Bill Dixon Papers
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Abstract
Bill Dixon (1925-2010) was an educator, artist, composer, writer, and jazz musician who played the trumpet, flugelhorn, and piano. In 1968, he became a professor at Bennington College and established the Black Music Division in the 1970s. During his time at Bennington, he taught classes and was the conductor for the Black Music Ensemble. Dixon worked for fifty years as a recording artist, composer, and performer within the avant-garde jazz scene. The Bill Dixon Papers contain material from all facets of Dixon's personal and professional career in music, education, and visual arts. Dixon's music career is represented in the collection through analog and digital recordings of albums, sessions, and performances as well as paper and electronic work files, performance ephemera, and music manuscripts. Dixon's career at Bennington College is reflected in audiovisual recordings and paper files related to Division meetings, class lectures, rehearsals, and musical events. Materials on Dixon's activities outside Bennington College include audiovisual recordings and files related to lectures, appearances, Judson Arts Workshops, the University of the Streets, and his visiting professorship at the University of Wisconsin, Madison. His work as both a visual artist and writer is represented in this collection through artworks, reproductions, exhibition files, publications, and work files for projects including his book L'Opera: A Collection of Letters, Writings, Musical Scores, Drawings, and Photographs (1967-1986). His personal files include photographs, press clippings, interviews, correspondence, and resumes.
Biographical Note
Jazz musician, composer, artist, and educator William (Bill) Robert Dixon was born in Nantucket, Massachusetts in 1925. Around the age of seven, he and his family moved to Harlem, New York. Dixon studied painting at Boston University, the WPA Arts School, and the Art Students League, working in a variety of mediums. Dixon served in the Army during World War II in Germany from 1944-1946, and later studied music at the Hartnett Conservatory of Music from 1946-1951 where he played trumpet, flugelhorn, and piano.
While living in New York in the 1950s, Dixon worked as an international civil servant at the United Nations and helped found the UN Jazz Society. Dixon also worked clubs as a performing musician in Greenwich Village during this time. In 1964, Dixon organized and produced a four-day festival of underexposed talent, the October Revolution in Jazz, including music and discussions, which led to him founding the short-lived cooperative organization of creative improvising New York musicians known as the Jazz Composers Guild.
In 1966, he began a collaborative partnership with dancer and choreographer Judith Dunn, which eventually led to him joining the faculty at Bennington College as a professor. Dixon founded the Black Music Division in the 1970s at Bennington. He assembled and led the Division's faculty and wrote the curriculum until his retirement from Bennington in 1995. While at Bennington, he taught classes in a variety of related subjects including improvisation, composition, and performance. He was director of the Black Music Ensemble. From 1971-1972, Dixon was a visiting professor of Music at the University of Wisconsin, Madison. He retired from Bennington College in 1996.
In addition to his work as an educator, Dixon continued to record music and perform among other improvisational jazz musicians. He played alongside Archie Shepp, Cecil Taylor, William Parker and other musicians of the avant-garde jazz scene. He worked for fifty years as a recording artist, crafting solo music for trumpet, ensemble, dance collaborations, and orchestras. He recorded with record labels RCA, Cadence Jazz Records, and Soul Note, and founded his own publishing company, Metamorphosis Music. In 1967, he composed and conducted a score for the United States Information Agency film The Wealth of a Nation, produced and directed by William Greaves. In 1980, Dixon completed his first tour in Italy, where he would return to record the albums In Italy, Vol I and II, and Considerations, Vol I and II. In 2007, Dixon recorded 17 Musicians in Search of a Sound: Darfur at the New York City Vision Festival to bring attention to the genocide of Sudan's South Darfur region.
Dixon was also an artist working in various mediums including painting, printmaking, drawing, and collage. He often used his visual art on album covers. As an author, he published the book L'Opera: A Collection of Letters, Writings, Musical Scores, Drawings, and Photographs in 1986. He also wrote reviews and articles, and contributed to other books about jazz.
Bill Dixon passed away in 2010.
Arrangement
This collection is organized into five series. The first two series are arranged into three subseries.
Series I. Music
Subseries I.A. Commercial and Studio Recordings
Subseries I.B. Performance Recordings
Subseries I.C. Sheet Music, Work Files, and Performance Ephemera
Series II. Bennington College
Subseries II.A. Class and Lecture Recordings
Subseries II.B. Performance and Event Recordings
Subseries II.C. Teaching and Administrative Files
Series III. Educational Programs and Appearances
Series IV. Visual and Written Artwork
Series V. Personal Files
Files made up of multiple types of records (audio, video, paper, electronic, etc) have a child element for each type of record present.
Scope and Contents
The Bill Dixon Papers (1936-2012) contains audiovisual, paper, and digital materials documenting Dixon's life and work as a jazz musician, composer, educator, visual artist, and writer.
This collection contains material created during his lifetime career as a jazz musician and composer, particularly the free jazz, experimental music, and avant-garde jazz scenes, dating from the 1960s through 2010. Dixon's large collection of analog and digital audiovisual recordings include performances, rehearsals, radio broadcasts, film soundtracks, and album recording sessions. Paper files support these recordings with handwritten sheet music, correspondence, work files, performance ephemera, and still images of practices, recordings, and performances.
Class curricula, lecture notes, and administrative files document Dixon's tenure as a professor at Bennington College from 1968 to his retirement in 1995. Correspondence, notes, and reports document Dixon's role founding the Black Music Division and his involvement with the Black Music Ensemble. Images portray students, faculty, rehearsals and classes. Audiovisual recordings include Dixon's class lectures (1970s-1990s), music lessons and workshops, student and faculty performances, rehearsals, Black Music Division events, and Division meetings.
This collection also documents Dixon's educational appearances and activities outside of Bennington College. Audiovisual recordings, photographs, and paper files document Dixon's lecture series, panels, and workshops. Notable programs include the Judson Arts Workshops, the University of the Streets, and his visiting professorship at the University of Wisconsin, Madison (Fall 1971 to Spring 1972).
Dixon's work as a visual artist is represented in both original artworks and reproductions of his work, which include photography, collage, printworking, painting, and ink and pencil drawings. The collection also contains tools used in art creation such as printing blocks, an etching plate, and linoleum block sheets. Work files contain correspondence, notes, and images of the creation process and finished works.
As a writer, Dixon produced articles, reviews, book contributions, liner notes for fellow musicians' albums, dating from the 1950s to the 2000s. Many of his writings pertain to his experiences as a jazz musician, compositions, and relationships with other musicians. This collection contains original publications and work files on many of his writings. Work files for his book L'Opera: A Collection of Letters, Writings, Musical Scores, Drawings, and Photographs (1967-1986) contain notes, drafts, mock-ups, correspondence, and the book itself. Also of note are his writings concerning his partnership with the choreographer Judith Dunn, with whom he collaboratived in the 1960s and 1970s.
Audiovisual recordings, photographs, correspondence, datebooks, press clippings, resumes, and scholarly works and interviews provide a profile of his life and work.
Subjects
Organizations
Genres
People
Donors
Conditions Governing Access
Restricted materials in Series II.A, II.C, and III are notated as such in the record's title. Please contact the Archives with specific questions regarding access to such records. All other materials are open to researchers. Appointments are necessary for the use of manuscript and archival collections.
Conditions Governing Use
This collection is protected by copyright and/or related rights. You are free to use materials in the collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
Preferred Citation
Identification of item, date; Bill Dixon Papers; MSS 481; box number; folder number or item identifier; Fales Library and Special Collections, New York University.
Location of Materials
Immediate Source of Acquisition
Donated by Sharon Vogel in March, 2017; the accession number associated with this gift is 2017.022.
Born-Digital Access Policies and Procedures
Advance notice is required for the use of computer records. Original physical digital media is restricted.
An access terminal for born-digital materials in the collection is available by appointment for reading room viewing and listening only. Researchers may view an item's original container and/or carrier, but the physical carriers themselves are not available for use because of preservation concerns.
Audiovisual Access Policies and Procedures
Access to some audiovisual materials in this collection is available through digitized access copies. Researchers may view an item's original container, but the media themselves are not available for playback because of preservation concerns. Materials that have already been digitized are noted in the collection's finding aid and can be requested in our reading room. To request an access copy, or if you are unsure if an item has been digitized, please contact special.collections@nyu.edu with the collection name, collection number, and a description of the item(s) requested. A staff member will respond to you with further information.
Appraisal
Materials containing private student information, including Bennington College mid-term and final student evaluations, class lists, and correspondence discussing student performance, were deaccessioned along with audio recordings of Trustee Meetings and 24 blank compact discs. 103 commercial audiovisual recordings that did not feature Bill Dixon's work were separated from the collection.
In June 2023, 7 videotapes were deaccessioned after they were found to be blank tapes or commercial recordings of television programs.
In September 2024, 2 videotapes were deaccessioned after they were found to be blank tapes or duplicative content.
About this Guide
Processing Information
At the time of accessioning, materials were moved into archival housing and described in a spreadsheet to the box level. Born digital items were identified and listed, but not imaged at this time.
In the Summer and Fall of 2022, the collection was arranged and described by two archivists. The collection was divided into series based on record type and arranged intellectually within these series.
In the Fall of 2022, 25 audio reels and 17 audiocassettes were identified as moldy by the Media Preservation Unit. These items are currently isolated from other items by housing them in polyethylene bags with desiccated boards and RH monitor strips. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department. 3 audio reels were vacuumed to remove dust. 1 VHS tape and 2 U-matic tapes were reshelled.
730 optical discs and 2 hard drives were forensically imaged, analyzed, and arranged. New York University Libraries follows professional standards and best practices when imaging, ingesting, and processing born-digital material in order to maintain the integrity of the content.
Revisions to this Guide
Repository
Series I. Music, 1936, 1941, 1959-2012, inclusive
Extent
Extent
Scope and Contents
This series contains analog and digital audiovisual recordings spanning Dixon's musical career, including published albums, features on albums by other artists, film soundtracks, radio broadcasts, recording sessions, solo and ensemble performances, orchestral performances, music festivals, and choreographed collaborations with Judith Dunn. It also contains paper and digital documentation of his work as a musician, including album related work files, music manuscripts, performance ephemera, and annotated reference books.
Subseries I.A: Commercial and Studio Recordings, 1960-2012, inclusive
Extent
Scope and Contents
This subseries includes recordings from Dixon's published albums spanning his career from the 1960s to 2009; features on albums by other artists, such as Cecil Taylor, Tony Oxley, and Arthur Brooks; music written for films, including Wealth of a Nation (1966); radio broadcasts, including several programs on Columbia University's WKCR that showcased different eras of Dixon's career and celebrated his birthdays; recording sessions for record labels such as RCA, Soulnote, and Cadence Jazz, as well as unissued private recordings; and compilation and demo tapes handmade by Bill Dixon and distributed via Metamorphosis Music.
Arrangement
This subseries is arranged chronologically. Undated items are arranged alphabetically at the end of the subseries. Wherever possible, record titles were transcribed directly from audiovisual labels and edited minimally to provide context.
Compilation Tape, circa 1960s, inclusive
Audio
A Compilation Through 1976: "Places and Things", "Letter", circa 1960s-1976, inclusive
Compilation Tape -- "Metamorphosis," "Voices," "Orchestra Piece," "Sequences", 1962-1972, inclusive
Compilation Tape -- Ayler / Taylor WBAI Demo, Bill Dixon Orchestra Session, 1962-1979, inclusive
Compilation Tape -- Intents and Purposes, Considerations 1, Considerations 2, circa 1962-1979, inclusive
Compilation Tape -- Music Excerpts, 1962-1986, inclusive
Scandinavian Sketches, WBAI, February 21, 1963
Physical Characteristics and Technical Requirements
Duration: 30 minutes
Audio
Dixon Demo Tape -- Unissued Only, 1963-1964, inclusive
Compilation Tape -- "Miscellaneous Music", circa 1963-2000, inclusive
Bill Dixon 7-Tette / Archie Shepp and the New York Contemporary 5, March 5, 1964
Scope and Contents
Published by Atlantic Recording Corporation
Compilation Tape -- "Miscellaneous Music", 1964-2000, inclusive
The Bill Dixon -- Archie Shepp Quartet, circa 1966, inclusive
"Dew Horse II," Judson Memorial Church, July 11, 1966
Physical Characteristics and Technical Requirements
Duration: 19 minutes; Preservation note: Surface damage some skipping
Audio
"I Remember", 1966
"Large Orchestra Piece" (Version I), circa 1966, inclusive
"Large Orchestra Piece" (Version II), circa 1966, inclusive
"Metamorphosis I", circa 1966, inclusive
"Metamorphosis / Groundspeed", July, 1966
"Metamorphosis" Recording Sesion, RCA Victor, October 10, 1966
Physical Characteristics and Technical Requirements
This tape was rehoused; the original housing with annotations was kept and labeled with same identifier
"Motorcycle", circa 1966, inclusive
Physical Characteristics and Technical Requirements
Duration: 35 minutes; Preservation note: Surface damage some skipping
Audio
"Nouveau Ne / Motorcycle", 1966
"Pomegranate", July 11, 1966
Wealth of a Nation, circa 1966, inclusive
Physical Characteristics and Technical Requirements
Duartion: 22 minutes
Film
Video
Video
WKCR Broadcast -- "Pomegranate," "Dew Horse I," "Dew Horse II," "Solo," "Untitled Ensemble Piece with Voices", 1966
Intents and Purposes by the Bill Dixon Orchestra, RCA Victor, New York City, 1966-1967, inclusive
Digital materials
WKCR Compilation Tape -- Judson Memorial Performances, Large Orchestra Piece, 1966-1968, inclusive
WKCR Broadcast -- "Octobersong / Conversation Winter Tales," "Nouveau Ne," "Three Short Pieces," "Motorcycle" at Judson Memorial Church, 1966-1970, inclusive
Compilation Tape -- Works from 1966-1985, 1966-1985, inclusive
Original Musical Compositions Performed in Concert and on Recording, 1966-1990, inclusive
Scope and Contents
Handmade cassette published by Bill Dixon, Inc. and Metamorphosis Music, BMI
Compilation Disc, 1966-1993, inclusive
Digital materials
Compilation Tape -- Trumpet and Saxophone, circa 1967, inclusive
Intents and Purposes, circa 1967, inclusive
Digital materials
Intents and Purposes, Danspace QT, circa 1967, inclusive
Digital materials
Trumpet Overdubbings by Bill Dixon, recorded at George Washington University and published by Metamorphosis Music, BMI, NYC, 1967
"Voices" RCA Victor Rehearsal, circa 1967, inclusive
Scope and Contents
Featuring Byard Lancaster (Bass Clarinet), Kathi Norris (Cello), Bob Pozar (Drums), Jimmie Garrison (Bass), Bill Dixon (Trumpet, flugelhorn, composer)
Audio
Papers
UPAI and "Voices" Recording Sessions, RCA Victor, January 17, 1967
Scope and Contents
Featuring Byard Lancaster (Bass Clarinet), Kathi Norris (Cello), Bob Pozar (Drums), Jimmie Garrison (Bass), Bill Dixon (Trumpet, Hugelhorn, Composer)
"Nightfall Pieces" No. I and No. II, RCA Victor, February 21, 1967
Scope and Contents
Featuring Bill Dixon and George Marge
"Mosaic", 1969-1970, inclusive
Digital materials
1982, 1970
Scope and Contents
Some signed artwork and an exhibition booklet were originally stored with this record; they removed and foldered separately.
WKCR Broadcast: "Untitled," "Untitled," "Piece for Karen Lierly", 1970-1971, inclusive
Compilation Disc, circa 1970s, inclusive
Scope and Contents
This disc includes "For Franz," Bill Dixon and Cecil Taylor, "Index," "Voices"
Digital materials
Dixon Trumpet Solos -- Some Used on Odyssey, circa 1970s, inclusive
Bill Dixon on WMFM Radio, November 22, 1971
Compilation Disc, 1971-1974, inclusive
Scope and Contents
This disc includes Orchestra Pieces, Bennington College Performances, and Madison, Wisconsin Orchestras
Digital materials
In the Sign of the Labyrinth: "Summerdance," "Bennet," "Mirrors," "Sotto Voce", 1971-1975, inclusive
Scope and Contents
Published by FORE
Compilation Tape -- "Summerdance," "Mirrors," "Sotto Voce", 1971-1976, inclusive
Compilation Tape -- Works from 1971-1976, 1971-1976, inclusive
FORE Record (Live Overdub), circa 1971-1976, inclusive
FORE Recording, circa 1971-1976, inclusive
In the Sign of the Labyrinth: "This is Our Strategy," "Letters to Myself", 1971-1976, inclusive
Scope and Contents
Published by FORE
Madison Black Music Ensemble Rehearsal for WHA TV 21, 1972
Physical Characteristics and Technical Requirements
Transferred from 2" video
Physical Characteristics and Technical Requirements
Duration: 63 minutes
Video
In the Sign of the Labyrinth: "Trident," "Triumvirate," "Trilogy," "Trident II," "Trident III," "Letters to Myself", 1972-1974, inclusive
Scope and Contents
Published by FORE
Compilation Disc, 1972-1976, inclusive
Scope and Contents
This disc includes "This Is Our Strategy," Ensemble Performance, Autumn Festival, Solos
Digital materials
Compilation Tape -- "Summerdance," "Piece for Pat Lagg," "Trumpet and Child's Voice," "This is Our Strategy," "Trumpet and Piano I," "Trumpet and Piano II", 1972-1976, inclusive
"Letters" Version B, Orchestra Piece Related to "Letters", 1973-1974, inclusive
"Webern Work Study", circa 1973-1974, inclusive
Digital materials
Compilation Tape -- Solo Trumpet, Solo Piano, "This Is Our Strategy", 1973-1976, inclusive
Compilation Tape --"Shrike," "Webern," "Another Quiet Feeling," "Nobody Knows My Name", 1973-1985, inclusive
Guggenheim Tape, 1974
Ensemble Muntu Featuring Mark Hannen, Jemeel Moondoc, May 20, 1974
Brass Duos -- Issued and Unissued, May 30, 1974
Scope and Contents
Housing annotations: "As issued on Force Five (Duo #1); unissued (Duo #2)"
Audio
Compilation Disc, 1974-1975, inclusive
Scope and Contents
This disc includes WKCR Broadcast 73rd Birthday, Oxley-Dixon-Guy in Nickelsdorf, BY, "Papyrus," "This Is Our Strategy," Orchestra Piece, Bird's Word
Digital materials
Compilation of Orchestra Works, 1974-1975, inclusive
Digital materials
In the Sign of the Labyrinth: "Line," "Chiaroscuro," "Aquerelle," "Imprimatura," "Movementum," "Piece for Pat Lagg," "Triplex", 1974-1976, inclusive
Scope and Contents
Published by FORE
Compilation Tape -- Music Excerpts, Including Orchestra Works and Quartets, 1974-1988, inclusive
Compilation Disc, circa 1974-2007, inclusive
Scope and Contents
This disc includes "Shrike," "Papyrus," Henry Grimes and Bill Dixon, and United States Artists Music Submission
Digital materials
Compilation Disc, circa 1975, inclusive
Digital materials
Guggenheim Grant Original Compositions, Fall, 1975
Film Music for Chester Higgins, 1975-1976, inclusive
Considerations 1, FORE 4, circa 1976, inclusive
Scope and Contents
FORE THREE is titled Considerations 1. The title of FORE FOUR is unknown.
In the Sign of the Labyrinth, circa 1976, inclusive
Audio
Electronic records
Digital materials
Places and Things, 1976
Solo Trumpet Featured on Odyssey, 1976
This is Our Strategy, 1976
Physical Characteristics and Technical Requirements
Duration: 81 minutes
Audio
"For Franz" by Bill Dixon, Recorded in Vienna, Austria, August, 1976
Recording Session -- Take 1, August 6, 1976
Recording Session -- Take 2, August 6, 1976
Bill Dixon Compositions, October 7, 1976
Compilation Disc, 1976-1992, inclusive
Scope and Contents
This disc includes: Bill Dixon and Leslie Winston Duets; Performance with Arthur Brooks, Gary Sokowski, and J.R. Mitchell; Autumn Festival, Paris; Bill Dixon on trumpet and piano; Steve Horenstein on tenor saxophone; Alan Silva on double bass
Digital materials
Compilation Tape -- Bill Dixon Piano Excerpts, Including "Autumn Sequences From a Paris Diary", 1977
Bill Dixon: Limited Edition, 1977-1988, inclusive
Scope and Contents
Handmade cassette published by Bill Dixon, Inc. and Metamorphosis Music, BMI
Orchestra Recording Session, 1979
Piano Solos Used on Odyssey, May, 1979
Considerations 1, 1980
In Italy, 1980
Bill Dixon in Italy: Volume One, June, 1980
Bill Dixon in Italy: Volume Two, 1981
Considerations 2, 1981
Imagine the Sound, 1981
Scope and Contents
Published by Voyager Press
Imagine the Sound Plus Excerpts of Works by Bill Dixon, circa 1981, inclusive
Physical Characteristics and Technical Requirements
Duration: 124 minutes
Video
Music for Imagine the Sound, 1981
Compilation Disc, November, 1981
Scope and Contents
This disc includes "Silences," "Relay," "Firenze," "Sumi-e," Piano, Voices, "Pensieroso," "Relay," Beblio Arrozzi
Digital materials
Compilation Disc, November, 1981
Scope and Contents
This disc includes: 1 Silence - Sisyphus, 2 Relay - Odyssey, 3 Firenze - Bill DIxon in Italy, 4 Sumi-e - Sisyphus, 5 Piano - Papyrus, 6 Voices - Intents and Purposes, 7 Pensieroso - Odyssey, 8 Relay, 9 Currents - Arrozzi, 10 Nov. 81, 11 - Suri Papyrus
Digital materials
Compilation Tape, 1981-1990, inclusive
Scope and Contents
This videotape includes: Imagine the Sound (1981), S. Albahari Masters Thesis MIT (1983), Lecture at SUC (1990)
Video
Physical Characteristics and Technical Requirements
Duration: 124 minutes
Video
Video Inserts
November 1981, 1982
Scope and Contents
Published by Soul Note
Dixon Demo Tape 1, June 15, 1984
Scope and Contents
Featuring Bill Dixon, Marco Encidi, William Parker, and Laurence Cook
Physical Characteristics and Technical Requirements
Duration: 88 minutes
Audio
Dixon Demo Tape 11, June 15, 1984
Scope and Contents
Featuring Bill Dixon, Marco Eneidi, William Parker, and Laurence Cook
Physical Characteristics and Technical Requirements
Duration: 31 minutes; Preservation note: Transfer OK after incubation
Audio
Bill Dixon: The Collection Original Master for Cadence Jazz Records, 1985
Physical Characteristics and Technical Requirements
This tape was rehoused and the original case with its annotations was retained.
Collection, 1985
Audio
Electronic Records
Digital materials
Thoughts, 1985
Thoughts Recording Session, 1985
"Concepts", May 15-16, 1985, inclusive
Bill Dixon Live at Bennington College -- Soul Note Recording Session, May 16, 1985
Scope and Contents
Video produced by O. Sautoro, E. Singer, and N. Sanders
Physical Characteristics and Technical Requirements
Duration: 105 minutes
Video
Thoughts Session Footage at the Robeson House, November, 1985
Video
Morning Edition #860416, Minnesota "Doo-Wap" Opera, National Public Radio, 1986
Duets and Trios, 1986-1989, inclusive
Scope and Contents
Handmade cassette published by Bill Dixon, Inc. and Metamorphosis Music, BMI
Conquistador! Cecil Taylor, Featuring Bill Dixon on Trumpet, 1987
Scope and Contents
Published by Blue Note
Thoughts, 1987
Scope and Contents
Published by Soul Note
Thoughts Master, 1987
Physical Characteristics and Technical Requirements
Reel 481_1319 in Box 18 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Dixon Trios, Fall, 1988
Son of Sisyphus, 1988
Scope and Contents
Featuring Bill Dixon (trumpet, piano), Mario Pavone (double bass), J. Buckingham (tuba), and Laurence Cook (drums)
Thoughts Recording Session, 1988
Compilation Tape -- Dixon Compositions, 1988-1989, inclusive
Arthur Brooks -- Demo Tape, 1989
Dixon Trio, Spring, 1989
Scope and Contents
Handmade cassette published by Bill Dixon, Inc. and Metamorphosis Music, BMI
Ehran Elisha Music Compilation, 1990
Son of Sisyphus, 1990
Compilation Disc, 1990-1998, inclusive
Scope and Contents
This disc includes "Roud Up the Usual Suspects" and Performance footage from Jerusalem and Koln
Digital materials
Bill Dixon with Tony Oxley -- IREC Soul Note, circa 1990-2005, inclusive
Bill Dixon on WKCR: Interview, 1991
Bill Dixon Radio WKCR, Autumn, 1991
Bill Dixon on WKCR -- Dialogue Only, October 2, 1991
Bill Dixon on WKCR, October 7, 1991
Bill Dixon on WKCR, November, 1991
Bill Dixon on WKCR, November 4, 1991
Bill Dixon on WKCR: Solos, Ben Young, November 18, 1991
Bill Dixon Radio Broadcast, December 2, 1991
Bill Dixon on WKCR, December 30, 1991
Bill Dixon and Cecil Taylor: Volume 2, circa 1992, inclusive
Digital materials
Bill Dixon on WKCR: Solos, Orchestra Pieces, January 27, 1992
Bill Dixon and Ben Young on WKCR, March 23, 1992
Live Interview at WKCR, March 23, 1992
Bill Dixon on WKCR, April 6, 1992
Bill Dixon on WKCR, April 20, 1992
Bill Dixon on WKCR, May 4, 1992
Vade Mecum, August, 1993
Soul Note 1, August 2, 1993
Bill Dixon Radio Broadcast, September 27, 1993
Bill Dixon Radio Broadcast, October 4, 1993
Bill Dixon Radio Broadcast, October 18, 1993
Bill Dixon Radio Broadcast: Solos, November 1, 1993
Bill Dixon on WKCR, November 15, 1993
Bill Dixon Radio Broadcast: Small Groups, November 29, 1993
Bill Dixon on WKCR, December, 1993
Bill Dixon Radio Broadcast: Live On-Air and pieces from "Taylor Diets", December 13, 1993
Bird Flight -- Dixon on Charlie Parker, December 14, 1993
Bill Dixon Birthday Broadcast, 1994
Vade Mecum, 1994
Bill Dixon Radio Broadcast, January 24, 1994
Bill Dixon Radio Broadcast: Anatomy of a Piece and Mills Hall Concert, February 7, 1994
Physical Characteristics and Technical Requirements
Duration: 190 minutes in two parts
Audio
Bill Dixon Radio Broadcast: Lecture on Improvisation, February 21, 1994
Bill Dixon Radio Broadcast: Solos, March 7, 1994
Bill Dixon Radio Broadcast, March 21, 1994
Bill Dixon Radio Broadcast: "Intents and Purposes", April 4, 1994
Bill Dixon Radio Broadcast: Euro Tour 1980, April 18, 1994
Bill Dixon Radio Broadcast: Extreme Rarities, May 2, 1994
Bill Dixon Radio Broadcast, May 16, 1994
Bill Dixon 69th Birthday Broadcast on WKCR, October 5, 1993
Bill Dixon Radio Broadcast, October 7, 1994
Bill Dixon on WKCR, December 2, 1994
Spring 1995 Performances -- Leap Of Faith, 1995
Bill Dixon on WKCR, May 2, 1995
Bill Dixon Radio Broadcast, July 10, 1995
Bill Dixon Radio Broadcast, July 24, 1995
Bill Dixon Radio Broadcast, August 7, 1995
Bill Dixon Radio Broadcast, August 21, 1995
Bill Dixon Radio Broadcast, September 4, 1995
Bill Dixon Radio Broadcast, September 18, 1995
Bill Dixon Radio Broadcast, October 2, 1995
Bill Dixon Radio Broadcast, October 16, 1995
Bill Dixon Radio Broadcast, November 13, 1995
Bill Dixon Radio Broadcast, November 27, 1995
Bill Dixon Radio Broadcast, December 11, 1995
Bill Dixon Birthday Brodacast, circa 1995-2000, inclusive
Bill Dixon on Air: WKCR Odyssey Vol. 2 of 2, circa 1995-2000, inclusive
Bill Dixon Radio Broadcast, circa 1995-2000, inclusive
Bill Dixon on WKCR, circa 1995-2000, inclusive
The Enchanged Messenger: Tony Oxley Celebration Orchestra featuring Bill Dixon, 1996
Scope and Contents
Published by Soul Note
"Iliana's Dance," David Bindman, 1996
Vade Mecum II, 1996
Bill Dixon Radio, January 8, 1996
Bill Dixon Radio, February 5, 1996
Bill Dixon Radio, March 4, 1996
Bill Dixon Radio, March 18, 1996
Bill Dixon Radio, April 1, 1996
Bill Dixon Birthday Radio Broadcast, September 29, 1996
Creative Improvised Music Projects (CIMP) #141 Track 1, May 26, 1997
Digital materials
Bill Dixon 73rd Birthday Broadcast on WKCR, circa 1998, inclusive
Collection, February 18, 1998
Digital materials
Papyrus -- Probably Session Tape, Bill Dixon and Tony Oxley, June 23, 1998
Papyrus, circa 1998-1999, inclusive
Audio
Electronic Records
Digital materials
Compilation Tape -- "Currents," "Open Quiet / The Orange Bell," "Acrolithes", circa 1999, inclusive
Papyrus Volume II: Bill Dixon with Tony Oxley, 1999
Scope and Contents
Published by Soul Note
Ten Years, The Eric Zinman Trio, January 19, 1999
Digital materials
Dixon Birthday Radio Broadcast on WKCR, October 4, 1999
Dixon Birthday Radio Broadcast on WKCR, October 18, 1999
Berlin Obbozzi: Bill Dixon with Matthias Bauer, Klaus Koch, and Tony Oxley, 2000
Scope and Contents
Published by FMP-Publishing
Franz Hautzinger: Quartertone-Trumpet Solo with Liner Essay and Skribbles by Bill Dixon, 2000
Scope and Contents
Published by Grob
Bill Dixon on WKCR, May 15, 2000
Jazztime Radio Program: "The New Thing - The Blue Thing" hosted by Reinhard Kager, circa 2000s, inclusive
Digital materials
Odyssey, circa 2001, inclusive
Odyssey CD 1, circa 2001, inclusive
Odyssey CD 2, circa 2001, inclusive
Odyssey CD 3, 2001
Odyssey CD 4, CD 5, circa 2001, inclusive
Odyssey CD 6 -- Spoken Word, circa 2001, inclusive
Audio
Electronic Records
Digital materials
Odyssey Piano, circa 2001, inclusive
Odyssey, "Relay", circa 2001, inclusive
Digital materials
Odyssey Solo Trumpet Pieces -- Original Tape for Cadence Jazz Records, 2001
Scope and Contents
Note: "These pieces were cut out from session reels and edited into this compiled master. This is the best source for all of these pieces, used directly for mastering Odyssey, and copied many times for CJR 1024/25."
