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About Itself, 1968-1995, inclusive

Box: 1, Folder: 1 (Material Type: Mixed Materials)

Scope and Contents

Guitar and cello part to a fourteen-measure composition, not in Hemphill's hand.

Abstrac, 1968-1995, inclusive

Box: 1, Folder: 2 (Material Type: Mixed Materials)

Scope and Contents

Nineteen-page holograph score, ruled by hand, orchestrated for a jazz big band (five woodwinds, three trumpets, French horn, trombone, tuba, cello, bass, and percussion).

Affairs of the Heart, 1980-1995, inclusive

Box: 1, Folder: 3 (Material Type: Mixed Materials)

Scope and Contents

Professionally copied parts to a work for saxophone quartet, orchestrated using woodwind doubles (soprano saxophone, flute, alto flute, bass clarinet).

After The Crowd, 1978-1995, inclusive

Box: 1, Folder: 4 (Material Type: Mixed Materials)

Scope and Contents

Five-page score photocopied from Sightation Notebook for a work for clarinet, French horn, saxophone, bass, and drums. Sightation Notebook includes an ordered list of the suite of compositions with circus-themed titles, from which this piece is drawn.

Ahmad the Terrible, 1986-1995, inclusive

Box: 1, Folder: 5 (Material Type: Mixed Materials)

Scope and Contents

Holograph concert score. Sixty-three-measure big-band arrangement of a Jack DeJohnette composition dedicated to pianist Ahmad Jamal. The folder also includes a holograph score for backgrounds during the solo section from measure 63, with detailed notes to the copyist in red ink. The melody of the original DeJohnette composition is not notated in the score.

Air Rings, 1968-1995, inclusive

Box: 5, Folder: 1 (Material Type: Mixed Materials)

Scope and Contents

Score in holograph for a work in two voices in treble and bass clef. There is a treble melody line, first designated for flute, but then suggested for soprano saxophone 8vb. The bass clef part is mostly single notes, though double stops may indicate a cello. There are also professionally copied soprano saxophone and bass parts, as well as parts in holograph for trumpet and guitar. The piece has an eight-bar intro, a twenty-bar A section, repeated, and an eight-bar bridge.

Anchorman - from "Last Supper", 1990-1990, inclusive

Box: 1, Folder: 6 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of professionally copied parts for saxophone sextet (two soprano, alto, two tenor, and baritone), based on material from "The Last Supper at Uncle Tom's Cabin / The Promised Land."

Anchorman - Theatrical Piece, 1968-1995, inclusive

Box: 1, Folder: 7 (Material Type: Mixed Materials)

Scope and Contents

Holograph score in pencil of a piece for trumpet, two tenor saxophones, and bass clarinet. Score is in five lines, with meticulous phrase markings. Pages 4 and 5 (of 10 indicated) are missing. This piece was written for "Anchorman," a theatrical work in two acts by Paul Carter Harrison. Folder also includes a shorter score, marked "Act I," orchestrated for soprano saxophone, trumpet, tenor saxophone, and bass clarinet.

Another Feeling, 1981-1995, inclusive

Box: 5, Folder: 2 (Material Type: Mixed Materials)

Scope and Contents

Professionally copied parts for a saxophone quartet (soprano, alto, tenor, and baritone). Composition is part of a suite entitled "Wind/Rhythms" written for World Saxophone Quartet's collaboration with Max Roach's M'Boom. This work is a slow chorale. See "Wind/Rhythms" for full score.

Answer, The, 1991-1995, inclusive

Box: 5, Folder: 3 (Material Type: Mixed Materials)

Scope and Contents

Transposed holograph score in pencil of a piece for saxophone sextet (soprano, two altos, two tenors, baritone). Twenty-one measures. Hemphill wrote this work as a concert piece for the Julius Hemphill Saxophone Sextet; folder includes set of manuscript parts not in composer's hand and professionally copied parts use for the Sextet folio published by Subito Music.

Antecedent, 1977-1995, inclusive

Box: 1, Folder: 8 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of "Fourth Blues: Uttered Flute" (a title in a decorative compartment) from Foran Notebook. An improvised flute solo, this piece was included on the album Blue Boyé (1977) under the title "Antecedent."

Ascension, 1990-1995, inclusive

Box: 5, Folder: 4 (Material Type: Mixed Materials)

Scope and Contents

Professionally copied parts to a piece for saxophone sextet (two sopranos, alto, two tenors, baritone) originally written for "Last Supper at Uncle Tom's Cabin / The Promised Land."

Astrid, 1968-1995, inclusive

Box: 1, Folder: 9 (Material Type: Mixed Materials)

Scope and Contents

Holograph score in pencil for an up-tempo piece orchestrated for soprano saxophone, guitar, bass, and drums. It is eighteen measures long with a written tag; the form is AABA + tag. Score is annotated with phone numbers and addresses for different individuals. Folder also includes professionally copied parts.

At Dr. King's Table, 1990-1995, inclusive

Box: 1, Folder: 10 (Material Type: Mixed Materials)

Scope and Contents

Professionally copied parts for saxophone sextet (soprano, two alto, two tenor, and baritone). See "Last Supper at Uncle Tom's Cabin / The Promised Land" for additional score and parts.

At Harmony - Small group, 1984-1995, inclusive

Box: 1, Folder: 11 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for a work for alto saxophone and cello. Folder also includes a score in holograph for alto saxophone, guitar, bass, and drums, with detailed notes to the copyist, as well as a holograph alto saxophone part and a photocopy of a trumpet part from Trumpet Notebook.

At Harmony - Big band parts, 1984-1995, inclusive

Box: 5, Folder: 5 (Material Type: Mixed Materials)

Scope and Contents

Full set of parts, professionally copied, on paper and transparency (paper vellum). Folder includes photocopies of parts (some originals in "Aggregated Parts").

At Harmony - Big band score, 1984-1995, inclusive

Box: 1, Folder: 12 (Material Type: Mixed Materials)

Scope and Contents

Holograph score in pencil as well as several photocopies.

Band Theme, 1993-1995, inclusive

Box: 5, Folder: 6 (Material Type: Mixed Materials)

Scope and Contents

Holograph score in pencil for saxophone sextet (soprano, two altos, two tenors, baritone), titled "Backgrounds Band Theme." This piece was written for Julius Hemphill Sextet and was included in "Long Tongues: A Saxophone Opera." Parts were improvised during the tenor saxophone solo based on Jimmy Heath's "CTA" chord changes.

Basso / Pro Bird, 1968-1995, inclusive

Box: 5, Folder: 7 (Material Type: Mixed Materials)

Scope and Contents

Score with professionally-copied parts for a piece for flute, bass, and drums. Vellum and light-sensitive paper. Includes note for copyist that a guitar part should be made. The piece is eighteen measures long, with intro in 7/4 and main section in 2/2. Hemphill's notes indicate that a portion of this composition is used in the eighth movement of the "Drunk on God" suite. That movement is titled "Mailika" on the album Julius Hemphill Big Band (1988); it is titled "Maliaka: Drum / Woman" in Hemphill's score.

Bayou Sketch, 1977-1995, inclusive

Box: 1, Folder: 13 (Material Type: Mixed Materials)

Scope and Contents

Four parts in holograph for saxophone quartet (soprano, alto, tenor, baritone). Included on the album Point of No Return (1977) as "Bajou Scetches" (and attributed to Hamiet Bluiett).

Big Band, 1968-1995, inclusive

Box: 1, Folder: 14 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of a holograph score from Schirmer's Notebook for a piece for big band (flute, alto saxophone / clarinet, alto/tenor saxophone, tenor/alto saxophone / flute, baritone saxophone / clarinet, bass clarinet / tenor saxophone / piccolo, French horn, trombone, tuba, cello, bass, and two percussion parts).

The Big Bang!, undated, inclusive

Box: 24, VHS: 542.0147 (Material Type: video)

Big Drum Speaks, The, 1988-1995, inclusive

Box: 1, Folder: 15 (Material Type: Mixed Materials)

Scope and Contents

Parts in holograph for two guitars and bass (the instrumentation of Hemphill's JAH band), with chord symbols in a different hand. The parts are from a movement in the suite "Drunk on God," which appears on the album Julius Hemphill Big Band (1988). The movement is titled "Cosmic Country Boy" on the recording. See "Drunk on God" for parts and score, with title sometimes as "From Out of Nowhere: The Big Drum Speaks."

Big Foot, 1977-1995, inclusive

Box: 1, Folder: 16 (Material Type: Mixed Materials)

Scope and Contents

Holograph score and parts for saxophone quartet (soprano, alto, tenor, baritone).

Bimbo: The Elephant, 1977-1995, inclusive

Box: 1, Folder: 17 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score from Sightation Notebook of a work for clarinet, trumpet, alto saxophone, bass, and drums. Sightation Notebook includes an ordered list of the suite of compositions with circus-themed titles, from which this piece is drawn.

Bitter Glory, A: Opening Song, 1994-1995, inclusive

Box: 1, Folder: 18 (Material Type: Mixed Materials)

Scope and Contents

Two-page holograph score for a piece with a soprano or alto vocal line and unorchestrated accompaniment. In pencil and black ink with annotations in red ink; photocopies include further annotations. Several manuscript notebooks include parts for this piece for reeds/woodwinds (soprano and alto saxophone, clarinet, flute), brass (trumpet, French horn, trombone), cello, and bass. The piece is the "Opening Song" from music written for the theater piece "A Bitter Glory."

Blessed Quietness, 1968-1995, inclusive

Box: 1, Folder: 19 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of parts in holograph for trumpet and tenor saxophone. Identified as page 2; page 1 not in folder.

Blues Country, 1968-1995, inclusive

Box: 1, Folder: 20 (Material Type: Mixed Materials)

Scope and Contents

Bass and guitar parts (each one page) in holograph of a twenty-one measure piece. Musik Hug Notebook has a score that includes a partial part for saxophone (included in folder as a photocopy).

Bordertown (San Antonio), 1980-1995, inclusive

Box: 1, Folder: 21 (Material Type: Mixed Materials)

Scope and Contents

Holograph score in pencil, with annotations in red ink, of a big-band arrangement dated 1980. There are further additions in Hemphill's hand, with background parts and harmonizations corresponding to the album Julius Hemphill Big Band (1988). The folder also includes a saxophone quartet arrangement (soprano, soprano/alto, bass clarinet / tenor saxophone, alto clarinet / baritone saxophone), as well as professionally copied parts; the first page (of two) for the bass clarinet / tenor saxophone part is missing. Folder includes a piano score in holograph for "Bordertown," with the the annotation "Good Boye Music ASCAP" on each page.

Bordertown - Big band parts I, 1980-1995, inclusive

Box: 1, Folder: 22 (Material Type: Mixed Materials)

Scope and Contents

Professionally copied parts for big-band arrangement, reflecting some changes of instrumentation between 1980 and 1988 versions.

Bordertown - Big band parts II, 1980-1995, inclusive

Box: 1, Folder: 23 (Material Type: Mixed Materials)

Scope and Contents

Paper vellum parts and photocopies for the 1980 big-band arrangement.

Bumpkin, 1968-1995, inclusive

Box: 1, Folder: 24 (Material Type: Mixed Materials)

Scope and Contents

Professionally copied parts for saxophone quartet (soprano, alto, tenor, baritone).

Buster Bee, 1978-1995, inclusive

Box: 1, Folder: 25 (Material Type: Mixed Materials)

Scope and Contents

Folder includes Hemphill's alto saxophone part in holograph, as well as a photocopy from Schirmer's Notebook of the melody line for a duet for two alto saxophones. The holograph alto saxophone part includes some harmony notes to the melody found in Schirmer's Notebook.

BZ, 1968-1995, inclusive

Box: 1, Folder: 26 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of incomplete score from Schirmer's Notebook for an enlarged big band ensemble (piccolo, flute, clarinet, alto, tenor and baritone saxophones, three trumpets, trombones, cello, bass, and percussion.) Score includes sketch for fourteen-measure intro, followed by twenty measures of a soprano saxophone part with some chord symbols.

C. M. E., 1977-1995, inclusive

Box: 1, Folder: 27 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of a holograph score from Foran Notebook, for a work for flute, soprano saxophone, and alto saxophone, recorded through an overdub process on the album Blue Boyé (1977). The piece is titled "C.M.E." on the album and "Seventh (Roots)" in the notebook.

C (Those Blues) - Big band score, 1974-1995, inclusive

Box: 1, Folder: 28 (Material Type: Mixed Materials)

Scope and Contents

Big band arrangement in holograph score in pencil, with annotations in red ink, as performed in 1980. There is an additional page in holograph with material that was used for the album Julius Hemphill Big Band (1988). Folder includes several photocopies of the big band score. This piece has been variously titled "C," "C (Those Blues)," and "C/Saw."

C (Those Blues) - Big band parts, 1974-1995, inclusive

Box: 1, Folder: 29 (Material Type: Mixed Materials)

Scope and Contents

Professionally copied parts for the big band arrangement, on paper vellum and paper.

Capetown Harvest, 1968-1995, inclusive

Box: 1, Folder: 30 (Material Type: Mixed Materials)

Scope and Contents

Viola part in holograph, with title written in black felt-tip pen.

Changes, 1968-1995, inclusive

Box: 1, Folder: 31 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of score, possibly in Hemphill's hand, with written instructions in Hemphill's hand, for flute, baritone saxophone, cello, and drums. The piece is forty-six measures long and is based on the main motive of Buddy Miles's composition "Changes." The piece may be incomplete, as there is a letter "D" following the fermata in measure 46.

Children's Song, The - Saxophone quartet version, 1975-1995, inclusive

Box: 1, Folder: 32 (Material Type: Mixed Materials)

Scope and Contents

Alto clarinet part, probably in Hamiett Bluiett's hand, which transposes the clarinet part from a work orchestrated for two flutes, clarinet, and tenor saxophone; a photocopy of the holograph score for from Foran Notebook is included here. Folder also includes a trombone part by a professional copyist on paper vellum, indicating performances by a different ensemble.

Children's Song, The - Sextet version, 1990-1995, inclusive

Box: 1, Folder: 33 (Material Type: Mixed Materials)

Scope and Contents

One-page holograph score for saxophone sextet (three altos, two tenors, baritone) and voice (dancers onstage), in which Hemphill harmonizes the opening melody of his saxophone quartet of the same title. The folder also includes professionally copied parts for soprano, two altos, tenor, and baritone saxophone. (A second tenor part may be missing.) Folder includes photocopy of holograph score, as well as a different orchestration for alto saxophone, trumpet, tenor saxophone, trombone, baritone saxophone, and bass. This was the final movement of "Last Supper at Uncle Tom's Cabin / The Promised Land." See "Last Supper at Uncle Tom's Cabin / The Promised Land" for score and parts.

Choo Choo, 1975-1995, inclusive

Box: 1, Folder: 34 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score from Foran Notebook and several sets of photocopied parts, also in composer's hand, of a piece for saxophone quartet (soprano, alto, tenor, baritone).

Circles, 1968-1995, inclusive

Box: 1, Folder: 35 (Material Type: Mixed Materials)

Scope and Contents

One-page holograph score for an unfinished piece for saxophone quartet (two altos, tenor, baritone). In pencil and black ink with annotations in red ink. Nine-bar intro, eight-bar A section, and an eight-bar B section consisting only of baritone saxophone melody.

Cole, Bill: Compositions arranged by Hemphill, 1986-1995, inclusive

Box: 1, Folder: 36 (Material Type: Mixed Materials)

Scope and Contents

Holograph score of arrangements for an octet (two woodwinds, trumpet, tuba, cello, bass, and two percussionists) of seven compositions by Bill Cole. In pencil and black ink with further annotations in red and blue ink, fifteen pages in total. Piece titles: "To Sow Is To Reap," "Live with Humble Man /Spirit," "Tormenter," "Beat Drum / Man Man," "One Man's Hatred / Destiny," "Don't Go to Bed With Your Roof Afire," "Man Woman Snake Dead." Folder includes envelope in which scores were mailed from Cole to Hemphill.

