Records of the New York Institute for the Humanities
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Abstract
The New York Institute for the Humanities (NYIH) was founded at NYU in 1977. During its early years, the organization established weekly forums for fellows and guests, and public events. The core of the New York Institute for the Humanities (NYIH) program remains its weekly invitational Fellows Forums. The NYIH also sponsors public conferences, discussions, readings, lectures, and podcasts. The Records of the New York Institute for the Humanities document the formation and early years of the Institute, the activities of Institute Fellows, and the seminars, lectures, and other events sponsored by the Institute.
Historical Note
In the summer of 1976, New York University Professor of Sociology Richard Sennett chaired a conference on the Humanities and Social Thought in Bellagio, Italy. Sennett and other participants developed the idea for a New York-based institute to foster intellectual discourse and cross-disciplinary communication while at the conference. In December 1976 New York University and Richard Sennett's Center for Humanistic Studies co-sponsored the conference "The Future of the Intellectual Community in New York", which was co-organized by Sennett, New York University President John Sawhill, and New York University Professor Ronald Florence (then Director of the New York Council for the Humanities). Based on the success of the conference, Sennett and President Sawhill co-hosted a series of informal dinners for writers, artists, and leaders in various fields. Participants discussed how to continue to redefine and strengthen intellectual life in New York City. The ideas that arose from the dinners provided the structure for the New York Institute for the Humanities (NYIH). Correspondence about these dinners, and the first proposals for a New York Institute for the Humanities, can be found in the Administrative Papers of President John Crittenden Sawhill (RG 3.0.8), Box 44.
In 1977 the New York Institute for the Humanities was established as a permanent activity of New York University by an act of the University's Board of Trustees. An advisory board was formed to help with the Institute's early development, while Sennett, The New York Times editor Caroline Rand Herron, and New York University Humanities Professor Thomas Bender worked with administrative assistant Toni Greenberg on the Institute's day-to-day operations. Herron acted as a publications and communications consultant, creating a series of Institute lunches and public forums. Bender also contributed considerable time and organized the Institute's first Gallatin Lectures. In 1978, the Institute received significant funding from the Exxon Education Foundation and the National Endowment for the Humanities, enabling expansion of its Fellowship and Lecture activities. In 1980 the Institute was independently incorporated and formed its own Board of Trustees; however, all daily administrative activities were handled by New York University, with the Institute's Board serving primarily in an advisory role.
From the time of the Institute's inception, the Fellowship program was the core of the New York Institute for the Humanities, embodying its mission to support the work of individual scholars and intellectuals in an environment which encouraged interaction. About half of the early Fellows were academics from New York-area universities, while the rest were artists, writers, journalists, and public officials. In the early years, fellows generally met once or twice a month for informal seminars. As the Institute grew, Sennett worked with Aryeh Neier and Bender to create a more defined program in which Fellows--elected to either one-year or five-year fellowships--formed interdisciplinary seminars around topics of interest and participated in weekly Fellows Lunches. Most Fellows were unpaid, although some received office space or clerical support. Fellows were responsible for the Institute's internal operations, which were overseen by the Director and three committees: an Executive Committee, a Program Committee, and a Fellowship Selection Committee.
The Program Committee was particularly active during the Institute's first five years. The Institute hosted public lecture series and conferences, most notably the James Lecture Series and the Gallatin Lecture Series. In a concerted move to counter American isolationist tendencies at the time, the James Lectures brought primarily European intellectuals to the Institute. The Gallatin Lecture Series was created shortly thereafter to provide an audience for American humanists. The period of 1979-1983 was especially active, bringing such literary and intellectual figures as Michel Foucault, Italo Calvino, Czeslow Milosz, Jorge Luis Borges and Roland Barthes to speak publicly and to participate in seminars. In 1981 the Institute launched a Humanities Exchange Program for writers exiled from Latin American and Eastern European regimes. Many of the Institute's early lectures were published by Columbia University Press in Humanities in Review (1982), edited by David Rieff.
The core of the New York Institute for the Humanities program remains its weekly invitational Fellows Forums. The NYIH also sponsors public conferences, discussions, readings, lectures, and podcasts. In 2020, facing a financial crisis triggered by the pandemic, NYU ended its sponsorship of the NYIH. This decision went into effect in 2021. Under the guidance of a new board of directors, the NYIH has reorganized as a tax-exempt organization and formed a connection with the New York Public Library.
Sources:
Administrative Papers of President John Crittenden Sawhill, 1974-1981, (RG 3.0.8) New York University Archives
Benn, Melissa "Inner City Scholar" The Guardian Saturday February 3, 2001
"History." New York Institute for the Humanities, accessed September 17, 2024, https://nyihumanities.org/history.