Odyssey Solos, circa 2001, inclusive
Odyssey Voice Recording by Keith Thompson, circa 2001, inclusive
Digital materials
Opium: Bill Dixon, Franz Koglmann, Steve Lacy, 2001
Scope and Contents
Published by between the lines
Ruminations for Odyssey (Spoken Word), circa 2001, inclusive
Digital materials
The Transcendentalists, Live on WFMU, February 11, 2001
Scope and Contents
Featuring Daniel Carter (Winds), Steve Swell (Trombone), Tom Abbs (contrabass, didjeridoo), and Dave Brandt (percussion)
Digital materials
Studio 234, Eric Zinman, Laurence Cook, John Voigt, May 23, 2001
Digital materials
WKCR: Bill Dixon on Odyssey, July 16, 2001
Cecil Taylor, Bill Dixon, Tony Oxley, 2002
Scope and Contents
Published by Les Disques VICTO
"Proposed Final Sequence" (Includes SF Material), April 1, 2002
Digital materials
Andrew Raffo Dewar -- Recent Work, 2002-2003, inclusive
Digital materials
Bill Dixon Music Excerpts, 2003
Digital materials
Compilation for Dolores Laurie, 2003
Digital materials
Freebop Duo, Don Camilo, Alexander Teixeira, circa 2003, inclusive
Digital materials
Unlabeled Recording Session, December, 2003
Digital materials
Recording Session, April 6, 2004
Digital materials
Unlabeled Recording Session, July 24, 2004
Digital materials
Jazz File: Cry Freedom, BBC R3, September 10, 2004
Bill Dixon WKCR 1962-66, October 1, 2004
Digital materials
Bill Dixon on WKCR: Afternoon Music, October 4, 2004
Digital materials
Cabbagetown Jitter, Nu South Subterraneans, 2004-2005, inclusive
Digital materials
Bill Dixon Approved Mix, June 17, 2005
Digital materials
Bill Dixon Radio Broadcast, June 17, 2005
Digital materials
"Perspective" Radio Show Hosted by Louis Reyes Rivera, with Guest Ahmed Abdullah, August, 2005
Digital materials
Bill Dixon on Bird Flight, WKCR, October 5, 2005
Audio
Electronic Records
Digital materials
Bill Dixon WKCR 80th Birthday Profile, October 5, 2005
Digital materials
Compilation Disc, 2006
Scope and Contents
This disc includes trumpet solos, "This Is Our Strategy," and a Paris performance
Digital materials
WCBN A2 Broadcast, Michigan, June, 2006
Digital materials
"Afternoon New Music" Broadcast with Ben Young on WKCR, October 3, 2006
Digital materials
Bill Dixon -- 81st Birthday Broadcast on WKCR, October 3, 2006
Digital materials
Compilation Disc, October 6, 2006
Digital materials
17 Musicians in Search of a Sound: Darfur, 2007
Audio
Electronic Records
Digital materials
Bill Dixon with the Exploding Star Orchestra, 2007
Scope and Contents
Published by Thrill Jockey
Audio
Electronic Records
Digital materials
Modus Operandi Featuring Bill Dixon, Michel Côté, and Pierre Côté, 2007
Digital materials
Compilation Disc, February 4, 2007
Digital materials
Bill Dixon -- MD (Rough), June 19, 2007
Digital materials
Dixon and Shosh Private Sessions, August 5, 2007
Digital materials
Exploding Star Orchestra Recording Sessions, September 3, 2007
Digital materials
"Thrill Jockey" Exploding Star Orchestra and Bill Dixon, October 19, 2007
Digital materials
Bugaboo Mixes, November 27, 2007
Digital materials
Bill Dixon, Ben Hall, Aaron Siegel -- LP mixes, circa 2008, inclusive
Digital materials
"Music from Medwin", circa 2008, inclusive
Digital materials
Bill Dixon and the Sound Vision Orchestra -- Darfur Piece, January 10, 2008
Digital materials
Bill Dixon Orchestra Final Mix, February 1, 2008
Digital materials
Bill Dixon Darfur Program on WKCR, June 3, 2008
Digital materials
Bill Dixon Darfur Program on WKCR, June 17, 2008
Digital materials
Bill Dixon Birthday Program on WKCR, October 7, 2008
Digital materials
Archie Shepp / Bill Dixon Quartet, 2009
Scope and Contents
Published by FreeFactory
Bill Dixon, Aaron Siegel, Ben Hall LP mixes V.1, circa 2009, inclusive
Digital materials
"Tapestries for Small Orchestra" Mixes, July 6, 2009
Digital materials
Bill Dixon WKCR 84th Birthday Profile, October 4, 2009
Digital materials
Bill Dixon 85th Birthday Anniversary, circa 2010, inclusive
Digital materials
Intents and Purposes, 2010
Digital materials
Bill Dixon More Birthday Acknowledgment, October 6, 2010
Digital materials
Bill Dixon on Air, July 20, 2011
Digital materials
Bill Dixon on WKCR, October 5, 2012
Digital materials
Bare Those Excellent Teeth, Ben Hall, Hans Bjetow, John Olson, Undated, inclusive
Digital materials
Bill Dixon -- "Alternate", Undated, inclusive
Digital materials
Bill Dixon Birthday Broadcast, Undated, inclusive
Digital materials
Bill Dixon and Cecil Taylor, Undated, inclusive
Bill Dixon and Gene Friedman: "Index" / Film Score, Bill Dixon and Archie Shepp, Undated, inclusive
Bill Dixon and Jerusalem Institute TV Special, Undated, inclusive
Physical Characteristics and Technical Requirements
Did Not Transfer; PAL
Bill Dixon Demo Reel -- Original Tape from Compilation Reel, Undated, inclusive
Audio
Physical Characteristics and Technical Requirements
Duration: 32 minutes
Audio
Audio Inserts
Bill Dixon in Italy BBC Broadcast to USSR by Leo Feigin, Vol. 1, Undated, inclusive
Bill Dixon in Italy BBC Broadcast to USSR by Leo Feigin, Vol. 2, Undated, inclusive
Bill Dixon Piano, Earle Hagen Film Scoring, Undated, inclusive
Bill Dixon Reference CD #2, Undated, inclusive
Digital materials
Bill Dixon Soul Note II, Undated, inclusive
Bill Dixon 75th Birthday Broadcast on WKCR, September-October, 2000, inclusive
Celebration Orchestra and Tony Oxley -- Soul Note, Undated, inclusive
Chester Higgins's Film Music, Undated, inclusive
Compilation Disc, Undated, inclusive
Scope and Contents
This disc includes "Relay," "Papyrus," Piano, Bindman, "Thoughts," "Sisyphus," "Webern," "Windows," "Suspects" Jerusalem Solo
Digital materials
Compilation Disc, Undated, inclusive
Scope and Contents
This disc includes: 1 Summersong 2 Firenze - BD in Italy 3 Silence 4 Suri-e - Sisyphus 5 Voices - Int & Pur 6 Nov. 1981 7 " " 8 PNO 9 PNO 10 same 11 PNO 12 PNO - Papyrus 13 Pensieroso 15 Suri-mono Odyssey
Digital materials
Compilation Disc, Undated, inclusive
Scope and Contents
This disc includes: 1 - Voices 2 - Footwork 3 - Summerdance 4 - Shrike 5 - Velvet 6 - Silver Point 7 - Suri-Mono 8 - Moment - 9 - London
Digital materials
Compilation Disc, Undated, inclusive
Scope and Contents
This disc includes "Silences For," "Sisyphus," "Relay (Odyssey)," Bill Dixon in Italy (Firenze), "Papyrus," "Voices," Bill Dixon and Leslie Winston, Arrizzi, Norid
Digital materials
Compilation Disc, Undated, inclusive
Scope and Contents
This disc includes: 1. "Metamorphosis," 2. "Letters: Suspects," 3. Orch Piece '72, 4. "Sequences" '72, 5. "Shrike" '73, 6. "Var. Night and Day" '79, 7. [illegible] '73,
Digital materials
Compilation Disc, Undated, inclusive
Scope and Contents
This disc includes "Papyrus" Volumes I and II, "Silver Point," "Essay," and "Ritual"
Digital materials
Compilation Disc, Undated, inclusive
Scope and Contents
This disc includes Albahari, Friedman, Wesleyan Solo
Digital materials
Compilation Disc, Undated, inclusive
Scope and Contents
This disc includes Alahari, Friedman, Moore, Fahlin, Wesleyan, Grossman
Digital materials
Compilation Disc, Undated, inclusive
Scope and Contents
This disc includes Albahari, J. Moore, Marie Fahlin, Wesleyan Solo
Digital materials
Compilation Disc, Undated, inclusive
Scope and Contents
This disc inclues "Webern," "Shrike"
Digital materials
Compilation Disc, Undated, inclusive
Digital materials
Compilation Disc, Undated, inclusive
Scope and Contents
This disc includes Albahari, Friedman, Danspace, Jack Moore, and Marie Fahlin
Digital materials
Compilation Disc, Undated, inclusive
Digital materials
Compilation Disc -- "10 Examples Solo", Undated, inclusive
Digital materials
Compilation Disc -- "For Andrew Lindstrom", Undated, inclusive
Scope and Contents
This disc includes "Intents and Purposes" and three Bill Dixon / Tony Widoff duets performed in Hundson, New York and at Bennington College.
Digital materials
Compilation of Piano Performances, Undated, inclusive
Scope and Contents
This disc includes "Relay," "Firenze," "Silence," and other piano recordings
Digital materials
Compilation of Trumpet and Bass Performances Featuring Chris Faris, Undated, inclusive
Digital materials
Compilation Tape, Undated, inclusive
Scope and Contents
This is a handmade cassette published by Bill Dixon, Inc. and Metamorphosis Music, BMI. This tape contains music excerpts, including "Dusty Rose," "Waltz for Jack Moore," Dance Pieces, Untitled Pieces
Compilation Tape, Undated, inclusive
Scope and Contents
This tape contains "Dominos," "Shrike," "Velvet," "Sori-nomo," Louise Wade, and the Stone Performance.
Compilation Tape, Undated, inclusive
Scope and Contents
This tape contains "Pages," "Sequence," "Places and Things," "Orchestra Piece," and "Webern."
Compilation Tape -- Bill Dixon Compositions, Undated, inclusive
Compilation Tape -- FORE recordings, Duet with Drummer, Undated, inclusive
Compilation Tape -- "Mostly Records", Undated, inclusive
Compilation Tape -- Music and Talk Excerpts, Undated, inclusive
Compilation Tape -- Recent Duets and Ensemble, Undated, inclusive
Compilation Tape -- "Solo Reel of Unknowns", Undated, inclusive
Compilation Tape -- Solo Trumpet, Undated, inclusive
Compilation Tape -- "Summer Song", Undated, inclusive
David Bindman and Bill Dixon Improvs, Undated, inclusive
Dum Praeliaretur, Maïkotron Unit, Undated, inclusive
Digital materials
Ferrari Record, Undated, inclusive
The Forbidden Playground Film Soundtrack, Undated, inclusive
Scope and Contents
Film by Maxine Halloff; Dance by Edith Stephen; Music by Bill Dixon
German Radio Broadcast -- Cecil Taylor, Undated, inclusive
Digital materials
Graffiti Talk -- Janna Levenstein, Undated, inclusive
Implosion Film Score by Bob Pozar, Undated, inclusive
Lou Fischer Music Publishing, Inc. Sampler #12, Undated, inclusive
Music by Bill Dixon, Undated, inclusive
Scope and Contents
Handmade cassette published by Bill Dixon, Inc. and Metamorphosis Music, BMI
Music Sent to Dixon For Review, Undated, inclusive
Piano Compositions, Undated, inclusive
Piece Submitted to Bill Dixon for Copywriting, Undated, inclusive
Scope and Contents
The name the piece and the person who sent the tape to Dixon are not noted.
Physical Characteristics and Technical Requirements
Reel 481_2335 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Pronto Ascolto by Bill Dixon and Tony Oxley, Undated, inclusive
Digital materials
"Sequence" Complete Copy, Undated, inclusive
Son of Sisyphus, Undated, inclusive
Son of Sisyphus, Thoughts, Undated, inclusive
Soul Note Record, Undated, inclusive
"Spanish Fly", Undated, inclusive
"Special Compilation", Undated, inclusive
Digital materials
Streaming: Contemporary Improvisation at New England Conservatory, Undated, inclusive
Tchicai Group -- WBAI Demo, Undated, inclusive
Scope and Contents
Featuring John Tchicai, Bill Dixon, Jimmy Sterenson, and Jonny Murray
Audio
Test Tape, Undated, inclusive
Trumpet and Piano Duets, Undated, inclusive
Scope and Contents
Handmade cassette published by Bill Dixon, Inc. and Metamorphosis Music, BMI
Unlabeled Recording Session, Undated, inclusive
Digital materials
Unlabeled Recording Session, Undated, inclusive
Digital materials
Unlabeled Recording Session, Undated, inclusive
Digital materials
Video Compilation Disc, Undated, inclusive
Scope and Contents
This disc includes the films Wealth of a Nation, Index, and Lyon performance footage
Digital materials
Video Compilation Disc -- Material from DVDs, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 122 minutes
Video
Vis a vis, Undated, inclusive
Waltz for Jack Moore, Undated, inclusive
"Webern" for Andy -- Examples, Undated, inclusive
Digital materials
Subseries I.B: Performance Recordings, 1960-2011, inclusive
Extent
Scope and Contents
This subseries includes recordings of Bill Dixon's musical performances and rehearsals, including solo performances as well as duets, trios, quartets, and sextets with musicians such as Stephen Horenstein, Cecil Taylor, Tony Widoff, Chris Faris, and Ron Stabinsky; choreographed collaborations with Judith Dunn; and large orchestral works. Notable performances include the Newport Jazz Festival (1966), the Autumn Festival in Paris (1976), the Judson Memorial Church Sessions (1964-1967), and the Vision Festival in New York City (2000, 2007). It also includes performance compilation tapes handmade by Bill Dixon.
Arrangement
This subseries is arranged chronologically. Undated items are arranged alphabetically at the end of the subseries. Wherever possible, record titles were transcribed directly from audiovisual labels and edited minimally to provide context.
Compilation Tape -- Solo Trumpet, Duets, Ensemble, circa 1960-1992, inclusive
Bill Dixon Trio at the Bitter End, New York City, July 9, 1961
Scope and Contents
This cassette contains a live recording by Joe Di Carlo at the Bitter End Cafe, Bleeker St., NYC. It features Bill Dixon on trumpet, Dudley Watson on bass, and Joe D. Carlo on Drums.
Archie Shepp, Bill Dixon, Cecil Taylor, 1962
Digital materials
"Metamorphosis" Orchestra Works, 1962-1966, inclusive
Digital materials
Archie Shepp and Bill Dixon, February 21, 1963
Physical Characteristics and Technical Requirements
Duration: 31 minutes; Preservation note: Side 2 is blank
Audio
Compilation Tape -- Italy, Volles, March, 1964
"A Song for Children" at Judson Hall, December, 1964
"Pomegranate #2" at Judson Memorial Church, "Serendipity" at Judson Hall, 1964, 1966, inclusive
Physical Characteristics and Technical Requirements
Duration: 41 minutes
Audio
"Song for Children," Rehearsal for "Voices," Solos, 1964-1966, inclusive
Bill Dixon Discussing Music, Performance Clips, circa 1969, inclusive
"Relay", circa 1970, inclusive
Audio
Video
Bill Dixon - Alan Silva Trio Performance, 1965
Audio
Dixon Jazz Festival and Conversation with Jon Murray, 1965
Audio
Papers
Bill Dixon and Jon Murray, March, 1965
Digital materials
Jazz Composer's Orchestra: "The Lovely People", April 10, 1965
"Mirage for Brass Quintet and Duo," Columbia University McMillan Theatre, December 8, 1965
"Anatomy of a Piece: Mirage for Brass Quintet," McMillan Theater, Madison, Wisconsin, 1965-1971, inclusive
Physical Characteristics and Technical Requirements
Duration: 105 minutes
Audio
Bill Dixon and Judith Dunn at Newport, Rhode Island, 1966
"Metamorphosis" Rehearsal, Trumpet Solos, circa 1966, inclusive
"Pomegranate" Performance at Newport, Rhode Island, 1966
"Pomegranate," "Motorcycle," "Noveau Ne" Performance at Judson Memorial Church, 1966
Physical Characteristics and Technical Requirements
Duration: 51 minutes
Audio
"Motorcycle" by Bill Dixon and Alan Silva -- Duet Clips, 1966
Newport, 1966
Digital materials
Rehearsal for Newport Jazz Festival, June, 1966
Audio
Rehearsal "Solos and Voices": Pozar (Drums) and Norris (Cello), 1966
"Dew Horse," "Pomegranate," and "Motorcycle" at Judson Memorial Church, July, 1966
Audio
Physical Characteristics and Technical Requirements
Duration: 32 minutes
Audio
Papers
"Nouveau Ne" and "Groundspeed" at Judson Memorial Church, July, 1966
Physical Characteristics and Technical Requirements
Duration: 24 minutes
Audio
"Dew Horse" Performed at Judson Memorial Church, July 11, 1966
Scope and Contents
Featuring music by Bill Dixon and dance and choreography by Judith Dunn.
Audio
"Pomegranate" Performed at Judson Memorial Church, July 11, 1966
Scope and Contents
Featuring music by Bill Dixon and dance and choreography by Judith Dunn.
Audio
"Groundspeed" Performed at Judson Memorial Church, July 18, 1966
Audio
"Nouveau Né" and "Motorcycle" Performed at Judson Memorial Church, July 18, 1966
Audio
"Dew Horse" Performed at Judson Memorial Church, July 25, 1966
Scope and Contents
Featuring music by Bill Dixon and dance and choreography by Judith Dunn.
Audio
"Metamorphosis" Performed at Judson Memorial Church, July 25, 1966
Audio
"Intents and Purposes" Rehearsal, September 26, 1966
"Metamorphosis" Rehearsal, September 26, 1966
Bill Dixon and Judith Dunn Excerpts: Performance at Hunter College, New York; "Work Print"; Dance Theater Workshop, 1966-1967, inclusive
Physical Characteristics and Technical Requirements
Duration: 64 minutes
Audio
"Intents and Purposes" Performed by the Bill Dixon Orchestra in New York City, 1966-1967, inclusive
Digital materials
Orchestra Works: "Metamorphosis," "Orch. Piece #1," "Orch. Piece #2," "Work for Orch," "This Is Our Strategy", 1966-1976, inclusive
Performance Excerpts: "Voices," Solos, "Workprint", 1966-1967, inclusive
Trumpet Solos, 1967-1968, inclusive
"Nightfall Piece" Rehearsal (Complete Reorchestrated Version), circa 1967-1968, inclusive
Scope and Contents
Featuring Bill Dixon (trumpet), Jacques Coursil (trumpet), Frank DaMessio (trumpet)
Albert Ayler Quartet, Ornette Coleman Trio Performance, July 21, 1967
Digital materials
Intents and Purposes, 1967
"Voices", January 17, 1967
Trumpet Solos from Original GWU Reel, Summer, 1968
"Nightfall Pieces" (Reorchestrated Version), 1968
Compilation of Performances at Bennington College and Williams College, 1968-1969, inclusive
Solos, circa 1968-1969, inclusive
Compilation Tape -- Trumpet Solos, Albert Ayler Sequence, and Multitrack Solos for Dance at George Washington University, 1968-1974, inclusive
Physical Characteristics and Technical Requirements
Duration: 81 minutes
Audio
Judith Dunn and Bill Dixon Performance, Carriage Barn, December 11, 1969
Video -- 1 of 2
Language of Materials
Physical Characteristics and Technical Requirements
Format: Sony CV; Duration: 53 minutes; Preservation Note: Video quality is poor. Video lighting is very dark.
Video
Video -- 2 of 2
The New Art Jazz Quartet performance in Charlottesville, Virginia, November, 1969
Piece for Ulysses Dove and Miscellaneous Trumpet, 1969
Rehearsal Tape, January, 1969
Scope and Contents
Featuring Leo Jones (trumpet), Marc Levin (cornet), Marccette Watts (tenor), Marty Cook (trombone), and Dave Chamberlain (flute)
String Quartet, March 24, 1969
"Relay," "Summerdance" Performances by Judith Dunn and Bill Dixon, 1969-1971, inclusive
Video
Rehearsal for "Six Pieces" Concert, circa 1970s, inclusive
Bill Dixon on Keyboard, 1970
Digital materials
Keyboards, Piano and El P, 1970
Improvisation, circa 1970, inclusive
Music Composed by Bill Dixon, circa 1970, inclusive
Performance, circa 1970, inclusive
Bill Dixon and Steven Horenstein Piano and Flute Performance, May, 1970
Bill Dixon Solo Piano, May, 1970
Holly Barrett Solo, Bill Dixon and Steve Hornstein Duet, May, 1970
October Song, May, 1970
"Summerdance", August 1, 1970
Steve Horenstein and Bill Dixon, September 23, 1970
Trumpet and Guitar, December 3, 1970
Bill Dixon on Piano, circa 1970-1971, inclusive
Bill Dixon Trumpet Solos, circa 1970-1971, inclusive
Trumpet Solos, circa 1970-1971, inclusive
"Fall, 1975", 1970-1975, inclusive
"Three Groups of Three" Featuring Sidney Smart, Arthur Brooks, Jay Ash, Henry Letcher, and Holly Schiffer, circa 1970-1975, inclusive
Music for Solo Trumpet, circa 1970-1976, inclusive
Bill Dixon Trumpet Practice, circa 1970-1979, inclusive
Flute Duet and Trumpet Duet, circa 1970-1979, inclusive
"Letters" Performance Featuring Bill Dixon, Enrico Rava, Scott Guyon, Steve Horenstein, and C. Tronbaum, circa 1970-1979, inclusive
Trumpets and Guitar Empty Audio Reel Case, circa 1970-1979, inclusive
Dance Performance, circa 1970s, inclusive
Scope and Contents
Featuring Bill Dixon, Andrew Cyrille, Sam Rivers, Scotty Holt, Arthur Doyle, Judroy Dunn and other dancers
Enrico Rava and Bill Dixon Performance, circa 1970s, inclusive
Scope and Contents
Featuring Enrico Rava, Bill Dixon, Milford, Letcher, Cook, Moss, and others
Physical Characteristics and Technical Requirements
Reel 481_1309 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
"Letters" by Bill Dixon and Henry Letcher, 1970s, inclusive
Scope and Contents
Featuring John Hagen, Steve Horenstein, Jay Ash, Jameel Moondol, David Moss, and Henry Letcher
Rehearsal, circa 1970s, inclusive
"Summerdance" Rehearsal, circa 1970-1985, inclusive
Compilation Tape -- Untitled, Untitled, "Relay", 1970-1971, inclusive
Bill Dixon Trumpet, 1970-1975, inclusive
Bill Dixon and L. Keck, Wisconsin, 1971
Video -- 1 of 5
Video -- 2 of 5
Video -- 3 of 5
Video -- 4 of 5
Video -- 5 of 5
Piano and Tenor Steve Horenstein, Bill Dixon, 1971
Piece: Summer 1971, Miscellaneous Ted Joans Music, 1971
"S1", July 14, 1971
Scope and Contents
Possibly a "Summerdance" performance recording or rehearsal.
Audio
"Summerdance" Prelude, 1971
Digital materials
Bill Dixon, L Keck, January 4, 1971
"The Very Difficult Long Line," "Summerdance", July 18, 1971
Audio
"Cheater" Reel 2, University of Wisconsin, Milwaukee, circa 1971-1972, inclusive
Orchestra Piece with Voice, Madison, Wisconsin, 1971-1972, inclusive
Orchestra Piece and Two Short Trumpet Pieces, Madison, Wisconsin, 1971-1972, inclusive
Small Orchestra Performance, 1971
Two Works for Orchestra, 1971-1974, inclusive
Ensemble Rehearsal -- Arthur Doyle, Steve Horenstein, Scott Guyon, John Buckingham, Bill Dixon, February 4, 1971
Rehearsal, February 9, 1971
Scope and Contents
Featuring Arthur Doyle and Steve Horenstein (tenor saxophones), Scott Guyon and Bill Dixon (trumpets)
Rehearsal, February 10, 1971
Rehearsal, February 25, 1971
Scope and Contents
Featuring Steve Horenstein (tenor saxophone), Richard Clay (tuba), John Buckingham (trumpet), Scott Guyon, and Bill Dixon
Rehearsal, February 26, 1971
Scope and Contents
Featuring Steve Horenstein (tenor saxophone), Richard Clay (tenor saxophone), John Buckingham (tuba), Laurence Cook (percussion), and Bill Dixon (trumpet, composer)
Rehearsal, March 2, 1971
Bill Dixon Performance and Talk, March 24, 1971
"Piece for Pat Legg" -- Trumpet Convocation, May 13, 1971
Milford Graves, May 18, 1971
Physical Characteristics and Technical Requirements
Format: Sony CV; Duration: 66 minutes; Preservation Note: Video quality is poor.
Video
S2, July 15, 1971
July 17, 1971, July 17, 1971
S6, July 18, 1971
Untitled Recording, July 18-20, 1971, inclusive
July 20, 1971, July 20, 1971
S14, July 29, 1971
S13, July 29, 1971
S16, July 31, 1971
August 4, 1971, August 4, 1971
Judith Dunn and Bill Dixon Performance, August 6, 1971
Video -- 1 of 2
Video -- 2 of 2
Language of Materials
Physical Characteristics and Technical Requirements
Format: Sony CV; Duration: 65 minutes; Preservation Note: Video quality is poor.
Video
Bill Dixon, September 28, 1971
Bill Dixon and L. Keck, Wisconsin, September 30, 1971
Bill Dixon and L. Keck, Wisconsin, October, 1971
Video -- 1 of 5
Video -- 2 of 5
Video -- 3 of 5
Video -- 4 of 5
Video -- 5 of 5
"Summerdance" Performances, July-August, 1971, inclusive
Physical Characteristics and Technical Requirements
Duration: 25 minutes; Preservation note: Discussion between the musical interludes is at a very low volume
Audio
"Summerdance" Performances, July-August, 1971, inclusive
Physical Characteristics and Technical Requirements
Duration: 52 minutes
Audio
"Summerdance" Performances, July-August, 1971, inclusive
Physical Characteristics and Technical Requirements
Duration: 47 minutes; Preservation note: Distortion and left/right channel echoing -- possibly deliberate.
Physical Characteristics and Technical Requirements
Preservation note:
Audio
"Summerdance" Performances, July-August, 1971, inclusive
Physical Characteristics and Technical Requirements
Duration: 64 minutes; Preservation note: The right channel sounds like an echo of the left channel, there's also audio breakup noticeable in the right channel. The conversation heard between musical takes is in the left channel only
Audio
"Summerdance" Performances, July-August, 1971, inclusive
Physical Characteristics and Technical Requirements
Duration: 50 minutes; Distorted sound (especially in the right channel) due to recording level set too high.
Audio
Orchestra Piece, Madison, Wisconsin, October 19, 1971
Bill Dixon, Jay Ash, Mara Perle, John O'Brien, S. H., October 21, 1971
Bill Dixon and L. Keck, Wisconsin, November, 1971
Video -- 1 of 4
Video -- 2 of 4
Video -- 3 of 4
Video -- 4 of 4
Bass Player, December 1, 1971
Physical Characteristics and Technical Requirements
Reel 481_2191 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Anatomy of a Piece Performance and Talk, Madison, Wisconsin, December 3, 1971
Physical Characteristics and Technical Requirements
Duration: 107 minutes; Preservation note: Discussion between the musical interludes is at a very low volume
Audio
Bill Dixon Ensemble, Wisconsin, December 7, 1971
Bill Dixon and L. Keck, Wisconsin, December 14, 1971
Bill Dixon Performance in Madison, Wisconsin, December 15, 1971
Untitled Composition (April 18, 1972), Solo (May 1973), 1972-1973, inclusive
Bill Dixon Solo, Trumpets: Jim Tifft, John O'Brien, Bill Dixon, 1972
"A Season in Hell" by Margaret Holloway, circa 1977, inclusive
Video
Orchestra Rehearsal, Madison, Wisconsin, 1972
Rehearsal with Henry Letcher, April 28, 1972
Physical Characteristics and Technical Requirements
Reel 481_2332 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Orchestra Piece #1 Fall and Spring, 1972
Compilation Tape - Bill Dixon and Stephen Horenstein, "Sotto Voice," "Bennett," Solos, Festival, 1972-1975, inclusive
Trumpets, Orchestra Work, 1972-1974, inclusive
"Letters to Myself," Trumpet Performances, 1972-1974, inclusive
Orchestra Works, 1972-1976, inclusive
Compilation Tape -- "Piece for Percussion and Trumpet," "Songs for Winter," "Sone one," "Song two," "Places," "Bird's Word", 1972-1976, inclusive
Orchestra Piece, Madison, Wisconsin, 1972
Bill Dixon, January 11, 1972
Rehearsal for "Piece #2", February, 1972
Bill Dixon and Jazz Composer's Orchestra Rehearsal: "Pool of Bad Luck", February, 1972
Howard Johnson, February 15, 1972
Piece for Bill Dixon by Stephen H. Horenstein, February 25, 1972
Audio
Papers
Rehearsal, February 25, 1972
Physical Characteristics and Technical Requirements
Format: 2" Quad; Duration: 61 minutes; Preservation Note: Picture contains intermittent banding, dropouts, and scratches throughout. This tape was baked and cleaned.
Video
Orchestra Piece, Madison, Wisconsin, March, 1972
Audio
Electronic Records
Digital materials
Prelude to Performance Talk by Bill Dixon, Madison, Wisconsin, March 5, 1972
Physical Characteristics and Technical Requirements
Duration: 11 minutes
Audio
Work in Progress, Pres House, Madison, Wisconsin, March 29, 1972
Mark Hennen on Piano, Madison, Wisconsin, May, 1972
"Treemonisha" by Scott Joplin, May, 1972
Concert by Serge Chaloff, "Piece for Pat Lagg", May 20, 1972
Collaborative Work -- Judith Dunn and Bill Dixon Co., Riverside Church, December 8-9, 1972, inclusive
Physical Characteristics and Technical Requirements
Duration: 125 minutes in two parts
Audio
Bill Dixon / WD, December 26, 1972
Margaret Holloway Rehearsal for "Recipe", circa 1973, inclusive
Bill Dixon -- Solo Trumpet, circa 1973, inclusive
"I See Your Fancy Footwork" by William II and Bill Dixon, circa 1973, inclusive
Bill Dixon and Jim Tifft, 1973
Riverside Church Solos, 1973
"I See Your Fancy Footwork" -- Bill Dixon Solos, January, 1973
Mara Purl and Bill Dixon -- Solos on Koto and Trumpet, January, 1973
Tape II, May 3, 1973
Tape III, May 3, 1973
Milford Graves, May 19, 1973
"Letters to Myself -- From Others and to Others", May 19, 1973
Boston Art Ensemble, May 19, 1973
Riverside Church, June, 1973
Audio
In Walked Monk III, "A Through I Without an S," "Pursuit", October 26, 1973
Scope and Contents
Featuring David Anthony, Les Edwards, John Illingworth, and John Love
"Recipe" by Margaret Holloway, June 2-4, 1973, inclusive
Audio
Papers
Collaborative Work by Judith Dunn and Bill Dixon, December 7, 1973
"3 Songs for Winter" Trumpet Solos, 1973
Bill Dixon Trumpet Solos, circa 1973-1974, inclusive
"Letters," Shorter Version A, Bill Dixon, 1973-1974, inclusive
"Letters to Myself and Others", 1973-1974, inclusive
Trumpet Practice -- Solos, 1973-1974, inclusive
"Bird's Word", 1973-1976, inclusive
Physical Characteristics and Technical Requirements
Duration: 94 minutes; Preservation note: Distortion -- possibly deliberate.
Audio
Solo Piano and Trumpet, 1973-1976, inclusive
"Letters" Rehearsal, 1974
Work in Progress, Winter, 1974
Orchestra Work, 1974
"Letters to Myself" -- D1 and D2, 1974
Trumpet Solos, 1974
"Letters to Myself" -- C1 and C2 Complete, 1974
"Letters", 1974
Orchestra Piece IIIB and Labyrinth Solos, 1974
Ensemble Rehearsal "Letters, etc." Part II, 1974
"Letters" Rehearsal, Orchestra Work, February 1, 1974
"Letters" Rehearsal (Version X), Windham College, May, 1974
Physical Characteristics and Technical Requirements
Duration: 82 minutes
Audio
Edwards, Illingsworth, Love, Anthony, May 20, 1974
Edwards, Illingsworth, Love, Anthony, May 29, 1974
Henry Letcher, May 30, 1974
Orchestra Piece, Solo Piano, Solo Trumpet Piece, November, 1974
Joe Brucy, Henry Letcher, November 8, 1974
The Dance Co., Judith Dunn, November 14, 1974
Physical Characteristics and Technical Requirements
Format: EIAJ-1; Duration: 64 minutes.
Video
Orchestra Piece Rehearsal, December, 1974
Two Late Evenings, December 6, 1974
Orchestra Work, 1974-1975, inclusive
"Letters to Myself," "This is Our Strategy", 1974-1976, inclusive
Audio
Bird, circa 1974-1977, inclusive
"Letters to Myself," "Orchestra Work," Lecture and Demo, 1974-1977, inclusive
Bird's Word Rehearsal, circa 1975, inclusive
Rehearsal, 1975
Music for Piano and Trumpet, 1975
Lyons: "Something is the Matter", 1975
Music for Trumpet and Piano, 1975
Hits Compilation, 1975-1976, inclusive
Orchestra Session, Paul Robeson House, 1975
Scope and Contents
Recorded by Chuck Ange
Audio -- 1 of 2
Audio -- 2 of 2
Physical Characteristics and Technical Requirements
Reel 481_1315 in Box 18 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Papers
"Piece for Jay Ash", Winter, 1975
Physical Characteristics and Technical Requirements
Duration: 60 minutes
Audio
Compilation Tape (Dub) -- Performance Fragments, circa 1975-1976, inclusive
Compilation Tape -- "Pages as in Pages of a Book (Feelings)," "Solo," "Letters," "Solo", 1975
"This Is Our Strategy" Rehearsal for Bird's Word, Fall, 1975
Small Group Rehearsal, Fall, 1975
"Pages as in Pages of a Book (Feelings)", June 7, 1975
Bill Dixon and Steve Horenstein Duet, June 28, 1975
Susan Feiner, November, 1975
Performance Compilation: Jay Ash, Lisa Sokoloo, Darrik Huitunn, Peter Dembski, December 6, 1975
"This Is Our Strategy" Performance at Bird's Word, December 7, 1975
Physical Characteristics and Technical Requirements
Duration: 34 minutes
Audio
Bird's Word, December 7, 1975
Autumn Festival, Paris, 1976
"Intents and Purposes," Autumn Festival, circa 1976
Digital materials
"This Is Our Strategy", Spring, 1976
Physical Characteristics and Technical Requirements
Preservation note: 78 minutes in two parts
Audio
Trumpet Solos, circa 1981, inclusive
Mara Purl (Voice / Electric Piano), John Cole (Tuba), Bill Dixon (Trumpet), 1976
Places and Things Festival [Illegible], 1976
"This Is Our Strategy" Ensemble Rehearsal, Spring, 1976
Autumn Festival, Paris (Edited Footage), circa 1976, inclusive
Autumn Festival, Paris (Uncut Footage), circa 1976, inclusive
Orchestra Works -- "This Is Our Strategy," "Letters to Myself From Me to Others", circa 1976, inclusive
"This Is Our Strategy" Rehearsal, Newport, Rhode Island, circa 1976, inclusive
Compilation Tape of Performances -- Autumn Festival in Paris, Quartet in NYC, Bill Dixon and Leslie Winston, circa 1976, inclusive
Autumn Festival, Paris, circa 1976, inclusive
Paris Concerts, 1976
Autumn Sequences, Paris, 1976
Paris Concerts (B.D., S.H., A.S.), 1976
Autumn Festival, Paris, 1976
"This Is Our Strategy" Orchestra Work, 1976
Physical Characteristics and Technical Requirements
Duration: 94 minutes
Audio
"This Is Our Strategy" Orchestra Work, 1976
Physical Characteristics and Technical Requirements
Duration: 8 minutes; Preservation note: Side 2 is blank
Audio
"This Is Our Strategy" Orchestra Work, 1976
Physical Characteristics and Technical Requirements
Duration: 86 minutes.
Audio
Bill Dixon and Omar Lerman, January 11, 1976
William II Trumpet, Piano, Reading, February, 1976
Bill Dixon Trumpet Solos, March, 1976
"This Is Our Strategy" Rehearsals, March-May, 1976, inclusive
"This Is Our Strategy" Rehearsal (Empty Audiocassette Case), March 22, 1976
Compilation Tape -- Performances "Bird's Word" and "This Is Our Strategy", May 22, 1976
Physical Characteristics and Technical Requirements
Duration: 152 minutes; Preservation note: Each channel was separated and the appropriate file was digitally reversed to create 4 master and 4 access files
Audio
Bill Dixon Rehearsal, June 28, 1976
Physical Characteristics and Technical Requirements
Format: EIAJ-1; Duration: 66 minutes; Preservation Note: Video lighting is very dark.
