffitti style drawing, undated
Color photographs of Cara Perlman, ca. 1978
Miscellaneous images on white paper, undated
Faux advertisements with type and circles, undated
Black and white negatives, Fashion Moda, Corona park, undated
Black and white negatives, White Columns, 1981
Series V: Correspondence
Scope and Contents note
Series V: Correspondence includes Andrea Callard's personal and administrative correspondence organized alphabetically by sender. The series is divided into four subseries. Subseries A contains correspondence from senders with known first and last names arranged alphabetically by last name. Subseries B includes correspondence from senders with known first names or first initials organized alphbetically. Subseries C contains correspondence from Andrea callard organized alphabetically by addressee. Subseries D includes unlabeld or illegible correspondence.
Subseries A: Last name, First name
Amdur, Latifa, undated
Antenen, Susan, undated
Art In America, undated
Artists Space, undated
Artlink Artspace, undated
Atcher, R.W., undated
Becket, Mac, undated
Bellamy, Peter, undated
Binder, Laurie, undated
Blanchet, Jo, undated
Brown, Duncan, undated
Brown, Gary, undated
Burns, Mark [Tribeca-SoHo Animal Hospital], undated
Callard, Mrs. C.G. [Gram], undated
Callard, C.G. [Gramp], undated
Callard, Roberta [sister], undated
Cha, Theresa, undated
Chaplin, Ed, undated
Cohen, Marjorie, undated
Cooper, Ellen, undated
Corber, Anne, undated
Coualt, A., undated
Davis, Susan, undated
Dean, Kentley Benson, undated
Denny, Robert, undated
Dixon, Jo, undated
Douksza, John, undated
Fend, Peter, undated
Fridley, Joanne, undated
Garvin, Mary, undated
Geller, Matthew, undated
Greenwood, Martha, undated
Haggerty, Beth, undated
Haskes, undated
Heavenrich, Ned, undated
Heyward, Julia, undated
Howland, Rebecca, undated
Hughes, Danne, undated
Hughes, Robert, undated
Huttinger, Peter, undated
Jacobs, Joyce Ringle, undated
Johnson, Trishia, undated
Kammer, Prexy, undated
Keeton, Darra, undated
Kladzyle, Pam, undated
Klein, Ann, undated
Klein, Harriette, undated
Knox, Dede, undated
Krughoff, Fred, undated
Leune, Caidyl, undated
Lower Manhattan Cultural Council, undated
McMahon, Jeff, undated
Martin, Patty [Mrs. Hartschorn], undated
Matusak, Zack, undated
Mayer, Rosemary, undated
Messner and Moenig, undated
Messner, Ann, undated
Miller, Barb, undated
Mock, Richard and Patti, undated
Mullin, Molly, undated
Nathan, Gail, undated
Nichols, Dr. Alice, undated
Nolan, Janet, undated
O'Neill, Bonnie, undated
Passera, Bill, undated
Payne, Sandra, undated
Peckman, Glen, undated
Perlman, Cara, undated
Petior, Anna, undated
Potter, Janet, undated
Provincial Museum at Hasselt, undated
Rees, Sarah, undated
Reynolds, Jock, undated
Romeu, Joost, undated
Rubin, Bernice, undated
Rupp, Christy, undated
Roddy, D.S., undated
Saret, Alan, undated
Segerr, Nan, undated
Seltman, Robert L., undated
Siegle, Susan, undated
Slotkin, Terry, undated
Smagula, Howard, undated
Smith, Bob, undated
Smith, Susan, undated
Snyder, Molly, undated
Staten, Pat, undated
Stevens, May, undated
Stoltz, Susan, undated
Trapnell, Baylor, undated
Vincent, Jim, undated
Vincent, Kitty, undated
Vukos, Jim, undated
Ward, B., undated
Wellman, Jerry, undated
Wilde, Betty [Bronx River Restoration], undated
Williams, Carol [also known as Winefred and Carol Gordon], undated
Williams, Reese, undated
Wilson, Martha Redy Story, undated
Winkleman, Harriet, undated
Wolff, Whitney, undated
Wornsy, Al, undated
Youngblood, Daisy, undated
Subseries B: First name
Allen, undated
Ann, undated
Beckie, undated
Bill, undated
Carrina, undated
Chris, undated
Clarissa, undated
Dennis, undated
E.W.H., undated
Harriet Z., undated
Irene, undated
Jane, undated
Jean [aunt], undated
Josh, undated
Kris and Char, undated
Laura, undated
Larry, undated
Liana, Zara and Jon, undated
Marietta, undated
Mark, undated
MEB, undated
Meg, undated
Mindy, undated
Mother, undated
Nancy, undated
Otis B., undated
Pam, undated
Pamela, undated
Pat, undated
Ralph, undated
Randi and Mark, undated
Red, undated
Rose, undated
Ruby, undated
Ruth, undated
Ruth C., undated
Scott, undated
Sheila, undated
Sophie, undated
Susan, undated
Suzanne, undated
T., undated
T.B., undated
Subseries C: From Andrea Callard
Dad, undated
James, undated
Joe and Claudio, undated
Joost Romeu, undated
Pat, undated
Kitty and Jim Pearson Vincent, undated
Reese and Carol Williams, undated
Reese Williams, undated
unknown, undated
Subseries D: Miscellaneous
Addresses and contact information, undated
Unlabeled or illegible correspondence, undated
Miscellaneous mail from businesses, undated
Correspondence from others to others [i.e. from Reese Williams to Mark, undated
Series VI: Biographical
Scope and Contents note
This series contains materials related to Andrea Callard's childhood, personal photographs and snapshots as well as personal reflective writing such as dream journals. Materials are arranged in chronological order with undated materials at the end of the series.