Connections, 1980-1995, inclusive

Box: 1, Folder: 37 (Material Type: Mixed Materials)

Scope and Contents

Parts in holograph of a piece for saxophone quartet (two altos, tenor, baritone). The piece is a 34-measure slow chorale.

Cool Red, 1987-1995, inclusive

Box: 5, Folder: 8 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for a piece for saxophone quartet (two sopranos, tenor, baritone). Ballad in 3/4 time.

Coral, 1968-1995, inclusive

Box: 1, Folder: 38 (Material Type: Mixed Materials)

Scope and Contents

Two-page holograph score in black ink for a piece orchestrated for flute, trumpet, and cello. Folder includes holograph parts for cello and trumpet. The piece is twelve measures long, with a four-bar vamp at the end.

Countryside, 1977-1995, inclusive

Box: 1, Folder: 39 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score from Foran Notebook of a piece entitled "Fifth Blues," orchestrated for flute, soprano saxophone, and alto saxophone. This piece appears on the album Blue Boyé (1977) with the title "Countryside."

Crystal, 1968-1995, inclusive

Box: 1, Folder: 40 (Material Type: Mixed Materials)

Scope and Contents

One-page holograph score, eleven measures long, along with photocopy of score that includes additional tempo marking in composer's hand, of a composition for string quartet (violin, viola, cello, double bass). Instruction for "cymball roll" suggests the piece originally included percussion.

Cyclic Affair, 1968-1995, inclusive

Box: 1, Folder: 41 (Material Type: Mixed Materials)

Scope and Contents

Cello part in holograph.

Dar El Sudan, 1977-1977, inclusive

Box: 1, Folder: 42 (Material Type: Mixed Materials)

Scope and Contents

Four parts in holograph of piece for saxophone quartet (two soprano, tenor, and baritone).

Dear Friend, 1968-1995, inclusive

Box: 1, Folder: 43 (Material Type: Mixed Materials)

Scope and Contents

Score in holograph of piece for three instruments, likely alto saxophone, cello, and an unknown third instrument. The score is fifteen measures long, with three unidentified parts; lowest line indicates "arco" at times. There are two parts in Hemphill's hand for alto saxophone and cello, though they do not correspond precisely to the lower two staves in the full score.

Dimples: The Fat Lady on Parade, 1978-1995, inclusive

Box: 1, Folder: 44 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of score in composer's hand from Sightation Notebook for clarinet, soprano saxophone, trumpet, bass, and drums. Sightation Notebook includes an ordered list of the suite of compositions with circus-themed titles, from which this piece is drawn.

Dirty Row, 1977-1995, inclusive

Box: 1, Folder: 45 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of score in composer's hand from Foran Notebook, recorded as an overdub composition on the album Blue Boyé (1977). In the notebook, it is titled "Fifth Blues." Score consists of several twelve-tone rows with transpositions.

Dogon A.D. - Small Group, 1972-1995, inclusive

Box: 1, Folder: 46 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score from Kawaida Notebook, entitled "Original Dogon A.D," for alto saxophone, trumpet, vibraphone, and drums. Various parts for alto saxophone, trumpet, cello, bass, tuba, bass clarinet, and guitar, reflecting different group arrangements. Some parts are in holograph, others professionally copied, and others in different hands.

Dogon A.D. - Big Band, 1980-1995, inclusive

Box: 1, Folder: 47 (Material Type: Mixed Materials)

Scope and Contents

Score in holograph for big-band arrangement of "Dogon A.D.", orchestrated for five saxophones, trumpet, French horn, trombone, tuba, vibraphone, bass, and drums. There is a complete set of professionally copied parts on paper vellum and paper for this twelve-piece arrangement, as well as a part in holograph for guitar, with annotation in composer's hand. See large-scale work "Long Tongues: A Saxophone Opera" for an arrangement with added strings.

Downstairs, 1968-1995, inclusive

Box: 1, Folder: 48 (Material Type: Mixed Materials)

Scope and Contents

Cello part in holograph for a seventy-measure piece.

Dreams, 1968-1995, inclusive

Box: 1, Folder: 49 (Material Type: Mixed Materials)

Scope and Contents

Score in holograph for one unidentified instrument, apparently torn from manuscript book. Tempo marking is "Very slow" and the piece is divided into "Part I" and "Part II."

Dream / Scheme, 1978-1995, inclusive

Box: 1, Folder: 50 (Material Type: Mixed Materials)

Scope and Contents

Photocopies of parts in composer's hand for two flutes, soprano and tenor saxophone. Holograph full score appears in Foran Notebook.

Dung, 1978-1995, inclusive

Box: 1, Folder: 51 (Material Type: Mixed Materials)

Scope and Contents

Various parts for clarinet, alto saxophone, trumpet, tuba, bass, drums, and guitar, some in holograph, others professionally copied. There are two incomplete scores, both indicating a quintet arrangement, one in holograph with lines for tuba, bass, and drums, the other a photocopy from Sightation Notebook for clarinet, alto saxophone, and trumpet. Sightation Notebook includes an ordered list of the suite of compositions with circus-themed titles, from which this piece is drawn.

East / West Cycles, 1968-1995, inclusive

Box: 1, Folder: 52 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of trumpet part in composer's hand. Sixteen-measure melody.

Ebony, 1986-1995, inclusive

Box: 5, Folder: 9 (Material Type: Mixed Materials)

Scope and Contents

Holograph score in pencil, with annotations in composer's hand in red ink, for big-band (five saxophones, five trumpets, four trombones, guitar, keyboard, bass, and drums). Arrangement of a composition by Jack DeJohnette. Folder includes second score in holograph for two background sections.

Exotica, 1968-1995, inclusive

Box: 1, Folder: 53 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of page from Foran Notebook, not in composer's hand. Part for cello with instructions for improvisation. (May not be Hemphill composition.)

Fanfare No. 5, 1968-1995, inclusive

Box: 1, Folder: 54 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score from Schirmer's Notebook for alto saxophone, tenor saxophone, and bass. From a sequence of pieces in Schirmer's Notebook for similar instrumentation.

Fat Man, 1991-1995, inclusive

Box: 5, Folder: 10 (Material Type: Mixed Materials)

Scope and Contents

Holograph score in pencil and blue ink for saxophone sextet (soprano, two altos, two tenors, and baritone). Score bears the titles "Cornered" and "Fat Man." The first page of the score has been cut in half. Folder includes holograph parts with annotations by members of the sextet, including instructions for improvisation on Hemphill's first alto part, as well as photocopies of professionally copied parts.

Fat Web, 1968-1995, inclusive

Box: 1, Folder: 55 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score from Schirmer's Notebook for alto saxophone, tenor saxophone, and bass.

Fifteen, 1991-1995, inclusive

Box: 1, Folder: 56 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for saxophone, cello, and drums. The page also bears the title "One Groove," and the second page of the score features the composition "Sixteen."

First Event, 1978-1995, inclusive

Box: 1, Folder: 57 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for saxophone, guitar, bass, and drums. Professionally copied parts for alto saxophone, bass, and drums, with note in composer's hand indicating some parts to be performed ad lib.

Five Chord Stud, 1993-1995, inclusive

Box: 1, Folder: 58 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for saxophone sextet, three alto, two tenor, and baritone sax. Holograph parts. Some parts bear alternative title, "Shorty."

Fixation, 1981-1995, inclusive

Box: 1, Folder: 59 (Material Type: Mixed Materials)

Scope and Contents

Professionally copied parts for saxophone quartet (soprano, two tenor, and baritone). Composition is part of a suite entitled "Wind/Rhythms" written for World Saxophone Quartet's collaboration with Max Roach's M'Boom. Percussion sections indicated in parts. See "Wind/Rhythms" for full score.

Fixed Signs, 1976-1986, inclusive

Box: 1, Folder: 60 (Material Type: Mixed Materials)

Scope and Contents

Professionally copied parts for saxophone quartet (two soprano saxophones, alto clarinet, and bass clarinet). Parts reflect specific instrumentation used by the World Saxophone Quartet.

Flair, 1981-1995, inclusive

Box: 1, Folder: 61 (Material Type: Mixed Materials)

Scope and Contents

Professionally copied parts for two flutes, alto flute, and bass clarinet. Each part has the number "11" at top of page, indicating order in a series of works. Composition is part of a suite entitled "Wind/Rhythms" written for World Saxophone Quartet's collaboration with Max Roach's M'Boom. See "Wind/Rhythms" for full score.

Flat-Out Jump Suite, 1980-1995, inclusive

Box: 1, Folder: 62 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph short score; holograph parts for trumpet, tenor saxophone, and cello. There is also an alto-saxophone transposition of the trumpet part in Marty Ehrlich's hand. This piece is included on the album Flat Out Jump Suite (1980) under the title "Body."

Float, 1988-1995, inclusive

Box: 1, Folder: 63 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score from Musik Hug Notebook, as well as holograph parts for trumpet, guitar, and bass, which differ from the score. Score fragment with indication "After the original Float," indicating later extension of the work. This piece was arranged and titled "Floating" for the "Drunk on God" suite.

Floppy / Blued Up, 1991-1995, inclusive

Box: 5, Folder: 11 (Material Type: Mixed Materials)

Scope and Contents

Holograph score in pencil for saxophone sextet (three alto, two tenor, and baritone). Includes three sets of parts: photocopies of holograph parts except first alto saxophone part (see Aggregated Parts for originals), manuscript parts not in composer's hand, and photocopies of professionally copied parts used for the published sextet collection.

Flush, 1990-1995, inclusive

Box: 5, Folder: 12 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for saxophone sextet (soprano, two alto, two tenor, and baritone). Includes manuscript parts likely in the hand of a sextet member, and photocopies of professionally copied parts used for the published sextet collection.

Fly Dance, 1968-1995, inclusive

Box: 1, Folder: 64 (Material Type: Mixed Materials)

Scope and Contents

Fragmentary holograph score in pencil. Of the four staves, one contains a 24-measure melody for flute. "Tenor" is written at the top of the page.

For Billie - Scores, 1980-1995, inclusive

Box: 5, Folder: 13 (Material Type: Mixed Materials)

Scope and Contents

Four holograph scores representing different arrangements and stages of composition. One-page holograph score with melody for alto saxophone in pencil and chords in red ink. Thirteen-page concert score for big band (five saxophones with flute doubling, trumpet, flugelhorn, trombone and baritone horn, and rhythm section). There is also a four-page extension of this big-band arrangement, with flute parts and annotations in pencil and red ink. Two-page score (transposed) for alto saxophone, trumpet, tenor saxophone, French horn, guitar, bass, and percussion.

For Billie - Parts, 1980-1995, inclusive

Box: 5, Folder: 14 (Material Type: Mixed Materials)

Scope and Contents

Complete set of professionally copied parts for big band (1980 version) on paper vellum. Additional professionally copied parts for two trumpets, trombone, and two guitars. There are also two guitar parts, one in holograph, one professionally copied, as well as an alto saxophone part with additional chordal writing.

Four, 1968-1995, inclusive

Box: 1, Folder: 65 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score from Foran Notebook, for alto saxophone, trumpet, bass, and drums. See "One Two Three Four" for the other movements from this four-part suite. Folder includes various parts for alto saxophone, trumpet, guitar, cello, and bass, some in holograph, several of these photocopied from parts containing multiple pieces (see "Aggregated Parts").

Functions, 1990-1995, inclusive

Box: 1, Folder: 66 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for saxophone quartet (alto, two tenor, and baritone) in blue and black ink. Four parts in manuscript, likely in Marty Ehrlich's hand, with additional annotations in various hands. One part includes chord notations in Hemphill's hand.

Funny Paper, 1981-1995, inclusive

Box: 1, Folder: 67 (Material Type: Mixed Materials)

Scope and Contents

Holograph parts in black ink for saxophone quartet (two altos, tenor, and baritone).

G Song, 1977-1995, inclusive

Box: 1, Folder: 68 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph short score from Musik Hug Notebook. The version of the piece on the album Raw Materials and Residuals (1977) differs in structure from this score. Holograph part for tenor saxophone, which resembles material in "A Bitter Glory" Notebooks.

Georgia Blue, 1984-1995, inclusive

Box: 1, Folder: 69 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for saxophone quartet (solo alto, alto, tenor, and baritone saxophone). Holograph parts for quartet version for alto, tenor, and baritone saxophone. This piece was arranged for saxophone sextet (solo alto, soprano, alto, two tenor, and baritone) for the large-scale work "Long Tongues: A Saxophone Opera." Folder contains professionally copied parts for the sextet version. See "Long Tongues: A Saxophone Opera" for additional score and parts.

Glide, 1991-1995, inclusive

Box: 11, Folder: 1 (Material Type: Mixed Materials)

Scope and Contents

Holograph score (transposing) for saxophone sextet (three alto, two tenor, and baritone). Folder includes manuscript parts likely in the hand of a sextet member, and photocopies of professionally copied parts.

Hand-Packed, 1980-1995, inclusive

Box: 1, Folder: 70 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for trumpet, tenor saxophone, cello, and percussion, including notes for copyist. Photocopies of professionally copied parts (originals in "Aggregated Parts").

Hard Blues, The - Score and small group parts, 1972-1995, inclusive

Box: 11, Folder: 2 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score for alto saxophone, trumpet, and cello/bass from Chiaroscuro Notebook. Holograph part for cello (with instructions for drums), as well as professionally copied parts for trumpet and alto saxophone. Folder includes photocopy of holograph score for big-band arrangement (two soprano, alto, tenor, and baritone saxophones, two trumpets, trombone, tuba, vibraphone, bass, and drums), which premiered in 1980. Also includes one-page original holograph score with additional background parts. Folder includes parts for saxophone sextet arrangement, based on big-band parts. See also "Last Supper at Uncle Tom's Cabin / The Promised Land."

Hard Blues, The - Big band parts, 1972-1995, inclusive

Box: 11, Folder: 3 (Material Type: Mixed Materials)

Scope and Contents

Complete set of professionally copied parts in paper vellum and paper, as well as photocopies, for big-band arrangement.

Harmonie, 1968-1995, inclusive

Box: 1, Folder: 71 (Material Type: Mixed Materials)

Scope and Contents

Two photocopies of holograph part for cello, one with annotations in blue ink, the other with different annotations in black felt pen.

Hazel's Light, 1968-1995, inclusive

Box: 1, Folder: 72 (Material Type: Mixed Materials)

Scope and Contents

Holograph score (two pages) and professionally copied parts for flute, flugelhorn, marimba, and cello. Parts include annotations in composer's hand in red ink. Score includes instructions for percussionist. Marimba part includes note "with Joanne," possibly referring to dancer Joanne Robinson-Hill.

Headlines, 1991-1995, inclusive

Box: 11, Folder: 4 (Material Type: Mixed Materials)

Scope and Contents

Holograph transposing score for saxophone sextet (soprano, two alto, two tenor, and baritone). One original part in holograph for alto I, and photocopies of remaining holograph parts. Folder includes professionally copied parts for the published sextet collection.

Hearts, 1977-1995, inclusive

Box: 1, Folder: 73 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score from Foran Notebook for saxophone quartet (two alto, tenor, and baritone). Folder includes photocopies of holograph parts.

Holy Rockers, 1990-1995, inclusive

Box: 11, Folder: 5 (Material Type: Mixed Materials)

Scope and Contents

Three related scores, composed for saxophone sextet and intended, though apparently not used, for "Last Supper at Uncle Tom's Cabin/The Promised Land" and "Long Tongues: A Saxophone Opera." Holograph score for saxophone sextet (three altos, two tenors, and baritone), three pages long, with sections "Part I" and "Part II." A photocopy of this score has further annotations in Hemphill's hand in red ink. An additional manuscript page of "Part II" in pencil, not in Hemphill's hand, indicates expanded instrumentation, as in "Long Tongues."