Video
Bill Dixon, Franz Koglmann, Steve Horenstein, Alan Silva, and Muhammad Malli at the Arena, Vienna, Austria, August 7, 1976
"This Is Our Strategy" Performances, May, 1976
Physical Characteristics and Technical Requirements
Duration: 60 minutes in two parts
Audio
"This Is Our Strategy" Performances, May, 1976
Physical Characteristics and Technical Requirements
Duration: 60 minutes
Audio
"This Is Our Strategy" Performances, May, 1976
Physical Characteristics and Technical Requirements
Duration: 7 minutes
Audio
"This Is Our Strategy" Performances, May, 1976
Physical Characteristics and Technical Requirements
Duration: 116 minutes in two parts
Audio
Bill Dixon: "Raccords", October 8, 1976
Orchestral Version of Autumn Sequences, November 5, 1976
Scope and Contents
This recording features solos by Stephen Horenstein and Bill Dixon.
Rehearsal, Carraige Barn, November 17, 1976
Video Compilation for Vision Fest, 1976-1982, inclusive
Digital materials
Bill Dixon and Steve Hornstein Duet, 1977
Leslie Winston: The Piano, 1977
Jack Moore's Piece, Stephen Horenstein and Bill Dixon, 1977
Music and Talk by Bill Dixon, 1977
For Cecil Taylor "Piece for Jack Moore", 1977
Margaret Holloway Performance, circa 1977, inclusive
Trumpet and Cello, 1977
Digital materials
Bill Dixon Quartet at Bennington College, Dixon Horenstein Duet, 1977-1983, inclusive
Physical Characteristics and Technical Requirements
Duration: 64 minutes
Video
Orchestra Piece, circa 1977-1978, inclusive
Bill Dixon Performance, March 5, 1977
Bill Dixon, Jack Moore, First Rehearsal, April 11, 1977
Compilation Tape, April 14, 1977
"Facials" by Margaret Holloway, Music by Bill Dixon, April 23-25, 1977, inclusive
Bill Dixon Duets with Jack Moore and Stephen Horenstein, May 8, 1977
Piano, May 21, 1977
Music for a Dance Composition; Rehearsal, June 17, 1977
Performance of Krause / Breese Piece, June 17, 1977
Jay Ash, Arthur Brooks, October 13, 1977
Physical Characteristics and Technical Requirements
This tape could not be digitized due to its condition.
Rehearsal, November 8, 1977
"A Season in Hell" Rehearsals, November, 1977
Clifford Jordan, November 9, 1977
Video -- 1 of 2
Video
Video -- 2 of 2
Video
"A Season in Hell", November 18-19, 1977, inclusive
L. Jacobs and Bill Dixon Ensemble, December 2, 1977
Bird's Word Concert, December 2, 1977
Bill Dixon and L. Jacobs, Bill Dixon Ensemble Members, December 2, 1977
J. Keefe, Kirsten Vogelsang, 1978
Dance Piece, 1978
Orchestra Work, circa 1978, inclusive
Orchestra Works, 1978-1988, inclusive
Open Rehearsal of an Orchestra Work in Progress, March 24, 1978
"Piece for Larry Jacobs", March 24, 1978
Physical Characteristics and Technical Requirements
Duration: 97 minutes
Audio
Rehearsal, May 3, 1978
Bill Dixon, May 25, 1978
Physical Characteristics and Technical Requirements
Format: EIAJ-1; Duration: 53 minutes; Preservation Note: Video quality is poor. Video lighting is very dark.
Video
Orchestra Rehearsal, November 10, 1978
"Stratusphunk" by G. Russell and "Metamorphosis" by Bill Dixon, Performed at Bennington College, December 8, 1978
Solo Percussion Performance, Bill Dixon and Milford Graves, circa 1979-1980, inclusive
Ensemble Orchestra Work, circa 1979, inclusive
Bill Dixon, Stanton Davis, Nadi Qamar, S. Brown, Spring, 1979
Arthur Brooks and Stephen Horenstein, May, 1979
Video
Orchestra Session with Stanton Davis, May, 1979
"Summer Sequences", May 25, 1979
Bill Dixon at Bennington College, May 26, 1979
Physical Characteristics and Technical Requirements
Preservation note: This tape was not able to be transferred due to its condition.
Bill Dixon at Bimhaus, Amsterdam, July, 1979
Bill Dixon -- "New Song", November 15, 1979
"The Painter of Sound," Kevin Campbell, November 20, 1979
Bill Dixon Ensemble -- Short Series, December 7, 1979
Bill Dixon and Tony Widoff Duets, circa 1985-1995, inclusive
Laurie Moses, 1980-1983, inclusive
Jazz, Bill Dixon Orchestra, 1980
Audio
Papers
Bill Dixon in London, 1980
Bill Dixon Quartet at Middlebury College: First Set, circa 1986, inclusive
Physical Characteristics and Technical Requirements
VHS tapes 481_2247, 481_2251, and 481_2248 are all duplicates of 481_2273.
Video
Quartet at Bennington College, 1980s, inclusive
Scope and Contents
Featuring Bill Dixon (Trumpet), M. Pavone and J. Voigt (Basses), and Laurence Cook (Drums)
Physical Characteristics and Technical Requirements
Duration: 101 minutes
Video
Sketch / Firenze, "For Cecil Taylor", 1980
Bill Dixon Trio Concert at Bennington College, circa 1980s, inclusive
Scope and Contents
Featuring Bill Dixon, Mario Pavone, and Laurence Cook
Bill Dixon, Laurence Cook, William Parker Concert, circa 1980-1995, inclusive
"Winter Cries / Juxtaposition" by Kevin Campbell, January - April, 1980, inclusive
Bill Dixon Sextet, Teatro Romano, Verona, June 6, 1980
Scope and Contents
This performance features Bill Dixon, Arthur Brooks, Steve Haynes, Steve Horenstein, Alan Silva, and Freddie Waits.
Bill Dixon Sextet, Can de la Scala Club, Verona, June 7, 1980
Digital materials
Bill Dixon Sextet in Florence, Italy, June 15, 1980
Scope and Contents
Featuring Bill Dixon, Arthur Brooks, Steve Haynes, Steve Horenstein, Freddie Waits, and Alan Silva
Bill Dixon Sextet in Monselice, Italy, June 16, 1980
Bill Dixon in the 1980s, circa 1980s, inclusive
Digital materials
Bill Dixon Selections: Autumn Festival, 1980-1992, inclusive
Digital materials
Bill Dixon Trio at the Chapelle Des Lombards, Paris, France, June 18-24, 1980, inclusive
Scope and Contents
Featuring Bill Dixon (trumpet and piano), Oliver Johnson (drums), and Kent Carter (bass)
Audio -- 1 of 3
Audio -- 2 of 3
Physical Characteristics and Technical Requirements
Duration: 90 minutes
Audio
Audio -- 3 of 3
Bill Dixon Trio at the Chapelle Des Lombards, Paris, France, June 18-24, 1980, inclusive
Scope and Contents
Featuring Bill Dixon (trumpet and piano), Oliver Johnson (drums), and Kent Carter (bass).
Physical Characteristics and Technical Requirements
Duration: 90 minutes
Audio
Imagine the Sound, circa 1981, inclusive
Video -- 1 of 3
Video -- 2 of 3
Video -- 3 of 3
Physical Characteristics and Technical Requirements
Duration: 50 minutes
Video
Zurich, 1981
Compilation Tape -- Performances at Bennington College, N.E. Repertory Theatre, and Verona, Italy, 1981
Bill Dixon, March 25, 1981
Bill Dixon Quartet -- First of Two Nights in Milan, Italy, April 11, 1981
"Summerdance" Performance by Judith Dunn and Bill Dixon, May 16, 1981
Video -- 1 of 2
Video -- 2 of 2
Video
New England Repertory Theatre, Worchester, Massachusetts, June 15, 1981
Scope and Contents
Featuring Bill Dixon (trumpet), Mario Pavone (bass), and Laurence Cook (percussion)
Physical Characteristics and Technical Requirements
Duration: 62 minutes
Audio
Unlabeled Tape -- Likely an Italy Performance, November, 1981
Bill Dixon Quartet Performance, November 5, 1981
Scope and Contents
Featuring Bill Dixon, Mario Pavone, Laurence Cook, and Barre Phillips
Bill Dixon Ensemble at Teatre San Pedro, Padova, Italy, November 10, 1981
Scope and Contents
Featuring Bill Dixon (trumpet), Alan Silva (bass), Mario Pavone (bass), and Laurence Cook (drums)
Bill Dixon at Centro Jazz, Torino, Italy, November 11, 1981
Bill Dixon Trio at the Salt Peanuts Club, Firenz, Italy, November 13, 1981
Bill Dixon Quartet at Bennington -- Concert and Talk, December 5, 1981
Bill Dixon Concert at Bennington College, December 5, 1981
Scope and Contents
Featuring Bill Dixon, Laurence Cook, and Mario Pavone
Linda Dowdell, 1982
Scope and Contents
The cassette's label includes a tracklist.
Arthur Brooks, Paul Robeson House, May, 1982
Solo Concert, Ferrari Gallery, Verona, Italy, June 26, 1982
Bill Dixon Quartet in Concert, Bennington College (Informal, with Introduction Pertaining to Improvisation), September 30, 1982
Scope and Contents
Featuring Bill Dixon (trumpet), Mario Pavone and Joe Fonda (double bass), Laurence Cook (drums)
Bill Dixon Quartet in Concert, Paul Robeson House, Bennington College, December 3, 1982
Scope and Contents
Featuring Bill Dixon (trumpet and flugelhorn), Mario Pavone and Joe Fonda (double bass), and Laurence Cook (drums)
Live NYC Music -- A Fest?, circa 1988, inclusive
Sisyphus Orchestral Work, circa 1988, inclusive
Dixon Trio Performance -- Vance R. Provey, Winter, 1983
Bill Dixon Quartet "Cool Noire," Vienna, Austria, circa 1988, inclusive
Bill Dixon Concert Performance to Benefit Silo, May 8, 1983
Physical Characteristics and Technical Requirements
Duration: 160 minutes
Audio
East-West Travelling Dances, June, 1983
"Economider," Bill Dixon, June 10, 1983
Bill Dixon Quartet Performance at Bennington College, October 27, 1983
Scope and Contents
Featuring Bill Dixon, Voigt, Pavone, and Laurence Cook
Physical Characteristics and Technical Requirements
Duration: 64 minutes
Audio
Video
Video
Bill Dixon at World Music Hall, Wesleyan University, October 28, 1983
Physical Characteristics and Technical Requirements
Duration: 92 minutes
Audio
"7 Improvs of the Same Piece in Chronological Order," With Interviews, November 21, 1983
Bill Dixon and Chris Faris Duets, Bennington College, circa 1989, inclusive
"Thoughts" Concert, Bennington College, Fall, 1984
Scope and Contents
Featuring Bill Dixon, Mario Pavone, Laurence Cook, Kovall, and Emeidi
"Martin Luther King" Aircheck, January 16, 1984
Piano Progression: Brooks, O'Neal, February 4, 1984
Bill Dixon, Chris Faris, and Jeremy Harlos at Jennings, Bennington College, circa 1989, inclusive
Concert at Bennington College -- "Stations," "Maze," Solos, Ellington Songs, May 31, 1984
Dixon Quartet Concert -- New Compositions, June 15, 1984
Audio
Bill Dixon Ensemble, Paul Robeson House, Bennington College, October 4, 1984
Concert at Bennington College, November, 1984
Arthur Brooks and Dances at Paul Robeson House, November 8, 1984
Fall Series, November 10, 1984
Scope and Contents
Featuring Mario Pavone, Laurence Cook, Eneidi, Bill Dixon, P.K.
Physical Characteristics and Technical Requirements
Duration: 74 minutes
Audio
Bill Dixon and Chris Faris Duets, circa 1990, inclusive
Audio -- 1 of 19
Audio -- 2 of 19
Audio -- 3 of 19
Audio -- 4 of 19
Audio -- 5 of 19
Audio -- 6 of 19
Audio -- 7 of 19
Audio -- 8 of 19
Audio -- 9 of 19
Audio -- 10 of 19
Audio -- 11 of 19
Audio -- 12 of 19
Audio -- 13 of 19
Audio -- 14 of 19
Audio -- 15 of 19
Audio -- 16 of 19
Physical Characteristics and Technical Requirements
Audiocassette 481_609 was identified as moldy in September, 2022 along with 10 other audiocassettes. These items are currently isolated from other items by housing them in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Audio -- 17 of 19
Audio -- 18 of 19
Audio -- 19 of 19
Ensemble, circa 1990, inclusive
Bill Dixon and John Blum, circa 1990, inclusive
Intima Danser 4-6 Dance Performance with Choreography by Marie Fahlin, circa 1990s, inclusive
Video
Long Trumpet Solo -- Probably is Jerusalem, circa 1990, inclusive
Poss, Chris Faris, Leslie Winston, Bill Dixon, circa 1985-1995, inclusive
Concert Rehearsal, Middlebury College, Vermont, Fall, 1985
Scope and Contents
Featuring William Parker (double bass), Mario Pavone (double bass), Laurence Cook (drums), and Bill Dixon (trumpet and flugelhorn)
Bill Dixon Quartet Middlebury Concert, October 25, 1985
Bill Dixon, December 12, 1985
Bill Dixon and P. Harrison Perform in Middlebury, Dixon Trumpet Solo at Wesleyan University, 1986
Digital materials
Bill Dixon and Tony Widoff Duets at Bennington College, circa 1986-1987, inclusive
Audio
Electronic Records
Digital materials
Trumpet, 1986
Dixon and Matt Henderson, Trumpet and Guitar, 1986
Bill Dixon and J. Schenk Re: Music (Ensemble 1986), Trumpet -- Bill Dixon Practice I, 1986
Workshop: Middlebury [Illegible] Orchestra, 1986
Compilation Tape - Bill Dixon Performs Original Works for Trumpet and Flugelhorn at Bennington College, circa 1986-1989, inclusive
Ensemble: Bindman on Dixon's Sabbatical, circa 1991, inclusive
Bill Dixon and Matt Henderson Duet, Spring, 1986
Arthur Brooks, circa 1991, inclusive
Concert, Boston, May, 1986
Charlie's Tap Concert, Boston, Massachusetts, May, 1986
Concert in Lexington, New York, September, 1986
Third Stream Concert: Eric Zinman Trio, September 29, 1986
Bill Dixon Quartet at Middlebury College, October 25, 1986
Video -- 1 of 2
Video
Video -- 2 of 2
Video
Ensemble, October 30, 1986
Solo Trumpet, November, 1986
Bill Dixon Solo Piano, November 22, 1986
Rossini - Wittman, Sage Symphony / Lattimore, Sage City, December 6-7, 1986, inclusive
Bill Dixon Quartet at Middlebury Concert with Penny Camprell Dance, December 25, 1986
Scope and Contents
Featuring Laurence Cook (Drums), Mario Pavone (double bass), William Parker (double bass), and Bill Dixon (trumpet and flugelhorn)
Physical Characteristics and Technical Requirements
Duration: 58 minutes
Video
Bill Dixon and Leslie Winston, circa 1992, inclusive
Bill Dixon and Cecil Taylor, circa 1992, inclusive
Bill Dixon and Cecil Taylor CD #2, circa 1992, inclusive
Bill Dixon and Cecil Taylor CD #1, circa 1992, inclusive
IROP / "WORK", 1987-1991, inclusive
Sage City Symphony Rehearsal, October 11, 1987
"Quinacridone: For Nelson and Winnie," Commissioned by the Sage City Symphony Orchestra, October 17, 1987
Physical Characteristics and Technical Requirements
Duration: 62 minutes
Audio
"Quinacridone: For Nelson and Winnie," Commissioned by the Sage City Symphony Orchestra, November 17, 1987
Scope and Contents
Commissioned by Sage City Symphony Orchestra, conducted by Lou Calabro
Physical Characteristics and Technical Requirements
Duration: 75 minutes
Audio
Bill Dixon and Jared Van Dongen Performance at Bennington College, 1988
Digital materials
Vienna Rehearsal -- Dixon, Winston, Smart at the Paul Robeson House, Fall, 1988
Bill Dixon in Verona, 1988
Orchestra Work "Sysyphus," conducted by Bill Dixon, New York City, April, 1988
Orchestra Rehearsal, New York City, April 1988
Sisyphus Rehearsal at the Kraine Gallery, New York City, April 17, 1988
Physical Characteristics and Technical Requirements
Duration: 159 minutes
Audio
Sisyphus Performance at the Kraine Gallery, New York City, April 17, 1988
Physical Characteristics and Technical Requirements
Duration: 101 minutes
Audio
Masada Echoes -- Bill Dixon, Ehran Elisha, Jeremy Harlos, May 17, 1988
Scope and Contents
Piece for trumpet, drums, and bass
Physical Characteristics and Technical Requirements
Duration: 19 minutes
Video
The Murrays at Bennington College, May 28, 1988
Bill Dixon Quartet, Knitting Factory, June 22, 1988
Quartet at Teatro Romano, Verona, Italy, June 26, 1988
Audio
Video
Physical Characteristics and Technical Requirements
This video could not be digitized due to its condition.
Bill Dixon and Tony Oxley with Bailey, Brars, Waudsmann, Wand, Köln Stadtgarten, September 10, 1988
Piano Players (Murray), October 16, 1988
Rehearsal of Large Ensemble Work, October 28, 1988
Rehearsal -- Bill Dixon, Leslie Winston, Chris Faris, Spring, 1989
Dixon Quartet "Cool Noir" Concert, Wiener Musik Galerie, Vienna, Austria, November 20, 1988
Scope and Contents
Featuring Bill Dixon (trumpet and piano), Leslie Winston (keyboards), Sidney Smart (drums), and Klaus Koch (bass)
Bill Dixon, Leslie Winston, Chris Farris, 1989
Compilation including: Dixon / Faris or Harlos, Carriage Barn, 1989-1990, inclusive
Concert in Villeurbanne, France, circa 1994, inclusive
Papers
Video -- 1 of 3
Video -- 2 of 3
Video
Video -- 3 of 3
Video
Anniversary Overture, Sage City Symphony, April 15, 1989
Bill Dixon and Jared Van Dongen Duets at Carriage Barn, Bennington College, June 21, 1989
Bill Dixon and Chris Faris Duets at Bennington College, 1989-1990, inclusive
Physical Characteristics and Technical Requirements
Audiocassettes 481_613, 481_614, 481_615, and 481_616 were identified as moldy in September, 2022. These items are currently isolated from other items by housing them in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Duets -- Trumpet and Piano, Performed in the Carriage Barn at Bennington College, July, 1989
Jerusalem Concert, circa 1990, inclusive
Physical Characteristics and Technical Requirements
Duration: 43 minutes
Video
Bill Dixon and Jeremy Harlos Duets, 1990
Rotterdam, 1990
Bill Dixon in Jerusalem -- Dress rehearsal and tour around the city, 1990
Video
Bill Dixon in Jerusalem -- Concert and Interview, 1990
Physical Characteristics and Technical Requirements
Duration: 10 minutes
Video
Bill Dixon in Jerusalem -- Rehearsal, 1990
Physical Characteristics and Technical Requirements
Duration: 124 minutes
Video
"Letters: Round Up the Usual Suspects", circa 1990
Physical Characteristics and Technical Requirements
Duration: 47 minutes; Preservation note: Side 2 is blank
Audio
"Letters: Round Up The Usual Suspects" Rehearsals, Fall, 1990
Physical Characteristics and Technical Requirements
Duration: 126 minutes
Audio
"Letters: Round Up The Usual Suspects" Rehearsals, Fall, 1990
Physical Characteristics and Technical Requirements
Duration: 32 minutes. Preservation note: Side 2 is blank.
Audio
"Letters: Round Up The Usual Suspects" Excerpts, 1990
Physical Characteristics and Technical Requirements
Duration: 44 minutes; Preservation note: Side 2 is blank
Audio
"Letters: Round Up The Usual Suspects" Excerpts, 1990
Physical Characteristics and Technical Requirements
Duration: 91 minutes.
Audio
Bill Dixon and Tony Oxley, circa 1990-2005, inclusive
Compilation Tape -- Performances at Assorted Venues, 1990
Bill Dixon and Tony Oxley -- Solo Piano, circa 1990-2005, inclusive
B. Cole and Bill Dixon Duet, Paul Robeson House, Bennington College, Fall, 1990
Jerusalem, 1990
Straud + 5 Poems Duet at Bennington College, 1990
Bill Cole and Bill Dixon Duet at Paul Robeson House, Bennington College, Fall, 1990
Jerusalem Solo, 1990
Trio Performance in Jerusalem, 1990
Scope and Contents
Featuring Dixon, Horenstein, and an Israeli drummer whose name was not stated on the tape's label.
Agael by Hope Clark, "Webern Velvet" by Bill Dixon Performance at the Public Playhouse, Maryland, February, 1990
Video
Bill Barron Memorial Concert at Wesleyan University, February, 1990
Scope and Contents
Featuring Bill Dixon, Ehran Elisha and Chris Faris
Bill Dixon Solo, Jerusalem Theatre, February 24, 1990
Bill Dixon and Stephen Horenstein in Israel -- "Piece for Solo Trumpet and Flugelhorn," "Work for Ensemble", March, 1990
1990 Performances -- "Round Up the Usual Suspects" at Bennington College, Jerusalem Solos, March, 1990
Digital materials
Bill Dixon, Schlachthof [Illegible], Germany, March 14, 1990
Project Go -- First Concert and Gala Opening, Jerusalem Cinemateque, March 20, 1990
Scope and Contents
Featuring the Jerusalem New Music Ensemble, Jeremy Montagu, Bill Dixon, and the Ethnic Contemporary Ensemble. Recording includes a trumpet solo by Dixon.
Project Go -- Ensemble and Duo Performances, Jerusalem Theatre, March 24, 1990
Project Go -- Closing Concert, Tel Aviv Cinemateque, March 25, 1990
Scope and Contents
Featuring Bill Dixon, Stephen Horenstein, Jeffrey Kowalsky, and the Ethnic Contemporary Ensemble
Tape III, Abbey Lincoln Moseka and Bill Dixon/Jazz in a Museum Tape 2 Copy, April 27, 1990
Knitting Factory, May 20, 1990
Scope and Contents
Featuring Bill Dixon, Matthew Shipp, W. P., Marc Edwards, and David Ware
John Blum's Concert, November 30, 1990
Bill Dixon, December 5, 1990
"Letters: Round Up the Usual Suspects" Performed at Bennington College, July-December, 1990, inclusive
Scope and Contents
Featuring Ehran Elisha, David Bindman, Bill Cole, Sharon Vogel, and Bob Sugarman
Video -- 1 of 5
Physical Characteristics and Technical Requirements
This tape is a duplicate of 481_2250.
Video -- 2 of 5
Video
Video -- 3 of 5
Physical Characteristics and Technical Requirements
This tape is a duplicate of 481_2250.
Video -- 4 of 5
Video
Video -- 5 of 5
"Letters: Round-Up the Usual Suspects" Performance with Guest Artist Bill Cole, Bennington College, December 7, 1990
Celebration Orchestra Rehearsal and Sextet Performance, Köln, circa 1990-1998, inclusive
Physical Characteristics and Technical Requirements
Duration: 128 minutes
Video
HR-57 Performance, Washington D.C., circa 1990s, inclusive
Digital materials
Pori, Finland, circa 1991, inclusive
Digital materials
Bill Dixon Workshop, Pori, Finland, 1991
Digital materials
Arthur Brooks Piece, May 22, 1991
Bill Dixon Rehearsal for Concert, July, 1991
Physical Characteristics and Technical Requirements
Did Not Transfer; PAL
IROP Finland Performance, July, 1991
Collaborazione: Bill Dixon, Allen Shawn, Pianos, September 11, 1991
Audio
Electronic Records
Digital materials
Theater Music Excerpts for Bill, October, 1991
"Paradigm" Orchestra Work Performed in Koln, Germany; "Round Up the Usual Suspects" Orchestra Work Performed at Bennington College, 1991-1998, inclusive
Digital materials
Bill Dixon and Cecil Taylor - "No. 8 Trumpet and Piano", 1992
Bill Dixon and Cecil Taylor -- "Collaborizione", 1992
Bill Dixon and Cecil Taylor Duets, 1992
Audio
Electronic Records
Digital materials
"Charybdis" and "Tea Dust" by Bill Dixon, Dance by Andrew Grossman, 1992
Video
Bill Dixon and Cecil Taylor Duets, Villeurbanne, France, 1992
Digital materials
Bill Dixon and Tony Widoff Duets, Bennington College, 1992
Audio
Electronic Records
Digital materials
St. Marks Church, 1992
Bill Dixon in Nickelsdorf -- "Piece I," "Piece II", circa 1997, inclusive
Scope and Contents
Featuring Bill Dixon (Trumpet), Barry Guy (Double Bass), and Tony Oxley (Percussion)
Compilation Tape -- Duets, 1992
Bill Dixon, Tony Oxley, B. G. at Nickelsdorf, circa 1997, inclusive
Bill Dixon, Arthur Brooks, Gary Sojkowski, January 7, 1992
Audio
Jazz a Vienne -- Cecil Taylor and Bill Dixon, January 7, 1992
Physical Characteristics and Technical Requirements
Did Not Transfer; PAL
Bill Dixon, Arthur Brooks, Gary Sojkowski, January 16, 1992
Physical Characteristics and Technical Requirements
Duration: 97 minutes
Audio
Bill Dixon and Bill Cole Duet at St. Marks, February 29, 1992
Dixon Quartet at St. Marks, March, 1992
Bill Dixon Performance at St. Marks Church, March 1, 1992
Art, Bill, and Gary at the Paul Robeson House, Bennington College, 1992-04
Charles Gayle -- Repent, Jesus Christ and Scripture, The Bennington Cafe, April 1, 1992
Nightpiece Performance with Music by Bill Dixon, Dance and Choreography by Marie Fahlin, May 27, 1992
Video
Bill Dixon and Cecil Taylor Duets, Teatro Romano, Verona, Italy, June 25, 1992
Physical Characteristics and Technical Requirements
Duration: 59 minutes
Audio
Video
Video
Bill Dixon and Cecil Taylor in Concert, Vienne Festival, France, July 1, 1992
Audio
Video
Video
Bill Dixon and Cecil Taylor -- "No. 6 Trumpet and Piano", July 2, 1992
Bill Dixon and Cecil Taylor in Lyon, France, July 2-3, 1992, inclusive
Bill Dixon and Cecil Taylor -- "No. 2 Piano Only", July 2, 1992
Bill Dixon and Cecil Taylor, July 2-3, 1992, inclusive
Bill, Art, Gary: Bennington P. R. House, October 31, 1992
Bill Dixon and Leslie Winston, December, 1992
Bill Dixon, December 4, 1992
I Tu Dance Performance with Music by Bill Dixon and Choreography by Marie Fahlin, 1993
Video
Mark Sutton Concert, February 6, 1993
Physical Characteristics and Technical Requirements
Duration: 55 minutes
Video
Spectre by Bill Dixon, Dance by Andrew Grossman, May 14, 1993
Video
Live Duo (1993), Live Quartet (1998), 1993-1998, inclusive
"Index" at Vision Festival, New York City, 2000; Bill Dixon and Leslie Winston at Bennington College, 1993-2000, inclusive
Digital materials
Concerts, 1994
La Tour Rose Performance, Villeurbanne, France, 1994
Physical Characteristics and Technical Requirements
Duration: 44 minutes
Video
Bill Dixon in Villeurbanne, France, 1994
Physical Characteristics and Technical Requirements
Did Not Transfer; PAL
Papers
Video
Rashid Baker and Mark Hennen Sextet, April 1, 1994
Bill Dixon Cello, Piano Piece, Mary Springer and Hong Ting, May 8, 1994
Concert: Shep Richards, Carriage Barn, May 30, 1994
Video -- 1 of 2
Physical Characteristics and Technical Requirements
Duration: 65 minutes
Video
Video -- 2 of 2
Physical Characteristics and Technical Requirements
Duration: 40 minutes
Video
Keyboard Harmony, June 6, 1994
Scope and Contents
Featuring Lise Johnson and William Szostak
Physical Characteristics and Technical Requirements
Duration: 68 minutes
Video
Glenn Horiuchi Quartet -- Fair Play, August 27, 1994
Bill Dixon in Espace Tonkin, France, November 10, 1994
Physical Characteristics and Technical Requirements
Duration: 78 minutes
Audio
Aron and Adam, Bill Dixon Soundcheck, Lyon, FR, November 10, 1994
Dixon and Vision Orchestra, circa 2000, inclusive
"Index" Rehearsal, Vision Orchestra, circa 2000, inclusive
Video
Bill Dixon and Henry Grimes, The Stone, October 16, 2005
Audio
Electronic Records
Digital materials
Bill Dixon, Bergman, Lomon at the Jazz Standard Festival, February 8, 2005
Audio
Electronic Records
Digital materials
Afternoon Recordings, 1995
Bill Dixon and David Bindman, Greenwall Auditorium, February 25, 1995
Audio
Video
Physical Characteristics and Technical Requirements
Duration: 54 minutes
Video
Bill Dixon, June 6, 1995
Video -- 1 of 9
Video
Video -- 2 of 9
Video
Video -- 3 of 9
Video
Video -- 4 of 9
Video
Video -- 5 of 9
Video
Video -- 6 of 9
Video
Video -- 7 of 9
Video
Video -- 8 of 9
Video
Video -- 9 of 9
Video
Bill Dixon and Tony Oxley, circa 1996-1998, inclusive
Bill Dixon and Tony Oxley, Teatro Colosseo, Rome, October 26, 1996
Bill Dixon in Nickelsdorf, 1997
Digital materials
Improvisation of the Four Seasons Trade d'Union live in Siena, 1997
Scope and Contents
Featuring P. Rutherford, M. Godard, G. Mazzow, F. Branciamore
Karen Borca Quintet: June 30, 1997 - Texaco New York Jazz Festival, June 30, 1997
Bill Dixon and Cecil Taylor, July 3, 1997
Bill Dixon Trio in Nickelsdorf, July 19, 1997
"Paradigm" Performance (Edited), Köln, 1998
Bill Dixon and Tony Oxley, June 23, 1998
Bill Dixon Rehearsal with Tony Oxley and Celebration Orchestra, Köln Stadtgarten, September 8, 1998
Physical Characteristics and Technical Requirements
Duration: 102 minutes
Audio
Video
Video
Bill Dixon, Tony Oxley, Derek Bailey, Gonin Bryens, (?) Wand, Phil Wachsmann at Köln Stadtgarten, September 10, 1998
Bill Dixon with the Celebration Orchestra, Köln Stadtgarten, September 11, 1998
Scope and Contents
Includes the final performance of "Paradigm"
Audio
Video
Video
Concert Recordings, 1999
John Blum -- Piano, New York City, 1999
Digital materials
Vision Festival, New York City, May 24, 1999
Digital materials
Bill Dixon Ensemble, August 11, 1999
Keith Thompson Trio Music, October 24, 1999
Digital materials
Bill Dixon Quartet in Berlin, November, 1999
Scope and Contents
Featuring Bill Dixon (trumpet, flugelhorn), Claus Koch and Mattias Bauer (double bass), Tony Oxley (drums)
Sistas' Place, Brooklyn, New York, November 21, 1999
Physical Characteristics and Technical Requirements
Duration: 200 minutes
Video
Bill Dixon and the Vision Orchestra at Vision Festival, 2000
Video
"Index" Orchestra Work Performed by Bill Dixon and David Bindman in New York City, 2000
Digital materials
Bill Dixon and the Vision Orchestra Rehearse "Index", April-May, 2000, inclusive
Audio
Electronic Records
Digital materials
Digital materials
Video -- 1 of 3
Physical Characteristics and Technical Requirements
Duration: 63 minutes
Video
Video -- 2 of 3
Physical Characteristics and Technical Requirements
Duration: 63 minutes
Video
Video -- 3 of 3
Physical Characteristics and Technical Requirements
Duration: 64 minutes
Video
Bill Dixon and the Vision Orchestra Perform "Index" at Vision Festival, New York City, May 27, 2000
Audio
Electronic Records
Digital materials
Digital materials
Video -- 1 of 3
Video
Video -- 2 of 3
Video
Video -- 3 of 3
Physical Characteristics and Technical Requirements
Duration: 110 minutes
Video
Brian Glick and Matthew Heyner Duo, New York City, June 11, 2000
Digital materials
Berlin Abozzi: "Open Quiet / The Orange Bell," "Acrolithes", November, 2000
Scope and Contents
Featuring Bill Dixon (trumpet, flugelhorn), Mathias Bavert and Klaus Koch (double bass), and Tony Oxley (drums)
Gordon Allen Solo Trumpet, 2000-2002, inclusive
Digital materials
Bill Dixon, Tony Oxley, and Cecil Taylor in Victoriaville, May, 2001
Digital materials
Leonard, Skrowaczewski, Zappa, November 24, 2001
Digital materials
Gordon Allen -- "Indications", 2002
Digital materials
Jon French, 2002
Digital materials
Cecil Taylor, Bill Dixon, Tony Oxley, May 19, 2002
Bill Dixon in Vienna, September, 2002
Digital materials
Ben Hall, John Voigt, Mike Khoury, Dean Carriage Barn, October 22, 2002
Digital materials
Bill Dixon, Cecil Taylor, and Tony Oxley Trio Performance at Cite de la Musique, Paris, France, October 25-26, 2002, inclusive
Video -- 1 of 7
Physical Characteristics and Technical Requirements
Duration: 122 minutes
Video
Video -- 2 of 7
Physical Characteristics and Technical Requirements
Duration: 103 minutes
Video
Video -- 3 of 7
Physical Characteristics and Technical Requirements
Duration: 109 minutes
Video
Video -- 4 of 7
Physical Characteristics and Technical Requirements
Duration: 104 minutes
Video
Video -- 5 of 7