Membership cards, 1966-1979
Photograph of Andrea Callard's house at Cranbrook, 1966-1968
Citizenship Award from Kingswood School Cranbrook student council, 1968
Indianapolis 500 ticket, 1974
Callard photograph of Robin Winters, Laurie Binder, Baylor Trapnell on vacation together in Maine, 1974
Personal Notes to self, 1974-1978
Dreams, 1974-1975
Dreams, Plans and other notes, 1975
Miscellaneous writing, 1975
letter information occurence, 1975
Materials removed from Distance Foolby Gary Brown, 1975
McBarney YMCA yoga class, 1976
Candid color snapshots, Andrea Callard, Fred Krughoff, the Vincents, and the Williams, 1979
Andrea Callard and Matthew Geller in the Berkshires, 26 color slides, 1982
Color slides, sailing school, 12 color slides, 1982
Cherry Valley Sulivan County House, rented with Gail Nathan. Color slides. 56 color slides, 1982
Miscellaneous photographs, unlabeled and ungrouped. Mostly snapshots, undated
Kingswood School Cranbrook alumni magazine. Andrea Callard wrote the section for her year, undated
Color snapshots. Wait staff at Claudios at the beach, undated
Word Debris [not fun], undated
Lists of books to read, undated
Souvenir slides from Galerie du Jeu Paume, undated
Acupuncture, undated
Healing, undated
Thoughts on Relationship with Fred, undated
Miscellaneous color snapshots, stacked together. Includes some of Ailanthus trees or Cynthia larvae., undated
Baylor Trapnell cuts up safe at 150 Chambers St., undated
Color snapshots. Includes images of Ned Heavenrich in California, Postcards from Reese and Carol Williams, Lispenard Renovation, AC and others on Staten Island Ferry, Brick City dog, Brick City and Megan. Post 1976, undated
Color snapshots. Images of the views from 40 Lispenard St, Canal St Post office. Post-1976, undated
Color snapshots. Images of the view of Lispenard St, gamblers enroute to Atlantic City, undated
Color snapshots. Images of the views from PS1, Andrea Callard and Cara Perlman at PS1, undated
Color snapshots. Images of Brooklyn Bridge, tree, Queens from PS1 and Forsythia near NY Botanic Garden., undated
Color snapshots. Images and negatives of New York City., undated
Color snapshots. Images of Ailanthus in NYC and editing room in studio at 40 Lispenard., undated
Color snapshots. "Jim and Kathy Vincent lived in my Tent Sculpture while in NY to edit film about fishin in Costa Rica", undated
Color snapshots. Corinne and studio set of 11-12 film and Fred Krughoff in Florida, undated
Lispenard Renovation, undated
Color snapshots. Images of Mac Becket, Girl "plumber", Manhattan Bridge, Ed Harker, Grandmother reading Times., undated
Series VII: Printed Materials
Scope and Contents note
This series includes printed materials. Items are arrnaged in alphabetical order by author's last name.
Associated Press Stylebook, 1970
Avalanche Magazine promotional callendar, 1974
Brownsmead flier, undated
Bu Gao Ban, Chinatown History Project Newsletter, 1986
Callard, Madden and Associates: Corporate Financial Performances and Stock Prices, undated
A Citizen's Guide to Adirondack Park Agency Land Use Regulations, 1980
Everglades informational brochure, undated
Gedulo, Harry. Film Makers on Film Making., 1973
Geller, Suzanne. The Artist's Craft, 1981
Gersten, Robert. The Spirit of Ole Bryant Lake, 2000
Goldman, David. A is for OX
Halprin, Lawrence. The RSVP Cycles., 1969
Just Another Asshole #6, 1983
Key West Aloe Fragrance and Cosmetics, undated
Klayman, Toby Judith. The Artists' Survival Manual, 1984
Lippard, Lucy. Get the Message?, 1984
Malone NY, 1985
National African American Museum Project, Imagining Families: Images and Voices, 1994-1995
National Inspirer, 1973
New York Public Library booklists and materials, undated
Official Rental Directory of Accredited Canoe liveries and outfitters, 1980
Porter Cable Router instruction manual, undated
Postcard images, undated
Printed Matter, Inc. catalogue, undated
Public Art Fund Newsletter, 1984
Real Life Magazine, 1991
Smith, Mabel Parker. Greene County, New York: A Short History., undated
Taking Over? A Guide to eleven non-native plants that are pests in Wave Hill's woods, 1982
Tanam Press Catalogue, undated
Thoreau, Henry David. Ktaadn, 1980
Tourism Pamphlets, undated
Turning Leaves: The Family Albums of Two Japanese American Families, 1989
USA Plant Visits 1977-1978, undated
Miscellaneous Printed Material, undated
Series VIII: Artifacts
Scope and Contents note
This series includes objects and artifacts.
Red Feathered pill-box hat. Used in Red Anger polaroids, undated
Starched fabric wallet, east asian style design. In plastic packaging., undated
Kodak Super 8mm film canister, empty, undated
Ziplock bag containing film editing materials including Fuji Film splicing Tape 100, Bilora Tape-rolls, two empty film cores and canisters, two envelopse of super eight slipce tapes and a baggie containing splice fragments., undated
Mirror, black letter "A" used in "A Dressing Wall" images and "Red Anger Association"., undated
White "A" on mirror. Used in "A Dressing Wall"
Series IX: Video recordings
Scope and Contents note
Video materials consist of production elements for media works by Callard and documentation of works by others. Access copies may not be available yet. Please check with the Fales Archivist.
Subseries A: Access Copies
Conditions Governing Access
Access copies for some materials are available by appointment for reading room viewing and listening only. Please contact fales.library@nyu.edu, 212-998-2596.
Flourescent/ Azalea, a film by Andrea Callard (2009 Restoration), 1976, inclusive
Conditions Governing Access
Currently available.
General note
Format: DVD, color, sound
Duration: 4 minutes
Original format: Super 8mm film
Existence and Location of Copies
.
