Paul Langland Papers
Call Number
Date
Creator
Extent
Extent
Language of Materials
Abstract
Paul Langland is a choreographer, dancer and educator. The Paul Langland Papers contain paper and electronic files related to Langland's projects, performances, teaching, and professional involvement with modern dance techniques, including Allan Wayne Work and Contact Improvisation, from the mid-1970s through 2015.
Biographical Note
Paul Langland is a choreographer, dancer and educator. Langland received his BFA in Sculpture and Performance from the California College of Arts and Crafts in 1973. While in California, Langland began his involvement with the Contact Improvisation dance technique, studying under its founder Steve Paxton.
After moving to New York City in the 1970s, Langland began working with choreographer and performer Meredith Monk, whose company he later joined. Langland remained a member of the Meredith Monk Vocal Ensemble until 1985.
During his time in New York City, Langland also studied closely under dancer Allan Wayne. After Wayne's death in 1978, Langland began teaching his technique, under the name "Allan Wayne Work," and continued to develop his work.
Throughout his career, Langland has performed at various notable performance spaces and with various performance groups including The House, Danspace, Dance Theater Workshop, LaMama, The Kitchen, and Franklin Furnace, among others. Langland has also held a number of fellowships and residencies, leading to performances and workshops throughout North America, Europe, Korea, Venezuela and Cuba. He is currently a master teacher at New York University's Experimental Theater Wing.
Choreography Timeline
Arrangement Note
This collection is arranged into 13 series as follows:
Series I: Files
Series II: Notebooks and Planners
Series III: Photographs
Series IV: Posters, Programs, and Flyers
Series V: Allan Wayne Material
Series VI: Video Recordings
Series VII: Sound Recordings
Series VIII: Vinyl Sound Recordings
Series IX: Data Storage
Series X: Objects
Series XI: 2015 Accretion
Series XII: 2016-2017 Accretions
Series XIII: 2018 Accretion
Material is arranged both chronologically and alphabetically in different series, in some cases to retain the original organization. The materials in Series XI: 2015 Accretion, Series XII. 2016-2017 Accretions, and Series XIII. 2018 Accretion have not been arranged by an archivist and are in the order in which they were received from the donor.
Scope and Contents
The Paul Langland Papers contain material created and collected by Paul Langland during the course of his career as a choreographer, dancer and educator. The collection documents in paper and electronic files his performance and teaching of contemporary dance techniques, including Allan Wayne Work (for which Langland is a main developer) and Contact Improvisation. There is also documentation of Langland's personal works, as well as his contributions to various dance ensembles, with a focus on those located in New York City.
Material includes choreography notes, journals, artist and project files, flyers, programs, posters, and records related to Langland's tenure as a professor at New York University's Tisch School of the Arts. Additionally, the collection includes photographs documenting Langland's projects, tours, and personal life. Also included in the collection are original video and film recordings of Langland's performances. Sound recordings may be unavailable until reformating occurs.
Subjects
Conditions Governing Access
Materials are open to researchers.
Conditions Governing Use
Copyright (or related rights to publicity and privacy) for materials in this collection was not transferred to New York University. Permission to use materials must be secured from the copyright holder. Please contact the Fales Library and Special Collections, fales.library@nyu.edu, 212-998-2596.
Preferred Citation
Identification of item, date; Paul Langland Papers; MSS 253; box number; folder number or item identifier; Fales Library and Special Collections, New York University.
Location of Materials
Immediate Source of Acquisition
Collection was originally donated in 2009, with additional donations in 2010, 2013, 2014, 2015-2017, and 2018.
Audiovisual Access Policies and Procedures
Access copies for some materials are available by appointment for reading room viewing and listening only. Please contact fales.library@nyu.edu, 212-998-2596.
Physical Characteristics and Technical Requirements
Advance notice is required for the use of computer records. Original physical digital media is restricted. An access terminal for born-digital materials in the collection is available by appointment for reading room viewing and listening only. Researchers may view an item's original container and/or carrier, but the physical carriers themselves are not available for use because of preservation concerns.
Appraisal
Two CD-Rs were removed from the collection, considered by a curator to be outside the collection policies of Special Collections:
Reefer Blues: Vintage Songs About Marijuana
Meredith Monk Piano Songs
About this Guide
Processing Information note
In October 2014, two boxes of duplicate or commercially released video material was de-accessioned. There are no longer boxes 40 and 41. At this time, Video Subseries A: Access Copes was altered to read Video Elements. Access copies are to be requested by the source material ID number. In 2015, 2018, and 2019, accretions were added to the collection as separate series in accordance with previous arrangement and description decisions. Original folder titles for these materials have been retained.
Born-digital items from Series XII and XIII were physically separated and inventoried, forensically imaged, analyzed, and described. New York University Libraries follow professional standards and best practices when imaging, ingesting, and processing born-digital material in order to maintain the integrity and authenticity of the content.
Revisions to this Guide
Repository
Series I: Files, 1966-2011, inclusive
Scope and Content
Series I consists of files kept by Paul Langland on various performances, artists and subjects. It includes correspondence, artist's files, programs and promotional material, press, interviews, and production information. Additionally, it includes choreography notes both for Langland's personal performances and original choreography, as well as performances associated with his position in NYU's Experimental Theater Wing. Much of the material is related to Paul Langland's involvement in the developement, teaching and performance of the "Allan Wayne Work" and Contact Improvisation dance techniques. This largely includes class notes and information on workshops and conferences, as well as information on various fellowships and residencies held by Paul Langland.
Arrangement Note
Series I is arranged alphabetically by folder title. Titles are original unless otherwise noted.
All Studio AIDS Event, 1992, inclusive
Allan Wayne Article, 1996, inclusive
Almost Rapture, 1997, inclusive
Almost Rapture Notes, 1997-1999, inclusive
American College Dance Festival Association - ACOFA/AOF [1 of 2], 1989-1990, inclusive
American College Dance Festival Association - ACOFA/AOF [2 of 2], 1989-1990, inclusive
American Dance Festival - ADF Seoul [1 of 2], 1991, inclusive
American Dance Festival - ADF Seoul [2 of 2], 1991, inclusive
Antigone Program - Judson's Poet Theater, 1966, inclusive
Article and Poster Samples, 1992; 1995-1997; undated, inclusive
Autobiography of a Liar, 1999, inclusive
Boneyard, 1989, inclusive
Boomerang, undated
California Performances, 2003, inclusive
Channel Z, 1984-1986; 2008, inclusive
Chicago Tour Documents, 1982, inclusive
Choreography/Workshops, 2000-2009, inclusive
Class Notes, 1982, inclusive
Class Addresses, 1980-1987, inclusive
Cliffs of Desperes, 1996, inclusive
Collaborations, 2002-2008, inclusive
Connecticut College CITE Conference, 2010, inclusive
C.I. 36 Conference of Contact Improvisation, 2008, inclusive
C.I. [Contact Improvisation] Ground Research - Earth Dance, 2010, inclusive
