Tamiment Playhouse Alumni Oral History Collection
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Abstract
The Tamiment Playhouse, located at the Socialist Party's retreat, Camp Tamiment, in Pennsylvania's Pocono mountains, became an important workshop and a major creative outlet for theater, dance, film, and television in the mid-twentieth century. Actors such as Danny Kaye, Bea Arthur, Imogene Coca, and Carol Burnett; directors Max Liebman, Herb Ross, and Joe Layton; choreographer Jerome Robbins; and writers Woody Allen and Neil Simon are a small sampling of the major entertainment figures nurtured at Camp Tamiment. Much of the original material performed at Tamiment found its way to the professional stage, Broadway, and television. All interviewees were involved in the Tamiment Playhouse, mainly in the 1950s. This collection consists of interviews containing recollections of the Tamiment summer theater, as well as discussions about the importance of the Playhouse for Broadway. The interviews in this collection were conducted between 1980 and 1988 by Andrew Horn of the Tamiment Playhouse Archives and by NYU Performance Studies graduate student Martha S. LoMonaco for her dissertation and subsequent book on the Tamiment Playhouse, entitled Every Week a Broadway Revue. These interviews are in the form of audio recordings and their transcripts. The collection also contains live recordings of shows at the Tamiment Playhouse dating from 1955-1960.
Historical Note
The Tamiment Playhouse was located at Camp Tamiment in Pennsylvania's Pocono Moutains. The camp was a summer resort opened in 1921 by the People's Educational Camp Society and affiliated with the Socialist Party's Rand School of Social Science. Started as a means to entertain campers, the playhouse became an important workshop and a major creative outlet for theater, dance, film, and television in the mid-twentieth century. Actors such as Danny Kaye, Bea Arthur, Imogene Coca, and Carol Burnett; directors Max Liebman, Herb Ross, and Joe Layton; choreographer Jerome Robbins; and writers Woody Allen and Neil Simon are a small sampling of the major entertainment figures nurtured at Camp Tamiment. Much of the original material performed at Tamiment found its way to the professional stage and finally Broadway.
Arrangement
Organized into two series. The contents of Series I. are arranged by the last name of the interviewee, and Series II. are arranged chronologically.
Series I. Oral Histories
Series II. Audio Recordings of Performances
Scope and Contents
This collection is comprised of sixty-three interviews in the form of audio recordings and transcripts that were conducted between 1981 and 1988 by Andrew Horn of the Tamiment Playhouse Archives and NYU Performance Studies graduate student Martha S. LoMonaco for her dissertation and subsequent book on the Tamiment Playhouse, Every Week a Broadway Revue. The majority of the interviews consist of recollections of the Tamiment summer theater, as well as discussions on the importance of the Playhouse for Broadway. Of note are interviews with Woody Allen, Carol Burnett, Imogene Coca, and Neil Simon. The collection also contains live recordings of shows originally recorded live on reel to reel audiotape at the Tamiment Playhouse dating from 1955-1960.
Subjects
Donors
Conditions Governing Access
Materials are open without restrictions.
Conditions Governing Use
This collection is protected by copyright and/or related rights. You are free to use materials in the collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
Preferred Citation
Identification of item, date; Tamiment Playhouse Alumni Oral History Collection; OH.031; box number; folder number or item identifier; Tamiment Library/Robert F. Wagner Labor Archives, New York University.
Immediate Source of Acquisition
Donated by by Martha S. LoMonaco in 1992. The accession number associated with this gift is 1986.006.
Audiovisual Access Policies and Procedures
Access to audiovisual materials in this collection is available through digitized access copies. Researchers may view an item's original container, but the media themselves are not available for playback because of preservation concerns. Materials that have already been digitized are noted in the collection's finding aid and can be requested in our reading room. . Materials not yet digitized will need to have access copies made before they can be used. To request an access copy, or if you are unsure if an item has been digitized, please contact tamiment.wagner@nyu.edu with the collection name, collection number, and a description of the item(s) requested. A staff member will respond to you with further information.
About this Guide
Processing Information
Collection was processed, and a finding aid was written sometime after 1992. This finding aid was encoded for online publication and edited for compliance with archival descriptive standards in 2012. Digitization of Series I began in 2011 and was completed in 2015. In 2024, individual listings in for original recording, transcript, and access copy were added to each interview subject in the Series I inventory.
Revisions to this Guide
Repository
Series I. Oral Histories, 1952, 1981-1988, inclusive
Scope and Contents
This series consists of interviews conducted by NYU Performance Studies graduate student Martha S. LoMonaco for her dissertation and subsequent book on the Tamiment Playhouse, entitled Every Week a Broadway Revue.
