Frederic Ewen Papers
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Abstract
Frederic Ewen was an English professor at Brooklyn College from 1930 until 1952, when he resigned after refusing to cooperate with the House Un-American Activities Committee's investigation of communism in higher education. He then organized theatrical lectures and performances featuring blacklisted actors. These stage, radio and television performances included Ewen's dramatic adaptations of literary classics. Ewen was also the author of several books, including a biography of Bertolt Brecht. The collection contains notes, manuscripts, correspondence, legal documents, clippings and ephemera.
Historical/Biographical Note
Frederic Ewen (1899-1988) was an author, educator, and champion of the individual's right to self-expression and intellectual freedom. A popular lecturer at Brooklyn College, where he was Professor of English Literature, he dedicated his final book to his former students, who for him had made "teaching a privilege and learning a joy." Dr. Ewen's commitment to freedom of thought, as well as his political activism during the 1930s, led to his becoming a victim of the academic witch hunts of McCarthy Era, and his forced resignation from Brooklyn College in 1952.
Frederic Ewen was born on October 11th, 1899 in Lemberg, Austria, the son of Isaac and Helen (Kramer) Ewen. He was brought by his family to the United States in 1912 and became a naturalized citizen that same year. Ewen grew up in Brooklyn and then attended City College, where he graduated in 1921. He then entered Columbia University, where he received his M.A. in 1925 and his Ph.D. in English and Comparative Literature in 1932. While studying at City College, he began his career as a teacher, with an appointment as an instructor of English in 1923. In 1930 he became assistant professor of English at Brooklyn College.
In addition to his teaching, Dr. Ewen was a noted author. His first book, The Prestige of Schiller in England, was published by the Columbia University Press in 1932. His Bibliography of Eighteenth-Century English Literature was issued by the same publisher in 1935. With his brother David Ewen, he wrote Musical Vienna, published by Whittlesey House in 1939. The Poetry and Prose of Heinrich Heine, by Citadel, followed in 1948.
Within a few years after he joined Brooklyn College's faculty, Dr. Ewen became involved in the two strong political currents of the day, speaking out against the rise of fascism in Europe and against the inequality of suffering during the Great Depression. He became an active member of the Teachers Union, which organized faculty in all the city colleges and sought to end discrimination on city campuses. He was also active in the campaign to support the Spanish Republicans during the Spanish Civil War.
In 1940 the New York State Legislature's Joint Committee to Investigate Procedure and Methods of Allocating State Moneys for Public School Purposes and Subversive Activities, known as the Rapp-Coudert Committee, began to investigate allegations of subversive activities in the City's public schools and colleges. Along with seven other teachers from Brooklyn College, Dr. Ewen refused to testify publicly before the panel; in private testimony he called the investigation an "attack on the things that the system stands for and had fought in the last 20 years to obtain." Although Dr. Ewen and the Brooklyn College professors were spared the fate suffered by their colleagues at City College who were investigated by the committee--and dismissed by their school--Dr. Ewen and the other progressive teachers at Brooklyn could not escape a renewed assault during the McCarthy Era. After refusing to cooperate with the McCarran Committee in 1952, Dr. Ewen accepted early retirement and a small pension rather than be fired from Brooklyn College. The loss of his teaching position at the early age of 53 was a bitter blow, as he had dedicated his life to his students.
He married Miriam Gideon, a composer and an adjunct professor at Brooklyn College, in 1949. She lost her Brooklyn position in 1954. Frederick Ewen began to organize lectures and readings in union halls, theaters, and other venues. Gathering a team of blacklisted actors who were also in need of work, among them Ossie Davis, Ruby Dee, and John Randolph, Ewen lectured on literature and drama, and the actors would read excerpts from selected works. With Phoebe Brand and John Randolph, Ewen adapted James Joyce's novel, A Portrait of the Artist as a Young Man, which was then produced off-Broadway at the Martinique Theater from 1962-1963. Other adaptations with Brand and Randolph include Thomas Mann's "Magic Mountain," produced at Brandeis University in 1967. Television adaptations by Dr. Ewen include "Two Jewish Stories" in 1966, the "Unknown Chekhov" in 1967, and Chekhov's "Ward Number 6" in 1968, all for CBS.