Physical Characteristics and Technical Requirements
Duration: 124 minutes
Video
Video -- 6 of 7
Physical Characteristics and Technical Requirements
Duration: 86 minutes
Video
Video -- 7 of 7
Physical Characteristics and Technical Requirements
Duration: 106 minutes
Video
Andrew Raffo Dewar, 2002-2005, inclusive
Digital materials
Ron Stabinsky, 2003
Digital materials
Andrew Raffo Dewar, String Quartet, 2003
Digital materials
Harri Sjostrom and Bernhard Arndt, 2003
Digital materials
Matt Weston, Bloomington, 2003
Digital materials
Ron Stabinsky, June 30, 2003
Digital materials
Ron Stabinsky, August 13, 2003
Digital materials
Jack Wright, October, 2003
Digital materials
John Blum, October, 2003
Digital materials
Ben Hall Percussion, 2004
Digital materials
Ron Stabinsky, Joe Mullen, John, 2004
Digital materials
Ron Thomas, 2004
Digital materials
Hudson, New York, February, 2004
Digital materials
The French Horn Parts of the Night -- Live, May 3, 2004
Ron Stabinsky and Joe Michaels Performances, 2004-2005, inclusive
Digital materials
Bill Dixon and Tony Widoff, July 24, 2004
Bill Dixon and Tony Widoff, August 19, 2004
Audio
Electronic Records
Digital materials
Bill Dixon, Warren Smith, Tony Widoff, and Dominic at the Bahai Center, New York City, August 31, 2004
Physical Characteristics and Technical Requirements
Duration: 119 minutes
Video
Duos and Solos with Cecil Taylor, Victorialle, Fall, 2004
Digital materials
Ron Stabinsky, October 7, 2004
Digital materials
Cecil Taylor, Tony Oxley, Bill Dixon, October 16, 2004
Digital materials
Cecil Taylor, Bill Dixon, Tony Oxley at the London Jazz Festival, November, 2004
Digital materials
London, November, 2004
Digital materials
London Jazz Festival -- Cecil Taylor, Tony Oxley, Bill Dixon, November 15, 2004
Digital materials
Ron Stabinsky, November 23, 2004
Digital materials
Performance Mixes by Bill Owens -- Donaueschingen, Hudson, Bill Dixon and Tony Widoff, London, 2004-2005, inclusive
Digital materials
Bill Dixon Performances -- Hudson 2005, London 2004, 2004-2005, inclusive
Digital materials
Joe Giardullo, 2005
Digital materials
John Blum, 2005
Digital materials
Ron Stabinsky, 2005
Digital materials
Stephen Horenstein, 3 Others, 2005
Digital materials
Stephen Horenstein, New Bari, 2005
Digital materials
Wesleyan University Orchestra Piece, 2005
Digital materials
Vision Festival, 2005
Audio
Electronic Records
Digital materials
Andrew Raffo Dewar, January-May, 2005, inclusive
Digital materials
Bill Dixon and Tony Widoff, January 9, 2005
Digital materials
Bill Dixon and Tony Widoff, January 21, 2005
Digital materials
Bill Dixon Orchestra Rehearsal at Wesleyan University, Middletown, Connecticut, February 7, 2005
Digital materials
Bill Dixon Orchestra Rehearsal, February 9, 2005
Digital materials
Ron Stabinsky, February 10, 2005
Digital materials
Bill Dixon Directs the Creative Music Orchestra, February 11, 2005
Digital materials
Orchestra Piece Performed at Mills Hall, Wesleyan University, February 11, 2005
Digital materials
Bill Dixon Wesleyan Concerts -- Orchestra and Solo, February 11-12, 2005, inclusive
Digital materials
Bill Dixon and Ran Blake, February 12, 2005
Digital materials
Bill Dixon Solo at Wesleyan University, February 12, 2005
Digital materials
Ron Stabinsky, February 20, 2005
Digital materials
Liebwan, Visentin, Ron Stabinsky, Joe Michaels, March 10, 2005
Digital materials
Ron Stabinsky and Joe Michaels, April 6, 2005
Digital materials
Nick Driscoll and Ron Stabinsky, April 24, 2005
Digital materials
Ron Stabinsky, June 21, 2005
Digital materials
Bill Dixon and Ron Stabinsky, July 1, 2005
Digital materials
Bill Dixon at the Festival of the New Trumpet, August, 2005
Digital materials
Ron Stabinsky, August 1, 2005
Digital materials
Ron Stabinsky, August 23, 2005
Digital materials
Ron Stabinsky, September 2, 2005
Digital materials
Vision Orchestra Performs at Benefit for New Orleans, Orensanz Art Center, New York City (Rough Cut), September 20, 2005
Digital materials
"Deeper," Albey Balgochian, Bass, October 3, 2005
Digital materials
Bill Dixon Solo Performance at Earl Hall, Columbia University, October 15, 2005
Digital materials
Hans Breton and Ben Hall -- Cello and Percussion, October 23, 2005
Digital materials
Solo Cecil Taylor, October 29, 2005
Digital materials
Bill Dixon and the New Maikotron Unit, November 19, 2005
Digital materials
"Studies" -- Ron Thomas, Joe Michaels, Joe Mullan, December 20, 2005
Digital materials
Dixon, Giardullo, Smith Performance in Paris, 2006
Digital materials
Jeff Hoyerman, 2006
Digital materials
Ron Stabinsky, 2006
Digital materials
Geo Lem's Vision Festival, 2006
Digital materials
Paris, 2006
Digital materials
G. Lewis and Bill Dixon at the Vision Festival, 2006
Digital materials
Paris Performance -- Tenor, Vibes, Timps, January, 2006
Digital materials
Bill Dixon at Centre Georges Pompidou, Paris, January 21, 2006
Digital materials
Bill Dixon, Reverb Process, Paris, January 21, 2006
Digital materials
Bill Dixon, Ron Stabinsky, Joe Michaels, February 10, 2006
Digital materials
Bill Dixon and Ron Stabinsky, February 24, 2006
Digital materials
"The Day You Were Born" Albey Solo Bass, March 1, 2006
Digital materials
Bill Dixon and Ron Stabinsky, April 6, 2006
Digital materials
Andrew Raffo Dewar, Two Solos, June 9, 2006
Digital materials
Bill Dixon and George Lewis at the Vision Festival, June 15, 2006
Digital materials
Ron Stabinsky and Joe Michaels, June 20, 2006
Digital materials
Bill Dixon and Ron Stabinsky, June 22, 2006
Digital materials
Andrew Raffo Dewar, Summer, 2006
Digital materials
Ron Stabinsky and Doug Smith, July 7, 2006
Digital materials
Bill Dixon and Ron Stabinsky, August 9, 2006
Digital materials
Bill Dixon and Joelle Leandre Perform "The Sanctuary" at St. George's Anglican Church, September 8, 2006
Digital materials
Ron Stabinsky, September 27, 2006
Digital materials
Fragments -- Dixon, Tradition and Playing, September-October, 2006, inclusive
Digital materials
Ron Stabinsky and Joe Michaels, October 12, 2006
Digital materials
Ron Stabinsky and Doug Smith, October 30, 2006
Digital materials
Bill Dixon and Ron Stabinsky, November 9, 2006
Digital materials
Matt Smallcomb and Ron Stabinsky, November 10, 2006
Digital materials
Bill Dixon and Ron Stabinsky, December 15, 2006
Digital materials
Matt Smallcomb and Ron Stabinsky, December 18, 2006
Digital materials
Matt Smallcomb and Ron Stabinsky, December 21, 2006
Digital materials
Ron Stabinsky, January 10, 2007
Digital materials
Bill Dixon and Ron Stabinsky, circa 2006-2007, inclusive
Digital materials
Steven Leffue and Rob Stabinsky, January 14, 2007
Digital materials
Driscoll, Michaels, Smallcomb, Smith, Ron Stabinsky, January 21, 2007
Digital materials
Nick Driscoll, Matt Smallcomb, Ron Stabinsky, February 4, 2007
Digital materials
Ron Stabinsky, February 7, 2007
Digital materials
Doug Smith, Ron Stabinsky, Bob Veutrello, February 13, 2007
Digital materials
Ron Stabinsky, February 21, 2007
Digital materials
Joe Michaels and Ron Stabinsky "Live at St. Stephen's", March 11, 2007
Digital materials
Joe Michaels and Ron Stabinsky "Practice at WUIA-FM", April 11, 2007
Digital materials
Bill Dixon and Ron Stabinsky, June 5, 2007
Digital materials
Ron Stabinsky, Jesse Lynch, Doug Smith, June 14, 2007
Digital materials
Vision Performance "17 Musicians in Search of a Sound", June, 2007
Physical Characteristics and Technical Requirements
Duration: 76 minutes
Video
Bill Dixon and the Sound Vision Orchestra at the Vision Festival, New York City, June 19-20, 2007, inclusive
Audio
Electronic Records
Digital materials
Rehearsal for the Vision Festival, New York City, June 18-20, 2007, inclusive
Digital materials
Vision Festival XII Backups, Orensanz Center, New York City, June 19-24, 2007, inclusive
Digital materials
Bill Dixon Rehearsal, New York City, June 29, 2007
Digital materials
Bill Dixon in Chicago, July 11, 2007
Digital materials
Bill Dixon and the Sound Vision Orchestra, July 20, 2007
Physical Characteristics and Technical Requirements
Duration: 76 minutes
Video
5% Sessions, Chicago City Arts, July-August, 2007, inclusive
Digital materials
Ron Stabinsky, August 18, 2007
Digital materials
Bill Dixon Trio in Quebec, September 18-20, 2007, inclusive
Digital materials
Bill Dixon and Ron Stabinsky, October 19, 2007
Digital materials
Ron Stabinsky Solo, December 20, 2007
Digital materials
Bill Dixon and Ben Hall, 2008
Digital materials
Ron Stabinsky, 2008
Digital materials
Ron Stabinsky "35th Birthday Solo", May 15, 2008
Digital materials
Bill Dixon and Ron Stabinsky, May 29, 2008
Digital materials
Bill Dixon and Fitiz, July 24, 2008
Digital materials
Ron Stabinsky Live Solo, August 28, 2008
Digital materials
Bill Dixon, Ben Hall, Aaron Siegel, Winter, 2008
Digital materials
Ron Stabinsky, 2009
Digital materials
Ron Stabinsky, Las Cruces, New Mexico, 2009
Digital materials
Ron Stabinsky, The Stone, New York City, 2009
Digital materials
Bill Dixon Going to the Center (Final Cut), February 6, 2009
Digital materials
Bill Dixon Firehouse 12, March 23, 2009
Digital materials
Bill Dixon and ESO, Lisbon, Portugal, September 2009
Digital materials
Bill Dixon with Exploding Star Orchestra, Philadelphia, December 5, 2009
Digital materials
Bill Dixon - "Victo" Live Performance, May 22, 2010
Digital materials
"Index", 2011
Digital materials
Soprano Saxophonist Practicing [illegible] / telephone conversation between Bill Dixon and a journalist, Undated, inclusive
"Dew Horse", Undated, inclusive
Scope and Contents
Featuring Bill Dixon (trumpet and flugelhorn) and Judith Dunn (dance and choreography)
"Letters," "Son of Sisyphus", Undated, inclusive
3 Short Solos -- Ellington Music, Undated, inclusive
"7 Variations", Undated, inclusive
Digital materials
A Season in Hell by Margaret Holloway, Music by Bill Dixon (Part 2), Undated, inclusive
Digital materials
Acoustic Piano, Undated, inclusive
Alex Weiss, Undated, inclusive
Digital materials
Anemone Transcribed for Bass Clarinet and Played by Paul Austerlitz, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 95 minutes; Preservation note: Side 2 consists of somebody conducting a setup while whistling... no real content
Audio
Art Davis, Undated, inclusive
Autumn Sequence from a Paris Mary (Feigin's Edition, Tape 1), Undated, inclusive
Bass and Trumpet, Undated, inclusive
Digital materials
Ben Hall, Undated, inclusive
Digital materials
Berlin Celebration Orchestra -- Bill Dixon Soloist, Undated, inclusive
Video
Bill Dixon -- "Tea Dust" on Piano, Undated, inclusive
Bill Dixon "Badura-Skoda", Undated, inclusive
Bill Dixon -- Bavaria Kopierwerk Videotransform, Undated, inclusive
Video
Bill Dixon and Bill Cole, Undated, inclusive
Bill Dixon and Cecil Taylor (CD 1), Undated, inclusive
Bill Dixon and Cecil Taylor (CD 2), Undated, inclusive
Bill Dixon and Cecil Taylor Duet, Undated, inclusive
Bill Dixon and Cecil Taylor Duet Compilation, Undated, inclusive
Bill Dixon -- Live Performance, Undated, inclusive
Digital materials
Bill Dixon and Cecil Taylor, Undated, inclusive
Digital materials
Bill Dixon and David Bindman, Undated, inclusive
Digital materials
Bill Dixon and J. L. Perform in Guelph, Ontario, Undated, inclusive
Digital materials
Bill Dixon and Leslie Winston, Bennington College, Undated, inclusive
Digital materials
Bill Dixon and Stephen Haynes Rehearse with Orchestra (5/21-5/22), Undated, inclusive
Digital materials
Bill Dixon and the Exploding Star Orchestra, Undated, inclusive
Digital materials
Bill Dixon and Tony Oxley, Undated, inclusive
Digital materials
Bill Dixon Ensemble, Total Music Meeting, Jazz Festival Berlin, Undated, inclusive
Digital materials
Bill Dixon in San Francicso, Undated, inclusive
Digital materials
Bill Dixon Orchestra, Undated, inclusive
Digital materials
Bill Dixon Orchestra SoCo Vision Festival, Undated, inclusive
Digital materials
Bill Dixon Orchestra Work, "For Franz," New York City, Undated, inclusive
Digital materials
Bill Dixon Performance, Undated, inclusive
Digital materials
Bill Dixon Performances at Wesleyan University and Vision Festival, Undated, inclusive
Digital materials
Bill Dixon, Stephen Horenstein, Hayden Carruth, Undated, inclusive
Digital materials
Bill Dixon -- Wesleyan Sound, Creative Music Orchestra, Undated, inclusive
Digital materials
Bill Dixon and Hong Ping, Undated, inclusive
Digital materials
Bill Dixon and Jared van Dongen, Undated, inclusive
Bill Dixon and Stephen Horenstein Duet, Undated, inclusive
Bill Dixon and Tony Ackerman, Undated, inclusive
Bill Dixon and Tony Oxley -- "Sequenced x B", Undated, inclusive
Bill Dixon Concert #1: "Serendipity", Undated, inclusive
Scope and Contents
Featuring Bill Dixon, Bob Ralston, Reggie Johnson, and Rashid Ali; the tape's original case was retained
Bill Dixon Ensemble, Undated, inclusive
Bill Dixon Ensemble Concert, Undated, inclusive
Bill Dixon Excerpts, Undated, inclusive
Bill Dixon Live: "Webern," "Velvet," "Windswept Winterset," "Llaattiinnoo", Undated, inclusive
Bill Dixon on Piano and Trumpet, Undated, inclusive
Bill Dixon on Piano, Paul Robeson House, Bennington College, Undated, inclusive
Bill Dixon Practicing Trumpet, Undated, inclusive
Bill Dixon Quartet Rehearsal, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 55 minutes
Video
Bill Dixon Solo at Wesleyan University, Undated, inclusive
Video
Bill Dixon Solo Piano, Piece for Pat Lagg, Undated, inclusive
Bill Dixon Talk after Quartet Performance, Undated, inclusive
Bill Dixon Trumpet Solos, Undated, inclusive
Bill Dixon and David Bindman Duet, Undated, inclusive
Bill Dixon's Orchestra, Undated, inclusive
Bill Dixon's Piano Songs, Undated, inclusive
Borah Bergman and Evan Parker, Undated, inclusive
Cello, Rehearsal Material, Undated, inclusive
Children's Puppet Music, Trumpet Solo, Undated, inclusive
Cecil Taylor String Quartet, Undated, inclusive
Digital materials
Cecil Taylor Trio, Undated, inclusive
Digital materials
Citizens Orchestra, Undated, inclusive
Digital materials
Compilation of Performances in Donaueschingen, Hudson, New York, and London, Undated, inclusive
Digital materials
Conscripts, Undated, inclusive
Digital materials
Compilation Tape -- "Dusty Rose," Ensemble, Haynes Senior Piece, Undated, inclusive
Compilation Tape -- Bill Dixon Solos, Undated, inclusive
Compilation Tape -- Ensemble, Widoff, Bass Duets, Undated, inclusive
Compilation Tape -- Music Excerpts, Undated, inclusive
Compilation Tape -- Performances, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 108 minutes
Video
Compilation Tape -- Performances and Rehearsals, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 100 minutes
Video
Compilation Tape -- "Webern," "Shrike," Miscelleneous Excerpts, Undated, inclusive
Composition for Piano, Undated, inclusive
Compositions, Electric Piano, Undated, inclusive
Concert Master, Undated, inclusive
Concert, Undated, inclusive
Concert, First Edit, Undated, inclusive
Video
"Contes, La Nappe Volante de Vent du Nord", Undated, inclusive
Digital materials
Dances, Undated, inclusive
Digital materials
Donaueschingen -- Solo Trumpet, Undated, inclusive
Digital materials
Donaueschingen and Hudson, Undated, inclusive
Digital materials
Donaueschingen Solo, Undated, inclusive
Digital materials
Duets, Undated, inclusive
Digital materials
David Weiss, Undated, inclusive
"Dew Horse" with Dance and Choreography by Judith Dunn, Undated, inclusive
"Dew Horse", Undated, inclusive
Bill Dixon on Bass, Guitar, Undated, inclusive
Bill Dixon -- Jennings Trumpet Practice, Undated, inclusive
Dixon -- Free 8th Rainbow Reel, Undated, inclusive
Physical Characteristics and Technical Requirements
Reel 481_2172 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Bill Dixon and Cecil Taylor Duets, Undated, inclusive
Bill Dixon and Bindman -- "Resequenced Composite", Undated, inclusive
Bill Dixon "Insert #1", Undated, inclusive
Video
Bill Dixon Performance "LEC-DEM", Undated, inclusive
Physical Characteristics and Technical Requirements
Format: Sony CV; Duration: 64 minutes; Preservation Note: High amount of buzz and hiss on tape. Video lighting is very dark.
Video
Bill Dixon Performance "Probably for Film or Video", Undated, inclusive
Dowdell Concert with Bill Dixon on Tenor Saxophone, Undated, inclusive
Dramatic Reading with Music, Undated, inclusive
Duets: Bill Dixon and Henry Grimes at the Stone, Bill Dixon and Cecil Taylor, Undated, inclusive
Duets with Widoff, Undated, inclusive
Ellington Composition, Arranged for Large Ensemble and Voices by Bill Dixon, Undated, inclusive
Elliot Stevens and Ben Hall, Undated, inclusive
Digital materials
Ensemble -- August, Undated, inclusive
Ensemble, Undated, inclusive
Ensemble Performance, Undated, inclusive
Ensemble Recording Master "For Franz Seiter", Undated, inclusive
Scope and Contents
This tape was rehoused and original case with its annotations was retained.
Ensemble Rehearsal, Undated, inclusive
Audio
Papers
Eric Zinman -- Concert at NEC, Undated, inclusive
European Scan, Undated, inclusive
Physical Characteristics and Technical Requirements
Did Not Transfer; PAL
European Scan, Undated, inclusive
Physical Characteristics and Technical Requirements
Did Not Transfer; PAL
European Scan, Undated, inclusive
Physical Characteristics and Technical Requirements
Did Not Transfer; PAL
Bill Dixon with Ensemble and Singers, Undated, inclusive
Film of Practice Session for Bill Dixon, Undated, inclusive
"Firense", Undated, inclusive
Digital materials
"For Franz" Rehearsal Fragments, Undated, inclusive
"For Franz", Undated, inclusive
Audio
Electronic Records
Digital materials
Fortunato's Wedding From the Cathedral, Undated, inclusive
Glynis Loman, Undated, inclusive
Gomberg, Franz Hautzinger, Solo Trumpet, Undated, inclusive
Digital materials
Hayne's Concert: "Duet" and "Untitled", Undated, inclusive
Improvisation: Dixon, Worali, Calabro, Colick, Undated, inclusive
"Index", Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 58 minutes; Preservation note: Side 2 is blank
Audio
"Index", Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 50 minutes
Audio
"It Never Entered…", Undated, inclusive
Jack Moore Piece, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 5 minutes
Video
Jack Moore and Bill Dixon Rehearsal, Undated, inclusive
Jack Moore and Bill Dixon Duet, Undated, inclusive
Jacob Lipkin, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 30 minutes
Video
Jazz Composers' Guild Orchestra Rehearsal Empty Audiocassette Case, Undated, inclusive
"Imagine the Sound" Jazz Tape from Spain (TV), Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 65 minutes
Video
Bill Dixon Performs Bass and Guitar, Jennings, Bennington College, Undated, inclusive
Jerusalem New Music Ensemble (Recent Excerpts), Undated, inclusive
Jerusalem Rehearsal, Undated, inclusive
Video
Jon Voigt and Craig S. Basses, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 11 minutes
Video
Josh Kirsch Reel, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 6 minutes
Video
Jerusalem, Donaueschingin, Bill Dixon and Tony Widoff in Hudson, Undated, inclusive
Digital materials
Keith Thompson, Undated, inclusive
Digital materials
Koln Piece -- Finalized, Undated, inclusive
Digital materials
Karen Radler "Sounds," Solo Trumpet, Undated, inclusive
L. Nowk Concert (Ellington, Parker, Coltrane), Undated, inclusive
"The Last Thing We Did", Undated, inclusive
Digital materials
Lecrone, Undated, inclusive
Leslie Winston, Undated, inclusive
Leslie: Piano, Undated, inclusive
"Letters: Round Up the Usual Suspects", Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 81 minutes
Audio
"Letters: Round Up the Usual Suspects" Performance, Undated, inclusive
Digital materials
"Letters: Round Up the Usual Suspects" (Version B 1), Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 22 minutes; Preservatgion note: Side 2 is blank
Audio
Leonard D. Skrowaczewski, Undated, inclusive
Digital materials
Leopanar Witlarge, Undated, inclusive
Digital materials
L'Escamoteur, Maikotron Unit, Undated, inclusive
Digital materials
Megan Shubert and Ben Hall, Undated, inclusive
Digital materials
Modus Operandi -- Bill Dixon Trio, Undated, inclusive
Digital materials
Male Voice with Audience, Undated, inclusive
Milford Graves and Bill Dixon Duet Performance, New York City, Undated, inclusive
Misc. Music -- Monk, MJQ, Miles, Tyner, Taylor, Undated, inclusive
Miscellanous Music (Recorded), Undated, inclusive
"Metamorphosis", Undated, inclusive
Digital materials
"Metamorphosis," "Voices," "Nightfall Pieces", Undated, inclusive
Digital materials
Money Jungle, Ellington, Miles Davis, Undated, inclusive
Monte Tubb, Undated, inclusive
Music for Maureen's Dance, Undated, inclusive
Music for Solo Trumpet (Limited Edition), Undated, inclusive
Music to Maureen's Dance, Undated, inclusive
David Warren, Undated, inclusive
Karen Borca, Marco Eneidi, Jackson Krall, W. M. Parker, Undated, inclusive
My Funny Valentine -- Bill Dixon / Janna Levenstein, Undated, inclusive
Nadi Qamar, Undated, inclusive
Nancy Goodfriend Soprano, Virginia Sircy Piano, Undated, inclusive
New Texture Pantonal Fellowship, Undated, inclusive
Digital materials
Nick B. [Illegible], Undated, inclusive
Nightclub Performance of "Dusty Rose" - Live, Undated, inclusive
Compilation Tape -- "November: 1981, "Panthesilea," "The Second Son," "The Sirens," "Another Quiet Feeling", Undated, inclusive
Compilation Tape -- "November: 1981," "Panthesilea," "The Sirens", Undated, inclusive
"October" Recordings, Undated, inclusive
Video -- 1 of 11
Video
Video -- 2 of 11
Video
Video -- 3 of 11
Audio
Video -- 4 of 11
Video
Video -- 5 of 11
Video
Video -- 6 of 11
Video
Video -- 7 of 11
Video
Video -- 8 of 11
Video
Video -- 9 of 11
Video
Video -- 10 of 11
Video
Video -- 11 of 11
Physical Characteristics and Technical Requirements
Duration: 31 minutes
Video
Orchestra Piece, Undated, inclusive
Digital materials
Orchestra Piece III, Undated, inclusive
"Penthesilea" -- Rehearsals and Performances, Undated, inclusive
Performance Compilation: Donaueschingen, Solo Flute, London, Undated, inclusive
Digital materials
Performance in Finland, Undated, inclusive
Physical Characteristics and Technical Requirements
Audiocassette 481_1633 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Piano, Undated, inclusive
Piano, Bass, Tenor, Undated, inclusive
Piano Compositions, Undated, inclusive
Piano Compositions, Undated, inclusive
Piano Fragment, Undated, inclusive
Piano Sketches, Undated, inclusive
Piano Solos, Undated, inclusive
Audio
Electronic Records
Digital materials
Piano and Trumpet, Undated, inclusive
Piano Songs, Undated, inclusive
Piano, Tenor Saxophone Exercises with Stephen Horenstein, Undated, inclusive
Piece for Karen Gerley, Undated, inclusive
Piece for Stan Payson, Piece for Mary Kinal, Undated, inclusive
Piece for Wisconsin -- Orchestra, Undated, inclusive
Places -- Shelley Lubin, Undated, inclusive
Poetry and Music -- Sherley Anne Williams, Bertram Turetsky, Undated, inclusive
Program D #1-18, Undated, inclusive
Quartet Performance, St. Marks Danspace, Undated, inclusive
Digital materials
Quebec Performance -- Bass Clarinet, Piano, Bass, Trumpet, Undated, inclusive
Digital materials
"Quinacridone" Orchestra Work, Undated, inclusive
Digital materials
Rehearsal of Composed Music, Possibly Arthur Brooks, Undated, inclusive
Rehearsal / Misc. X, Undated, inclusive
Rehearsal, Undated, inclusive
Digital materials
Rehearsal, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 62 minutes
Video
Ron Stabinsky, Undated, inclusive
Digital materials
Ron Stabinsky, Undated, inclusive
Digital materials
Ron Stabinsky Piano Solos, Undated, inclusive
Digital materials
Relay Trumpets and Piano, Undated, inclusive
"Relay," Berlin, Undated, inclusive
Riverside Church Piece, Performance 2, Bennington College, Undated, inclusive
Rome, Undated, inclusive
S. J. Zappa, Nick Skrowaczeski, Mark Leonard, Undated, inclusive
Shellin Lubin, Undated, inclusive
Alan Silva [illegible label], Undated, inclusive
Short Sample of Soprano Practice, Undated, inclusive
Digital materials
Simon Lott II, Undated, inclusive
Digital materials
Skrowaczewski Zappa Duo, Undated, inclusive
Digital materials
Stefano Scodanibbio, Undated, inclusive
Digital materials
Small Orchestra Piece, Undated, inclusive
Snaps Chromatique, Undated, inclusive
Physical Characteristics and Technical Requirements
No audio; transferred from 16mm film
Physical Characteristics and Technical Requirements
Duration: 23 minutes
Video
Solo Saxophone, Undated, inclusive
Physical Characteristics and Technical Requirements
This tape was rehoused and the original container was retained.
Songs: Piano, 3 Versions, Undated, inclusive
Spectre, Undated, inclusive
Stanton Davis, Undated, inclusive
Steve Horenstein, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 43 minutes
Video
"Summerdance", Undated, inclusive
Digital materials
Bill Dixon Talk and Performance, Undated, inclusive
"Tea Dust", Undated, inclusive
"There's Gold In Them Thar Hits" - Carl Landa, Pianist-Composer, Undated, inclusive
Tony Ackerman and Bill Dixon Duet, Undated, inclusive
Tony Oxley, Bill Dixon Donaueschingen, Cecil Taylor Solo, Undated, inclusive
Digital materials
Trombone, Undated, inclusive
Digital materials
Trumpet, Undated, inclusive
Digital materials
Trumpet and Bass, Undated, inclusive
Digital materials
Trumpet and Koto, Undated, inclusive
Digital materials
Tracing Bill Dixon Trumpet Solo, Undated, inclusive
Trumpet, Undated, inclusive
Trumpet, Undated, inclusive
Trumpet, Undated, inclusive
Trumpet, Undated, inclusive
Trumpet, Undated, inclusive
Trumpet, Undated, inclusive
Trumpet, Undated, inclusive
Trumpet, Undated, inclusive
Trumpet, Koto, Undated, inclusive
Trumpet Solo, Shellen Cubin Voice and Guitar, Analysis of Material, Undated, inclusive
Trumpet Solos, Undated, inclusive
Audio
Electronic Records
Digital materials
Trumpet Solos and Duet with Shakuhachi, Undated, inclusive
Trumpet, Mingus, George Russell Othello Ballet Suite, Undated, inclusive
Unknown [Illegible] Trumpet, Undated, inclusive
Vibes, Undated, inclusive
"Voices," "Fancy Foot," "Summerdance", Undated, inclusive
Digital materials
"Voices," "Intents and Purposes", Undated, inclusive
Digital materials
Wesleyan University Orchestra and New York City Vision Festival, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 120 minutes
Video
William II Talk - Good Piano, Trumpet, Undated, inclusive
"Winter Song, 1964" Rehearsal, Undated, inclusive
Digital materials
Work on Material for Compositions: Bill Dixon and Steve Horenstein, Undated, inclusive
Work on Material for Voice and Piano, Undated, inclusive
Scope and Contents
Voice sings part that has been transcribed from a trumpet solo
"Work Paint," "Prologue + 10 Dances", Undated, inclusive
Audio
Papers
"You Don't Know What Love Is", Undated, inclusive
Subseries I.C: Sheet Music, Work Files, and Performance Ephemera, 1936, 1941, 1959-2010, inclusive
Extent
Extent
Scope and Contents
This subseries contains paper and digital files related to Bill Dixon as a musician and composer during the 1960s to the 2000s including the creation of his musical albums, original musical works, and performances.
Dixon recorded albums from the early 1960s to 2009. Files related to these albums in this subseries include liner note drafts, recording session notes, album publicity material, and mock-ups and images for albums, some of which contain Dixon's original artwork. This subseries also contains images, ephemera, and program notes related to Dixon's performances as a solo performer and in groups including the 1966 Newport Jazz Festival with dancer Judith Dunn, the orchestra practice for Dixon's original soundtrack for the movie Wealth of a Nation, and University of the Streets performances and rehearsals. Files in this subseries also include information on tours and jazz festivals throughout Italy, Germany, Israel, France, and Canada during the 1980s through 2000s. Musicians Dixon often toured with include Tony Oxley, Cecil Taylor, Mario Pavone, and Laurence Cook.
Dixon's work as a composer is documented through a large collection of handwritten music manuscripts and program notes on individual works including "Autumn Sequences, from A Paris Diary: Fall 1976", "For Franz", "For Cecil Taylor", "Index: A Work for Large Ensemble", "Letters: Round Up the Usual Suspects", "Metamorphosis", and "Winter Song, 1964". A portion of the music manuscripts are untitled and include new compositions and exercises for student ensembles.
The subseries also contains a small collection of files accumulated on the publishing companies Dixon used, including BMI, EMI, IREC, and his own company, Metamorphosis. These files typically include correspondence and reports regarding music rights, royalties, and album production. Heavily annotated reference books on trumpet performance and composition are also in this subseries.
Arrangement
This subseries is arranged chronologically, within groupings of files. The Albums and Recording Session file grouping is arranged by album release date, which is notated in parenthesis.