Homeboy Tootin' at the Dog Star, 1977-1995, inclusive

Box: 1, Folder: 74 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score from Foran Notebook, where it is titled "Eighth (Flute)." Included on the album Blue Boyé (1977).

Hotend, 1977-1995, inclusive

Box: 1, Folder: 75 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score from Foran Notebook, where it is titled "Second." Composed for soprano and alto saxophones and included on the album Blue Boyé (1977).

Hummer, 1968-1995, inclusive

Box: 1, Folder: 76 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score, two pages, for flute (See "Aggregated Parts" for original). Two other pieces, "Trills" and "Reflective," appear on the same manuscript pages.

Images II, 1975-1995, inclusive

Box: 11, Folder: 6 (Material Type: Mixed Materials)

Scope and Contents

Holograph score with the subtitle "Sketch II," composed for large ensemble, including winds, strings, saxophone sextet, and rhythm section, similar to the instrumentation used for "Long Tongues: A Saxophone Opera," which contains a movement entitled "Sketch II." Folder includes complete set of manuscript parts in black ink, not in Hemphill's hand.

Impulse, 1975-1995, inclusive

Box: 11, Folder: 7 (Material Type: Mixed Materials)

Scope and Contents

Holograph score and professionally copied parts for saxophone quartet (two alto, tenor, and baritone), in pencil and red ink. Folder includes a number of parts in various hands, as well as a set of professionally copied parts for a version orchestrated for two alto saxophones, tenor saxophone, two trumpets, trombone, French horn, violin, viola, and two unidentified instruments.

Ink, 1980-1980, inclusive

Box: 1, Folder: 77 (Material Type: Mixed Materials)

Scope and Contents

Holograph parts for saxophone quartet on mixed woodwinds (alto and tenor saxophone, bass clarinet, and baritone saxophone). Parts include names of World Saxophone Quartet members.

It's a Mystery to Me, 1992-1992, inclusive

Box: 1, Folder: 78 (Material Type: Mixed Materials)

Scope and Contents

Holograph transposing score for alto and baritone saxophones, guitar, cello, and drums. Folder includes a lead sheet in a different key and with some differences in melody from the score.

Ji-Ji Tune, 1981-1995, inclusive

Box: 1, Folder: 79 (Material Type: Mixed Materials)

Scope and Contents

Professionally copied parts for saxophone quartet (soprano, alto, tenor, and baritone). Composition is part of a suite entitled "Wind/Rhythms" written for World Saxophone Quartet's collaboration with Max Roach's M'Boom. The suite was apparently not performed at that concert. See "Wind/Rhythms" for full score.

Kansas City Line, 1977-1995, inclusive

Box: 1, Folder: 80 (Material Type: Mixed Materials)

Scope and Contents

Also appears under titles "K C Line," "Bop Scene: KC Line," or "Gates of Kansas City." Photocopy of holograph score from Foran Notebook for solo alto saxophone, bearing the title "Sixth Blues." Appears as sixth track on the album Blue Boyé (1977). Melody is a ten-bar blues form. Folder includes photocopy of holograph part with chord changes and melody in bass clef, as well as a holograph part with chord changes. There is also a holograph trumpet part and trumpet parts likely in Baikida Carroll's hand, photocopied from Trumpet Notebook and Bass Notebook. Appears as a movement in the large-scale works "Drunk on God" (for big band) and "Long Tongues: A Saxophone Opera."

Lady S, 1980-1995, inclusive

Box: 1, Folder: 81 (Material Type: Mixed Materials)

Scope and Contents

Holograph score in pencil and red ink for 12-piece big-band composition (five reeds, four brass, with three-piece rhythm section). Folder includes professionally copied parts on paper vellum.

Lemon's Etched in Half-Mooned Blues, 1987-1995, inclusive

Box: 11, Folder: 8 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for saxophone sextet (soprano, two alto, two tenor, and baritone). Six-page score includes four printed pages of the poem "Collected Poem for Blind Lemon Jefferson" by K. Curtis Lyle, which was used for a recording in 1971. Score includes stage directions for musicians (possibly related to compositional process for "Long Tongues").

Leora, 1986-1995, inclusive

Box: 1, Folder: 82 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for saxophone quartet (soprano, alto, tenor, and baritone). Second holograph score with instructions for arranging the quartet version for big band, including additional sections. Folder includes professionally copied parts for big band. A note from the copyist indicates that a full score of the big band arrangement was not made.

Leora - Orchestral version, 1993-1995, inclusive

Box: 11, Folder: 9 (Material Type: Mixed Materials)

Scope and Contents

Arrangement for orchestra by Scott Munson, commissioned by the Richmond Symphony. Folder includes computer-printed full score and parts, as well as a photocopy part for the saxophone soloist with chord changes.

Let's Get It On, 1988-1995, inclusive

Box: 1, Folder: 83 (Material Type: Mixed Materials)

Scope and Contents

Arrangement by Hemphill for saxophone quartet (soprano, alto, tenor, and baritone) of song by Marvin Gaye and Edward Townsend. Holograph score and photocopy of holograph with additions and corrections in Hemphill's hand.

Lights, 1978-1995, inclusive

Box: 1, Folder: 84 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for soprano saxophone, flute, and bass. Fifteen-measure composition, with saxophone part apparently at concert pitch.

Little Samba, 1968-1995, inclusive

Box: 1, Folder: 85 (Material Type: Mixed Materials)

Scope and Contents

Holograph parts in black and red ink for saxophone quartet playing other woodwinds (flute, alto flute, tenor saxophone, and bass clarinet).

Long Rhythm, 1977-1995, inclusive

Box: 1, Folder: 86 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph part for cello (original is in "Aggregated Parts").

Long Tongues: A Saxophone Opera, 1989-1990, inclusive

Box: 24, VHS: 542.0148, 542.0149 (Material Type: video)

Loopology, 1988-1995, inclusive

Box: 1, Folder: 87 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for saxophone quartet (soprano, alto, tenor, and baritone). Folder includes holograph part for baritone saxophone, though no other parts.

Lush Life, 1986-1995, inclusive

Box: 11, Folder: 10 (Material Type: Mixed Materials)

Scope and Contents

Arrangement of Billy Strayhorn composition by Hemphill for saxophone quartet (two alto, tenor, and baritone). Four-page holograph score, the latter two pages labeled "extra sheets" with solo sections. Folder includes notes by Hemphill, perhaps contemporaneous.

M. Dewey-Davis System, 1968-1995, inclusive

Box: 2, Folder: 1 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score from Musik Hug Notebook for saxophone and guitar.

Mask Dance, 1987-1995, inclusive

Box: 11, Folder: 11 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for saxophone sextet (three alto, two tenor, and baritone) with instructions for drums. This piece was used in various stages of "Long Tongues" and possibly as part of "Last Supper at Uncle Tom's Cabin / The Promised Land."

Maurice, 1968-1995, inclusive

Box: 2, Folder: 2 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score for saxophone, guitar, trumpet, and cello/bass, notated in short score. Suite of five movements, only four of which are present: "II: Antecedent: Love/Understanding"; "III. Inquiry/Findings"; "IV. Tightenin'"; "V. Oracle." Pages numbered up to fifteen, though pages one, two, and ten are apparently missing. Folder includes photocopy of cello part for "Tightenin'" (original is in Aggregated Parts).

Messin' With The Kid, 1988-1995, inclusive

Box: 2, Folder: 3 (Material Type: Mixed Materials)

Scope and Contents

Arrangement of Mel London composition by Hemphill for saxophone quartet (two alto, tenor, and baritone). Holograph concert score and professionally copied parts on paper and paper vellum.

Middle of Here, 1968-1995, inclusive

Box: 2, Folder: 4 (Material Type: Mixed Materials)

Scope and Contents

Holograph part for cello of 26-measure composition. No other score or parts.

Mingus Gold - Score, 1988-1995, inclusive

Box: 11, Folder: 12 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for string quartet (two violin, viola, cello) and photocopy of holograph with yellow sticky-note annotation. Adaptation/arrangement of three compositions by Charles Mingus: "Nostalgia in Times Square"; "Alice's Wonderland"; "Better Get Hit In Yo' Soul" (stylized by Hemphill as "Betta Gititin Yo Sole"). Folder also includes computer print-out of full score with annotations in red ink by Marty Ehrlich, as proofs for published edition.

Mingus Gold - Parts, 1988-1995, inclusive

Box: 12, Folder: 1 (Material Type: Mixed Materials)

Scope and Contents

Photocopies of complete set of professionally copied parts for string quartet, apparently for premiere performances by Kronos Quartet.

Mirrors, 1971-1995, inclusive

Box: 2, Folder: 5 (Material Type: Mixed Materials)

Scope and Contents

Printouts of published full score for saxophone sextet (two soprano, alto, two tenor, and baritone) with guitar, as published by Subito Music. Folder includes various parts for small-group version for alto saxophone, trumpet, baritone saxophone, cello and guitar, most in holograph, but the trumpet part is a photocopy of a manuscript not in Hemphill's hand from Trumpet Notebook.

Moat and the Bridge, The, 1988-1995, inclusive

Box: 12, Folder: 2 (Material Type: Mixed Materials)

Scope and Contents

Holograph score (transposing) for saxophone sextet (three alto, two tenor, and baritone). Photocopies of professionally copied parts. Published in the Saxophone Sextet collection.

Mosquito, 1968-1995, inclusive

Box: 12, Folder: 3 (Material Type: Mixed Materials)

Scope and Contents

Two pages of holograph score. One page has composition in short score with indications for trumpet, guitar and bass. The other page is possibly an alto saxophone part, with chord symbols. Likely a piece for quintet of saxophone, trumpet, guitar, bass and drums.

Mother of Pearl of Mother, 1968-1995, inclusive

Box: 2, Folder: 6 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of fragmentary holograph score from Chiaroscuro Notebook. An eleven-measure melody for flute with part of a second line.

Mr. Critical, 1988-1995, inclusive

Box: 2, Folder: 7 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for saxophone sextet (two soprano, alto, two tenor, and baritone) with bass and drums. Dedication or homage to Ornette Coleman.

My First Winter, 1981-1995, inclusive

Box: 2, Folder: 8 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for saxophone quartet (three tenor and baritone). Page bears copyright symbol and date of 1981. Folder include professionally copied parts.

New Prayers, 1980-1995, inclusive

Box: 2, Folder: 9 (Material Type: Mixed Materials)

Scope and Contents

Holograph parts for saxophone quartet on mixed woodwinds (flute, clarinet, and two soprano saxophones). The parts bear annotations likely by members of the World Saxophone Quartet, including a note on the clarinet part to transpose for alto clarinet.

OK Rubberband, 1977-1995, inclusive

Box: 2, Folder: 10 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score from Foran Notebook for soprano and alto saxophones and flute. In the notebook it bears the title "Third" and was the third track on the album Blue Boyé (1977), where it is titled "OK Rubberband."

One Atmosphere, 1991-1995, inclusive

Box: 12, Folder: 4 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for piano and string quartet. Commissioned by Ursula Oppens and the Arditti String Quartet and premiered in February 1992. Folder includes photocopy of holograph score and photocopy of full score published by Subito.

One for Eric, 1986-1995, inclusive

Box: 12, Folder: 5 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for Hemphill's arrangement of Jack DeJohnette composition for big band (five saxophones, five trumpets, four trombones, guitar, keyboard, bass, and drums). Folder includes professionally copied alto saxophone part, apparently from DeJohnette's small group version, with annotations by Hemphill likely in preparation for big-band arrangement.

One for Stub, 1968-1995, inclusive

Box: 2, Folder: 11 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for flute, alto and tenor saxophones, piano, bass, and drums. Ten-measure-long composition, dedicated to saxophonist John Stubblefield. Folder includes a manuscript copy of the score in an unknown hand, without measure numbers.

One Two Three Four, 1976-1995, inclusive

Box: 2, Folder: 12 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score from Foran Notebook of suite of four pieces for saxophone, trumpet, and percussion. The titles of the four pieces are stylized "#One"; "#Two"; "#Three" and "#Four." Folder includes photocopies of trumpet parts for the first three movements from Sightation Notebook. Of the four movements, only "Four" seems to have been performed as a free-standing piece. See "Four" for additional score and parts.

One/Waltz/Time, 1985-1995, inclusive

Box: 2, Folder: 13 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for saxophone quartet (two alto, tenor, and baritone) and photocopy of holograph score in Musik Hug Notebook of version for saxophone, two guitars, and bass. Folder includes holograph parts for cello, bass, guitar, tenor saxophone, and baritone saxophone.

Open Air (For Tommy), 1978-1995, inclusive

Box: 2, Folder: 14 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for twelve-piece big band, and holograph parts for version for saxophone quartet using mixed woodwinds (two alto/soprano saxophone, tenor saxophone / bass clarinet, alto clarinet / baritone saxophone). Folder includes holograph parts for alto saxophone and trumpet, perhaps for an arrangement for quartet.

Opener, 1977-1995, inclusive

Box: 2, Folder: 15 (Material Type: Mixed Materials)

Scope and Contents

Photograph of holograph score from Schirmer's Notebook for solo flute. Folder includes photocopy of untitled melody for flute from preceding pages in notebook.

Opening (Hymn), 1990-1995, inclusive

Box: 2, Folder: 16 (Material Type: Mixed Materials)

Scope and Contents

Photocopies of professionally copied parts for saxophone sextet (two soprano, alto, two tenor, and baritone). This piece was composed for "Last Supper at Uncle Tom's Cabin / The Promised Land" and performed separately in concert by the Julius Hemphill Sextet. See "Last Supper at Uncle Tom's Cabin" for holograph score and parts.

Orientation of Sweet Willie Rollbar, The, 1972-1975, inclusive

Box: 2, Folder: 17 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score for flute, trumpet, and drums, from Kawaida Notebook, with title "Rollbar," beginning at "Sec. VI." Likely related to Hemphill's score for the film "The Orientation of Sweet Willie Rollbar" (1972).

Otis' Groove, 1988-1995, inclusive

Box: 2, Folder: 18 (Material Type: Mixed Materials)

Scope and Contents

Professionally copied parts for saxophone sextet (three alto, two tenor, and baritone). This piece was also incorporated into large-scale works. See "Last Supper at Uncle Tom's Cabin / The Promised Land" and "Long Tongues: A Saxophone Opera" for score and parts.

Out of Regular, 1992-1995, inclusive

Box: 2, Folder: 19 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for two alto saxophones, guitar, cello, and drums. Titled "Out, The Regular" on the album Diminutive Mysteries (1992).

Painter, The, 1972-1995, inclusive

Box: 2, Folder: 20 (Material Type: Mixed Materials)

Scope and Contents

Professionally copied cello part, possibly from 1972 recording session for Dogon A.D. Photocopy of holograph cello part, on page including "Rites" and part of "The Hard Blues." See "Aggregated Parts" for original.

Parchment, 1989-1995, inclusive

Box: 2, Folder: 21 (Material Type: Mixed Materials)

Scope and Contents

Holograph score in pencil and red pen for solo piano. Composed for pianist Ursula Oppens. Personal note from Hemphill to Oppens on obverse of first page.

Pensive, 1976-1995, inclusive

Box: 2, Folder: 22 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph parts for tenor saxophone and trumpet (original is in "Aggregated Parts"). Composition recorded as quintet with saxophone, guitar, cello, drums, and percussion on the Wildflower sessions in 1976. Also recorded as a duo with saxophone and cello on the album Live In New York (1978).

Pigskin, 1984-1995, inclusive

Box: 2, Folder: 23 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for alto saxophone, guitar, bass, and drums. Folder includes holograph guitar part. This composition was incorporated into the "Drunk on God" suite for big band, with the title "Motion as the (Terrible) Language of the Future." See "Drunk on God" for big-band score version.