In 1967, Citadel Press published Dr. Ewen's very highly regarded Bertolt Brecht: His Life, His Art, and His Times. He then began to work on his most ambitious project, a three-volume review of the literature and politics of the mid-nineteenth century entitled A Half-Century of Greatness, the first volume, Heroic Imagination: The Creative Genius of Europe from Waterloo to the Revolution of 1848, was published by Citadel in 1984. In October of 1988, Citadel published The Collected Short Stories of Maxim Gorky, which featured an introduction by Dr. Ewen. Shortly before the Gorky book was released, Brooklyn College formally apologized to Dr. Ewen and the other professors dismissed by the college during the McCarthy Era, and in 1988 a lecture series was established at Brooklyn College bearing his name. Frederic Ewen died on October 18, 1988 in Manhattan.
Frederic Ewen Bibliography:
Bertolt Brecht : His Life, His Art, and His Times. New York : Citadel Press, 1967. 573 pp.Bibliography of Eighteenth-Century English Literature. New York: Columbia University Press, 1935. 28 pp.Heroic Imagination : the Creative Genius of Europe from Waterloo (1815) to the Revolution of 1848. Secaucus, NJ: Citadel Press, 1984. 742 pp.Musical Vienna. London: Whittlesey House, 1939. 321 pp.The Prestige of Schiller in England, 1788-1859. New York: Columbia University Press, 1932. [and New York: AMS Press, 1973]. 287 pp.The Poetry and Prose of Heinrich Heine, selected and edited with an introduction by Frederic Ewen. New York: Citadel Press: 1948. 874 pp.
Arrangement
Organized into eight series:
Series I: Correspondence
Series II: Personal and Legal Papers
Series III: Scripts
Series IV: Writings by Ewen
Series V: Writings by Others
Series VI: Lecture Notes
Series VII: Research Notes
Series VIII: Subject Files
Series IX: Photographs
Series are arranged alphabetically.
Scope and Content Note
The primary focus of the Papers is on Ewen's teaching career at Brooklyn College. A large portion of the papers is comprised of classroom lecture notes and research materials accumulated for Ewen's many books. There are also many annotated play scripts, as well as Ewen's stage adaptations of the literary classics such as Thomas Mann's, Magic Mountainand The Nihilists, inspired by Dostoyeveski's The Possessed. The correspondence is rich with letters written by Ewen's former students upon learning of his departure from Brooklyn College in 1952. There are legal documents ranging from Rapp-Coudert proceedings to actor's contracts for performances through the Master Institute. The collection also contains photographs used in his publications and family photographs.
Subjects
Organizations
Genres
People
Topics
Places
Donors
Conditions Governing Access
Materials are open without restrictions.
Conditions Governing Use
Copyright (and related rights to publicity and privacy) to materials in this collection created by Frederic Ewen was not transferred to New York University. Permission to use materials must be secured from the copyright holder.
Preferred Citation
Identification of item, date; Frederic Ewen Papers; TAM 277; box number; folder number; Tamiment Library/Robert F. Wagner Labor Archives, New York University.
Immediate Source of Acquisition
Materials were donated by Alexander Ewen in circa 1999. The accession numbers associated with this gift are 1999.003, 1999.007, 1999.009, and NPA.2005.081.
Custodial History
The Frederic Ewen Papers were donated in circa 1999 by Alexander Ewen. Included were ten linear feet transferred from Brooklyn College, where they previously had been housed, as well as materials received directly from Alex Ewen. The donation of the Frederic Ewen Papers marked the establishment of the Frederic Ewen Academic Freedom Center at the Tamiment Library, NYU.
About this Guide
Processing Information
Photographs were separated from this collection during initial processing and were established as a separate collection, the Frederic Ewen Photographs (PHOTOS 210). In 2013, the photograph collection was reincorporated into the Frederic Ewen Papers. The collection was also reboxed in 2013.
Edition of this Guide
Repository
Series I: Correspondence, 1915-1988, inclusive
Scope and Content Note
This series holds correspondence written by Frederic Ewen from 1915 up until his death in 1988. There is a collection of postcards sent to Ewen and his wife Miriam and a few sent from Fred as well-these postcards highlighting various trips to Europe. Also herein are the letters Ewen collected from his former students which shed light on the impact Ewen made in the classroom.