11 thru 12, a film by Andrea Callard (2009 Restoration), 1977
General note
Format: DVD, color, sound
Duration: 00:11:00
Original: Super 8mm film
[1]-- "11 thru 12" [2]-- "Mary Ann" [3]-- "Men In Orbit"; Co-laborative Projects June 4 Tape, [circa 1977-1980]
General note
Format: DVD, color, sound
Duration: 01:00:32
Original Format: 3/4" Umatic
Subseries B: Submasters - CLOSED
Conditions Governing Access
CLOSED
Lost Shoe Blues, Flora Funera (for Battery Park City), 2011
Fluorescent/Azalea, undated
11 Thru 12, undated
11 Thru 12
Subseries C: Preservation Masters - CLOSED
Conditions Governing Access
CLOSED
"Fluorescent/Azalia", 2010-07-29
Mary Ann, Men in Orbit
Lost Shoe Blues, 2011-03-23
"11 Thru 12", 2014-06-06
Lost Shoe Blues, Flora Funera (for Battery Park City)
Subseries D: Video recordings
Title: [1]-- "11-12" [2]-- "Mary Ann" [3]-- "Men In Orbit", [circa 1977-1980]
General note
Alternate title: Colaborative Projects June 4 Tape
Existence and Location of Copies
The "Men in Orbit" segment is available as high-resolution preservation master file. To request access to this file, email fales.library@nyu.edu.
Physical Characteristics and Technical Requirements note
Credit info: [1]-- Andrea Callard [2]-- J. Holzer; J. Brettschneider [3]-- John Lurie
Format: 3/4 in. Umatic
Capacity: 60 minutes
Annotations: Colaborative Projects June 4 Tape. 1.) "11-12" Andrea Callard 12 min. 2.) "Mary Ann" J. Holzer, J. Brettschneider 6 min. 3.) "Men In Orbit" John Lurie / 40 min.
Title: "11-12", 1977
General note
Alternate title: "11 thru 12"
Physical Characteristics and Technical Requirements note
Credit info: Andrea Callard
Format: 3/4 in. Umatic
Capacity: 20 minutes
Annotations: "11 thru 12" Andrea Callard c. '77 // 78 MM 283 // AC Box 37 NYC 10013
Title: Pus Factory - MASTER, 1984
General note
Alternate title: Pus Factory
Physical Characteristics and Technical Requirements note
Credit info: Andrea Callard
Format: 3/4 in. Umatic
Capacity: 20 minutes
Annotations: Pus Factory -- MASTER 1984 26 sec. B+W Use black and white part of color bars. 10 secs of black between bars and beginning of tape.
Title: Pus Factory - DUB, 1984
General note
Alternate title: Pus Factory
Physical Characteristics and Technical Requirements note
Credit info: Andrea Callard
Format: 3/4 in. Umatic
Capacity: 20 minutes
Annotations: "Pus Factory" c. Andrea Callard 1984 B+W Silent 26 sec. + credits DUB Box 37 10013 212-925-8974
Title: Pus Factory - DUB, 1984
General note
Alternate title: Pus Factory
Physical Characteristics and Technical Requirements note
Credit info: Andrea Callard
Format: 3/4 in. Umatic
Capacity: 20 minutes
Annotations: "Pus Factory" c. Callard 84 DUB 26 sec.
Title: Pus - Elements, [1984]
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: 3/4 in. Umatic
Capacity: 20 minutes
Annotations: Callard - Pus Elements
Title: Notes on Ailanthus
General note
Alternate title: Notes on Ailanthus - Visual Excerpts From Rough-Cut
Physical Characteristics and Technical Requirements note
Credit info: Andrea Callard
Format: 3/4 in. Umatic
Capacity: 20 minutes
Annotations: Notes on Ailanthus / Visual excerpts from rough-cut. Transferred from Super-8 10 mins. (No sound) Andrea Callard Box 37 NYC 10013 925-8974-1247
Title: Landing #2B
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: 3/4 in. Umatic
Capacity: 20 minutes
Annotations: LANDING #2B
Title: Landing #1B
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: 3/4 in. Umatic
Capacity: 20 minutes
Annotations: Landing - #1B
Title: Moduretic, [Dub 9/2/1980]
General note
Alternate title: M,S,+D "Moduretic"
Physical Characteristics and Technical Requirements note
Credit info: Elaine Millaire
Format: 3/4 in. Umatic
Capacity: 20 minutes
Annotations: M,S,+D "Moduretic" Elaine Millaire 17:70 Dub 9/2/80 (written in pencil:) "narrator: 2 tks ; 2 versions ; [not vi bg]?"
Title: Untitled
Physical Characteristics and Technical Requirements note
Credit info:
Format: 3/4 in. Umatic
Capacity: 60 minutes
Annotations: N/A
Alternate title:
Title: [1]-- Drawers [2]-- Fragments of a Self Portrait, [circa 1975]
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: 1/2 in. Open Reel
Capacity: [20 minutes]
Annotations: "Drawers" 15 min. // at slip of paper...#1 "Fragments of a self-portrait." 3 1/2 min. cut. Andrea Callard 617 Tyrone Drive Mincie, Indiana 47304. (Paper bookmark w/ annotation:) "sample #2 begins"
Title: [Gary Brown - Cal Arts], Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: 1/2 in. Open Reel
Capacity: 30 minutes. 370m., 1210 feet
Annotations: (On cardboard sleeve:) "Gary Brown" Cal Arts
Title: Fragments, 1974
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info: Andrea Callard
Format: 1/2 in. Open Reel
Capacity: 30 minutes. 370m., 1210 feet
Annotations: [On container:] Callard 925-8974 Umbrellas, etc. [On reel:] Callard '74 Fragments S.P.