Pillars Latino, 1980-1995, inclusive

Box: 2, Folder: 24 (Material Type: Mixed Materials)

Scope and Contents

Holograph parts for saxophone quartet (soprano, alto, tenor, and baritone).

Plain Song, 1980-1995, inclusive

Box: 2, Folder: 25 (Material Type: Mixed Materials)

Scope and Contents

Holograph parts for cello, bass, and guitar, and photocopy of trumpet part from Trumpet Notebook. Folder also contains holograph parts for baritone saxophone and tenor saxophone, from the version for saxophone quartet recorded on the album World Saxophone Quartet (1980). There are several photocopies of a single holograph page, which includes a single line with riffs or chord voicings, perhaps a "background" part for the saxophone quartet version.

Plateau, 1977-1995, inclusive

Box: 2, Folder: 26 (Material Type: Mixed Materials)

Scope and Contents

Holograph part for alto saxophone and photocopies of holograph parts for cello/bass and French horn. This piece was recorded as a trio for alto saxophone, cello, and percussion on Raw Materials and Residuals (1977).

Promise Land, undated, inclusive

Box: 24, VHS: 542.0150 (Material Type: video)

Pull It, 1968-1995, inclusive

Box: 2, Folder: 27 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for soprano saxophone, guitar, bass, and drums. Folder includes professionally copied parts for saxophone, bass, and drums. Instructions for guitar on the score were likely added later.

Pulsating Shadows, 1968-1995, inclusive

Box: 2, Folder: 28 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score for soprano saxophone and bass.

R and B, 1978-1995, inclusive

Box: 2, Folder: 29 (Material Type: Mixed Materials)

Scope and Contents

Holograph parts for saxophone quartet (two alto, tenor, and baritone), and photocopy of holograph score from Schirmer's Notebook. This piece was also used in "Long Tongues: A Saxophone Opera" in arrangement for saxophone sextet.

Rapsody, 1968-1995, inclusive

Box: 2, Folder: 30 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph part for cello (see "Aggregated Parts" for original).

Reflective, 1968-1995, inclusive

Box: 2, Folder: 31 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of manuscript part in unknown hand for solo flute (See "Aggregated Parts" for original). The part containing this piece also includes the compositions "Trills" and "Hummer."

Repository, 1968-1995, inclusive

Box: 2, Folder: 32 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for soprano saxophone, trumpet, tenor saxophone, French horn, guitar, bass, and percussion.

Revue, 1980-1995, inclusive

Box: 12, Folder: 6 (Material Type: Mixed Materials)

Scope and Contents

Holograph parts for saxophone quartet (soprano, alto, tenor, and baritone). This piece was also used in "Last Supper at Uncle Tom's Cabin / The Promised Land," arranged for saxophone sextet.

Rites, 1972-1988, inclusive

Box: 12, Folder: 7 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for soprano saxophone, trumpet, French horn, baritone saxophone, two guitars, bass, and drums. Holograph score for big-band arrangement (five saxophones, two trumpets, two French horns, two trombones, two guitars, bass, and drums). Big-band arrangement likely made for a recording session for Julius Hemphill Big Band (1988) though not included on album. Photocopy of holograph score from Kawaida Notebook for alto saxophone, trumpet, guitar, and bass, with title "Original Rites." Folder includes complete set of professionally copied parts for big-band arrangement, as well as a variety of other parts, holograph, photocopy, and in unknown hands, for trumpet, guitar, cello, bass, drums, and string instruments.

Rivers of Fire, 1980-1980, inclusive

Box: 2, Folder: 33 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score for soprano saxophone, trumpet, marimba, and cello. This work apparently part of a suite including "Volunteered Blues" and "Hand Packed."

River Waltz, 1968-1995, inclusive

Box: 2, Folder: 34 (Material Type: Mixed Materials)

Scope and Contents

Holograph part for bass, containing thirty measures of chord progressions. Sheet includes a separate composition, "S464Z."

Romance in Time, 1977-1987, inclusive

Box: 2, Folder: 35 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for saxophone quartet (two alto, tenor, and baritone). Folder includes professionally copied parts with annotations in Hemphill's hand in red ink.

S*, 1978-1978, inclusive

Box: 2, Folder: 36 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score from Schirmer's Notebook for two alto saxophones, included on the album Buster Bee (1978). Folder also includes holograph parts for small-ensemble version for alto saxophone, trumpet, cello, guitar, and bass, and professionally copied parts for guitar and bass. See "Lady S" for big-band arrangement.

S464Z, 1968-1995, inclusive

Box: 2, Folder: 37 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph part for bass, containing sixteen measures of chord progressions. Sheet includes a separate composition, "River Waltz."

Sanctified Dreams, 1970-1974, inclusive

Box: 2, Folder: 38 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score from Chiaroscuro Notebook for trumpet and alto saxophone, with empty staves labeled for piano, bass, and drums. Folder includes professionally copied parts for trumpet and alto saxophone, and a photocopy of a part for cello (original is in "Aggregated Parts.")

Savannah Suite, 1968-1995, inclusive

Box: 12, Folder: 8 (Material Type: Mixed Materials)

Scope and Contents

Several photocopies of holograph score for flute, cello, and drums, with title "Savanah [sic] Suite." Folder includes photocopy of cello part (original in "Aggregated Parts") with title "S. Suite, Motional III."

Scatterbrain, 1970-1980, inclusive

Box: 2, Folder: 39 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score from Schirmer's Notebook for trio (soprano or alto saxophone, bass or cello, and drums). Folder includes photocopies of holograph parts for soprano saxophone, trumpet, and cello (originals in "Aggregated Parts").

Serial Abstractions, 1993-1993, inclusive

Box: 12, Folder: 9 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for soprano and baritone saxophones, guitar, cello, and drums.

Seven, 1968-1995, inclusive

Box: 2, Folder: 40 (Material Type: Mixed Materials)

Scope and Contents

Holograph parts for alto, tenor, and baritone saxophone. Additional page includes chord chart not in Hemphill's hand.

Shadows/Echos, 1972-1974, inclusive

Box: 2, Folder: 41 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score from Kawaida Notebook for flute, trumpet, vibraphone, and drums.

Short Circuit, 1976-1977, inclusive

Box: 2, Folder: 42 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph part for bass (see "Aggregated Parts" for original). The part on which this piece is found contains three other compositions that appear on the album Raw Materials and Residuals (1977).

Sir Preacher, 1978-1980, inclusive

Box: 2, Folder: 43 (Material Type: Mixed Materials)

Scope and Contents

Professionally copied parts for tenor saxophone, flugelhorn, cello, and marimba. This piece may have originally appeared as part of "Sketch #3," one of the movements of "Ralph Ellison's Long Tongue." See "Ralph Ellison's Long Tongue." Folder includes photocopy of holograph score for same instrumentation.

Sixteen, 1991-1995, inclusive

Box: 2, Folder: 44 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score for alto saxophone, cello, and bass. See "Fifteen" for the original. This piece appears on the same score under the titles "Fifteen" and "One Groove."

Sixty/Sixty, 1968-1995, inclusive

Box: 2, Folder: 45 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for alto saxophone, guitar, and bass and holograph score for soprano saxophone, trumpet, and tenor saxophone. Folder also includes several professionally copied parts—apparently the work of different copyists—for alto saxophone, bass, and drums.

Slang, 1968-1975, inclusive

Box: 2, Folder: 46 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph part for cello (original in "Aggregated Parts"). Largely a graphic score.

Slices of Light, 1970-1980, inclusive

Box: 2, Folder: 47 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for alto saxophone, trumpet, cello, and percussion. Professionally copied parts for alto saxophone, trumpet, and cello, with part for guitar by a different copyist.

Slide, 1980-1980, inclusive

Box: 2, Folder: 48 (Material Type: Mixed Materials)

Scope and Contents

Professionally copied parts for saxophone quartet (soprano, alto, tenor, and baritone).

Smooth, 1968-1995, inclusive

Box: 2, Folder: 49 (Material Type: Mixed Materials)

Scope and Contents

Holograph part for cello. There is an untitled composition, also for cello, on the same sheet.

Soft Lines, 1968-1995, inclusive

Box: 2, Folder: 50 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score from Schirmer's Notebook for flute, flugelhorn, and cello. Folder includes photocopies of holograph parts (originals in "Aggregated Parts") for cello, flugelhorn, and bass, as well as photocopy of holograph flute part.

Sounds in the Fog, 1993-1993, inclusive

Box: 12, Folder: 10 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for soprano and baritone saxophones, guitar, cello, and drums.

Spiritual Chairs, 1990-1995, inclusive

Box: 12, Folder: 11 (Material Type: Mixed Materials)

Scope and Contents

Photocopies of printed parts for alto saxophone and baritone saxopone, with additional part for baritone in unknown hand, based on material from the final part of "Last Supper at Uncle Tom's Cabin / The Promised Land" (see for additional scores and parts).

Steppin', 1978-1981, inclusive

Box: 2, Folder: 51 (Material Type: Mixed Materials)

Scope and Contents

Holograph parts for flute, alto flute, and bass clarinet of a piece composed for the World Saxophone Quartet.

Stick, 1981-1981, inclusive

Box: 2, Folder: 52 (Material Type: Mixed Materials)

Scope and Contents

Professionally copied parts for two alto saxophones and tenor saxophone from a piece composed for the World Saxophone Quartet.

Strickly Speaking, 1968-1995, inclusive

Box: 2, Folder: 53 (Material Type: Mixed Materials)

Scope and Contents

Photocopy from Musik Hug Notebook of holograph score for guitar and saxophone.

Sweet D, 1968-1995, inclusive

Box: 12, Folder: 12 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score from Schirmer's Notebook for trumpet, alto saxophone, piano, bass, and drums. Professionally copied parts for alto saxophone and trumpet. Folder includes holograph parts for tenor and baritone saxophone, which, with the trumpet and alto saxophone parts, were used for a version for saxophone quartet(soprano, alto, tenor, and baritone). There is a photocopy of a holograph short score with the saxophone quartet instrumentation. Folder includes holograph part for guitar, photocopy of holograph part for cello, and a set of professionally copied parts for saxophone sextet arrangement. "Sweet D" was incorporated into the large-scale piece "Last Supper at Uncle Tom's Cabin / The Promised Land."

Sweet Lucy, 1968-1995, inclusive

Box: 12, Folder: 13 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for two flutes or oboe, two clarinets, two violins, viola, cello, bass, and voice, including lyrics. Folder includes set of holograph parts, complete except for a change in instrumentation (four cellos instead of two violin, viola, and cello). Also a complete set, in same instrumentation as score, copied in an unknown hand.

Swirl, 1975-1986, inclusive

Box: 2, Folder: 54 (Material Type: Mixed Materials)

Scope and Contents

Holograph parts for saxophone quartet (three tenor and baritone).

Syntax, 1968-1995, inclusive

Box: 2, Folder: 55 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph part for cello (original in "Aggregated Parts"), with fingerings likely in Abdul Wadud's hand.

Take the A Train, 1986-1995, inclusive

Box: 12, Folder: 14 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for saxophone quartet (two alto, tenor, and baritone) of arrangement by Hemphill of Billy Strayhorn composition. The parts include instructions for arranging the piece for saxophone sextet. The piece also appears in the score for "Last Supper at Uncle Tom's Cabin / The Promised Land."

Tendrils, 1991-1991, inclusive

Box: 4, Folder: 1 (Material Type: Mixed Materials)

Scope and Contents

Holograph score and parts for saxophone sextet using mixed woodwinds (three flutes, alto saxophone, and two tenor saxophones).

Testament #5, 1984-1991, inclusive

Box: 2, Folder: 56 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for alto saxophone, guitar, bass, and drums. Folder includes two sets of professionally copied parts. The first set, on paper and paper vellum, is for alto saxophone, bass, and drums, with notes to the copyist in Hemphill's hand. The second set of parts includes a guitar part in addition to alto saxophone, bass, and drums.

Three-Step, 1990-1995, inclusive

Box: 2, Folder: 57 (Material Type: Mixed Materials)

Scope and Contents

Professionally copied parts for saxophone sextet (two soprano, alto, two tenor, and baritone). The second tenor part is photocopied. See "Last Supper at Uncle Tom's Cabin / The Promised Land: III" for additional scores and parts.

Tightenin, 1968-1995, inclusive

Box: 2, Folder: 58 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph part for cello (original in "Aggregated Parts").

Touchic', 1981-1995, inclusive

Box: 2, Folder: 59 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for saxophone quartet (soprano, alto, tenor, and baritone). Folder includes complete set of professionally copied parts.

Trills, 1968-1995, inclusive

Box: 2, Folder: 60 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score for solo soprano saxophone (see "Aggregated Parts" for original). Appears on score with compositions "Hummer" and "Reflective."

Twilight, 1986-1995, inclusive

Box: 2, Folder: 61 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for four flutes, soprano saxophone, and tenor saxophone.

Unknown, The, 1993-1993, inclusive

Box: 4, Folder: 2 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for alto and baritone saxophones, guitar, cello, and drums.

Very So, 1984-1987, inclusive

Box: 2, Folder: 62 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for soprano saxophone, two guitars, bass, drums, and percussion. Likely written for the JAH Band.

Void, 1979-1995, inclusive

Box: 2, Folder: 63 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score from Musik Hug Notebook for saxophone quartet (two alto, tenor, and baritone). Although the score is untitled, professionally copied parts, also in folder, bear the title "Void."

Volunteered Blues, 1980-1980, inclusive

Box: 2, Folder: 64 (Material Type: Mixed Materials)

Scope and Contents

Holograph score and professionally copied parts for alto saxophone, trumpet, cello, and percussion.

What I Know Now, 1980-1995, inclusive

Box: 2, Folder: 65 (Material Type: Mixed Materials)

Scope and Contents

Folder includes several versions of this piece for different instrumentation. Holograph score and professionally copied parts for saxophone quartet (two alto, tenor, and baritone). Holograph score, with two photocopies, for big band (alto saxophone, four flutes, flugelhorn, French horn, baritone horn, tuba, vibraphone, and bass). Folder includes professionally copied parts for bass and drums, a holograph piano part with instructions for performance, and parts for flute, two violins, cello, and soprano saxophone, in an unknown hand. See "Plan B" for orchestral arrangement by Christopher Bankey.

What I Know Now - Big Band Parts, 1980-1980, inclusive

Box: 2, Folder: 66 (Material Type: Mixed Materials)

Scope and Contents

Professionally copied parts for big band (alto saxophone, flour flutes, flugelhorn, French horn, baritone horn, tuba, vibraphone, and bass).

Will's Words, 1968-1995, inclusive

Box: 2, Folder: 67 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph part for unidentified B-flat instrument (original in "Aggregated Parts.")

Wind/Rhythms, 1981-1981, inclusive

Box: 4, Folder: 3 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for saxophone quartet (switching among soprano, alto, tenor, and baritone saxophone, and flute, alto flute, and bass clarinet) with notes for percussion. Suite with five movements: "Fixation," "Flair," "Ji-Ji Tune," "Another Feeling," and "Stick." See "Stick" and "Ji-Ji Tune" for additional parts. Composition written for collaboration with Max Roach and M'Boom. Folder includes two pages with instructions for performance.

World Saxophone Quartet on "Skyline," WNET-TV, 1979-04-17

Box: 24, U-matic: 542.0151 (Material Type: video)

Would Boogie, 1970-1980, inclusive

Box: 2, Folder: 68 (Material Type: Mixed Materials)

Scope and Contents

Holograph parts for trumpet, alto saxophone, guitar, and bass, some titled "Wood Boogie."

Zuli, 1968-1995, inclusive

Box: 2, Folder: 69 (Material Type: Mixed Materials)

Scope and Contents

Holograph parts for trumpet, tenor saxophone, and cello. Photocopy of holograph score for three unidentified instruments.