Correspondence, 1915-1962, inclusive
Correspondence, 1962-1967, inclusive
Correspondence, 1941-1956, inclusive
Correspondence and postcards, 1968-1988, inclusive
Letters on Brooklyn College, 1952, inclusive
World War II letters from former students, 1940-1943, inclusive
World War II letters from former students, 1944-1945, inclusive
Gideon, Miriam (wife), 1926-1964, inclusive
Series II: Personal and Legal Papers, 1899-1990, inclusive
Scope and Content Note
This series consists of various family-related materials including a file relating to Miriam Gideon. This series contains several volumes of Ewen's personal journals and travel logs. It also contains the contracts for Ewen's books, contracts with the actors he hired to perform for his Master Institute and Brooklyn Academy of Music productions, materials related to the Rapp-Coudert Committee and academic freedom (including a transcript of Ewen's testimony), and newspaper articles about the ongoing investigations.
Family Files: Birth Certificate and Grade School Report, 1899-1911, inclusive
Family Files: Legal Douments, 1925-1988, inclusive
Family Files: Miriam Gideon, 1967, 1990, inclusive
Family Files: Retirement, 1925-1962, inclusive
Family Files: Travel, 1959-1963, inclusive
Journals, 1965-1987, inclusive
Legal Documents subpoenas and court transcripts, 1940-1952, inclusive
Legal Documents: Actor Contracts, 1962, inclusive
Legal Documents: Book Contracts, 1942, 1968-1971, inclusive
Rapp-Coudert Committee-Academic Freedom Statements made at committee hearings/pamphlets, 1940s, inclusive
Management: Nina Gordani, 1960s, inclusive
Newspaper Clippings, 1940, inclusive
Newspaper Clippings, 1941, inclusive
Newspaper Clippings, 1944-1952, 1980s, inclusive
Newspaper Clippings: Orphans, undated, inclusive
Presidential Citation to Frederic Ewen: Brooklyn College, 2005, inclusive
Series III: Scripts, undated, 1961-1971, inclusive
Scope and Content Note
This series is a collection of scripts Ewen used in his classroom and works he used for his stage adaptations; for example, there is a copy of Magic Mountainwith Ewen's notes for his own adaptation. There are also scripts for adaptations of works by Ibsen, Aristophanes, Alfred Levinson, and Leo Tolstoy. The adaptations of The Magic Mountainand The Nihilists were done in collaboration with John Randolph and Phoebe Brand.
The Keep by Gwyn Thomas, undated, inclusive
Baruch D'Amsterdam by Henri Sloves, undated, inclusive
Phedreby Racine; Oedipus the King by Sophocles, undated, inclusive
Nathan the Wise by Gotthold Ephraim Lessing, undated, inclusive
Professor Benrhardi by Arthur Schnitzler; The Way of the World by Congreve, undated, inclusive
The Cave by Edmund B. Hennefeld, 1964, inclusive
Jacob's Dream, undated, inclusive
The Lesser Ship by Edmund B. Hennefeld, 1965, inclusive
Man and Superman by George Bernard Shaw, undated, inclusive
Loyalties by John Galsworthy, undated, inclusive
Look Back, Mrs. Lot-"The Difference" by Ephraim Kishon, undated, inclusive
The Jewess of Toledo by Franz Grillparzer, undated, inclusive
The Baal-Shem and the Renegade by Arnold Zweig, undated, inclusive
The Infernal Machine, undated, inclusive
The Jew by Richard Cumberland, undated, inclusive
Peter Gyntand A Doll's House by Ibsen, undated, inclusive
Enemies; Lower Depths; The Miracle at Verdun, undated, inclusive
Four-Poster, undated, inclusive
Chicken soup with Barley by Arnold Wesker; Egmont by Goethe, undated, inclusive
The Mandarins; Dance to Death by Emma Lazarus, undated, inclusive
Distant Pointby Alexander Afinogenov; Untitled, undated, inclusive
Awakening of the Prophet, undated, inclusive
Edom, undated, inclusive
The Criminals by Jose Triana; Socrates Wounded by Alfred Levinson; The Chain by Alfred Levinson, undated, inclusive
Wings Over Europe; As I Lay Dying by William Faulkner, undated, inclusive
The Frogs by Aristophanes Scenes from Peace by Aristophanes, undated, inclusive
Antigone by Anouilh, undated, inclusive
Magic Mountain by Thomas Mann, undated, inclusive
Vision and Synthesis: The Drama of Chaim Weizmann by Frederic Ewen, 1962, inclusive
Martin Chuzzlewit by Charles Dickens, undated, inclusive
Exodus by Leon Uris, undated, inclusive
No Title, undated, inclusive
Love's Labor's Lost by Shakespeare, 1966, inclusive
