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Arthur Gordon Papers

Call Number

MC.160

Dates

1938-2001, inclusive
; 1939-1957, bulk

Creator

Gordon, Arthur, 1899-1975 (Role: Author)

Extent

0.75 Linear Feet

Language of Materials

English .

Abstract

The collection contains manuscripts by the short story and nonfiction article writer Arthur Gordon. Gordon took the pen name Gordon Ramsey to distinguish himself from the editor Arthur Gordon (of Good Housekeeping, Cosmopolitan and Guidepost magazines). Gordon served in the U.S. Naval Reserve as a lieutenant commander, including as a navigating officer during World War II, and most of his work dealt with life aboard ship. He was published in Country Gentleman, Liberty, Colliers, and Argosy magazines, among others. He attended a professional clinic for writers at NYU on the GI Bill, and later taught writing skills at NYU (1950).

Biography of Arthur Gordon

Arthur Gordon was born on January 24, 1899, in Fall River, Massachusetts, "one of that generation which had the last world war sandwiched between high school and college," as he wrote in 1940. He served in the U.S. Naval Reserve as a commissioned officer during World War I. After two years at St. Stephen's (now Bard) College, Gordon returned to the sea. He joined the U.S. Coast Survey and then the Merchant Marine, sailing the world for nearly two decades. In 1938 he took a room at the Brooklyn YMCA and began to write full-time. "When I'm at sea my one absorbing interest is in writing. When I'm writing my one absorbing topic is the sea," Gordon wrote. Nearly all of his stories had the sea as a backdrop. He took the pen name Gordon Ramsey to distinguish himself from the editor Arthur Gordon (of Good Housekeeping, Cosmopolitan, and Guidepost magazines). Though he sold stories to popular magazines fairly regularly in the early 1940s, his writing career was interrupted in 1942 by a return to active duty in World War II. He served as a navigating officer on the U.S.S. General A.E. Anderson until late in 1945. From December 1942 until January 1946, Gordon was unable to find time to write a word, though he carried around a briefcase containing an unfinished manuscript for a year in hopes of completing it. He returned to writing full-time, publishing stories in Country Gentleman, Liberty, Colliers, and Argosy magazines, among others. He attended a professional clinic for writers at NYU on the GI Bill, and taught writing skills at NYU in 1950. He died in Staten Island in September of 1975.

Sources: 1. Biographical sketch for The Week magazine, 1940; Arthur Gordon Papers; MC 160; box 1; folder 9; New York University Archives, Elmer Holmes Bobst Library, 70 Washington Square South New York, NY 10012, New York University Libraries. 2. "Troop Ships are Never Dull" magazine article; 1949; Arthur Gordon Papers; MC 160; box 1; folder 9; New York University Archives, Elmer Holmes Bobst Library, 70 Washington Square South New York, NY 10012, New York University Libraries. 3. Journal entry: resuming writing after World War II; January 1, 1946; Arthur Gordon Papers; MC 160; box 1; folder 9; New York University Archives, Elmer Holmes Bobst Library, 70 Washington Square South New York, NY 10012, New York University Libraries.

Arrangement

The materials are arranged in one series, three subseries, in two boxes. They were originally bound in three volumes by the author, which have been dismantled for preservation purposes. The contents of the three subseries in the collection correspond to the contents of the original three volumes. The original order of the materials has otherwise been maintained.

The materials are contained in two boxes. They were originally bound in three volumes by the author, which have been dismantled for preservation purposes. The contents of the three subseries in the collection correspond to the contents of the original three volumes. The original order of the materials has otherwise been maintained.

This collection is arranged into one series and three subseries.

Series I: Manuscripts

  1. Manuscripts

Scope and Content

The Arthur Gordon Papers contain manuscripts of short stories written by Gordon, correspondence related to those stories, one nonfiction magazine article manuscript, and several journal entries on the art of writing. The first folder of Subseries A contains materials related to the provenance of the collection, and was not originally bound with the rest of the collection. All other materials were originally bound in three volumes by Gordon.