Albums and Recording Sessions -- The Archie Shepp / Bill Dixon Quartet (1962) -- Recording List, October 1962
Albums and Recording Sessions -- Lists of Dixon Recordings, 1962-1999, inclusive
Albums and Recording Sessions -- Bill Dixon 7-Tette (1964) -- 8-Track Cartridge Case, 1964
Albums and Recording Sessions -- October Revolution (1964) and Four Days in December (1965) -- Recording Budget for Musicians, circa 1964-1965, inclusive
Albums and Recording Sessions -- Publicity for Multiple Albums, circa 1964-1997, inclusive
Albums and Recording Sessions -- Intents and Purposes (1967) -- Recording Notes, Liner Notes, Album Cover Draft, circa 1966-1967, inclusive
Albums and Recording Sessions -- Album Reviews, 1973-2009, inclusive
Albums and Recording Sessions -- Solo Trumpet Music Box Set, Limited Edition -- Planning Notes, circa 1976, inclusive
Albums and Recording Sessions -- Unknown Detailed Description of Recording Session, 1978
Albums and Recording Sessions -- In Italy - Volume One (1980) -- Planning Notes, Liner Notes (Removed from 481_1002), circa 1980, inclusive
Albums and Recording Sessions -- In Italy - Volume One and Volume Two (1980, 1981) and Considerations (1981) -- Liner Notes, Cover Art, 1980-1981, inclusive
Albums and Recording Sessions -- Unknown Session Recording Notes, 1981-07-30
Albums and Recording Sessions -- Considerations 1 and 2 (1981) and In the Labyrinth (Not Released) -- Draft Liner Notes, Recording Directions, Notes, Correspondence, and Mock-up Album Box, 1980-1983, inclusive
Albums and Recording Sessions -- 1982 (1982) -- Draft Liner Notes, Album Cover and Signed Insert, circa 1982, inclusive
Albums and Recording Sessions -- November 1981 (1982) -- Draft Liner Notes, Image of Cover, circa 1981-1982, inclusive
Albums and Recording Sessions -- Recording Session Notes, 1985-05-16
Albums and Recording Sessions -- Collection (1985) -- Liner Note Drafts, Images, Final Booklet, 1984-1985, inclusive
Albums and Recording Sessions -- Thoughts (1987) -- Draft Liner Notes, CD Case Covers, circa 1987
Albums and Recording Sessions -- Limited Edition Cassette of Works for Trumpet -- To Do List, circa 1989
Albums and Recording Sessions -- Son of Sisyphus (1990) -- Draft Liner Notes, 1989
Albums and Recording Sessions -- Bill Dixon in Israel -- Recording and Musician Lists, March 1990
Albums and Recording Sessions -- Vade Mecum II (1996) and Enchanted Messenger, Featuring Bill Dixon (1995) -- Notes, Correspondence, Album Cover Mock-ups, 1995-1996, inclusive
Albums and Recording Sessions -- Bill Dixon with Tony Oxley - Papyrus Volumes I and II (1999) -- Album Cover Mock-ups, Liner Note Drafts, Correspondence, 1999
Albums and Recording Sessions -- Berlin Abbozzi (2000) -- Reviews, circa 2000s, inclusive
Albums and Recording Sessions -- Odyssey (Solo Works) (2001) -- Notes/Ideas, Source Material, Correspondence, Book Drafts, Prep Information Notebook, Published Booklet, Press Clippings, 1997-2006, inclusive
Albums and Recording Sessions -- Odyssey (Solo Works) (2001) -- Reviews, Promotional Material, 2002, 2004, inclusive
Digital materials
Albums and Recording Sessions -- Cecil Taylor / Bill Dixon / Tony Oxley (2002) -- Cover Art Drafts, Reviews, Clippings, 2002
Albums and Recording Sessions -- Modus Operandi (2007) -- Cover Art Options, circa 2007
Albums and Recording Sessions -- 17 Musicians in Search of a Sound: Darfur (2008) -- Cover Art Drafts, Agreements, Correspondence, Images, 2007-2009, inclusive
Albums and Recording Sessions -- Tapestries for a Small Orchestra (2009) -- Album Cover Drafts and Mock-ups, Correspondence, Contract, 2008-2009, inclusive
Albums and Recording Sessions -- Weight with Bill Dixon, Aaron Siegel, and Ben Hall (2009) -- Album Cover Mock-up, 2009
Albums and Recording Sessions -- Unknown Album Liner Notes, Undated, inclusive
Albums and Recording Sessions -- Unknown CD Cover Drafts with Dixon Artwork, Undated, inclusive
Albums and Recording Sessions -- Unknown Album Liner Notes, Musician Lists, Undated, inclusive
Images -- Judith Dunn and Bill Dixon Dance Recital, Judson Church, circa 1960s-1970s, inclusive
Images -- Bill Dixon Septet Performance, Contemporary Center, New York, 1965-03-20
Images -- Bill Dixon and Judith Dunn Portraits, circa 1965-1975, inclusive
Images (Photocopies) -- Wealth of a Nation Recording Session, 1966-01-12
Images -- Newport Jazz Festival Rehearsal with Bill Dixon, Judith Dunn, and Other Musicians, 1966
Images -- "Groundspeed" Performance with Bill Dixon, Judith Dunn, and Joel Freedman at Judson Memorial Church, New York, July 1966
Images -- Newport Jazz Festival Performance and Other Participants (John Coltrane), July 1966
Images -- "Motorcycle" Performance with Bill Dixon and Judith Dunn at Judson Memorial Church, New York, 1966
Images -- Central Park Performance with Bill Dixon, Judith Dunn, Kenyatta, and Others, August 1966
Images -- Bill Dixon Playing and Writing with Perry Robinson, New York, 1966
Images -- Bill Dixon and John Coltrane Working, Dixon Conducting, in New York, 1966
Images -- University of the Streets, New York -- Playing and Writing with Bill Dixon, Sonny Simmons, and John Buckingham, 1967
Images -- Bill Dixon with Orchestra with Travis Jenkins and Giuseppi Logan, New York, 1967
Images -- Bill Dixon Working with Dancers (Maybe Judith Dunn Included?), 1968 and Undated, inclusive
Images -- "Nightfall Pieces" with Judith Dunn, Bill Dixon, and Musicians, Riverside Church, 1969
Images -- Bill Dixon and Archie Shepp Portrait, circa 1970
Images -- Bill Dixon Conducting Musicians in New York, including Enrico Rava, Charlie Sullivan, Eugene Citronbaum, and Roswell Rudd, 1970
Images -- "Obsidian" Dance Rehearsal with Judith Dunn and Barbara Ensley, January/February 1972
Images -- Bill Dixon Performing with Others, Teaching Student Musicians, circa 1970s, inclusive
Images -- Friends, Travel, Receptions, Dance Performances, 1970s, inclusive
Images -- Verona, Italy -- Touring with Bill Dixon, Son William, Andrew Hill, George Russell, Horace Tapscott, June 1980
Images -- Bill Dixon and Santa Claus in Front of Duomo de Milano in Milan, Italy, December 1980
Images -- Bill Dixon and Band Members in Verona, Italy, November 1981
Images -- Bill Dixon Performing in Brescia, Italy, 1981-1983, inclusive
Images -- Bill Dixon Performing with Mario Pavone and Laurence Cook at Various Events, 1981, 1983, undated, inclusive
Images -- Bill Dixon Performing with Mario Pavone and Laurence Cook at 3rd Street Music School, New York, April and May 1982
Images -- Bill Dixon Art Exhibition and Solo Concert at Ferrari Gallery in Verona, Italy, 1982
Images -- Bill Dixon with Giovanni Bonnandrini and Friends in Brescia, Italy, July 1984
Images -- White House (in Hunter, New York?), Friends, 1986-09-01
Images -- Second Sound Unity Festival at Kraine Gallery, New York, 1988-04-17
Images -- Verona Jazz Festival, Performances and Personal, June 1988
Images -- Travel in Venice, Bolzano, Verona, Milan, June/July 1988
Images -- Unknown Musicians, Bill Dixon with Musicians, 1989, Undated, inclusive
Images -- Bill Dixon with Arturo Vivane, Arthur Brooks, and Jared Van Donson, June 1989
Images -- Travel in Jerusalem, Israel, and Black Music Jazz Festival and Art Exhibition in Fürth, Germany, March-April 1990
Images -- Bill Dixon at Speaking Events, Touring in Italy, Friends, 1990s-2000s, inclusive
Images -- Traveling in Milan, Italy and Other Places, October 1997
Images -- Event at St. Mark's Place, New York with Bill Dixon, Sharon Vogel, and Others, May 2000
Images -- Travel in Vienna, Austria with Bill Dixon, Sharon Vogel, and Others, September 2002
Images -- Performance in Paris, 2002-10-25
Images -- Travel in London, England with Bill Dixon, Sharon Vogel, and others, 2004
Images -- Suoni Per Il Popolo Speaking Event, Montreal, Canada, 2005
Images -- Bill Dixon Performances in Canada, 2006
Digital materials
Images -- Bill Dixon Performance in Paris, France, 2006
Digital materials
Images -- Bill Dixon with Franz Koglmann, and Various Musicians Playing at Practices and Performances, Undated, inclusive
Images -- Travel in Brescia, Italy, Undated, inclusive
Images -- Contact Sheets of Unknown Performance, Undated, inclusive
Digital materials
Music Manuscripts -- Lists of Dixon Compositions (1962-1987), circa 1985-1987, inclusive
Music Manuscripts -- Lists of Dixon Compositions, 2004
Digital materials
Music Manuscripts -- "-1+2.4.1.2.1.1.1.1", 1975
Music Manuscripts -- "Africa to International Scene", Undated, inclusive
Music Manuscripts -- "Afternoon", 1963
Music Manuscripts -- "Agures", Undated, inclusive
Music Manuscripts -- "Anemone", 1970
Music Manuscripts -- "Autumn Sequences, from A Paris Diary: Fall 1976", 1976
Music Manuscripts -- "Autumn's Chant", Undated, inclusive
Music Manuscripts -- "Billie's Bounce", Undated, inclusive
Music Manuscripts -- "Blue Ink", Undated, inclusive
Music Manuscripts -- "But Beautiful", Undated, inclusive
Music Manuscripts -- "Central Park West", Undated, inclusive
Music Manuscripts -- "Dance Piece", circa 1981, inclusive
Music Manuscripts -- "Enrico Ravi", Undated, inclusive
Music Manuscripts -- "Entrances", Undated, inclusive
Music Manuscripts -- "File Box Piece", 1966
Music Manuscripts -- "For Cecil Taylor", 1980, Undated, inclusive
Music Manuscripts -- "For Franz", 1976, Undated, inclusive
Music Manuscripts -- "For Jack Moore", 1983
Music Manuscripts -- "For Two Trumpets", 1978
Music Manuscripts -- "Four Quiet Feelings", 1972
Music Manuscripts -- "From Four Parts", Undated, inclusive
Music Manuscripts -- "Fusama Codex", Undated, inclusive
Music Manuscripts -- "Games", Undated, inclusive
Music Manuscripts -- "Groundspeed", Undated, inclusive
Music Manuscripts -- "Haiku", 1979
Music Manuscripts -- "I Wonder If She'll Speak to Me", 1979
Music Manuscripts -- "Index: A Work for Large Ensemble", 2000
Music Manuscripts -- "Jennifer", 1980
Music Manuscripts -- "John Buckingham", Undated, inclusive
Music Manuscripts -- "Koln", Undated, inclusive
Music Manuscripts -- "Lazy Morning", circa 1981, inclusive
Music Manuscripts -- "Letters: Round Up the Usual Suspects" -- Libretto Source Material, Sheet Music, 1983-1990, inclusive
Music Manuscripts -- "Letters That Illuminate", circa 1976, inclusive
Music Manuscripts -- "Listen to the Silence", Undated, inclusive
Music Manuscripts -- "Metamorphosis", Undated, inclusive
Music Manuscripts -- "Mirage for Brass Quintet and Duo", 1965
Music Manuscripts -- "Morning", Undated, inclusive
Music Manuscripts -- "Night Caller", Undated, inclusive
Music Manuscripts -- "Nightfall Pieces", Undated, inclusive
Music Manuscripts -- "October Song", circa 1967-1968, inclusive
Music Manuscripts -- "Orchestra Piece", Undated, inclusive
Music Manuscripts -- Orchestral Work for University of the Streets, 1967-1968, inclusive
Music Manuscripts -- "Papers", 1968
Music Manuscripts -- "Pitches", 1968
Music Manuscripts -- "Placement for Tenor Saxophone", Undated, inclusive
Performances -- "Qhortet; Kwortette; Quartet (No. 3)" -- Performance Notes, 2004
Digital materials
Music Manuscripts -- "Quinacridone", circa 1986-1987, inclusive
Music Manuscripts -- "Relay", Undated, inclusive
Music Manuscripts -- "Scompigliare", Undated, inclusive
Music Manuscripts -- "SDROCH", 1980
Music Manuscripts -- "Sisyphus", Undated, inclusive
Music Manuscripts -- "Solos", Undated, inclusive
Music Manuscripts -- "Song", Undated, inclusive
Music Manuscripts -- "Thoughts", circa 1987
Music Manuscripts -- "Touchings for Piano and Trumpet", 1976
Music Manuscripts -- "Trio", Undated, inclusive
Music Manuscripts -- "Untitled", 1993
Music Manuscripts -- "Variant for Tenor Saxophone and Orchestra", Undated, inclusive
Music Manuscripts -- "Voices", Undated, inclusive
Music Manuscripts -- "Waiting", 1980
Music Manuscripts -- "Wealth of a Nation", 1966
Music Manuscripts -- "Winter Song, 1964", circa 1964
Music Manuscripts -- "Workprint", 1967, Undated, inclusive
Music Manuscripts -- Packet -- "Song", "Fragments", "Games", "Voices", "Nightfall", "Solos", "Nightfall Pieces", "Metamorphosis", Undated, inclusive
Music Manuscripts -- Lecture / Demonstration Packet for Black Music Ensemble at University of Wisconsin, Madison, 1972-03-15
Music Manuscripts -- Loose Handwritten Sheet Music, 1968-1969, inclusive
Music Manuscripts -- Loose Handwritten Sheet Music, Undated, inclusive
Music Manuscripts -- Loose Handwritten Sheet Music, Undated, inclusive
Music Manuscripts -- Loose Handwritten Sheet Music, 1993, Undated, inclusive
Music Manuscripts -- Unknown Piece, Parts I-VI, Undated, inclusive
Music Manuscripts -- Sheet Music with Direction for Dancers, Undated, inclusive
Music Manuscripts -- Dixon Transcribed Sheet Music by Other Composers, Undated, inclusive
Music Notebooks, 1960s, inclusive
Music Notebooks, Undated, inclusive
Music Publishing -- BMI -- Contracts, Letters, Royalty Statements, 1966-2009, inclusive
Music Publishing -- Copyright-related for Works "For Franz" and "Autumn Sequences from a Paris Diary", 1976
Music Publishing -- EMI / Savoy Music Publishing, 1963-2009, inclusive
Music Publishing -- Free Music Production (FMP) -- Correspondence, Reports, 1999-2000, inclusive
Music Publishing -- IREC -- Royalty Statements, Mechanical Licensing, 1980-2008, inclusive
Music Publishing -- Les Disques Victo -- CD Album Publishing, 2002
Music Publishing -- Metamorphosis Music -- Business Certificate, Agreements, Participant List Report, 1967-1968, 1982-1983, inclusive
Music Publishing -- Raretone Music Library -- Notes, Correspondence, 1979-1984, inclusive
Music Publishing -- RCA Victor -- Royalty Statements and Related, Agreements, Correspondence, 1966-1985, inclusive
Music Publishing -- SACEM -- Mechanical Rights, etc. for Quartet Piece, 1979-1980, inclusive
Music Publishing -- Sphere Marketing -- Reports, Promotional Catalogs, Letters, Promotional Material, 1987-1997, inclusive
Music Publishing -- Thrill Jockey -- Agreement, 2007
Notes -- General, Performances, Recordings, 1980s-2000s, inclusive
Performances -- Ephemera -- Bill Dixon and Judith Dunn Music and Dance Events, 1966-1978, inclusive
Performances -- Ephemera, 1960s-1970s, inclusive
Performances -- Ephemera -- Posters, 1973-1976, inclusive
Performances -- Ephemera, 1980s, inclusive
Performances -- Ephemera -- Posters and Programs, 1980s, inclusive
Performances -- Ephemera, 1990s, inclusive
Performances -- Ephemera -- Posters and Programs, 1992-2005, inclusive
Performances -- Ephemera, 2000s, inclusive
Performances -- Ephemera -- Posters, 2006, Undated, inclusive
Performances -- Ephemera, Undated, inclusive
Performances -- Judith Dunn and Bill Dixon Dance Projects and Events -- Lists of Projects, Letters, Notes, Program Notes, Press Releases, Project Descriptions, 1960s, 1983, inclusive
Performances -- Evening Length Work -- Orchestral Piece Musician Lists, 1960s, inclusive
Performances -- Studio 55 -- Performance Contract, 1966
Performances -- Newport Jazz Festival -- Notes, Draft Letter, Clipping, 1966
Performances -- Music School of the University of the Streets -- Proposal, 1967
Performances -- Newport Jazz Festival -- Notes, Planning, Contract, 1974
Performances -- "Letters to Myself, From Others and to Others" Concert Notes, 1974
Performances -- "Bird's Word" Performance Note, 1975
Performances -- "This //// is OUR Strategy" Performance Notes and Musician List, 1976
Performances -- "For Franz" -- Performance Notes, History, Musicians Performing, August 1976
Performances -- 1980 Tour of Italy -- Notes, Schedules, Musician Lists, Contracts, circa late 1970s to 1980, inclusive
Performances -- Imagine the Sound Concert -- Notes, 1981-02-08-1981-02-09, inclusive
Performances -- 1981 Tours of Italy and Zurich -- Itineraries, Budget, Notes, Contract Agreements, 1981
Performances -- "Dewhorse" and "Summerdance" Dance Performance Notes, 1981-1982, inclusive
Performances -- Judson Dance Theater Reconstructions Event -- Notes, Correspondence, 1982-04-15-1982-04-17, inclusive
Performances -- Vienna Workshop and Concert -- Schedule, Program Notes, February 1985
Performances -- Events in Vienna, Italy, New York -- Schedules, Itineraries, Notes, 1988
Performances -- "Sisyphus" Piece -- Program Notes, Comments, 1989
Performances -- Concert and Art Exhibition at Black Music Festival in Fürth, Germany -- Itineraries, Correspondence, Notes, March 1990
Performances -- Jerusalem Performance Planning -- Expenses List, Correspondence, Itinerary, March 1990
Performances -- Tour Planning Notes, 1990
Performances -- List of Performances and Musicians (1973-1990), circa 1990
Performances -- "Letters: Round Up the Usual Suspects" Piece -- Performance Notes, 1991
Performances -- Planning for Jazz Festivals, Performing with Cecil Taylor, etc., 1991-1993, inclusive
Performances -- Verona Jazz Festival Performance with Cecil Taylor -- Planning and Recording Materials, 1992-1993, inclusive
Performances -- Bill Dixon, Bill Cole, Three Nights -- Through Danspace Project at St. Mark's, New York -- Correspondence, Notes, 1992-02-28-1992-03-01, inclusive
Performances -- Nickelsdorf Festival -- Correspondence, Notes, 1997
Performances -- Visions Orchestra / Vision Festival -- Notes, Correspondence, Contracts, 1999-2007, inclusive
Performances -- International Festival Musique Actuelle in Victoriaville -- Notes, Correspondence, Promotional Material, May 2002
Performances -- "Qwhortette; Kwortette; Quartet [No. 3]" Piece -- Performance Notes, Correspondence, 2002-2008, inclusive
Performances -- Reviews, 2002
Digital materials
Performances -- Cecil Taylor / Bill Dixon / Tony Oxley -- Reviews, 2003
Digital materials
Performances -- Donaueschinger Music Festival -- Information Packet, Correspondence, 2004
Performances -- "Webern" -- Performance Notes, 2004
Digital materials
Performances -- Orchestral Work "Index" -- Funding Documentation, 2004-2005, inclusive
Digital materials
Performances -- Guelph Jazz Festival -- Notes, Participant Information, Stage Set-up, 2006-09-06-2006-09-08, inclusive
Performances -- Stage Diagram for Trumpet, circa 2007
Performances -- Chicago Jazz Festival -- Correspondence, Notes, 2007-2009, inclusive
Performances -- Philadelphia and Lisbon Concerts -- Performance Notes, 2009
Performances -- Evening Length Work -- Orchestral Piece: Dancer -- Performance Notes, Undated, inclusive
Performances -- "Cipher for Alto Flute" Piece -- Program Notes, Undated, inclusive
Performances -- "Bill Dixon and Bennington" and "Ornithology" -- Program Notes, Undated, inclusive
Performances -- Bill Dixon Technical Setup Diagrams, Undated, inclusive
Performances -- Musician and Venue Lists, Undated, inclusive
Performances -- Performance Notes for Various Concerts, Undated, inclusive
Performances -- "Quinacridone" -- Performance Note, Undated, inclusive
Performances -- "Velvet" -- Performance Note, Undated, inclusive
Performances -- Bill Dixon Fees for Performance, Undated, inclusive
Reference Books -- Arban's Complete Conservatory Method for Trumpet (with Dixon Annotations), 1936
Reference Books -- The Schillinger System of Musical Composition -- Volumes I and II (with Dixon Annotations), 1941
Reference Books -- The Lydian Chromatic Concept (with Dixon Annotations), 1959
Reference Books / Articles -- "The Sketchbook of the Rite of Spring" from Tempo (with Dixon Annotations), 1970
Reference Books -- Arranging the Score: Portraits of the Great Arrangers (with Dixon Annotations), 2000
Series II. Bennington College, 1964-1995, 2005, inclusive
Extent
Extent
Scope and Contents
Bill Dixon was a Professor of Music at Bennington College from 1968-1995, where he founded the Black Music Division. Audiovisual recordings, images, and paper files in this series portray class lectures, music lessons, rehearsals, student and faculty performances, and events related to the Black Music Division. This series also includes meeting notes, departmental communications, and founding documents for the Black Music Division.
Conditions Governing Access
Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Restricted materials are notated as such in the record's title. Please contact the Archives with specific questions regarding access to such records. All other materials, including student performances with public audiences, are open to researchers.
Subseries II.A: Class and Lecture Recordings, 1967-1994, inclusive
Extent
Scope and Contents
This subseries contains recordings of Bill Dixon's classes and lectures at Bennington College, including courses such as Elements of Contemporary Composition and Improvisation, Intro to Black Music I and II, Studies in Contemporary Black Music, Black Music Ensemble, and Dance Improvisation. It also includes recordings of private lessons and small music workshops conducted by Bill Dixon at Bennington College.
Arrangement
This subseries is arranged chronologically. Undated items are arranged alphabetically at the end of the subseries. Wherever possible, record titles were transcribed directly from audiovisual labels and edited minimally to provide context.
Conditions Governing Access
Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records. All other materials are open to researchers.
RESTRICTED: Exam, RESTRICTED Rehearsal, 1967-1971, inclusive
Dance Class, July, 1968
Compilation Tape -- "Piece for Pat Lagg," Lesson with Tony Ackerman, "Octobersong", 1968-1972, inclusive
Dance Improvisation Class, 1969
Tech III Class -- Piano with Pamela Tate, March, 1969
Tech III Class -- Solo Piano, 1969
Music Workshop -- Alban Berg, Fran Allen, Madrigal Group, November 11, 1969
Ensemble Rehearsal with Bill Dixon, circa 1970, inclusive
Music I Class, Improvisation Class, 1970
Guitar and Piano Studies, March, 1970
Physical Characteristics and Technical Requirements
Reel 481_2076 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Tutorial, Ensemble, April, 1970
Tech III Class, May, 1970
Music I Class, May 1, 1970
Tutorial Class -- Rhythm and Ensemble, May 19, 1970
Tutorial Class, May 26, 1970
Piano Lesson -- Janet Spangler, May 28, 1970
Tutorial Class, May 29, 1970
Tech III, May 30, 1970
Tutorial Class, June 2, 1970
Tutorial Class "One Bass Hit", June 6, 1970
Tutorial Class, June 9, 1970
Audio
Class on Chords and Scales, Tutorial Piece, June 10, 1970
Tutorial Class, June 12, 1970
Scope and Contents
Featuring Steve Horenstein, Chris Bishop, Marcia Winskyg, Erica Bao, Carl Freedman, and Bill Dixon
Worktake, Bill Dixon's Class, Bass Flute Studies, June 23 - December 1, 1970, inclusive
Elements of Contemporary Composition, September 6, 1970
Elements of Contemporary Composition and Improvisation, September 18, 1970
Elements of Contemporary Composition and Improvisation, September 22, 1970
Lesson -- Tony Ackerman (Guitar), Bill Dixon (Piano), September 22, 1970
Studies in Contemporary Black Music -- Lecture, September 23, 1970
Elements of Contemporary Composition, October 6, 1970
Studies in Contemporary Black Music -- Lecture on John Coltrane, October 7, 1970
Physical Characteristics and Technical Requirements
Reel 481_2078 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Elements of Contemporary Composition and Improvisation, October 13, 1970
Studies in Contemporary Black Music -- Lecture, October 14, 1970
Elements of Contemporary Composition and Improvisation, October 21, 1970
Scope and Contents
Bill Dixon gives instructions to the players while they are improvising.
Studies in Contemporary Black Music -- Lecture, October 21, 1970
Studies in Contemporary Black Music -- Eric Dolphy, November, 1970
Elements of Composition and Improvisation for the Musician, November 3, 1970
Studies in Contemporary Black Music -- Lecture, November 5, 1970
Studies in Contemporary Black Music -- Lecture, November 17, 1970
Elements of Contemporary Composition and Improvisation for the Musician, November 24, 1970
Studies in Contemporary Black Music, November 24, 1970
Elements of Contemporary Composition and Improvisation, December 8, 1970
Studied in Contemporary Black Music -- Albert Ayler, December 9, 1970
Studies on a Cine Composed by Steve Horenstein, December 11, 1970
Tutorial Performance -- "Octobersong," "Conversation," "Winter Tales", December 15, 1970
Physical Characteristics and Technical Requirements
Duration: 65 minutes
Audio
Elements of Contemporary Composition and Improvisation, Material for "Octobersong", circa 1970s, inclusive
Lecture by Mara Purl, circa 1970s, inclusive
Black Music Ensemble, January 3, 1971
Black Music -- Classical, January 14, 1971
Black Music Ensemble, February, 1971
Black Music Ensemble, February 21, 1971
Elements of Contemporary Composition -- Steve Horenstein, Spring, 1971
Studies in Contemporary Black Music -- Cecil Taylor, March 7, 1971
Studies in Contemporary Black Music -- John Coltrane, March 17, 1971
Studies in Contemporary Black Music -- John Coltrane, March 24, 1971
Contemporary Improvisation Workshop -- Composition by Stephen Horenstein, March 25, 1971
Studies in Contemporary Black Music -- Cecil Taylor, March 30, 1971
Tutorial, April 1, 1971
Improvisation Tutorial, April 14, 1971
Studies in Contemporary Black Music -- Cecil Taylor, April 14, 1971
Studies in Contemporary Black Music -- Cecil Taylor, April 17, 1971
Studies in Contemporary Black Music -- Eric Dolphy, April 21, 1971
Tutorial, May 5, 1971
Improvisation Class, May 6, 1971
Intermediate Music -- Record Own Rhythm, August 3, 1971
Elements of Contemporary Composition, Fall, 1971
Black Music Ensemble, September 21, 1971
Black Music Ensemble, September 22, 1971
Physical Characteristics and Technical Requirements
Reel 481_2175 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Black Music Ensemble, September 24, 1971
Physical Characteristics and Technical Requirements
Reel 481_2176 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Black Music Ensemble, September 28, 1971
Black Music Ensemble, September 29, 1971
Black Music Ensemble, October 1, 1971
Black Music Ensemble: "Piece No. 1", October 1, 1971
Physical Characteristics and Technical Requirements
Reel 481_2178 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Black Music Ensemble, October 5, 1971
Physical Characteristics and Technical Requirements
Reel 481_2179 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Black Music Ensemble: Rhythm Exercises, October 8, 1971
Black Music Ensemble, October 12, 1971
Black Music Ensemble, October 13, 1971
Black Music Ensemble, October 15, 1971
Physical Characteristics and Technical Requirements
Reel 481_2081 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Black Music Ensemble, October 19, 1971
Black Music Ensemble, October 20, 1971
Black Music Ensemble: Meeting regarding rehearsal schedules, October 22, 1971
Physical Characteristics and Technical Requirements
Reel 481_1384 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Black Music Ensemble, October 26, 1971
Physical Characteristics and Technical Requirements
Reel 481_2083 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Black Music Ensemble, October 27, 1971
Physical Characteristics and Technical Requirements
Reel 481_2084 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Black Music Ensemble, October 29, 1971
Black Music Ensemble, Composition Workshop, November, 1971
Black Music Ensemble, November 1, 1971
Black Music Ensemble, November 2, 1971
Black Music Ensemble, November 3, 1971
Black Music Ensemble, November 5, 1971
Physical Characteristics and Technical Requirements
Reel 481_2085 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Monday, November 8, 1971
Black Music Ensemble, November 9, 1971
Black Music Ensemble, November 10, 1971
Physical Characteristics and Technical Requirements
Reel 481_2187 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Black Music Ensemble, November 12, 1971
Black Music Ensemble Auditions, November 17, 1971
Black Music Ensemble, November 23, 1971
Black Music Ensemble, November 30, 1971
Audio -- 1 of 2
Audio -- 2 of 2
Physical Characteristics and Technical Requirements
Reel 481_2190 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Black Music Ensemble, December 6, 1971
Cheaters, Graduate Assistants Teaching Session, December 7, 1971
Black Music Ensemble, December 8, 1971
Black Music Ensemble, 1972
Black Music Ensemble, 1972
Black Music Ensemble, 1972
Black Music Ensemble, 1972
Black Music Ensemble, circa 1972, inclusive
Black Music Ensemble: "Piece #2" Rehearsal, 1972
Black Music Lecture (Jan 13th), circa 1972, inclusive
Lecture / Demonstration Voice Tape, circa 1972, inclusive
"Cheater", January 5, 1972
"Cheater", January 8, 1972
Black Music Lecture, January 11, 1972
Black Music Ensemble, February 1, 1972
Black Music Ensemble -- Discussion with Jeff Cuspri, February 1, 1972
Black Music Ensemble, February 2, 1972
Black Music Ensemble -- Manteca Rhythm Exercise, February 4, 1972
Physical Characteristics and Technical Requirements
Reel 481_2092 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Black Music Ensemble, February 7, 1972
Black Music Ensemble, February 11, 1972
Black Music Ensemble, February 14, 1972
Audio -- 1 of 2
Physical Characteristics and Technical Requirements
Reel 481_2146 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Audio -- 2 of 2
Black Music Ensemble [?], February 15, 1972
Black Music Ensemble, February 16, 1972
Black Music Ensemble, February 18, 1972
Black Music Ensemble, February 22, 1972
Black Music Ensemble, February 23, 1972
Black Music Ensemble, February 29, 1972
Black Music Ensemble, March, 1972
Black Music Ensemble, March 4, 1972
Black Music Ensemble Rehearsal, March 4, 1972
Black Music Ensemble for the Afro American Society, March 10, 1972
Black Music Ensemble Lecture and Demonstration, March 10, 1972
Black Music Ensemble, March 14, 1972
Audio -- 1 of 2
Audio -- 2 of 2
Physical Characteristics and Technical Requirements
Reel 481_2165 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Black Music Ensemble -- Some Recursions and Instructions, March 20, 1972
Black Music Ensemble, March 22, 1972
Black Music Ensemble, March 27, 1972
Black Music Ensemble, April, 1972
Black Music Ensemble, Aprl 9, 1972
Black Music Ensemble, April 11, 1972
Black Music Ensemble, April 14, 1972
Black Music Ensemble, April 16, 1972
Black Music Ensemble -- "Piece #2" Performed in Mills Hall, Broadcast WHA Radio, April 16, 1972
Black Music Ensemble, April 17, 1972
Black Music Ensemble and Orchestra Pieces, April 18, 1972
Black Music Ensemble, April 21, 1972
Scope and Contents
Note says "Prep for one of the pieces that is on FORE."
Black Music Ensemble, April 24, 1972
Black Music Ensemble, April 25, 1972
Black Music Ensemble, April 26, 1972
Black Music Ensemble -- Rehearsal of Pat Lagg Piece, May 1, 1972
Black Music Ensemble, May 2, 1972
Black Music Ensemble, May 8, 1972
Physical Characteristics and Technical Requirements
Duration: 86 minutes; Preservation note: Discussion before the musical interlude is at a very low volume
Audio
Black Music Ensemble, May 9, 1972
Ensemble III Lecture and Demonstration -- "Elements of Composition and Contemporary Improvisation for the Musician", Fall, 1972
Black Music Ensemble, October 19, 1972
Elements of Composition and Contemporary Improvisation for the Musician -- Presentation by Student Worker, Carriage Barn, November, 1972
Black Music Ensemble Discussion with Jeff Cuspri, December 4, 1972
Black Music Ensemble, 1973
Meeting Regarding Black Music, 1973
Class Rehearsal, April 19, 1973
Ensemble, May 3, 1973
Bennington College, May 10, 1973
Ensemble IV -- First Meeting, September 13, 1973
Ensemble, September 20, 1973
Black Music Ensemble Rehearsal and Class, September 23, 1973
Black Music Ensemble, Bennington College, September 27, 1973
Black Music Ensemble Lecture and Performance, October 5, 1973
Black Music Ensemble, October 23, 1973
Black Music Ensemble, November 7, 1973
Ted Joans Reading, Tishman Hall, November 9, 1973
Ted Joans Workshop, Carriage Barn, November 11, 1973
Black Music Ensemble, November 15, 1973
Black Music Ensemble, Bennington College, November 29, 1973
Black Music Ensemble, Bennington College, December 6, 1973
Ensemble, and Beginning of Dance Improv Class, December 6, 1973
Black Music Ensemble, December 13, 1973
Class on Black Music Aesthetics, circa 1973-1974, inclusive
Black Music Ensemble, 1974
Black Music Ensemble, 1974
Black Music Ensemble, 1974
Black Music Ensemble, 1974
Black Music Ensemble, 1974
Black Music Ensemble, 1974
Black Music Ensemble, 1974
Black Music Ensemble, 1974
Orchestra Piece, 1974
Black Music Ensemble, February 24, 1974
Black Music Ensemble, May 9, 1974
Physical Characteristics and Technical Requirements
Duration: 63 minutes; Preservation note: Beginning has very low volume.
Audio
Percussion Workshop, May 29, 1974
Lecture on Contemporary Improvisation, July, 1974
Ensemble IV Rehearsal, October 17, 1974
Ensemble IV Rehearsal, November 1, 1974
Octobersong Lecture and Demonstration for Ensemble III, November 3, 1974
Ensemble IV Rehearsal and Concert, November 7, 1974
Percussion Ensemble, Arthur Brooks, November 8, 1974
Black Music Ensemble, Winter, 1974
Black Music Ensemble, Winter, 1974
Black Music Lecture, Telephone Calls Regarding college, 1975
Jimmy Stewart Lecture, March 24, 1975
Stan Strickland, Black Music Workshop, April 28, 1975
Piano Lessons with Bill Dixon, Jennings Hall, Fall, 1975
Rehearsal with Larry Neal and Ensemble III, Fall 1975
Open Discussion, December 7, 1975
Work in Progress for Ensemble and Voices, December 7, 1975
Class discussion on the climate at Bennington and commercialism in music, circa 1975
Physical Characteristics and Technical Requirements
Format: EIAJ-1; Duration: 34 minutes.
Video
Discussion on faculty meeting and tenure issues, circa 1975
Physical Characteristics and Technical Requirements
Format: EIAJ-1; Duration: 33 minutes.
Video
Barn Music Demonstration, circa 1975-1980, inclusive
Physical Characteristics and Technical Requirements
Format: EIAJ-1; Duration: 33 minutes.
Video
Bill Dixon Inc. Institute of Black Music Studies Research and Performance -- Compilation Tape, circa 1975-1980, inclusive
Scope and Contents
Titles at head: "Chester Higgins Jr Slide Sequences"; "Producer - Leslie Edwards"; "Black Women"; "Ten Seconds." Appears to be reused tape -- slide sequences are recorded for approx first 11 minutes, then give way to dance footage which in turn is recorded over a public affairs interview with a Minneapolis alderman, the remaining portion of which occupies the last half of the tape.
Physical Characteristics and Technical Requirements
Format: EIAJ-1; Duration: 33 minutes.
Video
Ensemble Class, circa 1975-1980, inclusive
Black Music Ensemble Rehearsal, circa 1975-1980, inclusive
Physical Characteristics and Technical Requirements
Format: EIAJ-1; Duration: 34 minutes.