How to Become a Gentlemanby Anonymous; Modern Children by Sholom Aleichem, undated, inclusive
My First Day in America by Yuri Suhl; Cowboy on a Wooden Horse by Yuri Suhl; What Happened to My Chicken Liver? by Yuri Suhl, undated, inclusive
Love and Intrigue by Fredrich Schiller; Don Carlos by Fredrich Schiller; William Tell by Fredrich Schiller, undated, inclusive
The Silver Tassie by Sean O'Casey, undated, inclusive
The Death of Sam, Slaughter House for Fowls, The O'Bannion Scene, undated, inclusive
The School for Scandal by Sheridan; Transfiguration by Toller, undated, inclusive
The Trojan Women by Euripides; Lysistrata by Aristophanes, undated, inclusive
The Cause of It All by Leo Tolstoy, undated, inclusive
Uriel, undated, inclusive
Torquato Tasso by Johann Wolfgang von Goethe, undated, inclusive
A Question of Honor by Max Nordau, undated, inclusive
The Young Hopefuls by Leo Tolstoy; What Men Live By by Leo Tolstoy; The Cause of it All by Leo Tolstoy; Family Happiness by Leo Tolstoy, undated, inclusive
Woman Make Trouble from "The Unknown Chekhov"; Polinka Adapted from a story by Anton Chekhov; Two of a Kind by Anton Chekhov; The Bear by Anton Chekhov, undated, inclusive
The Days of the Commune by Bertolt Brecht, 1971, inclusive
An Evening with Anton Chekhov produced by Frederic Ewen, John Randolph and Phoebe Brand [poster], 1961, inclusive
A Tribute to Anton Chekhov adapted by Frederic Ewen, John Randolph and Phoebe Brand, undated, inclusive
The Unknown Chekhov by Frederic Ewen, Phoebe Brand and John Randolph, undated, inclusive
The Nihilists by Frederic Ewen and John Randolph adapted from Fyodor Dostoyevski's The Possessed, 1970, inclusive
The Nihilists by Frederic Ewen and John Randolph adapted from Fyodor Dostoyevski's The Possessed, 1970, inclusive
The Magic Mountain adapted by Frederic Ewen and John Randolph, undated, inclusive
The Magic Mountain adapted by Frederic Ewen, Phoebe Brand and John Randolph, 1964, inclusive
The Magic Mountain adapted by Frederic Ewen, Phoebe Brand and John Randolph, 1964, inclusive
The Magic Mountain adapted by Frederic Ewen, Phoebe Brand and John Randolph, 1965, inclusive
The Magic Mountain adapted by Frederic Ewen, Phoebe Brand and John Randolph [poster], 1964, inclusive
Series IV: Writings by Frederic Ewen, 1915-1989, inclusive
Scope and Content Note
The majority of the writings in this series are typescripts of books Ewen published; for example, there is a draft of Heroic Imaginations as well as typescripts of literary works, including The Assassins, The Bridge, The Burning Bush, and A Half Century.
The Assassins typescript by Frederic Ewen, undated, inclusive
The Bridge, A Novel typescript by Frederic Ewen (1 of 5), undated, inclusive
The Bridge, A Novel typescript by Frederic Ewen (2 of 5), undated, inclusive
The Bridge, A Novel typescript by Frederic Ewen (3 of 5), undated, inclusive
The Bridge, A Novel typescript by Frederic Ewen (4 of 5), undated, inclusive
The Bridge, A Novel typescript by Frederic Ewen (5 of 5), undated, inclusive
The Burning Bush typescript by Frederic Ewen (1 of 3), undated, inclusive
The Burning Bush typescript by Frederic Ewen (2 of 3), undated, inclusive
The Burning Bush typescript by Frederic Ewen (3 of 3), undated, inclusive
Damaged Archangel typescript by Frederic Ewen, undated, inclusive
A Half Century rejected manuscript by Frederic Ewen, undated, inclusive
Heroic Imaginations draft of old manuscript (1 of 3), undated, inclusive
Heroic Imaginations draft of old manuscript (2 of 3), undated, inclusive
Heroic Imaginations draft of old manuscript (3 of 3), undated, inclusive
Maxim Gorkey and his Russia uncorrected and final version, undated, inclusive
Walter Pater and the "Worship of Sorrow", 1925, inclusive
Miscellaneous Articles by Frederic Ewen, 1964, 1980s, inclusive
Short Stories drafts by Frederic Ewen, undated, inclusive
Untitled by [Frederic Ewen], undated, inclusive
Series V: Writings by others, 1915-1989, inclusive
Scope and Content Note
This series is a collection of writings Ewen was either given to look over for critique or works he collected to use in his dramatic productions. There is an untitled piece by Annette Rubinstein, a selection of poems by Sol Chaneles, and other miscellaneous writings.
