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Salwa Zeidan Collection

Call Number

AD.MC.150

Date

1980s - 2020s, inclusive

Creator

Salwa Zeidan (Lebanese artist, founder and owner of the Salwa Zeidan Gallery, 1956-) - سلوى زيدان (فنانة لبنانية ومؤسسة ومديرة جاليري سلوى زيدان، ١٩٥٦- )
Salwa Zeidan Gallery, Abu Dhabi (The United Arab Emirates) - جاليري سلوي زيدان، أبو ظبي (الإمارات العربية التحدة)

Extent

746 Digital Objects

Physical Description

The materials were received in good condition, which enabled the digitization to take place at al Mawrid Arab Center for the Study of Art, NYUAD. Digital surrogates were created for all collection items. Upon digitization, all materials were returned to the owner. Materials were rehoused in archival enclosures as needed.

Language of Materials

English Arabic French

Abstract

Salwa Zeidan is an Abu Dhabi-based Lebanese abstract artist known for promoting abstract art in the region through the Salwa Zeidan Gallery, which she founded in the UAE. A self-taught artist, she relocated to Abu Dhabi in 1989, where she held solo and group exhibitions and organized multiple shows for both local and international artists in rented hotel ballrooms, funded by proceeds from artwork sales. In 1994, she founded the Bernard Cassia and Salwa Zeidan Art Gallery. Following the gallery's closure in 1996, Zeidan returned to Lebanon and participated in numerous group exhibitions and held solo shows in Lebanon, Paris, and Switzerland, among others. In 2009, Zeidan returned to Abu Dhabi to reopen her gallery under a new name, the Salwa Zeidan Gallery, inaugurated with an exhibition of contemporary Emirati art. Building upon her experience at the Byblos Sculpture Symposium, Zeidan served as Symposium Director of the 2010 Abu Dhabi International Sculpture Symposium. Since then, she has continued to curate exhibitions while exhibiting her paintings and sculptures internationally. The Salwa Zeidan Collection documents the artistic and professional activities of Salwa Zeidan through exhibition materials, press clippings, photographic materials, writings, personal papers, correspondence, certificates, and related archival documents. The materials span the 1980s to the 2020s. Exhibition materials include publications from Zeidan's solo and group exhibitions, as well as exhibitions she organized at the Salwa Zeidan Gallery (the first art gallery in Abu Dhabi), including the gallery's inaugural exhibition in 1994. Included in the collection are press clippings from various newspapers and magazines, alongside a detailed press report on the Abu Dhabi International Sculpture Symposium (ADISS). Photographs featuring artwork and exhibition events, including the opening of the inaugural exhibition at the Salwa Zeidan Gallery in Abu Dhabi in 1994, are also included. Furthermore, the collection contains writings on Zeidan's work, correspondence, certificates, and other archival documents.

Biographical Note

Salwa Zeidan (née Hussainy) was born in 1956 in the Bekaa Valley, Lebanon, and attended Schmustar Secondary School in Baalbek. A self-taught artist, Zeidan was encouraged to pursue painting by Lebanese artist Pierre Chedid, under whose guidance her informal training began. She honed her skills by practicing classical painting compositions and techniques while immersing herself in the study of diverse artistic styles. Between 1988 and 1989, she audited art and philosophy courses at the Lebanese American University (Byblos Campus), including studio sessions with Paul Guiragossian.

In 1989, Zeidan was invited to organize and participate in the Contemporary Lebanese Artist exhibition at the Meridien Hotel in Abu Dhabi, alongside sixteen other artists, including her mentor Pierre Chedid. That same year, she relocated to Abu Dhabi, where she met Emirati poet Thani Al-Suwaidi, who introduced her to a group of pioneering Emirati artists instrumental in establishing the country's emerging art scene, notable among them contemporary artist Hassan Sharif. Zeidan was quickly embraced by this community of artists and writers, joining their regular gatherings at Sharif's home.

