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Hussain Sharif Collection

Call Number

AD.MC.138

Date

1980 – 2017, inclusive

Creator

Hussain Sharif (Emirati artist, 1961- ) – حسين شريف (فنان إماراتي، ١٩٦١- ) (Role: Artist)

Extent

463 Digital Objects

Condition Description

The materials were received in good condition, which enabled the digitization to take place at al Mawrid Arab Center for the Study of Art, NYUAD. Digital surrogates were created for all collection items. Upon digitization, all materials were returned to the owner. Materials were rehoused in archival enclosures as needed.

Language of Materials

Arabic , English , French .

Abstract

Hussain Sharif (b. 1961) is a Dubai-based Emirati artist widely considered a pioneer of the contemporary art movement in the UAE. Sharif began his career as a caricature artist in high school and published his work daily or weekly in newspapers across the UAE. In 1980, he was a founding member of the Emirates Fine Arts Society in Sharjah and participated in the association's activities in exhibitions. Sharif received a government scholarship in 1983 to study at the High Institute of Kuwait and graduated in 1986 with a degree in theatre design. Soon after, he accepted a position as head designer at Sharjah TV. Throughout his career, Sharif explored numerous mediums and exhibited his drawings, paintings, collages, and multimedia art installations widely throughout the UAE and internationally, including in Russia, Holland, France, Egypt, and Germany. The Hussain Sharif Collection includes exhibition materials, press clippings, photographic materials, and related items that provide a comprehensive overview of Sharif's artistic practice and the development of the fine art scene in the United Arab Emirates (UAE) from the 1980s to early 2000s. Key highlights of the collection include exhibition catalogs from the annual exhibition of the Emirates Fine Arts Society (EFAS), such as the catalog for the inaugural exhibition in Abu Dhabi (1980), along with additional catalogs, brochures, and invitations from art exhibitions in the UAE spanning the 1980s to the 2000s. Press clippings from local and international publications document both Sharif's exhibitions and other art events are also included. The collection also includes an extensive series of photographic materials, comprising prints, slides, and negatives taken by Hussain Sharif between the 1980s and early 2000s. These images feature Sharif's artworks, Al Khor area of Dubai, outdoor scenes from the UAE and India, as well as artworks by other Emirati artists.

Biographical Note

Hussain Sharif (b. 1961) is a Dubai-based pioneering Emirati artist who was central to the development of conceptual arts in the United Arab Emirates. Alongside Emirati artists Hassan Sharif, Mohamed Yousif, Najat Makki, and others, Sharif was a founding member of the UAE's first art association, the Emirates Fine Arts Society (EFAS) in Sharjah, which established important social infrastructure that continues to foster collaborative communities of emerging artists. Sharif has spent his artistic career reimagining and adapting established techniques to reflect and embody his knowledge of his environment, giving new life to industrial materials and refuse like metal wire, cardboard, and paper scraps. Sharif's prolific and varied production of caricatures, paintings, installations, collages, and multimedia art has been widely exhibited in the UAE and internationally.

Born in 1961 in Dubai, Hussain Sharif was inspired to pursue art by the creative atmosphere cultivated at home by his older brother, the late artist Hassan Sharif, who is widely regarded as a pioneer of conceptual and performance art in the UAE. His participation in state-sponsored Arab youth camp programs as a student helped Sharif hone his artistic talent by allowing him to exhibit his work alongside other young artists from neighboring Arab countries. During his travels, Sharif explored the art scenes developing throughout the Gulf countries and the broader Arab world and learned from their style and technique. While still a student in high school, Sharif began drawing caricatures and, between 1975 and 1988, published them daily or weekly in local newspapers such as Al Wahda and Al Fajr newspapers in Abu Dhabi, and Al Khaleej published in Sharjah. Through publishing his work, Sharif was introduced to the journalism industry and built personal relationships with well-established caricature artists like Ali Ferzat, Salah al-Leithy, and Naji al-Ali, among others, and exhibited alongside them in joint caricature exhibitions in the UAE. Sharif held his first solo exhibition in 1981 at the Sharjah Cultural Club where he displayed his original caricature drawings. In 1979, artist Mohamed Yousif returned to the Emirates after receiving a formal art education in Cairo and, energized by his experiences, brought together a group of 16 artists, among them Sharif, to realize their goal of establishing the first art association in the UAE. In 1980, the Emirates Fine Arts Society was founded in Sharjah, sponsored by the Ministry of Information and Culture. The Emirates Fine Arts Society held its first annual exhibition in 1980 which saw the participation of 17 artists, including Hussain Sharif.