Contact Improv, 1976-1977; undated, inclusive
Contact Improv [1 of 2], 2008; undated, inclusive
Contact Improv [2 of 2], 2008; undated, inclusive
Contact Article, 1997-2000, inclusive
Contactfestival - Freiburg, Germany, 2010, inclusive
Contact Quarterly, 1995, inclusive
Cornell/Amherst, 1998-1999, inclusive
Course Descriptions, 1994; undated, inclusive
Croft/Vaughn [show outline], undated
Dance Contracts, 1978-1979; 1981-1982; 1984; 1986-1991; undated, inclusive
Dance on the Square [Almost Rapture], 1998, inclusive
Dance Material [1 of 2], 1979; 1982-1991; 1995-1998; 2000-2001; undated, inclusive
Dance Material [2 of 2], 1979; 1982-1991; 1995-1998; 2000-2001; undated, inclusive
Domestic Virtue, 1988, inclusive
Downtown/Upstate, 1989-1990, inclusive
Downtown/Upstate performer photos
Drama Therapy Conference, 1997, inclusive
Experimental Theater Wing Graduation Photos and Class Lists, 1992; 2002; 2004; 2011, inclusive
Eddie, undated
Edinburgh Fringe, Ricky DeMarco Student Workshop, 1973, inclusive
Ephemera, 1984; undated, inclusive
Fame and Money, 1984, inclusive
Festival International de Theatre Bruxelles, 1979, inclusive
Full Flora Smak, 1994-1995, inclusive
Fuse Festival, 2003, inclusive
Germany, 1986, inclusive
Gertrude Stein Octoberfest [Rooms and Buildings], 2002, inclusive
Getting Ready to Really Leave, 2002, inclusive
The Ghost of a Flea, 1990, inclusive
Guerilla Performances, undated
Heat, 2000, inclusive
Hello Big Honey, undated
Honda HD, 1987, inclusive
Honor, 1999, inclusive
Honor Notes, 1998, inclusive
Honor Costume Design - Kitty Leach, 1998, inclusive
Humbolt's Current (Ping Chong), 1977-1978, inclusive
Interviews, 1981; 1989, inclusive
I will not be...[sad in this life], 2008, inclusive
Jonah, 1990-1991, inclusive
[Joseph Langland], 1981; 2000; 2007, inclusive
Jungle Breath, undated
La Mama 50th Anniversary Gala, 2010-2011, inclusive
Letters- Dance [1 of 4], 1970-1988, inclusive
Letters- Dance [2 of 4], 1970-1988, inclusive
Letters- Dance [3 of 4], 1979-1988, inclusive
Letters- Dance [4 of 4], 1991-2000, inclusive
Letters- Dance Related [1 of 2], 1985-1996, inclusive
Letters- Dance Related [2 of 2]
Letters- Paul Langland responses, 1992; 2002-2009; undated, inclusive
Letters- Performing Arts and Dancing [1 of 2], 2000-2010, inclusive
Letters- Performing Arts and Dancing [2 of 2], 2000-2010, inclusive
Letters- Teaching, 1991-2001, inclusive
Meredith Monk, 1976; 1980-1983; 1989-1990; 2000; undated, inclusive
Meredith Monk, 1974-1982, inclusive
Meredith Monk Choreography Notes, undated
Meredith Monk Company Documents, 1980; undated, inclusive
Meredith Monk Company Press Clippings, 1976-1979; 1981-1983; 2000, 2005, 2009-2010, inclusive
Meredith Monk Photographs, undated
Meredith Monk- Reviews, 1976-1979; 1981-1984; 1987, inclusive
Methodologies Outline, undated
Meyerhold, 1973, inclusive
Miscellaneous [Press and Notes], 2000-2010, inclusive
Montreal, 1996, inclusive
Movement Research, 1984-1989, inclusive
Movement Research [1 of 2], 2000-2006, inclusive
Movement Research [2 of 2], 2000-2006, inclusive
Movement Research Spring Gala, 2011, inclusive
Movement Research Studies Project, 1984, inclusive
Naropa Institute, 2005, inclusive
Normal Kansas, 1991, inclusive
New York Dance & Performance Awards, 1985-1991, inclusive
NYPL Oral Histories Project, 2002-2004, inclusive
[NYU]- Distinguished Master Teacher Committee, 2000-2003, inclusive
NYU Experimental Theater Wing, 1983-1985, inclusive
[NYU]- Letters to Paul Langland, 2001; 2003; 2009, inclusive
[NYU]- The Performing Body in Theory and Practice Class Syllabus, 2009, inclusive
NYU Spousal Benefits Project [1 of 2], 1992-1994, inclusive
NYU Spousal Benefits Project [2 of 2], 1992-1994, inclusive
[NYU]- Spousal Benefits/Domestic Partnership, 1993, inclusive
[NYU]- Spousal Benefits/Association of Lesbian and Gay Faculty, Administrators and Staff (ALGFS), 1993-1994, inclusive
Outfall, 1993-1995, inclusive
Paul Langland Biography, undated
Paul Langland Press/Articles, 1995; 2001; 2004-2005; 2009; 2010-2011; undated, inclusive
Paul Langland Press to 2008, 1976-1979; 1981-1991; 1997-2005, inclusive
Personal Notes, 2011, inclusive
Paula Cooper Gallery Photos of Drawings, 1977, inclusive
Professional Activity, 2010, inclusive
Progetto Shakespeare/Project Shakespeare, 1979; 1982, inclusive
Rapture, undated
[Retazos/Danza Teatro], 1994-1995, inclusive
[Retazos/Danza Teatro Cuba Grant], 1996, inclusive
Reviews, 1977; 1984-1986; 1994, inclusive
Reviews, 1976-1977; 1980-1986; 1989-1990; 1993-1997, inclusive
Reviews, 1984; 1986; 1989-1990, inclusive
Reviews- Mary Overlie, 1978, inclusive
Richard Armstrong Voice Workshop, 2008; 2011, inclusive
Scott Heron, undated
Surface, undated
SUNY- Partners Annual Dance Festival, 1989, inclusive
SUNY Programs in the Arts, 1986; 1989-1990, inclusive
Southern Tour, 1989, inclusive
Sweden, 1990, inclusive
[The Thinking Body - Photocopies], undated
[Diane] Torr, 1987, inclusive
Universite de Genève, 1983, inclusive
Upstate Dance Projects, 1981-1989, inclusive
Venezula Dance Festival, 1990, inclusive
Visual Art and Film, 1981-1982; 1986-1989; 1992-1993; 1998; undated, inclusive
Willoughby Nursing Home, 1978, inclusive
Waterfall, undated
Whoopee in the Dark, 2002, inclusive
Whoopee in the Dark/Dana Salisbury, 2002, inclusive
Yoshi Yoara Christmas Cards to members of [Meredith] Monk Company, undated
Series II: Notebooks and Planners, 1973-2009, inclusive
Scope and Content
Series II consists of personal notebooks and planners. They include personal information as well as information related to Paul Langland's choreography and
Arrangement Note
Series II is arranged chronologically within each type of material. Notebooks are dated by the earliest date included.
Notebook, 1973, inclusive
Notebook- Bonnie Cohen, 1978, inclusive
Notebook, February 1978-April 1978; January 1981-January 1983, inclusive
Notebook, July 1984-October 1985, inclusive
Notebook, October 1985-September 1986, inclusive
Notebook, 1986-1988, inclusive
Notebook, September 1986-April 1987, inclusive
Notebook, March 1988-June 1988, inclusive
Notebook, June 1988-February 1989, inclusive
Notebook, August 1989-September 1990, inclusive
Notebook, 1990, inclusive
Notebook, October 1992-November 1993, inclusive
Notebook, 1992-1993, inclusive
Notebook, February 1994-March 1995, inclusive
Notebook, September 1996-July 1996, inclusive
Notebook, 1996-1997, inclusive
Notebook, October 1997-April 1998, inclusive
Notebook, November 1998-January 2000, inclusive
Notebook, January 2000-November 2000, inclusive
Notebook- Class Notes, January 2001-October 2001, inclusive
Notebook, October 2001-October 2002; March 2003, inclusive
Notebook- Naropa Institute, undated
Notebook, undated
Notebook, undated
Notebook, undated
Notebook, undated
Notebook, undated
Calendar, 1978, inclusive
Date Book, 1979-1980, inclusive
Date Book, 1981; 1982, inclusive
Date Book, 1983; 1984, inclusive
Date Book, 1985; 1986, inclusive
Date Book, Jaunary-December 1987, inclusive
Date Book, July 1991-August 1992, inclusive
Date Book, September 1992-August 1993, inclusive
Date Book, August 1993-August 1994, inclusive
Date Book, August 1994-Auguest 1995, inclusive
Date Book, August 1995-August 1996, inclusive
Date Book, August 1996-August 1997, inclusive
Date Book, September 1997-September 1998, inclusive
Date Book, September 1998-September 1999, inclusive
Date Book, September 1999-October 2000, inclusive
Date Book, October 2000-October 2001, inclusive
Date Book, October 2001-October 2002, inclusive
Date Book, October 2002-October 2003, inclusive
Date Book, October 2003-October 2004, inclusive
Date Book, October 2008-September 2009, inclusive
Series III: Photographs, 1965-2011, inclusive
Scope and Content
Series III consists of both dance related and personal photographs. The majority of the photographs document Paul Langand's tours with various dance ensembles, most notably with Meredith Monk's company. It includes many photographs of dance performances and events, as well as some promotional photographs for individual pieces. It also includes personal photographs that document New York City and various vacations.