Aggregated Parts, 1968-1995, inclusive

Box: 2, Folder: 70 (Material Type: Mixed Materials)

Scope and Contents

Parts for multiple compositions, with more than one composition per sheet, in a variety of hands though many in holograph.

Untitled Scores and Parts, 1968-1995, inclusive

Box: 4, Folder: 4 (Material Type: Mixed Materials)

Scope and Contents

Parts and scores, many in holograph, with unidentified or fragmentary compositions. Outside of folder includes notes in Marty Ehrlich's hand.

Last Supper at Uncle Tom's Cabin / The Promised Land: I. The Cabin, 1990-1995, inclusive

Box: 4, Folder: 5 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for "The Cabin," the first part of "Last Supper at Uncle Tom's Cabin / The Promised Land." This large-scale composition was written for saxophone sextet, with extensive switching by each player. Individual movements include "Cabin Opener"; "Harry"; "Liza - Tearful Farewell"; "George"; "Slave Dance"; "Chloe"; "Tom"; "Men's Chase / Haley's Dance"; "Tom's Goodbye"; "Boat Music"; "Slave's Walk"; "Lucy"; "St. Clair Family"; "Eva and Tom"; "Dixie Dance"; "Death of Eva"; "Auction"; "Tom's Whipping"; "Ghosts"; "Retrograde"; "Fanfare for Lincoln."

Last Supper at Uncle Tom's Cabin / The Promised Land: II. Eliza on the Ice, 1990-1995, inclusive

Box: 4, Folder: 6 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for "Eliza on the Ice," the second part of "Last Supper at Uncle Tom's Cabin / The Promised Land." This large-scale composition was written for saxophone sextet, with extensive switching by each player. Individual movements include "Knee Play"; "Eliza on the Ice"; "Aint' I a Woman"; "Elevator Music"; "Betsy"; "Prayer Music"; "End of Betsy"; "Fanfare for Maya"; "Soft Shoe"; "Maya"; "Prayer Music."

Last Supper at Uncle Tom's Cabin / The Promised Land: III. The Promised Land, 1990-1995, inclusive

Box: 4, Folder: 7 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for "The Promised Land," the third part of "Last Supper at Uncle Tom's Cabin / The Promised Land." This large-scale composition was written for saxophone sextet, with extensive switching by each player. Individual movements include "At Dr. King's Table"; "Step Dance"; "Dixie Dance"; "Football"; "Ascension"; "Crossformation"; "Opening (Hymn)"; "Three-Step."

Last Supper at Uncle Tom's Cabin / The Promised Land: IV. The Last Supper, 1990-1995, inclusive

Box: 4, Folder: 8 (Material Type: Mixed Materials)

Scope and Contents

Holograph score for "The Last Supper," the fourth part of "Last Supper at Uncle Tom's Cabin / The Promised Land." This large-scale composition was written for saxophone sextet, with extensive switching by each player. Individual movements include "Arthur"; "Trans"; "Men's Trio"; "Ringmere"; "Ringmere Canon"; "Four Saints"; "Spiritual Chairs"; "Lenny"; "The Children's Song."

Last Supper at Uncle Tom's Cabin / The Promised Land - Assorted Parts, 1990-1995, inclusive

Box: 4, Folder: 5 (Material Type: Mixed Materials)

Scope and Contents

Various parts for saxophone sextet for the different movements of "Last Supper at Uncle Tom's Cabin / The Promised Land. Many in pencil, in different hands. Some parts include cut-out photocopies of scores, assembled into performance order. Several parts identify the name of the musician in the original performance.

Last Supper at Uncle Tom's Cabin / The Promised Land - Photocopy scores, 1990-1995, inclusive

Box: 14, Folder: 1 (Material Type: Mixed Materials)

Scope and Contents

Various photocopies of scores for "Last Supper at Uncle Tom's Cabin / The Promised Land."

Last Supper at Uncle Tom's Cabin / The Promised Land - Part Notebooks, 1990-1995, inclusive

Box: 22, Folder: 1-5 (Material Type: Mixed Materials)

Drunk on God, 1988-1995, inclusive

Box: 14, Folder: 2 (Material Type: Mixed Materials)

Scope and Contents

Holograph score of "Drunk on God" suite for big band (five saxophones, two trumpets, two French horns, two trombones, two guitars, drums, and bass), written for the album Julius Hemphill Big Band (1988). The movements (titled differently on the recording) are "Nago: Testament"; "Maliaka: Drum/Woman"; "Pigskin" or "Motion as the Lang"; "Float"; "Bob Scene: KC Line"; "Anchorman"; "From Out of Nowhere: The Big Drum Speaks." Several movements exist as independent compositions.

Drunk on God - Parts I, 1988-1995, inclusive

Box: 14, Folder: 3 (Material Type: Mixed Materials)

Scope and Contents

Set of professionally copied parts for several movements of the "Drunk on God" suite ("Nago: Testament," "Maliaka: Drum/Woman," "Motion as the Lang"/"Pigskin," and "Float"). Includes annotations in various hands.

Drunk on God - Parts II, 1988-1995, inclusive

Box: 14, Folder: 4 (Material Type: Mixed Materials)

Scope and Contents

Set of professionally copied parts for several movements of the "Drunk on God" suite ("Anchorman," "The Big Drum Speaks," and "Bob Scene - KC Line."). Includes annotations in various hands.

Ralph Ellison's Long Tongue, 1978-1995, inclusive

Box: 14, Folder: 5 (Material Type: Mixed Materials)

Scope and Contents

Holograph score with multiple movements from the theatrical work "Ralph Ellison's Long Tongue." Instrumentation includes alto and tenor saxophone, trumpet, French horn, and cello. Individual movements are "Sketch 1," "Sketch 2," Sketch 3," "Sketch 4," and "Sir Preacher." Folder includes holograph parts for two additional movements: "Carnival Barker," for which there is an alto saxophone part, and "Orator," for which there are parts for trumpet, cello, and soprano saxophone. These parts include settings of text based on the novel by Ralph Ellison, Invisible Man (1952).

Water Music for Woodwinds - Parts, 1976-1995, inclusive

Box: 15, Folder: 1 (Material Type: Mixed Materials)

Scope and Contents

Professionally copied parts for seven instrumentalists playing various woodwinds. The parts are identified by the names of the original musicians, with annotations in various hands and photocopied parts attached with tape.

Water Music for Woodwinds - Materials for Edition, 1976-2003, inclusive

Box: 15, Folder: 2 (Material Type: Mixed Materials)

Scope and Contents

Photocopies of the professionally copied parts for seven woodwind players, with further annotations in red ink. Folder includes two printouts of computer-engraved full score, with annotations in red pencil and ink by Marty Ehrlich, dated January 2003. Additional pages contain photocopies of hand-written notes on performance sequence.

Plan B - Working Materials, 1993-1995, inclusive

Box: 15, Folder: 3 (Material Type: Mixed Materials)

Scope and Contents

Manuscript scores, likely in Christopher Bankey's hand, for an arrangement for orchestra of several Hemphill compositions. Includes several pages of short score, with notes on instrumentation, as well as two pagse of full score with measure numbers and notes for insertion. The individual movements of "Plan B" are "Border Town," "What I Know Now," and "Dogon A.D."

Plan B - Printed Score, 1993-1995, inclusive

Box: 15, Folder: 4 (Material Type: Mixed Materials)

Scope and Contents

Printout of computer-engraved full score for "Plan B," an arrangement for orchestra by Christopher Bankey of three Hemphill compositions, "Border Town," "What I Know Now," and "Dogon A.D." The score is printed as two pages per 11"x17" sheet, fifty-three sheets in total.

Long Tongues: A Saxophone Opera - Sextet Parts, 1985-1990, inclusive

Box: 15, Folder: 5 (Material Type: Mixed Materials)

Scope and Contents

Professionally copied parts for the saxophone sextet contained in "Long Tongues: A Saxophone Opera."

Long Tongues: A Saxophone Opera - String Parts, 1985-1990, inclusive

Box: 3, Folder: 1 (Material Type: Mixed Materials)

Scope and Contents

Professionally copied parts for two violins, two violas, and two cellos for "Long Tongues: A Saxophone Opera."

Long Tongues: A Saxophone Opera - Winds/Brass Parts, 1985-1990, inclusive

Box: 3, Folder: 2 (Material Type: Mixed Materials)

Scope and Contents

Professionally copied parts for piccolo, two trumpets, two trombones, and French horn, for "Long Tongues: A Saxophone Opera."

Long Tongues: A Saxophone Opera - Rhythm Section Parts, 1985-1990, inclusive

Box: 3, Folder: 3 (Material Type: Mixed Materials)

Scope and Contents

Professionally copied parts for piano, bass, drumset, and percussion, for "Long Tongues: A Saxophone Opera."

Long Tongues: A Saxophone Opera - Photocopy of Holograph score, 1985-1990, inclusive

Box: 16, Folder: 1 (Material Type: Mixed Materials)

Scope and Contents

Photocopy of holograph score for "Long Tongues: A Saxophone Opera," as well as performance instructions on loose sheets in various hands.

Long Tongues: A Saxophone Opera - Assorted photocopies of score, 1985-1990, inclusive

Box: 16, Folder: 2 (Material Type: Mixed Materials)

Scope and Contents

Assorted photocopies of full score (holograph and conductor's score) for "Long Tongues: A Saxophone Opera," some with annotations in various hands.

Long Tongues: A Saxophone Opera - Holograph and Conductor's Score, 1985-1990, inclusive

Box: 17, Folder: 1 (Material Type: Mixed Materials)

Scope and Contents

Holograph full score, in pencil and blue, black, and red ink. Conductor's score (oversize), cleanly copied in pencil, with annotations in black and red ink by unknown hand. Individual sections include "Georgia Blue," "Band Theme," "Danse A La Midi," "A Prayer Type Line," "Sketch I," "Sketch II," "Sketch III," "Sketch IV," "Overture," "Bop Scene: KC Line," "Otis' Groove," "Mask Dance," "R and B," "Dogon A.D.," "For Andrew," "Soulo."

Papers and Ephemera, 1938-1995, inclusive

Box: 6 (Material Type: Mixed Materials)

Scope and Contents

Letters, play scripts, interview transcripts, promotional material, Hemphill's undergraduate diploma, audiocassette tape shells with inserts (to be retained), and other ephemera.

Papers and Ephemera, 1938-1995, inclusive

Box: 16 (Material Type: Mixed Materials)

Scope and Contents

Letters, play scripts, interview transcripts, promotional material, Hemphill's undergraduate diploma, audiocassette tape shells with inserts (to be retained), and other ephemera.

Foran Notebook, 1968-1995, inclusive

Box: 7 (Material Type: Mixed Materials)

Scope and Contents

Foran brand manuscript notebook with hand-written title "A guide to the reckless conservatism of musical notation as expressed via M. Boyé."

Kawaida Notebook, 1968-1995, inclusive

Box: 7 (Material Type: Mixed Materials)

Scope and Contents

Sightation brand manuscript notebook, with "Kawaida contd" and "Hemphill" written on cover.

Chiaroscuro Notebook, 1968-1995, inclusive

Box: 7 (Material Type: Mixed Materials)

Scope and Contents

Pasantino brand manuscript notebook, with "Chiaroscuro" written on cover, along with "Roi Boyé" and several addresses.

Schirmer's Notebook, 1968-1995, inclusive

Box: 7 (Material Type: Mixed Materials)

Scope and Contents

Schirmer's brand manuscript notebook, with "Portland Orego" and Hemphill's name and address written on cover.

Sightation Notebook, 1968-1995, inclusive

Box: 7 (Material Type: Mixed Materials)

Scope and Contents

Sightation brand manuscript notebook, lacking covers.

Musik Hug Notebook, 1968-1995, inclusive

Box: 7 (Material Type: Mixed Materials)

Scope and Contents

Musik Hug brand manuscript notebook with several addresses and phone numbers written on cover.

Trumpet Notebook, 1968-1995, inclusive

Box: 7 (Material Type: Mixed Materials)

Scope and Contents

Archives brand manuscript notebook with trumpet parts

Bass Notebook, 1968-1995, inclusive

Box: 7 (Material Type: Mixed Materials)

Scope and Contents

Archives brand manuscript notebook with bass parts

Drums Notebook, 1968-1995, inclusive

Box: 7 (Material Type: Mixed Materials)

Scope and Contents

Archives brand manuscript notebook with drum parts

"A Bitter Glory" Notebook - Alto sax, 1993-1995, inclusive

Box: 7 (Material Type: Mixed Materials)

Scope and Contents

Citadel brand manuscript notebook with "Alto Sax, Sopran Sax, Flute" on cover. Several loose pages with poetry.

"A Bitter Glory" Notebook - Cello, 1993-1995, inclusive

Box: 7 (Material Type: Mixed Materials)

Scope and Contents

Citadel brand manuscript notebook with "Cello" written on cover.

"A Bitter Glory" Notebook - [Baritone Saxophone, Flute, Clarinet], 1993-1995, inclusive

Box: 7 (Material Type: Mixed Materials)

Scope and Contents

Citadel brand manuscript notebook with "bari sax / fl / clar " written faintly on cover. Includes clarinet parts.

"A Bitter Glory" Notebook - Trumpet, 1993-1995, inclusive

Box: 7 (Material Type: Mixed Materials)

Scope and Contents

Citadel brand manuscript notebook with "Trumpet" written on cover.

"A Bitter Glory" Notebook - French Horn, 1993-1995, inclusive

Box: 7 (Material Type: Mixed Materials)

Scope and Contents

Citadel brand manuscript notebook with "French Horn" written on cover.

"A Bitter Glory" Notebook - Trombone, 1993-1995, inclusive

Box: 7 (Material Type: Mixed Materials)

Scope and Contents

Citadel brand manuscript notebook with "Trombone" written on cover.

"A Bitter Glory" Notebook - Bass, 1993-1995, inclusive

Box: 7 (Material Type: Mixed Materials)

Scope and Contents

Citadel brand manuscript notebook with "Bass" written on cover.

