Series I: Department of Art and Art Professions Dissertations, 1940-1995, inclusive
Language of Materials
English.
Extent
9 Linear Feet in 9 record cartons
Historical Note
The Department of Art and Art Professions is part of the New York University School of Education, which is currently called the Steinhardt School of Culture, Education, and Human Development. At the beginning of the period represented by this series, the School of Education's Art courses were taught within Art Education, a program that focused on the training of teachers, supervisors, and directors of art education in elementary and secondary schools. By the 1990s, the renamed Department of Art and Art Professions had expanded to offer majors in Studio Art, Arts Education, Art Therapy, and Arts Administration, offering a PhD in Arts and Humanities or Art Education. In the 1940s, PhD candidates in the department of Art Education spent at least one year working on what was then referred to as a thesis. By the 1990s, students in Art and Arts Professions produced dissertations as part of their PhD requirements.
Untitled Dissertation on Thai Art, 1987, inclusive
Box: 1, Folder: 1 (Material Type: Mixed Materials)
A Study of the Works of Twelve Modern Thai Painters, Jamuni, 1988, inclusive
Box: 1, Folder: 2 (Material Type: Mixed Materials)
Modern Thai Painting: A Study of Twelve Thai Painters in the Context of Thai Tradition and Changing Art Education, Jamuni, 1988, inclusive
Box: 1, Folder: 3 (Material Type: Mixed Materials)
A Tripartite Description of Jaina-Style Figurines, Kellers. Vol. 2 - Illustrations, 1973, inclusive
Box: 1, Folder: 4 (Material Type: Mixed Materials)
A Tripartite Description of Jaina-Style Figurines, Kellers. Vol. 3 - Computer Printouts, 1973, inclusive
Box: 1, Folder: 5 (Material Type: Mixed Materials)
A Tripartite Description of Jaina-Style Figurines, Kellers. Vol. 1 - Text and Bibliography, 1973, inclusive
Box: 1, Folder: 6 (Material Type: Mixed Materials)
The Influence of Romanticism on British Painting of the Nineteenth and Twentieth Centuries, Smith, 1993, inclusive
Box: 1, Folder: 7 (Material Type: Mixed Materials)
A Hermeneutic Study of Selected Paintings of Women Religious Artists of the 12th and 20th Centuries, by Therese McGuire. Vol. 1, 1986, inclusive
Box: 2, Folder: 1 (Material Type: Mixed Materials)
From Socrates to Thomas, by R.F. Shubart. Vol. 1, 1978, inclusive
Box: 2, Folder: 2 (Material Type: Mixed Materials)
An Analysis of the Concept of the Artist's Intention in the Visual Arts, by Gertrude Kessel, 1974, inclusive
Box: 2, Folder: 3 (Material Type: Mixed Materials)
Guidelines for a Course on Women Artists, Arnold, 1986, inclusive
Box: 2, Folder: 4 (Material Type: Mixed Materials)
Clement Greenberg: His Critical and Personal Relationships with Jackson Pollock and Selected Post Painterly Abstractionists, by Janet Jones, 1988, inclusive
Box: 2, Folder: 5 (Material Type: Mixed Materials)
Papermaking from Selected Malaysian Fibers: An Investigation of its Artistic Potential Through Creation of Paper Artworks, by Chew Teng Beng, 1987, inclusive
Box: 2, Folder: 6 (Material Type: Mixed Materials)
Malcah Zeldis: Her Life and Evolution of her Work, by Henry Niemann, 1987, inclusive
Box: 3, Folder: 1 (Material Type: Mixed Materials)
The Art of Windsor Chairmaker: An Aesthetic Inquiry, 1984, inclusive
Box: 3, Folder: 2 (Material Type: Mixed Materials)
An Abstract of Ways of Meaning in Selected Contemporary Sculpture Manifesting Hard and Soft Form Characteristics, by Carl Rattner, 1988, inclusive
Box: 3, Folder: 3 (Material Type: Mixed Materials)
An Abstract Toward the Development of a Critically Responsive Audience: An Aesthetic Inquiry Employing Edward Bullough's Theory and Criticism of Contemporary Theatre, by Nina M. Wasserman, 1983, inclusive
Box: 3, Folder: 4 (Material Type: Mixed Materials)