Arrangement Note
Series III is arranged chronologically by the earliest date in each section. Binder 17 reflects two photo albums kepy by Paul Langland.
Dance Related Photographs, 1965; 1976; 1982-2001; 2009; 2011, inclusive
Meredith Monk, 1971-1980; 1984; 1987, inclusive
General
25 photographs, 1 slide
Artists in Process Workshop, 1973-1974, inclusive
General
5 photographs
Contact Improv, 1973; 1978, inclusive
General
18 photographs
Paula Cooper Gallery, 1975-1980; 1983; 1986; 1998-2001; 2008, inclusive
General
4 photographs
Assorted Dance Photographs
General
9 photographs
Skin, 1976, inclusive
General
71 photographs, 1 contact sheet, 1 page negatives
Meredith Monk Company Photographs, 1977; 1980; 1982; 1989; 1993; 2009, inclusive
General
18 photographs
Meredith Monk Tour- Texas, 1978, inclusive
General
5 photographs, 1 sheet of negatives
Meredith Monk Tour- Texas/Colorado, 1978, inclusive
General
2 pages of negatives
Contact Improvisation at Paula Cooper Gallery, 1978, inclusive
General
33 photographs, 2 pages of negatives
Contact Quarterly Benefit- Cunningham Studios, NYC, 1978, inclusive
General
9 photographs
Ping Chong, 1979; 2002, inclusive
General
5 photographs
Assorted Dance Photographs, 1979; 1983; 1984; 1986; 1988; 1990; 1991;1997-1999; 2008; 2009, inclusive
General
22 photographs, 3 negatives
Meredith Monk Tour- Taormina, 1979, inclusive
General
3 photographs, 4 pages of negatives
Meredith Monk Tour, Travelogue Series- Los Angeles, 1979, inclusive
General
2 pages of negatives [Negatives only - see Binder 11 (Album) for related photographs]
Contact Concert at Paula Cooper Gallery Photo Shoot, 1979, inclusive
General
4 photographs
Gay Pride- New York City, Washington D.C., Amsterdam, 1979; 1986; 1992; 1998; 2000, inclusive
General
17 photographs
[New York City, Cabin in Vermont, Colin Cochran Studio Shots, Prince Philip], 1980; 1989; 1992-1994; 1998-1999; 2005; 2009, inclusive
General
22 photographs
Bread and Puppet Theater- Vermont, 1982, inclusive
General
46 photographs
Tour to Geneva, 1982, inclusive
General
6 photographs
Meredith Monk Tour- Specimen Days, 1982, inclusive
General
3 photographs
Turtle Dreams- PBS Geneva, 1982, inclusive
General
27 photographs, 2 pages of negatives
Turtle Dreams TV Shoot- Springfield, MA, 1982, inclusive
General
7 photographs
Meredith Monk Company- New York, Italy, 1982, inclusive
General
32 photographs, 2 pages of negatives
Meredith Monk Tour, New Music Festival- Chicago, 1982, inclusive
General
3 photographs
Scarf Dance, 1982, inclusive
General
2 contact sheets
Allan Wayne Work, 1982, inclusive
General
7 contact sheets
East Meredith [New York], 1983, inclusive
General
2 photographs, 2 pages of negatives
Salome at Pyramid Club, 1983, inclusive
General
25 photographs
Channel Z, 1983, inclusive
General
3 photographs, 1 negative
Fame and Money, 1984, inclusive
General
4 photographs, 1 negative, 4 contact sheets
Circa 1950-51, 1984, inclusive
General
2 photographs
Rapture, 1986, inclusive
General
5 photographs, 3 negatives, 1 contact sheet
Channel Z, 1984; 1997, inclusive
General
20 photographs
Jungle Breath, 1987, inclusive
General
3 photographs, 1 negative
Domestic Virtue, 1988, inclusive
General
3 photographs, 1 negative
Meredith Monk Tour- Holland and Munich, 1984, inclusive
General
37 photographs, 2 pages of negatives
Contact Improvisation Workshop/Island Movement, 1985, inclusive
General
3 photographs
Tour in Germany, 1986, inclusive
General
15 photographs, 2 pages of negatives
Stephen Petronio, 1986; 1988; 1998, inclusive
General
9 photographs
Expo- Vancouver, 1986, inclusive
General
5 photographs
Lee Nagin, Joyce Theater, 1987, inclusive
General
3 photographs
World Trade Center, 1987, inclusive
General
9 photographs
[David Zambrano], 1988; 1990; 1998; 2000; 2010; undated
General
18 photographs
Meredith Monk Tour- Geneva, Amsterdam, 1989, inclusive
General
30 photographs, 2 pages of negatives
Scott Heron, 1989; 1990; 1996; 2000; 2009-2011, inclusive
General
11 photographs
Robert Flynt Photographs, 1988; 1990-1993; 1997; 1998, inclusive
General
22 photographs, 2 negatives, 3 slides
Ghost of a Flea, 1989, inclusive
General
4 photographs, 3 contact sheets
Boomerang, 1989, inclusive
General
20 photographs, 1 slide
Photoshoot for Normal Kansas, 1990, inclusive
General
24 photographs
Photoshoot for Downtown Upstate, 1990, inclusive
General
4 photographs
Headshots, 1990, inclusive
General
3 photographs
American Dance Festival- Seoul, 1991, inclusive
General
20 photographs, 2 pages of negatives
Experimental Theater Wing, NYU, 1991; 1993; 1994; 1998; 1999; 2005; 2009; 2011, inclusive
General
27 photographs
Contact Improvisation and Channel Z, 1993, inclusive
General
2 pages of negatives
Diane Torr, 1993; 1999; 2005, inclusive
General
5 photographs
First outfall Workshop- California, 1993, inclusive
General
15 photographs
Normal Kansas, 1994, inclusive
General
1photograph
Cuba, 1994, inclusive
General
14 photographs
Full Flora Smak, 1994, inclusive
General
36 photographs
Almost Rapture, 1996-1998, inclusive
General
15 photographs, 3 negatives
Almost Rapture, 1997, inclusive
General
1 photograph, 5 contact sheets
General
Photographs by Robert Flynt
Almost Rapture, 1997, inclusive
General
9 Photographs, 4 contact sheets, 4 negatives
General
Photographs by Tom Brazil
Honor, 1998, inclusive
General
13 photographs
General
Photographs by Robert Flynt
Honor, 1998, inclusive
General
30 photographs, 5 negatives
General
Photographs by Paula Court
Circus Amok- Coney Island, 1999, inclusive
General
26 photographs, 2 pages of negatives
Heat, 2000, inclusive
General
20 photographs, 7 contact sheets, 2 negatives
September 11, 2001, September 12, 2001, inclusive
General
24 photographs, 2 pages of negatives
Paul and Colin's Wedding, 2009, inclusive
General
28 photographs
P.S. 122 Photoshoot, undated
General
3 contact sheets
Gail Turner, undated
General
3 contact sheets1 photograph
[Album 1], circa 1977-1979
General
84 photographs
[Album 2], circa 1977, inclusive
General
98 photographs
Series IV: Posters, Programs and Flyers, 1964-2011, inclusive
Scope and Content
Series IV consists of posters, programs, and flyers for various dance and arts performances and events. It largely consists of material related to New York City venues from the mid 1970s through the 1990s , but also includes other localities. Included in this series is material related to many notable New York City performance spaces and groups, including Danspace, Dance Theater Workshop LaMama, and Movement Research. Due to the nature of the type of material, many of the posters, programs and flyers do not include a year.
