Series I: Music Projects
Scope and Content
The Series comprises scores and documentation of performances. It is separated into three subseries: Projects A-Z, Other Musicians, and Notebooks and Sketches. Each subseries is described more fully below.
Subseries A: Projects A-Z
Scope and Content
Subseries A: Projects A-Z contains scores, source material, and documentation of performances for music projects. Each project was labeled by Malcolm Goldstein and titles were transcribed from his notes.
Arrangement
Projects are listed alphabetically as they were upon arrival.
"Absolute Cow", 1988, inclusive
"As it were"- [score], 1996, inclusive
"As it were"- [score], 1996, inclusive
"As it were, another"- [score and instructions with permission from Jasper Johns], April 22, 1998, inclusive
"August Light"- Dia Art Foundation [Photographs], May, 1988, inclusive
"Ayre(s) full the bellows delight" [score], 2010, inclusive
"Bataille"- [photographs], September, 2002, inclusive
"Because a circle is not enough" with "An attempt to define what it is to be 'in the sound" [See also writing series], 1990; 2000, inclusive
"Between hair and wood/changes"- [score], September 16, 1980, inclusive
"Between two spaces"- [score, sketches, text] [1 of 4], 1993-1994, inclusive
"Between two spaces"- [score, sketches, text] [see also: oversize materials] [2 of 4], 1993-1994, inclusive
"Between two spaces"- [PrixAcustica International Award] [3 of 4], 1993-1994, inclusive
"Between two spaces"- score/structure for horspiel [4 of 4], 1993, inclusive
"Between two spaces"-Doors project [photographs] [1 of 3], 1993, inclusive
"Between two spaces"-Doors project [photographs] [2 of 3], 1993, inclusive
"Between two spaces"-Doors project [sketches] [3 of 3], 1993, inclusive
"Boundless the Source, Overflowing in Song", 2019
"A breaking of vessels, becoming song" for Barbara Held- [score], January 2, 1981, inclusive
"Breath River Route"- [photographs] [1 of 3], 1986, inclusive
"Breath River Route"- [slides and negatives] [2 of 3], 1986, inclusive
"Breath River Route"- [photographs] [3 of 3], 1986, inclusive
"Breath within cycles becoming"-[score], 1983, inclusive
"Bridging the Gap"- [score], 1987, inclusive
"Broken Canons" for Charles Ives - [score], 2011, inclusive
"A brutal bit of these times" Bratislava Erik Satie project- [score], 1995, inclusive
"The Burrow"/ "Kafka in These Times"- see also "Dwelling on Dwelling", 1992, inclusive
"By way of definition" a sounding for Jackson Mac Low - [score], 1996, inclusive
"Can it be done in public? Tango" with "Toccata, ma non suonare" - [score], 1976-1984, inclusive
"Cantos II" - [score], 1976-1977, inclusive
"Casa del popola" - [photographs], 2007-2008, inclusive
"Cascades of the Brook: Bachwasserfall"- Original Artwork, 1984
"Cascades of the Brook: Bachwasserfall"- [Instructions and philosophy], January 15, 1985, inclusive
"Cascades of the Brook: Bachwasserfall"- Violin I [collaged score], 1985, inclusive
"Cascades of the Brook: Bachwasserfall"- Violin II [collaged score], 1985, inclusive
"Cascades of the Brook: Bachwasserfall"- Viola [collaged score], 1985, inclusive
"Cascades of the Brook: Bachwasserfall"- Cello/Bass [collaged score], 1985, inclusive
"Cascades of the Brook: Bachwasserfall"- Flute [collaged score], 1985, inclusive
"Cascades of the Brook: Bachwasserfall"- Oboe [collaged score], 1985, inclusive
"Cascades of the Brook: Bachwasserfall"- Clarinet [collaged score], 1985, inclusive
"Cascades of the Brook: Bachwasserfall"- Alto Saxophone [collaged score], 1985, inclusive
"Cascades of the Brook: Bachwasserfall"- Bassoon [collaged score], 1985, inclusive