Arrangement
Series is arranged alphabetically by interviewee surname.
Allen, Woody, September 12, 1986
Original Recording
Access Copy
Transcript
Barer, Marshall, March 21-24, 1986
Original Recording
Access Copy
Transcript
Berkowitz, Sol, March 4, 1986
Original Recording
Access Copy
Transcript
Bird, Dorothy, January 16, 1986
Original Recording
Access Copy
Transcript
Blaker, Ben, September 27, 1986
Original Recording
Access Copy
Transcript
Blaker, Martha and Alex, October 21, 1986
Original Recording
Access Copy
Transcript
Bock, Jerry, May 13, 1986
Original Recording
Access Copy
Transcript
Bozeman, Beverly, October 27, 1981
Original Recording
Access Copy
Transcript
Brenner, Yvonne, December 11, 1981
Original Recording
Access Copy
Transcript
Burnett, Carol, March 22, 1982
Scope and Contents
Carol Burnett is featured on the first 14 minutes of this recording, and the remainder is Public Broadcasting content.
Physical Characteristics and Technical Requirements
Duration: 95 minutes
Audio
Original Recording
Access Copy
Transcript
Carroll, Pat, June 9-July 7, 1986
Physical Characteristics and Technical Requirements
Cassette A duration: 65 minutes. Cassette B duration: 63 minutes.
Audio
Audio
Original Recording
Access Copy
Transcript
Coca, Imogene, March 11, 1986
Original Recording
Access Copy
Transcript
Connell, Gordon, circa 1980s, inclusive
Original Recording
Access Copy
Cook, Barbara, May 16, 1986
Original Recording
Access Copy
Transcript
Corey, Irwin, February 11, 1986
Original Recording
Access Copy
Transcript
Daniels, Danny, December 3, 1986
Original Recording
Access Copy
Transcript
Deems, Mickey, January 15, 1987
Original Recording
Access Copy
Transcript
Dooley, Paul, August 17, 1986
Original Recording
Access Copy
Ellstein, Sylvia Regan, February 13, 1987
Original Recording
Access Copy
Transcript
Felder, Blanche (Ganz), April 29, 1987
Original Recording
Access Copy
Transcript
Frankel, Beulah, March 4, 1982
Original Recording
Access Copy
Transcript
Garrett, Betty, circa 1980s, inclusive
Original Recording
Access Copy
Transcript
Gildermeister, Rick, October 28, 1987
Original Recording
Access Copy
Gladstone, Saul, April 12, 1987
Original Recording
Access Copy
Transcript
Goldfarb, Philip, February 9, 1987
Original Recording
Access Copy
Transcript
Goren, Lewis, August 26, 1985
Original Recording
Access Copy
Transcript
Greene, Milton, December 12, 1986
Original Recording
Access Copy
Transcript
Hack, Moe and Hack Cohen, Paula, September 9, 1985
Original Recording
Access Copy
Transcript
Hack, Moe and Thomas, Bill, circa 1980s, inclusive
Scope and Content Note
The first side/track contains the oral history interview with Moe Hack and Bill Thomas. The second side/track contains a demo recording of music from Member of the Wedding (vocals with piano accompaniment), possibly performed by Marshall Barer, and additional oral history content.
Original Recording
Access Copy
Hack Cohen, Paula, December 14, 1981
Original Recording
Access Copy
Halliday, Buzz, September 26, 1985
Original Recording
Access Copy
Transcript
Hayes, Dorsha, July 2, 1986
Original Recording
Access Copy
Transcript
Hollister, David, January 30, 1986
Original Recording
Access Copy
Transcript
Holt, Calvin, July 29, 1986
Original Recording
Access Copy
Transcript
Josephson, Ben, October 30, 1986
Original Recording
Access Copy
Transcript
Kallen, Lucille, April 27, 1982
Original Recording
Access Copy
Transcript
Kallen, Lucille, March 6, 1987
Original Recording
Access Copy
Transcript
Kemp, Pearl, November 21, 1986
Original Recording
Access Copy
Transcript
Kert, Larry, December 5, 1986
Original Recording
Access Copy
Transcript
Lawson, Sid, October 6, 1981
Original Recording
Access Copy
Transcript
Levitas, Michael, April 21, 1987
Original Recording
Access Copy
Transcript
Levitas, Willard, March 24, 1987
Original Recording
Access Copy
Transcript
Lichtenberg, Daniel, April 9, 1986
Original Recording
Access Copy
Transcript
Liff, Biff (Samuel), July 7, 1986
Original Recording
Access Copy
Transcription
Meyer, John, February 2, 1987
Original Recording
Access Copy
Transcript
Nye, Anita; Starbuck, James; and Tolkin, Mel, circa 1980s, inclusive
Original Recording
Access Copy
Pockriss, Lee, March 13, 1986
Original Recording
Access Copy
Transcript
Remo, Ken, December 20, 1985
Original Recording
Access Copy
Transcript
Rodgers, Mary (Goettel), September 23, 1981
Original Recording
Access Copy
Transcript
Rosales, Sylvia Marks, April 16, 1982
Original Recording
Access Copy
Transcript
Ross, Mark, April 18, 1986
Transcript
Sandyville Group, August 27, 1985
Scope and Content Note
Includes Annette and David Leisten, Bess Goldstein, Rose Hochstein, and Mrs. Myers.
