Series III: Data Storage
Scope and Content
The Scope and Content Notes at individual item levels reflect any original writing on the compact disk or cover.
Conditions Governing Access
Data storage disks have not been preserved and are currently unavailable to researchers.
Separated Materials
Compact disks in this series were removed from their original folders from Series I and II.
Albuquerque, Lita
Scope and Content
Public Art
Aycock, Alice, 2000-2004
Scope and Content
New Work
Aycock, Alice, December 21, 2004
Scope and Content
Proposals in Florida & Cincinnati
Aycock, Alice
Scope and Content
Various Works
Bishop Good, Francie
Scope and Contents
Francie Bishop Good 3 Animations
Bishop Good, Francie
Scope and Contents
11 Files Fyi from Francie Bishop Good
Bishop Good, Francie
Scope and Contents
FBGood Florida Show
Brown, Carol
Scope and Contents
Carol K. Brown, 305-532-3081 Digital Frame .avi files Carol K. Brown, 164 E. 14th St. 25"x11.5"x2.5 1701 Lake Ave. Apt. 308 18"x24.5"x2.5" 21 Nassau Dr. 14"x30"x3" all - 2002, wood & LCD screens
Christo & Jeanne-Claude
Scope and Contents
The Gates ALL PIX RAW 327 pix
Davidow, Julie
Scope and Contents
Julie Davidow Disc Four: Images w/ ("petri #1-#12")
Edelstein, Barbara
Scope and Contents
same compact disk and cover as found in Folder 24.
compact disk: Elemental Spring: Guangzhou, Elemental Spring: Hangzhou, Ink Rock Water, Elemental Spring: Shenzhen Project, Wind/Weed Wind/Water, Nectar for Neptune Barbara Edelstein
CD cover booklet: Barbara Edelstein, a native of Los Angeles, was exposed to the cultures of both shores of the Pacific in her early years. The geographical proximity and cultural blending of the Asian and the American traditions had a significant impact on her way of thinking, and later cultivated in her a unique style of Zen artistry. Barbara's artworks continually reflect water as both a concrete material and an abstract concept - a dualism that bridges the natural and the artistic worlds. The flow of water in her artworks communicates a motion that transcends time, an elevation of spirituality, and a delicate form of expression that is the epitome of feminism. "The environment plays a large part in how I formulate my work. I have strived to unite nature and the metropolitan culture in a graceful balance... I put into my artworks both the products of nature and processed materials. The purpose is to recreate a new kind of harmony in which the spirit of nature is eternal." Thus, one may speculate that Barbara's artworks are the extensions of nature, or that nature has become an integral component of her artistic expression.
Elemental Spring: Guangzhou, 2002, 18'x16'x14', copper, water, Guangdong Museum of Art, Guangzhou, China Elemental Spring: Hangzhou, 2001, 10'x6'x5', copper, water, West Lake, Hangzhou, China Ink Rock Water, #1, 2, 3, 2002, #1: 96"x28"x24", #2: 28"x34"x24", #3: 32"x28"x25", ink rock, petrified wood, copper, sumi-ink, water, Guangdong Museum of Art, Guangzhou, China Elemental Spring: Shenzhen Project, 2002, size variable, copper, water, video, sound, Shenzhen Art Institute, Shenzhen, China Wind/Weed Wind/Water, 1994, 5'x12'x14', water, weeds, wind, Djerassi Sculpture Park, Woodside, California, U.S.A. Nectar for Neptune, 1990, 40'x61'x91', horsechestnut tree, Neptune Pool, water, Snug Harbor Cultural Center, Staten Island, New York, U.S.A.
Fry, Leslie, 2006
Scope and Contents
cover: Leslie Fry Commissions, www.LeslieFry.com compact disk: Leslie Fry Public Art
Gelfman, Lynne Golob
Scope and Contents
Joyce Schwartz Selects (by Dan) Lynne Golob Gelfman Images 040221 Low Res
Gelfman, Lynne Golob
Scope and Contents
Lynne Gelfman (by Tim) [ostrgard] 4 images & 2 Joyce S. viewing.
Glier, Mike, 1987-2001
Scope and Contents
www.williams.edu/Art/glier Mike Glier
Glier, Mike, 2004
Scope and Contents
Mike Glier's Town Green in the making, Cambridge City TV, 2004, 30:00
Held, Al, 2005
Scope and Contents
3-05 JPS PIX of 53rd St Station - Al Held
Held, Al, 2005
Scope and Contents
Al Held Mem. Oct.
Held, Al, 2005
Scope and Contents
Al Held Memorial Sept. 2005
LeWitt, Sol
Scope and Contents
3-05 JPS PIX of Sol LeWitt in Pittsburgh
Lobe, Robert
Scope and Contents
Bob Lobe, 1976-2005, Powerpoint
Nagasawa, Nobuho, 2002
Scope and Contents
Nobuho Nagasawa Portfolio 2002, nobuho2001@yahoo.com
Norzick, Lori, 2005
Scope and Contents
cover: Lori Nozick, email: Lnozickart@aol.com, P.O. Box 771 98 Paulding Lane, Crompond, NY 10517 USA, 914.603.3187, 9144731588 Cell compact disk: Lori Nozick c. 2005 Portfolio
Oursler, Tony
Scope and Contents
NYEHAUS Tony Oursler: Sound Digressions in Seven Colors, Opening: Saturday, February 25th, 7-9P, February 25th to March 25th 2006, 15 Gramercy Park South, #8D New York, NY 10003, Hours of Operation: Tuesday-Saturday (11AM-6PM), T: 212.995.1785, F: 212.473.4994, INFO@NYEHAUS.COM, WWW.NYEHAUS.COM, Featuring: Tony Conrad: Antique School Bells, Kim Gordon: Bass, Etc. Ikue Mori:Computer, Zeena Parkins: Electric Harp, Lee Ranaldo: Guitar & Small Devices, J.G. Thirlwell: Aquasonic, Stephen Vitiello: Photocell & Electronics, Produced by Tony Oursler and Tim NYE. Mix by Tony Oursler and Dan Walsh.