"Cascades of the Brook: Bachwasserfall"- Harpsichord [collaged score], 1985, inclusive
"Cascades of the Brook: Bachwasserfall"- conductor's score in reduced size and seating arrangment, 1985, inclusive
"Cascades of the Brook: Bachwasserfall"- first set of xerox copies of orchestral parts, 1985, inclusive
"Cascades of the Brook: Bachwasserfall"-Brooklyn Philharmonic Concert orchestral parts: Violin I (C. Hafer), 1985, inclusive
"Cascades of the Brook: Bachwasserfall"-Brooklyn Philharmonic Concert orchestral parts: Violin I (Jill Levy), 1985, inclusive
"Cascades of the Brook: Bachwasserfall"-Brooklyn Philharmonic Concert orchestral parts: Violin I (Ik Hwan), 1985, inclusive
"Cascades of the Brook: Bachwasserfall"-Brooklyn Philharmonic Concert orchestral parts: Violin I (Bushman), 1985, inclusive
"Cascades of the Brook: Bachwasserfall"-Brooklyn Philharmonic Concert orchestral parts: Violin II, 1985, inclusive
"Cascades of the Brook: Bachwasserfall"-Brooklyn Philharmonic Concert orchestral parts: Violin II (Paul Woodiel), 1985, inclusive
"Cascades of the Brook: Bachwasserfall"-Brooklyn Philharmonic Concert orchestral parts: Violin II (Carol Havelka), 1985, inclusive
"Cascades of the Brook: Bachwasserfall"-Brooklyn Philharmonic Concert orchestral parts: Violin II (Marion Guest), 1985, inclusive
"Cascades of the Brook: Bachwasserfall"-Brooklyn Philharmonic Concert orchestral parts: Viola, 1985, inclusive
"Cascades of the Brook: Bachwasserfall"-Brooklyn Philharmonic Concert orchestral parts: Viola, 1985, inclusive
"Cascades of the Brook: Bachwasserfall"-Brooklyn Philharmonic Concert orchestral parts: Viola (Ron Carbone), 1985, inclusive
"Cascades of the Brook: Bachwasserfall"-Brooklyn Philharmonic Concert orchestral parts: Viola (Janet Hill), 1985, inclusive
"Cascades of the Brook: Bachwasserfall"-Brooklyn Philharmonic Concert orchestral parts: Cello/Bass (Rosenfeld), 1985, inclusive
"Cascades of the Brook: Bachwasserfall"-Brooklyn Philharmonic Concert orchestral parts: Cello (Fitzgerald), 1985, inclusive
"Cascades of the Brook: Bachwasserfall"-Brooklyn Philharmonic Concert orchestral parts: Cello (M.N.), 1985, inclusive
"Cascades of the Brook: Bachwasserfall"-Brooklyn Philharmonic Concert orchestral parts: Cello/Bass, 1985, inclusive
"Cascades of the Brook: Bachwasserfall"-Brooklyn Philharmonic Concert orchestral parts: Cello/Bass (Bruno), 1985, inclusive
"Cascades of the Brook: Bachwasserfall"-Brooklyn Philharmonic Concert orchestral parts: Cello/Bass, 1985, inclusive
"Cascades of the Brook: Bachwasserfall"-Brooklyn Philharmonic Concert orchestral parts: Flute (R.D.), 1985, inclusive
"Cascades of the Brook: Bachwasserfall"-Brooklyn Philharmonic Concert orchestral parts: Oboe, 1985, inclusive
"Cascades of the Brook: Bachwasserfall"-Brooklyn Philharmonic Concert orchestral parts: Clarinet, 1985, inclusive
"Cascades of the Brook: Bachwasserfall"-Brooklyn Philharmonic Concert orchestral parts: Alto Saxophone, 1985, inclusive
"Cascades of the Brook: Bachwasserfall"-Brooklyn Philharmonic Concert orchestral parts: Harpsichord, 1985, inclusive
"Cascades of the Brook: Bachwasserfall"-Brooklyn Philharmonic Concert orchestral parts: Bassoon (Morelli), 1985, inclusive
"Cento Anni di Suoni"- Five graphic realizations (reduced size), March 27, 1998, inclusive
"Cento Anni di Suoni", 1997-1999, inclusive
"Cento Anni di Suoni"- [Photographs], 1998, inclusive
"Cento Anni di Suoni"- 100th Birthday Celebration for Malcolm Goldstein's Violin [photographs], 1998, inclusive
"A Chippewa Love Story" -[score], December 19, 1978, inclusive