In the years following her arrival in Abu Dhabi, Zeidan continued to create art and curate exhibitions. She held her first solo exhibition in her home and organized multiple shows for both local and international artists in rented hotel ballrooms, funded by proceeds from artwork sales. Zeidan also participated in group exhibitions, including the Abu Dhabi Cultural Foundation's annual Spring Exhibitions between 1992 and 1994, winning second prize in painting in 1992. Recognizing her ability to create and sustain spaces for artists, Hassan Sharif encouraged her to open her own gallery. In 1994, she founded the Bernard Cassia and Salwa Zeidan Art Gallery, the first gallery in the UAE to specialize in abstract art. As curator and director, she inaugurated the gallery with her second solo exhibition, opened by His Highness Sheikh Abdullah Bin Zayed Al Nahyan. Her third solo exhibition, organized in collaboration with the Cultural Foundation in 1995, was held under the patronage of the Lebanese ambassador to the UAE, Sheikh Amine El Khazen. Following the gallery's closure in 1996, Zeidan returned to Lebanon, using the move as an opportunity to focus on her artistic practice.

Upon her return to Lebanon, Zeidan began experimenting with sculpture, first producing mixed-media paintings and later designing stone sculptures inspired by the fluidity of her painted forms. She participated in numerous group exhibitions and held solo shows in Lebanon, Paris, and Switzerland, among others. Zeidan also became an advocate for global peace through art, frequently dedicating proceeds from her exhibitions to humanitarian causes. In 1999, the Royal Academy of Science International Trust invited her to exhibit in London as part of its Culture for Peace program. As a committee member of the Byblos International Contemporary Art and Culture Association, Zeidan helped organize the Byblos Symposium for Sculpture and Painting in 2003. The symposium, held under the theme "History and Life of Byblos," was the first of its kind in the city, hosting thirteen artists over three weeks with the goal of engaging the public with contemporary art and establishing a permanent public art collection in Byblos.

That same year, Zeidan participated in the fourth International Biennale of Contemporary Art in Florence, Italy, where she placed fourth in the drawing and graphic category. In 2006, Zeidan accepted the Worldwide Peace Marker Project (WPMP) Artist Ambassadorship to Lebanon. The WPMP is a work of installation art designed by artist Tiite Baquero, intended as a global collaborative of 199 artists, including 198 global ambassadors. Coordinated by Zeidan and inaugurated by the Minister of Culture and the mayor of Jbeil, the Point of Peace in Lebanon was unveiled in the garden of the International Center for Human Sciences during the Byblos 7000 Years of History celebration.

In 2009, Zeidan returned to Abu Dhabi to reopen her gallery under a new name, the Salwa Zeidan Gallery, inaugurating it with an exhibition of contemporary Emirati art. Building upon her experience at the Byblos Sculpture Symposium, Zeidan served as Symposium Director of the 2010 Abu Dhabi International Sculpture Symposium. Since then, she has continued to curate exhibitions and exhibit her paintings and sculptures internationally.

Salwa Zeidan has exhibited widely throughout her career and curated numerous exhibitions as a gallerist and independent artist. Her works are held in public and private collections internationally, including in Switzerland, Italy, London, France, Turkey, Lebanon, and the UAE.

Historical Note

The Bernard Cassia and Salwa Zeidan Gallery was established in 1994 by Lebanese artist Salwa Zeidan (b. 1956), with the support of Lebanese architect and interior designer Bernard Cassia (1936–2022). The gallery was the first in the United Arab Emirates to specialize in abstract art. Zeidan served as director and curator, while Cassia provided the exhibition space, located on the commercial floor of a residential building on Al Nasser Street in Abu Dhabi. The gallery was inaugurated with Zeidan's second solo exhibition.