Schmacke, Claudia
Scope and Contents
Wave Transformations, Documentation of Installations Rosalind Schneider
Smithson, Robert, 2005
Scope and Contents
Robt. Smithson, Floating Island, Sept. 2005
Smithson, Robert, 2005
Scope and Contents
Robt. Smithson, Floating Island, Sept. 2005, New York, NY
Smithson, Robert, 2005
Scope and Contents
Robt. Smithson, Floating Island, Sept. 2005, New York, NY
Sonnier, Keith
Scope and Contents
Keith Sonnier, 212-732-1481, ksstudio@mindspring.com, MTA FULTON STREET
Sonnier, Keith
Scope and Contents
Kulturforum Berlin Booklet, Keith Sonnier, ksstudio@mindspring.com
Tegeder, Dannielle, 2006
Scope and Contents
Dannielle Tegeder, Images of Work 2006, Priska C. Juschka Fine Art, New York
TOMI - Proposal, 2004
Scope and Content
Aycock, 2 Proposals, 12/16/04
Wolf, Silvio, 2005
Scope and Contents
front cover: Silvio Wolf, Photoworks inside cover: Biography, 01-Angels of Time, 02-Horizons, 03-Icons of Light, 04-John 14, 05-Scala Zero, 06-Scale Reali, 07-Skylights, 08-Thresholds compact disk: Silvio Wolf, Copyright Silvio Wolf 2005 All rights reserved, Photoworks back cover: Silvio Wolf - VIA COMPAGNONI 3 - 20129 MILANO - ITALY, Tel/fax: +39.02713079, email: info@silviowolf.com
Wolf, Silvio, 2005
Scope and Contents
front cover: Silvio Wolf, Selected Works inside cover: 1-Public Art Works: Biography, 1987-Grande Muro Occidentale, 1990-Scala Reale, 199-Ikonenwerk, 1996-L'Osservanza, 1997-Stazione di Berlino, 1998-Luogo Parola, 1999-Grida dal Tempio, 1999-The Elsewhere, 2000-Annunciation, 2001-Angeli del Tempo, 2003-Loggia delle Parole, 2004-Pietra d'Aqua. 2-Site-Specific Installations: Biography, 1991-Stelle Braille, 1992-Baden-Baden, 1993-Laboratorio, 1995-Luci Bianche, 1996-Iconostasi, 1997-Ricreazione, 1999-Chantier-Marche', 1999-LaZone d'Ombre, 2001-Fondazione del Tempo, 2002-Oggi. 3-Photo Works: Biography, 01-Icons of Light, 02-Angels of Time, 03-Scala Zero, 04-Skylights, 05-Thresholds, 06-Horizons, 07-John 14. back cover: Silvio Wolf - VIA COMPAGNONI 3 - 20129 MILANO - ITALY, Tel/fax: +39.02713079, email: info@silviowolf.com
Yankowitz, Nina, 2001
Scope and Content
Yankowitz and Holden, Projects 2001 NYAnkowitz@aol.com, 106 Spring Street, New York, NY, 10012, USA, 212/226-4375 Yankowitz and Holden copyright 8/20/01
Zhang, Jian-Jun and Edelstein, Barbara
Scope and Content
Same compact disk and cover as found in Folder 7.
compact disk: Elemental Spring: Guangzhou, Elemental Spring: Hangzhou, Ink Rock Water, Elemental Spring: Shenzhen Project, Wind/Weed Wind/Water, Nectar for Neptune Barbara Edelstein
CD cover booklet: Barbara Edelstein, a native of Los Angeles, was exposed to the cultures of both shores of the Pacific in her early years. The geographical proximity and cultural blending of the Asian and the American traditions had a significant impact on her way of thinking, and later cultivated in her a unique style of Zen artistry. Barbara's artworks continually reflect water as both a concrete material and an abstract concept - a dualism that bridges the natural and the artistic worlds. The flow of water in her artworks communicates a motion that transcends time, an elevation of spirituality, and a delicate form of expression that is the epitome of feminism. "The environment plays a large part in how I formulate my work. I have strived to unite nature and the metropolitan culture in a graceful balance... I put into my artworks both the products of nature and processed materials. The purpose is to recreate a new kind of harmony in which the spirit of nature is eternal." Thus, one may speculate that Barbara's artworks are the extensions of nature, or that nature has become an integral component of her artistic expression.
Elemental Spring: Guangzhou, 2002, 18'x16'x14', copper, water, Guangdong Museum of Art, Guangzhou, China Elemental Spring: Hangzhou, 2001, 10'x6'x5', copper, water, West Lake, Hangzhou, China Ink Rock Water, #1, 2, 3, 2002, #1: 96"x28"x24", #2: 28"x34"x24", #3: 32"x28"x25", ink rock, petrified wood, copper, sumi-ink, water, Guangdong Museum of Art, Guangzhou, China Elemental Spring: Shenzhen Project, 2002, size variable, copper, water, video, sound, Shenzhen Art Institute, Shenzhen, China Wind/Weed Wind/Water, 1994, 5'x12'x14', water, weeds, wind, Djerassi Sculpture Park, Woodside, California, U.S.A. Nectar for Neptune, 1990, 40'x61'x91', horsechestnut tree, Neptune Pool, water, Snug Harbor Cultural Center, Staten Island, New York, U.S.A.