"Circular Breath-Space" from "Wheelock Mountain"- [score], 1972, inclusive
"Concerning melody" - [score], 1998, inclusive
"Configurations in darkness" - [score], 1995, inclusive
"Configurations in darkness" - Tun Art Concert [photographs], November, 1996, inclusive
"Contemplation (View)" - [score], 1982, inclusive
"A Convergence of Distances" - [score], 1994-1995, inclusive
"Counting Cow Bells" - Gamelon ensemble with "Fiddling Cow Bells" magnetic tape collage [score], 1991, inclusive
"Crossing the Equator" - [score], 1996-1999, inclusive
"A Cultivation of Field" -[score], 2005, inclusive
"Cycladic Imprints" with Carolee Schneeman [with photographs], 1988, inclusive
"Dancers Moving Sound" - [score], November 16, 1984, inclusive
"Darkness Becoming Narrative" - [score], 2009, inclusive
"Death: Act or fact of dying" partial reflections on Vietnam [score], November, 1967, inclusive
"Death: Act or fact of dying" partial reflections on Vietnam [score], November, 1967, inclusive
"Death: Act or fact of dying" partial reflections on Vietnam- German translation "Tod: Akt oder Tat des Sterbens" [score], 1982, inclusive
"Death: Act or fact of dying" Vienna - Photographs by Manfred Winter, May, 1982, inclusive
"Divisions of Ground" - [score], 1998, inclusive
"Doppelperformance" with Dorethea Rust [inkjet prints], 2008, inclusive
"Dwelling on dwelling" [with Bart Uchida at The Sharon Arts Center], March 6- April 7, 1994
"The Edges of Sound Within" - [score and sketches], 1985, inclusive
"The Edges of Sound Within" - [photographs], November, 1987, inclusive
"Elegia" Poem by Villatoro - [score], 1987, inclusive
"Emanations" -[score], November, 1962, inclusive
"An Enactment of Absence" - [score], 1995, inclusive
"Espaces en movement" -[score], 2010, inclusive
"Evening Music/ October" -[score], 1988, inclusive
"Fiddling Cow Bells" -[score], 1988, inclusive
"Fire in the Valley" - photographs by Michael Wilderman, 1997, inclusive
"For Jackson, A Memorial Celebration (a la Jackson Mac Low)" - [score], March 5, 2005, inclusive
"Found Harmonies (les harmonies trouvees)" in memoriam Jim Tenney - [score], 2011, inclusive
"The Fragility of Line/ Points Extending" -[score], September 29, 1982, inclusive
"Fragments of the Wall" [1 of 2], [2004-2005], inclusive
"Fragments of the Wall" [2 of 2], [2004-2005], inclusive
"Fragments of the Wall"- Photographs by Rehab Nazzal, [undated]
"Fragments of the Wall" Revised Version -[score with source material], 2008, inclusive
"Fragments of the Wall"- texts "graffiti" [with French translation], July 31, 2006; [undated]
"Fragments of the Wall"- Dossier on Palestine vol.7, no.43, October 28, 2002, inclusive
"Fragments of the Wall"- Palestinian Graffiti photographs by Monika Borgmann [inkjet prints], [1991], inclusive
"Fragments of the Wall"- Program texts English and French, [undated]
"Fragments of the Wall"- Music/Theater [score], 2007-2008, inclusive
"Fragments of the Wall"- Music/Theater final revised version [score], 2008, inclusive
"Free at Last, Free at Last"- [program notes and press releases], November, 1985, inclusive
"Free at Last, Free at Last", 1986, inclusive
"Free at Last, Free at Last", 1986, inclusive
"Free at Last, Free at Last", 1986, inclusive
"Free at Last, Free at Last"- [photographs], 1986, inclusive
"Frog Pond at Dusk" - [score], 1970, inclusive
"Games for Musicians with Dancers Obbligato" for Elaine Summers [score], 1983, inclusive
"Gentle Rain Preceeding Mushrooms" (in memoriam for John Cage) [score], 1992, inclusive
"Hardscrabble Songs" [score], 2000, inclusive