Between 1994 and 1997, the Bernard Cassia and Salwa Zeidan Gallery organized several exhibitions featuring artists presented in Abu Dhabi for the first time, including Emirati artist Mohammed Kazem's first solo exhibition in the city. Despite its pioneering role, the gallery was unable to generate sufficient revenue to offset its rental costs and closed in 1996.

In 2005, Christie's opened its first Middle Eastern office, becoming the first international auction house to operate in the UAE. Its inaugural auction in May 2006 confirmed the presence of a robust regional art market, motivating Zeidan to reopen her gallery. She returned to Abu Dhabi in 2008 and, in January 2009, reopened the Salwa Zeidan Gallery in a new location on Al Khaleej Al Arabi Street. The reopening exhibition, Contemporary Emirati Artists, was held under the patronage of His Excellency Sheikh Nahyan Bin Mubarak Al Nahyan and featured nine Emirati artists, including Hassan and Hussain Sharif, Mohamed Kazem, Mohamed Ahmed Ibrahim, and Layla Juma Rashid, showcasing forty works of art.

In 2010, the Salwa Zeidan Gallery collaborated with Zayed University, Abu Dhabi Municipality, and the Armed Forces Officers' Club to present the Abu Dhabi International Sculpture Symposium, under the guidance of His Excellency Sheikh Nahyan bin Mubarak Al Nahyan, then Minister of Higher Education and Scientific Research and President of Zayed University. Under the theme "Bridging Societies through the Language of Art," 17 international artists were selected from among 400 applicants to create large-scale sculptures commissioned by Abu Dhabi at a site custom-built by the Armed Forces Officers' Club. The symposium consisted of six weeks of public programs and lectures held by the visiting artists at Zayed University. The completed sculptures were unveiled at the closing ceremony with the intention of placing them at permanent sites throughout the city.

The Salwa Zeidan Gallery has since held two reopenings: in 2012, when it relocated to a commercial space on Saadiyat Island, and in 2018, when it moved to its current location at the Millennium Al Rawdah Hotel. The gallery represents numerous regional and international artists, including Emirati artist Hussain Sharif, and has collaborated with major institutions such as Sotheby's, Christie's, and the Guggenheim Abu Dhabi. It has participated in every Art Abu Dhabi fair since its reopening in 2009.

Arrangement

The collection is arranged in the following series: (I) Exhibition Materials; (II) Press Clippings; (III) Photographic Materials, (IV) Writings; (V) Personal Papers; (VI) Correspondence; (VII) Certificates; and (VIII) Other Items. Materials are subdivided into subseries by subject or type and arranged chronologically within each subseries.

Scope and Contents

The Salwa Zeidan Collection comprises a wide range of materials, including exhibition materials, press clippings, photographic materials, writings, personal papers, correspondence, certificates, and other documentation related to Salwa Zeidan's artistic and professional activities. The exhibition materials include several records of Zeidan's solo and group exhibitions, as well as exhibitions she organized, including some of the significant exhibitions held at the Salwa Zeidan Gallery, the first art gallery in Abu Dhabi, such as materials from the gallery's inaugural exhibition in 1994.

The collection also contains press clippings from various newspapers and magazines spanning the 1980s to the 2020s. The clippings feature articles on artwork and exhibitions, press interviews with Salwa Zeidan, and several press coverages of exhibition openings. A comprehensive press report on the Abu Dhabi International Sculpture Symposium (ADISS) is also included. Additionally, the collection contains photographic materials featuring artwork and exhibition openings, including the inaugural exhibition at the Salwa Zeidan Gallery in 1994.

Also included in the collection are writings on Zeidan's artwork and exhibitions, personal papers, and professional and personal correspondence. Furthermore, the collection contains educational and participation certificates, a receipt book from the Salwa Zeidan Gallery, and a folder documenting the Worldwide Peace Marker Project held in Lebanon in 2006, for which Salwa Zeidan served as artist ambassador.

Materials are primarily in Arabic, with some in English and French.