Julius Hemphill Sextet Collection Notebooks, 1990

Box: 13, Folder: 1-6 (Material Type: Mixed Materials)

Julius Hemphill Sextet Collection Folios, 1992

Box: 21, Folder: 1-6 (Material Type: Mixed Materials)

Julius Hemphill Boye' Multi National Crusade for Harmony (2 of 2), 1979-1995, inclusive

Box: 9, audiocassette: 2 (Material Type: Audio)

Scope and Contents

D.C. Space, Washington, D.C., Nov 23, 1979 Julius Hemphill (tenor sax, alto sax); Baikida Carroll (trumpet); Jehri Riley (guitar); Phillip Wilson (drums) Cassette 2 0f 2 Audiocassette Sony LNX 60

Audio

Julius Hemphill Boye' Multi National Crusade for Harmony (2 of 2)

Julius Hemphill Boye' Multi National Crusade for Harmony (1A of 2), 1979-1995, inclusive

Box: 9, audiocassette: 2A (Material Type: Audio)

Scope and Contents

D.C. Space, Washington D. C., Nov 23, 1979 Julius Hemphill (tenor sax, alto sax); Baikida Carroll (trumpet); Jehri Riley (guitar); Phillip Wilson (drums) Cassette 1A 0f 2 Audiocassette Sony LNX 60

Audio

Julius Hemphill Boye' Multi National Crusade for Harmony (1A of 2)

Julis HEMPHILL (1), 1980-1995, inclusive

Box: 9, audiocassette: 3 (Material Type: Audio)

Scope and Contents

Julius Hemphill - sax tenor, alto, sop; Olu Dara - trompette; Abdul Wadud - violoncelle; Warren Smith - batterie Toulouse 12-06-80 Audiocassette TDK D90 type 1

Audio

Julis HEMPHILL (1)

Julius Hemphill Trio - Public Theater, New York City, December 19, 1981

Box: 9, audiocassette: 4 (Material Type: Audio)

Scope and Contents

Featuring Julius Hemphill (alto saxophone, soprano saxophone and flute), Jamaladeen Tacuma (electric bass), and Michael Carvin (drums). Recorded by Kazunori Sugiyama

Audio

Julius Hemphill Trio - Public Theater, New York City

Julius Hemphill Trio - Public Theater, New York City, December 19, 1981

Box: 9, audiocassette: 91 (Material Type: Audio)

Scope and Contents

Featuring Julius Hemphill (alto saxophone, soprano saxophone and flute), Jamaladeen Tacuma (electric bass), and Michael Carvin (drums). Recorded by Kazunori Sugiyama

Audio

Julius Hemphill Trio - Public Theater, New York City

May 19, 1987 - Rollins Chapel, 1987-1995, inclusive

Box: 9, audiocassette: 6 (Material Type: Audio)

Scope and Contents

No one knows a garden better than the gardener, a follower should always allow their guide to lead Julius Hemphill; Abdul Wadud; Warren Smith; Bill Cole Rollins Chapel, 5-19-87 Audiocassette Maxell C90

Audio

May 19, 1987 - Rollins Chapel

COOL RED 5/22/87, 1987-1995, inclusive

Box: 9, audiocassette: 7 (Material Type: Audio)

Scope and Contents

World Saxophone Quartet Cool Red, 5/22/87 Audiocassette TDK SA60 with Dolby [Probably a set of takes from the recording session; may differ from commercial release]

Audio

COOL RED 5/22/87

SWEET D - LEORA, 1987-1995, inclusive

Box: 9, audiocassette: 8 (Material Type: Audio)

Scope and Contents

[Sweet D - Leora written in Hemphill's hand] Audiocassette TDK SA60

Audio

SWEET D - LEORA

Imp Ork #1 - June 2, 1990, 1990-1995, inclusive

Box: 9, audiocassette: 9 (Material Type: Audio)

Scope and Contents

Imp Ork @ WAC June 2, 1990 tape #1 of 2 Audiocassette Dub Norm/Dolby B

Audio

Imp Ork #1 - June 2, 1990

WPFW Interview, 1987-1995, inclusive

Box: 9, audiocassette: 10 (Material Type: Audio)

Scope and Contents

2 February 1987 Audiocassette Laser 90 low noise

Audio

WPFW Interview

Julius Hemphill Quintet - Live at Kimball's S.F. 3-17-84, 1984-1995, inclusive

Box: 9, audiocassette: 11 (Material Type: Audio)

Scope and Contents

Julius Hemphill - alto and soprano sax; Nels Cline- elec guitar; Stubig - bass guitar; Alex Cline - drums; Juma Santos - congas, perc. All compositions by Julius Hemphill ; copies by Chris Hemphill (son) Recorded at Kinball's S.F., March 17 1984 Side I: 1. Dung; 2. Dogon A.D.; 3. Testament #5; 4. Float (head and alto solo) Side 2: 1. Pigskin; 2. Border Town (reiteration of head, cut off on original tape; 3. At Harmony Audiocassette BASF Performance I 90

Audio

Julius Hemphill Quintet - Live at Kimball's S.F. 3-17-84

Jazz Monthly Magazine - Julius Hemphill Audio Profile, 1987-1995, inclusive

Box: 9, audiocassette: 12 (Material Type: Audio)

Scope and Contents

Jazz Monthly Magazine - Julius Hemphill Audio Profile May 87 Excerpt - Side 1 only Audiocassette

Physical Characteristics and Technical Requirements

Preservation note: Side 2 has intermittent sound and silence, as though it had been partially erased.

Audio

Jazz Monthly Magazine - Julius Hemphill Audio Profile

Jack DeJohnette UCLA, 1986-1995, inclusive

Box: 9, audiocassette: 13 (Material Type: Audio)

Scope and Contents

Jack DeJohnette Jazz Machine Concert - Arrangements Julius Hemphill UCLA 4/27/86 1. Ebony 2. Ahmad the Terrible Audiocassette TDK SA 90

Physical Characteristics and Technical Requirements

Preservation Note: Some crackle.

Audio

Jack DeJohnette UCLA

WATER MUSIC FOR WOODWINDS 10/3/77, 1977-1995, inclusive

Box: 9, audiocassette: 14 (Material Type: Audio)

Scope and Contents

[Composed by Julius Hemphill] 10/3/77 Audiocassette TDK SA90

Audio

WATER MUSIC FOR WOODWINDS 10/3/77

Hemphill on KWMU 6-30-87, 1987-1995, inclusive

Box: 9, audiocassette: 15 (Material Type: Audio)

Scope and Contents

[Sheldon Auditorium, St. Louis, MO], 6-30-87 Jim Wallace of KWMU, St. Louis reports on Julius Hemphill's performance at the Sheldon (5:00) Audiocassette BASF LH-EI 60

Audio

Hemphill on KWMU 6-30-87

LONG TONGUES Parts I and II, 1976-1995, inclusive

Box: 9, audiocassette: 16 (Material Type: Audio)

Scope and Contents

LONG TONGUES (7/20) Part I; L.T. Part II (Lincoln Center) Audiocassette Maxwell UR 90

Audio

LONG TONGUES Parts I and II

LUSH LIFE WSQ, 1976-1995, inclusive

Box: 9, audiocassette: 17 (Material Type: Audio)

Scope and Contents

Lush Life WSQ [written in Hemphill's hand] Audiocassette TDK SA90

Audio

LUSH LIFE WSQ

Big Bands/Jazz on the Edge TAPE 1/21, 1976-1995, inclusive

Box: 9, audiocassette: 18 (Material Type: Audio)

Scope and Contents

WGBH radio Boston producer - Robert Lyons Side 1: Orange Then Blue (ensemble); Ahmad The Terrible; Kookoo; Panama Side Two: OTB/Either Orchestra Audiocassette [Ahmad the Terrible is the Hemphill arrangement of a Jack DeJohnette composition and is the only Hemphill work on this broadcast.]

Audio

Big Bands/Jazz on the Edge TAPE 1/21

SFCMF - Hemphill: Parchment, 1976-1995, inclusive

Box: 9, audiocassette: 19 (Material Type: Audio)

Scope and Contents

SFCMF - Hemphill: Parchment [Ursula] Oppens- piano Audiocassette TDK AD60

Audio

SFCMF - Hemphill: Parchment

ELLINGTON CONCERT Part I, 1976-1995, inclusive

Box: 9, audiocassette: 20 (Material Type: Audio)

Scope and Contents

Side A - [Oliver] Lake Side B - Hemphill Audiocassette

Audio

ELLINGTON CONCERT Part I

Julius HEMPHILL (2), 1980-1995, inclusive

Box: 9, audiocassette: 21 (Material Type: Audio)

Scope and Contents

Toulouse, 12-6-80 Julius Hemphill; Olu Dara; Abdul Wadud; Warren Smith Audiocassette TDK D90

Audio

Julius HEMPHILL (2)

Julius / Messin with the Kid ; Lets Get it On, 1976-1995, inclusive

Box: 9, audiocassette: 22 (Material Type: Audio)

Scope and Contents

Audiocassette Maxell XL11-S 90

Audio

Julius / Messin with the Kid ; Lets Get it On

JAH Band Live at Weil Hall NYC 3/23/87 Pt. 1 and 3, 1987-1995, inclusive

Box: 9, audiocassette: 23 (Material Type: Audio)

Scope and Contents

Weil/Carnagie Hall, 3/27/87 Rasul Siddik; John Stubblefield; John Clark; Alan Jaffe; Mark Helias; Gordon Gotlieb [all spellings as written in Hemphill's hand] Audiocassette Maxell XL1190

Audio

JAH Band Live at Weil Hall NYC 3/23/87 Pt. 1 and 3

JAH Band Live at Weill Hall NYC 3/23/87 SIDE 2 and 4, 1987-1995, inclusive

Box: 9, audiocassette: 24 (Material Type: Audio)

Scope and Contents

Side A: Weill Recital Hall 3/27/87 8PM #2 Side B: #4 3) ""Sweet D"" (0-366); 4) ""At Harmony"" (386-620); 5) (630) Gottlieb; 6) ""Georgia Blue"" Audiocassette Maxell XL 11 90 with noise reduction

Audio

JAH Band Live at Weill Hall NYC 3/23/87 SIDE 2 and 4

Ursula Oppens and The Arditti String Qt. - Tape #1 of 2, 1992-1995, inclusive

Box: 9, audiocassette: 25 (Material Type: Audio)

Scope and Contents

[Hemphill, ""One Atmosphere,"" for piano and string quartet] 27 February 92 Audiocassette WNYC Dolby B Chrome Cassette side A and B

Audio

Ursula Oppens and The Arditti String Qt. - Tape #1 of 2

Ursula Oppens and The Arditti String Qt. -Tape #2 of 2, 1992-1995, inclusive

Box: 9, audiocassette: 26 (Material Type: Audio)

Scope and Contents

[Hemphill, ""One Atmosphere,"" for piano and string quartet] 27 February 92 Audiocassette WNYC Dolby B Chrome Cassette side A and B

Audio

Ursula Oppens and The Arditti String Qt. -Tape #2 of 2

Monk - Darrell Katz True Colors Big Band, 1976-1995, inclusive

Box: 9, audiocassette: 27 (Material Type: Audio)

Scope and Contents

Audiocassette Maxell XLII 60 [May include a Hemphill composition or Hemphill as soloist.]

Audio

Monk - Darrell Katz True Colors Big Band

Hemphill Pt. 1 - Gran(?) Rehearsal, 1976-1995, inclusive

Box: 9, audiocassette: 28 (Material Type: Audio)

Scope and Contents

Wadud; Baikida; Marty Ehrlich Side 1. -Pt. 2 - Cami Hall Sept. 23 Side 2 - Hemphill- Cami Hall Sept.5 Audiocassette Memorex 90 MRX3 Oxide [no shell]

Audio

Hemphill Pt. 1 - Gran(?) Rehearsal

REHEARSAL LENOX [on cassette], 1976-1995, inclusive

Box: 9, audiocassette: 29 (Material Type: Audio)

Scope and Contents

Side A - Dialogue: Blk/Blue Side B - Rehearsal Lenox Audiocassette TDK - D-C60

Audio

REHEARSAL LENOX [on cassette]

170 Sax [on cassette], 1976-1995, inclusive

Box: 9, audiocassette: 30 (Material Type: Audio)

Scope and Contents

[No title] Side A -1 - 170 Sax Side B -2 Audiocassette Maxell UD 60 Normal Position

Audio

170 Sax [on cassette]

WSQ II, 1976-1995, inclusive

Box: 9, audiocassette: 31 (Material Type: Audio)

Scope and Contents

Night Train 47 Ballad and Tag 50 Audiocassette TDK SA60

Audio

WSQ II

Julius Hemphill 5/31/85 [1 of 2], 1985-1995, inclusive

Box: 9, audiocassette: 32 (Material Type: Audio)

Scope and Contents

5/31/85 Audiocassette maxell XLII 90

Audio

Julius Hemphill 5/31/85 [1 of 2]

Julius Hemphill 5-31-85 [2 of 2], 1985-1995, inclusive

Box: 9, audiocassette: 33 (Material Type: Audio)

Scope and Contents

5-31-85 Audiocassette maxell XLII 90

Audio

Julius Hemphill 5-31-85 [2 of 2]

HEMPHILL and JAFFE CLARK; WADUD; CARROLL - BOSTON TAPE 2, 1985-1995, inclusive

Box: 9, audiocassette: 34 (Material Type: Audio)

Scope and Contents

Hemphill Boston 9/27/85 #2 with Clark Wadud Carroll Jaffe Audiocassette Maxell XLII 90

Audio

HEMPHILL and JAFFE CLARK; WADUD; CARROLL - BOSTON TAPE 2

HEMPHILL and JAFFE CLARK; WADUD; CARROLL - BOSTON #1, 1985-1995, inclusive

Box: 9, audiocassette: 35 (Material Type: Audio)

Scope and Contents

Hemphill Boston 9/27/85 #1 with Clark Wadud Carroll Jaffe Audiocassette Maxell XLII 90

Audio

HEMPHILL and JAFFE CLARK; WADUD; CARROLL - BOSTON #1

JAH-BAND, 1976-1995, inclusive

Box: 9, audiocassette: 36 (Material Type: Audio)

Scope and Contents

Jah- Band 1 and 3 Audiocassette Maxell XL90 with Dolby B

Audio

JAH-BAND

Hemphill Quartet Live at Ft. Washington Men's Shelter, 1986-1995, inclusive

Box: 9, audiocassette: 37 (Material Type: Audio)

Scope and Contents

1/21/86 Audiocassette Maxell XLII90

Audio

Hemphill Quartet Live at Ft. Washington Men's Shelter

Julius Hemphill with the Barbary Coast Jazz Ensemble, 1986-1995, inclusive

Box: 9, audiocassette: 38 (Material Type: Audio)

Scope and Contents

Hemphill with the Barbary Coast Jazz Ensemble-directed by Don Glasgo Spaulding Aud., Dartmouth College, Hanover N.H., Feb.8th 1986 1. C (those Blues; 2. Border Town; 3. At Harmony; 4. Hard Blues Audiocassette Maxell C90 - Communicator Series

Audio

Julius Hemphill with the Barbary Coast Jazz Ensemble

Practice JAH 2 1/2 "Ch" Vandoren, 1976-1995, inclusive

Box: 9, audiocassette: 39 (Material Type: Audio)

Scope and Contents

Audiocassette Maxell SLII90

Audio

Practice JAH 2 1/2 "Ch" Vandoren

Sessions 2/22/88 Takes 15-27, 28-36, 1988-1995, inclusive

Box: 9, audiocassette: 40 (Material Type: Audio)

Scope and Contents

Nonesuch Audiocassette TDK SA90 Dolby

Audio

Sessions 2/22/88 Takes 15-27, 28-36

Circles [on cassette], 1976-1995, inclusive

Box: 9, audiocassette: 42 (Material Type: Audio)

Scope and Contents

[Annotation in felt pen written over ""Smokey Robinson and the Miricles, Goin in Circles/Ojays] Audiocassette Aiwa c-60LX

Audio

Circles [on cassette]

St. Louis w/D. Hines [David Hines] Sheldon Memorial, 1976-1995, inclusive

Box: 9, audiocassette: 43 (Material Type: Audio)

Scope and Contents

[Sheldon Memorial Concert Hall, St. Louis, MO] Audiocassette TDK SA90

Audio

St. Louis w/D. Hines [David Hines] Sheldon Memorial

World Saxophone Quartet I [on cassette], 1976-1995, inclusive

Box: 9, audiocassette: 44 (Material Type: Audio)

Scope and Contents

Audiocassette TDK SA90

Audio

World Saxophone Quartet I [on cassette]

SESSION COPY, 1988-1995, inclusive

Box: 9, audiocassette: 46 (Material Type: Audio)

Scope and Contents

Session Copy RCA (studio) 2/21-22/88 NYC BTown At Harmony For Billie / Drunk on God Leora [Probably a set of takes from the recording session; may differ from commercial release] Audiocassette

Audio

SESSION COPY

Long Tongues (Rehearsal?), 1976-1995, inclusive

Box: 9, audiocassette: 47 (Material Type: Audio)

Scope and Contents

Audiocassette Maxell XLII 90

Audio

Long Tongues (Rehearsal?)