"Hues of the Golden Ascending" [score], April, 1979, inclusive
"Hues of the Spectrum" for Daichi Saito's film "Trees of Syntax, leaves of Axis" [score], 2008, inclusive
"If Not Now, When?", 2018
"If Thoreau Had Played the Violin" [score, notes], 2014, inclusive
"Illuminations from Fantastic Gardens" for Elaine Summers, "Fantastic Gardens: An Evening of Dance, Judson Dance Theater" [score], 1964, inclusive
"Illuminations from Fantastic Gardens" for Elaine Summers, "Fantastic Gardens: An Evening of Dance, Judson Dance Theater" [score], 1964, inclusive
"Illuminations from Fantastic Gardens"- Reduced Size Photocopies [score], 1964, inclusive
"In and Out of Silence" - Violin part of performance in Munich with Barbara Hammann and Alison Knowles, August 18, 2004, inclusive
"In and Out of Silence" - Performance in Munich with Barbara Hammann and Alison Knowles, September 25-28, 2004, inclusive
"In and Out of Silence" - Performance in Munich with Barbara Hammann and Alison Knowles [photographs by Vollier Derlath], September, 2004, inclusive
"In Search of Tone Roads #2" for Charles Ives [score], 2013, inclusive
"In the beginning...so also, the end" with "Captain Hume's Lamentations" [score], 1997, inclusive
"Instant Chance" for dance of Elaine Summers [score], March 19, 1965, inclusive
"Interludes" [score], November 7, 2000, inclusive
"Ishi/ 'man waxati' Soundings" [score], 1988, inclusive
"Ishi/ time changing spaces" [score and photographs], 1988, inclusive
"Ishi/ time changing spaces" [with photographs], 1988, inclusive
"It were another" [score], 1998, inclusive
"Jade Mountain Soundings" [score], 1983, inclusive
"Jade Mountain Soundings" - montage for "Ear as Eye" show with improv visual poem [score], 1996-1998, inclusive
"Karlsplatz Resonanz" [score], 1983, inclusive
"Klangbild /Munchen" [score], 1996, inclusive
"The Life Cycle of Stones" violin and vocal parts [score], 1987, inclusive
"The Life Cycle of Stones", 1987, inclusive
"The Life Cycle of Stones" [photographs and slides], 1987, inclusive
"The Life Cycle of Stones", 1987, inclusive
"The Life Cycle of Stones", 1987, inclusive
"The Life Cycle of Stones" [photographs], 1987, inclusive
"Ludlow Blues" [score], 1963, inclusive
"Majority -1964" for Charles Ives [score], 1964, inclusive
"Majority -1964" for Charles Ives [score], 1964, inclusive
"Majority -1964" for Charles Ives [score], 1964, inclusive
"A Map of Virginia" -names of tribes, January 21, 2001, inclusive
"A Map of Virginia", [undated]
"A Map of Virginia", [undated]
"A Map of Virginia", [undated]
"Marin's Song: Fragments and Variations" for Experimental Intermedia Foundation performance, April 3, 1981, inclusive
"Marin's Song, Illuminated" [photographs and instructions], 1979, inclusive
"Marin's Song, Illuminated" [Marin's original page with photographs], 1979-1981, inclusive
"Marin's Song, Illuminated", 1979, inclusive
"Marin's Song, Illuminated", 1979-1981, inclusive
"Marin's Song, Illuminated" [photographs by Peter Moore], December 6, 1981, inclusive
"Marin's Song, Illuminated" [contact sheets by Peter Moore], December 6, 1981, inclusive
"Marin's Song, Illuminated": "Marin's Lied, Illuminiert" - Horspiel (radio acoustic art), WDR (West German Radio) Cologne, 1984, inclusive
"Marin's Song, Illuminated" Time of Music [photographs], 1989, inclusive
"Marin's Song of Origin" [score], 1978, inclusive
"A meditation/ responses" to Charles Ives' "Unanswered Question" [score], 2006, inclusive
"Metal Garden" performed with "Sheep Meadow" at Bowdoin College [photographs by Kathy Bradford], 1979, inclusive
"Moments" for Yoriko and Gabriel Chodos [score], May, 1976, inclusive