Subjects

Conditions Governing Access

Digital surrogates only are held by the repository. Based on the agreement with the owner, digital images of selected series/subseries will be publicly available on the NYU Archival Collections Finding Aid Portal. Materials not made available online may be consulted in person at al Mawrid, NYUAD. Researchers should contact nyuad.almawrid@nyu.edu to request details or to make an appointment.

Conditions Governing Use

Intellectual property rights for the Salwa Zeidan collection remain with the artist. al Mawrid Arab Center for the Study of Art does not hold any legal rights over the content of its collections, and therefore cannot grant legal rights to anyone who wishes to publish material. Copyright status has not been determined for all collection items. It is the responsibility of the researcher to clear the rights from the respective copyright holders. All use permissions must be sought from Salwa Zeidan through a request submitted to al Mawrid Arab Center for the Study of Art at nyuad.almawrid@nyu.edu.

Preferred Citation

Title or identification of item, date when known, Salwa Zeidan Collection, ADMC150, item identifier (Ref. number). Arab Art Archive, al Mawrid Arab Center for the Study of Art, New York University Abu Dhabi.

Immediate Source of Acquisition

The materials were borrowed from Salwa Zeidan for Archival processing and digitization and returned upon completion.

Custodial History

The materials in the Salwa Zeidan collection were created and/or collected by the artist, spanning the 1980s through the 2020s, and have remained under her custody in Abu Dhabi and in Beirut.

In February 2025, the collection was loaned to al Mawrid Arab Center for the Study of Art at NYU Abu Dhabi for archival processing and digitization. Upon completion of the archival work at al Mawrid, the collection was returned to the artist.

Selected Bibliography

1. "Bridging Societies through the Language of Art: Abu Dhabi Receives Its First International Sculpture Symposium This Coming Winter." Contemporary Practices 5, no. 3 (2014): 38–39.

2. Derderian, Elizabeth. Displaying Culture: The Politics of Art, Liberalism and the State in the UAE. PhD diss., Northwestern University, 2019.

3. "How Salwa Zeidan Has Been Shaping the Abu Dhabi Art Scene for More Than 20 Years." Plus Company Updates, August 10, 2016. Accessed February 21, 2025.

4. Magazine, Selections. "Artistic Unity: Art in the UAE: Interview with Salwa Zeidan." Selections Arts Magazine, March 12, 2024.

5. Noorbergen, Christian. "Salwa Zeidan: An Artist with a Crystalline Touch." Contemporary Practices, July 1, 2013, 200–201.

6. "Profile of Artist Salwa Zeidan of Salwa Zeidan Gallery." Plus Company Updates. 2016.

7. Zreik, Khaldoun, and Espace Galerie Europia (Paris). Juillet 2006: Expressions Artistiques: [Exposition, Paris, Espace Galerie Europia, 14 Novembre–14 Décembre 2006]. Paris: Europia, 2006.

Collection processed by

The finding aid was prepared by Ibrahim Mohamed Ali, Maysa Shaer, Nada Shabout, and Salwa Mikdadi for al Mawrid Arab Center for the Study of Art at NYU Abu Dhabi

About this Guide

This finding aid was produced using ArchivesSpace on 2026-06-03 18:29:05 +0400.
Using Describing Archives: A Content Standard
Language: The description of the collection was created in English. An Arabic version of the finding aid will also be prepared and published. A link to the Arabic description will be added to the finding aid once the revision is complete.

Processing Information

Processed by the team at al Mawrid Arab Center for the Study of Art in 2024, including Ibrahim Mohamed Ali, Maysa Shaer, and Jonathan Burr for al Mawrid Arab Center for the Study of Art at NYU Abu Dhabi.

The organization of the materials is based on an initial arrangement created by Salwa Zeidan, with some further arrangements by members of al Mawrid where needed. The exhibition materials, press clippings, and photographs were arranged in chronological order whenever the date was known.