Proverb Work tape for Julius Hemphill, 1976-1995, inclusive

Box: 9, audiocassette: 48 (Material Type: Audio)

Scope and Contents

He who Beats A Drum for a Madman to Panel... A Scan (?) Its Never as Smooth as natural Skin Audiocassette Maxell C60

Audio

Proverb Work tape for Julius Hemphill

JAH, 1976-1995, inclusive

Box: 9, audiocassette: 49 (Material Type: Audio)

Scope and Contents

[JAH band] Side A: JAH Side B: JAH Audiocassette Maxell XLII 90

Audio

JAH

JAH-BAND, 1976-1995, inclusive

Box: 9, audiocassette: 50 (Material Type: Audio)

Scope and Contents

JAH-BAND 2 B [Dolby B] JAH-BAND 4 B [Dolby B] Audiocassette maxell XLII 90

Audio

JAH-BAND

Julius edited copy Anchorman, 1976-1995, inclusive

Box: 9, audiocassette: 51 (Material Type: Audio)

Scope and Contents

Julius edited copy Anchorman Audiocassette

Audio

Julius edited copy Anchorman

Brucker Hall Concert [Insert: The United States Army Band; Washington D.C.; Colonel Eugene W. Allen, Leader and Commander], 1976-1995, inclusive

Box: 9, audiocassette: 52 (Material Type: Audio)

Scope and Contents

Savoy D Beard Producer and Director Audiocassette Ampex 90

Audio

Brucker Hall Concert [Insert: The United States Army Band; Washington D.C.; Colonel Eugene W. Allen, Leader and Commander]

JAH - Mar 15, 1986 - Hoffhei, 1986-1995, inclusive

Box: 9, audiocassette: 53 (Material Type: Audio)

Scope and Contents

Side A - Dung; The Thang; Temporarily; One Waltz Side B - Testament ; Dogon; Georgia Blue; Hard Blues(inc) Hemphill, Alex Cline, Nels Cline, Steubig, Allan Jaffe Audiocassette Maxell UD I 90

Audio

JAH - Mar 15, 1986 - Hoffhei

J.A.H. Band Willisau - 8-31-84 (1 of 3), 1984-1995, inclusive

Box: 9, audiocassette: 54 (Material Type: Audio)

Scope and Contents

Julius Hemphill's JAH Band (cassette 1 of 3) Willisau, Switzerland; Aug. 31, 1984 Julius Hemphill (alto sax, tenor sax); Nels Cline (guitar); Steuart Liebig (bass) Alex Cline (drums); Jumma Santos (percussion) Audiocassette TDK D60

Audio

J.A.H. Band Willisau - 8-31-84 (1 of 3)

J.A.H. Band Willisau - 8-31-84 (2 of 3), 1984-1995, inclusive

Box: 9, audiocassette: 55 (Material Type: Audio)

Scope and Contents

Julius Hemphill's JAH Band (cassette 2 of 3) Willisau, Switzerland; Aug. 31, 1984 Julius Hemphill (alto sax, tenor sax); Nels Cline (guitar); Steuart Liebig (bass) Alex Cline (drums); Jumma Santos (percussion) Audiocassette TDK D60

Audio

J.A.H. Band Willisau - 8-31-84 (2 of 3)

J.A.H. Band Willisau - 8-31-84 (3 of 3), 1984-1995, inclusive

Box: 9, audiocassette: 56 (Material Type: Audio)

Scope and Contents

Julius Hemphill's JAH Band (cassette 3 of 3) Willisau, Switzerland; Aug. 31, 1984 Julius Hemphill (alto sax, tenor sax); Nels Cline (guitar); Steuart Liebig (bass) Alex Cline (drums); Jumma Santos (percussion) Audiocassette TDK D60

Audio

J.A.H. Band Willisau - 8-31-84 (3 of 3)

The JAH Band, 1976-1995, inclusive

Box: 9, audiocassette: 57 (Material Type: Audio)

Scope and Contents

Georgia Blue; The Hard Blues; Testament #5 Audiocassette Maxell XL II90

Physical Characteristics and Technical Requirements

Preservation Note: Second side very quiet on left audio track.

Audio

The JAH Band

Boye Multi National Crusade For Harmony CASA, St. Louis, 1976-1995, inclusive

Box: 9, audiocassette: 58 (Material Type: Audio)

Scope and Contents

Audiocassette Maxell UDXLII C90

Audio

Boye Multi National Crusade For Harmony CASA, St. Louis

Hemphill, Wadud - Sept. 27, 81 - CAMI Hall NY, 1981-1995, inclusive

Box: 9, audiocassette: 59 (Material Type: Audio)

Scope and Contents

CAMI Hall, NY; Sun. Sept.27, 1981 Audiocassette TDK D-C90

Audio

Hemphill, Wadud - Sept. 27, 81 - CAMI Hall NY

PRACTICE, 1976-1995, inclusive

Box: 9, audiocassette: 60 (Material Type: Audio)

Scope and Contents

Practice Audiocassette TDK D-C60

Audio

PRACTICE

Live in N.Y.- La Mama Theatre, 1976-1995, inclusive

Box: 9, audiocassette: 61 (Material Type: Audio)

Scope and Contents

Abdul Wadud/Solo [Side 1] 1) 7'; 2) 5'; 3) 7'; 4) 5 [Side 2] 1); 2); 3)

Audio

Live in N.Y.- La Mama Theatre

World Saxophone Quartet - Detroit Institute of Arts; 11/7/82, 1982-1995, inclusive

Box: 9, audiocassette: 62 (Material Type: Audio)

Scope and Contents

1 of 2 Audiocassette Cr O2 Dolby

Audio

World Saxophone Quartet - Detroit Institute of Arts; 11/7/82

Gongs @ Zinnegers Oregon, 1976-1995, inclusive

Box: 9, audiocassette: 63 (Material Type: Audio)

Scope and Contents

Audiocassette MAXELL UD C60

Physical Characteristics and Technical Requirements

Preservation Note: Side 1 recorded only on one track. Side 2 has some recorded-in distortion, slowing down, backing up, etc.

Audio

Gongs @ Zinnegers Oregon

1st Session; Ad Lib, 1976-1995, inclusive

Box: 9, audiocassette: 64 (Material Type: Audio)

Scope and Contents

[no shell] Audiocassette Maxell C-90

Audio

1st Session; Ad Lib

J. Hemphill - A. Wadud, 1976-1995, inclusive

Box: 9, audiocassette: 65 (Material Type: Audio)

Scope and Contents

[Side A] Syntax 9.01; Tightenin' 9.55; Slang 9.50 [Side B] Untitled 10.04; Rhapsody 10.32; Downstairs 10.13 Audiocassette D-C60 TDK

Audio

J. Hemphill - A. Wadud

Wadud Solo CAMI Hall, 1981-1995, inclusive

Box: 9, audiocassette: 66 (Material Type: Audio)

Scope and Contents

Sun Sept. 27, 81 Audiocassette TDK D-C90

Audio

Wadud Solo CAMI Hall

J. Hemphill Workshop #1 + Jam session - Mil. Museum of Fine Arts; 21 Oct. 81, 1981-1995, inclusive

Box: 9, audiocassette: 67 (Material Type: Audio)

Scope and Contents

21 Oct '81 (0 to 150) Jam Session; 10 Bar Blues; ""After Eight"" (151-366) Audiocassette TDK SA-C90

Audio

J. Hemphill Workshop #1 + Jam session - Mil. Museum of Fine Arts; 21 Oct. 81

J. Hemphill - A. Wadud, 1976-1995, inclusive

Box: 9, audiocassette: 68 (Material Type: Audio)

Scope and Contents

Live 19:00; 16:40 Audiocassette TDK D-C60

Audio

J. Hemphill - A. Wadud

Master WSQ '80 Paris, 1980-1995, inclusive

Box: 9, audiocassette: 69 (Material Type: Audio)

Scope and Contents

IRCAM; '80 [Side 1] 1. Revue (slow); 2. Revue (slower); 3. Slide; 4. Hymn for Old Year; 5. [Hymn for Old Year]; 6. Ming; 7. Davids tune (med.); 8. David's tune incomplete slow [Side 2] 1. David's tune; 2. Ming; 3. Played Once; 4. Played Twice; 5. I Heard that; 6. Functions; 7. Little Samba; 8. Affairs of the Heart; 9.; 10. TDK SA C-90 Audiocassette Complete Studio Date; Mono

Audio

Master WSQ '80 Paris

Concert Seattle Julius Hemphill, 1983-1995, inclusive

Box: 9, audiocassette: 70 (Material Type: Audio)

Scope and Contents

Seattle; 1983 Bordertown Seattle J. Hemphill Audiocassette Sony UCX-90

Audio

Concert Seattle Julius Hemphill

3 [on cassette], 1976-1995, inclusive

Box: 9, audiocassette: 71 (Material Type: Audio)

Scope and Contents

[Side A] 3 [Side B] 4 Audiocassette Maxell UD 60

Audio

3 [on cassette]

World Saxophone Quartet at Avery Fisher; 6-29-82, 1982-1995, inclusive

Box: 9, audiocassette: 72 (Material Type: Audio)

Scope and Contents

Audiocassette TDK AD-C60

Audio

World Saxophone Quartet at Avery Fisher; 6-29-82

Julius Hemphill at CMS-10/21/78, 1978-1995, inclusive

Box: 9, audiocassette: 73 (Material Type: Audio)

Scope and Contents

[Side 1] Julius Hemphil - sax, fl; Marilyn Crisbell - piano; Janet Grice - bassoon; Marty Ehrlich - alto, b. clar., fl; Baikida Carroll - tr. Flug Side Two exclude piano Audiocassette Ampex 90 Recorded by Mark Kramer

Physical Characteristics and Technical Requirements

Preservation Note: Pressure pad detached -- reattached. Tape extremely sticky. Incubated, still would not transport. Reshelled into a new cassette, transferred but with substantial distortion. Incubated a second time, transferred successfully, though with some tape squeal which occasionally carries through to recording as noise.

Audio

Julius Hemphill at CMS-10/21/78

Julius Hemphill w/ CM Student Orch - 10/20/78, 1978-1995, inclusive

Box: 9, audiocassette: 74 (Material Type: Audio)

Scope and Contents

Audiocassette Ampex 90

Audio

Julius Hemphill w/ CM Student Orch - 10/20/78

World Saxophone Quartet, 1976-1995, inclusive

Box: 9, audiocassette: 75 (Material Type: Audio)

Scope and Contents

[Side A] Sundance; Plain Song; Connections; WSQ [Side B] Pillars Latino; Suite: The Key, Pam-Ma, Ballad for Eddie Jefferson, Hattie Wall; Sound Light; Fast Life Audiocassette Maxell C60

Audio

World Saxophone Quartet

ACME #2, 1976-1995, inclusive

Box: 9, audiocassette: 76 (Material Type: Audio)

Scope and Contents

[No shell] Audiocassette TDK C60

Audio

ACME #2

The World Saxophone Quartet on NPR's ""All Things Considered"" [on cassette; container has 'For July 8th Concert], 1976-1995, inclusive

Box: 9, audiocassette: 77 (Material Type: Audio)

Scope and Contents

Audiocassette TDK AD-C60 [Container and cassette have different information]

Audio

The World Saxophone Quartet on NPR's ""All Things Considered"" [on cassette; container has 'For July 8th Concert]

Julius Hemphill Workshop - MIL, 1981-1995, inclusive

Box: 9, audiocassette: 78 (Material Type: Audio)

Scope and Contents

[Side A] 23-10-81 [Side B] 26-10-81 Audiocassette TDK SA-C90

Audio

Julius Hemphill Workshop - MIL

Save! Save!, 1976-1995, inclusive

Box: 9, audiocassette: 79 (Material Type: Audio)

Scope and Contents

[no shell] Audiocassette TDK SA-C90

Audio

Save! Save!

Ralph Ellison Long Tonge, 1976-1995, inclusive

Box: 9, audiocassette: 80 (Material Type: Audio)

Scope and Contents

Bells [Side A] Tape #1 - A [Side B] Tape 1 - B Audiocassette Sony C-90

Audio

Ralph Ellison Long Tonge

Tape 2 - Voice, 1976-1995, inclusive

Box: 9, audiocassette: 81 (Material Type: Audio)

Scope and Contents

Audiocassette Sony C-90

Audio

Tape 2 - Voice

Jazz Monthly Magazine w/ Julius Hemphill Profile, 1976-1995, inclusive

Box: 9, audiocassette: 82 (Material Type: Audio)

Scope and Contents

Side I cut Ends w/ D. Gonzalez JMM, cont'd on Side II Audiocassette

Audio

Jazz Monthly Magazine w/ Julius Hemphill Profile

Robert Johnson and his Chillun', 1976-1995, inclusive

Box: 9, audiocassette: 83 (Material Type: Audio)

Scope and Contents

[No shell] B/HX Audiocassette TDK D-90

Audio

Robert Johnson and his Chillun'

Julius Hemphill 12 pc. Orch, 1980-1995, inclusive

Box: 9, audiocassette: 84 (Material Type: Audio)

Scope and Contents

[No shell] Public Theatre; Nov 1st, 80 [Side A] (Set 1) [Side B] Julius's Band (cont) (Set 1) Audiocassette Sony LNX-90

Audio

Julius Hemphill 12 pc. Orch

Julius Hemphill 12 pc. Orch, 1976-1995, inclusive

Box: 9, audiocassette: 85 (Material Type: Audio)

Scope and Contents

[No shell] Dolphy Clothes Love Audiocassette Ampex EDR-60

Physical Characteristics and Technical Requirements

Preservation Note: Pressure pad missing -- replaced. Intractibly sticky near head -- consequently did not capture beginning of Side 1 (except for very first seconds -- saved as a separate file) & end of Side 2. Remainder of tape captured with some distortion. Baked again, captured in its entirety with some distortion.

Audio

Julius Hemphill 12 pc. Orch

K. Curtis Lyle Reading His Poem "Sylvester St. Elmo Hope Delivers His Sermon in St. James For the Last Time This Morning and Disappears in an Easter Sunrise", 1976-1995, inclusive

Box: 9, audiocassette: 86 (Material Type: Audio)

Scope and Contents

[No shell] [No information] Audiocassette Scotch AVC 60min

Audio

K. Curtis Lyle Reading His Poem "Sylvester St. Elmo Hope Delivers His Sermon in St. James For the Last Time This Morning and Disappears in an Easter Sunrise"

Kool Newport Jazz Festival: The New Music Meets the Old Master, Performance and Rehearsal, Circa June 1980, inclusive

Box: 9, audiocassette: 87 (Material Type: Audio)

Scope and Contents

[No shell] [No information] Audiocassette TDK AD-C90; Featuring Oliver Lake, Julius Hemphill, Muhal Richard Abrams, and Leroy Jenkins; Rehearsal songs include "I Got It Bad and That Ain't Good" by Duke Ellington, arranged by Hemphill, and "In a Sentimental Mood" by Duke Ellington, arranged by Oliver Lake.

Audio

Kool Newport Jazz Festival: The New Music Meets the Old Master, Performance and Rehearsal

Julius Hemphill and Peter Kowald Live Performance, 1976-1995, inclusive

Box: 9, audiocassette: 88 (Material Type: Audio)

Scope and Contents

[No information] Audiocassette Fuji FR-II 90

Audio

Julius Hemphill and Peter Kowald Live Performance

Radio advertisement for Bloomingdales, 1976-1995, inclusive

Box: 9, audiocassette: 89 (Material Type: Audio)

Scope and Contents

[No shell] [No information] Audiocassette Maxell XLII 90

Audio

Radio advertisement for Bloomingdales

Blue Boyé, 1977

Box: 9, audiocassette: 90 (Material Type: Audio)

Scope and Contents

[No information] Audiocassette TDK SD-C90

Audio

Blue Boyé

Julius Hemphill Trio Rehearsal, including "Pigskin," "At Harmony," and "Dogon, A.D.", 1976-1995, inclusive

Box: 9, audiocassette: 92 (Material Type: Audio)

Scope and Contents

Possibly Gerard Veasley on bass and Mike Clark on drums, with writer Chip Stern.

Audio

Julius Hemphill Trio Rehearsal, including "Pigskin," "At Harmony," and "Dogon, A.D."