Rieff, David. Humanities in Review Cambridge: New York Institute for the Humanities, 1982
Biographical Note
As founder of the Institute, Richard Sennett's papers form a large part of this collection. Sennett, an interdisciplinary scholar, novelist, and social critic, is currently Professor of History and Sociology at New York University, and Professor of Sociology and Chair of the Cities Programme at the London School of Economics. Born in Chicago in 1943, Sennett studied sociology at Harvard University. After brief appointments at Yale and Brandeis Universities, he came to New York University in 1972, where he has spent the majority of his career. Sennett has written over a dozen books on subjects ranging from urbanism to modern capitalism, including The Hidden Injuries of Class (1972), The Fall of Public Man (1976), and Authority, as well as the novel The Frog Who Dared to Croak (1982).
Arrangement
Folders are generally arranged alphabetically by folder title.
The records are grouped into three series, two of which have been further arranged into subseries. The series and subseries arrangement of the records is as follows:
Series I. Director's Files
Subseries IA. Administrative
Subseries IB. Individuals
Subseries IC. Institutions
Subseries ID. Subject Files
Series II. Seminars, Lectures, and Events
Series III. Audio and Video Recordings
Subseries IIIA. Cassette Tapes
Subseries IIIB. 1/4 Inch Reels
Subseries IIIC. Mini Disks
Subseries IIID. VHS Tapes
Scope and Contents
The Records of the New York Institute for the Humanities consists of materials created and collected by the organization from its inception, ca. 1976, through 2013. Materials related to the administration of the organization, sponsored events, and information on new fellows are included. These materials consist of event posters, press releases, budgets, grant proposals, and correspondence; fellows' directories and photographs; Executive Committee meeting minutes; and drafts of the protoype of the journal, Omnivore. In addition to materials relating to the operation and activities of the Institute, the collection contains a large number of documents generated by Professor Richard Sennett, founder and former Director of the Institute.
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Conditions Governing Access
Administrative records and unpublished reports of New York University are closed for a period of 20 years from the date of their creation (boxes 92-93). Access to files spanning multiple years will be opened to researchers based on the date of the most recent materials. Board of Trustees records are closed for 35 years from the date of creation. Materials related to personnel, grievances, job and fellowship searches and applications, and all files that fall under the federal Family Educational Rights and Privacy Act (FERPA) are permanently restricted. Additional restrictions may apply to other materials in this collection. For questions regarding specific restrictions, please contact the University Archives.
Conditions Governing Use
Any rights (including copyright and related rights to publicity and privacy) held by New York Institute for the Humanities are maintained by New York University. Permission to publish or reproduce materials in this collection must be secured from repository. Please contact New York University Archives, special.collections@nyu.edu, 212-998-2596.
Preferred Citation
Identification of item, date; Records of the New York Institute for the Humanities; RG 37.4; box number; folder number or item identifier; New York University Archives, New York University.
Location of Materials
Immediate Source of Acquisition
The bulk of the materials were transferred from the New York Institute for the Humanities to the University Archives in 2002; the accession number related to this transfer is 02.010. Additional transfers of audio and video recordings were made in 2007 and 2018; the accession numbers related to these accretions are 07.013, 08.001, and 2019.008. Additional accretions were transferred in 2021 and 2022; the accession numbers associated with these accretions are 2021.022 and 2022.054. Some materials from RG 9.5.1, including event posters, correspondence, reports, and a grant application, were transferred in September 2024.
Audiovisual Access Policies and Procedures
Access to some audiovisual materials in this collection is available through digitized access copies. Researchers may view an item's original container, but the media themselves are not available for playback because of preservation concerns. Materials that have already been digitized are noted in the collection's finding aid and can be requested in our reading room.
Born-Digital Access Policies and Procedures
Advance notice is required for the use of computer records. Original physical digital media is restricted. An access terminal for born-digital materials in the collection is available by appointment for reading room viewing and listening only. Researchers may view an item's original container and/or carrier, but the physical carriers themselves are not available for use because of preservation concerns.
About this Guide
Processing Information
In 2015, 14 audiocassettes were discovered to be blank during the digitization process. The components representing these tapes were removed from the resource record. The tapes themselves were also removed and deaccessioned.
In 2024, during the processing of the accretions from 2021-2022, materials were placed in new acid-free folders and boxes. Oversized materials were placed in appropriately sized containers. Unprocessed audio-visual materials, which consisted of access copies of digitized audio-visual materials, were intellectually arranged with their component and an instance created. The following materials were removed: materials related to fellows' nominations and applications; duplicate and widely available publications; clippings and articles from publications widely available online; contracts and other financial documents with personal identifying information; mailing lists; check copies; bills; travel documents; speaker release forms; and donation records.
Born-digital materials have been forensically imaged, analyzed, and described. New York University Libraries follow professional standards and best practices when imaging, ingesting, and processing born-digital material in order to maintain the integrity and authenticity of the content.