A Footnote to the History of Academic Freedom by Bernard Allen, undated, inclusive
48 Poems by Sol Chaneles, undated, inclusive
Writings by Susan Deri, undated, inclusive
The History of Tom Jones: A Foundling by Henry Fielding, undated, inclusive
Auserwählte Gedichte by William Gutman, undated, inclusive
The Essays of Eliaby Charles Lamb, undated, inclusive
If This is a Man by Primo Levi, undated, inclusive
Writings by Eugene Mahon, 1980s
Gray's Elegy by Edwin Moise, 1987, inclusive
Writings by Meyer Reinhold, 1986, inclusive
Untitled by Annette T. Rubinstein, 1977, inclusive
Writings by Harry Slochower, undated, inclusive
Writings by Alberta B. Szalita M.D., undated, inclusive
Miscellaneous, undated, inclusive
Series VI: Lecture Notes, 1918-1966, inclusive
Scope and Content Note
This series is arranged alphabetically and contains Ewen's bibliographies, course outlines, exam questions he used at Brooklyn College, and notes from lectures he delivered after leaving his teaching career.
Bibliographies (1 of 3), undated, inclusive
Bibliographies (2 of 3), undated, inclusive
Bibliographies (3 of 3), undated, inclusive
Course outlines (1 of 2), 1920s-1940s
Course outlines (2 of 2), 1920s-1940s
Course outlines (1 of 2), 1930s-1950s
Course outlines (2 of 2), 1930s-1950s
Final exam questions, 1930s-1950s
Lecture notes, undated, inclusive
Lecture notes: The Aeneid, undated, inclusive
Lecture notes: Family in Literature, 1965-1966, inclusive
Lecture notes: Portrait of the Artist as a Young Man1962, undated, inclusive
Lecture notes: The Tempest, 1961, inclusive
Literary criticism, 1941, inclusive
Master Institute, 1950s, inclusive
News clips, 1963-1964, inclusive
Notecards, 1950s-1960s, inclusive
Programs, 1950s-1960s, inclusive
Programs in German, 1963-1966, inclusive
Series VII: Research Notes, undated
Scope and Content Note
This series contains research notes Ewen compiled for classroom use, research for his books, and for his dramatic productions. They are arranged by name of author, geographic location, and by subject.
Subseries A: Proper Names, undated
Arnold, Matthew, undated, inclusive
Bakunin, Mikhail, undated, inclusive
Baudelaire, Charles, undated, inclusive
Bourget, Paul, undated, inclusive
Brahms, Johannes- Pianoforte by Dieter Hildebrandt, undated, inclusive
Brontës, undated, inclusive
Browning, E. B., undated, inclusive
Caryle, Thomas (1 of 3), undated, inclusive
Caryle, Thomas (2 of 3), undated, inclusive
Caryle, Thomas (3 of 3), undated, inclusive
Caryle, Thomas and John Ruskin, undated, inclusive
Clough, Arthur Hugh, undated, inclusive
Coleridge, Samuel Taylor (1 of 2), undated, inclusive
Coleridge, Samuel Taylor (2 of 2), undated, inclusive
Comte, Auguste and John Stuart Mill (1 of 2), undated, inclusive
Comte, Auguste and John Stuart Mill (2 of 2), undated, inclusive
Courbet, Gustave, undated, inclusive
Darwin, Charles, undated, inclusive
Dickens, Charles (1 of 2), undated, inclusive
Dickens, Charles (2 of 2), undated, inclusive
Dostoyevsky, Fyodor, undated, inclusive
Eliot, George and G. H. Lewes, undated, inclusive
Eliot, T. S., undated, inclusive
Engles, Fredrick and Karl Marx, undated, inclusive
Flaubert, Gustave, undated, inclusive
Froude, James Anthony- The Nemesis of Faith, undated, inclusive
Gay, Peter- The Tender Passion, undated, inclusive
Gorky, Maxim, undated, inclusive
Hegel, Georg Wilhelm Friedrich and Richard Strauss, undated, inclusive
Hopkins, Gerard M., undated, inclusive
Hugo, Victor, undated, inclusive
Jowett, Benjamin, undated, inclusive
Keats, John, undated, inclusive
Lawrence, D. H., undated, inclusive
Mahler, Gustav, undated, inclusive
Marx, Karl (1 of 4), undated, inclusive
Marx, Karl (2 of 4), undated, inclusive
Marx, Karl (3 of 4), undated, inclusive