KUSC Interview with Pianist Ursula Oppens, Los Angeles, 1976-1995, inclusive

Box: 9, audiocassette: 93 (Material Type: Audio)

Scope and Contents

[No information] Audiocassette

Audio

KUSC Interview with Pianist Ursula Oppens, Los Angeles

Work Tape, 1976-1995, inclusive

Box: 9, audiocassette: 94 (Material Type: Audio)

Scope and Contents

[No shell] Work Tape Audiocassette Maxell Communicator Series P/I C60

Audio

Work Tape

Julius Hemphill's Answering Machine, 1976-1995, inclusive

Box: 9, audiocassette: 95 (Material Type: Audio)

Scope and Contents

Audiocassette Sanyo Announcement Cassette

Audio

Julius Hemphill's Answering Machine

Phone Mate, 1976-1995, inclusive

Box: 9, audiocassette: 96 (Material Type: Audio)

Scope and Contents

[No shell] Audiocassette Phone Mate Incoming Message Tape C-60

Audio

Phone Mate

Wind and Thunder at Babson College -, 1987-1995, inclusive

Box: 9, audiocassette: 101 (Material Type: Audio)

Scope and Contents

Second half of program Babson College; 2-26-87 Bill Cole; Julius Hemphill; Gerald Veasley; Hafiz Shabazz Audiocassette Maxell Communicator Series C90

Audio

Wind and Thunder at Babson College -

New Tango '92: After Astor Piazzolla (Or, The Second Assassin), 1992-1995, inclusive

Box: 9, audiocassette: 102 (Material Type: Audio)

Scope and Contents

[Rare commercial release; additional information on printed insert] Audiocassette

Audio

New Tango '92: After Astor Piazzolla (Or, The Second Assassin)

Ellington Concert Part 2, 1976-1995, inclusive

Box: 9, audiocassette: 103 (Material Type: Audio)

Scope and Contents

[Side A] Jenkins Ellington Conc. [Side B] Abrams Audiocassette IRISH 261 C60

Audio

Ellington Concert Part 2

Night in Fata Morgana, 1982-1995, inclusive

Box: 9, audiocassette: 104 (Material Type: Audio)

Scope and Contents

©1982 Virginia A. Boyle 9241 S. Damen Chicago, Il. 60620 (312) 233-2330 (312) 281-9075 Audiocassette

Audio

Night in Fata Morgana

Billie Holiday b/w Langston Hughes, 1976-1995, inclusive

Box: 9, audiocassette: 104A (Material Type: Audio)

Scope and Contents

[Side A] Billie Holiday in rehearsal w/ Jimmy Rowles, piano, and Artie Shapiro, bass; Las Vegas 1954 [Side B] Langston Hughes w/ Charles Mingus ""Weary Blues"" Audiocassette TDK D-90 [May include material used in subsequent composition]

Audio

Billie Holiday b/w Langston Hughes

The World Sax Quartet - Reel 1 of 4, 1981-1995, inclusive

Box: 10, Quarter_Inch_Audio_Reel: 105 (Material Type: Audio)

Scope and Contents

Hopkins Center, Dartmough College; May 5, 1981 Recorder: SC-280 Stereo, Halftrack, 7 1/2 IPS Scotch RB-1/4-7 [On reel: ""Seven""] 1/4-inch Audio Reel

Audio

The World Sax Quartet - Reel 1 of 4

The World Sax Quartet - Reel 2 of 4, 1981-1995, inclusive

Box: 8, Quarter_Inch_Audio_Reel: 106 (Material Type: Audio)

Scope and Contents

Hopkins Center, Dartmough College; May 5, 1981 Recorder: SC-280 Stereo, Halftrack, 7 1/2 IPS Scotch RB-1/4-7 [On reel: ""I""] 1/4-inch Audio Reel

Audio

The World Sax Quartet - Reel 2 of 4

The World Sax Quartet - Reel 3 of 4, 1981-1995, inclusive

Box: 8, Quarter_Inch_Audio_Reel: 107 (Material Type: Audio)

Scope and Contents

Hopkins Center, Dartmough College; May 5, 1981 Recorder: SC-280 Stereo, Halftrack, 7 1/2 IPS Scotch RB-1/4-7 [On reel: ""II""] 1/4-inch Audio Reel

Audio

The World Sax Quartet - Reel 3 of 4

The World Sax Quartet - Reel 4 of 4, 1981-1995, inclusive

Box: 10, Quarter_Inch_Audio_Reel: 108 (Material Type: Audio)

Scope and Contents

Hopkins Center, Dartmough College; May 5, 1981 Recorder: SC-280 Stereo, Halftrack, 7 1/2 IPS Scotch RB-1/4-7 [On reel: ""III""] 1/4-inch Audio Reel

Audio

The World Sax Quartet - Reel 4 of 4

Julius Hemphill 12 pc. Orch, 1980-1995, inclusive

Box: 10, Quarter_Inch_Audio_Reel: 109 (Material Type: Audio)

Scope and Contents

Live at Public Theatre, Nov 1 / 80 S[ide]-1 ""C"" (Those Blues); Lady S; For Billie; Hard Blues; At Harmony S[ide]-2 Border Town; Open Air; What I Know Now; Dogon A.D. Julius Hemphill, Baikida, Carroll, Henry Threadgill, Stan Strickland, Marty Ehrlich, John Clark, John Purcell, Charles Stevens, Emitt Mcdonald, Warren Smith, Pheeroan Ak Laff, Ed Schuller 7 1/2 IPS Maxell UD XL 35-90B 1/4-inch Audio Reel

Audio

Julius Hemphill 12 pc. Orch

Julius Hemphill Quintet sans Julius Hemphill (2nd Set), 1978-1995, inclusive

Box: 10, Quarter_Inch_Audio_Reel: 110 (Material Type: Audio)

Scope and Contents

5/29/78 CCPH Master Halftrack, 7 1/2 IPS 1/4-inch Audio Reel

Audio

Julius Hemphill Quintet sans Julius Hemphill (2nd Set)

Julius Hemphill Quintetv- Reel 1 [of 3], 1978-1995, inclusive

Box: 10, Quarter_Inch_Audio_Reel: 111 (Material Type: Audio)

Scope and Contents

Sun 5/28/78; Mon 5/29/78 2 track, 7 1/2 IPS Ampex 407 Bruce Bidlack, engineer [Information on sheet insert from B and B Enterprises] 1/4-inch Audio Reel

Audio

Julius Hemphill Quintetv- Reel 1 [of 3]

Julius Hemphill Quintet - Reel 2 [of 3], 1978-1995, inclusive

Box: 10, Quarter_Inch_Audio_Reel: 112 (Material Type: Audio)

Scope and Contents

Sun 5/28/78; Mon 5/29/78 2 track, 7 1/2 IPS Ampex 407 Bruce Bidlack, engineer [Information on sheet insert in audio reel AR-111] 1/4-inch Audio Reel

Audio

Julius Hemphill Quintet - Reel 2 [of 3]

Julius Hemphill Quintet - Reel 3 [of 3], 1978-1995, inclusive

Box: 10, Quarter_Inch_Audio_Reel: 113 (Material Type: Audio)

Scope and Contents

Sun 5/28/78; Mon 5/29/78 2 track, 7 1/2 IPS Ampex 407 Bruce Bidlack, engineer [Information on sheet insert in audio reel AR-111] 1/4-inch Audio Reel

Audio

Julius Hemphill Quintet - Reel 3 [of 3]

Soundscape, 1981-1995, inclusive

Box: 10, Quarter_Inch_Audio_Reel: 114 (Material Type: Audio)

Scope and Contents

12/5/81 Reel #1 of Julius Hemphill - 12/5/81: with; Ray Anderson on tuba and trombone; Bruce Purse on trumpet; john Purcell on saxophones; Marty Ehrlich on sax and flute; and Janet Gryce on bassoon. 7 1/2 IPS Maxell UD XL 50-120B 1/4-inch Audio Reel

Audio

Soundscape

"Bells" with Malinké Elliot, 1976-1995, inclusive

Box: 10, Quarter_Inch_Audio_Reel: 115 (Material Type: Audio)

Scope and Contents

4 tracks; Scotch B-10 1/2 1/4-inch Audio Reel

Audio

"Bells" with Malinké Elliot

Lake Murry Boyé Bluiett - Side #1 Complete, 1977-1995, inclusive

Box: 10, Quarter_Inch_Audio_Reel: 116 (Material Type: Audio)

Scope and Contents

St. Louis Concert; Recorded: 4/23/77 May 17, 1977 Sax Quartet Tunes: New Orleans Kids: Shu-full; 2 times part II (4 flutes); Brooklyn, Ill. Stereo, Halftrack, 15 IPS Maxell UD 50-120 1/4-inch Audio Reel

Audio

Lake Murry Boyé Bluiett - Side #1 Complete

Lake Murry Boyé Bluiett - Side #2 Complete, 1977-1995, inclusive

Box: 10, Quarter_Inch_Audio_Reel: 117 (Material Type: Audio)

Scope and Contents

St. Louis Concert; Recorded: 4/23/77 May 18/77 Sax Quartet Selections: A. Big Foot; B. Hearts Stereo, Halftrack, 15 IPS Maxell UD 50-120 1/4-inch Audio Reel

Audio

Lake Murry Boyé Bluiett - Side #2 Complete

"Bells" / "Ralph Ellison's Long Tongue", 1976-1995, inclusive

Box: 8, Quarter_Inch_Audio_Reel: 118 (Material Type: Audio)

Scope and Contents

Scotch B-10 1/2 1/4-inch Audio Reel; 4 tracks: Tracks 1, 3: "Bells"; Tracks 2, 4: "Ralph Ellison's Long Tongue."

Audio

"Bells" / "Ralph Ellison's Long Tongue"

"Bells", 1976-1995, inclusive

Box: 8, Quarter_Inch_Audio_Reel: 119 (Material Type: Audio)

Scope and Contents

7 1/2 IPS TDK Audua L-3600M 1/4-inch Audio Reel

Audio

"Bells"

WSQ, 1977-1995, inclusive

Box: 8, Quarter_Inch_Audio_Reel: 120 (Material Type: Audio)

Scope and Contents

Moers '77 Sound-Engenieur: H. Schlosser Scotch 262 1/4-inch Audio Reel

Audio

WSQ

World Sax Quartet, 1982-1995, inclusive

Box: 8, Quarter_Inch_Audio_Reel: 121 (Material Type: Audio)

Scope and Contents

NPR; 6-29-82 Reel #3 2 tracks, 7 1/2 IPS Ampex 406 1/4-inch Audio Reel

Physical Characteristics and Technical Requirements

Preservation Note: Substantial print-through in places, especially at head. Begins with audio only on right channel.

Audio

World Sax Quartet

Twilight Boogie Video, 1976-1995, inclusive

Box: 8, Video: 122 (Material Type: video)

Scope and Contents

Transfer from Open Reel 30 minutes Sony V1-K High Band Master Tape 1/4-inch Audio Reel

Video

Twilight Boogie Video

WSQ ""Sun. Nite"", 1989-1995, inclusive

Box: 9, VHS: 123 (Material Type: video)

Scope and Contents

TV NBC; 3/05/89 Maxell HGS Gold 120 VHS videoassette

Video

WSQ ""Sun. Nite""

Doxology Documentation, 1994-1995, inclusive

Box: 9, VHS: 124 (Material Type: video)

Scope and Contents

Col/College; 5/94 Scotch Hi-Fi/T-120 VHS videoassette

Video

Doxology Documentation

Doxology Video, 1976-1995, inclusive

Box: 9, VHS: 125 (Material Type: video)

Scope and Contents

Scotch Hi-Fi/T-120 VHS videoassette

Video

Doxology Video

Willisau Switzerland Festival, 1982-1995, inclusive

Box: 9, VHS: 126 (Material Type: video)

Scope and Contents

8/28-29/82 TDK HS VHS videoassette

Video

Willisau Switzerland Festival

[No title], 1976-1995, inclusive

Box: 9, Item: 127 (Material Type: Mixed Materials)

Scope and Contents

[No shell - Possible taping of transmission from Public TV] VHS videocassette

Jazz Dancing, 1976-1995, inclusive

Box: 9, Item: 128 (Material Type: Mixed Materials)

Scope and Contents

DVD

Julius Hemphill Willisau, 1992-1995, inclusive

Box: 9, Item: 129 (Material Type: Mixed Materials)

Scope and Contents

Julius Hemphill Willisau Aug. 28-29, 1992 DVD

Julius Hemphill Long Tongues, 1990-1995, inclusive

Box: 9, Item: 130 (Material Type: Mixed Materials)

Scope and Contents

Julius Hemphill Long Tongues Dec. 7, 1990 DVD

Julius Hemphill Ralph Ellison's Long Tongue, 1981-1995, inclusive

Box: 9, Item: 131 (Material Type: Mixed Materials)

Scope and Contents

Julius Hemphill Ralph Ellison's Long Tongue Jan. 2, 1981 DVD

Physical Characteristics and Technical Requirements

Duration: 96 minutes.

Video

Julius Hemphill Ralph Ellison's Long Tongue

John Hicks Quartet, 1976-1995, inclusive

Box: 9, Item: 132 (Material Type: Mixed Materials)

Scope and Contents

John Hicks Quartet The Session DVD

Hemphill Water Music, 1976-1995, inclusive

Box: 9, Item: 133 (Material Type: Mixed Materials)

Scope and Contents

Hemphill Water Music ... 7/17/76 Environ Perf Environ Performance of Water Music for Woodwinds July 17, 1976 Hemphill; Hamiet Bluiett; Charles Tyler; David Murray; Oliver Lake; Chico Freeman; John Scott A. Mr Neptune; B. Ms Catherine; C. Kinspawn; C. Backwater *Not all sections are indexed on this CD CD

Hemphill ""Water Music for WW."", 1977-1995, inclusive

Box: 9, Item: 134 (Material Type: Mixed Materials)

Scope and Contents

Hemphill ""Water Music for WW."" Wollman Aud. Columbia U October 3, 1977 performance @ Columbia University Julius Hemphill Water Music for Woodwinds David Murray; Hamiet Bluiett; Charles Tyler; Dewey Redman; Oliver Lake; Julius Hemphill [Note on insert:] Rather erratic recording: level jumps irregularly 3 program #s on this CD: Rather arbitrarily placed - they do not fall squarely on section changes 1 - Mvmt II 00-19:50 2 - Mvmt III CD

Julius Hemphill Feb. 16, 1987, 1987-1995, inclusive

Box: 9, Item: 135 (Material Type: Mixed Materials)

Scope and Contents

Julius Hemphill Feb. 16, 1987 CD

Julius Hemphill solo woodwinds -- Full Coat 16 magnetic sound

Box: 23, 16mm_film_reels: mss_542_0136 (Material Type: film)

Sound -- Camera Original-B Wind

Box: 23, 16mm_film_reels: MSS_542_0137 (Material Type: film)

Figures in Robes -- Camera Original- B Wind

Box: 23, 16mm_film_reels: MSS_542_0138 (Material Type: film)

Rat Lecture -- Camera Original-B Wind

Box: 23, 16mm_film_reels: MSS_542_0139 (Material Type: film)

Untitled -- Ectachrome B- reversal- Camera Original

Box: 23, 16mm_film_reels: MSS_542_0140 (Material Type: film)

Full coat 16 magnetic sound

Box: 23, 16mm_film_reels: MSS_542_0141 (Material Type: film)

Full coat 16 magnetic sound

Box: 23, 16mm_film_reels: MSS_542_0142, MSS_542_0143 (Material Type: film)

Sweet Willie Rollbar's Orientation -- Ampex sound reel

Box: Shared Fales 106, Quarter_Inch_Audio_Reel: MSS_542_0144 (Material Type: Audio)

Sweet Willie -- A Wind, Reversal Print

Box: 23, 16mm_film_reels: MSS_542_0145, MSS_542_0146 (Material Type: film)
Fales Library and Special Collections
Elmer Holmes Bobst Library
70 Washington Square South
2nd Floor
New York, NY 10012