"Montreal Miniature" collage for radio [score], February 2, 1997, inclusive
"Mountains and Rivers Remain", 2018
"Name pieces" ("Naming Songs")- a short song for Christian Wolff, a sounding of Udo Kasemets, "Naming Song for Tom Plsek", January 3, 1996; November 27, 2000; October 1, 1982, inclusive
"A New Song of many faces for In These Times", 2002, inclusive
"Of Sky Bright Mushrooms Bursting in My Head" [score], October 29, 1983, inclusive
"An old fiddler stomping" for Bill Royer [score], February, 1972, inclusive
"On and on and always slowly nowhere" [score], 2011
"On and On and Always Slowly Nowhere", 2019
"On the edge of song" [score], 1974, inclusive
"On the first day of spring there werer forty pianos" [score], January, 1981, inclusive
"On the first day of spring there werer forty pianos" - photographs of premier with invitations and responses, 1987, inclusive
"On the first day of spring there werer forty pianos" Response cards, 1987, inclusive
"On Withered Fields Wandering Still" [score], 2010, inclusive
"On Withered Fields, Wandering Still"-"L'Oubli de l'air" installation by Lani Maestro [inkjet prints], 2010, inclusive
"Once" collaboration with Barbara Hammam and Mischa Murucher [Includes score for "Once (again)"], April 30, 1998; September 14-17, 1998, inclusive
"Orchestra Pieces" : "Pond: 'earth's eye', the mirror" and "Night Chant" [score], 1980; 1985, inclusive
"...out of changes: Keeping Still; Mountain" [score], 1994, inclusive
"...out of changes: Keeping Still; Mountain" photographs of collages by Fanny Schoning ("I-Ging Series"), 1994, inclusive
"...out of changes: Keeping Still; Mountain" traces of collages by Fanny Schoning ("I-Ging Series"), 1994, inclusive
"...out of changes: Keeping Still; Mountain" with Fanny Shoning, 1994, inclusive
"out of nowhere... and there to again" [score], November 30, 2007, inclusive
"Overture to Fantastic Gardens" [score], 1964; September, 1976, inclusive
Percussion Music- "Wood Stone Metal Skin, With Voice"; "The RIch Complex Vocabulary of a Percussionist's Body/Gesure", 1982-1983, inclusive
"Piano Studies" [score], August, 1973, inclusive
"Place: A convergence of distances" sound installation with tape collage- Switzerland, October, 1994, inclusive
"Process, or Time Between," "Thinking About Gagaku," "Walking with Samuel Beckett", 2020
"Qaumaneq; shaking with joy" [score], 1993, inclusive
"Qerneraq; our breath as bones" [score], October, 1986, inclusive
"Radio Play Music" [score], 1989, inclusive
"...a reflection. It is" [score], November, 1980, inclusive
"Regarding the Tower of Babel" [music/theater piece], 1997, inclusive
"Regarding the Tower of Babel" English Text [score], December 23, 1999, inclusive
"Regarding the Tower of Babel" French typed version [score], June 23, 2004, inclusive
"Die Reise des Spatzen (oder Die Liebe zur Heimat)", 1993, inclusive
"Renga (La metamorphose de la source)" [score], 1997, inclusive
"Resonances de Babel" with photoraphs by Thierry Collins and mural by Natasha Mayers, 2004, inclusive
"Resonances de la Fontaine" [score], 2012, inclusive
"Royalty House Blues (Cantos III)" [score], September, 1981, inclusive
"Sanctuary Piece" for Cindy Childs [score], June, 1963, inclusive
"Scherzo" for James Waring [score], 1964, inclusive
"The Seasons" a collection of sounds and textures- original concept sketch, 1976, inclusive
"The Seasons" notes and notations for the Kurtzforum Art Series Journal, October, 1980, inclusive
"The Seasons: Vermont" [score], 1980-1982, inclusive
"The Seasons: Vermont" [score: instructions without graphic score pages], 1980-1982, inclusive