Video
Ensemble III, March 19, 1976
Ensemble Rehearsal, March 22, 1976
Composition Class, September 16, 1976
Composition -- Dixon, Benn, September 17, 1976
Teaching, Rehearsing, Etc., October 28, 1976
Composition, November 5, 1976
Composition Class, November 12, 1976
Composition Class, November 18, 1976
Composition Class, November 19, 1976
Composition, 1976-1978, inclusive
Composition D -- Advanced Composition for Dancers and Choreographers, circa 1977, inclusive
Ensemble Rehearsal, 1977
Class in Black Criticism -- Bill Dixon, Richard Tristman, L. Steiner, March 15, 1977
Composition Class, April 7, 1977
Ensemble Class, circa May 7, 1977, inclusive
Ensemble Class, May 19, 1977
Lecture and Demonstration on Composition, June, 1977
"Theoretical Philosophical Implications of Improvisation as it Relates to 20th Century Composition and Performance" Lecture, June 9, 1977
Video -- 1 of 4
Physical Characteristics and Technical Requirements
Format: EIAJ-1; Duration: 33 minutes; Preservation Note: Video quality is poor.
Video
Video -- 2 of 4
Physical Characteristics and Technical Requirements
Format: EIAJ-1; Duration: 33 minutes; Preservation Note: Video quality is unstable with heavy flagging.
Video
Video -- 3 of 4
Physical Characteristics and Technical Requirements
Format: EIAJ-1; Duration: 33 minutes; Preservation Note: Video quality is unstable with heavy flagging.
Video
Video -- 4 of 4
Scope and Contents
The lecture ends 19 minutes in, and the remainder of the footage is travel and performance clips.
Physical Characteristics and Technical Requirements
Format: EIAJ-1; Duration: 33 minutes; Preservation Note: Video quality is poor.
Video
Composition D -- Advanced Choreography, Fall, 1977
Composition D -- Advanced Choreography, Fall, 1977
Ensemble Rehearsal, Fall, 1977
Introduction to Ensemble Performance, Commons Theatre, September, 1977
Improv Lecture, September, 1977
Intro to Ensemble Performace Commons Theatre, September 14, 1977
Composition D -- Advanced Choreography, September 15, 1977
Advanced Composition for Dancers and Choreographers, September 22, 1977
Scope and Contents
Includes excerpts of "Electronic Sonata" by Russell, "Daphnis and Chloe" by Ravel, and "Firebird" by Stravinsky
Audio
Electronic Records
Digital materials
Intro to Ensemble, September 22, 1977
Introduction to Ensemble Practices, Commons Theatre, September 23, 1977
Composition D -- Advanced Choreography, September 29, 1977
Ensemble Class, September 30, 1977
Introduction to the Art of Ensemble Performance, Commons Theatre, September 30, 1977
Black Music Lecture -- Nadi Quamar, October 4, 1977
Video
Introduction to Ensemble Practice and Performance, Commons Theatre, October 6, 1977
Introduction to Ensemble Performance, Commons Theatre, October 7, 1977
Lecture Demonstration on Theoretical and Philosophical Aspects, Commons Theatre, October 14, 1977
Ensemble Class, October 14, 1977
Video -- 1 of 3
Video
Video -- 2 of 3
Video
Video -- 3 of 3
Video
Advanced Composition for Dancers and Choreographers, October 20, 1977
Introduction to Ensemble Performance, Commons Theatre, Ensemble Work-in-progress, October 20, 1977
Introduction to Ensemble Performance, Commons Theatre, October 21, 1977
Ensemble Class -- Devoted to Material for Leslie Winston's Senior Concert, November, 1977
Ensemble Rehearsal and Lecture -- Material for Leslie Winston's Senior Concert, November, 1977
Introduction to the Art of Ensemble Performance, November, 1977
Introduction to the Art of Ensemble Performance, November, 1977
Ensemble Rehearsal, December 16, 1977
Orchestra Work -- Lecture and Demonstration, circa 1977-1978, inclusive
Scope and Contents
This recording features Bill Dixon (Trumpet, Tenor Sax) and Stephen Horenstein
RESTRICTED: RESTRICTED Rehearsal in Commons Theatre, RESTRICTED Lesson with Parents Present, 1978
Compilation Tape including Jennifer Keefe Class, circa 1978, inclusive
Ensemble Lecture and Rehearsal, 1978
George Barrow, circa 1978, inclusive
Composition D, Voice Studies with Jennifer Keefe, March, 1978
Composition D, Visual and Performing Arts Building, March 16, 1978
Ensemble -- Class and Lecture, March 10, 1978
Ensemble Rehearsal and Lecture on New Material, Commons Theatre, March 16, 1978
Ensemble Rehearsal and Lecture on New Material, Commons Theatre, March 17, 1978
Ensemble Class, March 23, 1978
Orchestra Piece for Jacobs -- Open Rehearsal, Commons Theatre, March 24, 1978
Physical Characteristics and Technical Requirements
Duration: 89 minutes
Audio
Ensemble Class, March 28, 1978
Ensemble Class, Commons Theatre, March 30, 1978
Ensemble Rehearsal and Lecture, Commons Theatre, March 31, 1978
Ensemble Lecture, Commons Theatre, April 1, 1978
Ensemble Class, April 6, 1978
Ensemble Rehearsal, Commons Theatre, April 6, 1978
Ensemble, April 13, 1978
Ensemble Class, April 14, 1978
Ensemble Class, April 19, 1978
Ensemble, Commons Theatre, April 20, 1978
Ensemble V -- Arthur Brooks, Putney, Vermont, April 21, 1978
Physical Characteristics and Technical Requirements
Duration: 23 minutes
Video
Ensemble, Commons Theatre, May 4, 1978
Ensemble, Commons Theatre, May 5, 1978
Percussion Workshop, May 5, 1978
Percussion Workshop, May 6, 1978
Ensemble Class, May 9, 1978
Ensemble Class Rehearsal, May 11, 1978
Ensemble, Commons Theatre, May 12, 1978
Ensemble Rehearsal, May 18, 1978
Dixon Lecture, May 29, 1978
Rehearsal, June 1, 1978
Ensemble -- Rehearsal, Lecture on Music, Work on "Metamorphosis", November 9, 1978
Ensemble -- Live and Difficult Voicings, December 12, 1978
Ensemble III, 1978-1979, inclusive
Ensemble Class and Lecture, 1978-1979, inclusive
Ensemble Class, Work on "For Franz", 1978-1979, inclusive
Ensemble Class, circa 1979, inclusive
Ensemble Class, circa 1979, inclusive
Ensemble Class, circa 1979, inclusive
Ensemble Class, 1979
Black Music Discussion with David Baker -- Artist in Residence Series, Spring, 1979
Ensemble Class Rehearsal, April 20, 1979
Dixon's Ensemble Class, May 3, 1979
Dixon's Ensemble -- 8th Class, May 10, 1979
Rehearsal, June 7, 1979
Ensemble III, August 14, 1979
Introduction to Black Music -- Class Discussion on Reports and Papers, Fall, 1979
Bill's Ensemble -- 3rd Class, September 20, 1979
Bill's Ensemble -- Class 4, September 21, 1979
Workshop, September 29, 1979
Ensemble -- Class 7 and 8, October 5, 1979
Ensemble III, October 12, 1979
Dixon's Ensemble -- Class 13, October 18, 1979
Dixon's Ensemble -- Class 15, October 25, 1979
Dixon's Ensemble -- Class 16, October 26, 1979
Black Music Workshop, October 30, 1979
Dixon's Ensemble -- Class 17, November 1, 1979
Dixon's Ensemble -- Class 18, November 2, 1979
Elements of Composition and Improvisation for the Musician, November 3, 1979
Dixon's Ensemble -- Class 19, November 8, 1979
Dixon's Ensemble -- Class 20, November 9, 1979
Ensemble Class, November 10, 1979
Workshop, Paul Robeson House, November 13, 1979
Dixon's Ensemble -- Class 21, November 15, 1979
Dixon's Ensemble -- Class 22, November 17, 1979
Dixon's Ensemble -- Class 23, November 29, 1979
Dixon's Ensemble -- Class 24, November 30, 1979
Ensemble -- "Haiku Short Series", December 7, 1979
Ensemble Class, circa 1980, inclusive
Ensemble Class, circa 1980, inclusive
Jeanne Lee Voice Workshop, March 11, 1980
Black Music Workshop with Stanton Davis, Paul Robeson House, March 25, 1980
J. Stewart, including questions from Graves, Qamar, etc., April 28, 1980
Bill Dixon Trumpet Practice, Jennings, Bennington College, circa 1980-1985, inclusive
Class Lecture, 1980s, inclusive
Claudia [Friedlander] on Joan River, circa 1980s, inclusive
Video
Collaborative Process Class, Middlebury, circa 1980s, inclusive
Ensemble Excerpts, circa 1980s, inclusive
Ensemble Class, circa 1981, inclusive
Introduction to Black Music -- Oral Reports, 1981
Ensemble Class, March 5, 1981
Ensemble Class, March 6, 1981
Kids Talking, March 8, 1981
Ensemble Class, March 11, 1981
Ensemble, March 12, 1981
Ensemble, March 13, 1981
Workshop, March 24, 1981
Bill Dixon Ensemble, March 25, 1981
Ensemble Class, March 27, 1981
Ensemble Class, April 3, 1981
Ensemble Class, April 9, 1981
Ensemble Class, April 10, 1981
Ensemble Class, Art Brooks, April 11, 1981
Ensemble Class, April 16, 1981
Workshop, April 21, 1981
Ensemble Class, May 1, 1981
Ensemble Class, May 14, 1981
Ensemble Class, May 15, 1981
Black Music Workshop -- Holly, "Moonrays," "Barbados", May 19, 1981
Composition Class, October 6, 1982
Ensemble, 1983
Ensemble, 1983
Ensemble Class, 1983
Ensemble Class, 1983
Ensemble Class -- "I'll Remember April", 1983
Ensemble, March 25, 1983
Introduction to Black Music, March 30, 1983
Jennings Class, April 8, 1983
Intro to Black Music, April 13, 1983
Introduction to Black Music, April 20, 1983
Jennings Class, April 28, 1983
Ensemble Class, May 5, 1983
Ensemble, May 19, 1983
Black Music II -- Lecture, May 19, 1983
Black Music II -- Orchestra Pieces, May 19, 1983
Ensemble and Voice Piece, May 20, 1983
Introduction to Black Music -- Oral Reports, May 25, 1983
Ensemble, May 26, 1983
Black Music II -- Lecture, May 27, 1983
Black Music II, June 5, 1983
Lecture by Aris Economides "On the Music of Cecil Taylor and Andrew Hill", June 10, 1983
Introduction to Black Music, Fall, 1983
Black Music II -- Criticism, Fall, 1983
Ensemble "For Franz" -- Bill Dixon, PJ, September 22, 1983
Black Music II, September 28, 1983
Ensemble, October, 1983
Introduction to Black Music: "November - 1981", October 5, 1983
Ensemble Workshop -- Demonstration on Improvisation, Robeson House, October 14, 1983
Ensemble Rehearsal -- Parents' Weekend, October 15, 1983
Black Music II, November 1, 1983
Ensemble Class, Workshop, November 4, 1983
Black Music II, November 9, 1983
Ensemble Class, November 10, 1983
Ensemble Class, November 11, 1983
Bill Dixon and Whitney Dickey -- Workshop, D. Warren, Black Music II, November 15, 1983
Introduction to Black Music -- Oral Reports, November 16, 1983
Black Music II -- Discussion with R. O'Neal, November 16, 1983
Ensemble, November 18, 1983
Black Music II, December 7, 1983
Ensemble Classes, December 7, 1983
Introduction to Black Music, December 7, 1983
Ensemble Workshop, December 8, 1983
Introduction to Black Music (M. ORR), December 9, 1983
Black Music II, December 14, 1983
Ensemble, December 15, 1983
Black Music II, December 23, 1983
Bill Dixon Lecture on Black Music [Illegible], 1983-1984, inclusive
Intro to Black Music, circa 1983-1990, inclusive
Black Music II, Jennings, circa 1983-1991, inclusive
Black Music II, circa 1983-1991, inclusive
Black Music II, circa 1983-1991, inclusive
Black Music Lecture, Jennings, circa 1983-1991, inclusive
Class [Illegible], circa 1983-1991, inclusive
Intro to Black Music, circa 1983-1991, inclusive
Teaching, Lecture, circa 1983-1991, inclusive
Black Criticism Class, circa 1984, inclusive
Black Criticism Class -- Sharon Vogel, circa 1984, inclusive
Composition Class -- Tutorial with Sharon Vogel, circa 1984, inclusive
Ensemble, 1984
Trumpet and Drum Duet, Paul Robeson House, February 2, 1984
Black Criticism Class -- Sharon Vogel, May 6, 1984
Bill Dixon Ensemble, October 5, 1984
Aesthetics, Criticism, Analysis and History, October 11, 1984
Miles Davis Lecture, circa 1985, inclusive
Black Music II, Spring, 1985
Black Music II, Spring, 1985
Black Music II, Spring, 1985
Black Music II -- O. Coleman, Spring, 1985
Black Music II -- Oral Reports, Spring, 1985
Ensemble -- "For Franz", Spring, 1985
Introduction to Black Music -- Pelligrino, Spring, 1985
RESTRICTED: Trumpet Lesson -- RESTRICTED and Ensemble, April 11, 1985
Ensemble, 1985-1986, inclusive
Black Culture Tutorial -- Talk of Philadelphia bombing, Robeson, etc., circa 1985-1990, inclusive
Ensemble class, circa 1985-1990, inclusive
Art Davis Lecture, 1986
Black Music with Guest Dr. Art Davis, circa 1986, inclusive
Ensemble Class, 1986
Ensemble Class, circa 1986, inclusive
Ensemble Class, circa 1986, inclusive
Ensemble Class and Lecture, 1986
Black Music II -- L. Schatz, Vivante, Spring, 1986
Ensemble Class, Spring, 1986
Ensemble Class, Spring, 1986
Ensemble Class, Spring, 1986
Black Music II, April 2, 1986
Ensemble Class, Jennings, April 3, 1986
Improvisation Class, April 3, 1986
Ensemble III, April 4, 1986
Introduction to Black Music, April 9, 1986
Improvisation Class, April 10, 1986
Black Music II, April 16, 1986
Improvisation Class -- Listening Session, Keyboard Harmony with Joy Sorenstein, April 17, 1986
Improvisation Class, May 8, 1986
Ensemble Class, May 28, 1986
Introduction to Black Music -- Juan Escobar, Summer, 1986
Music Nomenclature -- Juan Escobar, Summer, 1986
Collaborative Process, Fall, 1986
Ensemble Class, Fall, 1986
Improvisation Class, Fall, 1986
Improvisation Class, Fall, 1986
Improvisation -- Bill Dixon Plays Trumpet and Piano, Fall, 1986
Introduction to Black Music, September, 1986
Intro to Black Music -- First Class, September 1, 1986
Intro to Black Music -- Second Class, September, 1986
Collaborative Process, September 8, 1986
Collaborative Process, September 26, 1986
Ensemble Class, October 3, 1986
Introduction to Black Music, October 8, 1986
Introduction to Black Music -- D. Cotton, October 30, 1986
Introduction to Black Music -- Lecture, November 4, 1986
Collaborative Process, November 8, 1986
Introduction to Black Music -- Improvisation, November 12, 1986
Intro to Black Music -- A. Hagen, R. Wolff, S. Burton, November 19, 1986
Collaborative Process, November 21, 1986
Introduction to Black Music - Oral Reports, December 3, 1986
Improvisation Class, circa 1986-1987, inclusive
Improvisation Class, circa 1986-1987, inclusive
Improvisation Class, circa 1986-1987, inclusive
Improvisation II Class, Carriage Barn, circa 1986-1987, inclusive
Introduction to Music Improvisation - Solos, circa 1986-1987, inclusive
Bennington College Compilation Tape -- Excerpts from Performances, Rehearsals, and Classes, 1986-1989, inclusive
Black Music I Lecture, circa 1986-1991, inclusive
Black Music II Class, circa 1986-1991, inclusive
Scope and Contents
Includes a presentation by a student on "Jazz vs. Black Music"
Black Music II -- First Meeting, circa 1986-1991, inclusive
Black Music Class Lecture, circa 1986-1991, inclusive
Class (Probably Intro to Black Music), circa 1986-1991, inclusive
Class Lecture, circa 1986-1991, inclusive
Class Lecture, circa 1986-1991, inclusive
Class Lecture, circa 1986-1991, inclusive
Class Lecture, circa 1986-1991, inclusive
Introduction to Black Music, circa 1986-1991, inclusive
Introduction to Black Music, circa 1986-1991, inclusive
Introduction to Black Music -- Bill Cole, circa 1986-1991, inclusive
Introduction to Black Music -- Oral Reports, circa 1986-1991, inclusive
Introduction to Black Music -- Spoken Preamble, circa 1986-1991, inclusive
Student Presentation, circa 1986-1991, inclusive
Student Presentation on George Russell, circa 1986-1991, inclusive
Teaching Lecture, circa 1986-1991, inclusive
Teaching Lecture, circa 1986-1991, inclusive
Teaching -- Oral Reports, etc., circa 1986-1991, inclusive
Aesthetics Class -- Student Presentations, 1987
Class Lecture (Probably Intro to Black Music), 1987
First Ensemble Class, 1987
Black Music II -- First Class, Spring, 1987
Ensemble Class, Spring, 1987
Ensemble Class, Spring, 1987
Black Music II -- Second Class, March, 1987
Ensemble III, March 20, 1987
Ensemble: Naima, etc., March 27, 1987
Improvisation Class -- "Django", April 2, 1987
Ensemble Class -- Duets, April 3, 1987
Ensemble Class and Lecture -- "For Franz", April 27, 1987
Black Music II -- G. Russell, May 20, 1987
Style Class -- Creative Process, circa 1987-1988, inclusive
Black Aesthetics Lecture Class, 1988
Class on Charlie Parker, circa 1988, inclusive
Class Lecture, circa 1988, inclusive
Ensemble, 1988
Ensemble III, 1988
Ensemble Class, circa 1988, inclusive
Improvisation, circa 1988, inclusive
Introduction to Black Music, 1988
Lecture and Demonstration, 1988
Black Music II, Spring, 1988
Black Music II -- Last Class, Spring, 1988
Ensemble Class, Spring, 1988
Music Workshop, Spring, 1988
Ensemble Class, March 1988
Ensemble Class, April, 1988
Ensemble Class, April, 1988
Ensemble Class, April, 1988
Ensemble Class, April, 1988
Ensemble Class, April, 1988
Tutorial -- Ellington, Coltrane, Parker, April, 1988
Ensemble, April 6, 1988
Improvisation, April 6, 1988
Ensemble Class, May, 1988
Ensemble Class, May, 1988
Ensemble Class, May 1988
Ensemble Class, May, 1988
Ensemble Class, May, 1988
Tutorial -- Ellington, Coltrane, Parker, May, 1988
Ensemble, May 6, 1988
Ensemble Class, May 12, 1988
Ensemble Class, May 13, 1988
Scope and Contents
Marked "Original"
Tutorial -- Ellington, Coltrane, Parker, May 14, 1988
Ensemble -- Arthur Brooks Conducting, May 20, 1988
Bill Dixon Seminar on Ellington, Coltrane, Parker; Voice: D. Karthas, May 21, 1988
Black Music II -- P. Murray, May 25, 1988
Ensemble Class, May 26, 1988
Ensemble Class -- Van Dongen's Work, June 2, 1988
Ensemble Class -- Tony Wilson, June 3, 1988
Ellington, Coltrane, Parker, June 4, 1988
Black Music I, September 14, 1988
Ensemble Class, September 15, 1988
Improvisation, September 15, 1988
Ensemble Class, September 16, 1988
Tutorial -- Hawkins-Murray, September 18, 1988
Workshop, September 19, 1988
Introduction to Black Music, September 20, 1988
Improvisation, September 22, 1988
Workshop, September 27, 1988
Black Music I, September 28, 1988
Seminar -- Robeson, October 2, 1988
Black Music I -- McRae, Rollins, Taylor, Coltrane, October 12, 1988
Audio
Papers
Ensemble -- "Here's That Rainy Day" Workshop, October 18, 1988
Scope and Contents
Featuring D. Cotton (Voice) and Bill Dixon (Piano)
Introduction to Black Music, October 19, 1988
Black Music I, October 19, 1988
Ensemble III, October 27, 1988
Ensemble III -- Workshop, November 1, 1988
Ensemble Class, November 3, 1988
Black Music I, November 30, 1988
Ensemble Class, circa 1989, inclusive
Introduction to Black Music, 1989
Black Music II, Spring, 1989
Creative Process Class, Black Music II Presentations, Spring, 1989
Creative Process Class, Black Music II Presentations, Spring, 1989
Ensemble III, Spring 1989
Ensemble III, Spring 1989
Ensemble III, Spring 1989
Black Music II, March 15, 1989
Black Music II, March 22, 1989
Black Music II, March 29, 1989
Ensemble Class -- Including "Small Episodes", Fall, 1989
Intro to Black Music -- Keyboard Harmony, Improvisation, September 14, 1989
Introduction to Black Music, September 27, 1989
Introduction to Black Music -- Miles Davis, September 27, 1989
Introduction to Black Music, October 4, 1989
Introduction to Black Music -- Music Tape, October 4, 1989
Ensemble III -- Including "Small Episodes", November 2, 1989
Ensemble Class, 1989-1990, inclusive
Ensemble Class, 1989-1990, inclusive
Ensemble Class, 1989-1990, inclusive
Ensemble Class, 1989-1990, inclusive
Ensemble Class, 1989-1990, inclusive
Ensemble Class, circa 1989-1990, inclusive
Ensemble III, circa 1990, inclusive
Ensemble Class, circa 1990, inclusive
Ensemble Class, circa 1990, inclusive
Ensemble Class, circa 1990, inclusive
Jennings Class -- Adrian Guest Lecture on Stan Hasselgard and Django Reinhardt, circa 1990, inclusive
Black Music II, Spring, 1990
Ensemble Class, Fall, 1990
Ensemble, Fall, 1990
Ensemble III, Fall, 1990
Ensemble III, Fall, 1990
Ensemble III, Fall, 1990
Introduction to Black Music, Fall, 1990
Introduction to Black Music, Fall, 1990
Introduction to Black Music, Fall, 1990
Introduction to Black Music, 1990s, inclusive
Lecture, circa 1990s, inclusive
Ensemble III, 1991
Ensemble III, Workshops on 9/24 and 10/1, 1991
Ensemble Class and Rehearsal, Carriage Barn, circa 1991, inclusive
Physical Characteristics and Technical Requirements
Audiocassette 481_788 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Introduction to Black Music -- Lecture on Cecil Taylor, Fall, 1991
Introduction to Black Music -- Miles Davis, 1991
Ensemble III, Fall, 1991
Ensemble III, September 6, 1991
Physical Characteristics and Technical Requirements
Audiocassette 481_852 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Ensemble III, September 7, 1991
Ensemble III, September 12, 1991
Ensemble Class, September 13, 1991
Introduction to Black Music -- Lecture on Miles Davis, Thelonious Monk, John Contrane, September 18, 1991
Ensemble Class, September 19, 1991
Tutorial on Miles Davis, October, 1991
Tutorial on Miles Davis, October, 1991
Tutorial on Miles Davis, October, 1991
Black Music II -- Lecture on Miles Davis, October, 1991
Ensemble III, October 17, 1991
Physical Characteristics and Technical Requirements
Audiocassette 481_854 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Tutorial on Miles Davis, October 17, 1991
Introduction to Black Music -- Bill Cole Guest Lecture on Miles Davis and John Coltrane, October 30, 1991
Ensemble III, October 31, 1991
Ensemble III -- Williams College Rehearsal, November, 1991
Physical Characteristics and Technical Requirements
Audiocassette 481_838 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Intro to Black Music -- Lecture on Music of the Sixties, November 6, 1991
Ensemble III, 1991-1992, inclusive
Lecture, Demonstration, circa 1992, inclusive
Black Music Lecture, circa 1992, inclusive
Arthur Brooks -- Ensemble V, Fall, 1992
Bill Dixon Lecture on Cecil Taylor, Fall, 1992
Bill Dixon Lecture on Cecil Taylor, Fall, 1992
Bill Dixon Lecture on Cecil Taylor, Fall, 1992
Bill Dixon Lecture on Cecil Taylor, Fall, 1992
Bill Dixon Lecture on Cecil Taylor, Fall, 1992
Bill Dixon Lecture on Cecil Taylor, Fall, 1992
Ben Young Lecture on Cecil Taylor, October 17, 1992
Bill Dixon Lecture on Cecil Taylor, 1992-1993, inclusive
Class on Duke Ellington, 1992-1993, inclusive
Ensemble III, 1993
Physical Characteristics and Technical Requirements
Duration: 65 minutes
Video
Ensemble III, Ben Young -- Quinn Johnson, Fall, 1993
Physical Characteristics and Technical Requirements
Duration: 29 minutes
Video
Course on Cecil Taylor, Spring, 1993
Course on Cecil Taylor, Spring, 1993
Course on Cecil Taylor, Spring, 1993
Courses on Cecil Taylor, Keyboard Harmony, and the Idea of Atonalism, Spring, 1993
Lecture, May 5-6, 1993, inclusive
Video -- 1 of 2
Video
Video -- 2 of 2
Video
Bill Dixon Lecture on Cecil Taylor, May 22, 1993
Tutorial -- Improvisation, June, 1993
Scope and Contents
Featuring Joe Bloom on piano and Bill Dixon on trumpet and flugelhorn.
Physical Characteristics and Technical Requirements
Duration: 58 minutes
Video
Ensemble Class, 1994
Lecture on Improvisation, February 21, 1994
Ensemble Class, March, 1994
L'Opera -- First Class on Bill Dixon, March 12, 1994
Audio
Video -- 1 of 2
Physical Characteristics and Technical Requirements
Duration: 122 minutes
Video
Video -- 2 of 2
Physical Characteristics and Technical Requirements
Duration: 124 minutes
Video
Class 2 -- Ben Young, "This is Our Strategy" and "Bird's Word", March 26, 1994
Video -- 1 of 2
Physical Characteristics and Technical Requirements
Duration: 122 minutes
Video
Video -- 2 of 2
Physical Characteristics and Technical Requirements
Duration: 124 minutes
Video
Class, April 9, 1994
Video -- 1 of 2
Physical Characteristics and Technical Requirements
Duration: 27 minutes
Video
Video -- 2 of 2
Physical Characteristics and Technical Requirements
Duration: 124 minutes
Video
L'Opera Class with Guest Lecturer Arthur Brooks, April 23, 1994
Audio
Video -- 1 of 2
Physical Characteristics and Technical Requirements
Duration: 124 minutes
Video
Video -- 2 of 2
Physical Characteristics and Technical Requirements
Duration: 118 minutes
Video
Ensemble III Special Class, April 24, 1994
Physical Characteristics and Technical Requirements
Duration: 76 minutes
Video
Ensemble and Guests, May, 1994
L'Opera Class with Guest Lecturer: Anthony Braxton, May 7, 1994
Audio
Video
Physical Characteristics and Technical Requirements
Duration: 122 minutes
Video
Ensemble III -- "Sisyphus 2", May 20, 1994
Scope and Contents
Featuring guests Zappa, Curry, Bender, Eneidi, Arthur Brooks, and Laurence Cook.
Video
L'Opera Class with Guest Lecturer Chris Bakriges, May 21, 1994
Audio
Video
Physical Characteristics and Technical Requirements
Duration: 93 minutes
Video
Embouchure Studies, May 24-25, 1994, inclusive
Scope and Contents
Video by Vincent Carte
Video -- 1 of 2
Physical Characteristics and Technical Requirements
Duration: 93 minutes
Video
Video -- 2 of 2
Physical Characteristics and Technical Requirements
Duration: 93 minutes
Video
Ensemble III -- M. Springer Piece, Bill Dixon Solos, Notated Piece, May 26, 1994
Physical Characteristics and Technical Requirements
Duration: 249 minutes (in three parts)
Audio
Video -- 1 of 3
Video
Video -- 2 of 3
Video
Video -- 3 of 3
Video
Ensemble III -- M. Springer, Bill Dixon, May 27, 1994
Physical Characteristics and Technical Requirements
Duration: 109 minutes (in two parts)
Audio
Video -- 1 of 2
Video
Video -- 2 of 2
Video
Good Lecture, June 2, 1994
Physical Characteristics and Technical Requirements
Duration: 60 minutes
Video
Ensemble III, Dinner, June 3, 1994
Physical Characteristics and Technical Requirements
Duration: 33 minutes
Video
L'Opera Class with Lecture by Bill Dixon, June 4, 1994
Audio
Video
Physical Characteristics and Technical Requirements
Duration: 50 minutes
Video
Ensemble III with Guest Mark Sutton, June 6, 1994
Physical Characteristics and Technical Requirements
Duration: 93 minutes
Video
Bill Dixon on Ellington, September 17, 1994
Video -- 1 of 2
Physical Characteristics and Technical Requirements
Duration: 8 minutes
Video
Video -- 2 of 2
Physical Characteristics and Technical Requirements
Duration: 91 minutes
Video
Bill Dixon on Ellington, October 1, 1994
Video -- 1 of 2
Physical Characteristics and Technical Requirements
Duration: 93 minutes
Video
Video -- 2 of 2
Physical Characteristics and Technical Requirements
Duration: 92 minutes
Video
Ellington Class -- Lecture and Tutorials, October 1, 1994, inclusive
Physical Characteristics and Technical Requirements
Duration: 33 minutes
Video
Impromptu Workshop, October 6, 1994
Bill Dixon on Ellington, October 15, 1994
Video -- 1 of 3
Physical Characteristics and Technical Requirements
Duration: 44 minutes
Video
Video -- 2 of 3
Physical Characteristics and Technical Requirements
Duration: 80 minutes
Video
Video -- 3 of 3
Physical Characteristics and Technical Requirements
Duration: 89 minutes
Video
Ensemble III, October 28, 1994
Physical Characteristics and Technical Requirements
Duration: 23 minutes
Video
Bill Dixon on Ellington, October 29, 1994
Video -- 1 of 2
Physical Characteristics and Technical Requirements
Duration: 89 minutes
Video
Video -- 2 of 2
Physical Characteristics and Technical Requirements
Duration: 48 minutes
Video
Bill Dixon on Ellington, December 3, 1994
Video -- 1 of 2
Physical Characteristics and Technical Requirements
Duration: 93 minutes
Video
Video -- 2 of 2
Physical Characteristics and Technical Requirements
Duration: 104 minutes
Video
Ellington Class, December 10, 1994
Physical Characteristics and Technical Requirements
Duration: 123 minutes
Video
Advanced Composition for Dancers and Choreographers, Undated, inclusive
Aesthetics as they Relate to Black Music Class -- Guest Lecture by Larry Neal from Williams College, Undated, inclusive
Aesthetics Lecture Class, Undated, inclusive
Basic Music Instruction Lecture, Undated, inclusive
Bill Dixon Discussing Music with the Class, Undated, inclusive
Bill Dixon Ensemble, Bennington College, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 98 minutes
Video
Bill Dixon Tutorial, Undated, inclusive
Bill Dixon's Ensemble -- 11/1 class 17, 11/2 Class 18, Undated, inclusive
Bill Evans, Bill Dixon Ensemble Continued, Undated, inclusive
Black Aesthetics Lecture Class, Undated, inclusive
Black Criticism Class -- Cecil Taylor, Undated, inclusive
Black Criticism Lecture Class -- Nang and David, Undated, inclusive
Black Music Ensemble, Undated, inclusive
Black Music Ensemble, Undated, inclusive
Black Music Ensemble Auditions (2nd Semester), Undated, inclusive
Black Music II, Undated, inclusive
RESTRICTED: Black Music II -- Student Presentation on Miles Davis, "So What" by RESTRICTED, Undated, inclusive
Black Music Lecture Class, Undated, inclusive
Black Music Seminar Intro, Undated, inclusive
Class, Undated, inclusive
Digital materials
Class in Black Criticism by Bill Dixon and Richard Tristman, Undated, inclusive
Class in Jennings, Undated, inclusive
Class Lecture by Bill Dixon, Undated, inclusive
Digital materials
Class Presentations -- Intro by Student, Undated, inclusive
Class Rehearsal, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 93 minutes
Video
Clayton Reilly -- Aesthetics as They Relate to Black Music, Undated, inclusive
Clayton Reilly -- Lecture to General College Community, Undated, inclusive
Collaborative Process Class, Undated, inclusive
Composition Music Tutorial, Undated, inclusive
Composition and Performance Class, Jennings, Undated, inclusive
Composition C -- Dance, Undated, inclusive
Composition Class, Undated, inclusive
Composition with E. Zinman, Undated, inclusive
Contemporary Improvisation for the Dancer - Dave Maxwell, Undated, inclusive
Contemporary Studies in Black Music, Undated, inclusive
Contemporary Studies in Black Music Lecture, Undated, inclusive
Creative Process Class -- Dance Student Presentations, Painting, Etc., Undated, inclusive
Dance, Students' work, Undated, inclusive
Physical Characteristics and Technical Requirements
This video could not be digitized due to its regional encoding system (PAL).
Dixon, Coltrane, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 70 minutes
Video
Dixon lectures on faculty meeting and tenure, undated, inclusive
Physical Characteristics and Technical Requirements
Format: EIAJ-1; Duration: 34 minutes.