Arrangement Note
Series IV is arranged into two subseries, reflecting Paul Langland's original organization. Subseries A is arranged by artist and Subseries B is arranged by venue. Any additional material that was not assigned an original category has been arranged alphabetically by venue. This material appears at the end of the series.
Subseries A: Artists, 1964-2008, inclusive
Laurie Anderson, 1983; undated, inclusive
Pina Bausch, undated
John Bernd, 1978-1979; 1988, inclusive
Eric Bogosian, 1978; 1982; 1986, inclusive
Bread and Puppet Theater, 1974; undated
David Cale, undated
Channel Z, 1986; undated
Ping Chong, 1982; 1984; 1988; 1992; undated
Lucinda Childs, undated
Remy Charlip, 1980; 1984, inclusive
Merce Cunningham Dance Studio, 1977; 1982; 1984, inclusive
Tricia Brown, 1982; 1985; 1987-1989; 1990, inclusive
Contact Improvisation, 1975; 1978; 1984; 1988; 1990; 1997; undated, inclusive
Quentin Crisp, 2000, inclusive
Blanche Evan, 1964; 1974-1977; 1980-1982; undated, inclusive
Ellen Fisher, 1983-1984; 1984-1988; undated, inclusive
Simone Forti, 1979; 1988; 1995; 1998; undated, inclusive
Philip Glass, 1983, inclusive
Grand Union, undated
Spalding Gray, 1980-1981
Holly Hughes, undated
Bill Jones, 1990, inclusive
Paul Langland, 1968-1985, inclusive
Paul Langland, 1986-1995, inclusive
Paul Langland, 1996-2000, inclusive
Paul Langland, 2001-2006, inclusive
Paul Langland, undated
Paul Langland, undated
Daniel Lepkoff, 1979; 1987-1989; undated, inclusive
The Living Theater, 1989, inclusive
Diane Madden, 1986; 1989; undated, inclusive
Nina Martin, 1984-1985; 1989-1990; undated, inclusive
Taylor Mead, undated
Tim Miller, 1984; undated, inclusive
Meredith Monk [1 of 2], 1974; 1979; 1981; 1983-2005, inclusive
Meredith Monk [2 of 2], 1974-2006; 2005; 2008, inclusive
Meredith Monk and Ping Chong [1 of 2], 1979-1986; undated, inclusive
Meredith Monk and Ping Chong [2 of 2], 1976; 1979, inclusive
Mark Morris, 1988, inclusive
Mary Overlie, 1977; 1981; 1987; 1998; undated, inclusive
Steve Paxton, undated
Steve Petronio, 1982; 1984; 1987-1988; undated, inclusive
Rediculous Theatrical Company, undated
Steve Reich, 1977, inclusive
Lily Tomlin, 1986, inclusive
Diane Torr, 1988; 1992; undated, inclusive
Peter Van Riper, circa 1979, inclusive
David Zambrano, 1986-1988; 2000; undated, inclusive
Subseries B: Venues, 1974-2011, inclusive
BAM [Brooklyn Academy of Music], 1979; 1982-1984; 1986-1988; undated, inclusive
Dance Theater Workshop [1 of 2], 1982-1989; 1993-1998; undated, inclusive
Dance Theather Worshop [2 of 2], 1982-1989; 1993; 1998; undated, inclusive
Danspace, 1983-1988; 1990; 1996-1997; 1999; undated, inclusive
La Mama [1 of 2], 1987-1989; 2001; 2008; undated, inclusive
La Mama [2 of 2], 2001; 2008; undated, inclusive
Movement Research, 1978-1979; 1983; 1985; 1987-1988; 1993; 1998; 2003; 2004; 2008; 2011; undated, inclusive
NYU Experimental Theater Wing/Tisch School of the Arts [1 of 2], 1982-1984; 1998; undated, inclusive
NYU Experimental Theater Wing/Tisch School of the Arts [2 of 2], 1998; 2003-2011; undated, inclusive
PS 122, 1981; 1983-1984; 1988-1989; 1990; undated, inclusive
Venues A-B, 1974; 1977-1978; 1981-1984; 1988; 1990; 1998-1999; 2001-2007; undated, inclusive
Venues C, 1978-1984; 1987-1989; 1993; 1999; 2005; 2009; undated, inclusive
Venues D-G, 1976-1989; 2002-2003; undated, inclusive
Venues H-J, 1979; 1986-1989; 1990; 1992; 2000-2003; undated, inclusive
Venues K-M, 1975; 1978-1988; 1995; 1999; 2004; 2008; undated, inclusive
Venues N-P, 1973; 1978; 1980-1989; 2001; 2005; 2011; 2012; undated
Venues S-Z, 1976; 1982; 1988-1989; undated, inclusive
Unidentified Venues, 1975; 1977; 1980; 1982; 1986-1989; 2002; undated, inclusive
Unidentified Venues, 1979-1980; 1984; 1987; 1988; undated
Series V: Allan Wayne Material, 1926-1943, 1998-2004, undated, inclusive
Scope and Content
Series V contains both material belonging to Allan Wayne and material created by Paul Langland regarding his teaching of Allan Wayne's technique. The material belonging to Allan Wanye consists largely of dance programs featuring Wayne as a dancer. The material created by Paul Langland consists of notes and flyers regarding his classes on "Allan Wayne Work," as well as some biographical information on Allan Wayne
Arrangement
The arrangement of Series V reflects Paul Langland's original arrangement of the material.
Allan Wayne Material, 1926-1932; 1941; 2000; 2001; 2004; undated, inclusive
Allan Wayne Material, 1998; 2000; 2002; 2004; undated, inclusive
General
The material in this folder seems to correspond to Tapes 1-12 in Series Vi: Video.
[Allan Wayne Dance Programs], 1926-1943, inclusive
[Allan Wayne Photo Album], undated, inclusive
Series VI: Video recordings, 1977-2004, undated, inclusive
Scope and Content
Series VI consists largely of video recordings of Paul Langland's performances. It includes recordings of both Paul Langland's choreography as well as his performances with the Meredith Monk Company, and other dance collaborations. It includes complete recordings as well as some unedited material.
Series VI also includes three films.
Arrangement Note
Series VI is arranged chronologically. Undated material is arranged alphabetically following the dated material.
Subseries A: Video Elements, 1977-2004, undated, inclusive
Quarry: An opera by Meredith Monk performance at BAM, January 10, 1977, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 1 hour 27 minutes
Original format: VHS
The Travelogue Series, Roudabout Theatre, New York City, March 1977 - Tape 1 of 3, March 1977, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 1 hour 3 minutes
Original format: VHS
The Travelogue Series, Roundabout Theatre, New York City - Tape 2 of 3, March 1977, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 43 minutes
Original format: VHS
The Travelogue Series, Roundabout Theatre, New York City, March 1977 - Tape 3 of 3, March 1977
Conditions Governing Access
Access DVD available.