Title: Drawers - MASTER, 10/16/1975
General note
Alternate title: Drawers
Physical Characteristics and Technical Requirements note
Credit info: Andrea Callard
Format: 1/2 in. Open Reel
Capacity: 30 minutes. 370m., 1210 feet
Annotations: [On contaier:] Drawers (M) 16 Oct. '75 [On reel:] d. MASTER -- blank
Title: Bechet, Smith, A.C. '74, 1974
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info: Andrea Callard
Format: 1/2 in. Open Reel
Capacity: 30 minutes. 370m., 1210 feet
Annotations: [On reel:] Bechet, Smith, A.C. '74
Title: [1]-- Drawers [2]-- Garbage, [1]-- 1975 [2]-- Unkown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info: Andrea Callard
Format: 1/2 in. Open Reel
Capacity: [20 minutes]
Annotations: Drawers // Garbage
Title: [1]-- Drawers [2]-- Fragments of a Self Portrait, [circa 1975]
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info: Andrea Callard
Format: 1/2 in. Open Reel
Capacity: [20 minutes]
Annotations: "Drawers," 15 min. Andrea Callard c. // "Fragments of a Self Porttrait" (#1, 3 1/2 min. cut) COPY
Title: [Cara Perlman], Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: 1/2 in. Open Reel
Capacity: 30 minutes. 370m., 1210 feet
Annotations: [On container:] Cara Perlman 40 Lispenard St. #925-1013 *start this tape at 080
Title: Multisensory Teaching of Reading at the Mary Mc Dowell Center for Learning, 1999, 1999
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: VHS
Capacity: 30 minutes
Annotations: Multisensory Teaching of Reading at the Mary Mc Dowell Center for Learning, 1999. (handwritten: Return to LUKE Geller/ Andrea Callard
Title: Jeff McMahon 231
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: VHS
Capacity: 120 minutes
Annotations: (taped to cassette) 231 Jeff McMahon
Title: Untitled
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: VHS
Capacity: 120 minutes
Annotations: (No annotations)
Title: Lenora Helm's Workshops
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: VHS
Capacity: 120 minutes
Annotations: Lenora Helm's Workshops
Title: A.C.
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: VHS
Capacity: 120 minutes
Annotations: (written on piece of masking tape on cassette:) "AC"
Title: Nutrition
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: VHS
Capacity: 120 minutes
Annotations: (on cassette:) Nutrition
Title: Italian Cooking, 12/6/1992
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: VHS
Capacity: 120 minutes
Annotations: (on cassette:) Italian Cooking 12/6/92
Title: [1]--Brooms [2]-- Willie and Luke [3]-- Sophie Dancing [4]-- My Lunch with Willie and Luke [5]-- Toys - Boat, Chairs, [1990] [1]--2/8 [2]-- 3/28 [3]-- 3/29 [4]--4/? [5]-- 6/?
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: VHS
Capacity: 120 minutes
Annotations: Feb 8 - "Brooms" Willie [Luke]; Mar 28 Willie and Luke; Mar 29 Sophie Dancing; Apr-"My Lunch with Willie and Luke" June - Toys - Boat, Chairs N. Peck
Title: KOBLA 12/19/02, 12/19/2002
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: VHS
Capacity: 120 minutes
Annotations: (on cassette:) KOBLA 12/19/02
Title: Bryant Lake Camp
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: VHS
Capacity: [15 minutes]
Annotations: (on cassette:) Bryant Lake Camp
Title: Bryant Lake Camp 1993
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: VHS
Capacity: [15 minutes]
Annotations: (on cassette:) Bryant Lake Camp 1993
Title: Bryant Lake Camp - Video Yearbook 1994
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: VHS
Capacity: 10 minutes
Annotations: (on cassette:) Bryant Lake Camp - Video Yearbook 1994
Title: [#1]
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: VHS
Capacity: 120 minutes
Annotations: (on sleve:) 3 (crossed out) 1
Series X: Audio recordings
Scope and Contents note
Audio materials consist of production elements for media works by Callard and documentation of works by others. Access copies may not be available yet. Please check with the Fales Archivist.
Subseries A: Audio elements
Conditions Governing Access
Audio elements have not been preserved and may not be available to researchers.
Title: 2 A's Singing; Spring 1976, 1976
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: 1/4 in. reel to reel
Capacity:
Annotations: (on container:) 2 A's Singing / '76 Spring
Title: A + C Sentence and Song Collection; Feb. 1, 1977, 2/1/1977
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: 1/4 in. reel to reel
Capacity:
Annotations: (on container:) Side 1 A+C 1 Feb. '77 45 mn 71/2 Sentence and Song Collection
Title: A + C Sentence Collection #2, [1977]
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: 1/4 in. reel to reel
Capacity:
Annotations: (on container:) A + C Sentence Coll #2
Title: Unititled, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: 1/4 in. reel to reel
Capacity:
Annotations: (No annotations)
Title: Songs (1), Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: 1/4 in. reel to reel
Capacity:
Annotations: (on reel:) Songs (1)
Title: Lost Shoe Blues, Unknown
General note
Alternate title: 2 A's Singing; Spring '76
Physical Characteristics and Technical Requirements note
Credit info:
Format: 1/4 in. reel to reel
Capacity:
Annotations: (on container:) Lost Shoe Blues [sung] July 5,'76 /// (on reel:) 2 A's Singing/ 76 Spring
Title: Bells, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: 1/4 in. reel to reel
Capacity:
Annotations: (on container and reel:) Bells
Title: The Double X Corporation Menaton, 2/1974
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: 1/4 in. reel to reel
Capacity:
Annotations: (on container:) "The Double X Corporation Menaton" [Rene] William Feb 1974 1/4 track 71/2
Title: Thin Waxed Beekman, 10/1974
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: 1/4 in. reel to reel
Capacity:
Annotations: (on container:) "Thin Waxed Beekman" 10/74 R.W. 71/2 ips 1/4 track
Title: Life Mixing, 7/5/1975
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: 1/4 in. reel to reel
Capacity:
Annotations: (on container:) Life Mixing 7/5/75 1/4 tr dub 3 3/4
Title: Your Copy, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: 1/4 in. reel to reel
Capacity:
Annotations: (on container:) "Your Copy" 7 1/2 1/4 tr. 4 shortpieces
Title: "Double X": Winter Activity '74, [7/1975]
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: 1/4 in. reel to reel
Capacity:
Annotations: (on container:) "Double X": Winter Activity '74 // Music in X pattern for Andrea (crossed out: "5/75) 7/75 7 1/2 1/4 Tr. Improvised, Buchla
Title: Music For Andy From Roberta For Her Quarter Century B-Day, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: 1/4 in. reel to reel
Capacity:
Annotations: (on container:) Music For Andy From Roberta For Her Quarter Century B-Day // speed 3 3/4
Title: Music in Loop Patterns for Andrea 7/75, 7/1975
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: 1/4 in. reel to reel
Capacity:
Annotations: (on container:) Music in Loop Patterns for Andrea 7/75 Side 1 with voice loop Theresa / Side two Fast, Modular, America , improvised, Buchla, 7 1/2, 1/4 track
Title: Untitled, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: 1/4 in. reel to reel
Capacity:
Annotations: (no annotations)
Title: Debriefing: A Reading by Susan Sontag, 5/27/1979
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: LP
Capacity: Unknown
Annotations: Debriefing: A Reading by Susan Sontag.