"Seikilos Song" (arrangement for student ensemble at Goddard College), 1973, inclusive
"A Shifting of Focus" [score], 2010, inclusive
"A Short Song for Christian" (Wolff)[score], January 3, 1996, inclusive
"A Sick Eagle Can You See" from Charles Ives [score], December 15, 2003, inclusive
"Sirens for Edgard Varese" [score], December, 1965, inclusive
"the sky has many stories to tell" for The Locrian Chamber Players [score], 2010, inclusive
"Song of the Thundercloud/ Rainbow, Becoming" piano solo for Jim Tenney [score], August 14, 1979, inclusive
"Le Souffle du Coyote a la Surface de l'Eau" a radio piece for "Le Navire Night" (Helene Prevost) Societe Radio Canada, January 23, 1996, inclusive
"Sounding the Fragility of Line" for Morton Feldman - violin alone and cello adaptation, January 21, 1988; 1999, inclusive
"Sounding a Nimbus for Geoff" [score], 2011, inclusive
"Soundings" on the canal boat "Spreekomtess"- Maerz Musik/ Berliner Festspiele [photographs with video stills by Barbara Hammann], March, 2004, inclusive
"Soundings" [photographs by Bill Hellerman], 1978, inclusive
"Soweto Stomp" with "Been in the storm so long" and "I have a dream" speech [score], 1985, inclusive
"State of the Nation" for Judson Gallery Publication, October, 1967, inclusive
"Stillness Unfolding"- dance and sound structure, February, 1967, inclusive
"A Summoning of Focus" for Joseph Celli [score], January, 1977, inclusive
"...that hung like fire on heaven" reduced size conductor's score, set of parts, and instruction pages [score], November 28, 1985, inclusive
"...that hung like fire on heaven" instrumental parts [score], 1985, inclusive
"...that hung like fire on heaven" permission letter for quote from 'Let Us Now Praise Famous Men', September 30, 1985, inclusive
"...that hung like fire on heaven" hymn for Martin Luther King, 1985, inclusive
"...that hung like fire on heaven" instrumental parts from performance [score], 1985, inclusive
"...that hung like fire on heaven" photocopied parts [score], 1985, inclusive
"...that hung like fire on heaven" reduced size conductor's score and instructions with Martin Luther King Jr.'s Washington D.C. speech, 1985, inclusive
"...that hung like fire on heaven" notation explanations in score and parts, 1985, inclusive
"That is poetry as" musical transformation of the mesostic "I have nothing to say..." by John Cage [score], 1993, inclusive
"That Which Goes On", 2016
"This Full Breath/Gesture Sounding", 2017
"Through Deserts of Time" in memoriam for Morris Block, 1990, inclusive
"Topography of a Sound Mind" Horspiel WDR Koln [radio], 1991; 1994, inclusive
"(Trinity) Extended... Meets the Passumpsic" [score], August 30, 1999, inclusive
"Two Seeking Song, Listening" (Page 6 Replacement), 2014
"Two Silences" from "Cento Anni Di Suoni"- original score with revised versions, 2000; 2003; 2013, inclusive
"Typography of a Sound Mind" for John Cage, 1983, inclusive
"Uber Land Unter" (over land under) with Dorethea Rust [1 of 3], April, 2000, inclusive
"Uber Land Unter" (over land under) with Dorethea Rust [2 of 3][photographs], April, 2000, inclusive
"Uber Land Unter" (over land under) with Dorethea Rust [3 of 3], April, 2000, inclusive
"Upon the string, within the bow...breathing" [score], 1972, inclusive
"Versuch einer Grundlichen Violinschule" ("Essay on the Fundamentals of Violin Playing") materials for horspiel [score][1 of 3], 1996, inclusive
"Versuch einer Grundlichen Violinschule" ("Essay on the Fundamentals of Violin Playing") materials for horspiel [score][2 of 3], 1996, inclusive