Physical Characteristics and Technical Requirements
Format: VHS
Duration: 00:23:00
Recent Ruins at LaMama, November 1979, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 48 minutes
Original format: VHS
Meredith Monk Vocal Ensemble, Dolmen Music at Washington Hall Performance Gallery, January 17, 1982, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 22 minutes
Original format: VHS
Speciman Days at The Public Theater, February 24, 1982, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 29 minutes
Original format: VHS
Turtle Dreams (Waltz), 1983, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 26 minutes
Original format: VHS
Fame and Money, Choreography Fellowship Application Support Tape, May 11, 1984, inclusive
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Duration: 9 minutes
Original format: VHS
Emotional Corridors, Channel Z Master, January 1984, inclusive
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Duration: 8 minutes
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Channel Z Number 1, Ethnic Folk Arts Center, January 28, 1984, inclusive
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Duration: 47 minutes
Original format: VHS
Channel Z Number 2, Ethnic Folk Arts Center, January 28, 1984, inclusive
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Duration: 47 minutes
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Channel Z Number 3, Ethnic Folk Arts Center, January 29, 1984, inclusive
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Duration: 51 minutes
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Channel Z Number 4, Ethnic Folk Arts Center, January 30, 1984, inclusive
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Physical Characteristics and Technical Requirements
Duration: 1 hour 6 minutes
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Channel Z Number 5, Ethnic Performance Rehearsal, 1984, inclusive
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Physical Characteristics and Technical Requirements
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Channel Z Number 6, Ethnic Folk Arts Center, January 30, 1984, inclusive
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Duration: 53 minutes
Original format: VHS
Z Boys, Jeff Turtletaub Edit, October 19, 1984, inclusive
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Fame and Money, Dance Theatre Workshop, November 25, 1984, inclusive
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Duration: 4 minutes
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Circa 1950-1951, Dance Theatre Workshop, November 1984, inclusive
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Duration: 31 minutes
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"Eddie" Benefit for the Homeless, 1984, inclusive
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Duration: 12 minutes
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Randy Warshaw, Sunday Nite, January 20, 1985, inclusive
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Duration: 35 minutes
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Molly, November 26, 1985, inclusive
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Laff at the Fags, by Scott Heron and Eric Paulo, 1985, inclusive
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Duration: 32 minutes
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1. Rapture 2.Candle Dance 3. Fame and Money. Munich and Erlangen, Germany, March 1986, inclusive
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Physical Characteristics and Technical Requirements
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1. Rapture 2. Candle Solo. Munich, April 1986, inclusive
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1. Rapture 2. The Candle Solo. Munich and Erlangen, Germany, April 1986, inclusive
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Rapture, etc. Master. Munich and Erlangen, Germany, April 1986, inclusive
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Duration: 1 hour 23 minutes
Original format: Video 8mm
Channel Z-- 1. Pepsico Festival 2. Z Boys Video 3.-- PS122, February 1986, inclusive
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Tom Lyman, January 31, 1987, inclusive
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Physical Characteristics and Technical Requirements
Duration: 43 minutes
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Dances in the Environs, Global Village Artist-in-Residence Grants Application-- 1.Man and Machine 2. Kinetic Fairy Tale, September 1, 1987, inclusive
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Duration: 20 minutes
Original format: 3/4 in. Umatic
Combing the Will, December 1987, inclusive
Scope and Contents
Participants: Barbara Hofrenning
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Physical Characteristics and Technical Requirements
Duration: 19 minutes
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Aquarium. Michelle, Left Eye, Right Monitor, April 28, 1988, inclusive
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Duration: 33 minutes
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Aquarium. Elisa, Right Eye, Left Monitor, April 28, 1988, inclusive
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Duration: 7 minutes
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Emotional Corridors, The Next Generation., April 28, 1988, inclusive
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Duration: 14 minutes
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Emotional Corridors, The Next Generation. New York University Experimental Theatre Wing Movement Track, May 5, 1988, inclusive
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Duration: 1 hour 8 minutes
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Section 6 Movement Track Performance, NYU Experimental Theatre Wing, May 5, 1988, inclusive
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Duration: 1 hour 53 minutes
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Kitchen Concert, December 1988, inclusive
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Credit: Mary Overlie
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Duration: 28 minutes
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Paul Langland Excerpts-- 1. Jungle Breath 2. Channel Z 3. Man and Machine 4. Eddie 5. Fame and Money, 1988, inclusive
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Participants: Jungle Breath - Daniel Lepkoff
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Duration: 36 minutes
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Jungle Breath, 1988-1989, inclusive
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Duration: 27 minutes
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Paul Solos, Movement Track Improvisations, 1988, inclusive
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Duration: 60 minutes
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2 Works: 1. Jungle Breath 2. Domestic Virtue, January 1989, inclusive
Scope and Content
Participants: Jungle Breath - Daniel Lepkoff, Domestic Virtue, Barbara Hofrenning
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Hofrenning/Langland, Edited Domestic Virtue, February 1, 1989, inclusive
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Duration: 10 minutes
Orignial format: VHS
Excerpts- 1. Boomerang 2. Domestic Virtue, or Bingo Rocks the House, April 1989, inclusive
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Physical Characteristics and Technical Requirements
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Participants: Domestic Virtue, Barbara Hofrenning
Excerpts- 1. Boomerang 2. Rapture 3. Domestic Virtue or Bingo Rocks the House 4. Jungle Breath, May 1989, inclusive
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Physical Characteristics and Technical Requirements
Duration: 25 minutes
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Participants: Jungle Breath - Daniel Lepkoff, Domestic Virtue, Barbara Hofrenning
Pool Pictures, August 27, 1989, inclusive
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Duration: 49 minutes
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Jungle Breath/Bone Yard. Hillsdale, New York, October 21, 1989, inclusive
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Physical Characteristics and Technical Requirements
Duration: 1 hour 10 minutes
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Paul Langland American Choreographer Awards Application 1. Boomerang 2. Rapture 3. Domestic Virtue 4. Jungle Breath, 1989, inclusive
Scope and Content
Participants: Jungle Breath - Daniel Lepkoff; Domestic Virtue - Barbara Hofrenning
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Waterfall, 1989, inclusive
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Duration: 8 minutes
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Section 4 Footage, Work Tape, Experimental Theatre Wing, 1989, inclusive
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Duration: 1 hour 22 minutes
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Original Unedited Footage and Edited Pieces, 1989, 1990, inclusive
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Paul and Gail Worktape, MM Collage, January 1990, inclusive
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Duration: 2 hours 2 minutes
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Rudie to Paul, Project Diary, February 1990, inclusive
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Duration: 45 minutes
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Art Matters Grant Application, Three Pieces 1. Waterfall 2. I Feel I Am 3. Jungle Breath, February 1990, inclusive
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Duration: 11 minutes
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1. Man and Machine 2. Waterfall, February 14, 1990, inclusive
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1.Waterfall 2. Jonah, Performance Edit, April 27, 1990, inclusive
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Duration: 16 minutes
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The Ghost of a Flea, Hadley Copy, May 6, 1990, inclusive
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Duration: 1 hour 12 minutes
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Excerpts from the Ghost of a Flea (Choreographer Fellowship Application Tape), May 25, 1990, inclusive
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The Ghost of a Flea at P.S. 122 (Edited Master), May 26, 1990, inclusive
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Duration: 52 minutes
Format: 3/4 in. Umatic
The Ghost of a Flea at P.S. 122 (Master), May 26, 1990, inclusive
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Duration: 47 minutes
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Diary, Venezuela. Danny, Paul, Gail, February-July 1990, inclusive
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Spectra. Hillsdale, New York, August 18, 1990, inclusive
Scope and Content
Participants: Lisa Nelson - Dodo, David Zambrano - Carmen
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Duration: 53 minutes
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Arts Panorama, August 23, 1990, inclusive
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Physical Characteristics and Technical Requirements
Duration: 45 minutes
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Untitled, August 1990, inclusive
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Physical Characteristics and Technical Requirements
Duration: 2 hour 2 minutes
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Paul Langland at the Theatre Thala, Gothenburg, Sweden, October 26, 1990, inclusive
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Duration: 34 minutes
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Location of Love by Mary Overlie - Dance Collection, December 19, 1990, inclusive
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Physical Characteristics and Technical Requirements
Duration: 16 minutes
Original format: VHS
Jungle Breath, 1990, inclusive
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Physical Characteristics and Technical Requirements
Duration: 18 minutes
Original format: Betamax
Participants: Jungle Breath - Daniel Lepkoff
Jonah, 1990, inclusive
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Normal Kansas, Experimental Theatre Wing Mainstage II (Copy of Super 8mm film), April 1991, inclusive