Title: Ambient #1: Music For Airports - Brian Eno, 1978
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: LP
Capacity: Unknown
Annotations: Ambient #1 Music For Airports Brian Eno PVC 7908 (AMB 001)
Title: Y Pants: Beat It Down
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info: Producer: Wharton Tiers
Format: LP
Capacity: Unknown
Annotations: Y Pants: Beat It Down
Title: Tunings: R. Buckminster Fuller
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: LP
Capacity: Unknown
Annotations: R. Buckminster Fuller Tunings
Title: Electronic Parrot, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 90 minutes
Annotations: (on container:)Electronic Parrot / (on cassette:)Side 1: Reese visits Paul DeMarinas + his Electronic Parrot and makes a letter to Andrea accompanied by Mozart // Side 2: The Electronic Parrot at Work
Title: Except That They Are Rocks '78, [1978]
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on container and cassette:) except that they are rocks / 78
Title: G.B. Songs; 9/1974, 1974
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on container:) G.B. Songs 9/74 // (on cassette:) 1/ Pretty Ma (11/74) 2. The Way That You Are Mine (9/1974) 3. I Just Want To Bleed
Title: Andrea Singing Spring '76 Into New Songs Spring '77, 1976-1977
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on container:)Field Guide To Birds // (on cassette:) Andrea Singing Spring '76 into New Songs Spring Spring '77
Title: Win + Dan 1973, 6/21/1973
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 30 minutes
Annotations: (on container:) Win . Dan 73 // (on cassette:) Win + Dan Carol + Reese 6-21-73
Title: Questions, Messages, and Jazz, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on cassette:) Questions Messages + Jazz
Title: Beached in Villages of Mobile Homes; 1977, 1977
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: Beached in Villages of Mobile Homes; 1977 // Beached in a M.B.
Title: Heaven Rock Harp, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on container:) Terry Fox Various Excerpts // (on cassette:) Heaven Rock Harp
Title: Noise Fest, June 1981
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info: Executive producer: Joshua Baer
Format: Audiocassette
Capacity: Unknown
Annotations: Noise Fest. (titles list in container)
Title: A.) MR 1/30/79 Hospital exp. B.) Musac, 1979
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on cassette: ) A.) MR 1/30/79 Hospital exp. B.) Musac
Title: Doctor / Dentist Tape "79, 1979
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on container:) Doctors + Dentist Tape Feb 79// (on cassette:) A. Callard c. Feb 1979
Title: Registration Fire Missions: High Burst Registration, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: Unknown
Annotations: (on cassette:) Registration Fire Missions: High Burst Registration. Lesson #250-061-6334-E // TeleGeneral
Title: Circular Commotion #3, 1984
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: Unknown
Annotations: Circular Commotion #3 //// c. 1984 Circle Arts, Inc.
Title: Red Rakes Wyoming, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 30 minutes
Annotations: (on container:) Red Rake Wyoming // (on cassette:) Red Rake experiments / Wyom descriptions
Title: A Rambling, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 45 minutes
Annotations: (on container:) A Rambling // (on cassette:) 0-219 A Rambling Dear Carol…Health club
Title: Sun Ra 8/14/79 Squat thr, 8/14/1979
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 90 minutes
Annotations: (on cassette:) Sun Ra 8/14/79 Squat thr
Title: Loop for Subway Hole (Winter '74), 1974
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: Unknown
Annotations: (on container:) Loop for Subway Hole (Winter '74) 73-4 Loop noise for subway// (on cassette:) Some noise AC
Title: [1]-- Maritime Songs [2]-- Church Bells 1976 July 7, [1976]
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 40 minutes
Annotations: (on container:) Maritime Songs/ Church Bells 1976 July 7 // (on cassette:) Side 1: Maritime Songs Side 2: Church Bells
Title: [1]-- F.K. Song Gift '77 [2]-- Sawing, 1977-1978
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on container:) F.K. song gift 77 ; Sawing // (on cassette:) Side A: Some songs for Andrea from Fred 1977 Side B: Saw Sounds from A. Dec 2, 1978
Title: [1]-- Alanthus Reading [2]-- A Talking Ailanthus, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on cassette) Side A: Alanthus reading Side B: A talking Ailanthus
Title: 11 thru 12 Sound Copy, [1977]
General note
Alternate title: 11-12: gloves, bunk beds, electricity, small thoughts bogged down
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on container:) 11-12 / gloves - bunk beds - electric - bogged down - sm. thots // (on cassette:) A: A/R Cassette Test May '77 - gloves, bunk beds, electricity, small thoughts, bogged down
Title: Radio Music, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on cassette:) Radio Music
Title: AC Wild Bill, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on cassette:) AC Wild Bill
Title: Untitled, Unknown
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 90 minutes
Annotations: No annotations
Alternate title:
Title: Monica at Senate 12-21-7?, [197?]
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 90 minutes
Annotations: (on cassette:) 0-402 Monica at Senate 12-21-7?
Title: Ideal Bathtub Words, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 45 miutes
Annotations: (on container:) Ideal Bathtub // (on cassette:) A: 0-177 Hello Ideal Bathtub Words / b: Goodnight - 55 GB to RW then, Mack meets Lois
Title: Field Guide to Birds, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on cassette:) Field Guide to Birds // Callard, A.