"Versuch einer Grundlichen Violinschule" ("Essay on the Fundamentals of Violin Playing") materials for horspiel [score][3 of 3], 1996, inclusive
"The Violence of Small Sounds" [score], 1984, inclusive
"The Violence of Small Sounds" [Photographs], 1984-1987, inclusive
"Violin Solos the (Whole) World Plays, or The 'Third' World Within Us" with "Tongues of My Mother's Teaching" magnetic tape collage, 1992, inclusive
"Violin Solos the (Whole) World Plays, or The 'Third' World Within Us" for Die Moltkerei catalogue, 1992, inclusive
"Violin Solos the (Whole) World Plays, or The 'Third' World Within Us" Die MoltKerei, Koln [photographs by Ursula Frank], April, 1992
"Walking Song, Finding Voice" for Jeremias Schwarzer [score], 2005, inclusive
"Wandering Still", 2017
"What can be said of our differences?" for Klang forum Wien [score], 2005, inclusive
"Where are we going when we're standing still, looking backwards?" [score], 2002, inclusive
"Why Bach? Pourquoi?", 2006; September 19, 2009, inclusive
"Wind Chases the Sun" for Leonard Pettier [score], 2001, inclusive
"From Wind/ing- Sheet Red Trees Reborn" dedicated to the memory of David Nathan Chain [score], 1999, inclusive
"With Thoughts for Erik Satie...And Afterthoughts" [score], April, 1977, inclusive
"Without Beginning or Ending" for L'Art pour L'Art [score], 2003, inclusive
"Yosha's Morning Song" [score], 1972, inclusive
"Yosha's Morning Song Extended" [score], 1974, inclusive
"Z+X Tschaikowsky" an opera with Barbara Hammann [inkjet prints; photographs; documentation], March 12-14, 1996; June 28, 1997, inclusive
Art-Related Music Projects, 2009
Original Scores and Part Pages, 2018-2019, inclusive
Subseries B: Other Musicians - Scores and Adaptations
Scope and Content
Subseries B: Other Musicians contains scores that are either made by other musicians specifically for Malcolm Goldstein to play or works of others that he created adaptations and critical editions of. Included in this series is material that was used for the critical edition of Charles Ives' work more of which can be found in Series II: Writing.
Arrangement
Material is arranged by surname of the musician whose piece is reflected therein.
Byron, Michael - "Eighty Pieces for String Instruments", 1979; 1996, inclusive
Byron, Michael - "7' for Solo Violin", October 10, 1999, inclusive
Byron, Michael - "158 Pieces for String Instruments", 1979, inclusive
Cage, John - "Cheap Imitation" [annotated], 1977, inclusive
Cage, John - "Eight Whiskus", March, 1985; April 23, 1986, inclusive
Cage, John - "Four^6 (part 3)" Montreal [1 of 3], September 5, 2012; December 5, 2012, inclusive
Cage, John - "Four^6 (part 3)" Montreal [2 of 3], April 10, 1997, inclusive
Cage, John - "Four^6 (part 3)" HR recording [3 of 3], November 6, 2002, inclusive
Cage, John - "One^6" with "One^10", June, 1990, inclusive
Cage, John - "Ryoanji" [adaptation], [undated]
Cage, John - "Score and Twenty Three Parts" "Anarchic Harmony" John Cage's 80th Birthday Festival, 1974, inclusive
Cage, John - "Theater Piece", February 26, 1995; November 17, 1995, inclusive
Cage, John - "Variations II", June-October, 1998, inclusive
Cage, John - "Variations II" Koln, June, 1997, inclusive
Corner, Philip - "Gamelon Corn", 1982, inclusive
Corner, Philip - "(gamelon) The Gold Stone", April, 1985, inclusive
Corner, Philip - "Violin Music for Malcolm Goldstein" with comments, [1995-2010], inclusive
Epstein, Paul - "Changes 2" with correspondence, June 14, 1984; 1985, inclusive
Fang, Liv - Potluck Performances and Haskell Opera House Concert [photographs], July 8, 2005; August 18, 2007, inclusive