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Physical Characteristics and Technical Requirements
Duration: 1 hour 26 minutes
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Downtown Upstate, Wide Angle, October 25, 1991, inclusive
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Physical Characteristics and Technical Requirements
Duration: 1 hour 24 minutes
Format: VHS
Downtown Upstate, 1991, inclusive
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Duration: 27 minutes
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We Interrupt This Program...Day Without Art, Live Television Broadcast., 1991, inclusive
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Duration: 1 hour 3 minutes
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A Voice For All, NYU Experimental Theatre Wing - AIDS Week, Tape 1 of 2, 1991, inclusive
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Duration: 2 hours
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A Voice For All, NYU Experimental Theatre Wing - AIDS Week, Tape 2 of 2, 1991, inclusive
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Physical Characteristics and Technical Requirements
Duration: 54 minutes
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Paul Langland - ETW Class, 1992, inclusive
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Physical Characteristics and Technical Requirements
Duration: 24 minutes
Format: VHS
1.Angels and Apes Trio, NYC 2. Saint Marks Church Trio, 1. April 1993 2. December 1993, inclusive
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Duration: 45 minutes
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Full Flora Smak, New York University, 1994, inclusive
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Duration: 1 hour 8 minutes
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Almost Rapture - Rehearsal, November 28, 1995, inclusive
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Duration: 12 minutes
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Dybbuks and Chicken Soup by Blondell Cummings, 1995, inclusive
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Duration: 27 minutes
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Untitled Duet -Paul Langland and Brendan McCall, DanceFest 5, 1995, inclusive
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Duration: 3 minutes
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Almost Rapture - Rehearsal Master, January 18, 1996, inclusive
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Almost Rapture at Danspace at Saint Marks Church, New York City, January 21, 1996, inclusive
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Physical Characteristics and Technical Requirements
Duration: 60 minutes
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33 Fainting Spells, The Uninvited, On the Boards, Seattle, Washington, January 26, 1996, inclusive
Scope and Content
Credit: Dayna Hanson and Gaelen Hanson
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Duration: 59 minutes
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Almost Rapture and Other Dance Surprises, Danspace Project- 1.-- Normal Dog Time 2. Land Mind 3. Almost Rapture (Master), February 23, 1997, inclusive
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Duration: 48 minutes
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Section Seven Class Showing Choreography, March 1998, inclusive
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Duration: 26 minutes
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1. Almost Rapture, Solo 2. Honor, Excerpt. Dixon Place., April 1998, inclusive
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Duration: 13 minutes
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Honor, Tisch NYU-Danspace Project (Master), May 17, 1998, inclusive
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Duration: 46 minutes
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Tape 1, AW Warm Up, Cellular Introduction, Celluar Discussion, November 1998, inclusive
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Duration: 1 hour 40 minutes
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Tape 2, November 1998, inclusive
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Duration: 1 hour 30 minutes
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Tape 4, November 18, 1998, inclusive
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Duration: 1 hours 49 minutes
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Tape 5, Four Fluid Reviews and Comp. Review, Cellular, Lymph, Int. Cell, Fascia, November 20, 1998, inclusive
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Duration: 1 hour 19 minutes
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Tape 6, AW Wall Work and Dancing, November 1998, inclusive
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Duration: 1 hour 49 minutes
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Tape 7, CSK Duets and Solos, November 30, 1998, inclusive
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Duration: 1 hour 51 minutes
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Tape 8, CSK AW including Scalpel, December 3, 1998, inclusive
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Duration: 1 hour 51 minutes
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Tape 9, Venus Group Improv., December 2, 1998, inclusive
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Duration: 1 hour 47 minutes
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Tape 10, Synovial, Venus Duet Phrases, December 4, 1998, inclusive
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Duration: 48 minutes
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Tape 11, Alex on Floor, AW Standing Barr, Arterial, December 7, 1998, inclusive
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Duration: 1 hour 37 minutes
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Tape 12, Fluids Projects, Self Directed (Warm Up), December 9, 1998, inclusive
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Duration: 1 hour 15 minutes
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25th Anniversary Danspace Project Silver Series: Volume Two, Part 1, Channel Z, March 28, 1999, inclusive
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Duration: 55 minutes
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Spontaneous Combustion Cabaret, Northampton, Massachusetts, Various Acts Ending with Outtahand, 1999, inclusive
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Duration: 1 hour 16 minutes
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1. Heat, Judson Church, New York 2. Honor, Tisch School of Art, New York, 1. April 24, 2000/ 2. May 17, 1998, inclusive
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Jungle Breath at Dixon Place, May 30, 2000, inclusive
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7th World (Really the 6th) Danspace Project (Master), December 1, 2000, inclusive
Scope and Content
Wendell Beavers, Paul Langland, Mary Overlie
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Duration: 22 minutes
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Heat at University of California, Davis, April 10, 2001, inclusive
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1. Animas 2. Heat, University of California, Davis, April 14, 2001, inclusive
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Getting Ready to Really Leave - Amherst College, June 16, 2001, inclusive
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Rooms and Buildings, October 2001, inclusive
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Duration: 1 hour 21 minutes
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Getting Ready to Really Leave, Movement Research at Judson Church, March 18, 2002, inclusive
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Duration: 17 minutes
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Scratch, (Improv Festival 10), Danspace Project, November 29, 2001, inclusive
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Duration: 23 minutes
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Rooms and Buildings, Barnard, April 5, 2002, inclusive
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Du[c] Master for 4 Solos Excerpts, October 2003, inclusive
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Scratch - My Improv Festival, December 2001, inclusive
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Duration: 23 minutes
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Whoopee in the Dark, University Settlement, New York, October 3, 2002, inclusive
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Duration: 1 hour 7 minutes
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Four Solos, Jewel Theatre, Luther College, January 9, 2004, inclusive
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Duration: 1 hour 8 minutes
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Self Erasure Pieces (In Progress) Rehearsal Tape, 2002, inclusive
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Duration: 18 minutes
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Storyteller, excerpt from Whoopee in the Dark, Movement Research at Judson, March 3, 2003, inclusive
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Duration: 7 minutes
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TSL, Four Solos (Master), July 10, 2004, inclusive
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Duration: 50 minutes
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Z Boys, October 1984, 2004, inclusive
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Duration: 8 minutes
Original format: 3/4" Umatic
Alabama, undated
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Duration: 1 hour 8 minutes
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Allan Wayne Tape, undated
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Duration: 1 hour 11 minutes
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1. Coffee 2. Trio: Angels and Apes 3. Trio: St Mark's Church, 1993, inclusive
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Duration: 50 minutes
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Boomerang, undated
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Duration: 15 minutes
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Brendan and Paul Fuck Around, undated
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Duration: 26 minutes
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Boomerang, Edited, undated
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20 Minute Black, Class Acts Title, undated
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Duration: 11 minutes
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Channel Z at Pepsico, Preliminary Edit, undated
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Channel Z -Advertisement, undated
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Duration: 2 minutes
Original format: VHS
Channel Z Studio Live- 1. Ensemble 2. Singing, etc. 3. Randy (another time), undated
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Section 6, 2 Eyes video, April 22, undated
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Duration: 12 minutes
Original format: VHS
Domestic Virtue, Perf., undated
Scope and Content
Camera: Moises Kaufman
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 1 hour 52 minutes
Original format: VHS
Domestic Virtue, undated
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 56 minutes
Original format: VHS
Domestic Virtue (Master), undated
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 1 hour 23 minutes
Original format: Video 8mm
Ellis Island, undated
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 26 minutes
Original format: VHS
E.T.W Festival Day, undated
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 1 hour 57 minutes
Original format: VHS
Four Pieces- 1. Boomerang 2. Jungle Breath 3. Domestic Virtue 4. Rapture, undated
Scope and Content
Participants: Jungle Breath - Daniel Lepkoff, Domestic Virtue - Barbara Hofrenning
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: VHS
Domestic Virtue (Master), undated
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 1 hour 48 minutes
Original format: Video 8mm
Dolmen Music/Meredith Monk; Gala Concert for The Kitchen, April 27, 2004, inclusive
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 25 minutes