Title: [1]-- Bruised Knees [2]-- Radio Africa, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on cassette:) A: bruised knees B: Radio Africa
Title: [Hunniy; Keep Crying], Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on cassette:) 1: [hunniy] 2: Keep Crying 1/2 Way
Title: [1]-- A Talking Ailanthus [2]-- Word Notes 5, May '77 [3]-- Auto-Bio-Underwater '77, 1977
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on cassette:) A: A Talking Ailanthus // A: Word Notes 5, May '77 / B: Auto-Bio-Underwater '77
Title: Untitled (Endless Tape), Unknown
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 seconds
Annotations: No annotations
Alternate Title:
Title: Untitled, Unknown
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 90 minutes
Annotations: No annotations
Alternate title:
Title: Fresh, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on container:) [sent by] Susan Stoltz 495 Broome Street NYC 10013 [mailed to:] Andrea Callard Bullard Mills Center South William St. Malone, NY 12950 // (on cassette:) Fresh
Title: Chris and Sue Jones; Winter '73, 1973
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 30 minutes
Annotations: (on container:) C/S Jones 73 // (on cassette:) A: Chris + Sue Jones had no heat one night and came over to sleep, drink wine + tell stories. Winter '73 B: C Jones Generally Boring
Title: [1]-- Chinese New Year 2/1974 [2]-- Painting Paper, 1974
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 45 minutes
Annotations: (on container:) Chinese New Year/ Paint Paper 74 // (on cassette:) 1:) 0-221 Chinese New Year, A Walk Thu 2/74 / 2:) Painting Paper
Title: Williams - Venetian Room, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on cassette:) 1: Notes from Ventitian Room - Ideas obsolete + [scapped] already unfortunately. / 2: Interview at the Venitian Room With Irregular Clock and [Ideal] Garden
Title: JVC - Demo tape, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: Unknown
Annotations: (on container:) JVC Demo -- Walon Jennings Dolly Parton, etc. / (on cassette:) JVC Demonstration Tape (orchestra selections)
Title: [1]-- Chanteuse; A Singing Evening with Sally White [2]-- Mitch Corber- Infinitessimus; a New Op-Op Opera, [1]-- 7/1983 [2]-- 1984
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: Unknown
Annotations: (on container) Chanteuse; A Singing Evening with Sally White / Mitch Corber- Infinitessimus; a New Op-Op Opera // (on cassette:) Sally White at Tin Pan Alley w/ Mitch at elec.piano
Title: [1]-- Finch Mech; Birds [2]-- Dishes, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 40 minutes
Annotations: (on cassette:) Side 1: Finch Mech "Birds" / Side 2: Dishes
Title: Tounge + Groove '76 - fragment, 1976
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 40 minutes
Annotations: (on container:) fragment tongue + groove '76 / (on cassette:) I hv torchured some of the toungs
Title: Consumer Blues '77 - fragment, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on container:) fragment consumer blues '77 / (on cassette:) photo consumer/ b.queen (garb)
Title: Struk By Trucks, 7/ 1979
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on cassette:) Struk by Trucks 2:45 / July 79
Title: [Krank], Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on cassette:) [KRANK]??
Title: Friday at Clarissa's; Feb. 18, 1983, 2/18/1983
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on cassette:) Friday at Clarissa's; Feb. 18, 1983 Side 1, Clarissa, Helga, Susan and later Trisssy / Side 2 - Helga, Clarissa, Trissy, Susan
Title: [1]-- Score for a Lunch [2]-- Dora Reese + Bob Dylan Enjoy Queen at Siberia…, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on cassette:) Side 1: Score for a Lunch / Side 2: Dora Reese + Bob Dylan Enjoy Queen at Siberia 10 Cent Show
Title: Untitled, Unknown
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: No annotations
Alternate title:
Title: AC Singing, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on cassette:) AC Singing
Title: Street Noise '79, 1979
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 46 minutes
Annotations: (on container:) Street Noise 79 / (on cassette:) A: "erase it" B: Street Noise
Title: [1]-- Jackie Song [2]-- Drive Drivel; 1974, 1974
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 30 minutes
Annotations: (on container:)Jackie song-Drive drivel 74/(on cassette:)A:Some weird voice I heard driving thru Colo.In somebody else's florist truck./ B:Winter '74 Jackie comes to visit + we sing some oldtime songs
Title: [1]-- Driving Drivel '74 [2]-- Vermonters talking…, 1974
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on cassette:) 1. Eric-VT. Vermonters talking about it. Winter'74. J Morse,Rachel, Eric // 2: May'74 Brief driving Drivel + Duet of selves + Nov '74 Additives Last 243 #'s.
Title: [1]-- Inter Pyrex…1974 [2]-- Sunday Filler, Youngblood, Big Wheel, 1974
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 30 minutes
Annotations: (on cassette:) A: Inter Pyrex Vibrational Action Feb '74 // B: Jan '74, Sunday [Filler], Youngblood, Big Wheel
Title: Leon in Muncie, Coffee; Summer '73, 1973
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 30 minutes
Annotations: (on cassette:) A: Leon in Muncie Coffee: Summer 73 // B: Most Garbage don't bother
Title: [1]-- Bear Mountain [2]-- Air View of Siberia, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 45 minutes
Annotations: (on container:) Bear MTN/ Siberia // (on cassette:) 0-222 Bear Mountain -373 air view of Siberia
Title: Solo exploration of Telluride, Colorado - circa 1973, 1973 or 1974
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 45 minutes
Annotations: (on container: Colorado 73 or 4 // (on cassette:) Solo exploration of Telluride, Colo.