Sharif's interest in theatre grew organically through his proximity to Mohamed Yousif's work with the Sharjah National Theatre and, in 1983, he received a government scholarship to attend the High Institute of Kuwait. Sharif continued participating in local exhibitions while studying in Kuwait and, influenced by his brother, exhibited his first installation piece at the 1983 -/+ (Minus/Plus) exhibition held at Al Ahli Club in Dubai. Four years after the Emirates Fine Arts Society was established, they published the first issue of their art journal, Al Tashkeel, spearheaded by Hassan Sharif. The journal was a collection of opinion pieces commenting on prevalent art-related discourse, translations of essays on Western art history and art theory, book reviews, and news of cultural events in the UAE and the Arab world. Members of the Emirates Fine Art Society would participate in each issue's production, with Sharif editing and designing numerous issues. In 1986, Sharif graduated with a degree in theatre design and began working at Sharjah TV, eventually serving as their head designer from 1988 to 1996. Throughout the 1980s and 1990s, Sharif was part of a core collective of five artists who regularly exhibited together. While the group was sometimes joined by transitory artists, the foundational participants, the brothers Hassan and Hussain Sharif, Abdullah Al Saadi, Mohamed Kazem, and Mohamed Ahmed Ibrahim, became known informally as "the Five," after the 2002 exhibition titled 5 UAE held at the Ludwig Forum For International Art in Aachen, Germany.

In 2007, Abdulraheem Sharif, the brother of Hassan and Hussain, transformed his family home and a nearby warehouse into the Flying House, a joint exhibition and studio space and a substitute for Hassan's Satwa home, as a meeting place for artists, writers, and intellectuals to exchange ideas. Abdulraheem, alongside his brothers, Mohamed Kazem, and Dutch artist Jos Clevers, invested in the Flying House to combat the idea that prevailed in the artists' youth – that there was no contemporary art in the UAE. The Flying House, named after a painting by Clevers, now serves as a studio, gallery space, and documentation center for the contemporary art movement in the UAE.

Hussain Sharif exhibited widely throughout his career, both locally and internationally. He participated in most Emirates Fine Arts Society exhibitions and those held in collaboration with the Ministry of Information and Culture, local clubs, cultural centers, and galleries. Sharif also participated in international biennials including the 7th Cairo Biennale in 1998, the Dhaka Biennale in 2002, and numerous international exhibitions such as in Russia, Holland, France, Egypt, and Germany. Sharif also received multiple awards for his work, including the first prize for sculpture at the 1997 Sharjah International Art Biennale and the first prize at the Emirates Art Foundation portrait exhibition in 1998. His work is held in multiple public and private collections, including the Barjeel Art Foundation and the Sharjah Art Museum in Sharjah, the ADCO Oil Company in Abu Dhabi, the Commercial Banks of Dubai, and the Sittard Art Center in the Netherlands.

Arrangement

The collection is arranged in the following series: (I) Exhibition Materials (1980–2007); (II) Press Clippings; (III) Photographic Materials, and (IV) Other Items. Materials are subdivided into subseries by subject or type and arranged chronologically within each subseries.

Scope and Contents

The Hussain Sharif Collection comprises a diverse range of exhibition materials, including press clippings, photographic materials, and other items, providing a detailed insight into Hussain Sharif's artistic practice and the evolution of the fine art scene in the United Arab Emirates (UAE) since the 1980s.

The exhibition materials include a significant collection of rare and valuable catalogs from some of the earliest fine art exhibitions in the United Arab Emirates (UAE). Highlights include several catalogs from the annual exhibition organized by the Emirates Fine Arts Society (EFAS), notably the catalog for the Society's inaugural exhibition held in Abu Dhabi in 1980. Additionally, the collection features other exhibition materials such as catalogs, brochures, and invitations pertaining to art exhibitions that took place in the UAE from the 1980s through the 2000s.

The collection also contains press clippings from local and international newspapers and magazines, which cover exhibitions and art events related to Hussain Sharif's work.

In addition to the exhibition materials and press clippings, the collection contains a comprehensive section of photographic materials, most of which were taken by Hussain Sharif. These materials include numerous prints of the Al Khor area in Dubai from the 1980s and 1990s, captured by the artist, as well as images of his artwork and a few prints from Sharif's travels to London and Berlin. Several sets of photographic slides are also included in the collection, most of which feature Hussain Sharif's artwork. Some slides depict outdoor scenes in the UAE and India in the 1980s and 1990s, along with artworks by other Emirati artists. Also included are a few strips of 35 mm negatives depicting various outdoor scenes in Dubai, taken by Hussain Sharif between the 1980s and 1990s.

Other items in the collection comprise a design for an art magazine created by Hussain Sharif, greeting cards featuring his artwork, and a brochure for a documentary project on Hassan Sharif.

Materials in the collection are primarily in Arabic, with some in English and French.

Subjects

Conditions Governing Access

Digital surrogates only are held by the repository. Based on the agreement with the owner, digital images of selected series/subseries will be publicly available on the NYU Archival Collections Finding Aid Portal. Materials not made available online may be consulted in person at al Mawrid, NYUAD. Researchers should contact nyuad.almawrid@nyu.edu to request details or to make an appointment.

Conditions Governing Use

Intellectual property rights for the Hussain Sharif Collection remain with the artist. al Mawrid Arab Center for the Study of Art does not hold any legal rights over the content of its collections, and therefore cannot grant legal rights to anyone who wishes to publish material. Copyright status has not been determined for all collection items. It is the responsibility of the researcher to clear the rights from the respective copyright holders. All use permissions must be sought from Hussain Sharif through a request submitted to al Mawrid Arab Center for the Study of Art at nyuad.almawrid@nyu.edu.