The short story manuscripts, along with correspondence between Gordon and his agent (Edith Sewell) on the sale of the manuscripts to magazines, comprise the bulk of the collection. Gordon wrote explicitly for the popular market, dabbling in genres such as romance and mystery in simple, accessible prose. Nearly all of the stories deal with life aboard ship. Exceptions to this rule include "Dude Jungle," set in the Amazon jungle; and "Sister Act" and "All the Angles," set in New York City show business. The latter two stories are also unusual among Gordon's work for having female narrators.

The article titled "Troop Ships are Never Dull" is unique among the manuscripts in the collection for being a nonfiction magazine article. It describes Gordon's experiences as an officer on the U.S.S. General A.E. Anderson, which transported American troops to and from Europe during World War II. The article was published in The Infantry Journal in 1949.

Most frequently the backdrop of Gordon's fiction is a U.S. Navy vessel, but a few stories are set on passenger ships as well: see "Love At First Carry" and "On the High Seas, Murder." Many of the stories are light and humorous in tone. Plots tend to be driven by romantic hijinks rather than the grimmer aspects of military service, as in "Sea Sleds Scuttled, Inc." and "Dames Love the U.S.N." Yet Gordon could take a serious turn too, particularly in those stories he set in World War II: "Men for the Job," "Old Gold, New Gold," and "Life of the Party," among others.

The term "journal entries" was created by the archivist to describe short nonfiction manuscripts that are essentially ruminations on the writer's craft. These typed or handwritten manuscripts were written sporadically by Gordon and not connected to any specific short story. Where the journal entries were given titles by Gordon, they have been retained in the folder titles.

Though Gordon lived until 1975, the last manuscripts in the collection date from 1957.

Access Restrictions

Open to the public. Some original papers in Volume I are brittle and have been replaced with access copies within the original order of the collection. The originals are stored separately and should not be used due to their fragility.

Use Restrictions

Permission to publish materials must be obtained in writing from the:
New York University Archives
Elmer Holmes Bobst Library
70 Washington Square South
New York, NY 10012
Phone: (212) 998-2641
Fax: (212) 995-4225
E-mail: university-archives@nyu.edu

Preferred Citation

Published citations should take the following form: Identification of item, date (if known); Arthur Gordon Papers; MC 160; box number; folder number; New York University Archives, New York University Libraries.

Provenance

The collection was originally donated to the College of Saint Rose by Gordon's widow, Mary C. Gordon, in 1976. The College of Saint Rose transferred the collection to New York University Archives in 2001.

Collection processed by

Celeste Brewer.

About this Guide

This finding aid was produced using ArchivesSpace on 2023-08-20 17:51:19 -0400.
Using Describing Archives: A Content Standard
Language: English

Processing Information note

The original bound volumes were disbound for preservation purposes. Some of the original papers in the first volume are very brittle. These papers have been replaced with access copies and stored separately for preservation purposes. Researchers should use the access copies of the originals.

Repository

New York University Archives

Series I: Manuscripts, 1938-1976, inclusive; 1939-1957, bulk

Language of Materials

English.

Extent

2 boxes

Subseries A: Volume I, 1940, 1938-1942, inclusive

Language of Materials

English.

Extent

1 boxes

Correspondence between Mary C. Gordon and archivists, 1976, 2001

Box: 1, Folder: 1 (Material Type: Mixed Materials)

Processing Information

The materials in this folder are related to the provenance of the collection, and were never included in the three bound volumes created by Gordon.

Preface, 1938

Box: 1, Folder: 2 (Material Type: Mixed Materials)

Language of Materials

English.

Letter from Millen Brand, 1939

Box: 1, Folder: 3 (Material Type: Mixed Materials)

Language of Materials

English.

Letter from Edith Haggard re: two short stories, undated, inclusive

Box: 1, Folder: 4 (Material Type: Mixed Materials)

Language of Materials

English.

Journal entry: summary of a year of writing, 1940

Box: 1, Folder: 5 (Material Type: Mixed Materials)

Language of Materials

English.

"Cap'n Alden's Way", 1940

Box: 1, Folder: 6 (Material Type: Mixed Materials)

Language of Materials

English.