Video
Elements of Contemporary Composition and Improvisation, Undated, inclusive
Elements of Contemporary Composition and Improvisation, Undated, inclusive
Elements of Contemporary Improvisation - Henry Carnes, Undated, inclusive
Elements of Swing Class, Undated, inclusive
Ensemble, Undated, inclusive
Ensemble, Undated, inclusive
Digital materials
Ensemble Class, Undated, inclusive
Ensemble Class, Undated, inclusive
Ensemble Class, Undated, inclusive
Ensemble Class, Undated, inclusive
Ensemble Class, Undated, inclusive
Ensemble Class, Undated, inclusive
Ensemble Class, Undated, inclusive
Ensemble Class, Undated, inclusive
Ensemble Class -- Piano Solo Demonstration, Undated, inclusive
Ensemble Class and Bill Dixon Bass Duets, Undated, inclusive
Ensemble Class With Electric Guitar, Undated, inclusive
Ensemble Class -- "Night and Day," "For Franz," Bill Dixon on Trumpet, Undated, inclusive
Ensemble Class -- Voices, Performance and Lecture, Undated, inclusive
Ensemble III, Undated, inclusive
Ensemble III, Undated, inclusive
Ensemble III, Undated, inclusive
Ensemble III, Undated, inclusive
Ensemble III -- Lecture, Undated, inclusive
Ensemble Improvisation Class, Undated, inclusive
Ensemble Rehearsal and Class, Undated, inclusive
Ensemble Rehearsal -- Richard Clay, Steve Horenstein, John Buckingham, Laurence Cook, Scott Guyon, Bill Dixon, circa 1970s, inclusive
Ensemble Work, Undated, inclusive
Ensemble -- Rehearsal, Class, Lecture, Undated, inclusive
Evaluation "Cheaters", Undated, inclusive
Improvisation Workshop -- Dave Jackson, John Hagen, Undated, inclusive
Introduction to Black Music, Undated, inclusive
Introduction to Black Music -- Pelligrino, Undated, inclusive
John Coltrane, Undated, inclusive
Keyboard Harmony Tutorial, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 92 minutes
Video
Language Lessons, Undated, inclusive
Lecture and Seminar, Undated, inclusive
Lecture and Performance: Contemporary Orchestral Practices With the Ensemble, Undated, inclusive
Lecture by musician-composer Jimmi Stewart, Undated, inclusive
Lecture by Bill Dixon, Undated, inclusive
Lecture Class, Undated, inclusive
Lecture Class -- Sharon Vogel, Undated, inclusive
Lecture Compilation, Undated, inclusive
Lecture from Ensemble Class, Undated, inclusive
"Music Examples for Educational Purposes Only", Undated, inclusive
Music Tutorial Class, Undated, inclusive
Percussion Workshop -- Milford Graves, Undated, inclusive
Piano Class and Solo, Undated, inclusive
Piano songs, Counseling session, December, Undated, inclusive
Seminar Class -- Donald, Undated, inclusive
Seminar on Duke Ellington, Undated, inclusive
Solo Piano Technique Class, Undated, inclusive
Stephanie Purash Regarding Document, Undated, inclusive
RESTRICTED: Student Critique Session, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 60 minutes
Video
Student Presentations, Undated, inclusive
Studies in Contemporary Black Music, Undated, inclusive
Studies in Contemporary Black Music, Undated, inclusive
Studies in Contemporary Black Music -- Eric Dolphy, Undated, inclusive
Studies in Contemporary Black Music from the Mid '40's Through the '70s -- Archie Shepp, Undated, inclusive
Studies in Contemporary Black Music -- Lecture, Undated, inclusive
Studies in Contemporary Black Music -- Lecture, Undated, inclusive
Studies in Contemporary Black Music -- Cecil Taylor, Undated, inclusive
Studies in Contemporary Black Music -- Eric Dolphy, Undated, inclusive
Talk, Undated, inclusive
Talk, Undated, inclusive
Talk, Undated, inclusive
Talk, Undated, inclusive
Trumpet History, John O'Brien, Undated, inclusive
Trumpet Solo Rehearsal and Tutorial, Jennings, circa 1980-1989, inclusive
Trumpet Tutorial, Horenstein piano playing [illegible], Undated, inclusive
Whitney Dickey, Dennis Warren -- Concert Materials Tutorial, Undated, inclusive
Workshop -- "Frere Jacques", Undated, inclusive
Workshop -- Bill Dixon Composition (1st) Rehearsed and Discussed, Undated, inclusive
Workshop -- Bill Dixon, D. Cotton, Jared Van Dongen, (Illegible), Undated, inclusive
Workshop -- Haynes, Horensetin and Dancer, Undated, inclusive
Subseries II.B: Performance and Event Recordings, 1964-1994, inclusive
Extent
Scope and Contents
This subseries includes recordings of concerts and events put on by the Black Music Division at Bennington College, including student performances, senior concerts, faculty concerts, music festivals, and music talks. There are several recordings of performances at "3 Days in October," a 1994 event commemorating the October Revolution in Jazz.
Some recordings of student performances may also be present in Subseries I.B due to limited information; any recordings where student involvement is explicitly noted are located in Series II.B.
Arrangement
This subseries is arranged chronologically. Undated items are arranged alphabetically at the end of the subseries. Wherever possible, record titles were transcribed directly from audiovisual labels and edited minimally to provide context.
Compilation Tape: "Index," and Session Footage From "Thoughts" at the Robeson House, 1964, 1985, inclusive
Physical Characteristics and Technical Requirements
Duration:98 minutes
Video
"Relay" and "Nightfall Pieces" Performed at Bennington College, 1968
Tony Ackerman and Bill Dixon Performance at Bennington College, 1968-1969, inclusive
Improvisation: Bill Dixon and Judy Dunn, December 11, 1969
Bill Dixon and Judy Dunn Music and Dance Performance, Bennington College, December 11, 1969
"Relay" by Bill Dixon and Judy Dunn, Performed at Bennington College, 1970
Electronic records
Digital materials
Video -- 1 of 2
Language of Materials
Physical Characteristics and Technical Requirements
Format: Sony CV; Duration: 49 minutes.
Video
Video -- 2 of 2
Piano and Trumpet Performance, Jennings, Bennington College, 1970-1975, inclusive
Octet by Members of the Black Music Ensemble, 1971-1972, inclusive
Black Music Concert, Paul Robseon House, circa 1973, inclusive
Festival at Commons Theatre, Bennington College, 1973
Scope and Contents
Featuring Enrico Rava, Bill Dixon, Milford Graves, Laurence Cook, David Moss, Sidney Smart, Steve Horenstein, John Hagen, Jim Tift, Jeff Hoyer, and others
Bennington College Speaks -- Susie Dangel, Bill Dixon on Black Music, April 2, 1973
Bennington College Speaks -- Susie Dangel, Bill Dixon on Duke Ellington, April 9, 1973
Piano Solos Performed in Commons Theatre, Bennington College, May 17, 1973
Audio
Piano Solos Performed in Commons Theatre, Bennington College, May 17, 1973
Audio
Black Music Festival, May 18, 1973
Audio
"Letters" Rehearsal -- Black Music Fest, May 19, 1973
Trumpet Solo and Talk with Alumni, Fall, 1973
Black Music Ensemble at Great Medow Correctional Facility, November, 1973
Black Music Ensemble -- "Great Meadow Piece" Rehearsal, Bennington College, November 2, 1973
Orchestra Piece, Bennington College, 1974
Panel Discussion on Composition, Performance, Improvisation, 1974
Faculty Concert -- Arthur Brooks, Stephen Horenstein, Milford Graves, May, 1974
Physical Characteristics and Technical Requirements
Reel 481_2314 in Box 98 was identified as moldy in September, 2022. This item is currently isolated from other items by housing it in a polyethylene bag with a desiccated board and RH monitor strip. If this strip indicates an RH greater than 50%, the Preservation department should be contacted ASAP. Do not open this packaging without contacting the Preservation Department.
Faculty Concert -- Bill Dixon Solos, May, 1974
"Letters to Myself and Others" by Bill Dixon and the Black Music Ensemble, May 9, 1974
Physical Characteristics and Technical Requirements
Duration: 35 minutes
Audio
Faculty Concert, May 26, 1974
Scope and Contents
Featuring a solo performance by Bill Dixon, and an ensemble performance by Bill Dixon, Milford Graves, Stephen Horenstein, and Arthur Brooks.
Audio
Black Music Concert, November 7, 1974
Bennington Community Meeting and Judith Dunn Dance Company Performance, November 14, 1974
"1.2.4.1.2.1.1.1.1." Song / Dance Empathmotion Performance at Bennington College, circa 1975, inclusive
Audio
"1.2.4.1.2.1.1.1.1." Song / Dance Empathmotion Performance at Bennington College, circa 1975
Audio
Bill Dixon and Steve Horenstein Performance at Bennington College, 1975
Digital materials
Bill Dixon and Steve Horenstein, Bennington College, 1975
Digital materials
Bill Dixon and Steve Horenstein Duet, 1975
"Bird's Word" Rehearsal, Fall, 1975
Audio
"Bird's Word" Rehearsal, Fall, 1975
Audio
"Bird's Word" Rehearsal, Fall, 1975
Audio
"Bird's Word" Rehearsal, Fall, 1975
Audio
"Bird's Word" Rehearsal, Fall, 1975
Audio
"Bird's Word" Rehearsal, Fall, 1975
Audio
"Bird's Word" Black Music Division Concert with Larry Neal, Bennington College, December 7, 1975
Scope and Contents
Recording produced by Bill Dixon and Hayes Burnett for The Third Music Program, WGBH
Audio
Panel Discussion on Black Music, December 7, 1975
Scope and Contents
Recording produced by Bill Dixon for The Third Music Program, WGBH
Audio
Panel Discussion on Black Music, December 7, 1975
Scope and Contents
Recording produced by Bill Dixon for The Third Music Program, WGBH
Audio
"Anatomy" by Isaac Witkin, circa 1975-1980, inclusive
Video -- 1 of 2
Language of Materials
Scope and Contents
Content warning: This recording contains nudity.
Physical Characteristics and Technical Requirements
Format: EIAJ-1; Duration: 66 minutes; Preservation Note: No audio due to recording error. High amount of hum and hiss on tape. Video quality is poor.
Video
Video -- 2 of 2
Physical Characteristics and Technical Requirements
Format: EIAJ-1; Duration: 65 minutes.
Video
"This Is Our Strategy" Rehearsal, Bennington College, Spring, 1976
Ensemble, Senior Concert, June 4, 1976
"Touchings for Piano and Trumpet," Performed at Bennington College, December, 1976
Audio
"Autumn Sequences From a Paris Diary," Performed at Bennington College, December 9, 1976
"This Is Our Strategy" and Orchestra Piece Rehearsals, Bennington College, 1976-1977, inclusive
Digital materials
Buddy Booker -- Senior Concert Rehearsal, 1977
Leslie Winston -- Senior Concert, 1977
Bill Dixon and Stephen Horenstein Duet, Bennington College, March 4, 1977
Physical Characteristics and Technical Requirements
Duration: 33 minutes
Video -- 1 of 5
Video
Video -- 2 of 5
Video
Video -- 3 of 5
Video
Video -- 4 of 5
Physical Characteristics and Technical Requirements
Format: EIAJ-1; Duration: 33 minutes.
Video
Video -- 5 of 5
Physical Characteristics and Technical Requirements
Format: EIAJ-1; Duration: 26 minutes.
Video
Peter Dembski and Derrik Hoitsma -- Senior Concert, May 20, 1977
"July '77 in Black Music" Stephen Horenstein Concert, Commons Theatre, June 8, 1977
Introduction to Ensemble Performance, Commons Theatre, September 15, 1977
Conversation with Anna Rivera, Piano Music by Bill Dixon, Bennington, Vermont, September 28, 1977
Black Music Concert -- Nadi Qamar, October 4, 1977
Physical Characteristics and Technical Requirements
Duration: 53 minutes
Video
Milford Graves at Bennington College, October 11, 1977
Video
Concert with Piano and Orchestra, Bennington College, December, 1977
Spring Festival, Commons Theatre, May 22, 1978
Spring Festival -- Milford Graves, Commons Theatre, May 23, 1978
Spring Festival -- George Barrow Music and Lecture, May 24, 1978
George Barrow -- Hadley Fellow in Black Music Performance, May 24, 1978
Audio
Video -- Part One
Physical Characteristics and Technical Requirements
Format: EIAJ-1; Duration: 66 minutes; Preservation Note: Video quality is poor. Video lighting is very dark.
Video
Video -- Part Two
Physical Characteristics and Technical Requirements
Format: EIAJ-1; Duration: 55 minutes; Preservation Note: Video quality is poor.
Video
Spring Festival -- Bill Dixon Ensemble, May 25, 1978
"30 Minutes" Black Music Division, June 4, 1978
Physical Characteristics and Technical Requirements
Duration: 14 minutes
Video
Black Music Interviews, November 20-29, 1978, inclusive
Video -- 1 of 4
Physical Characteristics and Technical Requirements
Duration: 63 minutes
Video
Video -- 2 of 4
Physical Characteristics and Technical Requirements
Duration: 63 minutes
Video
Video -- 3 of 4
Physical Characteristics and Technical Requirements
Preservation Note: Unable to transfer after three attempts, incubated twice
Video -- 4 of 4
Physical Characteristics and Technical Requirements
Duration: 18 minutes
Video
Steve Simon -- Senior Concert, November 28-30, 1978, inclusive
Conversations with the Black Music Division, 1978-1979, inclusive
Video -- 1 of 3
Physical Characteristics and Technical Requirements
Duration: 61 minutes
Video
Video -- 2 of 3
Physical Characteristics and Technical Requirements
Preservation Note: Unable to transfer after three attempts, incubated twice
Video -- 3 of 3
Physical Characteristics and Technical Requirements
Preservation Note: Unable to transfer after three attempts, incubated twice
Bennington College Program -- Bill Dixon plays standards, 1979
Scope and Contents
Recording features Carl Landa, Rick O'Neil, Spin Dunbar, Holly Markush, Bill Dixon
Black Music Tapes, March 27, 1979
Video -- 1 of 2
Physical Characteristics and Technical Requirements
Preservation Note: Unable to transfer after three attempts, incubated twice
Video -- 2 of 2
Physical Characteristics and Technical Requirements
Duration: 34 minutes
Video
George Barrow, April 18, 1979
Physical Characteristics and Technical Requirements
Duration: 63 minutes
Video
Arnold Hinton, Carriage Barn, Bennington College, May 1, 1979
Bill Dixon Orchestra Performs "For Franz," Bennington College, May 26, 1979
Digital materials
Gene Burnett -- Senior Concert, December 4, 1979
Kevin Campbell -- Senior Concert, May 3, 1980
Stephen Haynes -- Senior Concert, May 19, 1980
"Noon," A Senior Concert by Holly Markush, June 10, 1981
Black Music Division Concert, May 14, 1983
Black Music Division Concert -- Opening Remarks and Performance, May 14, 1983
Black Music Division Concert -- Dixon Quartet, Jeff Taylor Solo, Provey and Wallerman, May 31, 1984
Black Music Festival, Paul Robeson House, Bennington College, November 10, 1984
Physical Characteristics and Technical Requirements
Duration: 150 minutes in two parts; Preservation note: Transfer OK after incubation
Audio
Spring Festival, April, 1985
"Rushing at the Shift," "Dusk Dance Pieces" by Sanage and Ellenhorn, Music by Dixon, 1986
Video
Tony Widoff -- Senior Concert, Paul Robeson House, November 16, 1986
Music and Dance Symposium in Honor of Joe Wittman's Retirement, June, 1987
Video
Tony Widoff -- Senior Concert, Greenwall Workshop, June 6, 1987
Panel Discussion, Bennington College, June 7, 1987
Eric Zinman -- Recital, 1988
Ehran Elisha -- Senior Concert, May, 1988
Ehran Elisha -- Senior Concert Rehearsal, May, 1988
Ehran Elisha -- Senior Concert Rehearsal with Jeremy Harlos and Bill Dixon, May, 1988
Ehran Elisha -- Senior Concert with Bill Dixon, Carriage Barn, May 17, 1988
Scope and Contents
Also features Arthur Brooks, Jeremy Harlos, Jared Van Dongen, and others
Physical Characteristics and Technical Requirements
Duration: 91 minutes
Video
Black History Month Lecture: An Evening with Bill Dixon, February, 1989
Trumpet, Bass, Piano, Bennington College, Spring, 1989
Digital materials
Jared Van Dongen -- Senior Concert, May 12, 1989
John B. Senior Concert, Bennington College, 1990
Digital materials
ABG Collaborazione Performance at Bennington College featuring Bill Dixon, Arthur Brooks, and Gary Sojkowsky, circa 1991, inclusive
Audio
Student Ensembles Broadcast, WKCR, April 6-11, 1991, inclusive
Scott Currie -- Senior Recital SUNY Old Westbury, April 27, 1992
Physical Characteristics and Technical Requirements
Duration: 39 minutes
Video
Ensemble III -- M. Leonard Concert, May 1, 1992
Molly McQuarrie -- Senior Concerts, 1992-1993, inclusive
Solo for Soprano Saxophone, Mollie McQuarrie, Carriage Barn, 1993
"A Chapter in the Life: One Woman Show," A Senior Concert by Jennifer Kubik, May, 1993
Physical Characteristics and Technical Requirements
Duration: 34 minutes
Video
Shannon Jones -- "Work for Ensemble" Senior Concert, May, 1993
Physical Characteristics and Technical Requirements
Duration: 68 minutes
Video
Faculty Presentation by Bill Dixon, May 5, 1993
3 Days in October -- Rashied Ali Talks Alis Alley, Impromptus, Haynes Performances, 1994
Link Smith -- Junior Concert, Carriage Barn, June 4, 1994
3 Days in October -- Bill Dixon, Ehran Elisha, McCrary, Currie Quartet, October, 1994
3 Days in October -- Dixon-Bindman, Provey's Quartet, Gregg Bendian Solos, Glynis Lomon Trio, October, 1994
3 Days in October -- Panel Discussion, October, 1994
3 Days in October -- Performances by Krall, Hennen, Onserud, Cauley, Ziman, Cook, Schildauer, October, 1994
3 Days in October -- Raqib Hassan, David Warren, Tor Snyder, October, 1994
3 Days in October -- Mark Leonard / Alan Shawn, Arthur Brooks Ensemble, October, 1994
3 Days in October, October 5-8, 1994, inclusive
Physical Characteristics and Technical Requirements
Duration: 121 minutes
Electronic Records
Digital materials
Papers
Video -- 1 of 3
Physical Characteristics and Technical Requirements
Duration: 122 minutes
Video
Video -- 2 of 3
Video
Video -- 3 of 3
Video
3 Days in October -- Jason Zippa Quintet, October 6, 1994
3 Days in October -- So-Called Jazz Sextet, Impromptus, October 6-7, 1994, inclusive
3 Days in October -- Introduction by Bill Dixon, Performances by Lisa Sokolov and William Parker, October 7, 1994
3 Days in October, October 9-11, 1994, inclusive
Physical Characteristics and Technical Requirements
Duration: 83 minutes
Video
Autumn Festival -- Ensemble III, Bimhaus, Undated, inclusive
Bennington College Dance Performance with Music by Bill Dixon, Undated, inclusive
Video
Bill Dixon and George Barrow in Jennings, Undated, inclusive
Bill Dixon Ensemble Rehearsal, Undated, inclusive
Digital materials
Black Music Concert, Robeson House, Undated, inclusive
Physical Characteristics and Technical Requirements
Format: Sony CV; Duration: 56 minutes; Preservation Note: Video quality is poor. Video lighting is very dark.
Video
Bill Dixon -- Reading Jack Moore's Retirement Narrative, Undated, inclusive
Dance rehearsal, undated, inclusive
Language of Materials
Physical Characteristics and Technical Requirements
Format: EIAJ-1; Duration: 43 minutes; Preservation Note: Video quality is unstable. Video contains a great deal of black before the picture starts.
Video
Event #3, Undated, inclusive
Scope and Contents
Featuring "Jay, Jett, Steve, Hagen, Tift, etc."
Farewell Address at Bennington College, Undated, inclusive
Digital materials
Jack Moore Retirement Piece, Undated, inclusive
Video
Luz Fleming -- Senior Concert, and other Ensemble Recordings, Undated, inclusive
Nadi Qamar performance, undated, inclusive
Physical Characteristics and Technical Requirements
Format: EIAJ-1; Duration: 50 minutes; Preservation Note: Video lighting is very dark.
Video
Subseries II.C. Teaching and Administrative Files, 1966-1995, 2005, inclusive
Extent
Scope and Contents
This subseries contains material related to Dixon's tenure as a professor at Bennington College, from 1968 to 1995, during which he also founded the Black Music Division (1974). Founding documentation of the Division includes reports, memos, and writings by Dixon. A report from the Black Music Division Visiting Committee dating from 1979 to 1981 provides an overview of the Division and their findings. Division meeting material in this subseries includes audio recordings, minutes, and notes. Dixon's administrative files contain budgets, correspondence, and memos related to the Division. Lecture notes, syllabi, recording transcripts, along with reading and listening lists for Dixon's classes and music lessons are in this subseries. Black Music Division Ensemble and other Bennington College event ephemera and planning files contain programs, promotional posters, correspondence, and notes. Work files for the Black Music Division's short-lived journal, Manuscript: Journal of the New Black Music, contain meeting minutes, writing submissions, correspondence, drafts, and mock-ups from 1974 to 1975. This subseries contains images of rehearsals, performances, college buildings, Bill Dixon, and fellow professors Stephen Horenstein, Sonny Brown, Arthur Brooks, and Nadi Qamar interacting with students. This subseries also contains completed questionnaires, most likely distributed by Dixon to faculty, students, and administrators, to test their knowledge of Black Music from the mid-1940s to the 1970s.
Conditions Governing Access
Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Restricted materials are notated as such in the record's title. Please contact the Archives with specific questions regarding access to such records. All other materials are open to researchers.
Meetings -- Preparation for Spring Music Festival, November 16, 1966
Meetings -- A Compilation, 1970-1981, inclusive
Meetings -- Dance Division Meeting, December 14, 1972
Meetings -- Black Music Festival Meeting, circa 1973, inclusive
Meetings -- Faculty Educational Policies Committee Meeting re: Proposal, Black Music Becoming a Division at Bennington College, 1973
Meetings -- Black Music Division Meeting, April, 1973
Meetings -- Black Music Meeting with Bill Dixon, Judith Dunn, Peter Lakowski, and Joanne Galli, April, 1973
Meetings -- Black Music Division Meetings -- Minutes, Notes, Memos, 1973-1986, inclusive
Meetings -- Black Music Division Meeting, Fall, 1975
Meetings -- Black Music Division Meeting, Fall, 1975
Meetings -- Faculty Educational Policies Committee and Bill Dixon Meeting, May 19, 1975
Meetings -- Faculty Meeting, November 19, 1975
Meetings -- Black Music Division Meeting, September 20, 1977
Meetings -- Black Music Division Meeting, 1978
Meetings -- Faculty meeting about tenure challenge, undated, inclusive
Physical Characteristics and Technical Requirements
Format: EIAJ-1; Duration: 27 minutes; Preservation Note: Video lighting is very dark.
Video
RESTRICTED: Meetings -- Administrative Talk, 1978
Scope and Contents
Note on tape label: "All is admin talk - Bill Dixon as Division head speaking with Shayne and Kevin Campbell as teaching assistants, (some text is illegible)"
Meetings -- Barrow, Bill Dixon, Stephen Horenstein Meeting Re: Curriculum, Introduction to Black Music I, March, 1978
Meetings -- Black Music Faculty Meeting, Hoosick Falls, NY, March 5, 1978
Meetings -- Black Music Division Meeting, March 15, 1978
Meetings -- Black Music Division Meeting, March 29, 1978
Meetings -- Black Music Division Meeting, Celina Davis Tutorial, April, 1978
Meetings -- Black Music Division Meeting at Jennings Hall, Bennington College, April 26, 1978
Meetings -- Milford Grace and Bill Dixon Re: Reappointment, May 2, 1978
Meetings -- Faculty Roundtable, circa 1979, inclusive
Meetings -- Unknown Meeting, March 13, 1983
Meetings -- Dance Division Meeting, September 27, 1983
Meetings -- Meeting with Ann Berlanger, October 4, 1983
Meetings -- Meeting Re: Guidelines for Black Music Division and Music Division to Meet, October 9, 1984
Meetings -- Institute Discussion, Undated, inclusive
Meetings -- Jennings Hall Meeting with Arthur Brooks, Stephen Horenstein, Milford Graves, Undated, inclusive
Meetings -- Black Music Division Meeting, Undated, inclusive
Faculty ID and Library Cards, 1968-1985, inclusive
Correspondence and Memos, 1968-1995, inclusive
Support Material and Evaluations Re: Retention of Bill Dixon as Bennington College Professor, 1970-1975, inclusive
Press Clippings, 1970s-1980s, inclusive
Black Music Division Founding and Support Material -- Proposals, History, Notes, Reports, 1972-1995, inclusive
Classes and Lectures -- Course Descriptions, Schedule Listings, Syllabi, Lecture Notes, Evaluations, Recording Transcripts, and Reading and Listening Lists, 1972-1995, inclusive
Event Ephemera, 1972-1995, inclusive
Event Ephemera -- Posters, 1973-1981, 1994, inclusive
Images -- Black Music Division and Dance Division Students and Faculty Rehearsing, Concerts, Classes, Portraits, Black Music Festival, Jennings Hall, Other Practice and Performance Spaces, 1972-1995, inclusive
Proposal for a Black Music Division at Bennington College -- Lecture / Letter Read by Bill Dixon, 1973
"Four Early and Late Evenings of Sequences and Events in Black Music" -- Planning Notes, circa May 1973, inclusive
Black Music Festival -- Planning Notes, Meeting Minutes, Schedules, Programs, Images, 1973-1974, 1978, inclusive
Paul Robeson House -- History, Memos, Notes, 1973-1986, inclusive
Manuscript: Journal of the New Black Music -- Drafts, Meeting Minutes, Mock-up Issues, Notes, Issue One Work Files, Contributor Submissions and Correspondence, 1974-1975, inclusive
Black Music Division Budget-Related Material, 1974-1990, inclusive
Dance Division -- Correspondence, Notes, Writings, 1974-1993, inclusive
Jazz Laboratory / Summer Program Re: Controversy -- Notes, Statements, Advertising, Memos / Communications, 1975-1976, inclusive
Black Music Division Salary Lists, Positions, Student Statistics, 1975-1978, 1983, Undated, inclusive
Promotional Brochures, Class Catalogue Entries, and Related, 1976-1985, inclusive
Faculty Record for Bill Dixon, 1977
Black Music Division Newsletter, Issue One, 1979
Black Music Division Visiting Committee -- Memos, Report, 1979-1981, inclusive
Black Music Division Secretary Position -- Memo and Notes, 1982
Three Days in October, Commemorating October Revolution in Jazz -- Planning Material, 1994-10-05-1994-10-07, inclusive
Promotional -- Campus Advertisement with Bill Dixon, October 14, 2005
Digital materials
General Notes, To Do Lists, Undated, inclusive
Black Music Division Five Year Plan, Undated, inclusive
Black Music Division Proposal for Contemporary Orchestra, Undated, inclusive
Contemporary Studies for Black Music from the Mid-1940s to the 1970s Completed Questionnaires, Undated, inclusive
Music Division's Statement Reflecting on the Musicianship and Character of Bill Dixon, Undated, inclusive
Series III. Educational Programs and Appearances, 1959-2009, inclusive
Extent
Extent
Scope and Contents
This series includes material on the lectures, workshops, and programming that Dixon engaged in outside of his performing and teaching at Bennington College. Material includes audio and video recordings, and paper and digital files of lectures, workshops, and programming. Notable programs include Judson Arts Workshops and the University of the Streets. This series also includes images, event ephemera, and class lecture plans created during his visiting professorship at the University of Wisconsin, Madison from Fall 1971 to Spring 1972.
Arrangement
This subseries is arranged chronologically, within groupings of files.
United Nations Jazz Society Panel Discussion, June, 1959
Digital materials
Funding Applications, Project Proposals, 1960s-1980s, inclusive
Bill Dixon Talks with Sun Ra, Summer, 1964
Scope and Contents
Housing annotations: "Conversation Part II with Joe Johnson and Jeanne Dixon"
Audio
Judson Arts Workshop, circa 1960, inclusive
Judson Arts Workshop, Judith Dunn's Loft, 1966
Judson Arts Workshop Rehearsal, October 31, 1966
Judson Arts Workshop, November 4, 1966
Judson Arts Workshop -- Sunny Murray, Bill Dixon, and Judith Dunn, November 11, 1966
Audio
Papers
University of the Streets Free Conservatory Orchestra Piece / Jay Adamson Voice Recording, 1967
Physical Characteristics and Technical Requirements
Duration: 65 minutes; Preservation notes: Track 1: 7.5 ips, transfer OK; Track 2: 3.75 ips [Jay Adamson Voice Recording] significant speed issues, some digital correction applied to the access copy.
Audio
University of the Streets -- Large Orchestra Work, Summer, 1967
Physical Characteristics and Technical Requirements
Duration: 66 minutes
Audio
University of the Streets Free Conservatory Orchestra -- Orchestra Work, Summer, 1967
Physical Characteristics and Technical Requirements
Duration: 32 minutes
Audio
University of the Streets, 1967
Digital materials
University of the Streets Free Conservatory Orchestra - Instruction and Rehearsal, 1967-1968, inclusive
Audio
University of the Streets Free Conservatory Orchestra, 1967-1968, inclusive
Audio
University of the Streets Free Conservatory Orchestra, 1967-1968, inclusive
Audio
University of the Streets -- Orchestra Piece, 1968
Digital materials
Event Ephemera, 1968-2006, inclusive
Bill Dixon Orchestra Work at the Public Theatre, New York City, March, 1971
Visiting Professorship at University of Wisconsin, Madison -- Lecture Notes, Concert Ephemera, ID Cards, and Images of Practices, Rehearsals, Students, Classes, and Performances, Fall 1971-Spring 1972, inclusive
Visiting Professorship at University of Wisconsin, Madison -- Large Panel Images of Students in Practices, Rehearsals, Students, Classes, and Performances, Fall 1971-Spring 1972, inclusive
Visiting Professorship at University of Wisconsin, Madison -- Orchestral Work with Black Music Ensemble in Mills Hall, March 5, 1972
Audio
Visiting Professorship at University of Wisconsin, Madison -- Orchestral Work with Black Music Ensemble in Mills Hall, March 5, 1972
Audio
Visiting Professorship at University of Wisconsin, Madison -- First Orchestra Piece, circa 1971-1972, inclusive
Digital materials
Visiting Professorship at University of Wisconsin, Madison -- Black Music Ensemble "Piece No. 3" Performance at Baraboo, May 1, 1972
Visiting Professorship at University of Wisconsin, Madison -- Dixon Speaking to Black Music Ensemble, April 16, 1972
Visiting Professorship at University of Wisconsin, Madison -- Black Music Ensemble at Baraboo, May 3, 1972
Visiting Professorship at University of Wisconsin, Madison -- Black Music Ensemble Lecture and Demonstration, Mills Hall, March 5, 1972
Audio
RESTRICTED: Visiting Professorship at University of Wisconsin, Madison -- "Appreciation" by RESTRICTED, Submitted for Class Assignment, 1972
"Cheaters," University of Wisconsin, Milwaukee, December 14, 1971
Demonstration and Lecture at Thomas Jefferson School, Madison, Wisconsin, February 14, 1972
Scope and Contents
Featuring Bill Dixon, Jay Ash, John Hagen, Stephen Horenstein, and David Moss
Bill Dixon, Musician-Composer and Bennie Andrews, Painter-Writer at Queens College, New York City, circa 1973, inclusive
Mt. Anthony Union High School Commencement Speaker -- Photograph and Press Clipping, 1973-06-15
Bill Dixon Interviewed by Larry Neal at the Olitski House, Shaftsbury, Vermont, May 14, 1974
Bill Dixon Interviewed by Larry Neal, circa May 14, 1974, inclusive
Boston Art Ensemble, May 30, 1974
An Academy of Improvisation, Bill Dixon Talk Re: Contemporary Aspects of Improvisation, at Carnegie Hall, New York City, July 5, 1974
An Academy of Improvisation, Bill Dixon Talk Re: Contemporary Aspects of Improvisation, at Carnegie Hall, New York City -- Speech Text, Promotional Flier, July 5, 1974
Compilation of Talks and Lectures, 1974-1987, inclusive
CAASV Grass Roots Forum, circa 1975-1980, inclusive
Physical Characteristics and Technical Requirements
Format: EIAJ-1; Duration: 34 minutes.
Video
CAASV Community Meeting, circa 1975-1980, inclusive
Physical Characteristics and Technical Requirements
Format: EIAJ-1; Duration: 33 minutes.