Preferred Citation

Title or identification of item, date when known, Hussain Sharif Collection, ADMC138, item identifier (Ref. number). Arab Art Archive, al Mawrid Arab Center for the Study of Art, New York University Abu Dhabi.

Immediate Source of Acquisition

Items were borrowed from Hussain Sharif for archival processing and digitization and returned upon completion.

Custodial History

The materials in the Hussain Sharif Sharif collection were created and/or collected by the artist from the 1980s through the 2000s and have remained under his custody. In October 2024, the collection was loaned to al Mawrid at NYU Abu Dhabi for archival processing and digitization. Upon completion of the work at al Mawrid, the collection was returned to the artist in December 2024. Some sections of the collection were initially organized by the artist, which formed the basis for the detailed arrangement carried out by the team at al Mawrid.

Bibliography

1. Allison, Maya, Bana Kattan, Alaa Edris, and Adel Khozam. But We Cannot See Them: Tracing a UAE Art Community, 1988-2008. Edinburgh: Akkadia Press, 2017.
2. Al Qasimi, Hoor, and Karen Marta, eds. 1980-Today: Exhibitions in the United Arab Emirates. Abu Dhabi, UAE: National Pavilion United Arab Emirates la Biennale di Venezia, 2015.
3. Bidshahri, Yalda. "'Khaleej Modern.'" Artforum International, March 2023, 173–74.
4. Derderian, Elizabeth. "Challenging Terms: Contemporary Art and the Disciplining of Novelty in the UAE." Museum Anthropology 43, no. 2 (Fall 2020): 79–93. doi:10.1111/muan.12223.
5. Gronlund, Melissa. "Around the United Arab Emirates." ARTnews 116, no. 3 (Fall 2017): 138–41.
6. Jones, Kevin. "United Arab Emirates." ArtAsiaPacific, January 2, 2018, 178–81.
7. –. "Beyond Safe." ArtAsiaPacific, no. 93 (May 2015): 57–58.
8. Kholeif, Omar, and Candy Stobbs, eds. Imperfect Chronology: Arab Art from the Modern to the Contemporary: Works from the Barjeel Art Foundation. London: Whitechapel Gallery; Prestel, 2015.
9. Taylor, Woodman. "Negotiating New Dynamics. Navigating New Trails." International Gallerie 24, no. 2 (July 2021): 26–47.
10. Sharif, Hassan, Mohammed Ahmed Ibrahim, Mohammed Kazem, and Abdullah Al Saadi. "The Five: They Who Mapped the Way." International Gallerie 24, no. 2 (July 2021): 8–25.
11. Siegal, Nina. "The Foundations of Art in the Emirates." Modern Painters 31, no. 5 (May 2019): 116–19.

Collection processed by

The finding aid was prepared by Ibrahim Mohamed Ali, Maysa Shaer, Anneka Lenssen, and Salwa Mikdadi, with assistance from Roudhah Al Mazrouei.

About this Guide

This finding aid was produced using ArchivesSpace on 2025-03-13 15:45:43 +0400.
Language: The description of the collection was created in both English and Arabic. The Arabic description is under revision. A link to the Arabic description will be added to the finding aid once the revision is complete.

Processing Information

Processed by the team at al Mawrid Arab Center for the Study of Art in 2024, including Ibrahim Mohamed Ali, Maysa Shaer, and Jonathan Burr, with assistance from Nora AlSuwaidi.

The organization of the materials is based on an initial arrangement created by Hussain Sharif, with some further arrangements by members of al Mawrid where needed. The exhibition materials, press clippings, and slides were arranged in a chronological order whenever the date was known.

Arab Art Archive finding aids are prepared in both English and Arabic. Researchers seeking to confirm the Arabic spelling of an artist's name are encouraged to consult the Arabic finding aid. In the English-language finding aids, transliterations of Arabic names are guided by al Mawrid policy to use the artist's preferred professional spelling whenever possible. Spellings are checked against artist websites or social media presence (when existent) as well as any available government documents such as a passport or ID. In the case when no such primary documents may be found, spellings are checked with the Library of Congress Name Authority File (LCNAF) and Subject Headings (LCSH); academic sources such as Modern Art in the Arab World: Primary Documents; Getty Vocabularies / Union List of Artist Names; and in some cases Mathaf Encyclopedia of Modern Art and the Arab World. Al Mawrid Arab Center for the Study of Art maintains an internal Name Standardization Reference List with notes about authoritative sources.

Rather than transliterate Arabic-language titles of documents for the purposes of the English-language finding aid, it was decided for consistency and ease to translate Arabic titles, as well as titles in other languages, into English. Translated titles and phrases are placed inside square brackets.

Repository

al Mawrid Arab Art Archive, NYU Abu Dhabi

Container

E-records: AD_MC_138 (Material Type: Digital Objects)
al Mawrid Arab Art Archive
NYU Abu Dhabi
New York University Abu Dhabi,
Campus Center C2-350, 353-355
P.O. Box 129188, Abu Dhabi, UAE