Journal entries, September 11 and 17, 1940

Box: 1, Folder: 7 (Material Type: Mixed Materials)

Language of Materials

English.

"Children My Children", 1940-1941, inclusive

Box: 1, Folder: 8 (Material Type: Mixed Materials)

Language of Materials

English.

Biographical sketch for This Week., 1940

Box: 1, Folder: 9 (Material Type: Mixed Materials)

Language of Materials

English.

"Dude Jungle", 1941

Box: 1, Folder: 10 (Material Type: Mixed Materials)

Language of Materials

English.

Correspondence from Steve Slaughter, 1940-1941, inclusive

Box: 1, Folder: 11 (Material Type: Mixed Materials)

Language of Materials

English.

"Miss 151", undated, inclusive

Box: 1, Folder: 12 (Material Type: Mixed Materials)

Language of Materials

English.

"Love At First Carry", 1940

Box: 1, Folder: 13 (Material Type: Mixed Materials)

Language of Materials

English.

"Sea Sleds Scuttled, Inc.", 1940

Box: 1, Folder: 14 (Material Type: Mixed Materials)

Language of Materials

English.

"Fleet Problem One", 1941

Box: 1, Folder: 15 (Material Type: Mixed Materials)

Language of Materials

English.

Journal entry: summary of Summer 1942, 1942

Box: 1, Folder: 16 (Material Type: Mixed Materials)

Language of Materials

English.

"Sky Eyes", 1941

Box: 1, Folder: 17 (Material Type: Mixed Materials)

Language of Materials

English.

"Dames Love the U.S.N.", 1941

Box: 1, Folder: 18 (Material Type: Mixed Materials)

Language of Materials

English.

"A Lot to Learn", 1942

Box: 1, Folder: 19 (Material Type: Mixed Materials)

Language of Materials

English.

"Calling All Bottoms", 1948

Box: 1, Folder: 20 (Material Type: Mixed Materials)

Language of Materials

English.

"Men for the Job", 1942

Box: 1, Folder: 21 (Material Type: Mixed Materials)

Language of Materials

English.

"Old Gold--New Gold," retitled "90 Day Wonder", 1942

Box: 1, Folder: 22 (Material Type: Mixed Materials)

Language of Materials

English.

"Life of the Party", 1942

Box: 1, Folder: 23 (Material Type: Mixed Materials)

Language of Materials

English.

"For Today We Live", undated, inclusive

Box: 1, Folder: 24 (Material Type: Mixed Materials)

Language of Materials

English.

"Shore Leave," published as "Flushes Wild", 1942

Box: 1, Folder: 25 (Material Type: Mixed Materials)

Language of Materials

English.

Subseries B: Volume II, 1945-1948, 1945-1948, inclusive

Language of Materials

English.

Extent

0.5 boxes

Preface, undated, inclusive

Box: 2, Folder: 1 (Material Type: Mixed Materials)

Language of Materials

English.

Letter to Robert Newman, 1945

Box: 2, Folder: 2 (Material Type: Mixed Materials)

Language of Materials

English.

Journal entry: resuming writing after World War II, 1946

Box: 2, Folder: 3 (Material Type: Mixed Materials)

Language of Materials

English.

Review of unsold stories, 1946

Box: 2, Folder: 4 (Material Type: Mixed Materials)

Language of Materials

English.

Sale of publication rights for "Words by Lincoln", 1946

Box: 2, Folder: 5 (Material Type: Mixed Materials)

Language of Materials

English.

Journal entry: "On singleness of mind", 1946

Box: 2, Folder: 6 (Material Type: Mixed Materials)

Language of Materials

English.

So Swift the River manuscript rejections, 1947-1948, inclusive

Box: 2, Folder: 7 (Material Type: Mixed Materials)

Language of Materials

English.

"Sister Act," published as "Listen to Your Heart", 1946

Box: 2, Folder: 8 (Material Type: Mixed Materials)

Language of Materials

English.

"You Don't Have to Be Crazy" and correspondence re: "Calling All Bottoms", 1947

Box: 2, Folder: 9 (Material Type: Mixed Materials)

Language of Materials

English.