Original format: VHS
The Ghost of a Flea at PS 122, Tight Angle, undated
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 47 minutes
Original format: VHS
The Ghost of a Flea at PS 122, Wide Angle, undated
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 47 minutes
Original format: VHS
Helena Kolda, 11 Shorts, undated
Scope and Content
Content: [1] -- Mingus [2] -- The Last Days of Marienbad [3] -- Focusing [4] -- Precarious Positions [5] -- 3 Poems by Honor Moore [6] -- Bachanalia [7] -- Fire and Water [8] -- All of Me [9] -- Ode to Manhattan Yellow Pages [10] -- Noon Song [11] -- The Saints
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 46 minutes
Original format: VHS
Honda Commercial Auditions, undated
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 26 minutes
Original format: VHS
1. Jonah 2. Spectra, Brain Flow, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: VHS
Excerpts, Master, 1984; 1987, inclusive
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Orignal format: VHS
1. Combing the Will 2. Jungle Breath, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: VHS
Participants: Barbara Hofrenning - Combing the Will, Daniel Lepkoft - Jungle Breath
Kinetic Fairy Tale (Master), undated
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 7 minutes
Original format: VHS
I Will Not Be Sad In This World, undated
Scope and Content
Written and Directed by Ping Chong
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 20 minutes
Original format: DVD
1. Lumberjack Jig 2. Raw Footage, undated
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 30 minutes
Original format: VHS
Lory's Shots - Ferreri and Chinatown, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: Hi 8mm
1. Man and Machine 2. Waterfall 3. Jonah, undated
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 21 minutes
Original format: VHS
1. Man and Machine 2. Waterfall (Master edit), undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: VHS
Master Excerpts- 1. Blue Sail Fish 2. Filibuster II 3. Current Stream, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Duration: 20 minutes
Original format: 3/4 in Umatic
Master Excerpts, Channel Z- 1. Blue Sail Fish 2. Filibuster II 3. Current Stream, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: 3/4 in Umatic
Miguel Azcue Resume Tape, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: VHS
Turtle Dreams - Monk and Greenaway (PBS Version), undated
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 1 hour 21 minutes
Original format: VHS
Meredith Monk, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: Betamax
Credit: Peter Greenway
Moses [Pendleton], undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: VHS
Movement Track, Third Night, undated
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 1 hour 8 minutes
Original format: VHS
Naked Nude, Channel Z, undated
Scope and Content
Featuring Paul Langland, Dianne Madden, and Nina Martin. Camera: Randy Warshaw.
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 41 minutes
Original format: VHS
Normal Kansas, Act 1, undated
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 50 minutes
Original format: VHS
Normal Kansas, Act 2, undated
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 12 minutes
Original format: VHS
Normal Kansas, Act 3, undated
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 36 minutes
Original format: VHS
Paul Langland and Barbara Hofrenning Sampler, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: VHS
N.Y Contact Group at Pratt - Tape 1, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: 1/2 inch open reel
N.Y. Contacters at Pratt - Tape 2, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: 1/2 inch open reel
Psychoballet, Cuba, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: VHS
Rapture, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: VHS
Retazos, Danza-Teatro, Cuba, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: VHS
Section Five, Inwood Park, Peter and Lisa Pieces, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: VHS
1. Shnock by Paul Langland 2. Halfshell by Paul Langland, undated
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 23 minutes
Original format: VHS
Source Material Self Erasure, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: VHS
Paul Langland Title Tape, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: VHS
Transit Mass by NYU Experimental Theatre Wing, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: VHS
The Travelogue Series, Number 2, Act III, Chacon, undated
Scope and Content
Credit: Meredith Monk and Ping Chong
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 30 minutes
Original format: VHS
The Travelogue Series, Number 4, Act II, Venice/Milan, undated
Scope and Content
Credit: Meredith Monk and Ping Chong
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 34 minutes
Original format: VHS
Turtle Dreams at Plexus -- Left Side (Unedited Footage), undated
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 1 hour 1 minute
Original format: VHS
A Woodcutters Dream, undated
Conditions Governing Access
Currently available.
Existence and Location of Copies
DVD access copy available.
Physical Characteristics and Technical Requirements
Duration: 4 minutes
Original format: VHS
TV, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: VHS
Untitled, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: DV mini
Untitled, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: DV mini
Untitled, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: DV mini
Untitled, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: VHS
Untitled, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: DV mini
Untitled, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: Video 8mm
Untitled, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: VHS
Print, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: Film reel
Emotional Corridors, undated
Conditions Governing Access
Currently unavailable.
Physical Characteristics and Technical Requirements
Original format: Film reel
Untitled, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: Film reel
Self Erasure Work Tape (Master), undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: VHS
Untitled, undated
Conditions Governing Access
Currently unavailable until duplications occur.
Physical Characteristics and Technical Requirements
Original format: 3/4 in. Umatic
Untitled, undated
Conditions Governing Access
Currently unavailable until duplication occurs.
Physical Characteristics and Technical Requirements
Original format: 3/4 in. Umatic
Series VII: Sound recordings, 1977-1997, undated, inclusive
Scope and Content
Series VII consists of audio recordings related to Paul Langland's performances, largely of his own choreography and from his time performing with Meredith Monk's company. Sound recordings are currently unavailable until duplication occurs.
Arrangement Note
Series VII is arranged chronologically. Undated material is arranged alphabetically following the dated material.
Conditions Governing Access
Audio materials have not been preserved and may not be available to researchers.
Martin Luther King Jr. Center, June 8, 1977, inclusive
Conditions Governing Access
Currently unavailable until duplication occurs.
Mount Carmel Baptist Church Seniors Club, June 15, 1977, inclusive
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Side A: C. Pandal Workshop Side B: Candle Dance, November 8, 1983, inclusive
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Dance Class, 108 Wooster, December 18, 1984, inclusive
Physical Characteristics and Technical Requirements
Original format: Audiocassette
J. Swaggart, Drugs, Gays, Rapture, Ultimatum, December 5, 1985, inclusive
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Improvising with David Darline, I: Melodic Improvisation and Rhythmic Improvisation, 1987, inclusive
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Sade A: Bix Bidebeck Side B: Danny and Paul, March 9, 1988, inclusive
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Danny and Paul, January 1990, inclusive
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Danny and Paul Rehersals, April 1990, inclusive
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Side A: Danny and Paul; Side B: Danny and Paul, February 10, 1990; March 6, 1990, inclusive
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Danny and Paul, Jonah Duet, July 1990, inclusive
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Interview with Paul Langland on Allan Wayne, August 25, 1996, inclusive
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Interview with Paul Langland on Allan Wayne - Part Two, August 25, 1996, inclusive
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Tape for Paul langland by DJ Ganesha Del Mar, January 31, 1997, inclusive
Physical Characteristics and Technical Requirements
Original format: Audiocassette
AAt Talks on Theater School and Scottish Bagpipes, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Bo's Entrance, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Boneyard, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Breathing Clicks, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Cherry or Cherries, Chery's in Back, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Dolmen Music Solos, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Side A: Dolmen Music and Monk Piano Side B: Turtle Dreams, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Drums Effect, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Side A: Emotional Corridors, Beethoven Side B: Vachtumschlä, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Fame and Money, Success, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Fight Dance, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Side A: Ghost of a Flea and Jungle Breath Side B: Jazz, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Glenn and Nate, Tape 1, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Heart Beat, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Jerry Goldman War Stories: IV, In Combat, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Jonah, Part 1, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Jonah, Drone, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Jonah, Part 2, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Jonah, Dub, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Jungle Breath, Slow, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
La Vien Mix, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Mr. Natural, Test Mix, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Side A: Mr. Natural, Test Mix Side B: Channel Z Intro. Music - Aboriginal, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Offeratory Song, End of Sermon, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Side A: Paul's Story of Egypt Side B: Danny and Paul Voice, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Phil Glass, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Preset Music, Before and After Show, Section 6, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Robert Ashley Side A: Private Parts Side B: Automatic Writing, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Robert Burns, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Rudie Berkhout, Spirit Songs, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Smak Mix, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Steps, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Strings, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Swaggart, Last Tape Rehersal Sketches, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Turtle Dreams, Parts 1 and 2 - Mono, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Turtle Dreams Cha Cha Rehersal, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Virgil Dance, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Waterfall, Digridu, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Western, #2, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Untitled, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Untitled, Undated
Physical Characteristics and Technical Requirements
Original format: Audiocassette
Series VIII: Vinyl Sound Recordings, 1973-1984, inclusive
Scope and Content
Series VIII consists of four vinyl records, including Meredith Monk's "Dolman Music" on which Paul Langland provides vocals. Paul Langland
Arrangement
Series VIII is arranged chronologically.