Marx, Karl (4 of 4), undated, inclusive
Milton, John, undated, inclusive
Petöfi, Sandor, undated, inclusive
Pushkin, Aleksandr, undated, inclusive
Seigel, Jerrold- Marx's Fate: The Shape of a Life, undated, inclusive
Rossetti, William Michael, undated, inclusive
Ruskin, John, undated, inclusive
Somervell, D. C.- English Thought in the 19th Century, undated, inclusive
Tolstoy, Leo, undated, inclusive
Turgenev, Ivan Sergeyevich (1 of 2), undated, inclusive
Turgenev, Ivan Sergeyevich (2 of 2), undated, inclusive
Verlaine- Confessions, undated, inclusive
Wagner, Richard, undated, inclusive
Wilde, Oscar, undated, inclusive
Wordsworth, William, undated, inclusive
Zola, Emile (1 of 2), undated, inclusive
Zola, Emile (2 of 2), undated, inclusive
Zweig, Arnold, undated, inclusive
Subseries B: Geographic Location, undated
Scope and Content Note
This subseries concern authors who are significant to the region.
1848 France (1 of 2), undated, inclusive
1848 France (2 of 2), undated, inclusive
1848 General, undated, inclusive
1848 Germany, Austria, Italy, Hungary (1 of 2), undated, inclusive
1848 Germany, Austria, Italy, Hungary (2 of 2), undated, inclusive
Austria: Grillparzer, Hebbel, Lanau (1 of 2), undated, inclusive
Austria: Grillparzer, Hebbel, Lanau (2 of 2), undated, inclusive
Denmark, undated, inclusive
France, undated, inclusive
Germany: Buchner, Freiligrath, Herwegh, Weirth (1 of 3), undated, inclusive
Germany: Buchner, Freiligrath, Herwegh, Weirth (2 of 3), undated, inclusive
Germany: Buchner, Freiligrath, Herwegh, Weirth (3 of 3), undated, inclusive
Germany: Heinrich Heine, undated, inclusive
Norway, undated, inclusive
Russia (1 of 2), undated, inclusive
Russia (2 of 2), undated, inclusive
Russia: Herzen, Belinsky, Stankiewich, Petroshevsky, Dostoyevski, Shevchenko (1of 2), undated, inclusive
Russia: Herzen, Belinsky, Stankiewich, Petroshevsky, Dostoyevski, Shevchenko (2 of 2), undated, inclusive
Subseries C: Subjects, undated
Absolute Bourgeoise, undated, inclusive
Ancient: Abbé Gregoire, Frederic II, undated, inclusive
Ancient: Aeschylus, Agamemnon, undated, inclusive
Ancient: Aristophanes, undated, inclusive
Ancient: Art of Comedy, Greek Comedy, undated, inclusive
Ancient: Drama: Mayan, Egyptian, undated, inclusive
Ancient: Euripides, undated, inclusive
Ancient: Hölderlin, undated, inclusive
Ancient: Original Material: Greek Tragedy/Comedy, undated, inclusive
Ancient: Project Maters of the Word, Poets' Landscape, undated, inclusive
Ancient: Sophocles, Oedipus, undated, inclusive
Ancient: Spinoza, undated, inclusive
The Drama: 18th Century, Chronologies, Political/Social Thought, Pastoral, undated, inclusive
The Drama: Drama Chronology 1660-1750, Drama 18th c second half, Middle Class Drama, undated, inclusive
The Drama: Addison, Akenside, Arbuthnot, undated, inclusive
The Drama: Pierre Bayle, Beaumarchais, Biography, William Blake, undated, inclusive
The Drama: Carey, Mrs. Centlivre, Cowper, Crabbe, Defoe, Deism, Diderot, undated, inclusive
The Drama: Farquahar, Fielding, Gay, Gibbon, undated, inclusive
The Drama: Godwin, Goldon, Goldsmith, Gothicism, undated, inclusive
The Drama: History and Historical Writing, Holbach, Holborg, Samuel Johnson, Methodism, Montesquieu, undated, inclusive
The Drama: Thomas Paine, Periodical Essay, Pope, Pre-Romanticism, Reynolds, Richardson, undated, inclusive
The Drama: Rousseau, Shaftesbury, Shakespeare, Sheridan, Sterne, Swift, undated, inclusive
The Drama: Thomson, Voltaire, Mary Wollstonecraft, undated, inclusive
European Literature, undated, inclusive
French Poetry, undated, inclusive
Industrial Revolution and English Fiction, undated, inclusive
The Jew in Literature: in Drama, undated, inclusive
The Jew in Literature: in Novel, undated, inclusive