Original Recording
Access Copy
Transcript
Scheiner, Harry, June 2, 1982
Original Recording
Access Copy
Transcript
Seltzer, Ellen, January 1, 1987
Original Recording
Access Copy
Transcript
Simon, Danny, December 5, 1986
Original Recording
Access Copy
Transcript
Simon, Neil, January 20, 1988
Audio
Original Recording
Access Copy
Transcript
Simone, Arlene -- There's a Lady on Stage, February 23, 1987
Scope and Content Note
This is Arlene Simone's commercially-recorded album There's a Lady On Stage. Songs include: "Quiet Please, There's a Lady on Stage", "You are So Beautiful", "Ain't No Sunshine", "Something Cool", "Over the Rainbow", "Memory", "If and When", "Papa, Can You Hear Me", "Torna A Surriento", "New York, New York", and "Some other Time".
Original Recording
Access Copy
Starbuck, James, December 12, 1985
Original Recording
Access Copy
Transcript
Stich, Faye Stern, July 24, 1985
Original Recording
Access Copy
Tamiment Playhouse Performances, 1952
Scope and Content Note
Contains music by David Hollister and lyrics by Don Meyer. Selections include "I Go For You," fragment of New York opening ("A Wonderful Place to Live"), "Who Needs It," "All Aboard," "I Wanna Make Love Tonight," crossover before sketch "Death of a Streetcar" with Don Meyer and Danny Simon, and "Congratulations Mrs. Brown."
Original Recording
Access Copy
Theodore, Lee, November 10, 1981
Original Recording
Access Copy
Transcript
Tolkin, Mel, circa 1980s, inclusive
Transcript
Wagner, Charles, July 9, 1986
Original Recording
Access Copy
Transcript
Wagner, Frank, December 30, 1981
Original Recording
Access Copy
Transcript
Weiner, John, June 3, 1986
Original Recording
Access Copy
Transcript
Series II. Audio Recordings of Performances, 1955-1960, inclusive
Scope and Contents
This series includes live audio recordings of performances at the Tamiment Playhouse from 1955-1960.
Arrangement
Series is arranged chronologically.
Ninth Show, Do It Yourself, circa August 27, 1955
Physical Characteristics and Technical Requirements
Duration: 89 minutes
Audio
Original Recording
Tenth Show, People Will Talk at 3.75, September 3, 1955
Twelfth Show, 1955, inclusive
Second Show, Spic n Span, July 7, 1956
Third Show, Perchance, July 15, 1956
Original Recording
Access Copy
Ninth Show, Time Was, August 25, 1956
Original Recording
Access Copy
Tenth Show, We Promise the Moon, September 1, 1956
Original Recording
Access Copy
Twelfth Show, First Act, 1956
Original Recording
Access Copy
Twelfth Show, Second Act, 1956
Original Recording
Access Copy
First Show, Do It Yourself, June 29, 1957
Fourth Show, Do It Yourself, July 20, 1957
Twelfth Show, Do It Yourself, September 7, 1957
Third Show, High Hopes, July 18, 1959
Fourth Show, Red Hot, July 25, 1959
Fifth Show, Isn't America Fun, August 1, 1959
Fifth Show, Isn't America Fun, August 1, 1959
Happy Medium, August 22, 1959
Ninth Show, Curtain Call, August 29, 1959
Rehearsal of Ninth Show, Jazz Fuegue, 1960
Princess and the Pea, undated, inclusive
Second Show, Let the Bells Ring, July 9, 1960
Third Show, Silver Screen, July 16, 1960
Fourth Show, Round Robin, July 24, 1960
Fifth Show, Pocketful, July 30, 1960
Sixth Show, There You Are, August 3, 1960
Seventh Show, There You Are, August 3, 1960
Eighth Show, Silver, 1960
Ninth Show, 1960
Physical Characteristics and Technical Requirements
Duration: 65 minutes