Conditions Governing Access
Vinyl recordings have not been preserved and may not be available to researchers.
Meredith Monk, Our Lady of Late; Minona Records, 1973, inclusive
Meredith Monk, Songs from the Hill/Tablet; Wergo, 1979, inclusive
Meredith Monk, Dolman Music; ECM, 1981, inclusive
Better an Old Demon than a New God; Giorno Poetry Records, 1984, inclusive
Series IX: Data Storage, 1977-1985; undated, inclusive
Scope and Content
Series IV consists of one data CD and 2 floppy disks. These disks include files and photographs.
Arrangement
Series IV is arranged chronologically
Conditions Governing Access
Born-digital materials have not been preserved and may not be available to researchers.
Meredith Monk Company Photographs - CD, 1977-1985, inclusive
Files Floppy Disk, 1984, inclusive
Almost Rapture floppy disk, undated
Series X: Objects, 2011, undated, inclusive
Scope and Content
Series X consists of two costumes and a special edition Coke bottle.
Costume - Hat, undated
Costume - Shirt, undated
La Mama 50th Anniversary Coke Bottle, 2011
Series XI: 2015 Accretion, 2014-2015, inclusive
Language of Materials
Extent
Scope and Content
This series consists of awards, event programs, performance notes, and articles featuring Paul Langland.
"Meredith Monk in Conversation with Paul Langland," Movement Research Performing Arts Journal, 2015, inclusive
"Winter Dances" Preview, 2014-2015, inclusive
"Marfa Motion" by Nancy Wozny, Texas Monthly, 2015 May, inclusive
"Screening Room," Andrea Kleine; The Chocolate Factory, 2014 December, inclusive
Planet, 92nd Street Y, Simone Forti, Pooh Kaye, Langland, Sally Silvers, 2014 December, inclusive
Langland Programs, 2015, inclusive
Series XII. 2016-2017 Accretions, 1986-2016, inclusive
Extent
Extent
Scope and Contents
This accretion to the Paul Langland Papers consists of paper and electronic files related to Langland's projects, performances, teaching, and professional involvement with modern dance techniques, including programs, printed email correspondence, and other ephemera.
NYU Improvisation Symposium and Ensemble Practicing Overtime Panel, 2015-2016, inclusive
Programs, 1986-2016, inclusive
Andrea Kleine, 2014
The Total People -- 600 Highwaymen, 2016
Fred Holland Memorial, 2016
Joseph Langland Retrospective, 2016
Standing in Space by Mary Overlie, 2016
Posters, 1990s-2000s, inclusive
Erica's Rap Mix, undated, inclusive
Digital materials
Angels of Swedenborg 2011, 2011
Digital materials
Digital Duets Langland La MaMa, 2012
Digital materials
Virtualab -- Langland at Culture Hub La MaMa, 2011
Digital materials
Eterniday Talkback, 2013
Digital materials
Series XIII. 2018 Accretion, 2005-2018, undated, inclusive
Extent
Extent
Printed Email Correspondence, 2018
Screening Room, 2015-2017, inclusive
Sally Silvers -- Roulette, Tenderizer, 2017
Meredith Monk, 2013-2017, inclusive
Diane Torr, 2017
Programs, 2017-2018, inclusive
Meredith Monk Neue Töne aus der Neuen Welt, undated, inclusive
Digital materials
Cigarettes, Reading, Masturbation and Boys: A Film by Diane Torr, 2005
Digital materials
Them: Cochrane, Cooper, Houston-Jones, undated, inclusive
Digital materials
OVERSIZE Series I: Files, 1973-2011, undated, inclusive
Arrangement Note
Oversize Series I is arranged alphabetically by folder title. Titles are orignial unless otherwise noted with square brackets.
ACDFA [American College Dance Festival Association, 1988, inclusive
Cliffs of Desperes, 1996, inclusive
Contact Improv, 1984, undated, inclusive
Domestic Virtue, 1988-1989, inclusive
Edinburgh Fringe, Ricky DeMarco Student Workshop, 1973, inclusive
Germany, 1986, inclusive
Letters- Paul Langland Responses, undated
Movement Research Spring Gala, 2011, inclusive
[Retazos/Danza Teatro], undated
Reviews- The Other Voice, 1981, inclusive
Visual Art/Film, 1987, inclusive
OVERSIZE Series II: Notebooks and Planners, 1974-1976, inclusive
Black Bound Sketchbook 1: "Anatomy for Dancers", 1974 - 1976
Black Bound Sketchbook 2: "Contact Improvisation" and "Movement Arts Class at Senior Citizens Center", 1975 - 1976
OVERSIZE Series IV: Posters, Programs and Flyers, 1975-2000, inclusive
Scope and Content
Oversize Series IV consists of oversize posters for various dance and arts performances and events. It largely consists of material related to New York City venues from the mid 1970s through the 1990s, but also includes other localities. Included in this series is material related to many noted New York City performance spaces and groups, including Danspace, Dance Theater Workshop, LaMama, and Movement Research. Due to the nature of the type of material, many of the posters do not include a year.
Arrangement Note
Series IV is arranged into two subseries, reflecting Paul Langland's original organization. Subseries A is arranged by artist and Subseries B is arranged by venue. Any additional material that was not assigned an original category has been arranged alphabetically by venue, and is listed at the end of the series.
Subseries A: Artists, 1975-2000, inclusive
Laurie Anderson, undated
Bread and Puppet Theater, 1982, inclusive
Tricia Brown, 1987; undated, inclusive
Channel Z, 1984-1987, inclusive
Ping Chong, 1986; 1992, inclusive
Lucinda Childs, undated
Contact Improv, 1975; 1977-1979; 1983, inclusive
Ellen Fisher, undated
Simone Forti, undated
Grand Union, undated
Paul Langland, 1983-1984; 1986; 1988-1998; 2000; undated, inclusive
Paul Langland, undated
Daniel Lepkoff, 1979; 1989; undated
Nina Martin, undated
Meredith Monk, 1979; 1982; 1984; 1986; 1991
Meredith Monk, 1998; undated
Meredith Monk, 1985
Mary Overlie, 1998; undated
Steve Paxton, undated
Stephen Petronio, undated
Stephen Petronio, undated
Diane Torr, undated
David Zambrano, undated
Marian Zazeela, 1981
Subseries B: Venues, 1977-2009, undated, inclusive
BAM [Brooklyn Academy of Music], 1983, 1986-1988, inclusive
Danspace, 1984-1987; 1996-1997; 1999, inclusive
Dance Theater Workshop, 1986-1988, inclusive
La Mama, undated, inclusive
Movement Research, 1984-1985; 1988; 1993-1994, inclusive
Movement Research, 1987
NYU Experimental Theater Wing/Tisch School of the Arts, 2009; undated, inclusive
NYU Experimental Theater Wing/Tisch School of the Arts, undated, inclusive
PS 122, 1981; 1984; 1988, inclusive
Whitney Museum of Art, undated, inclusive
Venues A-Z, 1977; 1980-1984; 1989-1990; 1998; 2000; undated, inclusive
General Posters
General Poster, undated
OVERSIZE Series V: Allan Wayne Material, undated, inclusive
Scope and Content
Oversize Series V consists of several performance posters featuring Allan Wayne.