Garland, Peter - "Matachin Dances", October 1980- February 1981, inclusive
Garland, Peter - "Three Variations for Solo Violin", Winter, 1983, inclusive
Higgins, Dick - "Song for Malcolm", March 27, 1986, inclusive
Hellermann, William - "The Violin Between Us", 1980, inclusive
Ives, Charles - "In Re Con Moto Et Al" [Tone Roads], April, 1964, inclusive
Ives, Charles - "A Program of Music by Charles Ives" McMillan Theater, Columbia University [originally framed], [undated]
Ives, Charles - "String Quartet No. 2" annotated for Tone Roads Concert (mid-1960's), [c. 1965]
Ives, Charles - "Tone Roads No. 1" annotated by Malcom Goldstein and Jim Tenney for Tone Roads concert, New School, NYC, December, 1963, inclusive
Ives, Charles - "Trio" annotated by Malcolm Goldstein and John Kirkpatrick, February 19, 1978, inclusive
Johnson, Tom - "Imperfections" with correspondence, 1977, inclusive
Kasemets, Udo - "98 + memory echoes of John Cage", October 27, 2002, inclusive
Kasemets, Udo - "EGAD, a string theory for solo violin", 2004, inclusive
Kaul, Matthias - [photographs and inkjet prints], May, 1998, inclusive
Kaul, Matthias - "Last! Movement"; "Listen, this is for you", February, 1998; [undated], inclusive
Mac Low, Jackson - "Vocabulary Gatha for Malcolm Goldstein", 1978, inclusive
Mott, David - "Meditation I" [with correspondence], 1981; November 13, 1982, inclusive
Oliveros, Pauline - "Malcolm's Birthday Piece"; "Thirteen Changes for MG", 1986, inclusive
Oliveros, Pauline - "Portrait of (Malcolm)", 1987, inclusive
Oliveros, Pauline - "The Witness", June 18, 1979; 1989, inclusive
Otte, Hans - "Alltagsmusik", 1989-1991, inclusive
Otte, Hans - "Alltagsmusik", 1990-1992, inclusive
Stravinsky, Igor - "Symphony of Psalms" [score], 1977
Tenney, James - "Koan", August 16, 1971, inclusive
Transcriptions by Malcolm Goldstein, 1993, undated
Webern, Anton - "Six Bagatelles" [score, notes]
Wilson, Peter Niklaus - "Kraniche in Zweireiner", 1996, inclusive
Wolff, Christian - "Bread and Roses" [annotations by Malcolm Goldstein], [undated]
Wolff, Christian -- "For 1, 2 or 3 People", 1999-2002, inclusive
Subseries C: Notebooks and Sketches
Scope and Content
Subseries C contains notebooks and loose sketches for projects. Notebooks contain drafts of scores and notes about music projects. Each notebook contains more than one music project within it.
Arrangement
Each notebook has been given a number that was imposed by the archivist. This number is used to connect each notebook with the loose pages that were within it and falling out. These pages can be connected through this numbering system as well as through the photocopied pages of the notebook page that they were separated from.
Notebook 1 : "Beethoven Piano Sonata"; "Lamentations of Jeremiah"; "Passacoglia", October 12, 1955; [undated]
Notebook 1 : [loose pages removed from last page of notebook], [undated]
Notebook 2 : Sketches for Improvisation including "Sirens for Edgard Varese" ; "Plato Symposium" ; complete program at Judson Church, 1965
Notebook 2 : [loose pages removed from first page of notebook], [undated]
Processing Information
Materials from this group were also placed in an oversize box _
Notebook 2 : "Plato Symposium" [discussion notes], [undated]
Notebook 2 : "John Cage Arts Award Materials for Student Performances", [1965-1970]
Notebook 2 : "Percussion Solo for Max", [undated]
Notebook 2 : "Sirens for Edgard Varese", [undated]
Notebook 3 : "Upon the Seashore of Endless Worlds", May 25, 1975, inclusive
Processing Information
Materials have been removed from oversize drawing pad.