Title: Road Words, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (on container:) Road Words // (on cassette:) Road Thoughts poetic 4-5 / burned arm-road jet trail-highway from air plane
Title: [1]-- Brick Howls Household - sound collection [2]-- Pulminary Disruptions, Al Libke, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (oncassette:) Brick Howls household sound collection // B: Pulminary Disruptions , Al Libke
Title: Street Noise, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 46 minutes
Annotations: (on cassette:) A: Street noise (crossed out "F/A Sound") // B: Street Noise
Title: Water, [1974]
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 30 minutes
Annotations: (on container:) Water / GB-Duka-AC 74 // (on cassette:) A: Early water / B: Water GB/AC/DUKA
Title: AC Teaching Watercolor, Unkown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 90 minutes
Annotations: (on cassette:) AC Teaching watercolor
Title: [1]-- Rapallo [2]-- Florence, Unknown
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Format: Audiocassette
Capacity: 60 minutes
Annotations: (On cassette:) A: Plat(?) Rapallo / B: Florence
Series XI: Film
Scope and Contents note
Film materials consist of production elements for media works by Callard and documentation of works by others. Access copies may not be available yet. Please check with the Fales Archivist.
Subseries A: Access Copies
Conditions Governing Access
Access copies for some materials are available by appointment for reading room viewing and listening only. Please contact fales.library@nyu.edu, 212-998-2596.
Flourescent/ Azalea, a film by Andrea Callard (2009 Restoration), 1976
General note
Gauge: 16mm, color, sound
Duration: 00:04:00
Original: Super 8mm film
Fluorescent/ Azalea - Answer Print
General note
Gauge: 16mm
Fluorescent/Azalea - Release Print
General note
Gauge: 16mm
11 thru 12, a film by Andrea Callard (2009 Restoration), 1977
General note
Gauge: 16mm, color, sound
Duration: 00:11:00
Original: Super 8mm film
11 thru 12 - Color Answer Print
General note
Gauge: 16mm, color
11 thru 12 - Release Print
General note
Gauge: 16mm
Flora Funera - Answer Print (2011 Restoration)
General note
Gauge: 16mm, color, sound
Original: Super 8mm film
Lost Shoe Blues - Answer Print (2011 Restoration)
General note
Gauge: 16mm, color, sound
Original: Super 8mm film
Some Food May Be Found in the Desert (2015 Restoration), circa 1976
Subseries B: Originals
Some Food May Be Found in the Desert, circa 1976
Content Notes
[1]-- Fake Beach [2]-- East River Dump [3]-- Dead Fish [4]-- Broken Glass + Ice [5]-- Bells [6]-- Firecrackers
General note
Alternate title: [Some Food May Be Found in the Desert]
Existence and Location of Copies
Access DVDs (2 copies) available.
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [200 ft.]
Extent: 1/1
Annotations: Reshoot Trash sequence w Kodachrome - get scratched feet repaired - add words to sound: Fake Beach; East River Dump; Dead Fish; Broken Glass + Ice ; Bells; Firecrackers (Some Food May Be Found In The Desert)
Some Food May Be Found in the Desert [Preservation], 2015; 1976
Language of Materials
Extent
Some Food May Be Found in the Desert [Release Print]
Some Food May Be Found in the Desert [Color Internegative]
Language of Materials
Some Food May Be Found in the Desert [Optical Track]
Outside Noticing, Jan. 1976, (date of film)
General note
Alternate title: [children with microphone]
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [200 ft.]
Extent: 1/1
Annotations: "Outside Noticing" Jan '76
Untitled, (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [400 ft.]
Extent: 1/1
Annotations: No annotations
[1]-- Lost Shoe Blues [2]-- Flora Funera (For Battery Park City, (date of film)
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [200 ft.]
18 fps
Extent: 1/1
Annotations: Unknown
Alternate Title: [Untitled - Landscape with Different Plants]
New Jersey Night Fish; [1]--A Jumpery [2]--Rubber Glove Plays Ruler Piano For Measuring Mind [2a]--Flower/Azalea + By Stratch [3]--A Jimps In Cadeana, (date of film)
General note
Alternate title: [New Jersey Night Fish]
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [200 ft.]
Extent: 1/1
Annotations: Unknown
[1]-- A asks if she can get 2 something to drink [ 2]-- Race cars [3]--. Sunglasses [4]-- Truck + pool in Muncie, (date of film)
General note
Alternate title: Bathtub Movie
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [200 ft.]
Extent: 1/1
Annotations: 1. A asks if she can get 2 something to drink - Brick + STEAM / 2. Race cars/ 3. Sunglasses/ 4. Truck + pool in Muncie // Bath tub movie / dog in truck/ Fred's sound recording experiments
Silent Selections, (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [100 ft.]
Extent: 1/1
Annotations: Silent Selections
Untitled, (date of film)
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [200 ft.]
Extent: 1/1
Annotations: No annotations
Alternate Title: [Air Travel; Nicaragua and/or USSR]
#3, (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [100 ft.]
Extent: 1/1
Annotations: Date: #3
Utah MRM, (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [100 ft.]
Extent: 1/1
Annotations: Utah MRM
Untitled, (date of film)
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [200 ft.]
Extent: 1/1
Annotations: No annotations
Alternate title: [Untitled - Flowers on Trees]
Untitled, (date of film)
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [100 ft.]
Extent: 1/1
Annotations: (on reel:) Reel 2
Alternate title: [Untitled - Painting and Firedrill]
Ailanthus Film Samples, (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [200 ft.]
Extent: 1/1
Annotations: 5645 // A. Callard Ailanthus Film Samples (print) Box 37 NYC 10013 212 925-8974
Florida, (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [100 ft.]
Extent: 1/1
Annotations: Florida - Orig
11 thru 12, (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [200 ft]
18 fps
Extent: 1/1
Annotations: 11 - 12 Super 8mm ^ 160 feet. Orig. // feature // 4257
Untitled, (date of film)
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [200 ft]
Extent: 1/1
Annotations: same as 156.0122
Alternate title: "Andrea Callard Notes on Ailanthus 10 Min. 18 Frames No Sound"
Untitled, (date of film)
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [200 ft]
Extent: 1/1
Annotations: No annotations
Red Film, (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [150 ft.]
Extent: 1/1
Annotations: Red Film
Standard Adult Wheelchar; Temporary Participation For An Analogous Situation, (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [100 ft.]