Video
Bill Dixon and Alan Silva Conversation, Winter 1976
Interview with Art Brooks, Cynthia Kahlberg, Re: Aesthetics, 1976
Bill Dixon and Alan Silva Conversation, 1977
Bill Dixon Lecture on the 1960s and the Jazz Composers Guild, circa 1978, inclusive
Panel with Stanley Crouch, March 28, 1978
Ensemble Lecture and Demonstration at The Putney School, Putney, Vermont, April 21, 1978
Panel Discussion, May 24, 1978
Lecture on the Evolution of New Music, Jazz, Black Music, in Tallahassee, Florida, 1980
Compilation Tape -- Lecture in London; Performances in London, Paris, and Florence, Summer, 1980
Lecture at Malcolm X House, Wesleyan University, October 28, 1983
Lecture at Alte Schmeide, Vienna, Austria, February, 1985
New Jazz Workshop with Bill Dixon, at the Museum of the 20th Century (Germany or Austria), February 4-9, 1985, inclusive
Lecture "Innovations and Innovators in American Music" at Southern Vermont College -- Speech Text, December 12, 1985
25 Years of the UNSRC Jazz Society Special Issue of "The World of Jazz" Booklet, 1985
Bill Dixon Music Radio Show Schedules and Descriptions, 1985-1994, inclusive
Jazz Band Workshop at Middlebury College, 1986
SVC Teach-in, February 10, 1987
Workshop at Pori Ultra Music Meeting (1991); Speech at the End of Concert, Nicht Rot, Nicht Grün (1988), 1988, 1991, inclusive
"An Evening with Bill Dixon" at Community College of Vermont -- Event Ephemera, 1989-02-22
Jerusalem Symposium -- Lecture to Ensemble, circa 1990, inclusive
Piano Workshop in Jerusalem, Israel, circa 1990, inclusive
Excerpts from Diallo, TU; Bill Dixon Discussion, circa 1990s, inclusive
Physical Characteristics and Technical Requirements
Duration: 8 minutes
Video
Bill Dixon Lecture with Chris Faris at Southern University College, March, 1990
Physical Characteristics and Technical Requirements
Duration" 38 minutes
Video
Poetry Reading, SVC, October 27, 1990
Physical Characteristics and Technical Requirements
Duration: 55 minutes
Video
Lecture at Southern Vermont College, March 4, 1991
Workshop at Pori Youth Center, July 19, 1991
Don Moore Interview, March 3, 1993
University of the Streets -- Bill Dixon Radio, October 4, 1993
Lyon Masterclass in Lyon, France, circa 1992-1994, inclusive
Video -- 1 of 2
Video
Video -- 2 of 2
Physical Characteristics and Technical Requirements
Duration: 64 minutes
Video
Lecture and Masterclass in Villeurbanne, France, circa 1994, inclusive
Physical Characteristics and Technical Requirements
Duration: 124 minutes
Video
Masterclass in France, November 7-8, 1994, inclusive
Various Bill Dixon-related Events in Villeurbanne, France -- Event Ephemera, Notes, Correspondence, November 7-19, 1994, inclusive
Conférence Bill Dixon at Maison du Livre, de L'Image, et du Son, Lyon, France, November 9, 1994
The Peak of Perfection: Bill Dixon, Lithographs and Xylogravures at the Chittenden Bank, January, 1995
Physical Characteristics and Technical Requirements
Duration: 35 minutes
Video
University of the Streets, July 1, 1996
University of the Streets, August, 1996
Physical Characteristics and Technical Requirements
Transferred from 16mm film
Physical Characteristics and Technical Requirements
Duration: 17 minutes
Video
Lecture at New York University, New York, November 23, 1996
Physical Characteristics and Technical Requirements
Duration: 89 minutes
Audio
Video
Video
Workshop at New York University, New York, November 23, 1996
Physical Characteristics and Technical Requirements
Duration: 125 minutes
Video
NYU Ensemble at New York University, New York, November 23, 1996
Masterclass at New York University, New York, November 23, 1996
NYU Avant-Garde Jazz Ensemble: University of the Streets at New York University, New York, December 13, 1996
Physical Characteristics and Technical Requirements
Duration: 17 minutes
Audio
Video
Video
Appearance and Interview at Sista's Place in Brooklyn, New York -- Agreement, Notes, Letters, November 21, 199
New School University Masterclass in New York, February 23, 2001
Digital materials
Wesleyan Ensemble, February, 2005
Digital materials
Symposium at Wesleyan University, Middletown, Connecticut, February 12, 2005
Digital materials
Residency, Symposium and Concerts on Jazz and Improvisation, at Wesleyan University, Middleton, Connecticut -- Event Descriptions, Notes, Correspondence, February 7-12, 2005, inclusive
"An Afternoon on Improvising In and Between Music" at McGill University, Montreal, Canada -- Event Descriptions, Notes, Correspondence, June 5, 2005
"Trumpet, Pen, and Ink: An Evening with Bill Dixon" at Columbia University, New York, October 15, 2005
Digital materials
"Trumpet, Pen, and Ink: An Evening with Bill Dixon" at Columbia University, New York -- Event Ephemera, Planning Correspondence, Images, October 15, 2005
Bill Dixon Instructs Two Musicians, June 25, 2009
Digital materials
Beau Friedlander Reading at SVC, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 55 minutes
Video
Bill Dixon Lecture on Cadence, Pirated Music, and the Record Industry, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 18 minutes
Video
Bill Dixon Reads [Illegible], Undated, inclusive
Gil Noble -- Talks Before and After Paul Robeson Film with Noah Rosen, John Savlov, Undated, inclusive
Interview with Arthur Brooks by Kathy Williams, Undated, inclusive
Judson Arts Workshop, Undated, inclusive
Judson Arts Workshop -- Orchestration Class, Undated, inclusive
Judson Arts Workshop -- Orchestration Class, Piano Sketches, Undated, inclusive
Judson Arts Workshop -- Discussion, Undated, inclusive
Judson Arts Workshop -- Rehearsal of "Voices", Undated, inclusive
Solo Trumpet (Bill Dixon); Conversation with Visnu Wood, Marian Amos, etc., Undated, inclusive
SVC Lecture on Music, Undated, inclusive
Talk Tape, Undated, inclusive
University of the Streets -- Roberta's Piece, Dance Class / Concert, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 32 minutes
Audio
University of the Streets -- Free Conservatory Orchestra -- Continuous Reading, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 33 minutes
Audio
University of the Streets -- Free Conservatory Orchestra -- Rehearsal, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 17 minutes
Audio
University of Streets Orchestra, Undated, inclusive
Digital materials
University of the Streets, Undated, inclusive
Digital materials
Images -- Appearances, Book Signing / Exhibition Event, Undated, inclusive
Unknown Book Project, Undated, inclusive
Series IV. Visual and Written Artwork, 1967-2009, inclusive
Extent
Extent
Scope and Contents
This series includes material related to Dixon's work as both a visual artist and writer. Original artworks in this series include photography, collage, prints, painting, and drawings. Many of his ink and pencil drawings in this series were rendered on envelopes, concert programs, and Bennington College meeting minutes and memos. Files in this series often contain a combination of artworks, reproductions, and source material stored as they were originally in his studio. Objects in this series relating to the creation of these works include printing blocks, an etching plate, and linoleum block sheets. Dixon would often use printed images of his artworks to create collages. These reproductions and collages are in this series. Exhibition-related files, sketchbooks, and promotional presentation books are also in this series. One notable project was with URDLA (Union Regionale pour le Development de la Lithnographie d'Art) in Lyon, France in January and February 1994 where works on paper created previously by Dixon were produced as lithographs and shown in various exhibitions. This series contains correspondence, notes, and images of this process and the finished works. His artworks were not only shown in exhibitions and sold to collectors, but also used for his album covers. Files on these albums can be found in Series I.C.
Dixon wrote articles, reviews, book contributions, and liner notes for fellow musicians' albums dating from the 1950s to the 2000s. Many of his writings pertain to his experiences as a jazz musician, compositions, and relationships with other musicians. This series contains original publications as well as work files on many of his writings. Work files for his book L'Opera: A Collection of Letters, Writings, Musical Scores, Drawings, and Photographs (1967-1986) contain notes, drafts, mock-ups, correspondence, and the book itself. Also of note are his writings regarding his partnership with the choreographer Judith Dunn with whom he collaborated in the 1960s and 1970s.
Drawing Highlights, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 12 minutes
Video
Original Artwork, Reproductions, and Source Material, 1969-2010, inclusive
Original Artwork, Reproductions, and Source Material, 1969-2010, inclusive
Original Artwork, Reproductions, and Source Material, 2005-2007, inclusive
Digital materials
Original Artwork, Reproductions, and Source Material -- Original Artwork Piece, Undated, inclusive
Original Artwork, Reproductions, and Source Material -- Original Artwork Pieces, Collages, Undated, inclusive
Original Artwork, Reproductions, and Source Material -- Printing Blocks, Undated, inclusive
Original Artwork, Reproductions, and Source Material -- Linoleum Block Sheets, Undated, inclusive
Original Artwork, Reproductions, and Source Material -- Etching Plate, Undated, inclusive
Original Artwork, Reproductions, and Source Material -- Sketchbooks and Loose Material, 1969-1990, inclusive
Original Artwork, Reproductions, and Source Material -- Sketchbooks, Portfolios, and Presentation Books, Undated, circa 2007, inclusive
Original Artwork, Reproductions, and Source Material -- Images of Art, Landscapes, Portraits, 2001-2011, inclusive
Digital materials
Original Artwork, Reproductions, and Source Material -- Artworks Within Publications, 1978-1986, 2000, inclusive
URDLA (Union Regionale pour le Development de la Lithnographie d'Art) Project -- Diary Entries, Notes, Correspondence, and Images of Process and Completed Lithographs, 1994
Exhibitions and Related -- For Exhibit, Solo Tenor Saxophone (Steve Horenstein), November 30, 1974
Exhibitions and Related -- Publicity, Installation Images, Artwork Owner Lists, Notes, 1981-2005, inclusive
Presentations on Bill Dixon Photography and Art, 2006
Digital materials
Images of Bill Dixon's Art Studio with Artworks, Undated, inclusive
Writings -- "Bill Dixon Notes On…" -- Articles on Mare Levin, Marzette Watts, Bob Pozar, Ed Curran and Others, circa 1960s, inclusive
Writings on Improvisation, circa 1960s, inclusive
Writings -- Book Reviews within Publication Freedomways , Summer 1967
Writings -- Harlem U.S.A. Book Chapter "The Music of Harlem", 1967
Writings -- Coda Articles "To Whom it May Concern", 1967, 1986, inclusive
Writings -- Book Reviews -- Drafts, circa 1967
Writings -- "Contemporary Jazz: An Assessment" -- Drafts, circa 1967
Writings -- Poetry, 1968-1979, inclusive
Writings -- "Black Music: The Serpico of the Arts", 1970
Writings -- Proposal for Film on Dixon's Son, William II, circa 1970s-1980s, inclusive
Writings -- "Thoughts" -- Drafts, 1971
Writings -- "Thoughts" -- Presented to Faculty at University of Wisconsin, Madison, 1972-02-17
Writings -- The Daily Cardinal Article, "Thoughts", March 20, 1972
Writings -- Letter to Downbeat Magazine -- Drafts, 1972-02-17
Writings -- Jazz Magazine -- Various Articles Based on Dixon Journal Entries, 1974-1977, inclusive
Writings -- "Thoughts No. II" -- Draft, 1975-04-05
Writings -- Liner Notes for Song "For Franz", 1976
Writings -- Various Notes, Drafts, Liner Notes, 1977-1985, Undated, inclusive
Writings -- Liner Notes for Arthur Brooks' Recording "Night Caller", 1978
Writings -- Review of Art Exhibition at the Hoosac School Library, 1981
Writings -- Writing Re: Dreams, 1982
Writings -- Contact Quarterly -- Dixon Comments on Judith Dunn, Fall 1983
Writings -- Contact Quarterly -- "Collaboration 1965-1972: Judith Dunn and Bill Dixon" -- Drafts and Publication, Summer 1985
Writings -- L'Opera: A Collection of Letters, Writings, Musical Scores, Drawings, and Photographs (1967-1986) -- Notes, Drafts, Letters, and Book, 1986
Writings -- L'Opera: A Collection of Letters... -- Corrections, Edits, 2005
Digital materials
Writings -- L'Opera II -- Potential Design Drafts, Edited Drafts, 1986-2007, inclusive
Writings -- "The Collaborative Process" -- Copies of Journal Notes, Fall 1986
Writings -- Silo -- "Some Explanations of the Materials Thus Far Used…", Fall 1987
Writings -- U.N. Jazz Society Publication, The World of Jazz -- "Recollections of Bill Dixon", November 1989
Writings -- Encyclopedia Of African American Culture And History -- Entries for Various Jazz Performers, 1992
Writings -- Arude -- Article, "Thus Spoken Dixon", Summer 1996
Writings -- Liner Notes for Franz Hautzinger Album Gomberg, circa 1999-2000, inclusive
Writings -- Writing in Intervalsss, 2000
Writings -- Drafts of Book Chapters, Lectures, Notes, 2000s, inclusive
Writings -- Re: Albert Ayler in Sweden in the Summer of 1962, August 2002
Writings -- t,o,n,f,o,l,g,e,n -- Sound Portraits -- Entry for "Qwhortette No. 3", 2002
Writings -- Written Responses to Questions Re: Performance, Process, Improvisation, 2003-2008, inclusive
Writings -- Sections / Portions of Unknown Writings, 2004-2005, inclusive
Digital materials
Writings -- Remembrances of The Cellar Club, October Revolution Album, 2009
Writings -- Re: Technique, The Composers' Guild, Ensemble Playing, Undated, inclusive
Writings -- Movie Idea Re: Secret Agent, Undated, inclusive
Writings -- Review of Steven Wolfe Albarhari's Exhibition of Photographs, Undated, inclusive
Writings -- Re: Experience Working with Judith Dunn, Undated, inclusive
Writings -- Re: Ambassador Andrew Young, Undated, inclusive
Writings -- Re: Music Publication, Undated, inclusive
Writings -- Poetry, Undated, inclusive
Writings -- Outline "Methodologica, Philosophical and Aesthetic Considerations Related to Contemporary Black Music Practices", Undated, inclusive
Writings -- "Why I Teach", Undated, inclusive
Writings -- Unknown Writing Project, Undated, inclusive
Writings -- Liner Notes -- Drafts, Undated, inclusive
Writings -- "Prose / Aesthetics" -- Draft Sections, Undated, inclusive
Writings -- "Jottings Along the Way" -- Journal Entries, Undated, inclusive
Writings -- "1971-1972" -- Draft Chapters, Undated, inclusive
Writings -- Sections / Portions of Unknown Writings, Undated, inclusive
Series V. Personal Files, 1921-2012, inclusive
Extent
Extent
Scope and Contents
This series contains audiovisual material, and paper and digital files on Dixon's personal life including photographs, correspondence, datebooks, press clippings, resumes, biographical sketches, interviews, and scholarly works on Dixon.
Photographic portraits date from the 1940s to the 2000s and depict Dixon during his childhood and in his military uniform from the 1940s. Images also include his children, partner Sharon Vogel, friends, travel, and interior and exterior views of his home.
Dixon's correspondence in this series is a mixture of both personal and professional, providing a decade by decade view into Dixon's work and relationships dating from the 1960s through the 2000s. Files contain news from friends and fellow musicians, invitations for appearances and performances, album recording issues, event logistics, feedback to journalistic writings, and advice to former students and fans. This series also contains individual correspondence files including family members, collaborators, and friends including Judith Dunn, Milo Fine, Stephen Horenstein, Ted Joans, Tony Oxley, Ben Young, and Jason Zappa. Press clippings in this series cover both his personal and professional life dating from the 1940s to the 2000s, including a special edition of All About Jazz-New York after Dixon's death. This series also contains files on scholarly works in which Dixon is the subject, and interviews in which Dixon provided information on his work and life. Files typically contain notes, drafts, completed copies of thesis or dissertations, and interview recordings and transcripts. Of note is a project by Bennington College student Steven Albahari from the late 1970s which includes videos of interviews with Dixon and his colleagues as well as recordings of concerts. This series also includes video excerpts of Dixon concerts, appearances, lectures, and other projects, dating from 1965 to 1995.
Dixon's datebooks, address books, resumes, biographical sketches, notes and to-do lists, and membership cards including his New York City cabaret card from 1960 are in this series.
Images -- Dixon's Mother, Louise, 1921-1923, inclusive
Images -- Bill Dixon, 1925, 1945-1946, inclusive
Images -- Bill Dixon, 1960s-2010, inclusive
Electronic Records
Digital materials
Papers
Images -- Bill Dixon Large Format Portrait, Undated, inclusive
Images -- Bill Dixon, Son William II, 1965-1980s, inclusive
Images -- View from Hoosick Falls, New York Home, 1970s-1980s, inclusive
Images -- Friends, Maxine Letcher, Sharon Vogel, Vermont Aprartment, Interiors, Cars, 1973-1974, circa 1980s, inclusive
Images -- Dance Rehearsal, Outside Event with Judith Dunn, Dixon, and Others, 1973-1983, inclusive
Images -- Trip to France: Views, Buildings, Streets, People, 1974
Images -- Interiors, Studio, Son William II, 1977, 1981-1983, inclusive
Images -- Mother, Aunts, and Other Family Members in Bronx, New York, late 1980s, inclusive
Images -- Friends, Family, Interiors with Furniture, 1986, 1980s-1990s, inclusive
Images -- Trip to Italy -- Buildings, Countryside, People, circa 1980s-1990s, inclusive
Images -- Women, Friends, Exterior of Houses, Snow, 1982-1985, inclusive
Images -- Views Around Bennington College, VAPA, Artworks, circa 1985
Images -- Dixon, Karl Koglmann, and Others in Vienna, Austria, 1985
Images -- Dixon and Sharon Vogel with Friends and Famly, Stephen Horenstein, circa 1990, inclusive
Images -- Travel in Paris, Amsterdam, and Stockholm, 1991
Images -- Views in Bennington, Vermont, and Trip to Verona, Italy with Theater Performance, 1992
Images -- Trip to Verona, Italy, 1993
Images -- Trip to Geneva, Paris, Milan, 1996
Images -- Dixon with Bill Cole, Sarah Sully, Sharon Vogel, December 1997
Images -- Trip to Verona, Italy, Summer 1998
Images -- Trip to Venice and Verona, Italy, 1999
Images -- Dixon Portraits, Artworks, Friends, 2001-2011, inclusive
Digital materials
Images -- Prints "From Earlier Years" (1960s-2000s), 2004
Images -- Dinners, Friends, Concerts, June 2005
Images -- Dog, Friends, Home, Performing, 2007
Digital materials
Images -- North Bennington Studio Interiors, Dixon's Sister Mary, Undated, inclusive
Images -- Unidentified People, Places, Buildings, Travel, Undated, inclusive
Press Clippings and Articles, 1940s-1960s, inclusive
Press Clippings and Articles -- Scrapbooks, 1965-2000, inclusive
Press Clippings and Articles -- Oversized, 1968-2008, inclusive
Press Clippings and Articles, 1970s-1980s, inclusive
Press Clippings and Articles, 1990s-2000s, Undated, inclusive
Press Clippings and Articles -- Dixon Memorial Edition of All About Jazz-New York, 2010
Correspondence, 1950s-1970s, inclusive
Correspondence, 1980s-1990s, inclusive
Correspondence, 2000s, inclusive
Electronic Records
Digital materials
Papers
Correspondence, 2000s, Undated, inclusive
Correspondence -- Ahmed Abdullah and Louis Reyes Rivera, 2000s, inclusive
Correspondence -- Clifford Allen, 2008-2009, inclusive
Correspondence -- Giuseppe Barazzetta, 1996-2002, inclusive
Correspondence -- Chris Bakriges, 1996-1999, inclusive
Correspondence -- Francesco Branciamore, 1999
Correspondence -- Michel Côte and Isabelle Moisan, 2005-2009, inclusive
Correspondence -- Stanley Crouch, 2005-2009, inclusive
Correspondence -- Andrew Raffo Dewar, 2000s, inclusive
Electronic Records
Digital materials
Papers
Correspondence -- Kevin Dresser, 2002-2003, inclusive
Correspondence -- Judith Dunn, 1971-1972, inclusive
Correspondence -- Milo Fine, 2000s, inclusive
Electronic Records
Digital materials
Papers
Correspondence -- Funding Potential Institutions, 1981-1992, inclusive
Correspondence -- Matthew Goodheart, 2003
Correspondence -- Barry Guy, 1994-1997, inclusive
Correspondence -- Steven Haynes, 2007-2009, inclusive
Correspondence -- Ben Hall, 2004-2009, inclusive
Correspondence -- Margaret Holloway, 1977-2001, inclusive
Correspondence -- Stephen Horenstein, 1971-2009, inclusive
Correspondence -- Jonathan Horwich, 2010
Correspondence -- Ted Joans, 1973-1975, 1993, inclusive
Correspondence -- Ingrid Karl, 1997-1998, inclusive
Correspondence -- Andrew Lindstrom, 2000-2006, inclusive
Electronic Records
Digital materials
Papers
Correspondence -- Rob Mazurek, 2006-2009, inclusive
Correspondence -- Marc Medwin, 2006-2007, inclusive
Correspondence -- John O'Brien, 1974-1980, inclusive
Correspondence -- Tony Oxley, 1993-2004, inclusive
Electronic Records
Digital materials
Papers
Correspondence -- Charles Putney, 2003-2004, inclusive
Correspondence -- Nadi Qamar, 1978-1979, inclusive
Correspondence -- Graham Taylor Lock, 1996-2007, inclusive
Correspondence -- Keith Thompson, 1999-2010, inclusive
Correspondence -- Ben Young, 1990-2012, inclusive
Correspondence -- Jason Zappa, 1991-2009, inclusive
Correspondence -- Family Members (Mother, Children, Partners), 1969-2009, inclusive
Correspondence -- Family, 2004
Digital materials
Membership Cards, Cabaret Card, Certificates, 1958-1994, inclusive
Bill Dixon Passports, 1958-2008, inclusive
Scrapbook (Disassembled), 1960-1965, inclusive
Scrapbook -- Concert Programs and Photographs, 1972-1974, inclusive
Notes, Notebooks, Notepads, To-Do Lists, 1960-2010, inclusive
Resumes, Curriculum Vite, Biographical Descriptions, 1964-2010, inclusive
Electronic Records
Digital materials
Papers
Datebooks / Address Books, Wall Calendars, 1965-2010, inclusive
Interviews and Scholarly Works -- Bill Dixon Conversation with Jon Murray, circa 1965, inclusive
Digital materials
Interviews and Scholarly Works -- Frank Kofsky and Bill Dixon Interview, September -November, 1966, inclusive
Digital materials
Interviews and Scholarly Works -- Bill Dixon Interview by Robert Levin - Jazz and Pop, 1970
Audio
Electronic Records
Digital materials
Interviews and Scholarly Works -- Interview of Bill Dixon, Avant Garde, Robert Levin -- Compilation Tape, circa 1970s, inclusive
Interviews and Scholarly Works -- Diana Chingos Interview with Bill Dixon -- Transcript, 1970s-1980s, inclusive
Interviews and Scholarly Works -- Written Response to Bill Dixon Interview with John Tchicai, May 1971
Interviews and Scholarly Works -- Paul Levi Interview with Bill Dixon -- Transcript, April 1972
Interviews and Scholarly Works -- Robert Sawyer Interview with Bill Dixon at Bennington College, December 13-14, 1972, inclusive
Interviews and Scholarly Works -- Interview with Bill Dixon -- Transcript, May 15, 1975
Interviews and Scholarly Works -- Gail Parker on Bill Dixon, circa 1975-1980, inclusive
Physical Characteristics and Technical Requirements
Format: EIAJ-1; Duration: 33 minutes.
Video
Interviews and Scholarly Works -- Steven Albahari Project: Bill Dixon, Raccords, October 8, 1976
Physical Characteristics and Technical Requirements
Duration: 18 minutes
Video
Interviews and Scholarly Works -- Steven Albahari Project: Nadia Quamar, Putney, Vermont, April 21, 1978
Physical Characteristics and Technical Requirements
Duration: 21 minutes
Video
Interviews and Scholarly Works -- Steven Albahari Project: Art Brooks, Ensemble 5, Putney, Vermont, April 21, 1978
Physical Characteristics and Technical Requirements
Duration: 19 minutes
Video
Interviews and Scholarly Works -- Niccola Tessitore Interview with Bill Dixon -- Transcript, 1980
Interviews and Scholarly Works -- Documentary: Imagine the Sound by Ron Mann -- Publicity, Poster, Correspondence Re: Interview, 1980-1981, inclusive
Interviews and Scholarly Works -- Bob Rusch Interview with Bill Dixon -- Transcript, Edited Drafts, 1982
Interviews and Scholarly Works -- Steven Albahari Project: Bill Dixon Concert, Tape 3, 1983
Physical Characteristics and Technical Requirements
Duration: 23 minutes
Video
Interviews and Scholarly Works -- Steven Albahari Project: Bill Dixon Interview Dubs, 1983
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Interviews and Scholarly Works -- Steven Albahari Project: Bill Dixon Concert, 1983
Physical Characteristics and Technical Requirements
Duration: 23 minutes
Video
Interviews and Scholarly Works -- Steven Albahari Project: Bill Dixon Interviews, circa 1983, inclusive
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Interviews and Scholarly Works -- Steven Albahari Project: Bill Dixon Interview, circa 1983, inclusive
Interviews and Scholarly Works -- Steven Albahari Film: Bill Dixon: A Personal Portrait, circa 1983, inclusive
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Physical Characteristics and Technical Requirements
Duration: 25 minutes
Video
Interviews and Scholarly Works -- Steven Albahari Film: Bill Dixon: A Personal Portrait -- Notecards / Notes for Interview, circa 1983, inclusive
Interviews and Scholarly Works -- Bill Dixon Interviewed at Bennington College, circa 1983, inclusive
Video
Interviews and Scholarly Works -- Steven Albahari Project -- Bill Dixon Various Images (Dub), October, 1983
Physical Characteristics and Technical Requirements
Duration: 18 minutes
Video
Interviews and Scholarly Works -- Steven Albahari Project --Various Images with Horn, Hands, Music, Records, Portraits, October, 1983
Video
Interviews and Scholarly Works -- Steven Albahari Project --Bill Dixon Interview (Master), October, 1983
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Interviews and Scholarly Works -- Steven Albahari Project --Bill Dixon Concert at Bennington College (Dub), October 27, 1983
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Interviews and Scholarly Works -- Steven Albahari Project --Bill Dixon Concert at Bennington College (Master), October 27, 1983
Video
Interviews and Scholarly Works -- Steven Albahari Project --Bill Dixon Concert (Dub), October 27, 1983
Video
Interviews and Scholarly Works -- Jesse Katz Interview with Bill Dixon for Tool and Die -- Publication, Notes, Drafts, 1984
Interviews and Scholarly Works -- Brian Auerbach and Thomas Miessgang Interview with Bill Dixon -- Transcript, June 22, 1985
Interviews and Scholarly Works -- Dissertation: Black Professional Musicians in Higher Education... by Christopher Hardin, 1987
Interviews and Scholarly Works -- Bill Dixon Talks with Quinn Johnson and Chris Bakriges, 1993
Physical Characteristics and Technical Requirements
Duration: 47 minutes
Video
Interviews and Scholarly Works -- Interview, December 5, 1993
Physical Characteristics and Technical Requirements
Duration: 214 minutes (in two parts)
Video -- 1 of 2
Video
Video -- 2 of 2
Video
Interviews and Scholarly Works -- Correspondence, Transcript, and Thesis: The October Revolution in Jazz: Critical Reception of the "New Thing" by Christopher G. Bakriges, May 1995, 1996, inclusive
Interviews and Scholarly Works -- Christian Broecking Interview with Bill Dixon for Article: Closed Circle of Unconsciousness -- Transcript, July / August 1995, inclusive
Interviews and Scholarly Works -- Iain Anderson Interview with Bill Dixon -- Transcript, 1995-1996, inclusive
Interviews and Scholarly Works -- October Revolution Profile, 1999
Interviews and Scholarly Works -- Dixon Interview Conducted by Michael Lucio Sternbach and Aaron Messelaar (for Down to the Crux?), circa 2000, inclusive
Physical Characteristics and Technical Requirements
Duration: 164 minutes
Video
Interviews and Scholarly Works -- Documentary -- Down to the Crux (Rough Cut) by Michael Lucio Sternbach, circa 2000, inclusive
Physical Characteristics and Technical Requirements
Duration: 41 minutes
Video
Interviews and Scholarly Works -- Documentary -- Down to the Crux (Final Cut) by Michael Lucio Sternbach, circa 2000, inclusive
Physical Characteristics and Technical Requirements
Duration: 45 minutes
Video
Interviews and Scholarly Works -- Frank Rubolino Interview with Bill Dixon -- Transcript and Related, 2002
Interviews and Scholarly Works -- Patrick Hargon Questions and Bill Dixon Answers Re: Musicians and New Jazz in the 1960s, 2003
Interviews and Scholarly Works -- Thesis: "This is American Music": Aesthetics, Music and Visual Art of Bill Dixon by Andrew Rraffo Dewar, April 2004
Interviews and Scholarly Works -- Thesis: …So We Did It Ourselves: A Social and Musical History of Musician-Organized Jazz Festivals from 1960 to 1973 by Michael Heller, May 19, 2005
Interviews and Scholarly Works -- Dissertation and Interview Transcript: Testing, Testing... by Benjamin Piekut -- Re: Jazz Composers' Guild, 2006-2008, inclusive
Interviews and Scholarly Works -- Bill Dixon Interview with Phil Freeman, April 27, 2008
Digital materials
Interviews and Scholarly Works -- Bill Dixon's Conversation with Marc Medwin, circa 2009
Digital materials
Interviews and Scholarly Works -- Answers Written by Bill Dixon to Questions Sent by Franck Médioni Re: Coltrane, April 14, 2009
Interviews and Scholarly Works -- Steven Albahari Project -- Bill Dixon (Cutaways) 1, 1A, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 21 minutes
Video
Interviews and Scholarly Works -- Steven Albahari Project -- Bill Dixon Performance, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 73 minutes (in four parts)
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Interviews and Scholarly Works -- Bill Dixon Interview (Rough Cut), Undated, inclusive
Video
interviews and Scholarly Works -- Bill Dixon Interview, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 99 minutes
Video
Interviews and Scholarly Works -- Bill Dixon Interview, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 125 minutes
Video
Interviews and Scholarly Works -- Bill Dixon Interviewed by Larry Neal, Undated, inclusive
Interviews and Scholarly Works -- Bill Dixon and Lewis Conversation, Undated, inclusive
Digital materials
Interviews and Scholarly Works -- Bill Dixon Profile, Undated, inclusive
Interviews and Scholarly Works -- Conversation with Bill Dixon and William II, Satie Piano Music, Undated, inclusive
Interviews and Scholarly Works -- Conversation: CCN, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 35 minutes
Video
Interviews and Scholarly Works -- Conversations and Excerpts, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 125 minutes
Video
Interviews and Scholarly Works -- Dixon Project: Interview and Work, Undated, inclusive
Digital materials
Interviews and Scholarly Works -- John O'Brien, Chicago Today, Undated, inclusive
Interviews and Scholarly Works -- Madison Radio Interview with Lynda Clauder, Trumpet Solos, Undated, inclusive
Interviews and Scholarly Works -- Various Out-Takes, Undated, inclusive
Audio
Film
Interviews and Scholarly Works -- Unknown Interview with Bill Dixon -- Transcript, Undated, inclusive
Interviews and Scholarly Works -- Jazz Trumpeters Questionnaire / Bill Dixon Answers, Undated, inclusive
Interviews and Scholarly Works -- Unknown Interview with Bill Dixon -- Transcript, Undated, inclusive
Bill Dixon Video Excerpts: L'Opera; The Work of Bill Dixon; Classes and Lectures; "Index" (1965); "Wisc" (1972); "Thoughts" (1986); "Letters"; "Round Up the Usual Suspects"; "Thoughts" (1987), 1965-1994, inclusive
Physical Characteristics and Technical Requirements
Duration: 74 minutes
Video
Bill Dixon Video Excerpts: Ellington Class 1994, University of the Streets 1967, Orchestra Work, Ensemble, 1967-1994, inclusive
Physical Characteristics and Technical Requirements
Duration: 124 minutes
Papers
Video
Video
Bill Dixon Video Excerpts: Steven Albahari, Friedman, Moore Retirement, Fahlin, Wesleyan, Andy Grossman, circa 1983, inclusive
Physical Characteristics and Technical Requirements
Duration: 107 minutes
Video
Bill Dixon Video Excerpts: Velvet Hope Clark Dance; Jack Moore Retirement Piece; SVC Performance, 1990; Furth, 1990; L'Opera, 1990
Physical Characteristics and Technical Requirements
Duration: 91 minutes
Video
Bill Dixon Video Excerpts: Ellington Class, 1994; Retirement Lecture, 1995; Dances by Andy Grossman; Recording of "Thoughts"; Dance by Jack Moore with Dixon on Piano, 1994-1995, inclusive
Physical Characteristics and Technical Requirements
Duration: 123 minutes
Papers
Video
Video
Bill Dixon Video Excerpts: Steven Albahari Film, Jack Moore Retirement Piece, 3 Days in October at Bennington College, Bill Dixon Directing Ensemble, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 252 minutes
Video
Bill Dixon Video Excerpts: Steven Albahari; "Dewhorse"; "Summerdance"; "Imagine the Sound" Part I, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 124 minutes
Video
Bill Dixon Video Excerpts: Ensemble Lecture Bennington College, Talk with Quinn Johnson, Villeurbanne Concert, URDLA Show, Villeurbanne Master Class, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 125 minutes
Video
Bill Dixon Video Excerpts: Ensemble; Talks; "Explanation"; Presentation, Lecture, and Performance, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 124 minutes
Video
Bill Dixon Video Excerpts: Köln, SVC, Duet with A. Grossman, Duet with David Bindman, Jack Moore Retirement Piece, Jerusalem Workshop, Cecil Taylor Duet in Vienna, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 124 minutes
Video
Bill Dixon Video Excerpts: Lecture, SVC Performance, Dance Performance, Tenor Saxophone and Piano, Jack Moore Piece, "Letters" Excerpt, Villeurbanne France, 3 Days in October, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 124 minutes
Video
Bill Dixon Video Excerpts: Panel on Music for Dance, 1987; Chivas Sandage's "Rushing at the Shift"; M. R. Ellenhorn's "A Field Called No Time", Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 90 minutes
Video
Bill Dixon Video Excerpts: Suspects; Jack Moore Piece, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 132 minutes
Video
Bill Dixon Video Excerpts: Suspects; SVC; Jim Piece; Piano and Tenor; Jerusalem; Berlin, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 95 minutes
Video
Bill Dixon Video Excerpts: SVC; Talk in Villeurbanne; Villeurbanne Concert; Book Exhibit; Rehearsal for Sisyphus II (B.C.); Solo - 2nd Part of Faculty Presentations, Undated, inclusive
Physical Characteristics and Technical Requirements
Duration: 95 minutes
Video
Bill Dixon Telephone Conversation with Arthur Doyle, 1970
Digital materials
Pink Panther Film Project, Madison, 1971-1972, inclusive
Physical Characteristics and Technical Requirements
Duration: 5 minutes
Video
Poems and Dedications to Bill Dixon, 1973-1976, Undated, inclusive
Address Books and Mailing Lists, 1974, Undated, inclusive
Custody Documentation for Son, William II, 1975
Birthday Cards (50th and Unknown) and Artwork in Honor of, 1975, Undated, inclusive
Reproduced Bill Dixon Journal Entries, circa 1975
Documentation Re: Stolen Stereo Equipment, 1977-1979, inclusive
Black Music Interviews - Nadi Qamar, circa 1978, inclusive
Physical Characteristics and Technical Requirements
Duration: 63 minutes