Gertrude Hoffmann collection
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Abstract
A collection of photographs, news clippings, and scrapbooks related to the dancer and choreographer Gertrude Hoffmann and her dance troupe the Gertrude Hoffmann Girls.
Biographical Note
American vaudeville dancer and choreographer Gertrude Hoffmann (sometimes spelled Hoffman) was born Catherine Gertrude Hayes on May 7, 1885 in San Francisco, California, to parents John and Catherine Hayes. At her mother's urging, Gertrude – whose early stage name was "Kitty" – took dancing lessons as a young girl and soon began auditioning for roles in the local theaters. She made her vaudeville debut in 1899 at Frederic Belasco's Alcazar Theatre. Gertrude met composer and arranger Max Hoffmann while touring as a dancer, and two married in 1901. Hoffmann gave birth to a son, Max Jr., in 1902.
Hoffmann started out as a dancer and impressionist on the vaudeville stage; in her early years she performed imitations of other, more famous performers, including Eva Tanguay and Anna Held. Hoffmann worked with the latter in Flo Ziegfeld's A Parisian Model in 1906, shocking many by dressing in drag and dancing with Held. Programs from Hoffmann's appearances on Brooklyn stages during this period can be found in our Brooklyn Playbills and Programs Collection (BCMS.0041). She made her first major impression on audiences in 1908, with her rendition of the then-popular "Dance of the Seven Veils," adapted from the biblical story of Salome. Hoffmann was repeatedly arrested when touring the United States with the dance, although some historians suggest that the arrests were arranged by vaudeville impresario Oscar Hammerstein to drum up publicity. Despite the scandals, this period marked Hoffmann's change of focus from dancing as entertainment to dancing as a high art. Hoffmann also gained fame when she partnered with theatrical producer Morris Guest to introduce American audiences to the much-lauded Russian ballet company, the Ballets Russes, in 1911 by hiring European dancers to perform pieces from the company, albeit without choreographer Michel Fokine's permission.
Hoffmann continued to perform through the 1910s, although by the mid-1920s she had largely given up her role as a dancer to concentrate instead on directing and choreographing her own group. She formed the Gertrude Hoffmann Girls dance troupe during this time – a chorus line of 18 to 25 dancing girls whose stage act also included fencing and aerial acrobatics. This group performed on New York stages as well as at Paris's famed Moulin Rouge nightclub through the mid-1930s.
Hoffmann largely disappeared from the stage after the 1930s. She died of a heart attack on October 21, 1966, in Hollywood, California, following the death of her husband and collaborator, Max Hoffmann, in 1963.
Sources
- Cullen, Frank, Florence Hackman, and Donald McNeilly. "Gertrude Hoffmann" Vaudeville, Old & New: An Encyclopedia of Variety Performers in America. New York: Routledge, 2007.
- Fields, Armond. Women Vaudeville Stars: Eighty Biographical Profiles. Jefferson, N.C: McFarland, 2006.
- Gertrude Hoffmann obituary. Dance magazine. December, 1966.
- Kendall, Elizabeth. Where She Danced. New York: Knopf, 1979.
- Mordden, Ethan. Ziegfeld: The Man Who Invented Show Business. New York: St. Martin's Press, 2008.
- Trav S D. No Applause, Just Throw Money, Or, the Book That Made Vaudeville Famous: A High-Class, Refined Entertainment. New York: Faber and Faber, 2005.
Arrangement
The collection is arranged in seven series by type of material.
Series 1: Documents contains lists of Hoffmann's "Experiences and Credits" as well as letters from and regarding her son Max Hoffmann, Jr.
Series 2 consists of Photographs of Gertrude Hoffmann arranged roughly chronologically and foldered by photographer.
Series 3 is Photographs of the Gertrude Hoffmann Girls, with three subseries: Individual Portraits, Group Photographs, and Rehearsal and Performance Photographs. Each subseries is arranged roughly chronologically.
Series 4 is Personal Photographs, including family photographs.
Series 5: Newspaper and Magazine Clippings is arranged chronologically.
Series 6: Ephemera includes posters, advertisements, and other ephemera.
Series 7: Scrapbooks contains two scrapbooks compiled by Hoffmann.
Scope and Contents
The Gertrude Hoffmann Collection covers the period from 1905 to 1945, which roughly coincides with the span of Hoffmann's professional career. The collection consists largely of publicity photographs of Hoffmann herself and of her troupe, the Gertrude Hoffmann Girls, including both studio photographs and images of performances. There are several headshots of individual performers from the Gertrude Hoffmann Girls. Two scrapbooks, presumably compiled by Hoffmann herself, include snapshots, newspaper clippings, and ephemera from the Hoffmann Girls' European tours. Although there is little coverage of Hoffmann's personal life in the collection, it does contain several photographs and letters of her son, Max Hoffmann, Jr. and some additional family photographs. Programs and articles from the Gertrude Hoffmann Girls' European tours are often in French, sometimes with English annotations by Hoffmann.
Subjects
Conditions Governing Access
Open to researchers without restriction.
Conditions Governing Use
While many items at the Center for Brooklyn History are unrestricted, we do not own reproduction rights to all materials. Be aware of the several kinds of rights that might apply: copyright, licensing and trademarks. The researcher assumes all responsibility for copyright questions.
Preferred Citation
Identification of item, date (if known); Gertrude Hoffmann collection, BCMS.0018, Box and Folder number; Brooklyn Public Library, Center for Brooklyn History.
Immediate Source of Acquisition
This collection was given to Brooklyn Public Library prior to the Brooklyn Collection's founding and the details of its provenance are unknown. The photographs of Ann Sweeney, a dancer in Hoffmann's troupe, were the gift of Sweeney's grandniece Ginger Murphy, 2017.