Extent: 1/1
Annotations: Standard Adult Wheelchar; Temporary Participation For An Analogous Situation ; Super 8, sound, color, 18 FPS ^6 minutes running time
Alfred Hitchcock's Psycho, (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [200 ft.]
Extent: 1/1
Annotations: Alfred Hitchcock's Psycho / Castle Films
Ekta Underwater, (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [50 ft.]
Extent: 1/1
Annotations: Ekta Underwater
Hostage Parade - Street thru Roof, (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [50 ft.]
Extent: 1/1
Annotations: [Geller] Hostage Parade - street thru roof
Silent Hostage Trash Ends, (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [50 ft.]
Extent: 1/1
Annotations: Callard Silent Hostage Trash Ends
360, (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [50 ft.]
Extent: 1/1
Annotations: 360
[1]--Bay Bridge [2]-- Crossing Water [3]-- Eucalyptus [4]-- Lamp Reflect [5]-- Fog, (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [50 ft.]
Extent: 1/1
Annotations: Bay Bridge; Crossing Water; Eucalyptus; Lamp Reflect; Fog
Beach Birds 76/77, (date of film)
General note
Alternate title: [11 thru 12 outtakes]
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [50 ft.]
Extent: 1/1
Annotations: Beach Birds 76 77
Wires: Linera Division of Landscape, (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [50 ft.]
Extent: 1/1
Annotations: Wires: Linera Division of Landscape
Gull Takes Off, (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [50 ft.]
Extent: 1/1
Annotations: Gull Takes Off
Water Tower Workers, (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [50 ft.]
Extent: 1/1
Annotations: Water Tower Workers
Dog Play, (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [25 ft.]
Extent: 1/1
Annotations: Dog Play
1 Water Tower, (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [25 ft.]
Extent: 1/1
Annotations: 1 Water Tower
[1]-- Portotino [2]-- Water [3]-- Lion [4]-- Commie [5]-- Clouds, (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [25 ft.]
Extent: 1/1
Annotations: 4 Portotino; Water; Lion ; Commie; Clouds
Bodies at Leisure, Ch. Beach '79, (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [50 ft.]
Extent: 1/1
Annotations: Bodies at Leisure, Ch. Beach 79
Hostage Parade, (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [50 ft.]
Extent: 1/1
Annotations: Hostage Parade
Water Exp., (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [50 ft.]
Extent: 1/1
Annotations: Water exp
F/A, (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [50 ft.]
Extent: 1/1
Annotations: F/A
Delaware Stone Throw; July 4, 1975, (date of film)
General note
Alternate title:
Physical Characteristics and Technical Requirements note
Credit info:
Gauge: Super8mm
Footage count: [50 ft.]
Extent: 1/1
Annotations: Delaware Stone Throw 4 July '75
[1]-- City Scenes, Rooftops, Foliage
Extent
Dimensions
Video
[2]-- Outside Lincoln Tunnel, Fall, Red
Video
[3]-- Rooftops
Video
[4]-- Flowers, Mish-mash, Fossil Seed Debris
Video
[5]-- Rhododendrons, Azaleas
Video
[6]-- Windows, F/A outtakes
Video
Fluorescent/Azalea Magnetic Soundtrack
Video
Oversize
Scope and Contents note
Oversize material is arranged by series. The folder number relates the folder to the material's location in the larger collection sequence.
Series I Subseries A: Colab Administrative materials
Andrea Callard's secretarial notebook; miscellaneous fragments, loose., undated
Money disbursement and budget, 1977-1980
Series I Subseries B: Colab Shows and Events
Animals Living in Cities at Fashion Moda. poster, 1979
Times Square Show advertisements. June 1980 at 7th Avenue and 41st St., 1980
Three Times Square Show posters by Reese Williams., 1980
Times Square Show Poster by Jane Dickson and Charlie Ahearn, 1980
Times Square Show press, 1980
Animals Living in Cities at ABC NO RIO. newsprint announcement. Includes AC drawing from Ailanthus project., 1980
Teu-Gum Show Poster. Geneva Switzerland., 1981
"Colab Hits the Ritz" poster. Colaboration between Colab and the Washington Project for the Arts. Washington DC., 1983
Metropolis Mgerman language periodical, no 4 November 1983. "Colab Kunst en de Lower East Side", 1983
A. More Store advertisement in Artforum, 1984
Up with People: An exhibition of graphics. 8 December-7 January at Concord Gallery NYC., 1984
Poster: White Columns Interactive Video Screening Party. Includes Potato Wolf., undated
Series II Subseries B: Andrea Callard Artist Files 1973-1976, 150 Chambers St.
Experiences Vacuume. Black and white photographs.
Charting the Siberian Mountains., 1975
AC in costume. Black and white photographs., 1973-1976
notes for "A Dressing Wall" work., 1973-1976
Red Anger Association. Polaroid photographs in cardboard frame., 1973-1976
Miscellaneous pencil drawings. no specific dates. located temorally through photographs as ca. 1973-1976., 1973-1976
background drawing, white paper and black ink., 1973-1976
Page of art notebook, coffee and pencil. "a relaxed hand would not make such marks...", 1973-1976
Series II Subseries C: Andrea Callard Artist Files, 1976-1978 40 Lispenard St.
City canoe black and white photos with captions., 1977
Ciy Canoe black and white photographs, rejects and printing information., 1977
Bat pamphlet original. AC's contribution to Colab's batman show in Robin Winters loft 591 Broadway., 1977
Black and White still from "Standard Adult Wheelchair: Temporary participation for an analogous situation", 1977
Black and white contact sheet. Cummington, MA: exposed pipe, building interior., 1978
Andrea Callard and Fred Krughoof mind/heart photo collages., 1978
Ailanthus Questionnaires, blank., 1978
Completed Ailanthus Questionnaires., 1978
Ailanthus Grove main plan. Black and white photos with hand coloring in large display book. Loose images and envelope of captions. Copyright September 1978., 1978
Physical Characteristics and Technical Requirements note
Metal, photographs sleeved in brittle plastic.