Arab Art Archive finding aids are prepared in both English and Arabic. Researchers seeking to confirm the Arabic spelling of an artist's name are encouraged to consult the Arabic finding aid. In the English-language finding aids, transliterations of Arabic names are guided by al Mawrid policy to use the artist's preferred professional spelling whenever possible. Spellings are checked against artist websites or social media presence (when existent) as well as any available government documents such as a passport or ID. In the case when no such primary documents may be found, spellings are checked with the Library of Congress Name Authority File (LCNAF) and Subject Headings (LCSH); academic sources such as Modern Art in the Arab World: Primary Documents; Getty Vocabularies / Union List of Artist Names; and in some cases Mathaf Encyclopedia of Modern Art and the Arab World. Al Mawrid Arab Center for the Study of Art maintains an internal Name Standardization Reference List with notes about authoritative sources.

Rather than transliterate Arabic-language titles of documents for the purposes of the English-language finding aid, it was decided for consistency and ease to translate Arabic titles, as well as titles in other languages, into English. Translated titles and phrases are placed inside square brackets.

Repository

al Mawrid Arab Art Archive, NYU Abu Dhabi

Series I: Exhibition Materials

Scope and Contents

This series comprises various exhibition materials, including catalogs, invitations, and brochures of solo and group exhibitions, as well as guest books from the Salwa Zeidan Gallery.

I.A. Salwa Zeidan Solo Exhibitions

1. "Salwa Zeidan — Painting Exhibition 1990-1993," Abu Dhabi, 1994.

2. "Salwa Zeidan — Painting Exhibition," Abu Dhabi, 1995.

3. "Salwa Zeidan," Beirut, 1997.

4. ["Salwa Zeidan / recent works,"] Vevey, 1999.

5. "Salwa Zeidan," Beirut, 1999.

6. "Culture for Peace," London, 2000.

7. "For Peace," Dubai, 2002.

8. "Salwa Zeidan," Beirut, 2004.

9. "Salwa Zeidan," Sabah Al-Salem, 2006.

10. "Salwa Zeidan," Texas, 2007.

11. "In Light," Abu Dhabi, 2009.

I.B. Group Exhibitions Featuring Salwa Zeidan

1. "Artuel 99," Beirut, 1999

2. ["Woman and her Sensuality,"] Paris, 2001

3. "Salwa Zeidan / Janine Kortz Waintrop," Paris, 2002

4. "The Visible and the Invisible," Utrecht, 2006

5. ["July 2006 / Artistic Expressions,"] Paris, 2006

6. "Arabic Practices Exhibition," Dubai, 2008

7. "Cairo Biennale," Cairo, 2009

8. "Hurouf: The Art of the World," Doha, 2010

9. "Transcendence: Cultural Connections," UAE, 2024

I.C. Exhibitions Organized by Salwa Zeidan

1. "Once Upon a Time / Exhibition of the Artist Victor Haddad," Abu Dhabi, 1989

2. "Lines and Whispers," Abu Dhabi, 1990

3. "Pearls and Colours / Exhibition of the Artist Victor Haddad," Abu Dhabi, 1992

4. "Contemporary Emirati Art," Abu Dhabi, 2009

5. "Rose Husseiny Art Exhibition," Abu Dhabi, 2009

6. "Adonis," Abu Dhabi, 2009

7. Abu Dhabi International Sculpture Symposium (ADISS), Abu Dhabi, 2010

8. "Contemporary Romanian Art," Abu Dhabi, 2010

9. "Dropping Lines," Abu Dhabi, 2010

I.D. Salwa Zeidan Artwork Catalogs

1. "Salwa Zeidan Recent Paintings," 2002?

2. "Salwa Zeidan," 2004

I.E. Guest Books

1. Salwa Zeidan Gallery Guest Book

2. Other

I.F. Other Exhibition Materials

1. "Galleries," London, May 2000.

2. "L'Agenda Culturel," Lausanne, April 2004.

3. "L'Agenda Culturel," Lausanne, November 2004.