The Jew in Literature: in Mystics, undated, inclusive
The Jew in Literature: The Yellow Badge, by Hofmann/Zweig, undated, inclusive
Literary Criticism: 18th Century, Renaissance-France, England, Italy, undated, inclusive
Literary Criticism: American Literary Criticism, 17th Century English Literary Criticism, undated, inclusive
Literary Criticism: Aristotle, Plato, Roman Criticism, undated, inclusive
Literary Criticism: Coleridge, undated, inclusive
Literary Criticism: Neo Classicism, undated, inclusive
Literary Criticism: Poetry and Painting 18th Century, Lessing, undated, inclusive
Literary Criticism: Pragmatic Criticism, Surrealism, Humanism, Realism, undated, inclusive
Literary Criticism: Theories of Literary Criticism, undated, inclusive
Literary Criticism: Theory of Literature, Literary Trends England, Psychoanalysis, Sociological, undated, inclusive
Miscellaneous Bibliographic Notes (1 of 5), undated, inclusive
Miscellaneous Bibliographic Notes (2 of 5), undated, inclusive
Miscellaneous Bibliographic Notes (3 of 5), undated, inclusive
Miscellaneous Bibliographic Notes (4 of 5), undated, inclusive
Miscellaneous Bibliographic Notes/Vocabulary Translations (5 of 5), undated, inclusive
Romanticism, undated, inclusive
Romanticism: Beethoven, Byron, undated, inclusive
Romanticism: Emerson, Hawthorne, St. Pierre, de Stael, and German Theatre, undated, inclusive
Romanticism: Historical Novel, French Romantics of 1830, Literary Theories, undated, inclusive
Romanticism: Henry James, undated, inclusive
Romanticism: Keats, Leist, Lamb, Lockhart, undated, inclusive
Romanticism: Herman Melville, undated, inclusive
Romanticism: Schiller, Shelley, undated, inclusive
Romanticism: The Theory of Tragedy, undated, inclusive
Romanticism: Mark Twain, undated, inclusive
Russian Poetry Translations, undated, inclusive
Shakespeare (1 of 5), undated, inclusive
Shakespeare (2 of 5), undated, inclusive
Shakespeare (3 of 5), undated, inclusive
Shakespeare (4 of 5), undated, inclusive
Shakespeare (5 of 5), undated, inclusive
World Literature Themes (1 of 5), undated, inclusive
World Literature Themes (2 of 5), undated, inclusive
World Literature Themes (3 of 5), undated, inclusive
World Literature Themes (4 of 5), undated, inclusive
World Literature Themes (5 of 5), undated, inclusive
World Literature Themes: 17th Century, undated, inclusive
World Literature Themes: Academics of Art, undated, inclusive
World Literature Themes: Cervantes, Lope de Vega, undated, inclusive
World Literature Themes: Chronology Thought Documents, undated, inclusive
World Literature Themes: French, undated, inclusive
World Literature Themes: Historical Background, Political/Social Movements, undated, inclusive
World Literature Themes: Puritanism, undated, inclusive
World Literature Themes: Restoration, undated, inclusive
World Literature Themes: Scientific Background, undated, inclusive
Alphabetical Files on 3X5 cards (1 of 4) A-B, undated, inclusive
Alphabetical Files on 3X5 cards (2 of 4) C-H, undated, inclusive
Alphabetical Files on 3X5 cards (3 of 4) I-N, undated, inclusive
Alphabetical Files on 3X5 cards (4 of 4) O-Z, undated, inclusive
Chronology File on 3X5 cards (1 of 4), undated, inclusive
Chronology File on 3X5 cards (2 of 4), undated, inclusive
Chronology File on 3X5 cards (3 of 4), undated, inclusive
Chronology File on 3X5 cards (4 of 4), undated, inclusive
Series VIII: Subject Files, 1921-1984, inclusive
Scope and Content Note
This series contains a set of files on various topics of interest to Ewen particularly his research and teaching in literature. The files include comments and papers on Brecht, Tolstoy and other authors. Also included are grade books and files on various universities Ewen was connected with.