The Design Dilemma: A Study of the New Morality of Industrial Design in Western Societies, by Marcia M.O. Sampaio Rosefelt, 1985, inclusive
Box: 3, Folder: 5 (Material Type: Mixed Materials)
The Design Dilemma: A Study of the New Morality of Industrial Design in Western Societies, by Marcia M.O. Sampaio Rosefelt, 1985, inclusive
Box: 3, Folder: 6 (Material Type: Mixed Materials)
Development of a Model for the Operation of a University Art Gallery, by Gene Ellis Sills, 1981, inclusive
Box: 4, Folder: 1 (Material Type: Mixed Materials)
Integrating the Arts in Public Education: The Symbolization Process as Wholistic Experience, by Jerrilee Cain, 1981, inclusive
Box: 4, Folder: 2 (Material Type: Mixed Materials)
A Phenomenological Approach to Aesthetic Education in the Secondary School Painting Class, by Barry Paul Lieberman, 1979, inclusive
Box: 4, Folder: 3 (Material Type: Mixed Materials)
The Symbolic Meaning of the Cross in Contemporary American Painting. A Comparative Study of Statements by Selected Artists and Critics, by Walter Gaudnek, 1968, inclusive
Box: 4, Folder: 4 (Material Type: Mixed Materials)
An Abstract of The Art of Eva Hesse, Mel Bochner, and Vito Acconci as Indicative of Shifts in Mainstream Art Between 1966 and 1973, by Martha Smith-Allen, 1983, inclusive
Box: 4, Folder: 5 (Material Type: Mixed Materials)
Proposal for the Re-Certification of the New York University Art Education Programs, 1980, inclusive
Box: 4, Folder: 6 (Material Type: Mixed Materials)
A Study of the Development of An Artist: Charles Demuth, by A. Eisman, 1976, inclusive
Box: 5, Folder: 1 (Material Type: Mixed Materials)
Paris: The City of Light, by Dale McConathy, 1987, inclusive
Box: 5, Folder: 2 (Material Type: Mixed Materials)
Paris: The Culture Industry - A Guide, by Dale McConathy, 1988, inclusive
Box: 5, Folder: 3 (Material Type: Mixed Materials)
Paris: Between the Wars by by Dale McConathy, 1988, inclusive
Box: 5, Folder: 4 (Material Type: Mixed Materials)
Sacred Space: An Aesthetic for the Liturgical Environment, by Dennis McNally, SJ, 19682, inclusive
Box: 5, Folder: 5 (Material Type: Mixed Materials)
Five Plays: A Repetory of Children's Theatre to be Performed by and for Children, by Lowell S. Swortzell, 1963, inclusive
Box: 5, Folder: 6 (Material Type: Mixed Materials)
Sacred Space: An Aesthetic for the Liturgical Environment, by Dennis McNally, SJ, 1982, inclusive
Box: 5, Folder: 7 (Material Type: Mixed Materials)
Mitchell - Projected Color Images as Stimuli for Gravure I, 1963, inclusive
Box: 5, Folder: 8 (Material Type: Mixed Materials)
Mitchell - Projected Color Images as Stimuli for Gravure II, 1963, inclusive
Box: 5, Folder: 9 (Material Type: Mixed Materials)
Hug - The Origin and Development of the Teacher Education Unit at New York University, 1990, inclusive
Box: 5, Folder: 10 (Material Type: Mixed Materials)
Randall - The Progress of Transformation in Contemporary Assemblage copy 2, 1971, inclusive
Box: 5, Folder: 11 (Material Type: Mixed Materials)
The Ceramics of Failaka: A Question of the Function of Tradition in Artistic Creation, by Safwat Nourel-Din, 1985, inclusive
Box: 5, Folder: 12 (Material Type: Mixed Materials)
The Role of the Visual Arts in Post-Modern and Late-Modern Architecture: A Comparative Study. Final Dissertation Copy. Robert J. Daniel, 1986, inclusive
Box: 6, Folder: 1 (Material Type: Mixed Materials)
Integrated Art Education, by M. Colleen Harrigan, 1986, inclusive
Box: 6, Folder: 2 (Material Type: Mixed Materials)
Development of Case Studies and Conceptual Analyses of Effects of Art Therapy with Emotionally Disturbed and Brain-Injured Adolescents, by Erika Steinberger, 1986, inclusive
Box: 6, Folder: 3 (Material Type: Mixed Materials)
Puerto Rican Art in New York: Painters and Their Work, by Patricia Wilson, 1984, inclusive
Box: 6, Folder: 4 (Material Type: Mixed Materials)