"On the High Seas, Murder," published as "Murderer Aboard", 1948

Box: 2, Folder: 10 (Material Type: Mixed Materials)

Language of Materials

English.

"Old Dog, New Dog", 1949

Box: 2, Folder: 11 (Material Type: Mixed Materials)

Language of Materials

English.

"All the Angles," published as "Local Girl Makes Good", 1949

Box: 2, Folder: 12 (Material Type: Mixed Materials)

Language of Materials

English.

Journal entries: search for a story idea, 1948

Box: 2, Folder: 13 (Material Type: Mixed Materials)

Language of Materials

English.

Journal entry: "The Sea Story", 1948

Box: 2, Folder: 14 (Material Type: Mixed Materials)

Language of Materials

English.

"Be Smart, Be Smart," published as "Right Up There with the Runt", 1948

Box: 2, Folder: 15 (Material Type: Mixed Materials)

Language of Materials

English.

"One Way Passage", 1948-1949, inclusive

Box: 2, Folder: 16 (Material Type: Mixed Materials)

Language of Materials

English.

Subseries C: Volume III, 1949-1957, 1949-1957, inclusive

Language of Materials

English.

Extent

0.5 boxes

Preface, 1949

Box: 2, Folder: 17 (Material Type: Mixed Materials)

Language of Materials

English.

"Troopships are Never Dull" magazine article, 1949

Box: 2, Folder: 18 (Material Type: Mixed Materials)

Language of Materials

English.

"Lulu the Dog-Faced Torpedo", 1948

Box: 2, Folder: 19 (Material Type: Mixed Materials)

Language of Materials

English.

Journal entry: "On the Prowl for a Story Idea", 1948

Box: 2, Folder: 20 (Material Type: Mixed Materials)

Language of Materials

English.

"Use No Hooks", 1949

Box: 2, Folder: 21 (Material Type: Mixed Materials)

Language of Materials

English.

Journal entry: "Looking for a Story Idea", 1949

Box: 2, Folder: 22 (Material Type: Mixed Materials)

Language of Materials

English.

"Captain Takes a Baby-Sitter" story outline, 1949

Box: 2, Folder: 23 (Material Type: Mixed Materials)

Language of Materials

English.

"Even Keel" story outline, 1949

Box: 2, Folder: 24 (Material Type: Mixed Materials)

Language of Materials

English.

Journal entry: "An Author in Search of His Field", 1949

Box: 2, Folder: 25 (Material Type: Mixed Materials)

Language of Materials

English.

"She's Not that Kind," submitted as "Don't Ever Let Her Go" -- notes and correspondence, 1949

Box: 2, Folder: 26 (Material Type: Mixed Materials)

Language of Materials

English.

Journal entry: "Sitting on a Nest in the Hen-House", 1949

Box: 2, Folder: 27 (Material Type: Mixed Materials)

Language of Materials

English.

Journal entry: "Having a Wonderful Time", 1949

Box: 2, Folder: 28 (Material Type: Mixed Materials)

Language of Materials

English.

Journal entries: "Fallacy of the Bright Fragment" and correspondence with Bill Mowery, 1949-1950, inclusive

Box: 2, Folder: 29 (Material Type: Mixed Materials)

Language of Materials

English.

"Make My Wings Soon," published as "Flyboy Dumb", 1951

Box: 2, Folder: 30 (Material Type: Mixed Materials)

Language of Materials

English.

"No Alley Cat for Me," published as "Sweet and Lovely", 1950

Box: 2, Folder: 31 (Material Type: Mixed Materials)

Language of Materials

English.

"Don't Stand There Yearning", 1953

Box: 2, Folder: 32 (Material Type: Mixed Materials)

Language of Materials

English.

"Once Upon a Dream", 1957

Box: 2, Folder: 33 (Material Type: Mixed Materials)

Language of Materials

English.

"Next of Kin," published as "Sister of the Hero", 1956

Box: 2, Folder: 34 (Material Type: Mixed Materials)

Language of Materials

English.
New York University Archives
Elmer Holmes Bobst Library
70 Washington Square South
2nd Floor
New York, NY 10012