Berliner Ensemble, 1965-1966, inclusive
Book Jackets, undated, inclusive
Book Pictures, undated, inclusive
Brecht, Bertolt (1 of 2), undated, inclusive
Brecht, Bertolt (2 of 2), undated, inclusive
Brecht Book, 1967-1971, inclusive
Brecht Book Permissions, 1966-1967, inclusive
Brecht Book Promotion, 1967-1968, inclusive
Brecht Book Reviews, 1967-1969, inclusive
Brecht Book Reviews (German), undated, inclusive
Brooklyn College and Board of Education, 1941, inclusive
Brooklyn College- Committee on the Improvement of Teaching, undated, inclusive
Brooklyn College- Faculty Advisor Marx Society, 1949, inclusive
Brooklyn College- President Gideonse, 1941-1949, inclusive
Brooklyn College- Professorship Papers, 1938-1952, inclusive
College Newsletter, 1940-1941, inclusive
Contemporary Theatre, 1964-1965, inclusive
Dictionary, undated, inclusive
Grade Books, 1923-1930, inclusive
Grade Books, 1932-1939, inclusive
Grade Books, 1940-1950, inclusive
Education Defense Bulletin, 1940-1941, inclusive
Faustus, Johann, undated, inclusive
Heine, Heinrich: portfolio with postcards and facsimiles from Dusseldorf in oversize box, undated, inclusive
Heroic Imaginaytion- Book Reviews, 1984, inclusive
Juilliard School, 1967-1970, inclusive
Master Institute, 1950s-1960s, inclusive
Obituaries, 1980s, inclusive
Portrait of the Artist, Magic Mountain, 1963-1966, inclusive
Programs (1 of 2), undated, inclusive
Programs (2 of 2), undated, inclusive
Public Programs-Round Table Review/Drama Tours, undated, inclusive
Public Programs-Humanities Institute, Brooklyn College, 1980s
Randolph, John, undated, inclusive
Rosten, Norman, undated, inclusive
Schappes, Morris, 1941-1944, inclusive
The Shamrock Company, 1961-1962, inclusive
Teachers Union, 1940s, inclusive
Theater Programs (1 of 2), undated, inclusive
Theater Programs (2 of 2), undated, inclusive
Thesaurus, undated, inclusive
Tolstoy, Leo, 1960, inclusive
Weizmann, Chaim (1 of 2), undated, inclusive
Weizmann, Chaim (2 of 2), undated, inclusive
Wershba, Joseph, undated, inclusive
Yeshiva University, 1964, inclusive
Series IX: Photographs, 1940s-1980s, inclusive
Scope and Content Note
This series contains photographs collected and used by Ewen in publications. It includes family photographs, photographs of Brecht stage scenes for his book, Bertolt Brecht: His Life, His Art, and His Times, and portraits of Ewen, John Randolph and Sarah Cunningham. The bulk of the photographs contain headshots of actors, including Lois de Banzie, Elinor Bassescu, Robert Burr, Ludwig Donath, Judith Doty, Fredi Dundee, Joyce Ebert, Michael Ebert, Jack Gilford, Mark Gordon, Suzanne Granfield, Lucy Greene, Marvin Hayes, Madhur Jaffrey, Saeed Jaffrey, Michael Jolan, Harriet Laine, Lenore Loveman, Marya Manning, Maurine Marlowe, Beatrice Mauley, Joanna Merlin, Dino Narizzano, Marjorie Nelson, Patricia O'Connell, Dina Paisner, Fred Pinkard, Maggie de Priest, Joe Silver, Paul Sparer, Martin Wolfson, and Janis Young.