The Kunsthistorisches Museum in Vienna, by Evelyn Samuel, 1982, inclusive
Box: 6, Folder: 5 (Material Type: Mixed Materials)
The Relationship Between the Crafts and the Fine Arts in the United States from 1876 to 1980, 1988, inclusive
Box: 6, Folder: 6 (Material Type: Mixed Materials)
Validity in Biblical Interpretation, by F. Eugene Guest, 1986, inclusive
Box: 6, Folder: 7 (Material Type: Mixed Materials)
A Creative Process Produces an Autobiographical Novel: An Aesthetic Historical Study, by Carl A. Winderl, jr. vol. I, 1985, inclusive
Box: 7, Folder: 1 (Material Type: Mixed Materials)
A Creative Process Produces an Autobiographical Novel: An Aesthetic Historical Study, by Carl A. Winderl, jr. vol. II, 1985, inclusive
Box: 7, Folder: 2 (Material Type: Mixed Materials)
A Creative Process Produces an Autobiographical Novel: An Aesthetic Historical Study, by Carl A. Winderl, jr. vol. III, 1985, inclusive
Box: 7, Folder: 3 (Material Type: Mixed Materials)
A Creative Process Produces an Autobiographical Novel: An Aesthetic Historical Study, by Carl A. Winderl, jr. vol. IV, 1986, inclusive
Box: 7, Folder: 4 (Material Type: Mixed Materials)
A Study of the Origins, Development, and Significance of Southern Nigerian Traditional Pottery, Moses Oladipo Fowowe, vol. I, 1986, inclusive
Box: 7, Folder: 5 (Material Type: Mixed Materials)
A Study of the Origins, Development, and Significance of Southern Nigerian Traditional Pottery, Moses Oladipo Fowowe, vol. II, 1986, inclusive
Box: 7, Folder: 6 (Material Type: Mixed Materials)
Untitled Dissertation (Embroidery in Jordan) by Insaf Frain, undated, inclusive
Box: 7, Folder: 7 (Material Type: Mixed Materials)
Ornstein: A Guide to Creative Art and Science Experiences in the Third and Fourth Grades of the Elementary School II, undated, inclusive
Box: 8, Folder: 1 (Material Type: Mixed Materials)
Ornstein: Intesifying Learning Through Creative Experiences in Art and Science in the Third and Fourth Grades of the Elementary School I, undated, inclusive
Box: 8, Folder: 2 (Material Type: Mixed Materials)
The Arts and Crafts as Factors in Social Adjustment With Special Reference to Juvenile Deliquency, Benjamin Katz, 1942, inclusive
Box: 8, Folder: 3 (Material Type: Mixed Materials)
Introduction to the Study of Contemporary Civilization: A Textbook and Study Guide, Katharine Augusta Sutton, 1940, inclusive
Box: 8, Folder: 4 (Material Type: Mixed Materials)
Sparrow: The Choreographic Devices: Their Nature and Function as Related to the Principle of Opposition, 1963, inclusive
Box: 8, Folder: 5 (Material Type: Mixed Materials)
Dissertation The Environmental Design of Jones Beach State Park: Aesthetic and Ecological Aspects of the Park's Architecture and Landscape, by R. Marc Fasanelle, 1990, inclusive
Box: 8, Folder: 6 (Material Type: Mixed Materials)
Natural Forms: The Horn Island Logs and Watercolors of Walter Inglis Anderson (1903-1965), Cynthia Elyce Rubin, 1995, inclusive
Box: 8, Folder: 7 (Material Type: Mixed Materials)
Kolodny - An Interpretative Study of the Social, Political, Economic and Educational Views of Thorstein Veblen, 1947, inclusive
Box: 9, Folder: 1 (Material Type: Mixed Materials)
Boyum - The Grapes the Lilac Grows, 1962, inclusive
Box: 9, Folder: 2 (Material Type: Mixed Materials)
Gall - Creative Work for Children Talented in Art, 1932, inclusive
Box: 9, Folder: 3 (Material Type: Mixed Materials)
Crawford - Counseling with Teachers Concerning Visual Education, 1942, inclusive
Box: 9, Folder: 4 (Material Type: Mixed Materials)
Tobin - Art Experiences for the Maladjusted Adolescent, 1957, inclusive
Box: 9, Folder: 5 (Material Type: Mixed Materials)
Mitchell - Projected Color Images as Stimuli for Gravure IV, 1963, inclusive
Box: 9, Folder: 6 (Material Type: Mixed Materials)
Mitchell - Projected Color Images as Stimuli for Gravure III, 1963, inclusive
Box: 9, Folder: 7 (Material Type: Mixed Materials)