Series III: 2004 Accretion, 1950-2001, inclusive
Extent
Scope and Content Note
This series contains the remainder of Lee Baxandall's papers, which were donated to Tamiment Library in 2004. These materials contain an assortment of research files, drafts, notes, correspondence, and newspaper clippings related to Baxandall's writings. Writings in this series relate to Baxandall's work in literary criticism and include drafts of articles, essays, lectures. The series contains additional materials related to his collaborations with Stefan Morawski. The bulk of these materials relate to the anthology Marx and Engels on Art and Literature, which they co-edited together. These materials consist of drafts and correspondence regarding the licensing and the publication of a follow-up edition for the Documents in Marxist Aesthetics (DOMA) series. Drafts and research for subsequent volumes in the DOMA series are also included among these materials, but it appears that the later volumes were never completed.
The series includes drafts of Baxandall's plays and theatrical sketches from the 1960s and 1970s. These materials contain a number of short sketches, drafts, production materials, and documents related to stage royalties of his plays. Materials related to these plays include flyers, scripts, correspondence, and photographs of stage productions. The plays that are most well represented are Potsy and the Claws of the Eagle, Claws of the Jaguar.
Clippings and ephemera in this series consist of an assortment of newspaper articles, playbills, pamphlets, and flyers on radicalism in theater and the arts. Scattered throughout these materials is a small amount of Baxandall's correspondence, most of which is related to art criticism and written from his office at Green Mountain Editions, where he worked as a publisher in the 1970s. This series also contains several folders of personal correspondence between 1963 and 1978.
The series contains several partial alphabetical runs of research and writing files. These grouping may be incomplete, and may not correlate to other alphabetical runs elsewhere in the series.