4. Salwa Zeidan Gallery Stationery

Series II: Press Clippings

Scope and Contents

This series comprises several news clippings from various newspapers and magazines that feature articles and press coverage of Salwa Zeidan and/or art exhibitions in which he participated, as well as the Salwa Zeidan Gallery and the exhibitions and events it held. Some clippings include press interviews with Salwa Zeidan and other artists. The clippings are mainly in Arabic, with some in English and French, and are arranged by decade and year.

II.A. Newspaper Clippings

1980s

1. 1989

1990s

1. 1990

2. 1991

3. 1992

4. 1993

5. 1994

6. 1995

7. 1997

8. 1998

9. 1999

2000s

1. 2000

2. 2001

3. 2002

4. 2003

5. 2004

6. 2006

7. 2007

8. 2008

9. 2009

2010s

1. 2010

2. 2011

3. 2014

4. 2015

5. 2017

6. 2018

7. 2019

2020s

1. 2020

2. 2021

3. 2024

1990-1995, n.d.

II.B. Magazines Clippings

1. "The McKinsey Quarterly," New York City, 2007.

2. "World Sculpture News," Hong Kong, 2010.

II.C. Abu Dhabi International Sculpture Symposium (ADISS) Press Coverage Report

Series III: Photographic Materials

Scope and Contents

This series comprises several sets of photographic prints primarily featuring exhibitions by or organized by Salwa Zeidan at various venues in the UAE, including hotel ballrooms, homes, the Salwa Zeidan Gallery, and art galleries abroad, as well as photographs of Zeidan's artwork.

III.A. Photo Albums

III.B. Photographs of Exhibitions

1. "Beirut Art Fair," Beirut, 1989.

2. [Salwa Zeidan's First Solo Exhibition,] Abu Dhabi, 1990.

3. "Turkish Silver and Russian Painting Exhibition," Abu Dhabi, 1994.

4. ["Salwa Zeidan / recent works,"] Vevey, 1999.

5. Salwa Zeidan's Paintings on Display in Dubai, circa 2001.

6. "Mac 2000 Istanbul," Istanbul, 2002.

7. "Salwa Zeidan," Beirut, 2004.

III.C. Photographs of Artwork

III.D. Personal Photographs

1. Salwa Zeidan at Her Studio in Ehmej, Lebanon, circa 1980s.

2. Adonis with Family, circa 1990s.

3. Salwa Zeidan at an Exhibition with Adonis, Paris, circa 1990s.

4. Salwa Zeidan and Adonis, Jablah, Syria, circa 1999.

5. Salwa Zeidan with Sami Ali, Paris, 2004.

6. Salwa Zeidan with Pierre Soulages, Paris, 2004.

Series IV: Writings

Scope and Contents

Material includes drafts of Salwa Zeidan Gallery press releases, drafts of articles written by others about Zeidan and the Salwa Zeidan Gallery, and scanned handwritten drafts by Adonis.

Series V: Personal Papers

Scope and Contents

Material includes Salwa Zeidan's CVs, contracts, and invoices, among others.

Series VI: Correspondence

Scope and Contents

Material includes personal and professional correspondence relating to Salwa Zeidan's exhibitions and extra-curricular activities, such as participation in an Award selection committee, as well as the Salwa Zeidan Gallery's activities.

Series VII: Certificates

Scope and Contents

Materials include certificates of participation in the fourth International Biennale of Contemporary Art in Florence, Italy; a certificate of ambassadorship for the Worldwide Peace Marker Project; and a certificate of completion in a fully accredited professional psychotherapy course.

Series VIII: Other Items

1. Salwa Zeidan Gallery Receipt Book

2. Worldwide Peace Marker Project Folder

al Mawrid Arab Art Archive
NYU Abu Dhabi
New York University Abu Dhabi,
Campus Center C2-350, 353-355
P.O. Box 129188, Abu Dhabi, UAE